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News

Money woes

For years, the Albemarle-Charlottesville Regional Jail has been plagued by a host of health and sanitary issues, including black mold, faulty wiring, leaky ceilings, poor plumbing, freezing temperatures, and bug infestations. Jail leadership has begun taking steps to renovate the 48-year-old facility, which serves the City of Charlottesville and Albemarle and Nelson counties. But the project’s $49 million estimated price tag—plus over $20 million in interest—has sparked division on the ACRJ Authority Board.

“[I] urge you to think long and hard before approving this project,” jail board member Lisa Draine, Charlottesville’s citizen representative, told City Council during its January 17 meeting. “Is this expenditure a good investment in our future? Does this align with our stated community values of equity and opportunity for all? I would answer, ‘No.’”

In addition to upgrading and replacing the HVAC units, electric systems, lighting, and air filtration, the proposed renovations will create an outdoor recreation space, larger visitation area, and dedicated mental health unit, as well as add more classrooms, programming space, and administrative offices. Housing areas will be revamped with larger common spaces, natural sunlight, sound-deadening materials, plexiglass, and more showers and private toilets. 

Last week, Davenport & Company, the board’s financial advisor, detailed the project’s proposed finance plan to the councilors. The Virginia Board of Local and Regional Jails—as well as the jail’s member jurisdictions—has recommended the state cover 25 percent of the renovation costs. The General Assembly should approve or reject the funding request by late April.

Jail board member Lisa Draine asked city councilors to find more cost-effective ways to improve the ACRJ. Photo: Eze Amos.

In May, the member jurisdictions and authority board are expected to approve the project’s interim financing, which will fund architecture and engineering services to fully design the renovations and prepare it for the bidding stage. In summer 2024, the jail authority will issue an estimated $35.5 million bond—with a 5.5 percent interest rate and 27-year term—to fund the remaining project costs and pay off the interim financing loan. The authority will also take out a grant anticipation note to fund costs eligible for the state reimbursement. The note will be paid off with the reimbursement, which the state will not issue until the renovations are completed. 

When the bond is fully paid off in 2051, the project’s total estimated cost will be nearly $72.9 million. Each locality will pay a portion equivalent to their jail bed usage—Albemarle will pay around $33.3 million, while Charlottesville will pay nearly $30.1 million, and Nelson almost $9.5 million.

Draine urged the councilors to find more cost-effective ways to improve the jail’s poor conditions, such as by replacing or repairing “mechanical systems causing problems.”

“You would be saddling our children and grandchildren with a debt of over $1.1 million a year for the next 27 years,” said Draine. “The criminal legal system disproportionately affects Black and brown people and those in the lowest income brackets. I urge you to put money into areas that address racial inequity and poverty in our community: affordable housing, education, food insecurity, lack of opportunities for our youth, and especially access to mental health treatment.”

Though the renovations will not expand the jail’s capacity, it will increase its square footage. However, the jail’s newer wing is not currently in use, largely due to the facility’s low population and staffing shortage. 

“[Why would we] want to spend millions on a facility with space that’s not being used and where the population has decreased below the rated capacity of 329 to its lowest level in 25 years?” said Draine.

Former jail board member Cyndra Van Clief also expressed concerns about the project’s hefty price tag. In March, the board passed a resolution asking the state jail board to consider approving the renovations, and requesting state reimbursement. Van Clief, a Republican and self-described fiscal conservative, was the only board member who voted against the resolution, citing a desire for more public input. In April, the Albemarle Board of Supervisors voted to remove her from the board for her “failure to act in the county’s best interest,” she told C-VILLE in May. (Though Draine voted in favor of the March resolution, she told C-VILLE in December, “If I could do it all again, knowing what I know now, I would change my vote.”)

In response to concerns about costs, Mayor Lloyd Snook says he has “no way to judge” whether the proposed renovations are too expensive, but trusts the jail board “will be on the lookout for unnecessary expenses.” He stresses that the city is in a “really bad spot” regarding the jail. 

“We are required to have a jail, and we are required to have a jail that meets the needs generated by forces over which we have no control. … We have no control over who chooses to commit which crimes in Charlottesville. We have no control over the prosecutors … [or] the judges,” says Snook. “What we do have some control over is whether we have programs available that offer alternatives to incarceration,” such as the drug court, therapeutic docket, and pretrial release. 

“One major change in the new jail plans is to have more space that is dedicated to rehabilitative programs,” adds Snook. “We want to make it easier for rehabilitative programs to be successful.”

Councilor Michael Payne agrees that member jurisdictions should explore ways to reduce the renovation costs. He expects the project’s price to be “significantly higher” than estimated, due to inflation, supply chain issues, and the facility’s age. 

“Is there a way to reduce costs by renovating the newer, currently largely unused wings and closing the oldest out-of-date wing?” asks Payne. “Cost savings should not come from cutting corners and providing unhealthy, low-quality living conditions. … [But] can costs be reduced by decreasing the number of jail cells to reflect decreases in the inmate population?”

