Categories
Arts

Mastering the art of foodie films

Aside from intellectual property attorneys, who really knows where to get good movie ideas?

Julie & Julia is writer-director Nora Ephron’s film of Julie Powell’s memoir (originally a blog) of the year Powell devoted to making every recipe in Julia Child’s famous cookbook, Mastering the Art of French Cooking. Starring Amy Adams as Powell and Meryl Streep as Child, it is reportedly the first wide-release movie to result from the good ol’ cookbook-blog-memoir combo.

Smells like French spirit! Meryl Streep whips up something special as Julia Child in Julie & Julia.

“Based on two true stories,” says the tagline—nervously, it seems, as if that’s some sort of legal disclaimer, or at least a sheepish admission of fear that neither Powell’s memoir, also called Julie & Julia, nor Child’s memoir, My Life in France, would be enough of a bankable property on its own. Ephron has fused their structures sturdily, if indelicately, and the movie is a peppy helix of two women’s analogous epicurean awakenings: Julia Child’s in Paris in the middle of the last century and Julie Powell’s in New York a few years ago.

Which do you suppose is more interesting to watch? Streep delivers the fond, fun, nuanced impersonation one would hope for, with notable support from Stanley Tucci as Julia’s straight man and graciously loyal husband Paul. The Streep-Tucci chemistry, honed in The Devil Wears Prada, opens here into a tender portrait of a marriage—or, well, at least a sweet sketch of one. Adams’ less commanding Julie, meanwhile, has affable everyguy Chris Messina for a husband, who looks up from stuffing his face just long enough to say, encouragingly, “Julia Child wasn’t always Julia Child,” or to share a moment of bonding over Dan Aykroyd’s classic Child-spoofing “I’ve cut the dickens out of my finger!” sketch on “Saturday Night Live.”

Adams’ disadvantages aren’t her fault. It’s not just that Streep outplays her; it’s that Ephron obstructs her. Perhaps to affect the air of a European matriarch diluting table wine and serving it to her unprepared children, Ephron has watered the material down. Fans of Powell’s book may be disappointed by Julie & Julia’s mainstream safety—by the absence of quotations from True Romance and talk of how “the reason people despise liver is that to eat it you must submit to it—just like you must submit to a really stratospheric fuck.” Instead, Adams’ Julie gets one mincing moment of self-doubt when confronted with the possibility that Child might have read her blog and found it distasteful. “Do you think it’s because I use the F-word every so often?” she says. Tee hee.

Wholesomeness is appetizing, sure, but not if it’s just another artificial flavor. Otherwise, Julie & Julia goes down like comfort food—and goes to show that potential entertainment properties are lurking everywhere. If this film succeeds, it might inaugurate a whole new cinematic subgenre of movies dramatizing the doing of things described in all sorts of instructional books.

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News

Twenty years of local news and arts in the spotlight

Temps have been cooler than usual, but one thing that has stayed hot for four summers running is our annual photo contest. The art director heads to the beach and we turn to you, dear readers, to fill in the picture. Though you share with us images from every imaginable aspect of local life, the winning pictures since 2006 have an obvious common thread—kids! Maybe it’s just a coincidence. After all, the panel of judges changes every year. Regardless, we like to think a youthful spirit pervades every issue of C-VILLE, whether children take the cover or not. Twenty years old and still keeping it fresh: It’s kind of an unofficial motto around here.

 

 

 

 

 

Getting covered

Photo by Johnny St. Ours
July 17, 2006

Photo by Helen Hamady
July 24, 2007

Photo by Sarah Cramer
June 24, 2008

Categories
Living

Where in the world is my Viognier?

Here in Virginia, we have a lot of things to be proud of—birthplace to many presidents, top-ranked universities, a myriad of flora and fauna—not to mention ham, peanuts and apples, oh my! Ask a Virginian to boast about his grapes, and you are likely to hear about Viognier. Sure, our warm growing season nurtures Viognier’s abundant aromatics, and who doesn’t love an alliteration like “Virginia Viognier,” but how much do we really know about this grape that we fancy our own?

