Categories
News

‘It’s scary’

When Sarah first heard about Governor Glenn Youngkin’s proposed transgender student policy, she sat down at her desk and cried. Her 10-year-old transgender child, who attends Charlottesville City Schools, was now in danger of losing critical protections and facing discrimination at school.  

“I realized that things are about to get really tough,” says Sarah, who asked that we not use her real name. “It blows my mind that the intention of the Youngkin administration is to harm kids, [and] have families like mine experience this stress—it’s scary.”

Posted online on September 16, the controversial policy would force transgender students to participate in school programing and use facilities, like bathrooms and locker rooms, based on the sex they were assigned at birth. School staff would also be prohibited from concealing information about a student’s gender from their parents, and from referring to transgender students by their preferred name and pronouns—unless a parent submits legal documentation of their gender identity, and requests in writing that their child’s name and gender be changed on official school records. Even with parental permission, staff would not be required to use a student’s name and pronouns if it goes against their personal or religious beliefs, says the policy, citing constitutional free speech rights.

The policy is subject to a 30-day public comment period, which began on September 26, after which Superintendent of Public Instruction Jillian Balow will decide whether or not to approve the policy. If it is adopted, Virginia’s 133 school districts must implement transgender student policies that are “consistent with” the governor’s guidance—a major rollback of protections that has sparked fear and outrage among transgender students, parents of transgender children, and LGBTQ+ activists and supporters across the state. 

Under these new rules, Charlottesville and Albemarle County schools would be forced to change their current policies, adapted this year and last year, respectively, which allow transgender students to participate in activities and use facilities that align with their asserted gender identity, and requires staff to address all students by their preferred name and pronouns—no parental permission required. Staff must address a student’s transition with their family, but also prioritize the wellness and safety of students who may face punishment if their families find out about their gender identity. 

These policies are in line with model guidance issued by then-governor Ralph Northam in 2020—however, 90 percent of state schools ignored or rejected Northam’s orders, since the law did not include an enforcement mechanism, according to Equality Virginia. 

Both governors’ policies do not address sports, which are subject to Virginia High School League’s rules. The league currently permits transgender students to play on sports teams aligned with their gender identity only if they have undergone sex reassignment surgery or been administered hormonal therapy “for a sufficient length of time,” per its website.

In response to Youngkin’s proposed policy, both school districts reiterated their commitment to creating safe and supportive environments, free from discrimination and harassment for all students. Still, Sarah fears the range of negative consequences the policy could have on the safety and well-being of her child, as well as of other transgender students across Virginia.

Glenn Youngkin. Supplied photo.

“If a teacher honors my child’s name and pronouns, is that teacher now at risk for legal action … [and] who’s going to enforce that?” she asks. “What happens when a teacher decides not to honor the name or the pronouns, or another student teases or harasses my child—are there still protections? Does anyone care if my kid is feeling safe?”

The policy is rife with barriers for transgender students—some are not supported by their families, or do not want to come out to the them out of fear of punishment, preventing them from receiving parental permission. School staff may be required to out students to their families and others, and may choose to not support transgender students at all. Even transgender students who are supported by their families may not have legal documentation supporting their gender identity. 

“Parents of young children are not going to have taken any legal steps probably,” says Sarah. 

LGBTQ+ activists stress the detrimental impacts that not affirming and supporting a child’s gender identity can have on their mental health. According to The Trevor Project, transgender children are more than two times more likely to have depression and attempt suicide compared to their peers.

“Using someone’s name and pronouns greatly reduces emotional distress,” explains Mary Sullivan of UVA’s Teen & Young Adult Center. “For some young people, that’s all they really want in terms of a transition.”

“This [policy] could go as serious as a child taking their life,” says Charley Burton who serves on the Virginia LGBTQ+ Advisory Board and several other LGBTQ+ organizations. “You’re literally putting a child’s life in your hands and destroying it.”

Legal analyst Scott Goodman expects the policy to face numerous legal challenges, and have some aspects struck down in court. “Federal courts have upheld students’ rights to use the bathroom that aligns with whatever their gender identity is,” he says, but there may be legal ground for the parental consent requirement regarding names and pronouns. LGBTQ+ activists also accuse the policy of violating the Virginia Human Rights Act, which bans discrimination in schools based on gender identity. 

If Youngkin’s policy is successfully implemented, Sarah hopes CCS will do “the things they need to do to help kids feel safe so they can focus,” she says. “If that means using a preferred name, then we use the preferred name.” 

“What we would hope to see is that there are teachers, school boards, and administrators who step up and say, ‘This may be a policy from the governor,” adds Nick Morrow of the Charlottesville Pride Network, “but we can create an inclusive environment at our school in a way that can hopefully mitigate some of the negative impacts.”

To comment on the governor’s proposed transgender student policy, visit https://townhall.virginia.gov/L/comments.cfm?GDocForumID=1953.

Categories
News

A more humane approach 

By Ezra Maille

Julie, a 21-year-old UVA student, was at a bar with her friends when she was physically assaulted. A stranger grabbed the baseball hat off her head, and when she attempted to get it back, he struck her in the face, before fleeing the scene and being apprehended by university police.

