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Abode Magazines

Southern showstoppers: In praise of the magnolia

“The pleasantest smell in the world,” wrote natural historian Robert Beverly of the Sweetbay magnolia in 1705, and its large, creamy white flowers are just as striking. Associated with nobility and perseverance, the more than 200 species of magnolia vie with dogwood, crepe myrtle, azaleas and camellias for the American South’s favorite plant. Thomas Jefferson was an early proponent, sending seeds to friends and planting trees at his home.

“Jefferson grew the deciduous Sweetbay and Umbrella varieties,” says Peggy Cornett, curator of plants at Monticello, “the latter in rows in the upper grove.” On UVA’s Grounds, a spreading, pinkish-purple Saucer Magnolia stands to the left of Jefferson’s statue in front of the Rotunda, which itself was flanked by seven evergreen Southern magnolias until they were removed in 2014. “The Southern variety is beautiful and reliably evergreen, but they grow so fast that they tend to get out of scale to the building and take over the architecture,” says Cornett.

Nonetheless, the appeal of the magnolia endures. Its bark possesses medicinal properties, its cone-like fruit produces slender red seeds that are favorites of birds and small mammals and its graceful, cup-shaped flowers and shiny, dark green leaves make an elegant cutting for a Southern table. “Spectacular,” says Cornett.

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Arts

Album reviews: King Tuff, Cardi B, Unknown Mortal Orchestra, Parquet Courts, Dr. Octagon and Goat Girl

King Tuff

“The Other” (Sub Pop)

Didn’t King Tuff used to rock? Last year, an exhausted Kyle Thomas paused to recover and reflect—and he’s clearly going for some kind of contemplative statement on “The Other,” (yes, the title carries those pretentious quotes). But whether about alienation on the titletrack or about toxic technology on “Circuits in the Sand,” the proclamations are unfortunately borne by Thomas’ semi-shriek, and his prolix faux-Dylan balladry is often compounded by plodding tempos, as if gravitas can be achieved by cumulative effect.

Cardi B

Invasion of Privacy
(Atlantic)

Who’s invading who? Cardi B’s debut full-length kicks down doors, spewing obscenities with menace and glee, sporting a pack of irresistible tracks from Frank Dukes and Boi-1da. It’s almost enough to say that the massive hit “Bodak Yellow” is just another track on Invasion of Privacy. But it’s a real album, shifting between nighttime parking lot vibes (“Drip,” featuring frequent collaborator Migos) and sunnier vibes (“Best Life,” featuring Chance the Rapper), closing with the SZA-assisted “I Do,” a dirty lullaby which ends with Cardi predictably on top.

Unknown Mortal Orchestra

Sex & Food (Jagjaguwar)

I’ve never gotten too excited about Unknown Mortal
Orchestra’s funky, at times proggy, indie, and I can’t say Sex & Food changes my mind, but I also can’t deny it’s something the band does well. Ruban Nielson’s brain is a fertile musical space, even if he could use a hedge trimmer. Sometimes he nails it, as on “Hunnybunny,” replete with a Steely Dan-ish guitar solo. But often, UMO gives me the feeling of listening to the composing process—most songs are impressive the way M.C. Escher drawings can be—neat tricks to conceive, execute and leave behind.

https://unknown-mortal-orchestra.bandcamp.com/album/sex-food

Parquet Courts

Wide Awake! (Rough Trade)

Gil Scott-Heron, they ain’t.
Amid howling political prose on the opening one-two punch, “Total Football” and “Violence,” Parquet Courts’ Andrew Savage just can’t resist slipping in “and fuck Tom Brady.” Despite natterings about dismantling institutions, these are the same old Courts. And producer Danger Mouse feels squandered, as there’s not much to distinguish Wide Awake! from the band’s past work. That’s not a pure complaint; solidly danceable rock abides, and “Mardi Gras Beads” almost makes a Pavement/Phish alloy sound like a good idea. Parquet Courts plays the 9:30 Club in D.C. on June 7.