FOUR WAYS TO DRINK PRETTY:

Domaine Brusset “Les Clavelles” Côtes du Rhône 2008 (France). Tastings of Charlottesville, $27.95

Praxis Viognier Lodi 2006 (California). Market Street Wineshop, $17.99

Yalumba Viognier 2007 (Australia). Whole Foods Market, $12.99

Blenheim Vineyards Viognier 2008 (Virginia). Blenheim Vineyards, $19

The tale of Viognier dates back to when a Roman emperor brought the vines from Dalmatia to France’s Rhône Valley in 281 A.D. The grape’s most likely namesake is from the Roman pronunciation of “via Gehennae,” which means “road to hell,” alluding to how difficult Viognier is to grow. Highly susceptible to powdery mildew, Viognier yields are low and unpredictable. In fact, between the devastation of phylloxera (if only those pest management courses had been offered the fall semester of 1862!), the abandonment of the vineyards after World War I, and the grape’s finicky nature, by 1965, Viognier was almost extinct with only 30 acres of the vines left in France. In the late 1980s, the United States and Canada took a shot with Viognier, doubling the world’s acreage and setting Viognier back on its pretty little legs.

Let’s move on though, because once you smell a Viognier, you will be in an exotic garden in the mood for romance and this little history lesson will be long forgotten. Just like with a good woman, Viognier is so much more than meets the eye (and nose). Her flowing floral frock and sweet, heady perfume of honeysuckle, citrus blossom, lychee nut, white melon, peach, apricot and ripe pear is just an innocent front for the complexity of her soul. Completely dry and full-bodied (with curves in all the right places), Viognier offers a palate of ripe pear, lemon-lime citrus, almond, spice, peach, apricot, but with enough acidity to entice you to keep on sipping. With the texture of crème brulée, Viognier is reminiscent of Chardonnay, but with more wiggle in her walk than that sometimes dowdy matron of the wine world.

The best wine to me is one that speaks of its upbringing, or terroir, and Viognier is no exception. My inspiration for this column was a Viognier from its original terroir, the Côtes du Rhône. The wine was so indescribably delicious that I was momentarily speechless (until I swallowed it). I then tried to describe the ineffable: “It reminds me of just baked apricots topped with fresh cream, crushed amaretti cookies, and a drizzle of wildflower honey—yet completely dry and in liquid form,” I announced with conviction to no one in particular. I took another sip, half wondering if I had channeled Violet Beauregarde and her Willy Wonka Three-Course Dinner Gum, but managed quite happily to finish the glass without blowing up like a giant apricot.

My old-fashioned tastes always bring me to the Old World for my wine, so French Viognier will always have my heart, but its New World counterparts are pretty fetching too (and often less pricey). From Australia to Virginia, Viognier is worthy of a sincere courtship, rewarding its suitors from first seductive sniff to last satiating sip.

Categories
News

White noise

Ace: So, I’ve been hearing voices. Nixon’s voice, specifically, and he keeps calling me Bob. My wife, she says to me, “Bowie, you may be crazy, but those voices aren’t in your head, they’re at the Miller Center.” What is she talking about? Or is my wife just trying to mess with my mind?—Bowie Meangrove

Bowie, let’s talk about your wife. Remember when you were young and immortal? A filthy, longhaired dreamer? You weren’t the only one: Ace was there too, kind of, in a Strawberry Fields sense. It was 1974, and the House Judiciary Committee had subpoenaed President Nixon for the release of several hundred hours of presidential tape recordings. Ah, Watergate—a small victory for us would-be revolutionaries, and even though the magic bus had run out of flower power by then, the Nixon subpoena made Ace turn, briefly, away from the drink and back to the dream.

Well, the dream didn’t last long. Although Nixon would resign that August, he never went to court for his alleged crimes. But it wasn’t a total wash. The federal subpoena of the Watergate tapes gave the public unprecedented access to the nation’s highest office. Now, nearly 5,000 hours of Nixon’s and other dead presidents’ Oval Office musings remain for your auditory pleasure. Where? You guessed it—the Miller Center’s Scripps Library. Ace visited the Palmer Reading Room and listened to Kennedy sweat over Cuban missiles, to Nixon and Kissinger brood over a young veteran-activist named John Kerry, and to LBJ’s cringe-worthy phone call with Haggar Clothing Co., in which he orders pants custom-fit for his, uh, presidential girth. Ace may never get the phrase “just like riding a wire fence” out of his head.

