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Arts

ARTS Pick: Alessio Bax

Concert pianist Alessio Bax graduated with honors from his Italian hometown’s conservatory at the tender age of 14. He went on to study with some of the world’s most acclaimed classical musicians, played in revered halls around the globe and performed as a chamber musician alongside Emanuel Ax, Joshua Bell, Steven Isserlis, Andrés Díaz and Nobuko Imai. Bax has also piled up major awards including the top prize at the 2000 Leeds International Pianoforte Competition and the 1997 Hamamatsu International Piano Competition.

Tuesday 12/2. $12-33, 7:30pm. Old Cabell Hall, UVA. 924-3376.

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Living

Counter intuitive: The hidden dangers of drug store staples

From aspirin to antacids, we take it for granted that there are dozens of medications readily available for purchase without a prescription. The familiarity of these products in everyday life implies a degree of safety when used properly, and it is not a large stretch to assume that they are similarly safe in pets. But cats and dogs are not furry little people, and while some of these products can be used in specific situations, they were not designed with the unique biology of our pets in mind, and come with surprising dangers.

Nonsteroidal anti-inflammatory drugs (NSAIDs) are easily the most common over- the-counter toxicity seen in pets. These drugs are all relatives of Aspirin, and include Tylenol, Advil and Aleve, among others. Dogs usually become poisoned when they get into an entire bottle, but other cases are due to deliberate administration by well-intentioned owners. Some of these drugs have a very narrow dosing range, made even smaller by the tiny size of most pets. Just to make things even more confusing, many people don’t realize that these are all different drugs that come in widely varying doses, so “two tablets of aspirin or Advil or something” can mean anything from mild stomach upset to kidney damage, leaving veterinarians to puzzle over how aggressively the patient needs to be treated.

Cats get a special mention when talking about NSAIDs. Their livers work very differently than ours do, and they are unable to safely process and eliminate these compounds. While it may seem sensible to give a Tylenol to a cat that’s in pain before taking him to the vet, it only serves to add insult to injury. This entire class of medication should be considered outright poison to cats unless explicitly advised otherwise.

Antihistamines are another common sight on store shelves, and most of us have probably taken a few to combat seasonal allergies or a nasty bug bite. This class is fairly safe in general, but its packaging can lead to dangerous confusion. Benadryl is, perhaps, the best known brand of antihistamine, and many pet owners are familiar with using it in itchy dogs. But that brand name is also applied to a variety of cough syrups that may contain additional medications, some of which can be dangerous in pets. Even if you’ve used these products with your animals many times before, it’s always worth double-checking that you’ve picked up the right box.

It’s a common assumption that “natural” products are inherently safer, but they come with concerns as well. As alternative treatments become more popular, so do the side-effects of using them in pets. Tea tree oil, for instance, is used commonly to soothe minor skin infections. And in small amount, it’s generally tolerated well by dogs. But cases of severe toxicity (usually vomiting and tremors) are growing more common as pet owners try using them to treat more severe and generalized skin disease.

There are far too many over-the-counter products to cover individually, but I hope these examples illustrate the point. While the scrapes and sniffles of everyday human life can be made more bearable by non-prescription therapies, they are not always intended for similar use in our pets. Some require careful dosing, and others simply shouldn’t be used at all. It’s always worth giving your veterinarian a call before administering new medication to a pet, no matter how safe and simple it might seem at the time.

Dr. Mike Fietz is a small animal veterinarian at Georgetown Veterinary Hospital.  He received his veterinary degree from Cornell University in 2003 and has lived in Charlottesville since.

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Arts

Album reviews: Foo Fighters, Larkin Poe, Project 86

Foo Fighters

Sonic Highways/RCA Records

At this point in its storied career the Foo Fighters have carte blanche to do whatever the hell they want, and Sonic Highways is the proof. It’s a concept record—each of the album’s eight songs is inspired by and recorded in a different American city—that doesn’t feel self-serving because it focuses on the history and cultural sensibilities of each location, giving the record texture and cohesion. “Something for Nothing” runs on the signature, hook-filled brand of rock that the band is known for, and the Arlington, Virginia-inspired “The Feast and the Famine” harkens back to the rip-roaring tunes on The Colour and the Shape, but then the Foos toss in some country-tinged rock on “Congregation” and play with the legendary Preservation Hall Jazz Band on “In the Clear” just to keep you on your toes. There’s less about personal demons and relationships than on other Foo Fighters albums—this record examines the nation’s musical pulse and marks an unusual entry in its discography.