The city may also be able to save money by paying its portion of the renovation costs upfront with its own bond, Payne says. “Because we get better interest rates than ACRJ, we’d avoid the higher interest costs that would accrue over three decades.”

“I do support the jail improvements … [and] will always look for ways to make projects more cost effective,” says Vice-Mayor Juandiego Wade.

Councilor Brian Pinkston, who has replaced former councilor Sena Magill as council’s representative on the jail board, says he’ll be “taking a good look … to make sure I understand the costs and what we can do to reduce them overall,” but doesn’t think the 48-year-old facility will be able to repair or replace its systems without “significant architectural renovation work.” He is also wary of reducing its bed count—if Charlottesville or Albemarle ever elect “more reactive” prosecutors, or stricter laws are enacted, the jail’s population could rise one day. 

“It’s unfortunate, but I think for a community of this size, the notion of investing $1 million a year for a jail that’s humane, it’s probably not unrealistic,” says Pinkston.

Jail board chairperson Diantha McKeel stresses that the selected architect will engage with the community, jail’s population, and other stakeholders to design the renovations. Costs can be further discussed throughout the engagement process.

“There is also a required ‘value engineering’ review component to the design, which determines the lowest possible construction cost,” says McKeel. “There will be another RFP to determine the construction company. … The actual cost to build will be determined by that bidding process.”

Additionally, the jail board authority’s bond will “have no impact on the three individual jurisdiction’s CIP programs and debt capacities,” says McKeel. 

Construction is estimated to begin in August 2024 and finish in November 2025.

Categories
Culture Food & Drink

The dining landscape

Charlottesville is always buzzing with news of the latest restaurant concepts, developed by old pros and fresh faces alike. Last year brought many new options, while some longtime favorites closed up shop. Here’s a roundup of (most) of what we gained and lost.

When North American Sake Brewery owner Andrew Centofante received a terrible fortune at a Buddhist temple in Tokyo, he decided he would make his own luck by transforming the bitter prediction into a different sort of future. Pairing well with his American-made sake, ramen had fast become the most popular dish on the NAS menu—so slurp hello to Bad Luck Ramen Bar, dedicated to the craft of slow-simmered noodles and sake-marinated ingredients. As luck would have it, Bad Luck Ramen Bar held its grand opening on Friday, January 13.

On the Downtown Mall, Botanical Plant-Based Fare gives vegans more choices. Rockfish Brewing Company serves brews right next to Mudhouse, and a permanent kitchen from Charlottesville’s food truck FARMacy Café is making Mexican fusion. Check out their Super Naan Taco, using garlic naan bread with al pastor pork. 

Surf’s up at Brightside, a beach-inspired pub in The Bebedero’s former location above The Whiskey Jar. The sunny joint offers classic bar bites alongside an extensive tropical drink menu. Just off the mall is more exciting fusion in the Japanese-Korean comfort food from Umma’s (formerly the Basan Food Truck). 

On West Main Street, Smyrna is making a name as one of the hottest new dining places in town. The Quirk Hotel added the Bobboo Lounge, modeled after an estate cigar room, and Cake Bloom spoils us with elegant cake and champagne pairings. Dairy Market rolled out Basta Pasta by the team at Dino’s Pizza, and Birdhouse serves organic, free-range chicken dishes and creative sides in the Rose Hill neighborhood.

The Barracks Road Shopping Center welcomed Ralph Sampson’s American Taproom, and it seems the shuffle at 5th Street Station is beginning to settle down, with Pei Wei Asian Kitchen being the only new restaurant to open in the center last year. 

Emmet Street welcomed Chang Thai’s fresh and sustainably sourced family recipes. Popito’s Pizza, another food truck origin story, popped up in the Rio Hill Shopping Center, and visitors to The Shops at Stonefield can now grab some Tex Mex at Torchy’s Tacos and leafy green bowls and juices at Organic Krush Lifestyle Eatery.

In other knead-to-know news, DIY Pie is entering the scene as the newest pizza shop, at the former Lelo’s Pizza space on Pantops. Have it your way with an entirely customizable pizza, pasta, and salad menu. Also on Pantops, The Donut Kitchen parked its bakeshop in a permanent space. Pick your dozen from traditional flavors like strawberry glazed, or the indulgent Bavarian creme.

We can’t wait to order from

Brazos’ second location at Barracks Road Shopping Center, and Black Cow Chop House, a new woodfired, meaty-good concept from the team at Public Fish & Oyster.

Stick a fork in ’em, they’re done

Sadly, we lost some of our favorite go-to spots including Little Star, Peloton Station, Piedmont Bar and Kitchen, and, closing on Pi Day (March 14), The Pie Chest.

Pie partners Rachel and Tina announced that they will step away from the rolling pins to pursue education and career goals, and we are just crustfallen. There’s a crumb of hope, though, because they’ll continue to offer some Pie Chest favorites at pop ups, and the entire Fourth Street space will be taken over by Lone Light Coffee

After a few short months of serving gourmet, grown-up grilled cheese sandwiches Ooey Gooey Crispy closed its doors last October. The fast-casual restaurant also offered juicy smashburgers and crunchy salads.

