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Lending a paw: Local groups harness the power of animal therapy

Tamera Mason, an EMT working at Augusta Health’s emergency room in Staunton, lives with a life-threatening medical condition: In July 2015, a yellow jacket’s sting set off an extreme autoimmune reaction that devastated her hormonal systems and caused Addison’s disease, which affects the adrenal glands’ ability to produce cortisol. When Mason’s body goes into Addisonian crisis, she explains, “I have three minutes to mix and inject medication that will give me 15 minutes to get to an emergency room.” In the last four years, she’s ended up in the resuscitation unit 11 times. Her team of specialists tried more than 40 medication changes and a range of medical devices, but nothing succeeded in stabilizing her autoimmune reactions.

After two years of struggle, a nurse colleague suggested Mason contact Service Dogs of Virginia, a Charlottesville-based nonprofit that raises, trains, and places dogs to assist people with disabilities.

A dog might seem to be a strange solution to Mason’s health problems: Many people associate service dogs with “seeing eye” dogs that help the visually impaired (The Seeing Eye, the first guide dog training facility in the U.S., was founded in 1929). But while service dogs have been assisting the seeing- and hearing-impaired and the physically disabled for decades, in the last 10-15 years they have been trained to help with a much wider range of disabilities.

Medical alert dogs, for instance, take advantage of a dog’s highly developed sense of smell. Certain medical conditions produce a scent that humans can’t detect, but canines can; Sally Day, SDV’s director of development, says, “If you can isolate the scent, you can train the dog to it.” In 2003, for the first time, a dog was trained to recognize hypoglycemia (low blood glucose) by smell, making it possible to train alert dogs for diabetics whose blood sugar isn’t well controlled by other methods.

In Mason’s case, SDV was ready to help, although clearly the training would be a challenge: Dropping cortisol levels create a scent unique to that individual, which meant Mason had to allow herself to go into Addisonian crisis—actually send herself to the emergency room—in order to collect swabs with saliva samples to provide the precise scent needed for the dog’s training.

Mason still remembers meeting Irene, her golden Labrador. “This dog looked into my soul,” she says. In the first 12 months of their partnership, the dog’s alerts have been accurate every time—a phenomenal record—and Mason has been hospitalized only once. Having that security and confidence has helped stabilize Mason’s condition. She sleeps better at night; her husband works in the yard with confidence that she is being watched carefully; their children don’t check in fearfully every day. Maybe it’s not a coincidence that the name Irene derives from the Greek word for peace.

Jessica Neal says Forest, a black Lab, helps keep her son Samuel safe in crowded places, and calms him down when he gets overwhelmed. Photo by Eze Amos

We know humans value animals just for their companionship: Two-thirds of American households, according to the most recent American Pet Products Association’s survey, include one or more pets, from cats and dogs to rabbits and reptiles. But the more researchers learn about human physiology and animal behavior, the more therapies are being developed that build on the special qualities of the human-animal bond. Here in the Charlottesville area, SDV is just one of many organizations that are harnessing the power of animal therapy to improve patients’ physical and mental health.

One of the newest frontiers in animal therapy, psychiatric service animals, is based on research showing that human-animal interaction lowers blood pressure and stress hormones, lights up the brain’s pleasure centers, and increases levels of oxytocin, the hormone that promotes bonding. Dogs are now trained to assist those with behavioral and mental health conditions ranging from autism to depression and post-traumatic stress disorder.

Jessica Neal’s son Samuel’s autism spectrum disorder causes major behavior issues that make daily living difficult not only for Sam, but for the whole family. In stressful situations, Sam is prone to run off, and in unfamiliar or crowded public spaces, Sam can get overwhelmed and act out. Neal, a single parent with two other sons, found the entire family was becoming more stressed and isolated. She contacted SDV with a simple goal: “I just want to do normal things with my family,” she said.  She waited six months for a black Labrador named Forest.

“Forest is the most chill dog ever,” Neal says. She is the dog’s handler, giving Forest cues and rewards as they work together to keep Sam safe and calm. While Neal holds Forest’s leash, Sam is connected to the dog by a vest/harness that allows the boy to move freely; if Sam starts to run, the 80-pound Lab simply lies down, keeping the child anchored while Neal can calm him. When Sam feels overwhelmed, Neal finds a quiet spot where the two can “pillow”—Forest lays down, with Sam leaning against him. If Sam is very agitated, they “hug”—Sam sits on the floor with Forest draped across his legs, and the dog’s warm, calming pressure (an established technique for lessening anxiety called deep touch pressure therapy) helps soothe the boy. And because autism, like PTSD and other psychiatric conditions, is an “invisible” disability, Forest in his service dog vest helps other people understand Sam’s behavior and needs.

The result has been not only a much more manageable life for Sam, now 11, but a more normal life for the entire family. Neal recalls taking the whole family to Disney World last Christmas, which would have been unthinkable before: “One of the greatest things Forest has given our family,” she says, “is memories.”