Anyway, back to the wife. Take a look around, Bowie: an SUV, two-and-a-half kids, beige corridors. You ask Ace why you’re hearing voices, but what you really want to know is where it all went wrong. Well, that voice you’re hearing isn’t Nixon—it’s the ’70s, calling you back to your halcyon youth. Before you married a mind-messing succubus, who calls you “Bowie” to shroud you in a web of lies, you were Bob: J.R. “Bob” Dobbs of the SubGenius cult! So turn on, tune in and take the steering wheel, Bob, because this magic bus won’t drive itself!

Whoa.

You’ll have to excuse Ace. This Kool-Aid’s heartier stuff than he remembered.

You can ask Ace yourself. Intrepid investigative reporter Ace Atkins has been chasing readers’ leads for 20 years. If you have a question for Ace, e-mail it to ace@c-ville.com.

Categories
News

From the ballot box to the bullet box

Even for left-leaning liberal media pantywaists such as ourselves, one thing simply cannot be denied: Virginia is one gun-lovin’ commonwealth, no matter how you slice it. How do we know? Well, suffice it to say that, buried deep in our collective political subconscious, there are incidents of squirrel hunting, snapping turtle shooting and twelve-point-buck dressing that loom so large, we can’t ever fully disavow our love for small-caliber weaponry. And if a state’s effete political columnists don’t reflexively hate guns, then who the hell does?

Then again, Virginia ain’t exactly Texas (where you can find Kalashnikovs in the “Gifts for New Moms” section of your local Wal-Mart), so Old Dominion politicians have always had to walk a carefully calibrated (or is that caliber-rated?) line between embracing gun-owners’ rights and placating safety-obsessed voters—a juggling act made even more difficult by the tragic shooting at Virginia Tech in 2007.

And it’s against this complex backdrop that our two illustrious candidates for governor are currently strutting their stuff, trying desperately to appeal to die-hard Buck Hunter high-score holders without alienating their nervous, college-tuition-payin’ parents.

The unexpected twist is that, this time around, it’s the Democrat, Creigh Deeds, who boasts a long history of supporting gun rights, while his Republican opponent, Bob McDonnell, has traditionally been viewed with some suspicion by pro-gun groups (in fact, the NRA backed Deeds over McDonnell in the 2005 attorney general’s race).

This alternate-reality scenario has already led to some high political comedy, such as last week’s botched overture by Barack Obama to Virginia’s first (and thus far only) black governor Douglas Wilder. Seems that President Obama sent an envoy to Richmond to encourage Wilder to endorse Deeds, only to be rebuffed because Wilder is reportedly still miffed that Deeds opposed the guv’s landmark 1993 law barring Virginians from buying more than one handgun a month. Got that?

So how will it all shake out? Well, it’s hard to say—but it’s safe to say that McDonnell’s probably got the better end of the bargain. Republican voters might tend to be pro-gun, but that doesn’t necessarily mean they’ll vote for Deeds—especially since McDonnell has now pointedly withdrawn his support for the one-gun-a-month law, and is running on the same ticket as AG nominee (and Second Amendment warrior) Ken Cuccinelli.

Paradoxically, even attempts to link the Republican ticket to the party’s fringe elements (like a recent anti-Cuccinelli ad that features footage of 99th District delegate nominee Catherine Crabill ranting that “we have a chance to fight this battle at the ballot box before we have to resort to the bullet box”) might backfire. After all, if the moderates think you’re one of them, and the crazies think you’re one banana-clip away from leading an armed insurrection, you’ve pretty much got the election wrapped up.

Of course, the Democrats do have one gun-lovin’ secret weapon: Jim Webb, the only Virginia politician we can imagine actually leading an armed insurrection. So who knows? With Senator Stone-Face manning the barricades, Deeds might just win this thing after all.

Categories
Living

August 2009: Get Real

The biggest real estate kerfuffle of the summer—lowball appraisals.
 