Say goodbye to cheddar bay biscuits, because Red Lobster is sleeping with the fishes, but you can still snag the catch of the day at Red Crab Juicy Seafood, a family-friendly spot known for its signature Cajun seafood boil.

Categories
Arts Culture

Aesthetics of Undocumentedness

“A migrant is perpetually unfinished. Instead of a living embodiment of one’s place of origin, a person is a work of art constantly in revision,” says David Cuatlacuatl, one of the artists participating in Aesthetics of Undocumentedness. The two-day symposium and exhibition highlights the kaleidoscope of ways individuals experience and are affected by undocumentedness. Day one begins with a community limpia, a type of spiritual cleansing, followed by a zine-making workshop and reception. Saturday includes a keynote from Erika Hirugami, a Q&A, and a screening of the movie COVER/AGE.

Friday 1/27-Saturday 1/28. Free, times and locations vary. art.as.virginia.edu

Categories
News Real Estate

Low, high

Charlottesville is completely surrounded by Albemarle County, which means there are bound to be several areas where land-use decisions made in one place affect the other—or vice versa. 

One of the places in the new Future Land Use Map where this comes into play is the conversion of around three dozen parcels in the city’s Greenbrier neighborhood from low-density residential to urban mixed use corridor, something that’s intended to encourage higher-intensity mixed use development. 

Some of these properties are the only ones in the city that front Rio Road, where 35,000 vehicles pass a day according to 2021 estimates from VDOT.  In all, that stretch is about 0.15 miles long. 

Other properties with this designation are along Tarleton Drive, where other lots are among several dozen more that have been converted to medium-intensity residential. All of these properties are currently single-family. 

The Zoning Diagnostic + Approach report released last summer envisions buildings up to five stories for some areas with this designation, though this is a rare example of land going from the lowest density allowed to one of the highest. 

Some had suggested more density in this area during the Comprehensive Plan rewrite back in 2013, because of the existence of businesses directly across the street in Albemarle County in what’s known as Gasoline Alley. The Places 29 Master Plan adopted in 2011 describes the county properties as being a future “neighborhood service center.” Other county properties to the northwest are “neighborhood residential density.” 

The city retained the lower density 10 years ago, but went much bigger in the new plan. 

“One of the important concepts of the Comprehensive Plan is to promote walkability and the opportunity for the incremental growth of new commercial spaces,” says James Freas, the city’s director of Neighborhood Development Services. “To that end, the plan sought to identify locations where the land use map could show potential new commercial spaces that would be in a close/walkable proximity to existing neighborhoods with good overall transportation access.” 

Someone walking from the intersection of Rio Road and Greenbrier Drive would have a half-mile journey to the Center at Belvedere. CATEC is a third of a mile away. Transit currently runs along the roadway. Albemarle County is likely to receive funding for improvements at Belvedere and Rio roads.

According to Freas, how development in this location actually occurs will depend on how the city’s new zoning code works. That process is underway now with the release of more detailed information happening later this month. 

“As we work on the zoning ordinance to implement this plan, one of our objectives is a set of rules that help to manage the interface between neighborhoods and new mixed use and commercial use,” Freas says. 

Only a few homes in the section up-zoned for urban mixed use have sold since the new plan was adopted in late 2021. All of those sales have been to couples or individuals, and not to private companies. None of the homes are currently on the market. 

Other areas of the city designated as urban mixed use corridor include East High Street, West Main Street, Jefferson Park Avenue, Ivy Road, Preston Avenue, and Fontaine Avenue Extended. 

Categories
Arts Culture

Jordan Tice

Singer-songwriter Jordan Tice combines witty, well-crafted songs with deft fingerstyle and flatpicking guitar. When not performing solo, Tice can be found working the guitar for acoustic bluegrass quartet Hawktail, and as a sideman for Dave Rawlings, Andrew Marlin (Mandolin Orange), Yola, Tony Trischka, and actor/comedian Steve Martin. His fifth solo record, Motivational Speakeasy, features stripped-down musings on life, relationships, and time. Tice is joined by openers Andy Thacker and Gabe Robey.

Saturday 1/28. $18, 7:30pm. The Front Porch, 221 E. Water St. frontporchcville.org

Categories
Arts Culture

Illiterate Light

Illiterate Light is all about subverting expectations. The Virginia-based duo of singer-guitarist Jeff Gorman and drummer Jake Cochran is gearing up to release its most ambitious album yet, Sunburned, a masterful record full of rich keyboard, programmed percussion, and anthemic choruses. The latest single, “Fuck LA,” is a melancholy, homesick song that features a real voicemail Gorman received from his wife while on tour. “It’s about wanting to be home,” he says. “It’s also a subtle middle finger to Atlantic Records, and taking pride in where you’re from. [It’s] nice to listen to when really stoned.”