After the incident, Julie, who asked that we not use her real name, was referred to the Albemarle Charlottesville Restorative Justice Diversion Program as an alternative to prosecuting her assailant. 

According to Tarek Maassarani, the program’s advisor, restorative justice functions as an alternative to the criminal justice system, operating through an agreement with the city and county. Attorneys bring the cases and, along with three coordinators, Maassarani assigns those cases to a pool of facilitators who help harmed and harming participants come to a resolution. 

“It’s meant to address the sort of root causes of the harm in the first place,” says Maassarani. “Things that would prevent future harm. It’s meant to address the needs of those who’ve been harmed, what would repair their harm.” 

The program operates with a memorandum of understanding between the commonwealth’s attorneys, the city, the public defender’s office, and the coordinators, allowing participants to speak with attorneys and facilitators freely without worrying that what they say may be used for subsequent prosecution. Once a case has been completed, facilitators bring it before the court to dismiss the charges. 

Maassarani works as a visiting professor at Eastern Mennonite University, and also teaches law at Georgetown University, where he met Joe Platania, Charlottesville’s commonwealth’s attorney.

“The traditional model of prosecution is all centered around, appropriately so, the rights of the accused,” says Platania. The victims are “sometimes left feeling revictimized, sometimes retraumatized. Restorative justice turns that on its head a little bit.” 

Shannon Neal, an assistant commonwealth’s attorney for Albemarle County, worked to secure funding for the program with EMU and Platania, who contributed $18,000 from his own agency. Neal says restorative justice offers a more humane approach than most criminal justice solutions. 

“Is it something that involves some harm where someone could make something right and there’s an actual human involved?” Neal says. “And is that person open and interested in a process like this?” 

In Julie’s case, she found it beneficial to meet with her offender. She says while restitution was important, once she met him, she understood he just made a mistake. With this in mind, she sought a resolution addressing his issues with masculinity and anger management with the help of the program. 

Maassarani says restorative justice isn’t new to Charlottesville, adding that the practice has Indigenous roots, exhibited in practices of Native people throughout history. 

When it was first introduced in the early 2000s, the program didn’t offer everything facilitators hoped. Limited funding, limited referrals, and the program’s narrow focus on youth cases resulted in its collapse, according to David Saunier, a facilitator for the program with extensive experience in restorative justice. 

“The criminal justice system is all about the offender,” Saunier says. “Restorative justice is much broader, about the community, community health and wellbeing and what are the needs of the victims.” 

An evolving political climate coupled with support from the commonwealth’s attorneys has been instrumental in the successful resurgence of the program. Additionally, the new model approaches restorative justice through a wider lens, something Saunier says is crucial to the practice.

“The last five years in our country have been tumultuous,” says Saunier. “August 12 in Charlottesville. George Floyd. There’s been just a significant number of cultural shifts and things that have taken place that have changed the landscape, and I think it provided an opportunity.” 

Maassarani says the new program’s efficacy can be traced to these changes as well as the evolution of modern restorative justice. Currently, the program has no specific criteria for eligible cases, leaving it in the hands of the attorneys. 

“We’ve mostly had adult cases,” Maassarani says. “It’s not limited to misdemeanors or what would be considered minor offenses, and that tracks the larger growth and acceptance of restorative justice on handling serious harms.” 

For instance, Maassarani says resolutions could include attending AA meetings, paying off medical bills, or attending an anger management course. The process and agreement remain completely in the hands of the participants and require a consensus to move forward. 

Julie’s case was resolved through her assailant’s participation in a mentorship program and fostering dialogue about masculinity. Restorative justice allowed Julie to see the man as a person and how the incident affected his life, something she says the criminal justice system neglects. 

“We know that our criminal justice system is deeply flawed,” says Julie. “Restorative justice can be associated with a softer approach, a weaker approach. What I would like people to think more about is who has autonomy in the situation, who has agency.” 

The program, being in its early stages, has so far completed 18 cases. Maassarani says the program has four active cases and two on pause due to the sensitive nature of the incidents. 

“We’re looking at prosecution being the diversion and restorative justice being the default,” says Maassarani. “When restorative justice doesn’t offer, for whatever reason, a satisfying option, then there would be prosecution.”

Categories
Arts Culture

Pick: Love and Information

Full speed ahead

Someone’s up to something in Caryl Churchill’s Love and Information, a thought-provoking play that explores the mysterious complexity of human connection at breakneck speed. Comprised of over 50 tantalizingly titled playlets portraying fragments of life, Live Arts’ production sees 10 actors bring more than 100 characters to life over the course of two hours. With no clear delineation of character, time, or space, each scenic snippet will leave audiences with a variety of questions, such as: Who put the elephant on the stairs? or Who won’t answer the door?

Through 10/22. $24-27, various times. Live Arts, 123 E. Water St. livearts.org

Categories
Culture Food & Drink

Better and better

As a founding father wine geek, Thomas Jefferson is typically the first person who springs to mind when discussing the history of our wine region. But it was Emma Randel who literally put Virginia wine on the map in 1982.

