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It’s Capsaw’s world

It’s Capshaw’s world …we just live in it
Real estate mogul Coran Capshaw may not be the biggest developer in town, but he’s the glitziest

A whiff of development was in the air on a recent gusty spring afternoon. As it blew across W. Main Street, a stiff breeze carried the smell of freshly cut sawdust from the Walker Square apartments, which were rapidly rising on land adjacent to the train station. The new buildings are one of the latest projects of Coran Capshaw, the local real estate magnate, owner of Musictoday.com and manager of Dave Matthews Band.

   Many Charlottesville residents, even those outside of real estate and City planning circles, would likely finger Capshaw if asked who was the brains and bucks behind Walker Square. In fact, Capshaw’s name is often whispered as the suspected developer behind projects that have nothing to do with him. This is because Capshaw has become the public’s imagined puppeteer behind Charlottesville’s growth; he’s the developer people think of first when they see Tyvek panels and construction crews.

   Yet Capshaw is hardly the only major developer at work in and around Charlottesville. Both Wendell Wood’s United Land Corporation and Dr. Charles Hurt’s Virginia Land Company own massive swaths of Charlottesville and Albemarle County and have stakes in controversial projects such as the Hollymead Town Center—the Martian landscape that will soon be home to Target and other big-box retailers. But despite their holdings, Hurt and Wood seem to slide under peoples’ radar screens.

   Capshaw’s visibility doesn’t stem from any effort on his part to seek the spotlight. In fact, he has created a bevy of Limited Liability Corporations with generic names under which he holds his properties. When Mayor Maurice Cox and other local officials refer to Capshaw for the record, it’s almost always as “a developer.” But despite attempts to keep his business ventures on the down-low and away from public scrutiny, Capshaw is the most exposed local player in real estate.

   “I’m not sure why I’d be singled out for discussion,” Capshaw tells C-VILLE of his public prominence. Pressed for a reason, Capshaw offers that perhaps his visible properties and “primary job” as manager of DMB “all ties together” in peoples’ minds.

   Capshaw certainly owns many attention-grabbing buildings, such as the former ConAgra and Ivy Industries properties and the SNL building, the deal for which has not yet been finalized. He also holds the keys to several popular restaurants, including the Blue Light Grill and the Mas tapas bar, though he does not own the buildings that house most of the restaurants. Perhaps most importantly, Capshaw is rock ’n’ roll. He’s not just putting up townhouses off of Cherry Avenue, he’s taking a chance on huge former factories like the Technicolor plant in Ruckersville, building swanky condos within a quick stroll from the Mall and booking bands at Starr Hill—all facets of the hip side of local business.

   With 15 of Capshaw’s local properties (by no means a complete list) weighing in at an assessed value of almost $50 million, Capshaw has become, in essence, Charlottesville’s version of The Donald.

   Are we lucky to have him as a big winner on the Charlottesville Monopoly board?

   Yes, if you’re a fan of the City’s and County’s ideas about how this place should grow. Capshaw is working on two giant residential developments on the south side of town, the City’s targeted growth area, which, some hope, will bring prosperity to primarily blue-collar neighborhoods.

   “I think there’s a theme about smart reuse around town,” Capshaw says, explaining how he’s embraced the strategy, championed by local leaders, of purchasing and rehabilitating old warehouses, office buildings and garages, many of which would likely have stood vacant for years.

   “The community lost a lot of hard-to-replace jobs at these buildings,” Capshaw says of the dormant industrial sites of Technicolor, ConAgra and Ivy Industries. “I’d like to put jobs back in them.”

   Capshaw also has an unassailable record of philanthropy, having kicked in big money for the Music Resource Center, which caters to aspiring high school-age musicians at the old Mt. Zion Baptist Church, as well as through the initiatives of Bama Works, a charitable giving organization he runs with Dave Matthews Band.

   But not everyone is happy about Capshaw’s growing number of holdings around the region, particularly locals who loathe the sound of belt saws or the sight of trees going down for new housing. Maybe the old coal tower is an eyesore, but some will definitely roll their eyes at yet another high-end, yuppie den that seems likely to rise soon on the land around the structure.

   However, both those who grumble about Capshaw’s developments and those who buy into them can agree on one thing: He gives us all something to talk about. If Capshaw took his wheeling and dealing elsewhere, perhaps moving on up to the big city, little Charlottesville would lose a bit of its glamour, for better or worse.

Getting inside Capshaw’s world:
The Method

The following list of properties was compiled using information from the Charlottesville and Albemarle County assessors’ offices. Capshaw confirms ownership or “interests” in most of these sites and buildings. The listed properties not explicitly confirmed (or denied) by Capshaw—the former Elite Electrical building, two parcels on Avon Street Extended, and the garages on W. Main Street and Ninth Street SW—are owned by companies linked to him through public records from the assessors’ offices and the State Corporation Commission.

   Capshaw’s real estate holdings extend well beyond this compilation. According to a statement to C-VILLE from the developer himself, these unlisted properties include five commercial sites outside of the City, an interest in the Earlysville Business Park, a building on the Mall, and interests in six County residential sites, “with an emphasis on sites in the growth areas.”

   Capshaw has also acquired four County properties “for the purpose of protecting them from further development by placing open space easements on them. Two of the easements are complete and two are in process.”—P.F.

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News in review

Blood on the tracks
Are the CSX tracks the most crime-friendly spot in Charlottesville?

Every community has its proverbial “dark alleys,” mysterious places where boogiemen live.

   One of UVA’s scary spots is a half-mile leg of CSX railroad that arcs northeast from University Avenue to Rugby Road. The tracks form a popular, but potentially dangerous, shortcut from the Corner bars and restaurants to the houses and apartments in the student neighborhoods north of campus.

   “It’s like an urban legend,” says Jen Silvers, a junior and president of the Delta Delta Delta (“Tri-Delt”) sorority on Virginia Avenue, located just yards from the CSX line. During rush, she says, the older sisters tell prospective Tri-Delts that “a bad little sorority girl got eaten on the tracks.”

   Silvers is joking, of course. Yet there’s a serious undercurrent to the conversation about safety along the popular informal thoroughfare.

   On April 2, three male students were robbed on the CSX tracks in two separate incidents that occurred within minutes of each other. In both cases, the robbers reportedly flashed a silver handgun and demanded money. At 2:30am on Friday, April 16, another male student reported getting robbed near the tracks on Chancellor Street.

   “I can tell you it’s not the pit of Charlottesville,” says Charlottesville Police Department Detective Tom McKean. “But it is an area for crime convenience.”

   He says UVA students walking home from the bars along the tracks make easy targets, and drunken students are unlikely to clearly remember the incident the following day. The setting doesn’t help, as the tracks are dark and vegetation creates shady hiding spots for prospective perps.

   Statistics are unavailable, because officers record incidents on the tracks as happening on one of the nearby streets. Plus most tracks crimes go unreported, McKean says. “They figure they’re not going to get their money back anyway, so why bother,” he explains of the victims.

   Students get mixed signals about hiking the tracks. As they are property of CSX, walking on the tracks is technically trespassing. Since it’s not an official campus walkway, there are no lights or emergency phones. Yet the lack of fences and the absence of visible “No Trespassing” signs indicate a tolerance of pedestrians. Walking the tracks saves about three minutes on the journey from the Corner to student neighborhoods.

   Flotsam of college life litters the tracks—discarded containers from all manner of snacks and beverages, beer cans of every variety, broken bottles, cigarette butts, the nearly decomposed carcass of an old sofa. Beyond Rugby’s famed Beta Bridge, there are rusted paint cans, a smoke detector, tent stakes and the guts of broken televisions.

   Like many students, Silvers frequently uses the tracks as a shortcut. She warns new house members that the tracks can be dangerous.

   “I walk there all the time myself, so I can’t really tell people not to do it,” says Silvers. “I think there’s better ways to keep people safe than just telling them not to do something.”

   Most students, especially women, say the best way to travel safely on foot—along the tracks, or anywhere else—is to walk in groups.

   Senior Stephanie Sanders says news of the robberies and the serial rapist saga has made her more skeptical about safety at UVA, but she still walks the tracks—alone during the day, in groups at night.

   “It’s crazy that these tracks are so open,” says Sanders. “Trains come through here all the time.” Three a day, according to CSX officials.

   Junior Tri-Delt Alexis Geocaris says she’d like to see school and police officials acknowledge that students use the tracks and take steps to make the area safer. A pedestrian bridge, she suggests, or more police patrols.

   “It seems like the police just pick a target, like the serial rapist, to make it seem like they’re doing something,” Geocaris says.—John Borgmeyer

Election? What election?
Media snoozes through campaign season

In two weeks, Charlottesville’s voters will choose among six candidates—three Democrats, two Republicans and an independent—for three open spots on the five-member City Council.

   If this information is a news flash, don’t feel bad. The candidates haven’t seen much attention in recent weeks.

   “It has certainly been very quiet,” says Jon Bright, owner of the three local Spectacle Shops and a Republican Council candidate in 2000, of this year’s election. “I would be interested to know why the local press doesn’t get more into the Council campaign.”

   A notable media washout was the candidate forum hosted by the Fry’s Spring Neighborhood Association on Tuesday, April 6. Joe Mooney of the group says the event “turned out pretty well,” with about 33 residents and all six candidates attending. But no reporters showed up. Other forums have received little or no mention by local media.