Larkin Poe

Kin/RH Music

Rebecca and Megan Lovell are sisters in life and in rock ‘n’ roll, and after four years of touring, five EPs and performing as backup singers for Elvis Costello and Conor Oberst, the duo is releasing its first full-length album, Kin, and it is a beauty. From the sassy, hip-shaking “High Horse” to the seductive, suggestive Americana track “Sugar High,” the Lovells show that they are just as dynamic vocally and lyrically as they are musically, incorporating electric, acoustic and lap steel guitar work with aplomb. The groovy “Jailbreak” impressively mixes rock with country and a dash of Motown soul to great effect, and the intoxicating “We Intertwine” is irresistible. This debut is sure to create a big buzz for Larkin Poe in 2015.

Project 86

Knives to the Future/Team Black

“No retreat/There’s nothing behind me.” These lines from the title track to Project 86’s Knives to the Future sum up the tone of its latest album nicely. Blistering guitars, thunderous drums and rumbling bass all surround singer Andrew Schwab’s bellows on a cacophonous battlefield aptly defined by song titles like “Captive Bolt Pistol” and “Valley of Cannons.” As nu-metal and post-hardcore music goes, this is an intriguing record because it plays like an exorcism of demons, yet it’s much more of a self-determined war cry. The raucous, plodding “Acolyte March” is dark and apocalyptic, evoking images of angels and demons preparing for battle, while the melodic “Son of Flame” provides one of the starkest visual moments with a savior-
like figure entering the picture as a means of hope amidst crushing oppression.

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News

Name changer: Trademark claim threatens local restaurant

With former UVA scholar Edgar Allan Poe dead now since 1849, you might think everything about him is in the public domain. Not so. Just ask the owner of Poe’s Public House on the Corner, who may have to change his restaurant’s moniker after he received letters warning him that the name is taken.

Joe Fields bought the former No.3 in May and got a new sign for Poe’s Public House at the beginning of the school year. In early November, he received cease-and-desist letters that claimed a registered trademark from an attorney representing Poe’s Tavern in Sullivan’s Island, South Carolina and Atlantic Beach, Florida.

“I was in shock,” said Fields. “I was sort of thinking it was some kind of hoax.”

Fields is a first-time restaurateur who spent the summer starting his new, Southern-style, Poe-themed eatery. He said his lawyer has advised him to change the name, and that means a new sign, menus and lost advertising that will cost him between $3,000 and $4,000.

“It hasn’t been easy,” he said. “We’re not rolling in money.” But things seemed to being going well, he said, “until this monkey wrench.”

Trademark registration gives the holder rights to a name throughout the United States. Even though the Poe’s establishments are in different states, because they both serve food and beverages and have similar names, customers could confuse them, according to a trademark attorney. Fields says he was advised to come up with a new moniker “unless we want to go to federal court.”

Fairview Dome LLC registered the Poe’s Tavern trademark with the U.S. Patent and Trademark Office in 2012, after an earlier 2004 application for the mark had lapsed in 2006. Russell Bennett is a co-owner of the two Poe’s Taverns, and has just gotten the go-ahead for another Poe’s Tavern in Wrightsville Beach, North Carolina.

“We think the similarity of Poe’s Public House’s name, logo, signage and concept to ours is likely to cause confusion between the two restaurants,” said Poe’s Tavern co-owner Riddick Lynch in an e-mail. “Poe’s Tavern has also been considering Charlottesville and other Virginia cities as potential markets for a number of years. This is the first time we have sent a letter like this.”

Both the Tavern and the Public House use Poe’s doleful visage on their websites and menus. And even though they’re not in the same state, there’s a legal argument to be made that consumers might think the two are affiliated, explained UVA Law Professor Margo Bagley.

Other factors a court would consider, she said, include the similarity of the marks, of the goods and services and of advertising, as well as the defendant’s intent and actual consumer confusion.

“I would be surprised if these were the only Poe’s restaurants in the country,” said Bagley.

And indeed, the owner of Poe’s Pub in Richmond said the Poe’s Tavern lawyers have not contacted him. “I’ve been here 20 years,” said Mike Britt. “It was already named Poe’s Pub when I bought it. I’ve been to Poe’s Tavern on Sullivan Island. It’s nice. But I was here first.”

“Timing is very important,” said Bagley.