Largely due to the efforts of Randel, who recognized the importance of the area as a unique growing region, Shenandoah Valley AVA was the first AVA in the state. Randel and her husband, Jim, are considered some of the original visionaries of the Virginia wine industry, having founded Shenandoah Vineyards in 1976, the oldest winery in the valley and the second oldest in the state.

An American Viticultural Area is a federally recognized grape-growing region with defined boundaries. To achieve this, a region must show evidence of something distinctive and defining, such as climate or soil. Currently in Virginia, there are eight AVAs, a testament to the wide range of growing conditions that exist in the state, and the diversity that is possible in the local wine industry.

Area wine-lovers are likely most familiar with the Monticello AVA, with Charlottesville at the heart and center of the region. Many may not be as familiar with the Shenandoah Valley AVA (it borders the Monticello region to the west), and the wineries that are a short drive away. It’s a scenic, exciting area that’s worth exploring—and it plays a significant role in both the history and the future of the Virginia wine industry.

The Shenandoah Valley AVA is also the largest in the state, bounded on the eastern side by the Blue Ridge Mountains, on the western side by the Appalachian and Allegheny plateaus, and spreading north into West Virginia. The region features limestone soil, warm daytime temperatures combined with cooler nights, an almost constant breeze, and much lower average rainfall than any other location in Virginia. Drier conditions, due to a “rain shadow” that exists between the Allegheny and Blue Ridge Mountains, help with the challenges of mold and mildew in growing grapes locally, and allows the production of high-quality grapes with less vineyard spraying. 

The result of this climate is wine higher in acidity and slightly lower in alcohol that often taste brighter, livelier, and leaner on the palate. This parallels the evolution of consumer preferences, as a younger generation seeks lower-alcohol, lighter-bodied, easier-drinking wines that don’t require years of aging. There is also value to be found here, as increased distance from major cities and lower production costs result in high-quality wines at relatively low prices.

Many Virginia wineries not located in the Shenandoah Valley are sourcing fruit from the region because of these characteristics. It’s a trend that isn’t going away. There is growing demand for vineyards and land to plant future vineyards. 

So, look to grapes grown just to the west for fantastic wine to drink now—and even better wine to come. It’s clear that the Shenandoah Valley not only has a historically important place in Virginia wine, but also a promising future.

Go West and wine yourself

Wineries in the Shenandoah Valley AVA stretch from as far north as Winchester to just south of Roanoke. Those on the northern end make for a nice day trip from northern Virginia/Washington DC. Below is a list of wineries a short drive from Charlottesville.

Barren Ridge Vineyards Opened in 2008 and located at the family’s former apple orchard, Barren Ridge has amazing views west toward the Allegheny mountains. Don’t miss the 2015 Meritage, winner of a Governor’s Cup Gold Medal.

Ox-Eye Vineyards The tasting room is in the historic Wharf District of Staunton, and all the grapes are grown on the family farm in Augusta County. Well known for its riesling, the winery also features interesting grape varieties such as lemberger and grüner veltiner.

Rockbridge Vineyard & Brewery Owners Shepherd Rouse and Jane Millott-Rouse started planting in 1988, and in 2022 Rouse was named Grower of the Year by the Virginia Vineyards Association. Seek out the 2018 V d’Or dessert wine, included in the 2022 Governor’s Cup Case.

Brix & Columns Vineyard Owners Steve and Stephanie Pence began planting vines in 2015, and continue to expand their estate vineyards. The tasting room features mountain views, and is presided over by Wyatt, a black and white Great Dane who acts as unofficial greeter. Try the 2019 Chardonnay, which balances a full body with bright fruit flavor.

Bluestone Vineyard  Family owned and operated, the vineyard was started in 2008, and its name comes from the local slang for limestone, which can be seen at various places on the property. Winemaker Lee Hartman is focused on wine that truly reflects the Shenandoah Valley. His 2017 Houndstooth red blend won both a Governor’s Cup Gold Medal and the 2021 Shenandoah Cup. 

Jump Mountain Vineyard About a 75-minute drive from Charlottesville, Jump Mountain requires reservations and is open only on weekends. Some lesser-seen grapes are grown here including refosco, lagrein, and sagrantino. The core wine is cabernet sauvignon, which doesn’t always flourish locally, but good vineyard site selection appears to have made all the difference. The 2017 bottling impresses with structure and flavors characteristic of the variety.

Categories
Arts Culture

Pick: Gary Clark Jr.

Landing it

Gary Clark Jr. tells it to you straight on his third studio album, This Land. “Fuck you, I’m America’s son. This is where I come from,” he sings on the titular lead single, a song that arose from an encounter with a racist neighbor at his ranch “in the middle of Trump country” outside of Austin. The record, which won Clark three Grammys, pushes past the bounds of modern blues and slides into rock, reggae, metal, and funk as Clark explores themes of parenthood, the justice system, and love. Highlights include the falsetto-filled “Pearl Cadillac,” the high-energy “Gotta Get Into Something,” and “Don’t Wait Til Tomorrow,” an R&B ballad with Latin influences.

