Categories
Arts

ARTS Pick: Ryan Adams

It may sound strange to call Ryan Adams a music veteran, but it’s been more than 20 years since his first release with the revered alt-country band Whiskeytown. Solo since 2000, the prolific North Carolina singer-songwriter continues to make an impression on critics and celebrity gossip columnists. Adams’ recently released self-titled album has been lauded as his best yet, confirming his place in rock history.

Sunday 5/3. $38-55, 7pm. nTelos Wireless Pavilion, 700 E. Main St., Downtown Mall. 245-4910.

Categories
News

Judge blocks Sweet Briar from selling off assets for six months

An Amherst County judge ruled Wednesday that Sweet Briar, whose board wants to close the women’s college, may not sell any assets for six months. The move provided a partial win in a student-based lawsuit to halt the closing, but the plaintiffs said there was cause to celebrate.

“This was a huge victory,” said attorney Elliott Schuchardt, who represents the students suing, “because it means the student community has access to the courts, and the courts are listening.”

Judge James Updike, hearing the case in a borrowed Bedford County courtroom, used terms like “unilateral” and “arbitrary” to describe closing a 114-year-old school where hundreds of students were expecting to earn diplomas.

“There’s a basis for finding this ain’t right,” said Updike.

He refrained, however, from providing the more sweeping relief the plaintiffs sought, an order keeping the College open. And the defense, in a brief prepared statement, hailed the judge for noting that the College needs cash.

Debbie Sackman has cash concerns. After the ruling, this mother of a Sweet Briar student who isn’t party to the suit strode past the courtroom divider to confront interim president James Jones.

“I hope you sleep well tonight,” said Sackman, contending that relaunching her daughter’s dual major will cost $78,000.

Even though he’s married to a Sweet Briar alumna, Jones has become a focal point for ire over the closing. Critics point to his accelerated departure from his prior college presidency amid allegations of improper use of donated funds and his public claim that Sweet Briar’s survival requires more than doubling the endowment to $250 million.

On Wednesday, his testimony professing ignorance of how much money the college needs or where its biggest fund could be spent prompted the plaintiffs’ attorney to brand him “extremely evasive.”

Woody Fowler, lawyer for the college, scoffed at aspects of Schuchart’s case, which included questions hinting that the board chairman might profit from the sale of the 3,250-acre campus.

“Plaintiff counsel’s willingness to engage in rumor-mongering and engage in factual inaccuracies,” said Fowler, “is astounding.”

The rumor mill may flourish in part because the College has chosen not to unveil its deliberations about the closing, and a reporter’s efforts to interview board members has been uniformly met with refusals.

College spokesperson Christy Jackson declines to provide the minutes of board meetings or even a copy of the body’s bylaws. She did say, via prepared statement, that the College shares the judge’s concern that money could run out.

“The only thing that can save the College would be a truly substantial infusion of funds,” Jackson wrote.

This student-centered lawsuit becomes the second heard by Judge Updike. The first, filed by the Amherst County Attorney, resulted in a 60-day ban on spending donated funds for the closing as well as an appeal, filed Wednesday, seeking wider relief from the Virginia Supreme Court. A third lawsuit, filed by faculty, has yet to be heard.

Schuchardt says he won’t wait for the other two suits but instead plans to quickly launch into the discovery process in hopes of gaining a permanent injunction.

“I remain optimistic,” says Schuchardt. “This place can be saved, and it can be done through this lawsuit.”

 

Categories
Living

Clean catering: How to minimize waste when feeding a crowd

Teri Kent runs Charlottesville’s Better World Betty, a non-profit organization and online resource for locals looking to shrink their impact on the environment. Every month, Betty—Kent’s ’50s-housewife-meets-earth-goddess alter ego—answers the most burning eco-questions from our readers about energy use, water, waste and recycling, transportation and green buying.

Has Betty got any advice about takeout meals for public meetings?

What should I buy that is nourishing and helps a committee maintain energy for work, is not extravagantly priced, but is sustainably packaged? It’s two events: one needs dinner, the other needs lunch. Both need snacks and drinks. Also plates, cups and napkins. I was thinking Whole Foods prepared foods would have it all in one place, convenient to the venue. Do you have a better tip on sourcing?

