Who called our winter garden a failure?

Well, it seems I did. But how wrong I was! How gloriously wrong! When the snow was gone from our cold frames we realized that, in fact, they did contain some food. Maybe not as much as in some previous years, but enough to make us happy.

Mache: the plant that winter cannot kill.

Mache is also the plant that, apparently, grows even when the gardeners are inept. We’d planted mache seeds last fall and they never germinated. Meanwhile, these guys sprang up in other parts of the garden as volunteers. Last year, we’d let our mache go to seed. And it looks like it paid off! Mache makes a great salad.

Can you find the ones that aren’t weeds?

Yes, mache makes a great salad, especially when you put in some Incredible Survivor Lettuce! I don’t even remember planting these—must have been in the fall, but I had no idea they were there all through that bone-chilling winter, and I would never have guessed they’d live. But they were under a cold frame and doing just fine. We ate some last night and it was delicious.

Meanwhile, our garlic is looking grand:

Getting bigger and tastier by the day!

I love the rule for growing garlic: Plant on Halloween, harvest on Fourth of July. The snow had covered these plants for months and it’s lovely to get reacquainted now that the days are longer and they’re happily growing taller.

What is your garden up to right now? Any happy surprises in those beds?

Tough financial times hit Delfosse with bankruptcy filing

Local winery owners Claude and Genevieve Delfosse avoided a foreclosure auction of their 318-acre Nelson County property yesterday with a Chapter 11 Bankruptcy filing in the Western District Bankruptcy Court last Friday. Trustee Stephen Scarce confirmed the information this morning.

Reached for comment at the winery, Claude Delfosse also confirmed that foreclosure had been avoided and that there was a bankruptcy filing, though he said it was "not the winery" that had filed the application. He referred all questions to his attorney, who did not immediately return calls. Chapter 11, a more complex procedure than the so-called liquidation bankruptcy of Chapter 7, aims at reorganizing debt and letting a business re-emerge as healthy. Delfosse said the "winery is open for business as usual."
 
Three years ago, Delfosse was on the leading edge of eco-friendly winemaking and property management. Read more about it here.

“Sustainability is not an event, it’s a long-term thing,” Claude Delfosse (pictured) told C-VILLE three years ago about the management of his heavily wooded and nature-trailed Nelson property.

Charlottesville pilot, architect dies in Roanoke plane crash

The pilot of a small plane that crashed yesterday near Roanoke died, reports the Roanoke Times. Peter Sheeran, 57, was a Charlottesville architect from the firm Sheeran Architects. According to the article, Sheeran was a licensed pilot with the Federal Aviation Administration.

The passenger—John Whitmer, also a Charlottesville man—is reported in serious condition.

The single-engine 1985 Piper PA-46 plane crashed on the side of the UPS Freight building on the north side of Peters Creek Road.

According to the Roanoke Times, the plane took off from Charlottesville at 9:01am and arrived in Roanoke at 9:30am. The crash occurred at 12:53pm.
 

Jim Webb talks healthcare with Sabato class, offshore drilling with reporters

This afternoon, students in Professor Larry Sabato’s "Introduction to American Politics" course prepped questions for their third special guest in four weeks, U.S. Senator Jim Webb. And, since Sabato’s students get first dibs on questions, it took a bit of extracurricular work to hear his response to President Barack Obama’s support of oil drilling and production off the coast of Virginia.

"It’s important to remember that the revenue that would come in comes from the signing of the leases rather than the discovery, so it would be an income generator," Webb told reporters after his appearance. "I think it’s good for Virginia." Earlier today, Governor Bob McDonnell issued a statement that singled out and thanked Webb, along with Senator Mark Warner and Congressman Eric Cantor, "for their leadership and advocacy on the issue." More below.

Professor Larry Sabato looks on while Senator Jim Webb speaks to students of "Introduction to American Politics."

Webb spoke to Sabato’s class about partisan divides in the U.S. Senate and used the recent passage of the healthcare bill as an example; he referred to the bill as a "dividing line" between Democrats and Republicans. Asked about the content of the bill, however, Webb said he "voted with the Republicans 17 times, but I voted for this bill. We need this bill."

“Real country” talk with Lee Ann Womack

I got a call from Lee Ann Womack‘s publicist about a week ago asking if I’d be interested in interviewing the country star in advance of her at the John Paul Jones Arena, where she’s opening for George Strait and Reba McEntire on Saturday. The first thing that came to mind was that "I Hope You Dance"—the only one I knew about until this week—is one of the only songs I ever heard twice on my mom’s car stereo. (My mother and brother danced to it at my brother’s wedding.)