The canine ability to tune in to the unspoken emotional needs of humans is as important as the tasks service dogs perform. SDV’s Day points out that for many people with physical or psychiatric disabilities, social isolation can be an additional barrier. “If their dog can help them get out of the house, that’s a huge step.” Although service dogs are trained to ignore people and other dogs while working, dogs naturally draw people, which facilitates more social interaction and acceptance from the public.

This canine empathy makes dogs great candidates for animal-assisted therapy, in which a trained professional in mental health, physical therapy or occupational therapy uses the animal in specific ways. Catherine Erickson, trauma counselor at UVA’s Maxine Platzer Lynn Women’s Center, had been reading extensively about animal-assisted therapy. When she noticed that her adopted goldendoodle Poe, trained as a psychiatric service dog, was extraordinarily attuned to humans (“even at the dog park,” she says, “he focuses on the people”), Erickson proposed using him for therapy with her clients at the Women’s Center.

The dog’s mere presence can help reassure or ground a client. And Poe helps Erickson notice  when a client is feeling tense or frightened. Trauma survivors especially can have issues with trust and connection with other people, but Poe sits quietly, not judging, completely present and accepting. In fact, Poe has become so popular he has his own drop-in office hours—for both students and staff, who also enjoy a little canine time-out.

Riding horses at Charlottesville Area Riding Therapy gives clients the chance to exercise physical skills like posture, balance, and coordination, as well as develop an emotional connection with the animals. Photo by Eze Amos

Horses are another natural choice for animal-assisted therapy—they combine trainability with an innate ability to read human body language and mood. Riding, walking, or grooming a horse offers recreational, rehabilitative, and cognitive therapy for children and adults with physical, emotional, or developmental disabilities. A professionally certified instructor works with horses based on their calmness, responsiveness to direction, patience, and unflappability—a quality referred to, in both horses and dogs, as “bombproof.”

Sarah Daly, executive director at Charlottesville Area Riding Therapy and a certified therapeutic rider instructor, explains that sitting astride a horse provides exercise in posture, balance, and coordination; the animal’s motion mimics the joint movement and balance shifts a person’s body would get from walking. In addition, the sessions offer social interaction with other riders, outdoor activity, and confidence-building as the client learns to approach, mount, ride, lead, and just enjoy this large, gentle creature.

Daly has seen over and over how both children and adults respond to the horses, and how the animals can connect with them emotionally. In one group of troubled teens, she recalls, there was a boy who wasn’t interacting with anyone, at school or in therapy, and was openly negative about riding. The next week he came to the stable, walked into a stall, and crouched down in a tight ball in one corner. The horse came over to nuzzle his shoulder, and the boy began to sob. When the counselor came over to console him, the boy revealed a family member had been killed in an accident a short time before—he’d never spoken to anyone about it. “I start crying every time I tell that story,” says Daly.

Dorothy Gorman’s grandson Desmond is one of CART’s riders. Desmond, 10, has autism spectrum disorder; he’s nonverbal, has low muscle tone, and some sensory issues. But coming to CART is clearly fun—the boy recognizes Hope, his usual mount, and shows no hesitation about getting up on this big brown friend and going into the ring with the horse’s leader and volunteer sidewalkers. (Each rider has three attendants, to ensure safety for both rider and horse.) Gorman says riding has improved Desmond’s posture and core strength, and the exercise Daly has him doing, of alternately sitting on the saddle and standing up in the stirrups, has strengthened his legs to help in pedaling his bike.

Trainers and volunteers with the Keswick-based Love of Little Horses, which uses miniature horses as therapy animals. The horses’ small size and sweet natures make them less intimidating. Photo by Eze Amos

It’s the emotional reactions of humans to animals that has led to the development of therapy animals. Commonly used in group settings such as hospitals, schools, senior centers, and nursing homes, therapy animals (usually dogs or miniature horses) don’t do any special tasks—they simply provide comfort and ease loneliness. Therapy dogs can be any breed, but have to be calm, obedient, and social without being over-eager. Deven Gaston of Canine Campus, which offers both obedience and therapy certification prep courses, emphasizes that handler and dog must work as a team to ensure the safety and comfort of both dog and humans. People who want to train their pets as therapy animals, she says, “have to be deft at handling both people and the dog.”

John Williams and his golden retriever Sunny work at several sites around Charlottesville. In their weekly visits to Sentara Martha Jefferson Hospital, they stroll through administrative offices, wards, and the chemotherapy center, spending time with both staff and patients. Sunny approaches people calmly and stands while they pet him. “His job is to say hello and brighten people’s day,” says Williams. “That is why I called him Sunny.”

The Charlottesville area has several programs using miniature horses as therapy animals. Keswick-based Love of Little Horses has two teams: Minis on the Move, run by founder Nancy Wheeler, and A Little Magic, managed by Judy Rennyson. Rennyson says therapy horses, like dogs, “need to have the personality:” calm, gentle, patient, and people-oriented, with a high level of trust in their handlers. Their small size and sweet nature is an asset, Wheeler notes, since a horse that’s only waist-high is far less intimidating. Children want to walk them, groom them, put clips in their manes; clients with autism will touch, even drape themselves across the horse’s back; people in wheelchairs will reach out and hug the horse’s neck.