Dr. Octagon

Moosebumps: An
Exploration Into Modern Day Horripilation
(BULK)

As Dr. Octagon, Kool Keith teamed up with Dan the Automator and DJ Q-Bert to make Dr. Octagonecologyst, often viewed as the high point of Keith’s varied, decades-long career. After a couple of unapproved– by-Keith releases, Moosebumps represents the true return of Dr. Octagon, with Automator and Q-Bert in for the weird-as-hell ride. The production is resolutely old-school, but Keith’s rhymes are endlessly futuristic, or maybe just timeless—surreal, funny, clinically lewd, cracked. When Keith shouts out Ernest Borgnine, you know that Moosebumps is an imperfect but worthy sequel.

Goat Girl

Goat Girl (Rough Trade)

London quartet Goat Girl released the wonderful “Cracker Drool” single last fall, equal parts jangle, surf and angular post-punk. The band’s debut conjures that rush from time to time (on “The Man,” e.g.), but in general the fed-up indie comes as a welcome broody breeze. Proper songs alternate with brief scribbles that underscore the band’s graceful nonchalance—Goat Girl clearly cares, but doesn’t demand that we recognize it, which is part of why we should. Singer Clottie Cream brings a baleful tension on cutslike “Viper Fish” and “The Man.”

Categories
News

Kessler alert: UVA law library hits the books in search of ban

By Natalie Jacobsen

A tale of two incidents at the University of Virginia School of Law library has prompted the administration to restrict access to students-only for the exam period, which ends May 11.

On April 18, Charlottesville’s embattled whites-righter, Jason Kessler, entered the school’s library and plopped down in a central location to do what the other students had been trying to do: study.

But unlike for the students that roam the hallways daily, his legal research did not turn into an all-nighter among the books. His presence was quickly noticed, with students and professors taking personal action. A 3L—third-year law student—says Kessler was researching a way to petition his permit denial.

One librarian, Ben Doherty, who is an active member of Showing Up for Racial Justice, excused himself from the library when Kessler arrived. Doherty, who has been a target in Kessler’s tweets, declined to comment at this time.

Says a 2L, who asked not to be named, “A [group] of students and Professor [Anne] Coughlin were telling him to leave. Video was taken by him and by those who went to silently protest.” The silent protest came in the form of signs with messages such as “Blood on your hands” quickly printed off and held up “as he pretended to read,” says the 2L. Over the course of an hour and a half, the group fluctuated between five and 15 law school people.

Alicia Penn, who left the school when she heard Kessler was on grounds, says, “some allies really stepped up to the plate and put their bodies on the line.”

Two police arrived to observe. Eventually, Kessler responded to the presence of a handful of students and became loud, blasting racist and sexist statements as he stormed through the hallway and calling a friend to pick him up “because he didn’t trust the police, in his own words,” says the 2L. “He looked pissed off, even though the police and students were not forcing him out.”

No email alerts were sent to the student body while Kessler was on grounds.

Professor Coughlin has been leading the charge to dismiss Kessler entirely from the law school property. The university previously rejected the law school administration’s request for an outright ban, despite allowing homeless and drunk persons to be barred from accessing the school in the past. The library is open to the public during business hours.

Kessler is the organizer of the infamous Unite the Right rally and one of the alleged leaders who directed hundreds of white supremacists to carry tiki torches across UVA Grounds and Lawn last summer.

An impromptu forum to discuss the incident drew in students and faculty, who called for action. Dean Risa Goluboff seemed overwhelmed with emotion and said she “let down her students,” according to Penn. No immediate action was taken as far as students were concerned, and the issue went unresolved publicly for several days.

UVA law spokesperson Mary Wood, who initially did not return phone calls, now says the law school has been actively working with President Teresa Sullivan, the university counsel’s office and the police since April 18.

“I’m really disheartened by the university’s response,” says another 2L, who asked that he not be named because of threats from the alt-right. “The administration and police department should issue a no-trespass order against Kessler. There’s a record built that establishes he’s a danger to our community. They have all the information they need and they’ve done nothing while students at the law school have been dealing with this for two weeks right before finals. As a student of color, I expect more from UVA.”

Yesterday Kessler made a return to the law school, but this visit was cut much shorter. He was given a space in a staff office to continue his legal research, according to student sources, when a community activist entered the room. A law school administrator asked Eric Martin to leave and warned him he’d be arrested if he refused. When Martin did not go, two police officers on hand arrested him for trespassing, according video of the encounter.