We have struggled with this both at Better World Betty and when I was at LEAP. The Better Business Challenge website is a handy local resource, and includes an example of a catering policy from VMDO Architects, one of our Challenge winners. In addition to placing emphasis on recycling and local sourcing, VMDO lists several Charlottesville food businesses known for their eco-friendly practices, including Revolutionary Soup and Mona Lisa Pasta (http://cvillebetterbiz.betterworldbetty.org/wp-content/up loads/2012/03/Policy-for-Ordering-Food.pdf).

This is what we learned first-hand from the Business Challenge:

Dinner: Harvest Moon Catering is the best, but it might not be in your price point. Whole Foods is a great idea. I think we used them once and kept the platter for future events.

Lunch: Baggby’s. Sandwiches come in a brown paper bag, and pretty much everything is recyclable except for the chips bag.

What are some options for creating a green driveway with permeable pavement?

Permeable driveways are wonderful because they allow the water cycle to enact itself naturally by providing a means for precipitation to seep back into the groundwater table. Additionally, in accomplishing this, they decrease flash floods and runoff traffic through storm drains. To upgrade your driveway to a permeable driveway, you have a couple options:

Get it done by the professionals. There are many reliable local contractors who can do a great job and complete the work quickly with the proper tools and equipment. This will be a more expensive option, but also a more secure option. According to the folks at Allied Concrete, a 15′ x 6′ foot driveway would cost about $1,100.

Do it yourself. First, you’ll need to pull up the old driveway. Once you’ve done that, you’ll have to install a 6-8″ bed of sand or gravel where the permeable driveway once stood and level it (or a layer of gravel under a layer of sand). Finally, select your permeable surface: permeable pavers, open-concrete blocks or porous pavement.

For a project of the dimensions listed above, materials would cost around $500, plus your time and the special tools required to successfully install them. And remember that whichever method you choose, you will need to do some annual upkeep by sweeping or vacuuming your driveway to prevent debris accumulation that prevents seepage.

What should I do with my old jeans —they’re too destroyed for Goodwill, so is there a way to recycle them?

With old denim, there are some neat recycling programs that allow worn-out jeans to be upcycled into insulation, much of which is donated to initiatives like Habitat for Humanity. Blue Jeans Go Green is a great and easy-to-use program, and you can mail your jeans to:   

Blue Jeans Go Green

Denim Recycling Program

431 North 47th Avenue

Phoenix, Arizona 85043

You can also make your own denim drive with friends—instructions and support for starting it can be found at the Blue Jeans Go Green website: www.bluejeans gogreen.org/Get-Involved/Recycle-Denim/

Categories
Arts

Everything old is new again: UVA Professor Bruce Holsinger makes a splash writing historical thrillers

The more things change, the more they stay the same. Walking through the University grounds toward a meeting with English department professor and author Bruce Holsinger, I found myself thinking of the ways that a university is like a medieval town. First of all, the place is scaled for walking and almost everyone is on foot—a colorful, surging, bustling crowd. The streetscape is divvied up by fields and disciplines as it was in medieval times—here’s where they do the sciences, over there is commerce and the law. You could almost imagine rounding a corner to find a street full of weavers or a neighborhood of scribes. And then there is the patchwork of administrative divisions and jurisdictions—academic schools and departments, a student-administered honor system, an office of student life, a University police force, a faculty senate, a board and a president. The place is a nesting doll of bailiwicks.

That political jigsaw puzzle was particularly on my mind since reading Holsinger’s two very compelling historical novels: the political/literary thriller A Burnable Book (published last year to strong reviews, and already in paperback), and the political/historical/technology whodunit The Invention of Fire (just released last week and slated to become an Amazon best book of the month). Both books are set in London in the 1380s, and one of their great pleasures is to follow the hero, poet/sleuth/political fixer John Gower, as he prowls and manipulates his way through the welter of petty functionaries, ecclesiastical officers, barons and earls and dukes with their retainers and feudal militias, and the court of the young and increasingly erratic King Richard II with its factions and backstabbers and viper’s nests.

