C-VILLE Arts Beat: Top Picks for May 29-Jun 4

Friday 6/1
Take me to the river
Hailing from New Jersey, the eight-piece ensemble River City Extension is larger than the sum of its parts. Led by frontman Joe Michelini’s “evocative, intensely personal songwriting,” the group drives home banjo-inflected roots rock with a healthy balance of thrashy jam. Its new album, Don’t Let the Sun Go Down On Your Anger, takes you on a rewarding sonic journey and is less expensive than anger management class. $10-12, 8pm. The Southern Cafe and Music Hall, 103 S. 1st St., 977-5590.

River City Extension brings its many instruments and extensive line-up and tightly-crafted tunes to the Southern stage.
(photo by Danny Clinch)

Sunday 6/3
Golden from the get-go
Vintage romance on the big screen doesn’t get better than Gregory Peck and Audrey Hepburn (in her first major role) falling in love against the backdrop of Rome. The 1953 comedy Roman Holiday witnesses Hepburn putting her stake firmly in Hollywood ground—the film garnished 10 Oscars and Hepburn walked off with Best Actress statuette from the Academy and the Golden Globes. It’s a perfect opportunity to ride double on your Vespa and indulge in the special Italian concessions. $4-6, 2pm. The Paramount Theater, 215 E. Main St. Downtown Mall. 979-1333.
Audrey Hepburn stars as a rebellious princess who gets seduced by an American newsman played by Gregory Peck in Roman Holiday.

Monday 6/4
Opti-pop
Childhood friends Sarah Barthel and Josh Carter drew inspiration from acts like J Dilla, The Flaming Lips, and David Bowie when they created their indie pop duo, Phantogram. Named for an optical illusion, they add dimension to their live show with drummer Tim Oakley (of The Mathematicians) and get praise from peers like ?uestlove, Fitz and the Tantrums, and Big Boi. Their current release, Nightlife, uses the keyboard and electric guitar to shape ear-catching electro-pop. $16-18, 8pm. The Jefferson Theater, 101 E. Main St. Downtown Mall. 245-4980.
 

Cuban culture is captured through the eyes of children in the 100cameras photography exhibit opening Friday at Cafe Cubano.
(photo by 100cameras: Jose)

Through 6/30
Child’s eye
The nonprofit 100cameras organization breaks through borders via the power of photography. In its recent project, Cuban children were given cameras, taught how to use them, and encouraged to tell their story. The resulting images are for sale, with proceeds returned to Cuba to build a community center that’ll provide medical aid, humanitarian goods, disaster relief,and business workshops. Through their own vision, the participants gain perspective, raise awareness, and directly impact their own communities, while we get a candid peek behind Castro’s curtain. Free, Cafe Cubano, 112 W. Main St., 971-8743.
 

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Oceans on the Mall

Andrew Owen, the co-founder and director of the festival that has made Charlottesville an important stop for serious photographers and photo lovers each June, has fond memories of the slide show parties wildlife photographer Michael “Nick” Nichols used to hold in his Albemarle County backyard. A 25-year tradition, these annual one night affairs, last held in 2005, drew as many as 500 people from as far away as Washington D.C. and New York City.

“The idea was that anybody who showed up could show work,” Owen says. “So you might have a National Geographic photographer showing his newest project and that would be followed up by the neighbor who just got back from a family vacation. It was that campfire spirit that got us started.”
 
Now in its sixth year, LOOK3 has grown out of beloved informal get-togethers to a month-long community happening highlighted by “three days of peace love and photography” on and around Charlottesville’s Downtown Mall. David Doubilet’s stunning underwater images of the world’s oceans grace the Mall. Exhibitions by nine other artists are on display all June. Open air slide shows plus artist interviews, book signings and master classes all designed to showcase a vibrant, evolving art form take place June 7-9.
 
“I call it an immersive public arts experience,” Owen says. “Photographs are hanging in the trees; they’re on the sides of buildings; they’re in the galleries. We have shows in the Paramount and the Pavilion, and they’re in all the coffee shops. Any business with wall space that puts up art is showing photography in June.”
 
Since it was first held in 2007, LOOK3 has drawn photo fans from 46 U.S. states and 26 other countries. Eighty-five percent of attendees who buy three-day festival passes come from out of town. Besides pumping tourist dollars into the area economy, the festival organization itself spends liberally in the local business community as it produces exhibits and events that are free and open to all.
 
Each year the festival celebrates “three legends of photography who have made an indelible mark on the medium.” This year’s three Insight Artists—Stanley Greene, Donna Ferrato, and Alex Webb—who largely work as photojournalists, will be interviewed at the Paramount Theater in separate evenings devoted to their work.
 
Stanley Greene’s work is showing in a specially constructed gallery at 306 Main Street adjacent to Bank of America. Although Greene has produced iconic images in such news hot spots as Croatia, Rwanda, the Berlin Wall and the post-Katrina Gulf Coast, he rejects both the photojournalist and the artist labels, claiming the former has been “bastardized” and preferring the idea of being “a photographer, just being photographer.” A photographer “is someone who looks at the world and tries to make some sense of it for themselves, and for everyone else,” Greene says. “And that’s what I want to do.”
 
A man who believes in believes working deep and thorough, Greene spent more than a decade in Chechnya as Chechnyans fought Russia for independence. “He stands his ground,” says fellow photographer David Griffin, curator of Greene’s exhibition. “He’s very impassioned and refuses to compromise his values.”
 