Wednesday 9/28. $45-75, 7pm. Ting Pavilion, 700 E. Main St., Downtown Mall. tingpavilion.com

Categories
News

Through a different lens

Henry Martin stands tall in the photo, his eyes piercing and thoughtful, dapper in his jacket.

Martin was born enslaved at Monticello in 1826. In the early 1900s, he was one of the most recognizable figures on Grounds. He rang the Rotunda bell, and was the head janitor at the University of Virginia. But most of the knowledge created by white people about Martin reflects their racial prejudice. 

The Daily Progress wrote that Martin was a “personification of the qualities that go to make the most faithful servant.” Martin, however, was well aware of how he’d been misrepresented, so he spoke for himself through portraiture. 

In the photo, part of “Visions of Progress: Portraits of Dignity, Style, and Racial Uplift,” a new exhibition at the University of Virginia’s Albert and Shirley Small Special Collections Library, we see a reflection of Henry Martin through his own eyes. And he is surrounded by nearly 100 portraits that similarly honor and express the personality and individual dignity of their subjects, defying a society and culture that denied them equal rights.

“Visions of Progress” features photographs produced by Charlottesville photographer Rufus Holsinger and his studio during the height of the Jim Crow era. The images, commissioned by African Americans in central Virginia, are part of an exhibition that reveals new biographical information about the subjects unearthed over the past few years by the Holsinger Studio Portrait Project team.

Holly Robertson, curator of exhibitions at the University of Virginia Library, designed “Visions” with the intention of making the portraits and their subjects “true to life.” The stories that accompany each image help to do just that. 

Typical sources, like military records, birth and death certificates, and census records, wouldn’t suffice. John Edwin Mason, the exhibition’s chief curator, and his team wanted to introduce these individuals as whole people. Was Henry Smith funny? Was Cora Ross kind? 

So the team asked the descendants of the individuals for help. C-VILLE Weekly documented this undertaking in 2019, as people were invited to Family Photo Day at the Jefferson School African American Heritage Center to help identify the photographed individuals. 

In the C-VILLE article, Mason shares that up until that point, the photographs from the Holsinger Studio Collection had not been presented in a way that represented the Black community of Charlottesville; rather, they portrayed “a very specific, very white image of Charlottesville.” 

Henry Martin, who was born enslaved at Monticello, was described as a man of “true dignity.” Photo: R.W. Holsinger.

“Visions of Progress” documents the stories of the African Americans who left central Virginia and flocked to cities in the North and Midwest during the Great Migration. In doing so, the exhibition connects the local history of central Virginia to national history. 

Linwood Stepp was one of those who left. Born in the Free Union district of Albemarle County to Lindsay Stepp, a blacksmith, and Jemima Stepp, a homemaker, Linwood served in France during World War I with the 349th Field Artillery. 

Stepp may have commissioned his portrait as a gift to his family. Less than a year after the photo was taken, he moved to Buffalo, New York, to work at a steel mill. 

He married Maggie Hansberry in Albemarle County in 1921, and the couple had three daughters. 

“The magic of these portraits is that you don’t see the oppression in them,” says Mason. “And that was intentional on the part of the people who had their images made.”  

Mason explains that the most attention has been paid to the oppressive side of history. “Here, we’re approaching history from a different direction.”

Though the photographs were taken during the height of the Ku Klux Klan’s violence, they do not illustrate scenes of abuse. Rather, the subjects of the portraits are dressed beautifully to resist the commonly distributed racial caricatures produced at the time. 

“It’s really important that the job and status and oppression in Jim Crow are completely invisible in these pictures,” Mason says. “African Americans were not defined by their oppression.” 

While the exhibition acknowledges the presence of the KKK, the effects of restrictive covenants, and the many forms of oppression endured by local African Americans at this time, the images serve as a form of silent protest against those injustices.

“They are saying, ‘We are not who you think we are. We are not those stereotypes; we are not defined by our status in Jim Crow society,’” Mason says. 

This truth struck undergraduate researcher Ben Ross, too. “It’s easy to hear about the ways that the community was mistreated and oppressed and believe that they only knew hardship, but in reality this was a community full of love, dignity, and honor,” Ross says.

Rufus Holsinger—Holly to his friends—employed up to 25 people in the 1920s. Most of them took the photos included in the exhibition, yet we don’t know who they were. 

Mimi Reynolds, an undergraduate research assistant who’s managing the social media accounts for the exhibition, recently posted a Holsinger photograph of Susie Lee Underwood Henderson and her child on Facebook. A little while later, Helice Jones commented that the woman and child were her Great Grandmother Susie and Aunt Evelyn.

“My hope is that the exhibition leads people to broaden their perspectives by uncovering this quiet yet powerful piece of history,” Reynolds says. Mason and library staff members urge anyone who might recognize ancestors or have any information about the portrait subjects to email the team at HolsingerStudio@virginia.edu.