Friday 1/27. $15-20, 7:30pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. jeffersontheater.com

Categories
Culture Food & Drink

A brunch to remember

The first episode of “The Big Brunch” opens on chef Antwon Brinson. He stands almost in silhouette over a hot pan, stirring a sauce that coats some delicious-looking meatballs. Brinson is framed by his steel teaching kitchen, an everything-you-could-need creative cooking space at his business Culinary Concepts AB, located just off Barracks Road. In this HBO Max reality series, Brinson’s voice is the first we hear: “As a chef, you wear three hats. You’re a mentor, you’re a coach, and then you’re a chef.”

That balance is a guiding principle for Brinson, whose culinary career has shifted from navigating the precise world of fine dining to running his five-week cooking program in Charlottesville. The bootcamp at Culinary Concepts AB is a cooking crucible that prepares novices and experts alike for a career in the restaurant industry, meeting a tangible need for qualified staff in town. But the culinary bootcamp does more than just teach students how to dice and sauté; it teaches them how to set goals and meet them.

“I want you to walk away from this and feel like, ‘I’ve learned a lot about myself. And I feel confident going out into the workforce and with the skills that I’ve gained here,’” says Brinson. “And it may not even be cooking, it may be something else, but you found yourself through this journey.”

Chef Antwon Brinson. Photo by Eze Amos.

Brinson embarked on a new journey himself when he joined the inaugural cast of “The Big Brunch,” a new cooking show executive produced and hosted by Dan Levy that premiered last fall. The competition’s variously themed challenges tested Brinson’s culinary acumen by asking him to cook in a totally unorthodox way.

“When you think about cooking, you think about cooking from the context of, ‘What cuisine am I gonna cook? What protein am I gonna use? Is this a vegetable dish? Is it a seasonal menu?’” says Brinson. “You don’t think about cooking from the perspective of, ‘A dish that inspired you through your childhood,’ or, ‘A dish that speaks to where you are currently on your journey.’”

Those sort of abstract directives center each episode of “The Big Brunch,” which, true to its name, tasks contestants with reimagining brunch through their own personal lens—first with a starter item, and then with the main course.

“It challenged all of us to cook from a place that none of us had ever cooked from before,” says Brinson. 

In that first episode, we meet chef after chef from across the country: a proud cook of Cantonese cuisine from Asheville, North Carolina, a sprightly Long Island baker, a vegan auteur from El Paso, a self-taught Richmond restaurateur, and on and on. There are 10 in total (three from Virginia!), and it’s clear from the moment we meet the judges that these earnest chefs will be duking it out for cash—$300,000, in fact.

But this isn’t “Chopped,” despite the tears shed each episode. “The Big Brunch” is a big love-fest, a celebration of the art of cooking that specifically centers each chef’s community-focused passion project as the beneficiary of the grand prize. The leisurely timed hour-long episodes encourage the audience to get to know each chef, to learn about their drive and ambition and identity. And the production of the show allowed the chefs to get to know each other better, too.

“I would have never imagined that I would go on a show and meet people and say they’re gonna be my friends for the rest of my life,” says Brinson. “We’re cooking from a place of, ‘I want to change my community, I want to make this industry better.’ … To be in a room with nine other contestants that feel the same way that you do about their community, and they’re expressing themselves with food that way, it was remarkable.”

Balance is a guiding principle for chef Antwon Brinson, whose career has included everything from fine dining to teaching a bootcamp cooking course at his Culinary Concepts AB. Supplied photo.

As the competition heats up and contestants get eliminated one by one, it’s evident the chefs are competing not against each other but against themselves. Each one has a comfort zone—like a tried and true banana bread or a predilection for mushrooms. Judges Levy, Sohla El-Waylly, and Will Guidara sniff this out quickly, and steadily push the chefs to refine or expand their repertoire. In one brunch, the contestants play a challenge so safely that the judges call a mulligan and order them to start over from scratch, to really push themselves. As a result, the contestants return with dishes so outstanding the judges can’t bear to eliminate anyone. “That was a comeback for the ages,” says Guidara.

It’s in that same episode that Brinson very publicly embraces his love for Ethiopian food, a cuisine he cooks regularly at home but has shied away from professionally.

“In my career as a chef, in all the places that I’ve worked, I’ve never put Ethiopian food on the menu. Never,” he says in an interview segment on the show. “It was fear. ‘It’s not familiar. Will the guests like it?’ And being here, this competition has really helped me grasp an identity.”

“I love learning about my culture because I didn’t grow up with it,” Brinson told C-VILLE. “So I just started cooking Ethiopian food on HBO. … That’s what they [the judges] were able to do, they were able to pull this out from all of us, had us all cooking from a place of vulnerability.”