   Besides a few issue-specific interview pieces by Elizabeth Nelson in The Daily Progress, the “Hot Seat” interviews in The Hook, a weekly news piece in this newspaper and a smattering of coverage on radio station WINA-AM and in other media outlets, this campaign has been hard to find in the news.

   George Loper, a Democrat activist, says the candidates are not to blame for any lack of interest in the campaign.

   “The candidates are really out there at the forums and they’re accessible,” Loper says.

   Loper thinks the complexity of common campaign topics, such as affordable housing and the education “achievement gap,” as well as the lack of “any defining issues,” could be keeping candidates out of the news.

   Though he admits the candidate forums have shortcomings, such as the lack of follow-up questions, John Conover, who runs the Democrats’ campaign, says the media, particularly The Daily Progress, has a responsibility to cover the Council race.

   “How can people participate if the fourth leg of government isn’t there?” Conover asks.

   Both campaigns are likely to spend cash on advertising in coming days. WINA reported that Republicans were planning to begin broadcast advertisements last week, and Conover says the Dems will buy television ads.

   “It’s expensive stuff,” Conover says of ads on Channel 29, which he says can cost as much as $1,200 a day. Conover says the campaign is still deciding whether to run radio ads.

   Charlottesville Registrar Sheri Iachetta says the election has been slow for her office as well, with only 40 absentee votes trickling in thus far. Iachetta suspects many people are waiting to make up their minds on who to vote for until after the candidate forums. With three forums scheduled between April 20 and April 26, Iachetta says, “I’m expecting a busy week.”

Jon Bright hopes Iachetta is right. He says he’s surprised by the apathy about the Council election, which he likens to a vote for the board of directors of a $100 million corporation.

“It seems like we just don’t care,” Bright says. “It’s sad.”—Paul Fain

Home business
Residents and nonprofits clash over zoning

On the 500 block of Grove Ave., one home has a kid’s playhouse in the yard. There’s a home with plywood boards astride sawhorses, one with a “Say No to War” sign and one with overgrown bushes.

   Viewed from the street, the Victorian house at 506 Grove Ave. is no different than any other home in the neighborhood, except for the wheelchair ramp climbing to the front porch past yellow flowers and an American flag.

   What’s unusual about 506 Grove is its owner, and its occupants. In October, a non-profit brain-injury center called Virginia NeuroCare bought the house for veterans of the Iraq war who returned home with head injuries. Up to eight veterans, whom the company calls its “clients,” live in the house, and two NeuroCare staff work there 24 hours a day.

   Is 506 Grove a business or a residence? The City isn’t exactly sure, and the uncertainty has prompted conflicts over nonprofit group homes moving into neighborhoods zoned for single-family residences.

   Richard Myers, who lives next door at 504 Grove, calls NeuroCare’s group home “a business,” and he says the company shouldn’t be allowed in the neighborhood. Grove is zoned R-2, for single- and two-family residences.

   Technically, Myers is right. Armed with a petition signed by 20 of his neighbors, he asked the City to review the group home. The City’s law is designed to encourage permanent, instead of transient, residents in R-2 neighborhoods. But the law is awkward, and the City seems unwilling to enforce it.

   Section 34-1200 of the City’s zoning law distinguishes between “residential treatment facilities,” which are licensed by the Department of Mental Health, and “adult assisted living facilities,” which are licensed by the State Department of Social Services. Because NeuroCare is licensed by the latter, City Zoning Administrator Barbara Venerus told the company it was prohibited on Grove, and Deputy City Attorney Lisa Kelly backed her up in a letter to NeuroCare on December 9.

   The next day, Kenneth Bucci, NeuroCare’s lawyer, sent a letter to the Virginia Office for Protection and Advocacy, asserting that the City’s zoning ordinance violates the Federal Fair Housing Act and the Virginia Fair Housing Law. In what seems like a legal warning shot to the City, Bucci copied his letter to Kelly.

   Kelly sent the VOPA a letter explaining that NeuroCare had not provided enough information about what exactly would happen at 506 Grove. But after meeting with NeuroCare representatives, Kelly decided the City could not legally prohibit the group home.

   “They got intimidated,” says Myers.

   Kelly says she changed her mind when she learned customers would not be coming to 506 Grove for services.

   “From a PR perspective, [NeuroCare] could have handled things differently,” says Kelly. “But my opinion would have been the same whether or not they threatened to sue.”

   NeuroCare was founded five years ago by George Zitnay. It was known as the John Jane Center until 2002. That year, according to the company’s most recent IRS 990 forms, it was $135,000 in the red, and Zitnay paid himself a salary of $174,694.

    “I did not threaten the City,” says Zitnay. “We didn’t contact the advocacy group until we were threatened.

   “To discriminate against people on active duty from the United States military is absolutely shameful,” says Zitnay. “It’s like what happened after Vietnam.”

   Myers says he’s not discriminating against the injured soldiers. “That keeps getting thrown in my face. It’s bullshit,” he says. “It’s not about the cause. NeuroCare is a business.”—John BorgmeyerEye on Charlottesville

City considers security cameras on the MallIt’s becoming a rite of spring around here—the weather warms up, people of all ages flood Downtown and City officials start fretting about safety on the Mall.

   According to the City police website at www.charlottesville.org, the Mall is statistically no more or less dangerous than any other City neighborhood. (It’s a different story for your car, however. The Mall leads all neighborhoods with 49 towed vehicles in 2003). Yet, every spring, it seems business owners and patrons ask the City to beef up Mall security.

   “You have packs of kids whose language is different than adults. Some people feel intimidated by that,” says City Manager Gary O’Connell, summing up an oft-heard bellyache.

   The City is considering a variety of different security measures, including a neighborhood watch program, citizen patrols, more police officers and—at the more Ashcroftian end of the spectrum—security cameras.

   The City’s 2004 budget, which Council approved by a vote of 4-1 on Tuesday, April 13, shifts control of the Mall to the City’s new Department of Parks and Recreation, and out of the public works department. The change will consolidate maintenance into one department. Along with this shift, the City will consider a host of other changes for the Mall—replacing bricks and trees; revising the trash and maintenance routines; and adding new lights, signs and security measures.

   “We love seeing all the activity, but at the same time it means you have to be able to provide enough oversight to make sure everything is good,” says Bob Stroh, co-president of the Downtown Business Association.

 

Schilling’s budget redux

Last year, sparks flew after Council approved its FY 2003 budget. In a post-vote press conference, Councilor Rob Schilling announced that Council hadn’t worked hard enough to reduce the budget, while Kevin Lynch countered that it was Schilling who was the slacker.

   Although this year’s budget approval process on Tuesday was more civil, Schilling was again the lone nay vote, and an argument over his effort surfaced in interviews afterwards.

   “Basically, [Schilling] doesn’t show up anywhere unless there’s going to be media there,” says Lynch.

   Councilor Blake Caravati says Schilling did even less work on this year’s budget than he did last year, his first budget session. “It’s gotten a lot worse,” says Caravati. “He’s not at the wheel. He’s not even in the bus.”

   This year, Schilling presented City staff with a list of more than 150 questions. Although staff answered them all, it is unclear how Schilling used that information to reduce the City’s budget, which he claims is one of his priorities.

   In an e-mailed statement, Schilling says his work has focused on suggesting ways to change the budgeting process. Council, he says, should tell staff how much money to spend instead of scrutinizing the budget themselves.

   Most of Council’s labor on the budget happened in three work sessions during March. According to the minutes of those sessions—which are still in draft form and have not been approved by Council—Schilling didn’t offer many suggestions for cutting.

   On March 17, Schilling, who sits on the School Capital Projects Committee, asked whether proposed renovations to Charlottesville High School could be postponed. He also suggested cutting funds for improvements to McIntire Park.

   According to the minutes, both Caravati and Lynch proposed various cuts. Schilling said Council “should not micromanage” the budget, and that “it comes down to what we want to do versus what we need to do.”

   On March 10, City Manager O’Connell seemed to agree with Schilling, saying that if Council wanted to significantly reduce the budget, they should have set priorities in the fall.—John Borgmeyer


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Homeward bound

Last month, at the invitation of Arthur Brown, onetime Keswickian now working with the U.S. State Department in Conakry, Guinea, Charlottesville musicians Corey Harris and Darrell Rose visited Guinea and Sierra Leone for two weeks as musical ambassadors to those West African countries. For Harris, the much-celebrated blues guitarist and songwriter whose musical journey homeward was recently the subject of a documentary film by Martin Scorsese, the trip fit into his larger goal to spread awareness of the roots of Black American music. His recent work, he says, is “not only so I can learn and be a better musician, but just to pull people’s coats to say, ‘Hey this is what’s going on over there. The world is bigger than Alaska to New York.’” Rose, a percussionist who plays frequently with Harris and sits in with groups like The Wailers, was deeply affected by the respect accorded to musicians in Africa. It was, he says, “like going home.” Harris and Rose talked about their experiences in a recent interview with C-VILLE editor Cathy Harding. That conversation is excerpted below.

Cathy Harding: Why did Arthur Brown ask you to make this trip?

Corey Harris: Well, I think the purpose was to highlight lesser-known styles of American music. The State Department has a program called the “Jazz Ambassadors” that they’ve been offering since the ’50s, and the past several years it’s diversified to include several different types of music.