And that was a factor when the lawyer of legendary film director Francis Ford Coppola sent a stern letter to Michael and Tami Keaveny (she’s arts editor at C-VILLE Weekly), owners of tavola restaurant in Belmont, advising them that Coppola held the trademark to “a tavola,” which means “to the table” in Italian. Coppola’s restaurant, Rustic, in Geyserville, California, uses the term to describe its family-style service.

“We came up with our name before them,” said Michael Keaveny, who opened the restaurant in 2009. The Coppola attorney warned Keaveny not to expand beyond one restaurant, not to try to trademark the name, not to offer any other products or services using the tavola name and not to change the style of its logo.

“It came across to me as bullying,” said Keaveny, whose favorite movie is The Godfather, a Coppola classic. “This guy is supposed to be an ambassador of Italian culture in America, and he’s coming after a mom-and-pop Italian restaurant. And he doesn’t own a restaurant named ‘Tavola’.”

Tavola Italian Kitchen in Novato, California, about 50 miles from Coppola’s Rustic restaurant, countersued when the iconic director went after its use of Tavola. “[T]he name of a type of dining experience cannot be trademarked,” said Tavola’s lawyer, Robert Helfing, in an e-mail. “That was our point. It’s as if some restaurant claimed exclusive rights over ‘family-style dining,’ which is what ‘a tavola’ means. Some might call the lawsuit trademark bullying. I think Coppola’s people were upset because both restaurants were located along the same California freeway, albeit an hour’s drive apart.”

The lawsuit was settled in 2013. Tavola Italian Kitchen in Novato closed its doors in January 2014.

Restaurants with the same name can and do coexist. Sakura Sushi and Noodles on 14th Street and Sakura Japanese Steakhouse in Hollymead Town Center both operated in Charlottesville for about eight years. Sakura Sushi predated the steakhouse chain, but the sushi restaurant has since gone out of business.

Bagley recommends that businesses trademark their names to provide nationwide notice of their rights. If someone registers a trademark that another business already was using for similar goods or services, the first user has five years to challenge the registration for confusing similarity, she said.

Brian Poe is the chef and owner of several restaurants in Boston, including Poe’s Kitchen at the Rattlesnake, and he says the eponymous kitchen is named for his food, not the author—even though E.A. Poe was born in Boston and the city recently erected a statue of him.

Poe has not received a letter ordering him to stop using the name, and in an e-mail, said he has a Poe’s Tavern baseball hat and would welcome a Poe’s Public House T-shirt and Poe’s Pub bumpersticker. “I love all things ‘Poe’,” he enthused.

But apparently, not everyone is so enthusiastic about sharing a name.

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News

A tangled Webb: Virginia’s one-term senator aims for the White House

Odd Dominion is an unabashedly liberal, bi-monthly op-ed column covering Virginia politics.

If you had asked us a month ago to name which politician would be the first to officially challenge Hillary Clinton’s (as yet unannounced) bid for the Democratic presidential nomination, we probably would have picked former Maryland Governor Martin O’Malley, or perhaps Vermont’s rumpled socialist Senator Bernie Sanders. And if you had asked us to narrow it down to just politicians from Virginia, we probably would have picked Mark Warner before we thought of Jim Webb.

Yes, there were rumors that Webb was considering a bid, but we just couldn’t believe that a man who so hated the Senate’s glacial pace and forced glad-handing that he quit after one term would actually mount a campaign. But there he is, all over the YouTubes, looking like a guy in a get-rich-quick infomercial as he ponderously intones that “thousands of concerned Americans from across the political spectrum have urged me to run for President.”

Of course, this was just an announcement that Webb is forming a presidential exploratory committee, but the fact that he was first out of the gate implies that he really thinks he can give Clinton a run for her money (and believe us, there will be a lot of money).

One thing Webb makes clear in his announcement is that he will be running as a uniter and a centrist, someone who can “create an environment where leaders from both parties and from all philosophies would feel compelled to work together for the good of the country.” How this differentiates him from Hillary Clinton he doesn’t exactly say.

Don’t get us wrong—we like Jim Webb. We find his pugnacious, no-bullshit attitude refreshing, and enjoyed how willfully he ignored political niceties while he was in office (this is, after all, a man who began his Senate career by walking angrily away from President George W. Bush at a White House reception, and was rumored to carry a concealed weapon in the capitol—rumors fueled by the fact that one of his aides was arrested entering the Russell Senate Office Building with a briefcase containing a loaded pistol and two full magazines). But the idea that he can wrest the Democratic nomination from Hillary by being even more pragmatic and compromising seems laughable, at best.