Originally from Niagara Falls, New York, Brinson says he didn’t grow up thinking he would be a chef. He didn’t have a strong culinary presence at home—but he did know that when his grandmother was baking desserts for the holidays, it brought the whole family together. He found that food was an equalizer: It’s at the center of many memorable moments in his life. That belief in the unifying power of food led him to join his high school’s cooking team (where he made it to state competition on his first try), and eventually to the Culinary Institute of America, where he refined the skills he would use as a high-end chef in kitchens from the Virgin Islands and Hawaii to Palm Springs and San Francisco. His latest stop in Charlottesville saw him take on the role of executive chef at Common House, before leaving the restaurant biz entirely to open his cooking school.

Throughout his travels, Brinson held tight to the adage that food helps people connect and build communities. He immersed himself in each location’s culture to become a better chef—“I knew that if I understood the culture it would give me a profound understanding of the cuisine,” he says—which means he learned to cook food from a wide variety of culinary traditions. He came to “The Big Brunch” confident that he could pull a range of recipes from his pocket at a moment’s notice, but the competition’s time crunch and increasingly abstract expectations actually had him cooking much like he does at home: in a freeform, improvisational way.

Dan Levy (right), host, judge, and producer of “The Big Brunch,” pushed Brinson to refine and expand his repertoire. Supplied photo.

At home, Brinson opens the refrigerator without a plan, and takes stock of what he can cook with and what he can salvage from leftover ingredients. It’s an experience that he says harkens back to his youth, when his mother always seemed to be missing one key ingredient he’d need to make a sandwich. He made do, and his quick thinking served him well on HBO Max as the timer marched on.

“Challenge three, the farm-to-table challenge, is really where I just changed,” says Brinson. “The challenge was, like, cook one vegetable. And I just literally went ham. I had four or five different techniques on the plate, I had mushrooms throughout it with different textures. … In that moment, I realized, I’m just gonna fucking cook. I’m gonna stop trying to dig deep. What is the food saying to me? What do I feel in this moment? And that’s what I’m gonna go with. That’s what got me through the competition.”

Though there are similarities between how Brinson cooks on TV and how he cooks at home, his tenure on “The Big Brunch” was anything but familiar. Cameras swooped around him as he prepared his dishes, and interview questions flew at him fast while he was working. He and the contestants were urged to only interact on set, so that their most authentic thoughts and feelings could be captured raw. And after each brunch, the chefs were subjected to 15- to 20-minute critiques (often shortened to barely 30 seconds in the show).

There’s no TV magic on “The Big Brunch”: Each episode is a truncated version of a 12-hour shoot, and every dish served up is exactly representative of what the chefs were capable of in that challenge. Things can and do go wrong, and when Levy rings the bell to signal everyone to stop cooking, the chefs better be ready to present whatever they have—even if it’s missing ingredients or portions.

“You got one shot,” says Brinson. “You literally have one shot to nail it. If you fuck it up, well, that’s what you get.”

As much as he enjoyed the experience, the Charlottesville chef isn’t dying to get on another cooking show.

“I was gone for a month,” he tells me, sitting at a table in Culinary Concepts AB. Brinson is surrounded by the stations that his students use in culinary bootcamp, the same kitchen that we see him cooking and teaching in at the beginning of the show. “I think that if I was to do another cooking show it would have to be more focused around what I’m currently doing, it has to be in line with my mission. Something that highlights the work, something that highlights the students, something that really highlights the outcome. I would want it to be less about me and more about the inspiration that happens when you create a space like this.”

Brinson’s dedication to his new role as a business owner and teacher is an outgrowth of the tireless, laser-focused work ethic that powered him through his career in high-end resorts. He draws considerable inspiration from his mother, who was a foster parent while he was growing up.

His mom suffered from back pain, but “then she gets a foster kid that’s an emergency placement that could possible die because they’re on a ventilator,” says Brinson, “and all of a sudden she has no back pains, anything, and she is determined to make sure this kid makes it through the night.” Her hyperfocus and vigilance continues to inspire the chef to “find a focal point and go hard,” a lesson he passes on to his students.

“What we’re doing here, man—restaurants and food service providers all around the world need something like this,” says Brinson. “People need something like this. And our goal is to scale this thing across the nation. And that’s the vision.”

Want to see how Antwon Brinson did in the competition? Check out “The Big Brunch” on HBO Max, where all episodes now streaming.

Categories
News

In brief:

Brackney’s lawsuit dismissed

A U.S. district court judge has dismissed former Charlottesville police chief RaShall Brackney’s $10 million lawsuit against the City of Charlottesville—and 10 current and former city officials—alleging she was wrongfully terminated based on her sex and gender in September 2021.

In an August 30 court filing, the city’s attorney David Corrigan argued that Brackney’s suit, which she filed in June, did not prove she was discriminated against, and should be dismissed. The attorney claimed that former city manager Chip Boyles terminated Brackney, Charlottesville’s first Black female police chief, “to ensure the viability” of the CPD, which was plagued with “chaos and upheaval” under her leadership. “The imminent threat of departures of important CPD leaders [and] the ongoing strained relationship between Brackney, City leadership, and community stakeholders” also fueled Boyles’ decision, Corrigan wrote.