Also this helps put a good face on the U.S., because of course the way the world is today people aren’t feeling too happy with the United States.

Did you have any ambivalence about being officially supported by the U.S. government?

Harris: It didn’t bother me because I think of myself first and foremost as a citizen of the world. I guess because my ancestors were slaves I don’t feel like I owe the government anything, you know what I mean? I also feel like if I’m presenting myself as a citizen of the world, as an international black man who has a love and interest in Africa, then I don’t need to explain myself.

Darrell, what was the experience like for you bringing your instruments [djembe and other traditional African percussion] into Guinea and Sierra Leone?

Darrell Rose: Well, I think it was for me to represent correctly what I’ve been taught over the years and to come in a humble fashion to learn more and to come correct. Based on what we did, we came correct.

Harris: It was interesting because here in the States if you’re really, really good you get kind of put up on a pedestal. There the respect is shown in a different way. Even the greatest musician in Guinea—if you are moved by his solo and  you want to go over and give him some money you can just climb up on stage and tuck some money in his shirt. If you’re at, I don’t know, an Aerosmith concert and you try that you’re going to get beaten down by the bouncers.

We both ran into a lot of really exceptional musicians and what really surprised me about their mastery most was that they’re very hip to Western music, very hip to Black American music. They’re much more aware of the style and the sonic characteristics of our music than we are of them as a whole, meaning black people, I guess because we’ve been over here so long we’ve kind of developed our own little culture and we don’t feel like we need to listen to other black cultures’ music. There it was different. Musicians know all about their traditional music, where they come from, the roots of what they do, and they know everybody else’s stuff too. I mean, they’re equally literate playing blues, they can play jazz, they can play Cuban-style salsa music, Mandingo…

Has the experience changed you as a performer or songwriter?

Rose: Well, it’s changed the way that I listen.

Harris: This trip was the seventh time I’ve been over to Africa and it was significant. It was like I could benefit from the experience of having been there before and the musical things that I heard in Mali and also in Cameroon and in Morocco. I think I began to understand them better by being in Guinea and I’m not really sure why but it definitely had a change on my playing. It kind of in a way tied up a lot of loose musical ends, like maybe questions musically that I had or little things that are characteristic of African music that I may not have understood.

The main thing for me is that it kind of put me on a different orientation and it showed me a lot about myself and our history as black people. Yeah, we came with blues and later jazz and that was our gift to the world, but that is just a branch of the tree. Being in Africa we were able to observe the whole tree and it put things in perspective.

You went as musical ambassadors but it sounds as if a great deal of your time spent there was really as students. I’m sure the devastation and severe poverty gave the music a completely different meaning there where here it’s more of an entertainment.

Rose: In Sierra Leone I think there was an urgency. It was like playing blues to uplift yourself. So there’s a sadness there. When Corey was singing “Didn’t My Lord Deliver Daniel” it was like the room just stood up, everybody got up and started clapping.

Harris: In Sierra Leone, they’ve been through all this hell for 10, 11 years but you could see that people were so sick of war that they appreciated the value of a simple smile.

Our experiences were very different in Conakry as opposed to Sierra Leone. The rebels who were fighting in Sierra Leone were supported by Liberia, by Charles Taylor, and everyone knows about the atrocities. They had armies of children who were amputating, chopping people’s hands off, mutilating them. In fact, someone told me that rebel soldiers would slit the children under their eyes and then rub cocaine in their eyes and then make the kids go do these things.

Talking with the musicians, [we learned] the culture of the society has really been devastated. They were saying, “Well, we used to have other members but so-and-so got killed, so-and-so ran off.” So they’re picking up the pieces right off the floor.

Whereas Guinea, they went through a dictatorship. Sekou Touré was a dictator in Guinea. Basically, Guinea was the first African colony to get their independence from the French. Being nationalistic, the government wanted to show what the nation could do culturally and artistically in a national sense representing all the ethnic groups of Guinea. Now when that government ended several years ago, that whole system went out the window but they’re still benefiting from it in that they had several decades of a system where the youth were developed and brought up and they were supported and you didn’t have to work at the post office or sell food or drive a taxi cab to make a living as a musician. In Guinea we were able to meet more with musicians and really get to know them better, whereas in Sierra Leone we only interacted with them at the events that were set up by the embassy.

How does this experience influence what you see as your musical or social mission here?

Rose: My goal is to have as many children as I can possibly get for a big performance, it may be at First Night if I can pull them all together and then we would like to perhaps take some children across to Africa some day where they can see, can experience what’s going on over there.

Harris: It’s a dream of ours to be able to establish a nonprofit and find somebody to fund a trip to send some chaperones and some children over to the continent to a place where we’ve been before, like Guinea, where we have contact. And another great thing about this is that since we did work with the diplomatic organizations in both areas, all that infrastructure is there. I think the benefit of something like that if it were on an annual or semi-annual basis over the years for this community would be tremendous not only in the level of musicianship but also in terms of the understanding of the children of their world. Because, let’s face it, Africa has a stigma on it different than almost any other continent. People have so many misconceptions, and the media in this country doesn’t help it. The only time you hear of something about Africa is some really crazy off-the-wall stuff, either it’s a horrible war; it may have been a drought, a coup, something of that sort. We both want to show that there are no generalizations that can be applied to Africa.

The other thing I would like to do is to be able to establish some sort of fund to help the musicians over there. A country like Guinea with around 7 million people, they don’t have a music school, they don’t sell music supplies, they don’t sell guitar strings in the whole country, neither do they in Sierra Leone.

What can people do to help with nonprofit organizing or sending over guitar strings?

Harris: They can e-mail us at oji251@hotmail.com or you can just go to the Coreyharrismusic.com website.

Corey Harris and Darryl Rose will play the Prism Saturday, April 30, at 8pm. Tickets cost $18-22. Call 97-PRISM for more information.

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Cicadas bring in the noise

Q: Hey Ace, I’ve been hearing lately that we’re going to get walloped this summer by this major cicada swarm. Is it true that we’re going to be besieged by insects? And are they dangerous?—Bugsy Malone

A: The summer’s bumper cicada crop certainly has people abuzz, Bugsy. But Ace put his ear to the ground for news on the burrowing insects and found out you have nothing to worry about—for now.

   “It’s not true” that we’ll have a major cicada problem in our area, says Peter Warren, Charlottesville-based extension agent for the Virginia Cooperative Extension. “Not in this part of the State. But areas in Northern Virginia will get it pretty bad.” He adds that Washington, D.C., and Maryland will be up to their eyeballs in insects since they’re in the thick of (insert ominous chords here) Brood X.

   Brood X—X as in 10—is what has put everyone’s panties in a bunch. It’s reportedly the batch of cicadas with the largest geographical spread, ranging from Tennessee in the west to New York in the north. It’s one of the 17-year-cycle groups of cicadas (they also come in the 13-year-cycle variety), which means that the buggies emerging this year went underground in 1987 and suckled on tree roots through the Bush, Clinton and Bush II presidencies. Luckily for them, they also missed the Spice Girls.

   While we might be out of the major infestation area, Warren says to expect some cicadas this year. “We’ll probably have little pockets of them here in Albemarle,” he says.

   Really, though, there’s nothing to worry about, even if you do happen to live in (more ominous chords) Brood X land. Cicadas are pretty harmless, save from that incredibly irritating “singing” the males do to attract their honeys. (Imagine “comedian” Gilbert Gottfried’s nasal whine cranked up to about 13.) According to the Virginia Cooperative Extension webpage, they aren’t poisonous and lack stingers. The only danger they pose is to young trees, which they inadvertently damage while laying their eggs. Well, they also keep you up all night by screeching or flying into your house. Apparently, being underground for a decade-plus leaves them pretty crappy fliers.

   So media hype be damned, you’ve nothing to worry about from Brood X. Just wait until 2013, when the cicadas that buried themselves here in 1996 make their grand reappearance. Warren says they won’t be as big a deal as (one more time) Brood X, but they’ll cover most of Central Virginia. Nine years leaves you plenty of time to buy ear plugs, though.

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Nobody’s a critic

Thanks for a very enlightening article respecting the state of formal and credentialed art criticism in America as it impacts Central Virginia [“Do the arts mean anything to anybody anymore?” March 30]. One might better ask “Why do today’s critics in the arts have less impact on public tastes and community public vision of the arts than formerly?” This is not meant in a polemical sense, as we genuinely do need arbiters of taste, and that essential job is not being done to any great effect. That we Americans are so cussedly individualistic that we cannot accept the judgments of others on anything, much less on art, is something I do not think is necessarily a negative characteristic of personality (it may have seemed that way to the British 200 years ago politically).

   I cannot deny, however, that I see a solipsistic and self-referential aspect to critical thought that needs a bit of correcting, and large areas of ignorance in how and what art is being created in America, and how people are responding to it. Happily, the days when politically charged art can be produced in a manner that results in an audience immediately galvanized for political action are gone forever. Artist and audience alike are sufficiently politically educated by the piles of political propaganda art to which they have been subjected over the past 70 years to dump it from their minds almost automatically. For my part, I prefer my politics at the ballot box or through legislation rather than pushed onto my psyche through acts of artistic sleight of hand. I want to see the legislation and the congressman behind it before making a political decision, not posters or street theater.