While that song doesn’t represent the first time that a country artist has crossed over into pop territory to find huge success ("I Hope You Dance" wound up near the top of  the Billboard Hot 100 chart) it’s relevant to consider what happens to country musicians when they grow tired of pop music: the pop audience doesn’t follow them back out to the country.

That doesn’t mean that Womack is has fizzled, a one-hit wonder. Since 1997, she’s released 6 albums, and sold 5 million of them, staying near the top of one of the industry’s major markets. There’s More Where That Came From was released to critical acclaim in 2005, and she followed that up with 2008’s Call Me Crazy, which was nominated for the best country album Grammy last year.

Read some of her thoughts—on songwriters, home and "real" country—below.

 

You haven’t released an album since 2008. What have you been up to?

I’ve had a lot of irons in the fire, I’m in the studio a lot, working on my own stuff. I write, I go into the studio with other artists. I have two kids and a house, and a lot of stuff going on, so it’s a lot.

Who is your favorite songwriter working today?
Probably Dean Dillon. Dean doesn’t overwrite, and I just like the subtlety in the writing, and he just has the best melodies in the business. And he’s done a lot of living, and you can hear it in his music. He comes across as being real…well, really real.

He wrote “Twenty Years and Two Husbands Ago” with you. What is your role in songwriting for a song like that?
For instance, in that particular song, I came in with the idea and just kind of came in and told him and Dale Dodson where the idea came from and some lines that I had, and kind of set the mood and the scene. The melody was all Dean and Dale, though.

How do songwriters present their material to you?
My husband’s in the business. He has a production business, he is a producer, and we have a lot of connections in the business. We have a lot of friends, a lot of artists. Sometimes I don’t know where we end and the business begins, you know? We’re just surrounded by music, by musicians, by songwriters all the time. So things have a way of filtering through our home. I mean, I might get a song that’s not for me, and I might send it over to George [Strait], or I might send it to Ronnie Dunn, or anybody.

I read that you studied for a degree in Country Music in college.
I went to South Plains Junior College in Levelland, Texas, and they have a program there where you can study—it’s a music program, but instead of having to study classical music and stuff like that, you can study country music. Your music appreciation class, you know, might study Bill Monroe or Bob Wills. When you’re in the band, you play country music. It’s a music program that revolves around country music and bluegrass.

Did formal study of country music affect your work today?
When I left home I was 17, and I went out there and I started playing in the band, and we traveled, we toured, we played shows in clubs around there on the weekends. And I had to help set up the equipment, tear it down, we had to go in the studio and record. So I really got an education in what I ended up doing. It was really invaluable to me.

What would the young Lee Ann who drove to clubs and set up her own PA say to the present-day Lee Ann?
I guess she’d say, golly, I can’t believe she did it.

How has travelling with George and Reba been?
We played about a dozen shows, I guess. It’s great. I’m having a great time being out with them. George, you know, does real country music.

Can we look forward to a duet with George on “Everything but Quits”?
You know what, we’ve never done that live. Only in the studio.

“I Hope You Dance,” which was 10 years ago now, was something of a milestone in terms of bringing together pop and country themes. Having helped to blur the lines, where does country music end and pop begin?
Yeah, I don’t know. That’s the question I get asked at every single interview I’ve done for 12 years, and I don’t have an answer for that. I do know that I miss fiddles, and I miss steel guitars, and I miss songs with real meaning, and songs about meaning and life. I miss those things.

Is that what you mean when you talk about “real country,” and someone like Dean Dillon?
Well, I think real country is different to different people. To me, real country is musically, it has the fiddle and the steel guitars, and less drums, more acoustic-driven. And thematically, it’s songs about life. People. Real issues.

Are you working on new material now?
I’m always working on something. I’m always onto the next project. I’ve been in the studio, I’ve been writing. And touring.

Will your new record be a departure from what you’ve been doing?
I’d say it’s very similar to Call Me Crazy. I’m working with Tony Brown again, I’ve gone back to a lot of the same writers I’ve drawn from before, Jim Lauderdale, Dean Dillon, Bill Dodson.

What do you bring on tour to remind you of home?
My two dogs, I have two little Yorkies. Honey and Cocoa are their names, and I guess that’s what I would say.