Then there is the newest category, for which almost any kind of animal can qualify: emotional support animals. The animal’s owner must be diagnosed by a qualified mental health professional as having a mental disability that significantly limits one or more major daily life activities, and for which the animal is a therapeutic aid. The ESA category is intended to allow people to have their designated animal in no-pet housing and on planes. Unfortunately, abuse of the ESA designation (e.g., the recent “emotional support peacock” news item) can hurt its credibility, and undercut the valid use of these animals for those with mental health disorders.

Dr. Adam Colbert, chief resident in the psychiatry department at UVA School of Medicine, is open to incorporating animals into his work with his patients—“it’s amazing how much the person’s walls come down.” The human-animal nonverbal connection is important, he says, especially for those with autism or attachment disorders. Colbert also sees benefits in the sense of responsibility that caring for an animal fosters; one of several examples he mentions is a patient who had trouble taking his medication regularly, but found having to feed and care for a hamster helped reinforce the discipline of taking his own medications.

Colbert, who had considered training as a veterinarian, recalls the human-animal bond being illustrated in one of his medical school courses, in which horses (“very intuitive animals,” he notes) helped teach future doctors the importance of non-verbal communication. Now Colbert is trying to raise awareness about these kinds of benefits among his medical colleagues, who are more likely to know about physical assistance dogs. SDV’s Day says almost all their inquiries come from people who have been referred by friends or done internet research: “Doctors often see the benefit once the patient gets a dog.” Daly at CART does get referrals from physical and occupational therapists, as well as over the transom.

Colbert and Erickson are familiar with a range of research findings in physiology and neurobiology showing the positive benefits of animal-human interaction. Other studies into social and quality-of-life aspects show having a pet fosters social interaction and reduces feelings of loneliness or isolation. Erickson mentions increasing levels of social detachment and anxiety in our society, citing factors from social media to gun violence; in contrast, “touching an animal activates the parasympathetic nervous system, which calms us,” she says. “We all need attachment—and, while we wouldn’t want them to replace human connection, animals are a good place to start.”

Everyone involved in this work—from service dog partners and disabled riders to the trainers, handlers, and therapists—has so many stories about the physical, health, and emotional benefits of animal therapies. Researchers will continue to find out more about the whys and hows of human-animal interaction, but miniature horse handler Rennyson explains it simply: “It’s the living breathing animal that makes this work.”

Author’s Note: For feline fans, cats can make wonderful companions, emotional support animals, and (if naturally calm and social) therapy animals. But for evolutionary and biological reasons, they are not as easily trained or as attuned to human emotions as are dogs and horses. As even us cat-lovers admit, our cats would do anything for us—when they feel like it.


Where to find help

One of the challenges in the new and evolving field of service animals is that there is no one organization credentialing the animals—or their trainers. Here are some guidelines:

Service Dogs

There are several organizations online that will “register” a service dog, but the ADA does not require registration (or even that the animal wear a vest or other identification). Think carefully about claims to train your current pet as a service animal; many wonderful companion animals just aren’t suited for service dog work.

The following are the organizations in Virginia certified through Assistance Dogs International,
the largest global service dog
organization:

Service Dogs of Virginia, Charlottesville, servicedogsva.org, 295-9503

St. Francis Service Dogs, Roanoke, saintfrancisdogs.org, (540) 342-DOGS (3647)

Mutts with a Mission, Portsmouth
(for military veterans), muttswithamission.org, (757) 465-1033

Therapeutic Riding Programs

Look for instructors certified through the Professional Association of Therapeutic Horsemanship International.

Charlottesville Area Riding Therapy, Crozet, cartcrozet.org, 823-1178

Ride With Pride, Staunton, ridewith prideva.org, (540) 255-2210

Heartland Horse Heroes, Buckingham, heartlandhorseheroes.com, 983-8181

 

Therapy Animals 

Love of Little Horses, Keswick, lovelittlehorses.org, 540-272-5267

For therapy dogs, look for programs providing evaluation through Pet Partners, the Alliance of Therapy Dogs, or Therapy Dogs International.

Canine Campus, Charlottesville, caninecampus.wpengine.com,
218-
0951

Categories
Opinion The Editor's Desk

This week, 10/30

The plaintiffs: Who’s who in the fight to keep Confederate monuments” was a fairly straightforward feature story we published in March, about the 13 people and organizations suing the city over council’s vote to move the Lee and Jackson statues.

As I wrote in an editor’s letter back then, “Much blame (not to mention death threats) has been showered on those who want the statues to be moved, but little attention has been paid to those suing to keep them in place.” Who were the people who cared so deeply about the Confederate monuments, even after the horrific violence of 2017, that they would sue the city to keep them in place? Our story, by then-news editor Lisa Provence, was an attempt to shed light on that question. 

In response, one of those plaintiffs, Edward Dickinson Tayloe II, sued this paper, Provence, and even UVA professor Jalane Schmidt, a source in the story, for $1.7 million, claiming that by relating the facts of his family’s slave-holding history, we were defaming him and implying that he was racist.

Yesterday, in a packed courtroom, Albemarle Circuit Court Judge Claude Worrell dismissed the case, declaring that neither Schmidt’s comments nor the story as a whole were defamatory or libelous. But while it’s a victory for free speech, it still took five months and many thousands of dollars in legal fees to get there. 