Judge Norman K. Moon agreed with the city, and threw out the lawsuit on January 20. “Because Plaintiff does not allege sufficient facts to support [her] claims, Defendants’ motions to dismiss are granted,” wrote Moon in a 39-page memorandum.

Brackney accused the city of firing her in retaliation for her efforts to reform the CPD, including disbanding the SWAT team and disciplining and firing officers for severe misconduct. She claimed two defendants created an internal officer survey to elicit negative responses about her, and other defendants later used the survey results to get her fired and harm her reputation. 

In addition to the city, Brackney listed the following people as defendants in the suit: Boyles; current and former City Council members Lloyd Snook, Sena Magill, and Heather Hill; Mike Wells, president of the Police Benevolent Association; Bellamy Brown, former chair of the Police Civilian Review Board; former assistant police chief Jim Mooney; current acting Police Chief Tito Durrette; former City Attorney Lisa Roberts; and former city communications director Brian Wheeler.

Moon ruled that Brackney lacked enough evidence to support her claims regarding the alleged conspiracy and malice, among other allegations. The judge also stressed that the former chief was an “at-will” employee, meaning “either the City Manager or Plaintiff [had] the unconditional right to terminate her Employment Agreement, without giving cause, after giving 90 days’ advance notice.”

Brackney’s attorney Charles Tucker says her legal team is “prepared to finish this fight to vindicate Dr. Brackney.”

“The legal standard for our complaint at this early stage in the case was two-fold: Put the defendants on notice as to why they were being sued, and plead the facts supporting a plausible claim,” Tucker said in a public statement. “We submitted an extensive—not exhaustive—complaint with supporting exhibits, showing [that] we in fact met the standard.”

“Prior to the benefit of discovery, the standard for such a motion should have been afforded,” said Tucker. “The court should have examined the complaint in the light most favorable to the plaintiff. The judge failed to do so.”

“Our advice to the defendants: Don’t go whistling Dixie yet, because we have only just begun to battle,” Tucker said.

In brief

Juvenile shot

On January 24, the Charlottesville Police Department responded to a shots fired report in the area of Sixth and Garrett streets at around 10pm. Officers discovered a juvenile male who had been shot, just before more than 2,400 households in the area lost power. The victim is in stable condition. It remains unclear if the shooting and power outage were related.

Slain pedestrians identified

Police have identified the person struck and killed by a driver on Ivy Road on January 12 as Isidro Casandro Martinez, 52, of Albemarle County. Martinez had been walking a bicycle across the road in the rain when the crash occurred at around 10:55pm, though the Charlottesville Police Department previously reported Martinez had been riding a bike without a helmet, had on dark clothing, and did not have bicycle lights. Corey Abdella, 54, of Charlottesville has been charged with reckless driving in connection with the crash. County police have also identified Harry Steven Allen, 53, of Charlottesville as the pedestrian struck and killed by a driver on Route 29 on January 13 at around 6:50pm. Allen and two other pedestrians had been walking outside a crosswalk when he and another person were hit. No charges have been filed against the driver.

Crowded race

Former Charlottesville mayor Dave Norris has thrown his hat into Virginia’s District 54 House race. Albemarle County School Board chair Katrina Callsen, former mayor David Brown, and city social services assistant Dashad Cooper are also running for the Democratic nomination.

Dave Norris announced he’s running for the District 54 House seat. File photo.

Curtain call

Regal Cinemas at the Shops at Stonefield is closing, per bankruptcy documents filed by  Cineworld, reports the Daily Progress. The parent company plans to shut down 38 other Regal theaters nationwide.

Categories
Culture Living

AquaFloat, take me away

I’ve lived in Charlottesville for almost 20 years, and there’s still so much I’ve never seen or done. We moved here in 2003, had our first and only (lovely, high-needs) child four months later, and the rest has been a blur of going to and from work, the grocery store, doctors’ appointments, schools, and, occasionally, Brazos Tacos. 

Now that I’m an empty-nester, and lockdown is behind us, I can finally check out all the stuff I’ve seen in peripheral vision these past many years—the places and activities you hear people mention, or that you spy as you drive by thinking, “How long has that been there, and what even is it?”–Mary Esselman

Mary Esselman is trying out new things. Photo: Sarah Cramer Shields.

What and why

AquaFloat, because ever since it opened I’ve wondered how soaking in (what I imagined to be) a coffin-shaped pod full of salty water could possibly help anyone feel relaxed.

How it went

Big reveal: no coffin-shaped pod! More like a large, gleaming oyster shell, filled with a tranquil, turquoise bath. And in the float room, an inviting 8’x10′ pool, big enough for two.

But I’m getting ahead of myself. 

Accompanied by my 19-year-old, I stepped out of the January gloom and into a Caribbean dream in the heart of downtown: aquamarine walls, lush plants, soothing music, a glass pitcher full of water with sliced lemons, and a warm greeting. I felt my shoulders drop down from their usual high clench.