As if to underscore the size of Webb’s challenge, President Obama completely eclipsed his announcement less than 24 hours later by announcing a set of sweeping changes to the U.S. government’s immigration policies. Even though the changes were relatively modest, and well within the historical norm (almost every president since JFK has taken similar executive action), the GOP promptly exploded into apoplexy, with various Republican members of Congress threatening government shutdown, impeachment and worse.

In a revealing profile of Webb in The New Yorker, Ryan Lizza reports that, according to friends, what might really be driving Webb’s presidential ambitions is a sense that his contributions as a senator (including a suggestion to then-Secretary of State Clinton that the U.S. normalize relations with Burma) were never sufficiently acknowledged. True or not, it’s definitely the most believable explanation we’ve heard for the man’s quixotic presidential quest.

The question is, can a one-term senator well out of the public eye ride a political grudge all the way to the White House? A quick shake of the Odd Dominion Magic 8 Ball gives the answer we suspected all along: “Outlook not so good.”

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News

Lights, cameras, substation: Corner safety in focus

Hannah Graham’s name was not mentioned in the University of Virginia press release about a safety advisory committee’s recommendation for a police substation on the Corner, but the second-year’s national-spotlight disappearance from the Downtown Mall in September and the subsequent discovery of her remains was clearly the impetus. It’s also driving a heightened awareness of the need for greater security near Grounds that has Corner businesses adding cameras and lighting.

“That was a catalyst,” said University Police Chief Michael Gibson. “We look at things we can do better.”

The proposed police substation would be staffed from 9pm to 3am during prime partying times: Thursdays through Saturdays. Temporary structures, including a kiosk, are being considered, said Gibson, especially to get something in place mid-January, around the time UVA students return from the holiday break. A rental property is another option, he said.

According to Gibson, nothing is off the table, including hiring additional police and security officers, increasing patrols in the neighborhoods around the University and installing blue light emergency phones.

How seriously the community was shaken by Graham’s disappearance is evidenced by the top officials sitting on the advisory committee: UVA executive Vice President and Chief Operating Officer Patrick Hogan, Charlottesville City Manager Maurice Jones and Albemarle County Executive Tom Foley.

“We believe the new police substation will greatly improve the ability of law enforcement to protect and serve the area adjacent to the Corner during what is arguably the busiest time of the week,” Hogan said in the release. “This is an important first step in our renewed effort to partner with the city and county as we all work together to enhance the safety for students, faculty, staff and local residents.”

Graham’s disappearance and the discovery of her remains a month later has galvanized some Corner landlords, such as former Board of Visitors member Hunter Craig, who added lighting and security cameras, according to two of his tenants.

Poe’s Public House now has security cameras out front and new outside lights in the back of the building, according to owner Joe Fields. “He really took it to heart,” he said of Craig, who did not respond to a request for comment.

“We made dramatic changes at the store with lighting,” said Mark Lorenzoni, owner of Ragged Mountain Running Shop on Elliewood Avenue. “Hunter Craig—he took the initiative with that.” The lights go on as soon as it’s dark. “It’s amazing how lit up it is,” added Lorenzoni.

The White Spot also added a camera in the wake of Graham’s disappearance, said Daniel Sanchez at the restaurant.

Other businesses already have cameras. For instance, Boylan Heights has 12 cameras that were installed over the past three years, said bartender and server Chauncie Thrift.

“We feel very strongly about kids taking care of themselves,” said Lorenzoni, who after nearly 33 years at Ragged Mountain Running, has seen a lot of UVA students come through, and has 35 working at the store now.

“We have had an ongoing message with them about personal safety, taking care of their bodies and drinking safely,” said Lorenzoni, who with his wife takes on an almost parental role.

Many Corner businesses are also participating in the University’s bystander awareness campaign known as Hoos Got Your Back, which emphasizes the responsibility of everybody in the community—including restaurant and bar staff—to be vigilant when it comes to sexual assault.

That mission “has stepped up with the tragedy this fall,” Lorenzoni said, even though Graham’s alleged abduction happened more than a mile away from the Corner. “Watch your back, and check who’s looking after your friends,” he said.

Not everyone said that safety is a problem near Grounds. “We don’t want to be involved in a story about safety on the Corner,” said Chris Hendricks at Mincer’s. “We think it’s very safe.”