The Middle Ages are (forgive me) enjoying a bit of a Renaissance these days. As a professor of medieval literature, Holsinger is particularly attuned to the ways that the world of 700 years ago is ringing through the zeitgeist. “There’s a great hunger for historical fiction,” he told me. “Especially the medieval stuff is very big right now—Game of Thrones, you could see Wolf Hall as more late-medieval than Renaissance, really, and the elements of medieval fantasy that you see in things like Harry Potter.”

There’s a long tradition, and George R.R. Martin is only the tip of that iceberg, of using medievalism as a shorthand for brutality. But Holsinger sees a good deal more than that operating in our fascination with things medieval. He believes that one of the reasons the Middle Ages rings so compellingly right now is that there are elements in the contemporary world—some of its more jarring and bewildering ones—that echo the shadowy complexity that Holsinger’s hero has to unpack: “There’s a whole branch of international relations theory called ‘neo-medievalism’ that’s about non-state actors and things like large international terrorist organizations, drug cartels, but also multi-national corporations, NGOs, etc…. that are not defined necessarily by the nation,” said Holsinger.

Holsinger’s eye for the political terrain, and his feel for the resonant facts and ideas of 700 years ago, give his novels a very contemporary edge. The Invention of Fire finds Gower investigating a mass killing. Sixteen bodies turn up in a stream that’s used as a public sewer. They have been killed by a strange new hand-held weapon that throws small balls of shot through the bodies of its victims. The “handgonnes,” as they are called, are tools to defend the realm. But they are also instruments of terror.

“This is the historical moment,” Holsinger said, “when gunpowder weapons go from artillery to hand-held. And that, I think, is a really important moment in the history of technology. It’s a scary moment, and people back then were acknowledging that.”

In the passage that gives the book its title, Gower weighs what he has learned about the guns and what he can foresee about the new technology and its disruptive implications—for warfare, for political stability, for the ever-expanding scale on which mayhem can be accomplished: “The garrison’s guns had thrilled me with their terrible potency, their muscular allure. I was both smitten and repulsed, seduced by the simple power of the guns, yet troubled by the new modes of violence they threatened. I thought of Prometheus, stealing the first flaming brand from the gods and bringing it triumphantly to man. The invention of fire gave us warmth, even as it cursed us with myriad new ways to suffer and die.”

Leaving my conversation with Holsinger I found myself thinking that there’s a reason the University is like a medieval village—because it is one. It is the long echo of a way of structuring education that is fully 1,000 years old. The past is very much with us in ways we rarely acknowledge. But it’s not just that some of its structures persist. As Holsinger’s books show, it’s also that the past has already processed and experienced some of what we think of as our characteristically contemporary concerns: the disorientation and disruption of technological change, the feeling of swimming in a sea of shadowy forces that are too big, too obscurely powerful, for the individual to ever grapple with successfully. To paraphrase the satirical cartoonist Walt Kelly (who was himself paraphrasing the naval hero Oliver Hazard Perry) “we have met the past, and it is us.”

Categories
Arts

May First Fridays Guide

First Fridays is a monthly art event featuring exhibit openings at many Downtown art galleries and additional exhibition venues. Several spaces offer receptions. Listings are compiled in collaboration with Piedmont Council for the Arts. To list an exhibit, please send information two weeks before opening to arts@c-ville.com.

First Fridays: May 1, 2015.

City Clay 700 Harris St. Suite 104 “Forms & Texture in BLACK and WHITE,” featuring works by Ted Sutherland, AIA ACHA (emeritus). 5:30-7pm, with an artist talk at 6:30pm.

CitySpace 100 Fifth St. NE. “ArtQuest Program Exhibit,” featuring works by gifted and talented Charlottesville City Schools students grades 5 to 12. 5:30-7:30pm.

C’Ville Arts Cooperative Gallery 118 E. Main St. “Perfect Vessels,” featuring fused glass works by Mary Ellen Larkins. 6-8pm.