   The synthesis of the record of public opinion that critics once generated to find what “schools of thought” or “movements” were developing is not being undertaken as a serious task. I know of no critic on the lookout for schools or trends. Is it even the business of critics to tell artists what they need to create, I wonder? Are they not explainers, educators, interpreters and publicists, primarily?

   The arts are in fine form, except the art of criticism. They aren’t even undertaking the task of telling anyone who is doing what in the arts, or where, effectively. We need more Thomas Cravens, Pauline Kaels, Bernard Berensons, Sir V.S. Pritchetts and Eliots. Perhaps things are this way because there is no formal institution where one can go to be trained in criticism organized along the lines of the New York School of Design or the Rochester Institute of Technology in the field of graphic design.

 

Walter James O’Brien

Charlottesville

 

Dishonorable mentions

In the current issue of C-VILLE, you set forth the winners of the Thomas Jefferson Center for the Protection of Free Expression’s 2004 Muzzle Awards [“Speech impediments,” April 13].

   In my opinion, they have omitted the two most glaring choices. First: The Congress in adopting the so-called campaign reform legislation that limits free speech 60 days and 30 days prior to the Federal election. This prohibition targets only selected groups and gives a free ride to others.

   Second: That GUTLESS group known as the Supreme Court, which apparently does not comprehend the plain language of the First Amendment, specifically “Congress shall make no law…abridging the freedom of speech….”

   Their decision makes Bill Clinton’s phrase “it depends on the definition of what is, is” sound absolutely profound.

 

Fred Kahler

Earlysville

 

CORRECTION

In the We Ate Here write-up for Continental Divide in the March 30 issue we incorrectly described the Red Hot Blues as “blue and white corn chips laden with goat and jack cheeses and jalapeno peppers.” The dish does not include white corn chips or jalapeno peppers.

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News

Cicadas bring in the house

Q: Hey Ace, I’ve been hearing lately that we’re going to get walloped this summer by this major cicada swarm. Is it true that we’re going to be besieged by insects? And are they dangerous?—Bugsy Malone

A: The summer’s bumper cicada crop certainly has people abuzz, Bugsy. But Ace put his ear to the ground for news on the burrowing insects and found out you have nothing to worry about—for now.

   “It’s not true” that we’ll have a major cicada problem in our area, says Peter Warren, Charlottesville-based extension agent for the Virginia Cooperative Extension. “Not in this part of the State. But areas in Northern Virginia will get it pretty bad.” He adds that Washington, D.C., and Maryland will be up to their eyeballs in insects since they’re in the thick of (insert ominous chords here) Brood X.

   Brood X—X as in 10—is what has put everyone’s panties in a bunch. It’s reportedly the batch of cicadas with the largest geographical spread, ranging from Tennessee in the west to New York in the north. It’s one of the 17-year-cycle groups of cicadas (they also come in the 13-year-cycle variety), which means that the buggies emerging this year went underground in 1987 and suckled on tree roots through the Bush, Clinton and Bush II presidencies. Luckily for them, they also missed the Spice Girls.

   While we might be out of the major infestation area, Warren says to expect some cicadas this year. “We’ll probably have little pockets of them here in Albemarle,” he says.

   Really, though, there’s nothing to worry about, even if you do happen to live in (more ominous chords) Brood X land. Cicadas are pretty harmless, save from that incredibly irritating “singing” the males do to attract their honeys. (Imagine “comedian” Gilbert Gottfried’s nasal whine cranked up to about 13.) According to the Virginia Cooperative Extension webpage, they aren’t poisonous and lack stingers. The only danger they pose is to young trees, which they inadvertently damage while laying their eggs. Well, they also keep you up all night by screeching or flying into your house. Apparently, being underground for a decade-plus leaves them pretty crappy fliers.

   So media hype be damned, you’ve nothing to worry about from Brood X. Just wait until 2013, when the cicadas that buried themselves here in 1996 make their grand reappearance. Warren says they won’t be as big a deal as (one more time) Brood X, but they’ll cover most of Central Virginia. Nine years leaves you plenty of time to buy ear plugs, though.

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News

Burning Bush

George Bush strides confidently in the background, looking strong and presidential. As the images taken from his campaign ads referring to the September 11 attacks scroll across the screen, a voiceover intones, “George Bush shamelessly exploited 9/11 in his campaign commercials.” Soon after, we hear the voice of Bush’s former counter-terrorism chief, Richard Clarke: “Frankly I find it outrageous that a president is running for reelection on the grounds he’d done such great things on terrorism. He ignored terrorism for months, when maybe we could have done something to stop 9/11.”

   This advertisement, which aired on CNN and Fox between March 30 and April 3, is part of a new campaign put together by MoveOnPAC.org. It is part of a coalition of 28 groups that aim to help fill the $100 million-plus fundraising gap between presumed Democratic presidential nominee John Kerry and his rival, George Bush.

   Since its founding in 1998, MoveOn.org has grown from an upstart cyber-activism group to an organization with a membership 2 million strong known for its immense grassroots clout. The affiliated MoveOnPAC.org was founded in 2000 specifically to support candidates in
key races. During the 2002 elections, MoveOnPAC.org raised about $4 million for various races. Last fall it targeted Arnold Schwarzenegger during the California gubernatorial recall election with edgy ads highlighting his attitudes toward women.

   This time around, preventing Bush’s reelection is MoveOn.org’s main goal—a goal supported by more than 23,000 donors who responded to a March 24 appeal for donations with about $1 million in just three days.

   Campaign observers say that the MoveOn Voter Fund, which runs ads exposing President Bush’s failed policies in key battleground states, and similar groups like the Media Fund (run by former Bill Clinton adviser Harold Ickes), will play a significant role in the election, but it is still unclear whether they will have an impact on the outcome.

   “It’s sort of undefined,” says Evan Tracey, the COO of TNSMI/Campaign Media Analysis Group, a nonpartisan political and media affairs tracking firm. “There’s no real precedent for this in America politics. What they can accomplish is keeping the heat up on Bush and driving his negatives up.”

   And that’s exactly what MoveOn.org executive director Eli Pariser hopes the ads will do. “With millions of jobs lost and rising healthcare costs, the only thing this administration has left to run on is its supposed leadership in countering terrorism,” he says. “Now we know that there, too, the administration dropped the ball. This ad strikes at the core of Bush’s case for reelection.”

 

This unabashed targeting of Bush explains why “527 groups” (named for the section of the tax code they operate under) such as MoveOn Voter Fund and others are raising GOP hackles. Republicans claim that efforts by such groups represent illegal campaign donations.

   In a complaint filed with the Federal Election Commission, the Bush campaign and the Republican National Committee called 527s part of “an unprecedented criminal enterprise designed to impermissibly affect a presidential election.” According to the complaint, “this illegal conspiracy of donors and shadowy groups” is spending “soft money” of the type off-limits to political parties under McCain-Feingold campaign finance reform laws. Moreover, the Republicans accuse these groups of illegally coordinating their activities with the Kerry campaign, noting that Kerry’s former campaign manager, Jim Jordan, is currently advising some of the media groups.

   Some analysts equate the status of the MoveOn Voter Fund to groups such as the National Rifle Association, and are skeptical that the FEC will censure them. “The Republicans are just whining now because the progressives are doing what their allies have been doing for years,” says Steven Hill, senior analyst with the Center for Voting and Democracy. “The NRA and the Christian Coalition have been doing this for years. It’s about time the progressive side caught up.”

   The 527s are in a legal gray area, says Tracey. “It’s a case of it being easier to ask forgiveness than permission,” he adds.

 

While there is no doubt that Kerry will be glad to have MoveOn’s anti-Bush ads on air, MoveOn and other activists don’t necessarily see the battle as solely between Bush and Kerry, and the ads reflect that perspective.

   Pariser says that MoveOn ads are designed to spark discussion and media coverage, exponentially increasing their effect. “We hope that if we’re really nimble and strategic, we can amplify the truth. Just by getting these ads out to a small group of people they will continue to circulate to the greater public,” says Pariser.

   Dan Johnson-Weinberger, director of the Midwest Democracy Center, agrees: “I think it’s a problem if we define people against Bush only as Kerry supporters. This is about raising issues that need to be talked about regardless of the Democrat/ Republican debate.”

   While the high-profile national TV ads will be combined with local grassroots campaigns, Hill and others say that the key to the campaign’s impact lies in its ability to target swing states such as Michigan, Pennsylvania, Florida, Missouri and Ohio.

   “Sometimes national ads aren’t as effective, because the message that resonates with a national audience may not resonate as well in those crucial 15 states,” notes Hill. “If MoveOn is doing national ads on TV, maybe they have something to learn from the NRA. The NRA doesn’t do national TV ads, they target each state with tailored messages.”

   Coming during the height of the 9/11 commission hearings and amid growing public skepticism and despair about progress in Iraq, MoveOn is betting that its national message will have resonance at the local level. “The MoveOn ads are essentially saying out loud what people have been saying to themselves: that the Bush Administration lies,” says Robert Jensen, a journalism professor at the University of Texas at Austin.

   Others believe that in order to affect the outcome in November, MoveOn will have to go further than just attacking Bush’s record. “The problem they have is that they don’t really stand for anything, they don’t have a strong answer. Attacking Bush is an easier sell from a message standpoint when you’re a political party or an individual candidate,” says Tracey.