They come with you on the bus?
Yes.

Don’t they chew up what’s on the bus?
No, they don’t chew up things. They’re just so small. One weighs three pounds, and one weighs four pounds. So they really can’t do a lot of damage.

Categories
Living

Bargain-basement Burgundy?

 I’m on a quest for good, reasonably priced Burgundy. I can already hear wine snobs muttering “bonne chance” into their premier crus, deep-rooted in their assumption that there isn’t a low-end wine from this exalted region even worth a pass under their snub noses. Sure, 13 centuries of history inextricably linked to kings, monks, and dukes is plenty of time and reason to develop an ego. Add in Napoleonic inheritance laws that split estates into tiny parcels, scarcity of land (Burgundy has a quarter of the acreage of Bordeaux), and its iconic reputation, and you’ve got a wine wearing big, expensive britches. Buying Burgundy at the prices that most demand is like crossing a minefield. Great Burgundy will break your heart. But, bad Burgundy priced like great Burgundy, will tear your heart out and braise it for dinner. 

Pinot noir, Burgundy’s red wine grape, is thin-skinned and difficult—just like some wine snobs!

The contradictory charm and fickleness of Burgundy makes sense when you consider its grape. Thin-skinned, difficult to grow, and demanding of optimum climate (warm days, cool nights), Pinot Noir can be a real bitch. Burgundy also goes through a decidedly awkward stage. Somewhere between its exuberant youth and its elegant maturity, it’s all gangly elbows (acidity), acerbic wit (tannins), and body odor (barnyard funk). My advice? Buy basic until money allows for a loftier purchase that has had ample time to grow into its nose.

What brings Burgundy down-to-earth though is precisely that, its earth. The soil (and those 13 centuries of cultivating it) contributes greatly to that mystical concept we winos mention so often: terroir. Loosely translated as “a sense of place,” terroir is the sum of effects that the local environment has on the production of a wine. In Burgundy, terroir governs every aspect from grape to glass—whether a simple, juicy Bourgogne Rouge or the heralded grand cru Domaine Romanée-Conti. In fact, even with all of Pinot Noir’s current star power, Burgundians see it less as a grape and more as the perfect vehicle to express the terroir of which they are so duly proud.

Burgundy bargains lie in the “fringe” areas of the famed Côte d’Or. This “Gold Coast” divides into Côte de Nuits in the north, (home to almost all of the grand crus, but also to the “value” village of Marsannay) and Côte de Beaune in the south (home to its own “value” village of Santenay). South of the Côte d’Or is the Côte Chalonnaise, where wines from the village of Givry impress at tolerable prices. Négociants who supplement their own harvests by buying from small growers to provide larger quantities of sought-after wines also offer an affordable starting point for dependable, varietally correct Burgundy (which, oversimplified, would be a zip-line of acidity, a satin sheet of tannin, and a raspberry-mushroom-violet flavor). 

SIX WAYS TO FALL FOR BURGUNDY WITHOUT GOING BROKE

 

Louis Latour Marsannay 2005. Tastings of Charlottesville. $19.95

Château de Chorey Bourgogne Rouge Vieilles Vignes 2007. Wine Warehouse. $24.99

Maison Bertrand Ambroise Nuits Saint Georges 2004. Market Street Wineshop. $21.99

Philippe Colin Santenay 2006. Rio Hill Wine & Gourmet. $25.99

Domaine Besson Givry Haut Colombier Rouge 2006. Whole Foods. $18.99

Alain Roy Givry 2007. Greenwood Gourmet Grocery. $24.99

 

Top-shelf Burgundy export prices are dropping (relatively speaking, bien sûr) thanks to economic incompatibility, but while you wait, there is love to be found in the region’s more humble offerings.

France, Cali call a truce

Fossett’s hosted its France vs. America wine dinner on one of those delightfully warm evenings a few weeks ago. While it was a bit overwhelming to score eight wines without food and then with food (which also went into battle with French and American interpretations of dishes dueling it out on the same plate), the 40 guests drank and ate with both joie and joy. Many wines had it in the bag when tasted without food, but then lost out over their competitor with food. And, with Old World-ers leaning New (California Chardonnay over white Burgundy) and New World-ers skewing Old (Bordeaux over California Meritage), it was clear, again, that we are all influenced by labels and that expectations should be challenged. 