SLAPPs (Strategic Lawsuit Against Public Participation) have, according to the Reporters Committee for Freedom of the Press, “become an all-too-common tool for intimidating and silencing criticism through expensive, baseless legal proceedings.”

Virginia is one of many states that has passed an anti-SLAPP law, but in this case Judge Worrell declined to award attorney’s fees to us or Schmidt, because he was dismissing the case on other grounds. That’s troubling. Eden Heilman, the ACLU attorney representing Schmidt, argues that the mere possibility of a costly legal proceeding can be enough to intimidate people from speaking up, even if the suit is baseless.

The threat of wealthy individuals weaponizing the courts when they are covered in ways they disagree with remains very real. 

Categories
Living

We are all Meteor: Pondering our emotional connection to animals

On October 22, The Washington Post published a 2,000-word story about Meteor the yak. The piece was essentially a deep-dive obituary of the sort usually reserved for movie stars, war heroes, and pioneers in the arts, science, and industry. I would call it overkill, because I can’t resist a pun. But that’s not exactly how I feel about the detailed death notice.

I am what is sometimes called an “animal person.” I have an affinity for all things furry and four-legged, feathered and beaked, and even creepy and crawly, with the notable exception of stink bugs. I hate stink bugs. But I loved Meteor—or rather, I loved his story and what he symbolized. He was defiant, heroic, crafty, and even cute, if that word can be applied to a shaggy 600-pound beast with great big horns.

The condensed version of Meteor’s life and death goes something like this: He lived and grazed at Buckingham County’s Nature’s Bridge Farm, owned by one Robert Cissell. On September 10, while being trailered to the abattoir, Meteor escaped when Cissell stopped at an intersection. During the 17 days that the animal roamed free—a “yak on the lam,” as C-VILLE Weekly reported—he was spotted a few times and photographed at least once. The somewhat blurry image, taken from a distance, brought to mind a Bigfoot sighting. But this yak was no yeti. Meteor’s existence was verifiable, and the media was quick to lionize him (remember, the puns). If he were a human, he would have been a budding folk hero, refusing to accept his inevitable fate—to be carved up and sold at the Charlottesville City Market, which is what Cissell does with Meteor’s pasture buddies. Instead, the yak enjoyed more than 15 days of fame, making local and national headlines, inspiring a blog, and becoming a favorite topic of conversation among cubicle-dwelling human workers. Meteor had escaped, “fleeing into the Virginia mountains,” as USA Today declared.

Back in the Stone Age, when I was a cub reporter in Columbia, Missouri, I had written about livestock escapees, so I knew what all the hubbub was about. There was a slaughterhouse within the city limits—just a few blocks from my apartment, in fact—and jittery cattle jumped the stockade every now and then. One cop on the local police force gained some small degree of notoriety as the terminator in these situations. He used a 12-gauge shotgun loaded with a single-slug cartridge—from close range. I’ll never forget the front-page photo: a little cloud of smoke still hung in front of the muzzle, and the very large animal had begun to topple, two hooves on the ground and the others about a foot in the air.

This was no cause for celebration. The police said that killing the animal as quickly as possible—rather than, say, tranquilizing it and hauling it back to the meat factory—was a matter of public safety. There was an elementary school nearby, for heaven’s sake, and the certain death of a steer was preferable to the possible trampling of a playground full of kids. Back in the newsroom we talked about the inappropriateness of an old-time slaughterhouse in a modern city neighborhood, and we joked about the officer who apparently relished his role as a cattle killer. My overwhelming emotion, not disclosed to my colleagues, was sadness.

That’s what I felt when I heard the news about Meteor being hit by a car on Route 29, and euthanized, on the morning of September 27. I also had a wistful smile on my face as I took to C-VILLE Weekly’s Facebook page and wrote a brief eulogy for the yak. Later, when the WaPo story hit, I felt it was a bit much. Granted, there had been a story a few days earlier about a monkey on the loose in Charlottesville. No one ever found the little critter, and I suspect maybe someone only imagined seeing it before dialing 911. Regardless, it was news fodder. But the story about Meteor quickly veered into TMI territory, including a mention of “methods for obviating the smell of urine that comes with cooking [yak] kidneys.”

Among the more than 30 commenters, some bashed Cissell as “irresponsible” and blamed him for Meteor’s death (they missed the irony, I guess), while others commended Cissell for his lifestyle choice and commitment to sustainable farming. One person extolled the deliciousness of yak yogurt, and yet another declared yaks “cute.”

Scientifically speaking, that’s partly what it comes down to. Ethologist Konrad Lorenz (you know, the one with the line of ducks following him) used the term Kindchenschema to describe human infant features—a large head, round face, and big eyes—that we perceive as cute and which motivate caretaking behavior. Lorenz’s research is cited in studies that found people more likely to save a dog or a child than an adult from a life-threatening situation. Dogs and kids are cute. We innately want to protect them, to make sure they survive.