   When it comes to message, however, Pariser is confident that MoveOn has the White House beat. “You can spend millions and millions on an ad campaign that says nothing, that’s what Bush did with these really nice-looking ads with no substance,” he says.

   But substance alone will not suffice. To affect the outcome in November, folks at MoveOn will have to learn to apply their considerable power with laser-like precision. All politics is local—so indeed is this race for the presidency.

 

Kari Lydersen, a regular contributor to AlterNet, also writes for The Washington Post and is an instructor for the Urban Youth International Journalism Program in Chicago.

 

The way they move
National group MoveOn.org plants grassroots seeds locally

Because MoveOn.org makes its home in that nebulous space known as the World Wide Web, anyone looking to get involved locally won’t find a storefront on Water Street or a listing in the Charlottesville phonebook. In local ‘hoods, individuals tuned into the MoveOn.org e-mail network make the difference.

   Ostensibly, MoveOn.org is an information organization. It
e-mails notices for upcoming marches, sends out petitions, organizes phone and fundraising campaigns, and sponsors national events that individuals stage on a local level. Luckily for MoveOn, with around 2 million “online activists” (and counting) on its national e-mail list, news travels fast.

   Josef Beery, a local MoveOn activist since October 2002, answered the call in January 2003 by signing an e-mail petition opposing the invasion of Iraq. “Then, [MoveOn] asked people to deliver the petition to every congressional office in the United States on a particular day,” Beery recalls. “I agreed [via e-mail] to lead a delegation to deliver the petition to [Virginia Congressman] Virgil Goode. And what was really neat about the petition was…that all these people were part of this instant community created over the Web.”

   More recently, MoveOn.org called on its netizens across the nation to participate in a “Bake Back the White House” bake sale Saturday, April 17. Locals Sue Chase of the Charlottesville Center for Peace and Justice and Beryl Solla had both attended the April 8 discussion and signing of MoveOn’s book 50 Ways to Love Your Country at Barnes & Noble. When an audience member, hip to MoveOn.org, asked if anyone was putting together a local “Bake Back,” nobody responded to the affirmative. Chase and Solla, who had previously expressed an interest in helping out through the MoveOn website, decided to make it happen.

   It’s in ways like this that MoveOn acts locally while thinking globally, affecting millions of average Joes along the way. Solla, for one, is excited by her new sense of initiative. “It’s because of MoveOn that I am communicating with so many people and that’s really heartening,” she says. “I don’t think it’s about defeating anybody as it is about involving everybody.”—Nell Boeschenstein

 

Lesson learned?
Fifty years after Brown v. Board of Education, segregation looms as a side effect

of Bush’s No Child Left Behind programLane High School was packed on the night of July 23, 1956. The 1,200 people who converged on Charlottesville’s all-white public high school filled the auditorium, halls and lobby, even spilling out onto the steps and parking lot, where loudspeakers broadcast the speeches from inside. The event is said to be the largest gathering ever at the school, which is now the Albemarle County Office Building.

   The Charlottesville and Albemarle residents at the mass meeting voiced their unanimous support for a plan to “just plain ignore any demand” to allow black and white students to go to the same schools. It had been more than two years since the U.S. Supreme Court, in deciding the Brown v. Board of Education case on May 17, 1954, ruled that legally enforced segregation in schools was unconstitutional. Yet no black children sat next to white children in any of Charlottesville’s public schools. And the vocal members of the community who turned out on that summer night were determined to keep it that way.

   During the meeting, John Segar Gravatt, a member of UVA’s Board of Visitors, called the Brown decision “judicial tyranny.” Flanked by all three local representatives to the General Assembly, Gravatt received more than two dozen rounds of applause during his 50-minute speech, according to The Daily Progress.

   In the hierarchy of the American court system, the U.S. Supreme Court lives up to its name. The Court’s rulings have the power to alter the nation’s social fabric. Yet the court of public opinion, exemplified by that mass meeting in 1956, can hold its own against Washington’s hallowed gavel.

   After the Brown ruling, now celebrated as perhaps the most influential Court decision of the last century, more than five years passed before the first dozen black students crossed the threshold at Lane and Venable Elementary School, both previously all-white schools. Integration continued at a trickle for the next few years, and Charlottesville’s public schools would not fully integrate until 1965, more than a decade after Brown.

   U.S. Sen. Harry F. Byrd, Sr., the iconic former Virginia Governor, used the warlike phrase “massive resistance” as the rallying cry in Virginia’s struggle against the Brown decision. With many Southerners following the lead of the former seat of the Confederacy, Virginia’s massive resistance was a formidable obstacle in the nation’s long journey toward integration in the schools, and Charlottesville, one of three Virginia cities that closed schools rather than admit black students, was a primary flashpoint in the struggle.

   A half-century later, Charlottesville and Virginia again figure prominently in the most intense debate over America’s schools since integration. Vouchers for private schools, called “tuition grants” at the start of integration, are back in the spotlight, as is school choice, which was a central demand of segregationists.

   The focus of today’s controversy is No Child Left Behind, the sweeping education initiative enacted by the Bush Administration in 2002. The policy, which is facing mounting criticism around the country, hinges on the belief that schools and teachers need more accountability through standards and testing.

   Though the standards-and-testing movement traces back to a Reagan Administration report, Charlottesville may be the true birthplace of No Child Left Behind. In 1989, then President George H. W. Bush and the nation’s governors came to Charlottesville for an education summit. Here, they set performance goals for schools, the roots of which were refined over the years and eventually shaped into No Child Left Behind.

   Virginia also created its own school accountability program and testing regime with the Standards of Learning (SOL) policy, which has been in place since 1998.

   No Child Left Behind, which requires annual testing of students, came on the scene four years later. The policy imposes a range of punishments on lagging schools, but is widely viewed as being severely underfunded. Among dozens of official rebukes from state legislatures, perhaps none has stung No Child Left Behind and its White House champions more than a resolution passed 98-1 in January by the Republican-dominated Virginia House of Delegates, which requested an exemption from the law.

   Charlottesville may be forced to wrestle with the punitive side of No Child Left Behind this summer, when the national policy’s school-choice provision kicks in. Unless Clark Elementary School meets the program’s criteria for yearly progress, parents of students at the school will have the option of sending their children to other schools.

   “We will strive to minimize the disruption of the educational process to all of the children currently served by the Charlottesville City Schools,” wrote Linda Bowen, chair of the City School Board, in a recent letter addressing the challenges posed by No Child Left Behind.

   Supporters of No Child Left Behind stress that the policy’s central tenet of accountability is intended to elevate the performance of all students, in essence eliminating the current “achievement gap” between white and minority students.

   School choice and inequality for minority students are central to the brewing controversy, much as they were 50 years ago. In the case of school choice, segregationists believed parents should have the option of sending their children to all-white schools, and stressed that school choice could be a “solution” to the predicted turmoil caused by integration.

   The Daily Progress argued in an editorial on September 10, 1958, that public schools must be preserved, but that “no one must be compelled to send his children to integrated schools.” The answer to the dilemma of Brown, according to the Progress, was “making available for each child of school age an educational grant equivalent to the per pupil cost of operating the public schools.”

   The General Assembly later passed a “freedom of choice in education” law, which helped fund two all-white private schools in Charlottesville. The schools, Rock Hill Academy high school and Robert E. Lee Elementary, opened in 1959, as a direct result of the fact that black children were entering white public schools.

   D.B. Marshall, a local lawyer and future judge, helped found the two private segregated schools. In a 2000 interview with George Gilliam, a historian at The Miller Center of Public Affairs, Marshall said the schools were created to avoid “any inflammable disorders that might take place when the black children entered the school.” But Marshall said he and other parents also wanted to create some competition for the public schools.

   “Of course, this same thing is still going on with the school vouchers that some of our presidential candidates are fighting over today,” Marshall told Gilliam.

   George W. Bush did indeed push tuition vouchers during the 2000 election, and originally included them in No Child Left Behind. Congress later removed the provision. However, many education observers see vouchers and a greater privatization of schooling as the end goals of the Bush Administration.

   John Baldino, the local representative of the Virginia Education Association, does not mince words in drawing parallels between the two great education clashes.

   “By forcing, possibly, some form of voucher plans,” Baldino says, “No Child Left Behind could lead to the resegregation of the schools.”

   Baldino and other critics aren’t charging that the plan seeks to create all-white private schools, as did Virginia’s “freedom of choice” policy, but instead that school choice and vouchers could drain resources from public schools and leave increasingly concentrated groups of lower-income and minority students holding the bag in failing schools.

   The media has widely heralded the upcoming 50th anniversary of Brown, rightly recognizing the judges, lawyers, parents and children who knocked down the barriers of legal segregation in schools. But often lost in the blitz has been the link between the philosophical rifts over education in the ’50s and today. An obvious example is the racially charged plight of failing, often neglected urban schools, which felt the sting of the “white flight” that followed integration. But a direct line from 1954 to today can also be traced on school choice and the privatization of the public school system—divisive arguments intertwined with issues of race.

   George Gilliam of the Miller Center, a former Democratic Charlottesville City Councilor, has long studied the Brown decision and the integration of Charlottesville’s schools. Gilliam says “the arguments of using public funds for the costs of education for a few” apply to both the tuition grants of segregationist Virginia and to today’s voucher proposals. “The issues are essentially the same,” Gilliam says.