Categories
News

Sudden return of MCP at-grade interchange baffles

 A disconnect between City Council and the Virginia Department of Transportation (VDOT) over the planned 250 Interchange may have negative implications for a timely construction of McIntire Road Extended (MRE), the city’s portion of the road that cuts through McIntire Park. And it all started with a letter Angela Tucker, city development services manager, sent to VDOT last November.

In December, Charlottesville City Council approved a grade-separated interchange, part of the Meadowcreek Parkway. However, VDOT has drafted a letter on Council’s behalf that calls an at-grade interchange an acceptable alternative—an assessment Mayor Dave Norris says Council has not approved.

In her letter, Tucker wrote, “if the City elects not to move forward with the Interchange project, City Council will grant the necessary permission to complete the at-grade intersection as designed under the McIntire Road Extended project.”

Not so, according to Council’s response to VDOT. “City Council has taken the official position that the Council support for the McIntire Road Extended is specifically based on the construction of a grade-separated interchange at the U.S. 250 Bypass. Council has taken no position on an at-grade intersection,” wrote Mayor Dave Norris.  

Brent Sprinkel, VDOT’s preliminary engineering manager, then wrote to Council that the two letters “confused” the Army Corps of Engineers, the organization in charge of approving a permit considered the last hurdle before the construction of MRE. Because of the confusion, he says, the Corps has yet to sign the permit, thus putting advantageous bids on hold. 

Yet, Sprinkel tells C-VILLE that the city “has supported the at-grade connection for many years.” Norris disagrees. 

“It certainly is not the case that this Council or any recent Council has ever approved an at-grade intersection,” he says. 

After he received Council’s letter, Sprinkel responded and drafted a clarification letter to be sent to the Corps on behalf of City Council. In it, he too wrote that an at-grade intersection would be an “acceptable and realistic alternative.” It requires Norris’ signature. 

“Unless the majority of City Council decides ‘Yes, we will support an at-grade intersection as a fallback option,’ I can’t sign that letter,” says Norris. “I am not going to sign my name to something that’s not truthful.” 

VDOT has advertised bids for MRE and has received one for $3.37 million—more than $2 million below VDOT’s $5.58 million estimate—but with a delay, there are no guarantees the contractor will honor it. 

The Charlottesville Regional Chamber of Commerce, in a recent letter to Council, also argued that a delay could hurt the chances of formalizing a favorable contract. The group also questioned Council’s idea of having City Attorney Craig Brown meet with MCP opponents. 

“Our letter was primarily about the change in direction by the City Council,” says Chamber President Timothy Hulbert. In the letter, the Chamber expressed “grave disappointment and concern” about actions that could “compromise” the road project. In the end, he says, “we want the road built.”  

Although Norris says Council is not worried about the bidding environment, he says that the controversy over the at-grade intersection was connected to the debate over the MCP’s segmentation. 

In addition to requiring environmental reports for all federal projects, the National Environmental Policy Act (NEPA) also mandates aforementioned projects to have rational end points. 

“We ended up stopping our project just 775’ from the Bypass to make room for the Interchange and we have been moving under that scenario for several years trying to get these things under construction,” says Sprinkel. Technically, MCP comprises three separate projects, but its opponents—who are prepping for a possible federal suit—argue that that’s not the case.  

“There has been a lot of discussion and review on that for several years and the FHWA [Federal Highway Administration] has come out several times with rulings indicating that these are independent projects and they are not segmented,” says Sprinkel. “It’s just how the projects have developed over the 40 years.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
Arts

Checking in with Robert Wray

What are you working on right now?

Right now I’m working on the first draft of a play tentatively called “Seven Variations,” which is basically a retelling of the Phoenix myth, and revolves around a butcher’s daughter and a fiction writer with the world’s worst case of ADD. I’m shooting for a summer finish date and hope to do a public reading of it at Live Arts.

 

Robert Wray’s “All is Always Now,” a play about actors who give up on making it in New York, was staged through March at the Hamner Theater. He says that if he had to splurge on a single item, it’d be a “first folio edition of the works of Shakespeare.”

Tell us about your day job.

Well, I teach creative writing at WriterHouse, which provides a bit of income, but not enough to travel to the Bahamas or anything like that. I’m also a bartender at The Pointe Bar in the Omni Hotel, which really pays the bills. And it’s a good place to get material. It’s a very transient crowd, and you meet fascinating people. I met Neil Young there not long ago—he’s actually one of my heroes, and for years and years it had been kind of a dream of mine to meet him. He was just sitting at the bar, drinking a beer. He didn’t finish his beer, and as sort of an homage, I finished it for him.