First up, the massage. 

Yes, AquaFloat offers massage, as well as infrared sauna and other services. Apparently, massage followed by a float maximizes stress reduction, pain relief, and muscle recovery. Considering all 2022 had served up, I went for it. 

That’s how I found myself in the gentle, expert hands of AquaFloat’s Massage Manager Reggie Harrison, who carefully assessed my needs before working magic on my creaky, sore body. The kid, meanwhile, found massage a revelation, as therapist Ansley Brubaker released knots related to hunching over a computer, art canvas, and phone.

Goofy with relaxation, we made our way to the main event: the float.

Once Manager Alyson Abbate gave us clear instructions, the kid entered the one-person pod room (12 inches of body-temperature water mixed with 1,000 pounds of epsom salt), while I shuffled into the larger float room (18 inches of water and 3,000 pounds of epsom salt). 

According to Abbate, many floaters—athletes, care providers, first responders—opt for a silent, closed-door, lights-out float. Fond of undeprived senses, I opted for the door open, lights on, and music just loud enough to lull.

“What in the world am I doing?” I thought as I sank into the warmth, and felt my body bob up gently. Wow. Weightless, warm, and safe. On the ceiling, sparkling white lights mimicked stars, and down below I laughed like a baby in its crib, watching a mobile go ’round. This was fun! In my mind I was 5 again, though in reality I’m sure I looked like Wilford Brimley in Cocoon. I steered myself one way, then another, closed my eyes, and let myself drift. 

When time was up, I bade a lazy farewell to my pool, took a hazy shower, dressed in a trance, and went to meet the kid, who, it turns out, had soaked in sensory-deprivation bliss, and declared the entire AquaFloat experience “sick.” Usually nocturnal, the kid went to sleep at 8pm and woke late the next morning, relaxed and elated. 

Low-key, (relatively) affordable, convenient stress relief. I loved it.

This column is not an endorsement. Do your own research, and choose what’s best for you when it comes to your health and wellness.

AquaFloat

925-A E. Jefferson St.

293-1143, aquafloatcville.com

Categories
Arts Culture

David Crosby is still speaking out against the madness

David Crosby passed away on January 19, 2023. In tribute, we are reposting our interview with him, originally published May 30, 2018.

Naming someone a “voice of a generation” may be cliché, but when applied to David Crosby, there’s nothing trite about it. After founding The Byrds with Roger McGuinn in 1964, he left to form Crosby, Stills and Nash in ’69. Neil Young joined after the first album, and CSNY played its second live gig at Woodstock. The group’s spellbinding harmonies confronted political and social issues, and are synonymous with the hippie movement of the ’60s and ’70s. A consistent member of the famously tumultuous band, Crosby endured addiction, prison time and multiple health issues, but his ethos and sense of purpose remain strong. He spoke to C-VILLE by phone from his home in California.

C-VILLE: First, let’s talk about your new album, Sky Trails. From the political “Capitol” to the lush, beautiful “Amelia,” you are still making important music.

DC: “Capitol” we put in and take out from night to night. “Amelia” is one of my favorite Joni Mitchell songs. I was sort of afraid to take a swing at it for years. It’s such a great song I couldn’t resist it, and my son James did a great piano part.

Are you working on more new material?

There’s another new album already made. …I don’t know why I’m doing it though. Because of streaming we don’t get paid on records anymore. It’s makin’ it really hard for me, because I have to work on the road twice as much as I used to. …I can’t pay my mortgage unless I do.

But as an artist you can’t stop creating.

This is what we leave behind. This is the mark we get to make, these records. I just don’t think it’s fair that these companies are making billions of dollars, these streaming companies making zillions of bucks. And they’re not paying me, and I make the music.

Do you think music can still be an effective way to protest?

Yeah. I think so. …It’s part of our job, but it can’t be the main part because then you are preaching to people and that’s not really okay. You can do it once in a while…like the song “Capitol.”

God, we have such a crappy Congress. You know, it’s the lowest approval rating we’ve ever had, the lowest accomplishment record we’ve ever had. They’re useless and so they kinda earned that one.

What did the hippies accomplish?

A lot. We managed to end the Vietnam War. It took us about 10 years instead of about one, but we did it. We advanced civil rights in this country. Nowhere near as much as we’d hoped when we saw Obama become president because now, right there in Charlottesville, those guys with the torches sort of ripped the scab off and proved that racism is alive and well in this country, unfortunately.

But, I can’t help feeling when I see these kids marching, and the Women’s March—the Women’s March really inspired me. I thought, “My god, maybe they can save the country,” and I wish you guys would.

Who are your political heroes?

I don’t have many. I been having conversations with my friends saying “Who would you run?”. The only ones I can think of are women. I can think of four women that I like in Congress.

Will you name them?

Ahhh. No…I think it’s better I don’t.

My best friend who contributes millions to the Democratic Party says no, not a chance. [We’re] gonna have to run a white male…and we haven’t got the white male that we need yet.