“Even as a youngster, I was aware of the Brown v. Board decision,” says Don Martin, a 57-year-old Charlottesville resident.

   As a 13-year-old, Martin helped make the ruling a reality. On September 8, 1959, the first day of the school year, Martin, his brother John and French Jackson left behind their friends at the two local all-black schools—Jackson P. Burley High and Jefferson Elementary—and became the first African-Americans ever to enroll at Lane High School.

   The three black teens joined 722 white students at the school—a substantial dip from the 869 whites who attended Lane the previous semester. Many of the missing students had left Lane to attend the new all-white, State-subsidized private school.

   Asked if he was frightened to walk through the doors at Lane, Martin replies, “Yeah, there was quite a bit of nervousness and trepidation.”

   Martin put on a brave face that first day, however. When a reporter asked him if he was nervous when he arrived at Lane, he said, “just a little bit,” according to the Progress.

   Martin did his full high school stint at Lane, which at the time included eighth grade, and graduated in 1965. He says only three other black students were in his class during his senior year—testimony to the glacial creep of integration in Charlottesville.

   Now a Charlottesville-based field operations manager for the Virginia Employment Commission, Martin says some students and teachers were kind to him during his years at Lane. But he says he didn’t count any of the white students as friends. Martin isn’t outwardly bitter about this fact, noting that he wasn’t looking to make friends during high school.

   “I was more focused on getting done what I needed to,” Martin says. In addition to getting an education, Martin says his goal in attending Lane was to “make a contribution to a better society.” Looking back, he says the experience “was worth doing.”

   For their part, some of the most vocal segregationists of the time expressed concern for the well being of Martin and other black children in Charlottesville, at least in public.

   The late E.J. Oglesby was an Albemarle County School Board member and mathematics professor at UVA. A professorship at the University still bears his name. On the day the Brown decision was announced, Oglesby told the Progress that the ruling would likely be the end of public schooling in Virginia.

   “I think the effect will be much worse for the Negroes than for the whites,” Oglesby told the Progress. “They had a better chance to develop as citizens under the seperate [sic] school system. They’ve come a long way in the past 100 years.”

   Oglesby, who became a leader of the anti-integration movement in Charlottesville and was one of the featured speakers at the mass meeting in 1958, struck a less genial tone in a 1956 interview with Dan Wakefield, a reporter from the liberal magazine The Nation.

   “We’ve got enough money here in this country to operate private schools for the whites. What the niggers are gonna do, I don’t know. If we have to close the schools, of course, the nigger’ll have to suffer from it—everybody knows that,” Oglesby said to Wakefield. “Then, if the federal government says we have to operate the schools, and operate integrated schools, we’ll be ready to get out the bayonets. There were more Yankees killed in the last one than Southerners, and if they want to try it again, let ’em come on down.”

   State Sen. E.O. McCue, who represented Charlottesville, was an important ally of Oglesby and other segregationists. After the Brown ruling was announced, McCue soberly declared that the decision required study. By the time he spoke to Wakefield, integration was looming large.

   “Of course we know this whole thing [integration] is being aided and abetted by the Communists and the Jews. The Communists want to mongrelize the race—weaken and conquer; and the Jews, they’re so clannish, they want it so they’ll end up being the only pure white race left, and have it all over everybody.”

   Perhaps McCue and Oglesby’s quotes in The Nation story, “Charlottesville Battle: Symbol of the Divided South,” are more representative of local segregationist leaders’ true feelings than the relatively mild official public statements of the time. Or maybe Wakefield baited the two respected members of Charlottesville’s establishment. Either way, it’s clear that integration faced motivated opposition from a large group of local residents.

   But black Charlottesville was also developing its voice in the mid-’50s. Eugene Williams, along with Raymond Bell and George Ferguson, headed the local branch of the National Association for the Advancement of Colored People (NAACP) at that time. Asked if the racism driving Charlottesville’s opposition to integration was understated in the Progress and other accounts from the time, Williams quickly replies “Oh, by all means.”

   Williams brought Thurgood Marshall, the NAACP lawyer who successfully handled the Brown case and later became a Supreme Court Justice, to town for a speech at Burley in March 1954. About 1,000 people, all members of the local NAACP branch, came to hear Marshall speak that night.

   In 1955, Williams, who now runs Dogwood Housing, a Charlottesville realty company, and other leaders helped organize a petition seeking admission for a group of black children to Lane and Venable elementary. The City School Board ignored the petition. In 1956, Judge John Paul of the U.S. District Court for the Fourth Circuit, which was then located in Harrisonburg, ordered the School Board to admit the students. After two more years of foot-dragging by City and State officials and a subsequent court ruling, Charlottesville’s white schools were again ordered to admit black students for the school year beginning in September, 1958.

   Charlottesville prepared itself for chaos. Football games and other high school events were relocated or cancelled in anticipation of integration, and the Progress reported that 130 state troopers were “standing by.” However, segregation was upheld when Gov. J. Lindsay Almond Jr., who was born in Charlottesville, chose to enforce the “massive resistance” laws. As a result, schools in Charlottesville and two other Virginia cities locked their doors to avoid admitting black students. Lane and Venable remained closed for five months, reopening as all-white schools in February. During this time, two groups of white parents organized classrooms for their children in churches, basements and the Elks Club.

   On January 19, 1959, which, as historian Gilliam notes, is the anniversary of Robert E. Lee’s birthday, both Federal and State courts struck-down the “massive resistance” laws. The Martin brothers and 10 other black students would finally enter Charlottesville’s white schools nine months later.

   During the early years of Charlottesville’s integration, the vast majority of black children continued to attend Jefferson and Burley, which were then all-black. Not until 1965 would the schools fully integrate with the closing of Jefferson and the decision to send all of the City’s sixth graders to Burley, while sending black high school students to Lane.

   George Tramontin, who came to Charlottesville as an assistant superintendent of schools in 1960 and served as superintendent from 1963-1966, spearheaded that final phase of integration. Tramontin, who still lives in Charlottesville, says he resented the existence of the City’s all-white private schools. In retrospect, he thinks those schools played a valuable role by “siphoning off” students who, along with their parents, may have been most opposed to integration.

   “I think it gave us the chance to succeed,” Tramontin says.

   Charlottesville’s school integration was achieved with no reports of violence. And the most openly hostile incident of the era, a cross burning, was allegedly the work of outside agitators.

   Florence Bryant, a retired African-American teacher, began her long tenure in Charlottesville schools at Burley in 1951 and retired from Walker Elementary in 1984. Bryant praises not only the black students who braved the maelstrom and walked through the doors of Lane and Venable, but also the City’s residents—black and white—for their eventual quiet acceptance of integration.

   “I always felt very proud about the attitude of the people of Charlottesville,” Bryant says.

The integration of U.S. schools peaked in 1988. Since then, black children have increasingly attended minority-heavy schools. In 1988, according to the Civil Rights Project at Harvard University, 57 percent of black students in the South went to schools attended by mostly minority students. That number grew to 70 percent by 2001.

   In contrast to this trend, the Charlottesville public schools are remarkably integrated. Approximately the same number of black and white students attends the school system. Asian and Hispanic students account for about 5 percent of the student population. Though some of the six elementary schools have more diverse student bodies than others, the high school and upper and lower middle schools serve all of the public school system’s students in those age groups.

   “I do believe that kids today embrace that diversity more than we did when I was growing up,” says Bowen of the School Board, who adds that she sees “a lot of interaction” between children of different races in the City schools.

   Bekah Saxon, a teacher at Buford Middle School and president of the Charlottesville Education Association, says that although “our buildings are integrated,” challenges remain for providing equal opportunities to minority students.

   “The question now becomes, Do we have full access to programs? And are all of our programs integrated?” Saxon asks, citing the mostly white participation in Advanced Placement classes, gifted programs and extra curricular programs such as band and orchestra.

   Saxon says schools with large populations of minority students, such as Clark Elementary, could lose good teachers because of the accountability testing of the SOLs and No Child Left Behind. Minority students generally score lower on the tests.

   “Teachers are beginning to fear that they are going to be viewed as bad teachers,” Saxon says.

   Though Bowen admits that No Child Left Behind presents challenges for Charlottesville’s schools, particularly if school choice becomes a reality this summer, she says the school system has no choice but to comply with the law.

   “We get between $4 [million] and $5 million a year in Federal funds. If you elect to pull out of [No Child Left Behind], the localities would have to make up the difference,” Bowen says.

   Bowen says she thinks some parents would take advantage of the school choice option if it goes into effect this year. In addition to complications this would create for school administrators, Bowen says she thinks school choice could be disruptive and traumatic for students.

   “Just because you move a child to a different school doesn’t mean he’s going to have better performance,” Bowen says.

   George Tramontin was at the helm when the City’s school system last navigated major challenges brought on by sweeping Federal decree. Tramontin, no fan of private schools or resource drains on public schools, doesn’t pull his punches in making a prediction about the impact of No Child Left Behind, which he calls a “political scheme” imposing “arbitrary” requirements.

   “It is going to prove to be the biggest disaster in education this country has ever had,” he says.