The project’s website, which is currently under construction, but soon will be ready for public consumption, is a place where the team hopes people doing genealogy will download the document listing the photographed individuals and their stories, and that they’ll identify their ancestors. 

This exhibition is for everyone, Mason says. Ultimately, he hopes that UVA “changes the way that everyone in central Virginia sees their history. We can tell a history of resilience, of people living complex lives in the midst of Jim Crow and living during the era of the New Negro.” 

And perhaps some people will even find their ancestors brought back to life. 

From the Holsinger Studio Portrait Project

Developing a clearer picture

Everything about Cora Lee Ross’ (1884-1969) portrait suggests that she was an extraordinary woman—strong, proud, and wise. Her life story confirms that she faced the triple challenges of racism, sexism, and economic exploitation with an indomitable spirit.

Cora Lee Ross. Photo: R.W. Holsinger.

When Ross commissioned her portrait from the Holsinger Studio, she lived in Charlottesville with her husband, James Lemuel Ross, and their five children—four girls and a boy. Cora was a housemaid, and James was a manual laborer. The couple would eventually have several more children—a daughter and two sons. Cora and James remained married until his death, in 1952.

By 1920, the family had moved to a farm in Albemarle County. James supplemented the family’s income by working as a railroad guard. Cora assumed the duties of a farm wife and mother while also working as a housemaid. Cora returned to Charlottes­ville in late middle-age, living in Fifeville with two of her children.

Cora’s portrait befits a woman who had the strength to raise a large family while jointly running a family farm and the style of someone with cosmopolitan tastes. Nothing about it hints that she also spent much of her adult life working as a housemaid in other families’ homes. That is precisely the point. As the University of Virginia historian Kevin Gaines has written, “[t]o publicly present one’s self … as successful, dignified, and neatly attired, constituted a transgressive refusal to occupy the subordinate status prescribed for African American men and women.” 

Categories
News

In brief: Local schools on lockdown, and more

SOL scores drop

Four Albemarle County elementary schools—Greer, Mountain View, Red Hill, and Woodbrook—have been accredited with conditions for the 2022-23 school year, meaning their Standards of Learning exam pass rates in one or more student demographic groups did not meet state standards, according to a statement issued by the school district on September 22.

“I own these results,” said ACPS Superintendent Matt Haas in the statement. “They are unacceptable and do not in any way reflect the efforts or abilities of our students, families, and educators. They do reflect the inability of our current systems to produce the results we are seeking and clearly demonstrate the need for these systems to immediately change.”

In English, the SOL pass rate for the entire division was 75 percent, compared to a state average of 73 percent, but the pass rate was only 50 percent for Black students, and 51 percent for Hispanic students and economically disadvantaged students—all below the state averages for these demographics. In math, pass rates for these groups, as well as English learners, were also below state averages.

Eight other division schools had at least one demographic that did not meet the state standard, but received waivers because they previously met the standard for three consecutive years.

Within the next 30 days, ACPS will issue a request for proposals for an outside organization to audit the division’s staffing, reading program, classroom practices, and intervention and support models, and provide recommendations for improvements. Haas will also create a task force of teachers, specialists, community partners, and division staff to craft the RFP and, later, review the audit results.

Accreditation results for each school are available on schoolquality.virginia.gov.

(More) false alarms

On September 20, the Charlottesville Police Department received two 911 calls claiming there was an active shooter at Buford Middle School, but did not find any threat after placing students on a 40-minute lockdown.

On September 23, Charlottesville High School was also briefly placed on lockdown due to a misdialed 911 call by a staff member. Just four days earlier, police received a hoax call claiming an active shooter had shot 10 students at the school, according to the CPD. 

“The impact on our staff, students, and families from this week’s events has been significant,” wrote CCS Superintendent Royal Gurley in a statement, encouraging students and families to take advantage of the school district’s free, confidential mental health resources. “Even one of these events would have been ‘too much.’”

The district’s Google directory—which supports its email system—was also downloaded and posted online on September 23. 

“While much of the data posted is considered public ‘directory information,’ we take this violation seriously, especially since it did contain two more protected data fields (school-issued student emails and school ID numbers),” explained Gurley. “The data in the posted file gives no further access to programs containing sensitive private information … [But] we are actively working with Google, the Virginia Fusion Center, and the VDOE to investigate.”

Royal Gurley. Supplied photo.

In brief

Apartment shootings

On September 24, Albemarle County police responded to a shots fired report at Rio Hill Apartments at around 9:20pm, and discovered one person who had been shot in the parking lot. The person was taken to the hospital in critical condition, and later died of their injuries. The shooting appears to be domestic related and not connected to the September 23 shooting at Mallside Forest Apartments, where three victims were taken to the hospital for injuries, but were stable as of Friday morning. Anyone with information about the shootings is asked to contact Crime Stoppers at 977-4000 or crimestoppers@albemarle.org.

Early voting

Voters can now cast their ballots at the city’s election office, located inside the City Hall Annex, Monday through Friday from 8:30am to 4:30pm until October 28. On Thursdays, votes can be cast until 7pm. The office will also be open on October 29 and November 5. A 24/7 drop box is available outside the office. 