That disappoints me to hear.

Kinda scary, huh? I mean, who would you run?

I love Elizabeth.

I love Elizabeth Warren. I love Kirsten Gillibrand too. I love Kamala Harris. I don’t see it yet, and I’m very suspicious of the Democratic Party cause I think they let us down terribly this last election.

What do you think the chances are that Trump will be re-elected?

I think there’s a good chance.

I was talking with a guy who I follow named [Christopher] Dickey, he’s a writer, a really good journalist, and he gave me about an hour’s lecture on why he thinks we are not gonna be able to unseat Trump and keep him from being re-elected.

Back to music…Here’s the deal on music: It’s a very tough world right now. Just as war drags the human race down, music lifts it up. So that’s my job. I’m gonna go out there and play music and make people happy. They need it.

Regarding music, the stories of infighting and breakups, all that CSNY dirt is out there for people to Google. Tell me about the good stuff. How was the magic made?

I think we did really good work. …You know when you start a band like that the other guy’s music is fresh to you and it’s very exciting. Frankly, we sounded really good. We loved each other for how good we sounded and how much fun we were having. But what happens to bands is that they devolve from that state to one in which you don’t like each other, and you all turn on the smoke machine and play your hits for the dollar, for the check, and that’s not good.

Do you see it among your friends in other bands?

Yes! Every band, everywhere, all the time.

I feel disillusioned.

Don’t be disillusioned. They are human beings. They can be inspirational and be jerks at the same time. I certainly think that at times I was inspirational and making really good music, and I also know for sure I was a jerk. You gotta look at it that way.

Your idols musically are human beings, they are not flawless. That whole stardom thing is absolutely bullshit.

You’ve been very open about your struggles. Why all the drugs?

Quite simply I had a girlfriend who I was in love with and [she] was killed in a car wreck. And I had no way to deal with it. I absolutely was unequipped. I had no way to deal with it and so I started doing heroin. Heroin is a painkiller and I was in pain. It didn’t take long for that to pretty much destroy me.

As a gun owner, what is your current position on gun control?

I think the kids are very, very right to demand a change. And I’m very proud of them for standing up and saying, “Hey it’s not okay [that] people are coming in and shooting us in our schools. You’ve gotta control this.”

The idea that you can walk into a gun show and buy a bumpstock AR-15 like a machine gun, without even showing a driver’s license, that can’t be right…you don’t need one of those. Nobody needs one of those. It’s not for hunting, it’s for people.

Now, that said, I don’t think they can do shit about it, and here’s why. There are guns in over two-thirds of the houses in the U.S. and nobody’s cleaning them up and they are not gonna. You are never going to get them to give them up…it’s never gonna happen ever.

Confederate statue debate?

I don’t think those guys were heroes and I don’t like seeing their faces. There’s one of the governor who ordered the mess at Kent State; it’s still up in Columbus. I’d like to take that one down too.

In your remarkable life, you have fathered six biological children. What’s your role as a father?

Yes five mothers, six children. I’ve only ever raised one of them. That’s Django my son who is still living here with me now. I wish I had had the chance to raise all of them because they are pretty spectacular people. I’m happy about them all. I think they’re all good and I love them all. I’ve got four grandchildren and I love them too.

What was your reaction when Melissa Etheridge asked you to be a sperm donor?

Here’s how that went down. My wife [Jan] is a very, very sweet, very good-hearted human being. And Melissa and Julie visited us in Hawaii…at the time, Django was a baby, a completely happy child. And they said, “How do you get one of those? We’ve been trying to figure out how to do this and people are very resistant to letting you adopt as a gay couple, and resistant to being donors.”

Jan just looked at them and pointed at me. She said, “No, really, that’s how.” And I said, “Okay, I’ll go along with that.” They loved each other and were nice human beings. So we donated twice—Becca and Bailey, and they are stunner kids.

With all the talented friends you have, who would you choose in assembling a supergroup?

Gilmour. [David] Gilmour is an intensely musical human being. And one of the best guitar players alive.

Bonnie Raitt. Probably the best singer alive. Just wonderful.

Bass player: Michael League.

Drummer would have to be the same guy that I pick always, Steve DiStanislao. He’s unbelievable.

Stevie Wonder. If I couldn’t get him, I’d get Michael McDonald. I love Michael.

What would it take to reunite CSNY?

Neil. That’s all. He’s the deciding factor, always has been.

I don’t think he wants to do it and I don’t think he needs to do it. He’s got a really good band. They deliver for him.

I heard a clip of him playing “Cortez the Killer” and it was some of the best guitar I’ve ever heard him play. He’s also got the Horse, but with Nils in there…Nils [Lofgren] is a force of nature, man, that guy is an unbelievable musician. A great singer, great guitar player, a great writer and a nice human being.

We look forward to having you in Charlottesville.

I look forward to being there. That’s a good bunch of people there and I think they had a horrible thing happen to them. I wanna come there and try to make people happy.

David Crosby
Paramount Theater
May 31