Fellini’s #9 200 Market St. “Felt with the Eyes,” featuring acrylic and pen and ink works by Jack Graves III. 5:30-7pm

Light House Studio 121 E. Water Street. “Film Interactive,” featuring family-friendly activities including an animation station and a silent film screening. 5-7pm.

Lynne Goldman Elements 407 E. Main St., Downtown Mall. An exhibit of vitreous enamel on three-dimensional copper representing the pollination process by Charlene Cross. 5:30-7:30pm.

McGuffey Art Center 201 Second St. NW. “Shack City,” featuring works by Bolanle Adeboye and “Choose Your Own Adventure,” featuring works by Polly Breckenridge, in the Sarah B. Smith Gallery; “Out There,” featuring pastel works by Nancy Galloway in the Lower Hall North Gallery; “Staying on the Brink,” featuring sculpture, painting and mixed media works by Nina Burke and a. faith in the Lower Hall South Gallery; “High School Art Show,” featuring work from eight local area high schools in the Upper Hall Galleries. 5:30-7:30pm.

New Dominion Bookshop 404 E. Main St. “Travel’s Unexpected Moments and Other Recent Oils and Pastels,” featuring works by Shamim Sisson. 5:30-7pm.

Old Metropolitan Hall 101 E. Main St. “Secrets of Montpelier,” featuring the work of advanced digital photographers participating in a one-of-a-kind photography course designed by Montpelier in partnership with the UVA School of Continuing and Professional Studies. 5-8pm.

Omni Hotel 212 Ridge McIntire Rd. “Mechanics of Consciousness,” featuring oil paintings by Dylan Korelich. 5-9pm.

Second Street Gallery 115 Second St. SE. “Off the Chain: American Art Unfettered,” featuring oil on canvas works by Amy Sherald. 6-7:30pm, with artist talk at 6:30pm.

Southern Cities Studio 214 W. Water St. “The Five,” featuring works by Bill Atwood, Michael Bednar, George Beller, Warren Boeschenstein and Nina Ozbey. 8am-8pm.

The Loft at Freeman-Victorius 507 W. Main St. “Artful Design,” featuring abstract and surrealist works by Jack Graves III. 5-8pm.\

WVTF & Radio IQ Studio Gallery 216 W. Water St. “New Sincerity,” featuring mixed media works by Victoria Long, presented by New City Arts. 5-7pm.

OTHER EXHIBITS

Albemarle County Courthouse 501 Jefferson St. “Judged Watercolor Show,” featuring works by the Central Virginia Watercolor Guild.

Cavalier Inn 105 N. Emmet St. “Wild Birds,” featuring watercolors by Irene Perry.

Fralin Museum of Art at the University of Virginia 155 Rugby Rd. “The Body in Motion,” “A Portrait of the Artist, 1525-1825,” and “What is a Line?”

Hot Cakes 1137 Emmet St. N. “Plein Air Landscapes,” featuring works by Julia Kindred.

Jefferson School African American Heritage Center 233 Fourth St. NW “Vinegar Hill 1963: Life in the Neighborhood,” featuring photography by Gundars Osvalds.

Kluge-Ruhe Aboriginal Art Collection 400 Worrell Dr. “New Narratives: Papunya Tjupi Prints with Cicada Press,” and “Art and Country.”

Les Yeux du Monde 841 Wolf Trap Rd. “Zaragoza,” featuring triptychs by Russ Warren, with a reception on Friday, May 8, 5:30-7:30pm.

Northside Library 705 W. Rio Rd. “Moments in Time,” featuring plein air paintings of the Virginia countryside by Julia Kindred.

The Garage 250 N. First St. “A Single Jumpy Heart,” featuring mixed media works by Sarah Boyts Yoder, with a reception on Friday, April 10, 5-7pm.

Thomas Jefferson Memorial Church 717 Rugby Rd. An exhibit featuring the melted crayon work of Sara Gondwe.

Categories
News

Book purge? Alderman renovation foments faculty fear

The University of Virginia’s main research library, built in 1938, has never had a major renovation. And when funding for such a project comes through, some faculty fear 2 million of Alderman’s 3 million books will be shipped to the Ivy Stacks, off-campus storage on Old Ivy Road, never to return.