Wood says Kessler was not given an office and he was being assisted by a law librarian in the librarian’s office.

In a video, Martin says, “If you want to arrest me and not Jason Kessler sitting right there, then go ahead.”

Martin came to grounds after Solidarity Cville tweeted about Kessler’s reappearance at the law school.

This time, Kessler approached Doherty near the circulation desk, and their voices escalated as Doherty stepped in to ask Kessler to leave, according to witnesses. A group of students gathered, brandishing their recording devices, and watched silently through their screens. Police soon escorted Kessler out peacefully.

The law school sent out an email alert and a follow-up once “the disturbance [had] been resolved.” Dean Goluboff wrote in the email, “Since last week, we have been working toward limiting access…and the plan was for the new policy to go into effect tomorrow morning. Given today’s events, I have decided to implement that policy immediately.”

Some students were not satisfied last week—nor this week—with the school’s response.

Says second-year Elizabeth Sines, who is currently one of a dozen plaintiffs suing Kessler for injury at the August 12 rally, “At this point, there are a group of us students trying to determine how best to respond if he comes here again, because we realize we can’t rely on the university to do so.”

Goluboff’s email reads, “These two trying events have caused much distress. I share in that distress, and I am devoting my full attention to these matters.”

Correction: The date of Kessler’s first visit was April 18, not April 20.

Updated 3:13pm with additional information from UVA law spokesperson Mary Wood.

Updated 4:38 to remove the name of a person incorrectly identified.

Categories
Arts

ARTS Pick: The National balances darkness and light

Known as a band that details its personal evolution and society’s ills through the somber delivery of cryptic lyrics, The National is often pigeonholed as brooding and melancholy. But its obsessive fanbase, officially named Cherry Tree, finds optimism, hidden messages and even tattoos (of lyrics) in the euphoric undercurrent of the group’s music. Tracks on the new album, such as “The System Only Dreams in Total Darkness” and “Dark Side of the Gym,” exemplify a balance between darkly serious and a hint of humor.

Monday, April 20. $45-60, 7pm. Sprint Pavilion, 700 E. Main St., Downtown Mall. 245-4910.

Categories
Arts

ARTS Pick: Spamalot brings British humor of the highest (Ex)caliber

Billed as a “musical lovingly ripped off from the motion picture Monty Python and the Holy Grail,Spamalot parodies the tale of King Arthur and the Knights of the Round Table using British humor of the highest (Ex)caliber. The original Broadway production, directed by Mike Nichols, debuted in 2005 and collected three Tonys, including Best Musical. Monty Python member John Cleese describes the staging as “the silliest thing I’ve ever seen.” And in the hands of Fay E. Cunningham directing the Albemarle High School Players, it’s sure to be outrageous fun.

Through Sunday, April 29. $10-35, times vary. Albemarle High School, 2775 Hydraulic Rd. ahsplayers.weebly.com

Categories
Arts

ARTS Pick: The Andrew Collins Trio flexes its musical muscle

The Andrew Collins Trio has been at the center of Canada’s acoustic music scene since 2005, and its catchy, explorative tunes have made their way to folk fans across the continent. Headed by the accomplished multi-instrumentalist from which the band takes its name, and completed by fellow string virtuosos Mike Mezzatesta and James McEleney, the trio blends newgrass, folk and jazz instrumentation with flawless harmonies to produce fast-paced, imaginative tracks.

Sunday, April 29. $13, 7pm. C’ville Coffee, 1301 Harris St. 974-7233.

Categories
Arts

ARTS Pick: Margo Price tells her truth

Hailed as an up-and-coming country star, Margo Price has succeeded in telling her story through vivid songwriting and compelling performances. From the loss of her family’s farm, to selling her car and pawning her wedding ring to buy studio time, Price’s journey is authentically crafted into songs drawn from experience. Her sophomore album, All American Made, offers commentary on current politics. “I had a lot of people tell me I shouldn’t be giving my opinion, but as far as I’m concerned, there’s not a lot of doubt about the difference between right and wrong,” says Price.