Many Charlottesville homeowners have had to shelve or cancel plans to refinance or sell their homes due to appraisals coming in much lower—sometimes as much as 12 to 15 percent—than expected.

Why is this happening? Two reasons, explains Bill Hamrick, vice president and branch manager of C&F Mortgage Charlottesville, who sees lowball appraisals as a growing concern among Charlottesville homeowners.

Number one, government-sponsored mortgage investors Freddie Mac and Fannie Mae put new, highly abstemious appraisal rules into effect nationwide on May 1. The new rules are designed to curtail laissez-faire lending practices and freewheeling home valuations that fueled the housing market crash.
 
Number two, “Many appraisals conducted during the boom were inflated to begin with,” says Hamrick. “So a lot of these ‘lowball appraisals’ people are talking about may actually be a more accurate reflection of a home’s real value.”
 
Under the old rules, a homeowner seeking to sell or refinance a home would tell his real estate agent or lender what he thought the house is worth—say, $300,000. The agent or lender would run this number by an appraiser, the inference being this was the target number needed for the sale or loan to go through. If an appraiser came back with a valuation of $270,000—less than the target—the parties involved would obviously want to reconsider doing future business with this person. So it was in the appraiser’s self-interest to manipulate the numbers to better coincide with the target valuation. Not surprisingly, values became inflated. Enter the mortgage meltdown.

The new rules—outlined in a document called Home Valuation Code of Conduct which can be found at freddiemac.com—seek to eliminate the cozy relationship that existed between sellers, mortgage brokers and appraisers.
 
No longer are mortgage brokers allowed to order an appraisal or influence an appraisal report. Indeed, the new code prohibits mortgage brokers and real estate agents from taking any part in the selection of appraisers at all. Critics charge this has led to lenders outsourcing the selection of appraisers to independent appraisal-management companies, who assign appraisers with little to no knowledge of neighborhoods in question.
 
What’s more, appraisers are using short sales, foreclosures and other distressed properties as “comparables,” which distorts property values further. “Banks have suffered huge losses, so they’re leaning on appraisers to be more cautious,” says Hamrack.

What to do if an appraisal comes back less than expected? Unfortunately, right now, not much, says Hamrick.

Last week, the National Association of Realtors urged Congress to pass a bill that would impose an 18-month moratorium on the new appraisal guidelines. The issue is still being debated in Washington.
 
In the meantime, Freddie Mac issued another round of guidelines for lenders (and homeowners) aimed to encourage fair and accurate appraisals. Among their recommendations: utilizing only appraisers who are state licensed and show adequate knowledge of a neighborhood in question.

 

Categories
Living

August 2009: D.I.Y. Diary

Adventures in trim

Top: Painting the trim pieces was half the fun. Bottom: The results made us feel all finished and stuff.

We were very happy to get to the stage in our renovation where we could focus on trim. Nonessential, almost purely aesthetic, trim was a sure sign we’d made progress from our early days of bathroom plumbing and floor-framing. However, the task was intimidating too. Unlike those earlier projects, trim would not be hidden. Our work not only had to be perfect, it had to act as camouflage for a multitude of imperfections.

We began with trim where the tops of walls meet beadboard ceilings. Measuring, cutting, painting and nailing up lengths of 1"x4" went pretty well, especially with the assistance of a nailgun, and we got better at measuring and marking with practice.
 
That was good, because the quirky nature of our old house meant that we needed to use trim pieces of many different sizes and styles. It seemed that at every corner or edge we were inventing something new. We spent many painstaking weeks trotting up and down the stairs to the basement, where the miter saw lives. My favorite part of the job was trimming along the big oak posts and beams we’d installed. Readymade oak “cove,” as it was labeled at the store, needed only to be cut and nailed, with no priming or painting.
 
Best thing about trimming? Just as we’d hoped, it really made us feel like we had completed something. It was the icing on the cake. And we no longer have to gaze at our earlier shortcomings.


Categories
Living

August 2009: Instant Decorator

 

Tray chic

If you’re a true Recessionista, you know the benefits of repurposing. This month’s project, then, is tailor-made for you. What was once an old tray now becomes a kitschy—yet chic—bulletin board, complete with magnets, for all your last-minute reminders. The best part? It’s almost embarrassingly easy.—Caite White

Materials: One metal tray (found at Goodwill or a local thrift store); super glue; saw tooth picture hanger; nail.