I would argue that this idea prevails even when a cute animal is perceived as a threat. On October 24, a bear rummaging through garbage at Brownsville Elementary School caused a lockdown. A photograph published by The Daily Progress shows the sweet-faced little creature clinging to the trunk of a pine tree—with its potentially flesh-shredding claws. Police and animal-control officers chased the bear away, and all was right with the world again. Principal Jason Crutchfield sent a message to the schoolkids’ parents, saying, “As always, safety is a priority at Brownsville, and we are glad that this was handled without incident. Your little bees stayed calm and cool, but, of course, are excited about today’s events.”

As Charlottesville grows, and development creeps into agricultural and natural areas, our encounters with animals other than our pets are increasing. That’s a fact. How we react to said animals says a lot about us, about our capacity to care about and even feel affection for “lesser” living things. At the very least, we should respect them. We are encroaching on their territory, not vice versa. If we accord hero status to Meteor, so be it. And may he rest in peace.

Categories
Arts

ARTS Pick: Spin Cycle and Gina Sobel’s Gold Sounds

Jazz combo: A night of jazz brings New York City’s freewheeling quartet Spin Cycle—playing everything from Coltrane and improv to New Orleans funk and raw punk—together with local flutist Gina Sobel’s Gold Sounds in a co-headlining concert presented by the Charlottesville Jazz Society and WTJU. Sobel is also an accomplished singer, saxophonist, and guitarist who has just returned from a global excursion of performing and gathering new influences.

Sunday, November 3. $15-25, 7pm. Brooks Hall, UVA. 249-6191.

Categories
Arts

ARTS Pick: Armida

Tale spin: Miriam Gordon-Stewart and Victory Hall Opera take on Hadyn’s 1784 opera Armida with a fresh perspective. The original is a love story of a crusader and enchantress, and Armida’s mission is to seduce, while the soldier’s is to resist. Gordon-Stewart’s version tells the story of an opera troupe “through the lens of a love triangle between colleagues on a tour…that threatens to derail their lives.” Acclaimed soprano Emma McNairy plays opposite expert tenor Victor Ryan Robertson. The director hosts a pre-show talk before each performance.

Through Tuesday, November 5. $14-65, 7:30pm. Belmont Arts Collaborative, 221 Carlton Rd. victoryhallopera.org.

Categories
Arts

ARTS Pick: Blues Traveler

Fired up: New Jersey band Blues Traveler is on the road in celebration of the 25th anniversary of its Grammy-winning album, Four. The blues-rock group broke into the mainstream with the record in 1994, playing on “Saturday Night Live,” and opening shows for The Rolling Stones. Now, the record’s hit tracks “Runaround” and “Hook” play on repeat in the ’90s rock canon. Nine albums later, Blues Traveler is more experimental: From 2015’s poppy, heavy Blow Up the Moon to the piano ballads of 2008’s North Hollywood Shootout, expect the unexpected at this retrospective concert. Frontman John Popper, who’s known to take improvisational risks, says, “That’s the point of this…to really throw yourself on the fire.”

Tuesday, November 5. $32-35, 7pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

Categories
Arts

Berlin bust: Jojo Rabbit loses its satirical footing

The good news is that you’ll love writer/director/actor Taika Waititi. The bad news is there’s no charming your way out of a misfire as big as Jojo Rabbit. You can see that this is an “anti-hate satire,” with it plastered over all of the promotional materials like it’s the official subtitle, but it lacks the teeth to be convincingly pro or anti anything. There’s a place in the world for a movie like Jojo Rabbit. Unfortunately, Jojo Rabbit is not that movie.

As World War II draws to a close, 10-year-old Johannes “Jojo” Betzler (Roman Griffin Davis) wants to be the best Nazi he can be. Living in Berlin with his mother Rosie (Scarlett Johansson), his walls are covered with propaganda, like they might be with Beatles posters if he were born in London 20 years later. The opening credits make that idea explicit, with a German recording of “I Want To Hold Your Hand” against a montage of Nazi propaganda edited to resemble Beatlemania; not a direct comparison of the two phenomena by Waititi, but an introduction to Jojo’s mindset.

Jojo Rabbit

PG-13, 108 minutes

Violet Crown Cinema

Joining him as he tries to fulfill his patriotic duty is his imaginary friend Adolf Hitler (Waititi). Hitler, like, any imaginary friend, is an extension of Jojo’s psyche, helping him navigate life’s questions: How to be a good person? What does it mean to have responsibility for your family and country? And what do you do when you find your mother is secretly hiding a Jewish girl named Elsa (Thomasin McKenzie) in your dead sister’s old room?

The parts of Jojo Rabbit that work do so not because of its satirical aspirations, but in spite of them. The young cast is very talented with surprising maturity. The interplay between Davis and McKenzie is engaging, even if the material is entry-level treacle that doesn’t actually address genuine hate. It’s clear what he’s going for: a child in wartime and the effects of rhetoric on a mind that doesn’t know how to process it. But Nazis weren’t anti-Semitic because Germans weren’t lucky enough to know any plucky, artistic Jews that resembled their sisters. They did know Jews, their friends and neighbors, and they decided to betray them anyway. Any anti-hate satire worth its moniker ought to confront that first and foremost.