And even in the wake of Graham’s death, some things haven’t changed, said Fields at Poe’s Public House. “We’re getting out of here at 3 and see girls walking by themselves,” he said. “We try to get them in a cab.”

The young women, said Fields, “think they’re invincible.”

Categories
Living

Arcade-restaurant combo Firefly opens, Local Food Hub turns 5, and more local restaurant news

Woolen Mills barcade Firefly makes its debut

It’s been a long three months for Mark Weber and Ben Quade, the masterminds behind Charlottesville’s newest dinner-and-drinks spot. Weber bought the two-story Woolly Mammoth space at the corner of Market Street and Meade Avenue in July of this year, shortly after he began intensive chemotherapy for a stage three malignant tumor. Despite the fact that he had no prior food industry experience, he envisioned Firefly, a restaurant-bar-arcade combo, with old school video games, TVs, booze and locally-sourced food.

With the help of long-time local restaurant and bar manager Quade, Weber’s girlfriend Melissa Meece, and new-to-town chef Peter Robertson, Weber welcomed a full house of friends, family and restaurant industry folks at last week’s soft openings, and Firefly officially opened for business on Saturday, November 22.

“The soft openings have gone really well,” Quade said. “Everyone seemed to really enjoy the food, and we’re really excited about the space.”

Since taking on the project this summer, Weber and Quade have gutted the place, installed a new wooden bar, lined the walls with locally made tables and chairs and invested in two pinball machines, two pool tables and old favorite arcade games like Ms. Pac-Man. Quade said they’re hoping to add more games to the collection, but the space may not be conducive to things like skee-ball or air hockey.

“We did break out the ping pong table the other night, which I could see being a late-night thing once dinner service is over,” Quade said.

There’s no cocktail menu for the time being, but the bar is stocked with local brews, a small selection of liquors and sugarcane sodas. Keep an eye out for happy hour specials Tuesday-Saturday. At last week’s soft openings, guests got to try small-plate portions of some of the menu staples created by Robertson, a graduate of the Culinary Institute of America and former owner of a small prix fixe restaurant in New York. Trays of miniature burgers, fries with sage and other herbs, creamy mac and cheese with bacon and braised local pork over grits floated around, and the full menu will also feature appetizers, salads and desserts. No brunch menu yet, but stay tuned.

For now Firefly’s hours are Tuesday-Thursday 4-11pm, Friday and Saturday 4pm-midnight, and Sunday 1-6pm.

Celebrating local

Charlottesville’s Local Food Hub, a nonprofit that looks to make food from local farms more accessible, announced the winners of its Community Food Awards during a fifth birthday celebration on November 20. This year marked the return of the Hub’s $1,500 cash prize for Innovation in Agriculture, provided by Bundoran Farm by Natural Retreats. Yoders’ Farm (Campbell County) took home the cash and esteem for using repurposed equipment to heat sterilize its hydroponic tomato growing medium.

Charlottesville-based award winners included UVA’s Observatory Hill Dining Hall (Bill Shields, production manager), The PB&J Fund and the Emergency Food Bank. Other award winners were Dickie Brothers Orchard (Partner Fruit Producer), Walnut Winds Farm (Partner Vegetable Producer), Wenger Grape Farms (Pioneer in the Field), Hartland Natural Farm (Rookie of the Year), Whole Foods Market Fairlakes (Retail Leader) and D.C.-based Glen’s Garden Market (Small Business, Big Impact).

“The Community Food Awards is a special opportunity to highlight farmers, businesses and institutions for their commitment to making access to local food the norm, not the exception, for all segments of the community,” Local Food Hub Executive Director Kristen Suokko said. “We are honored to be celebrating our fifth year among…those who have provided crucial support to Local Food Hub’s efforts to provide access to healthy, farm sourced food for everyone.”

Working on wine

Want to know if winery owner and consultant Michael Shaps has true vino cred? You’ll likely have to start by tracking him down in France. When he’s not working on his recently expanded local libation operation, Michael Shaps Wineworks (née Virginia Wineworks), Shaps is boots-on-the-ground at his Burgundian winery, Maison Michael Shaps, in Meursault.

Shaps announced last month he had bought out his former Virginia Wineworks partner, Philip Stafford, renamed the operation and spent $1 million to increase production by 50 percent and add a tasting room. Shaps said construction plans are also underway for a new 10,000-square-foot warehouse facility.