English professor David Vander Meulen rang the alarm at an April 17 lecture attended by former UVA president John Casteen, and accused the library staff of being secretive about plans that he believes will gut Alderman of its printed books, leaving digital versions with “irreversible consequences” for scholars.

Library rep Chris Ruotolo, who attended the lecture, said nothing is going on until $100 million in funding comes through, and faculty will be involved in renovation plans.

Vander Meulen is not reassured.

He’s the editor for the Bibliographical Society of the University of Virginia, which was founded in 1947 to promote interest in books, manuscripts and the physical embodiment of written works. For him and other scholars, books are artifacts and “pictures of them” through digitization are not the same.

He held up the September 12, 2001, issue of the London newspaper, The Times, and compared it to a much smaller copy printed from microfilm, which he called “an impoverishment” of the original.

“The elimination of printed material has become an obsession in the librarian world,” Vander Meulen said.

He pointed to a September Cavalier Daily story about an undergraduate student survey on Alderman. More open seating seemed to be a priority for students, and one said she’d take out the stacks to have more open seating. “More chairs,” said Vander Meulen, to laughter from his scholarly audience.

He also took issue with former University Librarian Karin Wittenborg’s Cav Daily comment that even though students overwhelmingly used electronic materials, there was a place for print in the future library because books provide “an aura of gravitas.”

He quoted another library catchphrase: “Alderman was built as a home for books. Now it will be a home for scholars.”

Said Vander Meulen, “That’s silly.”

The most dramatic part of his presentation was an 1880 edition of Poems of Wordsworth edited by Matthew Arnold that had been taken from Alderman for digitization. The spine had been cut off and the bindings slashed. Vander Meulen tossed the leaves on a table.

“It’s been guillotined to be preserved,” he said about another de-spined, digitized book.

Wittenborg, who retired in December, was known for her innovations, such as adding a cafe to Alderman. She also shipped off 450,000 books from the library’s collection to Google to be digitized, according to a release. She declined to comment for this article.

Vander Meulen described her as a friend with whom he disagrees, and he repeated the Wittenborgism that is her motto: “Drive it like you stole it.”

Why not, he asked, “Drive it like someone entrusted it to you?”

Martha Sites, interim university librarian, said she wasn’t surprised by Vander Meulen’s alarm about the future of books in Alderman. “That’s his passion—the book as a physical object. His fear is that the library doesn’t appreciate them, but we believe books are important to scholarship.”

Sites disputed his assertion that faculty has been kept in the dark, and said the library had hosted at least 10 focus groups. “To say there’s been no faculty involvement would not be accurate,” she said.

And the mangled books Vander Meulen displayed, said Sites, were a one-time mistake from a circa 2000 experiment with digitalization. “People didn’t know the vendor was going to de-spine books,” she said. “We canceled their contract and we’ve never done that again.”

Vander Meulen doesn’t buy the one-time mistake defense, and said an 1855 copy of Benjamin Peirce’s A System of Analytic Mechanics, which can sell for $1,500, was fine in 2005, and then it, too, lost its spine.

Sites said there’s a lot of discussion ahead. If the renovation goes forward, books will have to be moved out of Alderman, but she stressed, “There’s no intention to discard or remove books. They’ll be accessible.”

The Ivy Stacks aren’t that far away, and she said a shuttle service and a reading room are possibilities on the table to be talked about.

But Vander Meulen fears if books are shipped to Ivy Stacks, the joy of browsing library shelves becomes a thing of the past.

Storing books remotely is a national research library trend, according to Ann Campion Riley, president-elect of the Association of College and Research Libraries.

“Books are absolutely not doomed,” she said, “but we do see different use patterns than we saw 10 years ago.” Whether libraries buy new books in electronic or print format varies by discipline, she said, with the sciences leaning toward the former and humanities toward the latter.

Aware that traces of the past could disappear if portions of Alderman’s collection is warehoused, another English prof, Andrew Stauffer, and the library have obtained a $221,000 grant to catalogue the hidden artifacts in pre-1923 books from original readers, including their annotations, inscriptions, marginalia and inserts.