The more established cast is spottier. Johansson is light on her feet but a full embodiment of her character’s ideals, and seeing her in more roles like Rosie would be a delight. The same cannot be said for Sam Rockwell, Rebel Wilson, Stephen Merchant, and Alfie Allen, all of whose charm is completely misused. Waititi’s version of Hitler is totally out of place, dragging whatever value there might have been in the main story into inappropriately placed slapstick. That he’s presenting Hitler through an impressionable boy’s eyes isn’t offensive. It’s that by doing so, he’s detracting from a story that might have been worthwhile so he can ham it up and say 2010isms like “It’s weird now, isn’t it?”

We know Waititi can do better. Let’s wait until he does before we start throwing trophies at him.


Local theater listings

Alamo Drafthouse Cinema 375 Merchant Walk Sq., 326-5056.

Regal Stonefield 14 and IMAX The Shops at Stonefield, 244-3213.

Violet Crown Cinema 200 W. Main St., Downtown Mall, 529-3000.


See it again

The House of the Devil

R, 95 minutes

October 31, Alamo Drafthouse Cinema

Categories
Arts

November gallery guide

ARTCHO festival makes art available to all

Home. It’s sweet. There’s no place like it. It’s where the heart is, and it’s where charity often begins.

“Moonrise,” by Laura Aldridge

The same can be said for this year’s ARTCHO festival, to take place this Saturday, November 2, at IX Art Park from 10:30am to 5:30pm.

ARTCHO’s goal is a simple one: to exhibit quality artwork at affordable, regular-folk prices, while raising money for a charity partner.

Participating artists donate a work of their choice for a silent auction, with proceeds this year benefiting Habitat for Humanity of Greater Charlottesville, hence this year’s festival theme: home.

More than 50 local, national, and international artists have donated works this year, including Laura Aldridge, known for her watercolors of simplified Blue Ridge mountainscapes; Leslie Greiner, a collage artist with an eye for humor; Norma Geddes, stained glass artist; Frank Shepard, wood sculptor; Christina Osheim, ceramicist; and Gina Sobel, a local jeweler and musician who’s contributing to the day’s musical offerings as well.

A handful of artists will offer workshops throughout the day. Sigrid Eilertson will teach paper mache mask making, while Flame Bilyué will demonstrate how to use junk mail and art scraps to make small, textured relief paintings and jewelry. And Ken Nagakui, a potter who digs his own clay from the earth, will lead a workshop on Japanese hand-building pottery technique, which uses molds instead of a pottery wheel.

So whether you place a winning auction bid or not, ARTCHO’s a chance to add some new art to your home and make the place a little more your own. —Erin O’Hare


Openings

The Bridge Progressive Arts Initiative 209 Monticello Rd. “Tricontinental Acts of Solidarity,” an exhibit of posters, films, magazines, and more from one of the most significant solidarity movements of the 20th century. 6pm.

Chroma Projects Inside Vault Virginia, Third Street SE. “Archaeology of the Omnivore: Paintings from the Garden Soil,” featuring works by Beatrix Ost about her fascination with the emotional and psychological within the physical world. 5-7pm.

CitySpace 100 Fifth St. NE. “Eight Women, Eyes Open,” featuring work by Scheline Crutchfield, Chloe Raynor, Anne French, and others; and “Soliphilia,” a multi-artist, multimedia exhibit demonstrating a love of interconnected wild places in Virginia. 5:30-7:30pm.

C’ville Arts Cooperative Gallery 118 E. Main St., Downtown Mall. “The Art of the Circle,” featuring Gillian Ruffa’s jewelry and textiles exploring symbolic representations of the circle. 6-8pm.

Eichner Studios Gallery 2035 Bond St. #120. A show of work by Sandra Lawrence and a number of local artists working in a variety of media. 6-8pm.

The Garage 100 E. Jefferson St. “Shop Talk,” highlighting the work of the Blanc Creatives team, including David Heins, Molly Schermer, Vu Nguyen, Sarah Schleer, Charles Lucien Feneux, Jacqui Stewart, Chad Coffman, and Sarah Grace Cheek. 5-7pm.

IX Art Park 522 Second St. SE. “ARTstache,” a multimedia collection of visual tributes to flavor savors and lip ticklers by Bernie McCabe, Todd Pope, Alex Brown, Justin Gaydos, and Henrik Jorgensen. 5-7pm.

Tatiana Yavorska-Antrobius at McGuffey Art Center

McGuffey Art Center 201 Second St. NW. In the Sarah B. Smith Gallery, “Garden of Eden,” oil and egg tempera works on linen canvas examining the fragility of the self and the soul, by Tatiana Yavorska-Antrobius; in the Downstairs North Hall Gallery, “Journey,” Lee Alter’s watercolor paintings reflecting a sense of presence, liberation, and freedom over the past two years; in the Downstairs South Hall Gallery, “Impermanence,” Heather Owens’ watercolor and mixed media show on the modern quest to create lasting marks on a rapidly changing world; in the Upstairs North Hall Gallery, “Off the Wall,” an exhibition of recent sculptures from UVA sculpture students; in the Upstairs South Hall Gallery, “Between 7 and 8,” a two-panel black and white projection of the space between moments in time, by Will Jones; and in the Red Shed, “Karen Eide: Art + Wonder,” a show of encaustic and mixed-media works. 5:30-7:30pm.