Saturday, April 28. $25-28, 7:30pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

Categories
Real Estate

Horses and Their Owners Love Central Virginia

By Celeste M. Smucker –

From very early days, horses have been a big part of Virginia’s lifestyle and economy. The first Colonists brought their favorite Thoroughbreds from England in the early 1600s. However they weren’t the first equines in the area. Native Americans also owned horses thought to be descended from those brought by Spanish Conquistadors who arrived even earlier. The crossing of these two bloodlines resulted in the American Quarter Horse. 

Horse racing was a popular sport in Colonial Virginia, and the first official American Quarter Horse races were believed to have been held in Henrico County as early as 1674.

Today horse enthusiasts participate in a host of equine-related events from weekend trail riding to fox hunting, racing and dressage. 

Some come from outside the area for these activities, spend their money and go home.  After a few visits, or after they retire, they may decide to stay permanently buying enough property to keep and enjoy their horses at home.

Regardless of what brings them, horse lovers have a lot of company. The Commonwealth is home to over 215,000 equines and the site of 1,200 events, shows, trail rides and other horse-related activities that attract nearly a million visitors annually.

Charlottesville’s Foxfield Races, which take place this Saturday April 28, and on Sunday, September 30, are a good example.  The 25,000 plus attendees at the spring race are described as “vivacious.”  Family-friendly activities in the fall feature special events for children and draw a “more subdued” crowd. 

The horse industry’s impressive impact on Virginia’s economy was detailed in a UVA study funded by the Virginia Horse Industry Board.  The study found horse-related goods and services such as feed, tack, and riding lessons bring in annual revenues in excess of $1.2 billion and provide over 16,000 jobs, generating in excess of $65.3 million in state and local taxes.

Horses and their owners also impact the local real estate market with a continuing demand for the specialized rural properties that can accommodate these popular animals. 

Horse Properties Popular
If the local horse-specialist REALTORS® have a complaint, it is that there is not nearly enough inventory to satisfy the buyers who want to locate here.

Donna Patton with Keller Williams Realty explained, “there is not a lot of inventory at the lower end of the market.” She added that if a property is in “good condition” it gets “snatched up quickly.” 

“There is lots of activity, and there are lots of people out looking,” said Pam Dent with Gayle Harvey Real Estate, Inc.  “The market has definitely improved,” she added, “and that is a good thing.” She urges potential sellers of a horse property to contact their REALTOR® about getting it on the market. “I would love to see more inventory,” she said. 

Horse owners are  different from those looking for a more conventional home, Dent explained.  Often they want “just the right property,” with all the “equestrian amenities.”  She recently listed a horse property that went under contract in just 11 days due to it being “totally turnkey,” ready for horses to move in and live in comfort.

There is also demand for more “disciplined” facilities, noted Gerri Russell with Roy Wheeler Realty Co.  A property that works for a weekend trail rider may not appeal to someone who competes in events like dressage and has very different requirements, she added.

For horse people, making a purchase is less urgent than it would be for a more typical buyer moving here for a job or moving up to accommodate a growing family. In most cases they can take their time and keep looking until the right property comes on the market.

Central Virginia a Magnet for Horse Owners
Our area draws horse people for many reasons starting with the relatively mild climate and beautiful scenery. 

UVA grads and others with an allegiance to local sports teams often find their way back here attracted by the rolling hills, the medical care and the social and cultural amenities that together put our area on so many lists of top places to live, work and play. 

Horse owners—whether they are retirees who just want to keep a couple of horses on their own property, show people who participate in events year around, or professionals who offer riding lessons and boarding services—gather here for all of these reasons and  because they love the terrain and rich pastures. 

And where there are horses, there are also equine-related resources. Professional breeders and trainers, farriers, veterinarians, riding teachers and specialty supplies are all essential, and these plus a long history and tradition, draw horse owners who feel welcome and at home here.

Many of these buyers are young retirees in their early to mid-50s, Patton said.  Some have been boarding their horses and look forward to having a place to keep them at home.  Others are what she calls “event people.”  Usually this is a younger crowd that participates in races and other horse activities.