UVA hate crime

The University of Virginia Police Department is offering a $10,000 reward for information leading to the arrest of the person who placed a noose around the neck of the Homer statue on central Grounds on September 7. If you have information, contact UPD at 924-7166.

Doctor sentenced for child porn

Former University of Virginia neurologist David Ari Lapides was sentenced to five years in jail and five years probation on September 20 for two counts of receiving or transmitting child pornography—however, all but one year and two months of his active sentence were suspended, and he was released from jail with time served, according to Albemarle Charlottesville Regional Jail Superintendent Martin Kumer.  

Deceased pilot identified 

State police have identified 30-year-old Kevin James Esh of New Holland, Pennsylvania, as the pilot who was killed in a plane crash in Albemarle County on September 14. The plane had a small amount of oil in its engine, and multiple fractured piston rods—a cause of engine seizure, reports The Daily Progress. 

Categories
Arts Culture

Pick: Pilobolus

To the limit

Bask in a kaleidoscope of movement at dance company Pilobolus’ Big Five-Oh! Tour. The iconic dance troupe is known for its radical performances that test the limits of human physicality to showcase the beauty and power of connected bodies. In celebration of turning 50, Pilobolus draws on its history to present a never-before-seen, electrifying experience. The retrospective will reimagine everything from signatures and vintage classics to the company’s trend-setting, innovative work in shadow.

Saturday 10/1. $44.75-64.75, 8pm. The Paramount Theater, 215 E. Main St., Downtown Mall. theparamount.net

Categories
Arts Culture

Bringing banjo back

Bill Evans left a lasting impression on the Charlottesville music scene. After graduating from the University of Virginia in 1978, the innovative banjo player stuck around town and started a concert series at C&O Restaurant with Cloud Valley, his bluegrass outfit. 

The group, which also featured award- winning bassist Missy Raines, would also host guest bands and recruit premier string acts, including Peter Rowan, Hot Rize, and Sam Bush and Bela Fleck’s Newgrass Revival, to share the bill. 

The series of gigs had an intimate grassroots vibe—with capacity at around 140 people—but it helped put Charlottesville on the map as a friendly stop on the national acoustic music circuit, and set Evans on a path toward a four-decade-plus career as a performer, composer, author, and teacher. Now, he returns to Charlottesville on September 28 to play The Southern Café & Music Hall with a six-piece group touring as the California Bluegrass Reunion. 

“We ran the sound, put posters up around town, and got to meet our heroes,” Evans says about his early career, during a phone interview from his current home in New Mexico. “And we had a great local audience. There was a really supportive environment for music in Charlottesville at that time.” 

While booking the C&O shows, Evans often found himself hanging out with the instrumental masters he admired, gathering knowledge during his formative years as a musician from banjo aces like Tony Trischka and J.D. Crowe. “These folks would oftentimes spend a few days with us, and that’s where musical associations really blossomed,” he says. “The bluegrass community, across generations, is really welcoming, so it moved us all forward professionally.” 

Cloud Valley toured nationally and earned slots at some of the top bluegrass festivals in the country. Evans says one of his favorite gigs with the group was opening for Doc Watson at Old Cabell Hall. 

After the band members parted ways in 1985, Evans eventually moved west to attend graduate school at the University of California, Berkeley. Music education and academic study have since remained big parts of his work. He’s written multiple books on banjo instruction and given lessons to younger successful players including Greg Liszt of Crooked Still and Chris Pandolfi of the Infamous Stringdusters. 

Evans’ long-running solo show, The Banjo in America, offers a historical tour of the instrument, tracing its roots in Africa to current styles of playing. A CD/DVD set of the performance, which covers 250 years of the banjo’s sonic evolution, came out earlier this year.

The release adds to his lengthy discography, which includes a handful of solo albums and credits as a member of Due West and Dry Branch Fire Squad.

During his time in California, Evans became embedded in the Bay Area’s progressive string scene, collaborating with some of the genre’s biggest boundary pushers, including mandolin whiz Mike Marshall and dynamic fiddler Darol Anger.

Both appear on Evans’ guest-heavy 2012 album In Good Company, perhaps the most well-rounded look at his fleet-fingered prowess. On the record, winding instrumental compositions mix acrobatic fret work with nuanced, jazz-minded explorations. It features the multi-dimensional acoustic style that Evans will showcase in his return to Charlottesville with the California Bluegrass Reunion. 

The lineup came together as an offshoot of the California Banjo Extravaganza—another one of Evans’ creative touring projects—and features an all-star lineup of Golden State pickers who boast stacked resumés. In addition to Anger, who’s spent time in the David Grisman Quintet and Republic of Strings, the show will feature renowned mandolin player John Reischman, a founding member of the Tony Rice Unit. Bass duties will be handled by Sharon Gilchrist, a versatile player who toured for many years in Rowan’s band, and additional fiddle power will come from Chad Manning, another Grisman alum. 