 

Locally, who would you like to collaborate with?

Actually, Devon Sproule and Paul Curreri, to write a musical piece. I’ve been following them for years, I listen to them all the time and they’re just transcendent.

 

What music are you listening to lately?

I’ve been listening to Beethoven’s late quartet “Opus 131,” which is probably one of the most sublime pieces of music or art on the face of the earth, and I’ve structured my play “Seven Variations” around the way he structures that quartet. I’ve been listening to that quite a bit. But for fun, I’ve been listening to Paul Megna, who sounds kind of like a cross between Kurt Cobain and Leonard Cohen. And I listen to Flight of the Conchords, because in this day and age, you’ve gotta laugh.

 

What is your first artistic memory from childhood?

My first memory of going to the theatre and being drawn away by something was when I was a kid and I saw “You’re a Good Man, Charlie Brown.” There was this guy who played Snoopy, who came out with such electricity and incredible energy, and it showed me what theater can do. My own first taste of that was something casual. I went to Catholic school, and in third grade I used to want to be a preacher, so I used to secretly preach my version of the Book of Revelation to the other kids. But that came to a stop, because I was found out and basically kicked out of school. I still remember that, talking about how the world would end in three days. Luckily, it didn’t, but I was trying to be dramatic and make a point.

 

If you’re on a blind date, what is your dealbreaker?

If the girl doesn’t show up. Otherwise, I’m pretty flexible.

 

Do you have a favorite building?

The Chrysler Building in New York City.

 

Outside of your medium, who is your favorite creative artist?

Bob Dylan. He’s the Shakespeare of our time. He has an almost psychic ability to articulate the unseen spirit of whatever’s going on, to pinpoint how things are.

 

If you could have dinner with any person, living or dead, who would it be?

Probably with Shakespeare. I’d like to pick his brain about a thing or two. Like, “How’d ya do it?”

 

What would you do if you knew that you couldn’t fail?

I’d end the wars in Iraq and Afghanistan.

 

What is your favorite hidden place?

On the Blue Ridge Parkway, there’s a place before you hit Humpback Rock—it’s not one of the official mountain overlooks, it’s kind of off to the side and you have to find it. Sometimes even I can’t find it. But it’s a particular place where you can go and sit, to take in this magisterial view of the mountains and the sky. 

Categories
News

Head of UVA's endowment resigns

 When he began leading the University of Virginia’s investment management firm, he oversaw roughly $2.5 billion in assets. More than five years and one Great Recession later, Chris Brightman, CEO of the University of Virginia Investment Management Company, resigned for “personal reasons,” with an endowment pool totaling $4.4 billion, according to a January 31 investment report.

 

Chris Brightman, who recently resigned as CEO of UVIMCO, was hired in December 2004. At the time, UVA President John Casteen said that “there are few more critical jobs at the University.”

“My five years serving the University were an honor and the highlight of my professional career,” said Brightman in a statement. “I regret that my personal situation prevents me from continuing to serve.”

Brightman oversaw UVA’s endowment in the throes of the economic downturn, when it plummeted from $5.1 billion in value in June 2008 to $4.2 billion in October 2008. Furthermore, UVA’s endowment fund lost 22.7 percent of its market value from fiscal year 2008 to fiscal year 2009, according to a survey done by the National Association of College and University Business Officers and the Commonfund Institute. 

The sharp decline was due in part to UVIMCO’s investments in private equity and hedge funds, a practice many universities with substantial endowment funds have undertaken in recent years. While the decline in endowment dollars somewhat strains UVA’s budget in the near term, UVA’s endowment only provides just north of 5 percent of the school’s total operating budget.

Former UVIMCO CFO Henry Kaelber told C-VILLE that mixing riskier investment practices with more conservative ones usually proves worthwhile in the long run.

“It’s always easy to slap people in a down market, especially if they’re an investment professional, but I think [UVIMCO] takes a really thoughtful approach,” said Kaelber, who worked at UVIMCO from 1997 to 2003.

Though he did say investing endowment dollars in more illiquid assets like private equity and hedge funds is a “bold strategy,” Kaelber also said it “wasn’t a bad idea,” either.

“I don’t look at university endowments as 70-year-old retiree money,” he said. “They have a unique advantage over most other long-term investors in that endowments’ time horizon is in perpetuity. Volatility is what should concern constituents of an endowment, not risk tasking.”