Still others are just getting  into horses, Patton said.  These are people who have always wanted to own a horse, and now they can afford one along with the property required to keep it in style.  Of course, like other local buyers, horse owners will pay more for property that is closer to town.

Some equine enthusiasts are hobbyists who have an interest in hunting or showing, and want acreage sufficient to keep a few horses and also let their dogs run free.  This is a new experience and they want to take advantage of it while they are still young enough to enjoy it, said Bunny French with Loring Woodriff  Real Estate Associates.

While many horse buyers are retirees or pre-retirees, they may discover they have much younger neighbors.   Russell had some first time buyer clients who wanted enough property to enjoy their horses at home. 

Good Horse Properties
Not just any country location will do for horse owners. Given the complexity of their needs, and the wide variation in requirements, it is essential for them to work closely with an agent who understands their situation, and is familiar with the different disciplines such as dressage, racing or fox hunting. 

Of particular importance is that the agents realize when horse owners move, it’s like  “bringing a whole village,” Patton explained.  These folks have furniture and other personal possessions for human use, but just as important—and perhaps more so—they are moving horses and all of their specialized equipment. 

When they find the right property, these buyers can’t (for example) live in a temporary rental while a previous owner takes their time moving out. Buyers and their horses have to be able to move in all at once and without delay.

In addition, agents who understand horse buyers know that “a serious horse person”  has different priorities from other buyers.  They will first want to be sure the land works for their animals, Dent said.  Otherwise looking at the house is a waste of time.

Common concerns include the quality of the pasture and whether or not there is enough of it for their horses’ needs.  If the pasture is insufficient, horses can “wear it out,” French said, which means they eat all the grass and leave a lot of mud behind.

Buyers also scrutinize  “the topography of the land,” she explained, adding that rolling— but not steep—hills with flat, open areas with lots of grass are essential.

The barn is also of prime importance.  A fox hunter may be happy with a run-in shed, Dent said. Show horses, on the other hand, stay in more and need a nice barn.  Their owners also prefer smaller paddocks because the animals don’t go out in big groups where they may be injured. A ring with good footing would also be considered a plus, Dent added.

Location is an important consideration as well. Fox hunters want to be near hunt country while trail riders look for access to nearby trails and/or farms that allow others to ride through, Dent said. 

Good water is critical and also high on the list of desirable features. Automatic waterers that work year round are popular, Russell said.  These are a great asset and something any buyer would prefer when evaluating a property.

Another priority is fencing.  “Horses are very delicate,” French said,  and barbed wire is not usually a good choice, although “high strung Thoroughbreds” are more likely to get in trouble than  draft horses.

Similarly, trail riders will look for different fencing than do those who participate in other types  of  events.  “It’s a very specialized field,” Patton said.

Like most horse-specialist REALTORS® Patton is a horse owner and explained that her buyers very often express the desire to see their animals from the house. “It’s very relaxing to watch them graze, very peaceful,” she added.

Foxfield Races
The local Foxfield Races is one of many horse-related events that together bring in an excess of $25 million in annual revenue to Virginia’s economy. 

The bi-annual happening is one of the Commonwealth’s biggest and always scheduled for the last Saturday in April and the last Sunday in September. 

The first race was held in 1977.  Dent was there and helped paint the fence in time for the race to begin, as was Foxfield’s Race Director, Patrick Butterfield, who added, “We all did everything we could to help.”

Foxfield is “a great family activity,” Patton said.  Attendees get to interact with friends and family while they enjoy the fun.  It’s definitely an event that “people plan around.”

A steeplechase course, Foxfield is part of a national circuit. Attendees love to watch horses running as well as “jumping in a more natural setting,” which is very different from seeing them on a race track,  Patton noted.

Steeplechase racing originated in Ireland in 1752 when, according to legend, two friends settled a bet on who had the best horse by racing to and through a nearby church where a funeral was in progress.  The sport spread to England and then the United States. 

“It’s a great way to spend an afternoon,” Butterfield explained.  It brings people to Charlottesville from all areas like UVA alums who enjoyed attending when they were in school. 

Tailgating is a big part of the excitement, Patton said, and some tailgaters even compete in judged contests of who has the best-looking spread.