Mudhouse Coffee Roasters 213 W. Main St. “Mindscape Collection,” a show of work by Jaron White. 6-8pm.

New Dominion Bookshop 404 E. Main St., Downtown Mall. “The Art of Chris Butler,” an exhibition of paintings. 5-7pm.

Second Street Gallery 115 Second St. SE. In the Main Gallery, “Illuminations & Illusions,” a show of paintings and sculpture spanning more than four decades of Beatrix Ost’s career as a visual artist; and in the Dové Gallery, “The Slow Death of Rocks,” reverse painting on glass and sculpture by Doug Young. 5:30-7:30pm.

Doug Young at Second Street Gallery

Spring Street Boutique 107 W. Main St., Downtown Mall. “Virginia Winter Landscapes” featuring oil on canvas paintings by Deborah Brooks. 6-8pm.

Studio IX 969 Second St. SE. “Promises, Promises,” appropriated and collaged works by Aaron Terry examining, among other things, how truth is determined today in the media and how different cultures continue to respond to a post-Cold War global politic. 5:30-7:30pm.

Welcome Gallery 114 Third St. NE. “cloudwatching,” works on paper and sculpture by Anna Morgan, whose work comes from observing nature and the idiosyncrasies of life. 5-7:30pm.

WVTF Radio IQ 216 W. Water St. An exhibition of direct observations by Nancy Campa, inspired by the beauty of the Blue Ridge Mountains. 5-7pm.

Chris Butler at New Dominion Bookshop

Other November shows

Albemarle County Circuit Court 501 E. Jefferson St. An exhibition of work by members of the Central Virginia Watercolor Guild.

Annie Gould Gallery 109 S. Main St., Gordonsville. “Color Notes,” featuring oil on linen paintings by Lee Halstead.

Buck Mountain Episcopal Church 4133 Earlysville Rd., Earlysville. Oil and pastel paintings by John Kozloski.

Carpediem Exhibit 1429 E. High St. A rotating, expanding multi-media exhibit of works by local, regional and out-of-state artists, including Kerney Rhoden. Reception November 3, 2-4pm.

The Center 491 Hillsdale Drive. “At Home and Abroad,” photography by Frank Feigert. Through December 31.

Crozet Artisan Depot 5791 Three Notch’d Rd., Crozet. A show and sale of fabric handbags by Victoria Horner. Reception November 9, 2-4pm

The Fralin Museum of Art at UVA 155 Rugby Rd. “Asian Art from the Permanent and Select Private Collections,” through November 10; “Otherwise,” exploring the influence of LGBTQ+ artists; “Time to Get Ready: Fotografia Social”; “Of Women By Women,” through November 3; “Select Works from the Alan Groh-Buzz Miller Collection,” opening November 22; and “Oriforme” by Jean Arp.

The Gallery at Ebb & Flow 71 River Rd., Faber. “Golden Hours,” an exhibit of recent photographs by Jack Taggart. Opens November 9, 4-6pm.

Leftover Luxuries 350 Pantops Center. “On the Verge: A World of Chaos and Quivering Moments,” a series of abstract works by Jane Goodman. Opens November 7, 6pm.

Les Yeux du Monde 841 Wolf Trap Rd. “Field Days,” a show of Susan McAlister’s multi- media works initiated “out in the field,” with a closing reception November 3, 3-5pm; and “Dean Dass: Venus and the Moon,” opening November 9.

Piedmont Place 2025 Library Ave., Crozet. “Landscapes and More,” a show of work in a variety of media by members of the BozART Fine Art Collective.

Shenandoah Valley Art Center 122 S. Wayne Ave., Waynesboro. An exhibit of ceramic pottery by staff, students, and studio artists of the Make Waynesboro Clay Studio.

Summit Square Retirement Community 501 Oak Ave., Waynesboro. “Serenity,” featuring photography, watercolor, and mixed-media works by Terry Coffey, Gail Haile, Shirley Paul, and Juliette Swenson.

Susan Brodie at Thomas Jefferson Memorial Church Unitarian-Universalist

Thomas Jefferson Memorial Church Unitarian-Universalist 717 Rugby Rd. “Water Like Memory,” featuring Susan Brodie’s paintings of the mystery of different bodies of water. Opens November 13, 11:30am.

Woodberry Forest School 898 Woodberry Forest Rd., Woodberry Forest. “Living in the Moment,” an exhibition of drawings and paintings by Tatiana Yavorska-Antrobius. Opens November 14, 6:30-7:30.


First Fridays is a monthly art event featuring exhibit openings at many area art galleries and exhibition venues. Several spaces offer receptions. To list an exhibit, email arts@c-ville.com.

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Arts

ARTS Pick: The Flamin’ Groovies

Shake it away: Under the radar since their formation at the height of the acid scene in the ’60s, San Francisco’s The Flamin’ Groovies are still delivering the edgy rock ‘n’ roll that circumvented the psychedelia of the day to find a lasting cult following. The band is touring on its 50-plus year catalog, ranging from garagey guitar attacks to stylized power pop, and fans can expect favorites such as “Teenage Head,” “Slow Death,” and “Shake Some Action.”