In addition, UVA officials pointed out in 2008 that UVIMCO’s losses were less severe than what the Standard & Poor 500 index hemorrhaged over the same time span.

UVA spokeswoman Carol Wood told

C-VILLE that Brightman did “an outstanding job of leading UVIMCO.” Wood would not comment on whether his departure was in any way linked to the arrival of Teresa Sullivan, who replaces John Casteen as UVA’s next president on August 1.

While UVA conducts a national search for Brightman’s replacement, current UVIMCO board member John Macfarlane will take over as chairman of the group’s investment committee. In addition, Leonard Sandridge, UVA’s executive vice president and COO, will assume Brightman’s administrative roles in the interim. Sandridge is slated to retire from his post in December.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

State "not really pushing" to plan Biscuit Run park

 How long does it take to construct a state park? Look no further than Middle Peninsula State Park in Gloucester County. The 438-acre parkland was purchased in 2005 by the Commonwealth of Virginia, with money from a $119 million bond created in 2002 for land conservation and parkland acquisition. Nearly five years later, and the master planning process for Middle Peninsula is just getting underway.

At present, seeing a park in Biscuit Run feels like looking for a sculpture in a piece of stone. The Department of Conservation and Recreation says it may be years before a master plan is completed.

Or, look a little bit further. 

Somewhere past Middle Peninsula State Park, you’ll spot Biscuit Run—the 1,200 acres purchased by developer Hunter Craig and Forest Lodge, LLC for $46.2 million in 2005, and sold to the Commonwealth of Virginia for $9.8 million and undisclosed tax credit at the end of 2009. According to the Virginia Department of Conservation and Recreation, it could take as long as two-and-a-half years before the master planning for Biscuit Run State Park is completed.

“It may be a matter of months, it may be a year, it may be more until we start the Biscuit Run master planning process,” says Gary Waugh, spokesman for the Virginia Department of Conservation and Recreation (VDCR). 

That’s “start the planning process.” Waugh says that the planning process is very public and, in the case of a park like Biscuit Run, would involve an advisory committee likely composed of city and county officials, members of the Chamber of Commerce, adjacent landowners, and state departments of forestry and game. Waugh says that, “from the time you start talking about setting up the advisory committee to the time the director signs off on a completed master plan, [it] is about usually a 15- to 18-month window” before development may start.

In February, while the General Assembly hacked away at a budget, Governor Bob McDonnell shared recommendations for a reduction of $2.1 billion in spending—including the closure of five state parks. The park closures were not included in the budget bill passed by the General Assembly, and Waugh says that they are unlikely to be included in a final budget.

Nonetheless, money to develop new parks like Biscuit Run will be “hard to come by,” says Waugh.

“Which is one of the reasons, in addition to the existing workload, that we’re not really pushing to have a Biscuit Run master plan started tomorrow,” says Waugh. “Because the money’s just not there. Even if we got the master plan in place, it doesn’t look like the money would be there to develop it.”

Elizabeth Breeden, with her late husband, David, sold the Biscuit Run land to Forest Lodge, LLC in 2005; her home sits on 36 acres in what she refers to as the “doughnut hole” of the state’s land.

“With this gift, as in every other department, a budget stretched thin is asked to take on another project,” says Breeden.

Since the Commonwealth purchased the land from Forest Lodge, Breeden says that people who speak with her “are totally gleeful that the land was saved from development.” She thinks differently: The Biscuit Run development, zoned for as many as 3,100 lots, is close to the center of Charlottesville, and proffers for the project included $5.5 million for bicycle lanes and widening of Route 20, among many others.

“To be genuinely green,” says Breeden, “you bring people closer to town.”

She takes a reporter on a 40-minute walk through the future state park, two of her dogs running down a hill to splash in the body of water Biscuit Run takes its name from. Breeden shares her ideas for the park—maybe dam up Biscuit Run to create a water attraction, ranked in a 2006 Virginia Outdoors survey as the most needed recreation opportunity in the state—and for her own land. Breeden’s 36 acres were rezoned as “Neighborhood Model” along with the Biscuit Run lots, and she says that she will “absolutely” look to develop her lot when the time is right.

“To me, that’s my children’s inheritance,” she adds.

Ultimately, Breeden calls the land’s future as a state park rather than a development a “missed opportunity.”

“In the long view,” she says, “I think development here was a good opportunity to stay condensed.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.