This year’s spring race is on Saturday, April 28. The fall race, featuring activities for families and children (such as pony rides and games), takes place on Sunday, September 30.

Visit the Foxfield Races website for more information, to watch videos of former events and to purchase tickets.

If you and your horses want a place to call home, our area has everything you need from great properties to equine related goods and services, and events like the Foxfield Races.  Experienced agents who love horses as much as you do stand ready to help. Give one a call today.


Celeste Smucker is a writer and blogger who lives near Charlottesville.

Categories
Real Estate

Fridays After Five: A Charlottesville Tradition

By Ken Wilson –

It’s free, it’s family-friendly and, lucky for us, it’s happening again.

For 30 years now it’s been our favorite way to let the good times roll—and rock and rumble, moan and purr, shake and shimmy, and however else the spirit moves. Thank God it’s Fridays After Five, with live music and concessions benefitting local charities once every seven days from now till mid-September at Charlottesville’s Sprint Pavilion. Meet up on the Downtown Mall.

Fridays After Five started outside the Omni Hotel in 1988, moved to the grassy bowl at the other end of the Mall sometime in the 90s (memories are hazy) and took up residence at the Pavilion when it opened in 2005.

Corey Harris, the Dave Matthews Band, and the Sons of Bill have played it, and so has every other local and regional act gunning for the big time or just soaking up the local love. Funk or rock, alt-country or disco, oldies or the hot and hyphenated next big thing, Fridays After Five is where the hometown crowd hears the homegrown sounds.

What Sprint Pavilion General Manager Kirby Hutto calls “a celebration of summertime in Charlottesville” draws a crowd—an average of 5,000 to 6,000 in good weather. Local non-profits help put on the show and reap the rewards. “It’s a really good fundraiser,” Hutto says. “They don’t have to do any of the organizing, they don’t have to do any of the cleaning up—they just come down, we slot them in, and our paid staff takes care of getting everything set up and breaking it down at the end of the night.”

Remuneration is based on the number of volunteer hours a group provides, “so that even if they come down and it’s a colder night and the crowds aren’t there, they’re still going to get paid for the work they’re putting in.”

The 31st season of Charlottesville’s favorite way to kick off the weekend continues through September 14 at the Sprint Pavilion, with music beginning at 5:30 p.m. and running to till 8:30 p.m. Singer-songwriter Adar Seligman-McComas and her five-piece band Adar, with Nick Berkin on keyboards, Andrew Hollifield on bass, Brandon Toliver on drums, and Aaron Spring on saxophone, bring soul, funk, jazz and rock to the Pavilion on April 27. Shagwüf opens.

Inspired by the Djembe and Djun Djun drums of West Africa, Richmond reggae artist Mighty Joshua wants to open minds and activate bodies, creating positive change with consciousness-raising lyrics. Mighty Joshua was named Virginia Reggae Artist of the Year in 2014 and 2015 in 2015. He plays on May 4. Footwerk opens.

Virginia (and West Virginia) native Sarah White doesn’t play country, rock, or folk, but what she does play, whether solo or with her band, sounds a lot like all three. Once named Charlottesville’s best songwriter, she recently took first place at the Ashland Coffee & Tea Songwriter Shootout. White sings at the Pavilion backed by pedal steel, keyboards, guitars and her own well-worn Jumbo Gibson acoustic on May 11. Small Town Rodeo opens.

Some of Charlottesville’s best vocalists and instrumentalists join together on May 18 to pay tribute to Minneapolis’ finest, the late great singer-songwriter, producer, actor, and style setter Prince.

Cville’s Purple All Stars, will feature Jamal Millner (Guitar/Conductor), Anita Byers, Davina Jackson and Ezra Hamilton (Vocals), Ivan Orr (Keyboards), Jeff Louderback (Drums), Chris Redd (Keyboards) and Vic Brown (Bass/Vocals). They will play two sets: first the entire Purple Rain album, and then more greatest hits. Supervixen opens.