“We are going forward on a different scale,” Shaps said. To help finance the growth, majority stakeholder Shaps has brought in three additional partners. “It’s going into a new phase, and it includes a lot of growth and diversity and other potential investments down the road,” he said.

So what happened to the Shaps/Stafford partnership, which made Virginia Wineworks the first and largest contract winemaker in Virginia? Both Stafford and Shaps say they had conflicting visions for the business. Shaps said Stafford offered to sell him his 50 percent stake in the business when it became clear they wanted to go in different directions.

“It was time to make an exit,” said Stafford in an e-mail.

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News

Calling West Main ABC “a menace,” locals petition for closure

More than 30 prominent Charlottesvillians, including Delegate David Toscano, City Councilor Bob Fenwick, neighborhood association presidents and West Main Street business owners, have signed a letter to the Virginia Department of Alcoholic Beverage Control demanding that the West Main Street store be moved because of the unsavory behavior it brings to the neighborhood.

“The store is a public menace in its present location,” wrote Michael Signer, the local attorney and president of the Fifeville Neighborhood Association who is leading the effort to force the store out of the West Main corridor when its lease expires on May 31, 2015. The letter cites more than 1,500 criminal complaints in the two blocks surrounding the store since 2011, and in an interview, Signer said he has witnessed numerous instances of public urination, drug dealing and blocking public access when he’s walked in the area with his wife and children.

The ABC has met four times with the community about its concerns, according to spokesperson Becky Gettings, and has made some changes, such as additional security cameras at the store, increased trash pickups and repackaging popular mini-bottles into 10 packs rather than singles.

That didn’t satisfy critics. “The last straw came in October when the ABC refused additional reasonable measures we requested, including putting a security guard on premises and establishing active new programs to protect the large vulnerable populations at the three shelters within walking distance (the Haven, the Crossings and the Salvation Army),” said Signer in the letter. “That’s when we decided enough is enough.”

Charlottesville Police Lieutenant Steve Upman said the numbers police sent the community leaders are raw data, and include EMS and fire reports, as well as incidents that are called in but are considered unfounded or unverified.

“We have no indications that the ABC store is responsible for the crimes that take place in the two-block area,” said the ABC’s Gettings, who said statistics from the Charlottesville police show that complaints of public drunkenness have decreased by almost half in 2014 compared to the prior three-year average.

Not everyone supports the store’s ouster.

“Where are local people who don’t have cars supposed to go?” asked Mel Walker, owner of Mel’s Cafe on West Main and a lifelong area resident who is concerned about people moving in from other places and trying to change the neighborhood. “There will always be people who are homeless and who like to drink,” he said. “If you don’t like that, you should move to the suburbs.”

Blue Moon Diner owner and letter signer Laura Galgano said she’s had issues with littering and public drunkenness outside the restaurant, and she no longer allows public use of the diner’s bathroom after having to call a plumber multiple times. She has also long been frustrated by ABC patrons using her restaurant’s parking lot.

“I think gentrification may be part of the reason” people want the ABC store closed, she said, “but it’s not all the reason. I don’t see us as a gentrifying organization. For me, it’s the abuse of my parking lot.”

City Councilor Kristin Szakos is aware of the gentrifying aspects of high-end shops, and the new hotel and high-density residential structures going up on West Main that can push people out. “On the other hand,” she said, “liquor stores have always targeted low-income neighborhoods where people struggle with addiction. They’re there for a reason.”

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News

U.S. Attorney Heaphy steps down, takes defense position

U.S. Attorney for the Western District of Virginia Timothy Heaphy is stepping down and switching sides in the courtroom, having accepted a position as head of “White Collar Defense and Government Investigations” for an international firm in Richmond, according to a November 25 press release announcing his departure, which will take place at the end of the year.

Heaphy has served as U.S. Attorney in this district since 2009, when he was sworn in by Attorney General of the United States Eric Holder, who described Heaphy in a recent statement as “a champion of the cause of justice” and a “fierce advocate for groundbreaking community outreach initiatives.”

During his more than five-year tenure, Heaphy has led multiple high-profile prosecutions, including the Rugby Road fake ID ring. That prosecution resulted in the convictions of three people and the recovery of millions of dollars. Heaphy has also led the investigation into a string of burglaries and the murder of off-duty Waynesboro Police Captain Kevin Quick, an allegedly gang-related crime for which eight individuals have been charged.