Tool: Hammer.

Glue picture hanger to the back of the tray.

Hammer a nail into the wall.

Hang the tray on the nail.

Materials: Three big buttons; super glue; small, round magnets (found at any craft store).

Glue button onto a magnet.

Enjoy!

Categories
Living

August 2009: Family food

No surprise: Lynsie Steele, who owns the Waynesboro-based gourmet ice cream business Perfect Flavor, is a foodie. She owns four copies of Julia Child’s classic Mastering the Art of French Cooking—including one signed by Child. “I cried when Colin gave it to me,” she says.

That would be Colin Steele, Lynsie’s husband. Their shared passion for food would be evident to any visitor walking into the kitchen of their Albemarle house, even if the Steeles themselves were not in the room. But then, they’re very often in the room. They’ve made their mark on it through hours and hours of cooking there, and through a recent renovation that brought in bright Mediterranean colors and an updated look.

The pair met several years ago at Greenberry’s, where Lynsie worked and Colin was a customer. Even though they “never exchanged more than 10 words,” as Colin says, they noticed each other—Lynsie could feel Colin’s presence whenever he walked in, even when her back was turned.

Eventually, she left to start her business. Six months later, some friends invited her to a party, at the home of someone she didn’t know. That someone turned out to be Colin. And in a fleeting moment during the party, standing in the kitchen, they fell in love. “We started talking and it was like no one else existed,” says Lynsie. “It was like the world fell away at that moment,” Colin adds. Later, Lynsie was reaching to put crackers away in one of Colin’s cabinets and “had this flash of doing that motion hundreds and thousands of times my whole life.”

Now, the pair are weaving a life together and with Colin’s two children, 13-year-old Nick and 10-year-old Kate. “Our kitchen is the beating heart of our home,” says Colin. “We do all of our cooking, eating, and socializing here; we have our fights, we make our plans.”—Erika Howsare

Lynsie: “Our relationship started in the kitchen and it’s grown in the kitchen. Our first batch of ice cream was in here.”

Colin: “We catered our own engagement party. When we got married we had Lynsie’s friend Ingrid, who’s an amazing chef, cater it for us out of this kitchen. We got married at our house. It’s a really important house to us.

“The house was built in ‘66 when the kitchen was a different place culturally. It was all closed off. There were salmon-colored countertops and the rest was stark off-white. We knocked out [a former wall that’s now a breakfast bar] and got rid of the closet. There’s tons of soapstone all over the property so [making countertops out of it] was the first thing we did. I love it. You can beat the hell out of it, put hot pans on it…”

Lynsie: “My favorite part is a different knob for every door.”

Colin: “We pulled the cabinets down and painted them. I did the lighting. We got a nice stove and put in gas—a propane tank.”

Lynsie: “We don’t have a microwave. It’s not 30-minute meals. On a life level, we have trouble hearing people say ‘I don’t have time to cook.’ We both have demanding full-time jobs but we cook from scratch. If we have mac’n’cheese it’s all from scratch. Not only is it better for us health-wise but it’s a great education for the kids. We share responsibility really equally about cooking. The kids are in here and they’re like, ‘What can I do to help?’ They can make things that a lot of adults can’t make; they can make bread better than me. They can whip up a salad dressing, roast vegetables, chop an onion the right way. If we sleep in on the weekend we hear pots banging and they’re making breakfast.

“People ask us [if we’ll expand the kitchen]. But I think it’s the perfect size. All the drawers are full; everything has its place. We do need a bigger fridge, though. We get excited and cook for 10. We’re trying to get better about using leftovers.

“This was the family life I did not have growing up because my mother never cooked. We had frozen dinners, fast food. I used to watch ’50s sitcoms and wish it was like that. Here I am in 2009 and I’ve recreated that ’50s sitcom. My idea of a home and a family is good smells coming out of the house. Colin wanted the same thing—having a family in this environment where your existence revolves around food.” 

 

 

Categories
Living

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