Red & the Romantics love roots music and Americana: blues, gospel, gypsy jazz, rock ‘n roll and whatever is in between. Erik “Red” Knierim writes the songs. On stage he has help from Steve Riggs on upright bass, Steve Vargo on guitar, Betty Jo Dominick on accordion , and Dan Barrale and Seth Johnston on drums and percussion. Red & the Romantics have been making Charlottesville dance since 2011. They’ll do it again on May 25. Sweet Afton opens. 

Blend rhythm and blues, funk and old school hip-hop and you get a Washington, D.C-based sound called go-go music. Veterans from Charlottesville’s own go-go pioneers Double Faces (Blacko, Larry, and J.R) recruited guys from the rap/reggae group Vibe Riot to form Seductive Sounds. They’ll get everyone on their feet on June 1. DJ Rush Hour opens.

Combine the sophistication of Steely Dan, the soul of Little Feat and the improvisatory daring of Grateful Dead and you get Indecision, a band that’s been jamming longer than First Fridays has been happening. Aaron Evans (guitar and vocals), David Ibbeken (guitar and vocals), Craig Dougald (drums and vocals), Shawn McCrystal (bass) got together in high school in 1980 and played their first nightclub gig four years later at the Mineshaft Cellar on Main Street in Charlottesville. Expect both original and cover songs. Charleston’s The Blue Dogs opens.

Take five guys who love blues, funk, gospel, rock and jazz and you get a band that might hail from Memphis or New Orleans. When those five guys are Aric van Brocklin on guitar, Skip Haga on keyboards, Granville Mullings on drums, Andy Rowland on sax, and Victor Brown on bass,

you have The Chickenheads, Charlottesville’s “premiere” boogie-woogie, upbeat, rhythm and blues dance band. They promise to get everyone up and dancing on June 15. The Charles Owens Quartet opens.

Just a few years back, the brothers Kai and Bram Crowe-Getty were hanging out and trading Americana tunes with friends in the Nelson County countryside. Nowadays they’re cruising up and down the East Coast and into the deep South in a 2007 Ford Econoline van with Lord Nelson, a five-piece “Dirty Funk n Roll” band featuring “greasy trombone, backbone bass and dirty south guitar.” They play the Pavilion on June 22. The Can-Do Attitude opens.

They call themselves Disco Risqué, but this high energy band with guitars, bass, drums, horns and vocals pumps out everything from rock and hardcore to funk and hip-hop and propulsive pop. They will bring their “controlled chaos” to Fridays After Five on June 29. The Tyler Dick Band opens.

Fridays After Five continues through September 14; the second half of the season has yet to be announced.

Categories
News

Artists interrupted: Canceled re-enactment reopens slavery’s wounds

When the student-run UVA Studio Arts Board asked New York artist Ed Woodham to bring his Art in Odd Places to the university, he wanted local artists to take part in the public visual and performance art, and the centerpiece of the two-day April event featured local theater artists Leslie Scott-Jones and Brandon Lee.

Two days before the performance, their project was canceled because of objections of black students and the Office of African-American Affairs. The artists say they were censored, and the dean of the OAAA says re-enactment of the enslaved laborers who built the university would be humiliating. Both sides say the other is “misinformed.”

Woodham, who started staging Art in Odd Places after 9/11 in New York, was selected to be UVA’s artist-in-residence in April 2017. “Then the events of August happened,” he says.

Scott-Jones, who is artistic director at the Jefferson School African American Heritage Center and who has helped revive the historic black theater troupe, the Charlottesville Players Guild, proposed “Historical Matters” to Woodham last fall.

Leslie Scott-Jones had planned a celebration of the slaves who built the University of Virginia, but the Art in Odd Places performance was canceled after objections from black students and the Office of African-American Affairs. File photo

“My idea was to have a historical re-enactment on the Lawn using research from UVA’s Commission on Slavery,” she says. That was for April 5. The next day, she wanted Queen Charlotte, who was black and for whom Charlottesville was named, to be in a parade with fife and drums from the university to the Downtown Mall, where Thomas Jefferson and James Madison would present her with the keys to the city.

Scott-Jones contacted Lee, who had been a re-enactor as a child at Colonial Williamsburg and who was a 2006 UVA grad. “As an artist, I wanted to do something in line with historical interpretation” that would include the experience of slave laborers and the first minority students at UVA, he says.