“It’s a superpowered bluegrass jetliner, especially with the double fiddles,” Evans says of the group, which is currently on an extremely rare East Coast tour. “It has a really big sound. We’ve all been around the block and most of us are bandleaders. The focus is on original material.”

The show at the Southern is being presented by local radio station WTJU, where Evans hosted a bluegrass show for more than a decade. It’s another callback to his early roots. 

“When I return to Charlottesville it doesn’t feel like things have changed all that much,” Evans said. “For me, the landmarks are still there.” 

Categories
434 Magazines

Festing on your laurels

You wasted your summer streaming Netflix. That’s okay. The area’s fall fests are just what you need—they’ll get you outside, where you’ll enjoy some crisp air and boost your vitamin D for the winter months.

Here’s a look at 11 autumn events that are sure to keep you going until the temps plummet.

Charlottesville-Albemarle Black Business Expo

The Charlottesville-Albemarle Black Business Expo, “designed to celebrate and encourage the success of Black-owned businesses locally and beyond,” has been going strong for six years. This year’s event is slated for September 24 at Ix Art Park. 

The free festival, which runs from 10am-7pm, allows Black-owned businesses to highlight their wares against a backdrop of DJ sets, live bands, and panel discussions. Expo organizers say more detail on entertainers and speakers is coming soon, but the business pitch contest at 3pm will likely be the can’t-miss spot. blackbusinessexpo.org

Supplied photo.

Virginia Film Festival

Okay, so this one won’t get you outside. But the 30-year-old Virginia Film Festival, to be held from November 2 to 6, has become a premier destination for filmmakers and filmtakers alike. The fest draws thousands to venues around town for film premieres, panel discussions, parties, and more. VAFF has yet to release a screening schedule for this year’s event, but notes that last year’s films earned 33 Academy Award nominations. Past festival speakers have included Ethan Hawke, Martha Plimpton, and Danny Strong. 

VAFF says its mission is to offer diverse films of all genres, including comedies, dramas, documentaries, and shorts. It also features a regional focus on Virginia, bringing the festival home for Charlottesvillians, and drawing on UVA academics and cultural experts for film discussions.

VAFF managed an in-person fest of sorts last year, and festival director Jody Kielbasa says this year will mark the event “returning to its traditional format.” “These past two years have brought significant challenges across the arts world,” he says. “And we are hopeful that the current, declining pandemic trends will continue and allow us to gather in a more traditional way and with fewer restrictions.” virginiafilmfestival.org

Crozet Arts & Crafts Festival

The Crozet Arts & Crafts Festival is so hot it’s held twice a year. This year’s fall installment, October 8 and 9 at Claudius Crozet Park, will feature more than 120 artisans, live music, art demos, a children’s area, food trucks, adult beverages, and raffle prizes. Full scheduling and ticket sales went live on September 1. Volunteers are also still welcome to sign up.

“Every CACF is unique because of the incredibly talented artisans who showcase their new work, as well as new musical performances and artist demos,” event director Ewa Harr says. 

Don’t miss your chance to vote for your favorite artists at the show, with winners announced Sunday at 4pm. Event pricing is $6-12. Parking is free. crozetfestival.com

Fall Fiber Festival

The name says it all: The Fall Fiber Festival and Montpelier Sheep Dog Trials is not only a celebration of traditional fiber techniques, but also a thrilling dog show. The family-friendly event, baaa-ck this year on October 1 and 2, teaches folks about the fiber-producing animals and shearing, spinning, and weaving their wool and other materials.

​This year’s Fall Fiber Festival schedule is dotted with ​animal exhibits, dog demonstrations, fiber arts demos, fleece sales, fiber and crafts vendors, workshops for adults and children, music, food, and more. Day-of festival tix are $10; advanced sales are $8; kids 12 and under get in free. The festival’s advertising volunteer, Michele Mangham, says more information and updates are coming soon, and she’d like to “thank ewe” in advance for attending. fallfiberfestival.org

Heritage Harvest Festival

Organizers have reimagined Monticello’s Heritage Harvest Festival, a longtime favorite of locals and regional travelers, as a live and virtual series of food, farm, and gardening classes and discussions. The nationally recognized event has tried to hew closely to its traditional format for new programs, with a stated mission of “emphasizing the power of place at Monticello.”

For this fall, two events are currently on the docket: The apple and cheese tasting on October 22 promises to be directly in the Monticello wheelhouse, and wreathmaking workshops are planned for multiple holiday-adjacent dates. Keep an eye out for more info on the scheduled events and more. heritageharvestfestival.com

Overland Expo

If you want to understand the Overland Expo, you must understand the overlander. Trending hard in the last few years, overlanding attracts self-reliant folks who want to jump in their Jeeps, find remote destinations, and camp in the wild, surviving on nothing but their wits.