Paul Fain

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Nobody’s a critic

Thanks for a very enlightening article respecting the state of formal and credentialed art criticism in America as it impacts Central Virginia [“Do the arts mean anything to anybody anymore?” March 30]. One might better ask “Why do today’s critics in the arts have less impact on public tastes and community public vision of the arts than formerly?” This is not meant in a polemical sense, as we genuinely do need arbiters of taste, and that essential job is not being done to any great effect. That we Americans are so cussedly individualistic that we cannot accept the judgments of others on anything, much less on art, is something I do not think is necessarily a negative characteristic of personality (it may have seemed that way to the British 200 years ago politically).

   I cannot deny, however, that I see a solipsistic and self-referential aspect to critical thought that needs a bit of correcting, and large areas of ignorance in how and what art is being created in America, and how people are responding to it. Happily, the days when politically charged art can be produced in a manner that results in an audience immediately galvanized for political action are gone forever. Artist and audience alike are sufficiently politically educated by the piles of political propaganda art to which they have been subjected over the past 70 years to dump it from their minds almost automatically. For my part, I prefer my politics at the ballot box or through legislation rather than pushed onto my psyche through acts of artistic sleight of hand. I want to see the legislation and the congressman behind it before making a political decision, not posters or street theater.

   The synthesis of the record of public opinion that critics once generated to find what “schools of thought” or “movements” were developing is not being undertaken as a serious task. I know of no critic on the lookout for schools or trends. Is it even the business of critics to tell artists what they need to create, I wonder? Are they not explainers, educators, interpreters and publicists, primarily?

   The arts are in fine form, except the art of criticism. They aren’t even undertaking the task of telling anyone who is doing what in the arts, or where, effectively. We need more Thomas Cravens, Pauline Kaels, Bernard Berensons, Sir V.S. Pritchetts and Eliots. Perhaps things are this way because there is no formal institution where one can go to be trained in criticism organized along the lines of the New York School of Design or the Rochester Institute of Technology in the field of graphic design.

 

Walter James O’Brien

Charlottesville

 

Dishonorable mentions

In the current issue of C-VILLE, you set forth the winners of the Thomas Jefferson Center for the Protection of Free Expression’s 2004 Muzzle Awards [“Speech impediments,” April 13].

   In my opinion, they have omitted the two most glaring choices. First: The Congress in adopting the so-called campaign reform legislation that limits free speech 60 days and 30 days prior to the Federal election. This prohibition targets only selected groups and gives a free ride to others.

   Second: That GUTLESS group known as the Supreme Court, which apparently does not comprehend the plain language of the First Amendment, specifically “Congress shall make no law…abridging the freedom of speech….”

   Their decision makes Bill Clinton’s phrase “it depends on the definition of what is, is” sound absolutely profound.

 

Fred Kahler

Earlysville

 

CORRECTION

In the We Ate Here write-up for Continental Divide in the March 30 issue we incorrectly described the Red Hot Blues as “blue and white corn chips laden with goat and jack cheeses and jalapeno peppers.” The dish does not include white corn chips or jalapeno peppers.

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News in review

Blood on the tracks
Are the CSX tracks the most crime-friendly spot in Charlottesville?

Every community has its proverbial “dark alleys,” mysterious places where boogiemen live.

   One of UVA’s scary spots is a half-mile leg of CSX railroad that arcs northeast from University Avenue to Rugby Road. The tracks form a popular, but potentially dangerous, shortcut from the Corner bars and restaurants to the houses and apartments in the student neighborhoods north of campus.

   “It’s like an urban legend,” says Jen Silvers, a junior and president of the Delta Delta Delta (“Tri-Delt”) sorority on Virginia Avenue, located just yards from the CSX line. During rush, she says, the older sisters tell prospective Tri-Delts that “a bad little sorority girl got eaten on the tracks.”

   Silvers is joking, of course. Yet there’s a serious undercurrent to the conversation about safety along the popular informal thoroughfare.

   On April 2, three male students were robbed on the CSX tracks in two separate incidents that occurred within minutes of each other. In both cases, the robbers reportedly flashed a silver handgun and demanded money. At 2:30am on Friday, April 16, another male student reported getting robbed near the tracks on Chancellor Street.

   “I can tell you it’s not the pit of Charlottesville,” says Charlottesville Police Department Detective Tom McKean. “But it is an area for crime convenience.”

   He says UVA students walking home from the bars along the tracks make easy targets, and drunken students are unlikely to clearly remember the incident the following day. The setting doesn’t help, as the tracks are dark and vegetation creates shady hiding spots for prospective perps.

   Statistics are unavailable, because officers record incidents on the tracks as happening on one of the nearby streets. Plus most tracks crimes go unreported, McKean says. “They figure they’re not going to get their money back anyway, so why bother,” he explains of the victims.

   Students get mixed signals about hiking the tracks. As they are property of CSX, walking on the tracks is technically trespassing. Since it’s not an official campus walkway, there are no lights or emergency phones. Yet the lack of fences and the absence of visible “No Trespassing” signs indicate a tolerance of pedestrians. Walking the tracks saves about three minutes on the journey from the Corner to student neighborhoods.

   Flotsam of college life litters the tracks—discarded containers from all manner of snacks and beverages, beer cans of every variety, broken bottles, cigarette butts, the nearly decomposed carcass of an old sofa. Beyond Rugby’s famed Beta Bridge, there are rusted paint cans, a smoke detector, tent stakes and the guts of broken televisions.

   Like many students, Silvers frequently uses the tracks as a shortcut. She warns new house members that the tracks can be dangerous.

   “I walk there all the time myself, so I can’t really tell people not to do it,” says Silvers. “I think there’s better ways to keep people safe than just telling them not to do something.”

   Most students, especially women, say the best way to travel safely on foot—along the tracks, or anywhere else—is to walk in groups.

   Senior Stephanie Sanders says news of the robberies and the serial rapist saga has made her more skeptical about safety at UVA, but she still walks the tracks—alone during the day, in groups at night.

   “It’s crazy that these tracks are so open,” says Sanders. “Trains come through here all the time.” Three a day, according to CSX officials.

   Junior Tri-Delt Alexis Geocaris says she’d like to see school and police officials acknowledge that students use the tracks and take steps to make the area safer. A pedestrian bridge, she suggests, or more police patrols.

   “It seems like the police just pick a target, like the serial rapist, to make it seem like they’re doing something,” Geocaris says.—John Borgmeyer

Election? What election?
Media snoozes through campaign season

In two weeks, Charlottesville’s voters will choose among six candidates—three Democrats, two Republicans and an independent—for three open spots on the five-member City Council.

   If this information is a news flash, don’t feel bad. The candidates haven’t seen much attention in recent weeks.

   “It has certainly been very quiet,” says Jon Bright, owner of the three local Spectacle Shops and a Republican Council candidate in 2000, of this year’s election. “I would be interested to know why the local press doesn’t get more into the Council campaign.”

   A notable media washout was the candidate forum hosted by the Fry’s Spring Neighborhood Association on Tuesday, April 6. Joe Mooney of the group says the event “turned out pretty well,” with about 33 residents and all six candidates attending. But no reporters showed up. Other forums have received little or no mention by local media.

   Besides a few issue-specific interview pieces by Elizabeth Nelson in The Daily Progress, the “Hot Seat” interviews in The Hook, a weekly news piece in this newspaper and a smattering of coverage on radio station WINA-AM and in other media outlets, this campaign has been hard to find in the news.

   George Loper, a Democrat activist, says the candidates are not to blame for any lack of interest in the campaign.

   “The candidates are really out there at the forums and they’re accessible,” Loper says.

   Loper thinks the complexity of common campaign topics, such as affordable housing and the education “achievement gap,” as well as the lack of “any defining issues,” could be keeping candidates out of the news.

   Though he admits the candidate forums have shortcomings, such as the lack of follow-up questions, John Conover, who runs the Democrats’ campaign, says the media, particularly The Daily Progress, has a responsibility to cover the Council race.

   “How can people participate if the fourth leg of government isn’t there?” Conover asks.

   Both campaigns are likely to spend cash on advertising in coming days. WINA reported that Republicans were planning to begin broadcast advertisements last week, and Conover says the Dems will buy television ads.

   “It’s expensive stuff,” Conover says of ads on Channel 29, which he says can cost as much as $1,200 a day. Conover says the campaign is still deciding whether to run radio ads.

   Charlottesville Registrar Sheri Iachetta says the election has been slow for her office as well, with only 40 absentee votes trickling in thus far. Iachetta suspects many people are waiting to make up their minds on who to vote for until after the candidate forums. With three forums scheduled between April 20 and April 26, Iachetta says, “I’m expecting a busy week.”

Jon Bright hopes Iachetta is right. He says he’s surprised by the apathy about the Council election, which he likens to a vote for the board of directors of a $100 million corporation.

“It seems like we just don’t care,” Bright says. “It’s sad.”—Paul Fain

Home business
Residents and nonprofits clash over zoning

On the 500 block of Grove Ave., one home has a kid’s playhouse in the yard. There’s a home with plywood boards astride sawhorses, one with a “Say No to War” sign and one with overgrown bushes.

   Viewed from the street, the Victorian house at 506 Grove Ave. is no different than any other home in the neighborhood, except for the wheelchair ramp climbing to the front porch past yellow flowers and an American flag.

   What’s unusual about 506 Grove is its owner, and its occupants. In October, a non-profit brain-injury center called Virginia NeuroCare bought the house for veterans of the Iraq war who returned home with head injuries. Up to eight veterans, whom the company calls its “clients,” live in the house, and two NeuroCare staff work there 24 hours a day.