“Part of the issue is finding common ground with librarians and scholars,” said Stauffer. “I don’t want to see battle lines drawn, but we do want to have these conversations. We often have different perspectives.”

 Correction 5/4/2015: The grant to document hidden artifacts was made jointly to the library and Stauffer.

Categories
Arts

ARTS Pick: The Addams Family

Sure, they’re altogether ooky, but can Gomez and Morticia carry a tune? Find out this weekend when the Albemarle High School Players bring The Addams Family musical to the stage. Based on Charles Addams’ gleefully macabre New Yorker cartoons, which also inspired a TV series and two movies, the show will have you snapping along the moment you hear the first strains of the familiar theme song.

Through 5/3. $11-18, times vary. Albemarle High School auditorium, 2775 Hydraulic Rd. ahspresents.com.

Categories
Living

Grape expectations: C’ville’s collection of wine experts seems to be growing

There’s a new wine expert in town, and he’s helping a Belmont eatery stay on top of its already well-respected vino game.

Wells Blanchard came to C’ville last year with plenty of experience on the vine—a coveted viticulture/oenology degree from the University of California, Davis, several years of winemaking experience and an extensive background as a sommelier. This year, he reached a new level of expertise, passing Level II of the Court of Master Sommeliers examinations.

That makes Blanchard, who manages tavola in addition to serving as its wine steward, a Certified Sommelier, just two steps away from Master Sommelier, a distinction boasted by only 220 individuals in the world.

Blanchard brings his abilities to a wine scene that 25-year industry veteran Christine Iezzi said could really use it. “We have very few restaurants that have sommeliers that really promote the wine program,” said the Western Virginia district manager for distribution outfit Country Vintner. “Charlottesville is a smaller market, but I would like to see more sommeliers in our midst.”

Iezzi said that as Charlottesville continues to attract top-level restaurant talent, it should grow its vat of wine knowledge. A prime example? Justin Ross, who earned his Advanced Sommelier certification (Level III) about 10 years ago while working his way up the ranks of D.C.’s food service scene.

Ross came to C’ville two years ago to launch Parallel 38, a Mediterranean spot that’s quickly established itself as a major local wine player. Ross said the secret to his success as a sommelier is listening to people. Rather than being obsessed with the minutia you have to learn to pass all the exams, he’s focused on translating what customers ask for into a pleasant food and wine pairing experience.

“The hardest thing is that some people use different terms,” he said. “Guests might refer to fruity wines as sweet. I didn’t go into it to be a know-it-all. You’re supposed to take some of those pretensions out of it.”

Liz Broyles, who buys wine for perennial Best Wine List winner C&O, agreed, saying her goal is to keep the list accessible. She’s not a certified sommelier, which is sort of the point, and she is an expert on three things—the history behind the restaurant’s wine approach, where she and her colleagues want their wine program to go and what her customers like.

Those who do sit for the Court of Master Sommelier examinations, on the other hand, are expected to know wine history and theory up and down, all while being able to pinpoint the grape varietal, place of origin and even vintage of any glass placed in front of them. To hone that craft, Ross said two strategies are indispensable. One, tasting everything you can get your hands on—rocks, clay, dirt, you name it. Two, trying to identify the tartest elements in a glass first.

A decade after passing his Level III examination, Ross admitted he’s not necessarily at the top of his tasting game. But he said he made a conscious decision to back away from serious wine study and focus on the operations side of restaurants so that one day he could be his own boss.

Blanchard said he too made a conscious decision in his own wine evolution. Not only did he decide to give up the full-time winemaking game when his daughter was born in early 2014—it’s a profession that’s all-consuming, he said—having children also makes it more difficult to study for sommelier exams.

“In the past, it was easy—get some wine, do a blind taste, make some notes,” he said. “Now there’s a small child that needs to be taken care of.”

So while Blanchard’s attempt at the Level III exam is at least eight months off, in the meantime he’s brought some serious skill to tavola, which has long placed emphasis on the curation of its wine list.