Overlanding’s premiere festival just happens to light on Arrington, Virginia, for one of its four regional events. This year’s Overland Expo East will attract consumers and industry types to its trade show and 175-plus classes, slideshows, demos, and activities focused on the overland lifestyle. The latest in camping, vehicle, and motorcycle equipment and services from more than 200 exhibitors will all be on display, and attendees can take in the October 7 to 9 event while camping overnight in an open, grassy field surrounded by trees. Organizers expect thousands of attendees and offer happy hours, a film festival, charity raffles, and parties after the daily show closes and the evening descends.

General admission to Overland Expo East is $25 for Friday, $35 for Saturday, $17 for Sunday, or $70 for the weekend. A variety of camping packages are also available. overlandexpo.com

Supplied photo.

Fall Festival at Brewing Tree Company

When local beer industry legend Mark Thompson set up his own shop at Brewing Tree Beer Company in Afton, it was a chance for him to brew the beers he loves—trends of the moment be damned. That meant a focus on more traditional lagers and ales, which you often find in European pubs.

Fall, replete with malty brews like Oktoberfests and marzens, is therefore a time for Thompson to shine. And on October 29, droves can descend on his small taproom for the Fall Festival at Brewing Tree Beer Company. In addition to Philinda Vienna Lager and Twice as Weiss, currently on tap, the event will feature pumpkin chucking, apple-focused baked goods, and local vendors. brewingtreebeer.com

Supplied photo.

Crozet Winter Brews Festival

The Crozet Winter Brews Festival says, “Forget you, cold, we’re drinking outside.” Held for the last three years in early December at Claudius Crozet Park from 11am to 5pm, the one-day event, this year on December 3, promises “mountain views, craft brews, and wonderful people.” The festival features dark and wintry beers, with a focus on Virginia brewers. Headed up by Starr Hill Brewery, the event has featured Rockfish Brewing Co., Random Row Brewing Co., Albemarle CiderWorks, Three Notch’d Brewing Co., Devils Backbone Brewing Company, Selvedge Brewing, and Old Bust Head Brewing Co. in the past. Organizers award a best in show to the top-rated festival brew, as well as second and third place honors. crozetbeerfest.com

Oktoberfest at Blue Mountain

You can do Oktoberfest at Blue Mountain one of two ways. Head out and enjoy malty brews and live Euro-themed music once during the nine-day stretch of celebrations, or go every day for an oompah-fueled, mind-bending roller-coaster ride. 

It all starts on September 30, with the addition of live music by Molly Murphy to Blue Mountain’s usual Full Nelson Friday ($3 pale ale pints). Then it’s into the heart of the fest—live oompah music and cloggers on Saturday, more oompah Sunday, a German beer tap takeover on Monday, keg bowling Tuesday, steal the boot and accordion music on Thursday, Fretwell and Full Nelsons on Friday, and two more days of oompah music over the final weekend. German food specials and festive costumes are also on tap. Comfortable dancing shoes and a hollow leg are encouraged. bluemountainbrewery.com

File photo.

Wine & Garlic Festival

After a two-year hiatus, the festival where it’s “chic to reek” is back. The 2022 Virginia Wine & Garlic Festival will bring garlic-lovers from all over the country to Rebec Vineyards in Amherst County October 8 and 9. Now in its 30th non-consecutive year, the festival will have garlicky grub galore, four stages for live music, vino from Rebec and 10 guest wineries, and for the kids, a bounce house, petting zoo, face-painting, balloon artists, clowns, and magic shows.

“We have people that have come as kids, and now they bring their families,” says Svet Kanev, Rebec’s current owner and winemaker. “After the festivals, they put it on their calendar for the next year. It has become a tradition.”

Kanev says that this year’s event will feature a number of new vendors and, as a seafood-lover, he’s excited about the shrimp, fish, and—of course—garlic dishes attendees will get to taste. Early-bird entry, available until midnight on October 6, is $20 to $28. Parking is free of charge and ample, Kanev says. rebecwinery.com

SVBCC British Car Festival

British carmakers might not bring to mind the sexiness of the Italian Ferrari or the precision of the German BMW. But with Jaguar, Austin-Healey, MG, and Triumph Motor Company all hailing from England, the country certainly has its own style. “It’s a niche,” says this year’s SVBCC British Car Festival chairman Wes Maupin. “Enzo Ferrari once said the Jaguar E-Type XKE was the most beautiful car ever designed.”

The U.K.’s automotive styling is on full display at the SVBCC British Car Festival, coming back to Ridgeview Park in Waynesboro on October 1 for its 41st year. One of the longest-running British car shows on the East Coast, the event invites anyone with an interest in autos to come out for the eye candy. Those owning British cars can enter them into the show. Prizes are given out in a variety of classes, including modern “minis,” British DNA/kit cars (vehicles linked to British styling, engineering, or manufacture), and British motorcycles.

The festivities, including an on-site food vendor, door prizes, and special car displays, begin with Crullers & Coffee at the Car Show at 9am. Maupin says to register early so he and his team can set the number of classes for which they’ll award trophies. 

“We are always surprised with the quality of the cars that come to the show,” Maupin says. “One of the things that makes our show unique is the proximity to the Blue Ridge Parkway and Skyline Drive. It’s a windy and beautiful trip to and from the show.” svbcc.net