“Other than my senior research, that’s the most time I’ve spent on anything,” he says.

Scott-Jones recruited five professional re-enactors, who agreed to participate in “Historical Matters” at reduced rates, she says. She obtained permit paperwork for the parade and sent it to UVA to submit as the entity that was sponsoring the event, she says.

Then she heard that an emergency meeting of the Black Presidents Council—the student presidents of all the black organizations on Grounds—was being held the night of April 2 and was told, “None of the students knew about it, they didn’t want slave re-enactments and didn’t approve it,” she says.

She and Lee were not invited to the meeting, but showed up anyway. “The meeting got a little heated,” says Lee.

Lee, who is community advisor to his Phi Beta Sigma fraternity, says he was surprised to hear the students say they had not been advised about the project. “It’s totally inaccurate,” he says. “I pulled up an email I’d sent [to one of them]. Nobody responded.”

The students voted 14-0 against the project, with three abstentions.

Maurice Apprey, dean of the Office of African-American Affairs, says he first heard about the performance four days before it was scheduled. “A student came to me and said, ‘Someone came to our door and asked if we wanted to be slaves,’” he says. “Can you imagine how upset you’d be as a parent?”

An email to Pat Lampkin, UVA vice president and chief student affairs officer, signed by Apprey and three other deans in his office, says, “The pretext of the entire project was clearly offensive.”

The deans wrote, “We shudder at the thought of having to explain to concerned parents, students and alumni that our black and non-black students are being asked to play roles of humiliation; namely, the enslaved and slave-owning.” They also shuddered at the idea of prospective students and their parents coming upon such an event while considering attendance at UVA.

UVA denies canceling the event. “Given serious concerns raised by minority student groups regarding the nature of the performances, Ms. Scott-Jones agreed not to proceed with the events planned for April 5 in order that additional dialogue and discussion might occur with those groups,” says spokesperson Anthony de Bruyn. “When the university subsequently learned that the necessary parade permits had not been obtained from the city for the events planned for April 6, this concern was raised with Ms. Scott-Jones who subsequently decided to cancel the events planned for that date.”

“The first part of that is a lie,” says Scott-Jones. She says Dirron Allen, assistant dean of students and director of student activities, told her, “We can’t allow you to do anything planned for Thursday.”

She says, “We canceled Friday because at that point, our artistic vision was ruined.”

Allen did not respond to Scott-Jones’ characterization of the cancellation, but de Bruyn says, “The Arts Board proposes artistic events for the university to consider hosting, and these proposed events are subject to the university’s review and approval.”

Woodham says he had received approval from the Arts Board. “I’ve worked for universities, civic organizations and cities. Nothing’s ever been censored before. We followed the Arts Board procedure. This was very last minute.” And, he says, the decision was “based on misinformation.”

Apprey calls the project “haphazard” and “misinformed”—but says, “I don’t have the right to censor anyone.”

And he compares it to asking Jewish students at Hillel House if they’d like to go to an Auschwitz re-enactment.

“The OAAA objected strongly and I would have been very upset if it had happened in spite of our objections,” he says. “Can you imagine after tiki torches on our Grounds, an enactment of a slave auction on our Grounds?”

He also suggests, “Before seeking refuge in an expression of ‘free’ speech, could we ask: Is what we are about to say or do a good idea?”

“The decision to cancel was troubling,” says Larry Goedde, chair of the department of art, who says he would be meeting with Dean of Students Allen Groves to learn what led to the decision and to clarify what the policy would be going forward.

“How is it wounding to celebrate the people who built the university?” asks Scott-Jones, who says there was no slave auction planned and that the objectors, had they talked to the artists, could have gotten an accurate picture of what they planned to do.

“You’ve got these black students so ashamed of their history, they want to ignore it,” she says.

“I am sad that after everything this town went through in August, they still don’t understand the real problem,” says Scott-Jones. “The reason Nazis could come here is because we haven’t paid attention to the other part of our history.”

Scott-Jones traces her ancestry to 1793 in Scottsville. “This is my history,” she says. “For the deans of the Office of African-American Affairs to assume this was anything but meticulously put together is ludicrous and offensive.”