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Arts

New direction: Miller Murray Susen puts on the bossy pants

Less than a week before opening night, Miller Murray Susen, the director and author of Four County Players’ holiday adaptation of Little Women, has one priority: to keep things calm.

“I’ve never directed a full-length play and been in charge of adding in all the tech stuff,” said Susen. “I seriously don’t have a great benchmark to judge how we’re doing, but in terms of my anxiety level, it’s manageable.”

Though she’s new to the helm of tech week, Susen has worked as assistant director on a number of local shows, including her own adaptation of last year’s A Christmas Carol in which she also performed (alongside her theatrically inclined husband and their two likewise inclined children).

It was during that performance that Gary Warwick White, the production manager at Four County, asked Susen if she would be interested in revisiting a show they’d done in 2002 and giving it her own spin for the holiday season.

Little Women is a book I read at least once a year until age 9,” Susen said with a laugh. “It was one of my seminal girlhood books, along with Little House on the Prairie, Emily of New Moon and others. Of course I was interested.”

Childhood obsession was the perfect entrée to the adaptation process. “The first thing I did was make a list of all the things that I would be sad [about] if they weren’t in the show,” she said, then rattled off a list of scenes including Amy burning Jo’s manuscript, “the Christmas play with the disaster at the end” and the failed dinner party. But her focus on a festive theme meant she needed to pare the story down significantly.

Written in 1868 by Louisa May Alcott, Little Women tells the story of the four March sisters—Meg, Jo, Beth and Amy—who wait for their father’s return from the Civil War, fall in and out of love, and grow from girls into women.

“I didn’t know until we did research that the book we buy in stores today is actually two books put together,” Susen said. “The nice part is [that in the first half], Beth gets sick but recovers. She dies in the second book. Not to spoil it but, you know, no teenagers were harmed in the making of this book. The other bonus is you don’t have to find a teen actor who is able to realistically die of a wasting disease.”

But, she added, “I cast a Beth that not only has 10 years of piano experience but also has an amazing ability to look legitimately extremely ill. It’s worrisome, really.”

In addition to specific scenes, Susen wanted to include certain lines she knew from memory. She based the structure on a year, from Christmas to Christmas, so the novel’s emphasis on seasonality and nature could be reflected in the set.

The transition from writer to director was an easy one, she said. “I think about stuff like where the beats would be when I write, so I think it’s a huge advantage to direct something you’ve written. Rehearsals were wonderful, so enjoyable, because I went in totally confident. I am the expert on this play.”

In fact, she said, this project has helped shift her perspective of her own role in theater. “I spent a lot of time [in childhood] bolstering my vision of myself as a professional actor. I took voice lessons and three dance classes a week and went to theater camp,” she said.

But in high school, things went a little sour. “No doubt I was sensitive and overwrought—I was a drama teen—but I had bad experiences with directors,” she said.

Susen elected not to apply to a conservatory but to do theater as a hobby in college and gave the dream one last shot with summer stock. “It was a terrible experience,” she said. “I felt like there were a lot of neurotic unhappy people working in theater, and I felt like I was too sensitive.”

After traveling for a year, Susen moved to California, where she got a job in book publishing, got married, moved again and got another job as a website project manager and copywriter for brands like Keebler. “It was a long and lonely period of professional confusion,” she said. “I was being realistic and making money, but I realized people are crazy everywhere.”

She took a crack at writing the great American novel and began freelancing as a copywriter before having babies. After moving back to Charlottesville, she started blogging about parenting and writing articles for C-VILLE, among others. She also auditioned for Rent at PlayOn! Theater. “I had always wanted to do the show, and I got cast,” she said.

Susen went on to perform with Live Arts and Four County Players, and found herself back in the theater world. During Little Women she realized that her historical issues with directors occurred “because I’m a director,” she said. “I didn’t realize how bossy I am and how satisfied I am as a boss. Those years when I wasn’t being creative—I wasn’t happy,” she said. “Making things with other people makes me really happy.”

That philosophy informs her approach as a director. Especially in local volunteer theater, she said, “you want the end product to be good, but in the meantime you want to have fun. Everyone is doing it for the love, not the money. I think artists get caught up in making art with a capital A, but I’d rather create an experience where people feel relaxed and engaged and invited in, and they can walk away saying that made me think but I also had some laughs. I prefer to define success differently.”

Little Women runs through December 14 at Four County Players in Barboursville.