Iezzi said she hopes more people like Blanchard find C’ville landing spots. She’s mourned the loss of the old wine guard, as historic restaurants like The Old Mill Room at Boar’s Head have let their wine stewards slip away, but thinks there’s reason to believe the new guard is on the rise, pointing to Michael Keaveny’s consistent pursuit of talent at tavola, Fleurie’s Erin Scala, who has a diploma in wines and spirits from the Wine & Spirit Education Trust, and Certified Sommelier Tracey Love of Blenheim Vineyards. (Keaveny is husband of C-VILLE Arts Editor Tami Keaveny.)

“It costs a lot to keep a wine program going,” Iezzi said. “But we are getting more somms. It’s nice that we are finally getting this breath of fresh air in Charlottesville, where it has always been just in the big cities.”

Categories
Arts

Historic lens: Gundars Osvalds rediscovers the Vinegar Hill neighborhood

Last summer, life-long photographer and Maryland-based software engineer Gundars Osvalds decided to hunt through his basement for old family pictures—and found a mystery.

“In the last 12 years, I’ve taken more than 50,000 photos,” he said in a recent interview. “I have 10 terabytes of digital data. I don’t throw things away.”

Amid the stacks of decades old film negatives, he found a sleeve labeled Cox Row. The black and white squares revealed small figures in a barbershop, in a retail store and on a street.

“I knew they had something to do with tearing down something in Charlottesville,” Osvalds said. “But I couldn’t remember the name Vinegar Hill.”

He began searching and discovered the work of Scot French, director of the Vinegar Hill Memoryscape Project and a historian who spent years studying race and place in Central Virginia.

In a short essay, French wrote, “Vinegar Hill occupied a central place in African American community life, from its entrepreneurial origins in the decades after Emancipation through its economic decline and designation as a ‘blighted’ area in the late 1950s and its demolition under the federal urban renewal program in the mid-1960s. The neighborhood’s destruction left a gaping hole in the landscape and produced a profound sense of loss that lingers to this day.”

French’s piece acts as the forward of a catalog accompanying the current Jefferson School African American Heritage Center (JSAAHC) exhibit of Osvalds’ found photos, which capture the ordinary lives of Vinegar Hill residents.

The negatives Osvalds found turned out to be more than 50 years old, taken in 1963 by the then 16-year-old Albemarle High School student. Osvalds, son of a UVA astronomy professor, was a photographer for the student newspaper and yearbook when he heard about the impending razing of Vinegar Hill and knew that it would destroy the black community and its way of life. So he decided to “take the challenge of being a photojournalist and document the people and the community” before it disappeared.

Though the Brown v. Board of Education case declared state-sponsored segregation in public schools unconstitutional a decade earlier, Osvalds’ high school had yet to integrate. And because he lived on the UVA campus, he said, “I had no experience with Charlottesville’s African-American community. My visit to Vinegar Hill was comparable to a visit in a foreign country.”

Osvalds, who got his start as a photographer helping his father in the observatory darkroom, packed up his Praktica FX3 camera and took a walking tour.

“Through young Osvalds’ viewfinder,” French wrote, “we see the people of Vinegar Hill up close, at home, work and play on the main thoroughfares and the back streets of the neighborhood.”

The student took photos through doors and windows of the shops on West Main Street, the commercial center of Vinegar Hill, as well as residential scenes on Fourth Street, NW. As French put it, “we find the material culture of everyday life on display. Houses. Cars. Toys. Clothing. We see a lost world captured on film by a naïve yet respectful outsider.”

Osvalds’ photos mark a unique contribution to the visual record of life in Vinegar Hill, which consists primarily of aerial photos and property appraisal reports. After connecting with French, the photographer presented his old contact prints to Dr. Andrea Douglas, the executive director of the JSAAHC, with whom he collaborated on the Jefferson School exhibit and photo-album-turned-catalog.

Images of neighborhood children playing marbles, window-shopping women in headscarves and white street sweepers passing well-dressed black men, invite exhibit viewers to see the human side of a way of life that was, until now, most often understood through scholarly records. Though, as French wrote, “this small collection is hardly sufficient, as a primary source, to draw general conclusions about the neighborhood, its inhabitants, its origins, or its demise,” it gives us a place to begin.