   Is 506 Grove a business or a residence? The City isn’t exactly sure, and the uncertainty has prompted conflicts over nonprofit group homes moving into neighborhoods zoned for single-family residences.

   Richard Myers, who lives next door at 504 Grove, calls NeuroCare’s group home “a business,” and he says the company shouldn’t be allowed in the neighborhood. Grove is zoned R-2, for single- and two-family residences.

   Technically, Myers is right. Armed with a petition signed by 20 of his neighbors, he asked the City to review the group home. The City’s law is designed to encourage permanent, instead of transient, residents in R-2 neighborhoods. But the law is awkward, and the City seems unwilling to enforce it.

   Section 34-1200 of the City’s zoning law distinguishes between “residential treatment facilities,” which are licensed by the Department of Mental Health, and “adult assisted living facilities,” which are licensed by the State Department of Social Services. Because NeuroCare is licensed by the latter, City Zoning Administrator Barbara Venerus told the company it was prohibited on Grove, and Deputy City Attorney Lisa Kelly backed her up in a letter to NeuroCare on December 9.

   The next day, Kenneth Bucci, NeuroCare’s lawyer, sent a letter to the Virginia Office for Protection and Advocacy, asserting that the City’s zoning ordinance violates the Federal Fair Housing Act and the Virginia Fair Housing Law. In what seems like a legal warning shot to the City, Bucci copied his letter to Kelly.

   Kelly sent the VOPA a letter explaining that NeuroCare had not provided enough information about what exactly would happen at 506 Grove. But after meeting with NeuroCare representatives, Kelly decided the City could not legally prohibit the group home.

   “They got intimidated,” says Myers.

   Kelly says she changed her mind when she learned customers would not be coming to 506 Grove for services.

   “From a PR perspective, [NeuroCare] could have handled things differently,” says Kelly. “But my opinion would have been the same whether or not they threatened to sue.”

   NeuroCare was founded five years ago by George Zitnay. It was known as the John Jane Center until 2002. That year, according to the company’s most recent IRS 990 forms, it was $135,000 in the red, and Zitnay paid himself a salary of $174,694.

    “I did not threaten the City,” says Zitnay. “We didn’t contact the advocacy group until we were threatened.

   “To discriminate against people on active duty from the United States military is absolutely shameful,” says Zitnay. “It’s like what happened after Vietnam.”

   Myers says he’s not discriminating against the injured soldiers. “That keeps getting thrown in my face. It’s bullshit,” he says. “It’s not about the cause. NeuroCare is a business.”—John BorgmeyerEye on Charlottesville

City considers security cameras on the MallIt’s becoming a rite of spring around here—the weather warms up, people of all ages flood Downtown and City officials start fretting about safety on the Mall.

   According to the City police website at www.charlottesville.org, the Mall is statistically no more or less dangerous than any other City neighborhood. (It’s a different story for your car, however. The Mall leads all neighborhoods with 49 towed vehicles in 2003). Yet, every spring, it seems business owners and patrons ask the City to beef up Mall security.

   “You have packs of kids whose language is different than adults. Some people feel intimidated by that,” says City Manager Gary O’Connell, summing up an oft-heard bellyache.

   The City is considering a variety of different security measures, including a neighborhood watch program, citizen patrols, more police officers and—at the more Ashcroftian end of the spectrum—security cameras.

   The City’s 2004 budget, which Council approved by a vote of 4-1 on Tuesday, April 13, shifts control of the Mall to the City’s new Department of Parks and Recreation, and out of the public works department. The change will consolidate maintenance into one department. Along with this shift, the City will consider a host of other changes for the Mall—replacing bricks and trees; revising the trash and maintenance routines; and adding new lights, signs and security measures.

   “We love seeing all the activity, but at the same time it means you have to be able to provide enough oversight to make sure everything is good,” says Bob Stroh, co-president of the Downtown Business Association.

 

Schilling’s budget redux

Last year, sparks flew after Council approved its FY 2003 budget. In a post-vote press conference, Councilor Rob Schilling announced that Council hadn’t worked hard enough to reduce the budget, while Kevin Lynch countered that it was Schilling who was the slacker.

   Although this year’s budget approval process on Tuesday was more civil, Schilling was again the lone nay vote, and an argument over his effort surfaced in interviews afterwards.

   “Basically, [Schilling] doesn’t show up anywhere unless there’s going to be media there,” says Lynch.

   Councilor Blake Caravati says Schilling did even less work on this year’s budget than he did last year, his first budget session. “It’s gotten a lot worse,” says Caravati. “He’s not at the wheel. He’s not even in the bus.”

   This year, Schilling presented City staff with a list of more than 150 questions. Although staff answered them all, it is unclear how Schilling used that information to reduce the City’s budget, which he claims is one of his priorities.

   In an e-mailed statement, Schilling says his work has focused on suggesting ways to change the budgeting process. Council, he says, should tell staff how much money to spend instead of scrutinizing the budget themselves.

   Most of Council’s labor on the budget happened in three work sessions during March. According to the minutes of those sessions—which are still in draft form and have not been approved by Council—Schilling didn’t offer many suggestions for cutting.

   On March 17, Schilling, who sits on the School Capital Projects Committee, asked whether proposed renovations to Charlottesville High School could be postponed. He also suggested cutting funds for improvements to McIntire Park.

   According to the minutes, both Caravati and Lynch proposed various cuts. Schilling said Council “should not micromanage” the budget, and that “it comes down to what we want to do versus what we need to do.”

   On March 10, City Manager O’Connell seemed to agree with Schilling, saying that if Council wanted to significantly reduce the budget, they should have set priorities in the fall.—John Borgmeyer


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Mailbag

Clearing the Fog

When someone takes a strong opinion into the theater, they miss things. This may be the reason why Kent Williams’ recent review of Errol Morris’ documentary The Fog of War [Film, March 30] was dominated by details ridiculed out of context, attacks on partial quotes and generalized bitter invective aimed at deterring filmgoers any way possible.

Also, he apparently did not notice that the film was not about McNamara, as the subtitle Eleven Lessons from the Life of Robert S. McNamara implies, but the insidious, risky nature of the nation-state, the core values and ironies of advanced civilization analyzed from an enviable perspective and the odd mix of chance and destiny that delivered us to the present moment.

Keenly loyal to his agenda, Williams does not limit his invective to just this, but also demeans Morris’ brilliant documentary filmmaking technique as well as Philip Glass’ unforgettable score. In some cases, we see Williams’ inner struggle at work doctoring facts. When attacking McNamara’s remark (actually, he was paraphrasing Curtis LeMay) that if the United States had lost World War II they would have been tried for crimes, Williams strategically omits the next sentence, “is it any different just because we won?”

I’m sure the review succeeded in deterring some moviegoers from seeing the film. Those people missed the revelatory recorded phone conversations between McNamara and two sitting presidents, stunning insights into the Cuban missile crisis and personal confessions from a man possibly born into the wrong strata of society or the wrong era.

As to McNamara’s hunger (or was it thirst?) for power, this is simply a fragment of Williams’ imagination. Not only did he not seek the position of secretary of war, but McNamara repeatedly advised President Kennedy he was not qualified for it. And of course it would not fit the profile to mention that as the highest paid corporate executive in the world at the time, he assumed a radical change of lifestyle to serve.

Was McNamara the man the Vietnam-era media invented for us? Hardly the point. When going to such films, it could be an open mind is better than a closed one. Or maybe the focus was too broad. In either case, giant guns and things moving fast across the screen in Hellboy seem more to Williams’ taste.

Sky Hiatt

Charlottesville

 

Check the date

Alexander Cockburn’s column on Kerry’s Vietnam service seems to have date problems [“Kerry in Vietnam,” Left Turn, March 30]. How could Kerry have been a senior at Yale in 1966, graduated in 1966 (or l967), spent a year in training and have been in Vietnam as early as December 2, l966, on his first patrol up one of the canals?

I was interested to learn that an officer, Lt. James R. Wasser, was a machine-gunner on Kerry’s boat. I thought that was an enlisted man’s job.  

James Carley

Charlottesville

 

Alexander Cockburn replies: Sharp-eyed Carley is right to ask. As the year of Kerry’s first patrol, 1966 was a mistype for 1968, and Wasser was a petty officer.

 

 

Leave Sloan’s alone

Sorry to say, but Slo Bro’s is a no no! [Restaurantarama, April 6]. After the Sloan family left Sloan’s it was basically down hill all the way. The management stinks. Where is the warm, loving atmosphere that the Sloan family created and kept going for all those years? Where is the wonderful food that myself and others enjoyed so much? Sorry, but some things are better left untouched!

Besides, from some—and I do mean the very few of the old staff left from Sloan’s—there is not a happy memory in the place. The Sloan family should not let their name be taken down like this. People think it’s still them when in fact it’s some people that are not local and that’s what we loved the most.

I’ve talked with quite a few friends and we’ve all decided that The Korner Restaurant and Riverside are more what Sloan’s used to be. A little more upscale, but with the warm, family surroundings that we Charlottesvillians all grew to love so much.

Change the name! Do something! But don’t call yourself a Sloan when you can’t live up to their greatness!

JD Gordon

Charlottesville

Correction

In the Style File section of last week’s ABODE supplement we ran an incorrect phone number for artist/sculptor Jason Blair Roberson. The correct number is 295-2577.