Thursday, October 31. $18-20, 7:45pm. The Southern Café & Music Hall, 103 S. First St. 977-5590.

Categories
Arts

Grunge reprise: Local musicians pay tribute to Nirvana’s legendary ‘Unplugged’ gig

The fuzzy, sage green granny cardigan hasn’t been washed in more than two decades. It’s missing a button, and the knit is stained in spots and cigarette-burned in a few others.

That sweater fetched $334,000 at auction last weekend because, despite its flaws, it’s an iconic piece of rock memorabilia, worn frequently by Nirvana frontman Kurt Cobain in the months before his death in April 1994. Chances are, you’ve seen the sweater—it’s the one Cobain wore for Nirvana’s appearance on “MTV Unplugged.”

Released as an album on November 1, 1994—the band’s first after Cobain’s death—MTV Unplugged in New York has come to be regarded as one of the best live performances ever recorded, a series of songs that, many musicians and critics would argue, is considerably more valuable than the cardigan.

Patrick Coman is one of those fans, and his appreciation for the album led him to put together “Come As You Are: A Tribute to Nirvana’s MTV Unplugged,” at The Front Porch this Saturday.

Patrick Coman. Publicity photo

Nirvana was the reason Coman picked up a guitar in the first place, when he was a preteen at the tail end of the grunge era. During his fifth grade talent show, some of his friends played a few of the band’s songs, and Coman soon asked to take guitar lessons. One of the first songs he learned was “About A Girl,” off Nirvana’s 1989 debut, Bleach.

Coman loved grunge—Nirvana, Alice In Chains—and he couldn’t imagine listening to or playing anything else, particularly folk music, which “seemed too cheesy. Like campfire songs, things you’d sing at summer camp.” That changed when he got a copy of the Unplugged album and heard his grunge idols close their set with, of all things, a blues arrangement of a traditional folk song.

Nirvana was at the height of its popularity when the band recorded that segment in November 1993. The previous year, “Smells Like Teen Spirit,” from the 1991 release Nevermind, topped music charts all over the world, and was credited with bringing grunge into the mainstream. In January 1992, The New York Times noted that Nevermind was selling more than 300,000 copies a week.

MTV likely would have loved for Nirvana to play an acoustic version of “Smells Like Teen Spirit,” says Coman. But that wasn’t the band’s vision for the set. “It wasn’t greatest hits with acoustic guitars,” he says.

Instead, Cobain and his bandmates Krist Novoselic (bass) and Dave Grohl (drums), plus a few guests, played new, mostly acoustic, folk-influenced arrangements of 14 songs: one from Bleach, four from Nevermind, three from In Utero (1993), and six cover songs, including three tracks by the Meat Puppets; David Bowie’s “The Man Who Sold the World”; The Vaselines’ “Jesus Doesn’t Want Me For A Sunbeam”; and closed with blues musician Lead Belly’s version of a traditional song, “Where Did You Sleep Last Night.” MTV Unplugged in New York was Coman’s introduction to roots music, and he’s played it ever since.

When Will Marsh of Gold Connections was in middle school, his dad showed him the “Smells Like Teen Spirit” music video, and not long after that, sometime in the early 2000s, Marsh got a “best-of” Nirvana CD (which, he notes, he still keeps in his car and plays from time to time).

“Nirvana was the first mythological influence on my music, one of those few bands that’s way bigger than a band,” says Marsh. “There was this wholeness to the music that struck me,” the way Cobain brought in sonic structures from the Pixies and song structures from The Beatles, says Marsh, “he brought it all together and gave me a formula for writing songs and performing. He’s been a huge influence.”

Alice Clair wasn’t even born when the album she’s helping to celebrate came out. In fact, she wasn’t really into Nirvana when she signed on to do the show. She’d heard the band on the radio and on the Guitar Hero video game, but says that grunge music gave her “a lot of anxiety” when she was younger.

When Coman approached her to participate in “Come As You Are,” the only song left was “Polly,” an anti-rape song Cobain wrote about the abduction and rape of a 14-year-old girl in Tacoma, Washington, in 1987. Clair learned the song from scratch, and says she’s come to appreciate and respect how many Nirvana songs are “heartfelt, and protest-type” songs,” ones driven by “raw emotion.”

Saturday night, Coman, Clair, Marsh, and a number of other Charlottesville musicians and Nirvana fans will play all 14 tracks from MTV Unplugged in New York, in order, but not exactly as Nirvana would have done it. It’s an homage, not a recreation, says Coman, adding that a friend summed it up for him pretty well: If Kurt Cobain could give you advice about what to do, it would be to be true to yourself and your performance style when you do these songs.

Ultimately, that’s the spirit of the record, says Clair. “I think it’s cool as hell that they went out and didn’t play all the hits. That, in some ways, [Cobain] is being difficult for all the pop audiences,” she says. “It’s great to be paying tribute to this particular performance, because while it wasn’t made to cater to so many, it absolutely did.”