“It’s hard for me to criticize or compliment my eye at 16. It’s like something I did completely out of body,” Osvalds said in response to the exhibit’s success.

Though he doesn’t remember much about the impulse that moved him as a teenager. (It’s been a half-century, after all, and he doesn’t want to layer current awareness on past experience.) But he does recall the inspiration for his approach: photo shoots in LIFE Magazine.

“They appealed to me because they told a story,” he said. “They would show somebody in India getting water and raising sheep, and they were really clear and focused on the problem. They were candid.” During his walk through Vinegar Hill, he took the same approach.

“I know that when I was in high school, seeing all these posed newspaper pictures drove me nuts,” he said. “I just captured the true scenes of what was there.”

These days, the majority of Osvalds’ photography features panoramic landscapes. But over the years, he said, candid photos became one of his specialties.

“I like to capture things that are really occurring in life,” he said. “That’s what separates art from commercial work—you can set up your own ideas.”

See Gundars Osvalds’ photographs of the Vinegar Hill community and learn more about its history at Jefferson School African American Heritage Center though May 30.

Categories
News

Rescinded: Meeks booted from Scottsville ARB

Steven G. Meeks is president of the Albemarle Charlottesville Historical Society. He’s Albemarle’s elected rep on the Thomas Jefferson Soil and Water Conservation District. And until April 20, he served on Scottsville’s Architectural Review Board.

That’s when Scottsville Town Council unanimously voted to rescind his appointment to the ARB because a house he managed in the town’s historic district was an “eyesore,” according to Scottsville Weekly, which first reported the ouster.

Mayor Barry Grove said the council voted Meeks off the board because of his “antagonistic conduct to the town about access to the Van Clief Nature Area and that led to litigation.” The mayor also noted the “deteriorated” house in the historic district at 135 Warren St, and said, “We felt that was a conflict of interest.”

Three days after the council vote, Meeks, when contacted by a reporter, said he didn’t know he’d been voted off the volunteer board. “I didn’t know I could be removed without cause,” he said.

And he objected to the reasons cited by Grove.

Meeks and his father, Gene Meeks, own eight properties in Scottsville through Albemarle Properties LLC, according to county records. “I’ve renovated quite a few properties in Scottsville,” said Meeks. “Some of them would have been torn down if I hadn’t, including the one I live in.”

There are varying estimates on the length of time he’s been renovating the house at 135 Warren St., which was purchased in 2006 for $40,000 and currently is assessed at $32,500. Town officials said eight years, and Meeks estimated he’d been working on it four or five years.

“They don’t like the speed at which I’m renovating it,” he said.

For Councilor Jeanette Kerlin, who made the motion to rescind, it was more than that.

“In the historic district we’re held to certain guidelines about what we can and can’t do,” she said. “He’s one of those members who was real quick to point out people who weren’t doing things right. I feel it’s unfair to have him a member on the board when his house is in complete disrepair for eight years.”

Kerlin stressed that she wishes Meeks well and thinks he’s a good historian, whose background and knowledge will be missed on the ARB. But she criticized the board for never taking any disciplinary action toward him.

“He wasn’t playing by the rules that he expected everybody else to play by,” she said. “He represented us and I don’t feel it was good representation.”

At the April 7 Architectural Review Board meeting, which Meeks did not attend, the board voted that the Warren Street house was in violation of town zoning and ordered the zoning administrator to notify Albemarle Properties LLC it had 90 days to remediate or it would face further action, Scottsville Weekly reported.

The other dispute leading to Meeks’ ouster involved an easement to the Van Clief Nature Area through property on Jefferson Street owned by the Meekses. “The town felt it owned the right of way,” said Mayor Grove. “Mr. Meeks disagreed. The town prevailed.”

According to Scottsville Weekly, the town offered $5,000 for an easement, and when it was refused, went to court in February. A judge ruled in Scottsville’s favor.

“I don’t know how that can be antagonistic when I’m protecting property rights,” said Meeks.

Both Grove and Kerlin said they didn’t recall an appointment to a town board ever being rescinded.

Said Meeks, “I need to call my lawyer.”