Owen is “particularly excited about Stanley because he’s so analog. He’s a strong critic of what digital has done to photography, and for a lot of the young photographers in the audience it will be a perspective they don’t know anything about.” Greene will be interviewed by photojournalist Jean-François Leroy at the Paramount on June 7 at 7:00 p.m.
 
Donna Ferrato’s unflinching documentary work is on display in the McGuffey Art Center’s Main Gallery. Ferrato determined to shine a light on the lot of battered women early in her career, after seeing a man hit his wife. Her exposés of domestic violence add up to “powerful and important work,” Owen says. “Nobody has made a contribution to this field quite the way she has.”
 
Ferrato’s 1991 collection, Living with the Enemy, the first book-length photographic exploration of domestic abuse, has been reprinted four times and sold 40,000 copies worldwide. Since 9/11 she has focused on her Lower Manhattan neighborhood of Tribeca, a now trendy area with elegant landmark buildings and a gritty commercial and industrial history. Ferrato will be interviewed at the Paramount on June 8 at 4 p.m. by Alex Chadwick, journalist and co-creator of National Public Radio’s Morning Edition.
 
A retrospective of the work of Alex Webb is on display at 2nd Street Gallery. “Alex is the photographer’s photographer,” Owen says. “He has been copied and emulated for 30 years. His use of color is singular.” Webb was first inspired to use color in the 1970s when forays to Haiti, the Caribbean and the U.S.-Mexico border, so different from the New York and New England environments he’d been documenting, led him to switch from black-and-white to capture the South’s particular heat and light.
 
Webb “is one of the most patient photographers still working today,” Owen says. “He will go and find a beautiful wall or a particular street intersection and just wait; he’ll go back to it every night when he thinks the light’s right and just wait for something to happen.” Webb will be interviewed by essayist and novelist Geoff Dyer at the Paramount on June 9 at 4:00 p.m.
 
LOOK 3’s most popular show each year is the one hanging in the trees—the trees along the Downtown Mall. Intended to promote environmental awareness and conservation, the exhibit features images from nature. This year’s photos from the 40-year career of National Geographic underwater photographer David Doubilet, including coral reefs, blue-ringed octopuses, leafy sea dragons, schools of giant bumphead parrotfish, and tiger sharks, make the Mall the setting for “a self-guided tour of the world’s most fascinating ocean environments.” Under Exposed, Doubilet’s interview with Alex Chadwick, takes place at the Paramount on June 6 at 7:30 pm.
 
Friday and Saturday evenings at 9:00, the festival will take over the nTelos Wireless Pavilion for Shots and Works, two hours a night of what Owen describes as “visual essays by photographers from all over the world,” culled by “advisory boards from New York who look at hundreds of potential projects.” These onscreen projections will feature new and innovative work from both professionals and emerging talents in photojournalism, fine art, and everything in between.
 
Rather than presenting a smorgasbord of individual photos, the 40 artists will show entire projects constructed free from commercial restraint, sometimes with musical accompaniment. Shots on Friday will be a sort of Fridays After Five continued in the dark, and still free. Tickets for Works on Saturday are $10. Each evening will follow the same format, but with different participants. 
 
Renowned photography teacher Ernesto Bazan, a native of Sicily, first saw Cuba in 1992. He went back for 14 years. “For many years I had strongly desired Cuba, as if longing for a woman that you meet only once and can’t get out of your mind,” Bazan says. “I’m almost certain I lived there in another life.” Bazan will show his work and present a Masters Talk at the Paramount June 8 at 11:00 a.m.
 
Five other artists will receive exhibitions this year. Lynsey Addario has documented wars and humanitarian crises from Darfur, the Congo, Iraq, Afghanistan, and Libya for The New York Times, National Geographic, Newsweek, and Time. In 2009, she was on a team that received the Pulitzer Prize for International Reporting. Addario’s exhibit Veiled Rebellion is on display at McGuffey.
 
Bruce Gilden’s criterion for a good street photograph is that it makes you smell the street. “He’s proven that the street is an exotic destination,” says guest curator Vince Musi. “I’ve been known for taking pictures very close,” Gilden says, “and the older I get, the closer I get.” Gilden’s exhibition Street Smart, including images from Coney Island, Tokyo, and Haiti after the 2010 earthquake, are on display on the wall outside the Regal Cinema.
 
Hank Willis Thomas is a rising art world star whose central subject is the black male figure as portrayed in the media. “Thomas appropriates images from popular culture—advertisements, magazines—and strips them of their branding,” Owen says, showing the image by itself “as a way to poke fun but also create a dialogue about race and identity and popular culture.”
 
Thomas’ Myth(ology) has been printed on vinyl banners and is displayed on the Freedom of Speech Wall on the Mall. “There has been a lot of talk about race relations in Charlottesville,” Owen says, referring to the City’s ongoing Dialogue on Race initiative, “and I think that this is going to be an important contribution to that conversation because it is about how black males are perceived in popular culture.”
 
When Camille Seaman was growing up as part of the Shinnecock Indian Nation, a self-governing tribe in a small village outside Long Island, New York, she was taught that the human race and the natural world are intimately connected. “This false idea that we as humans are separate from nature is what I seek to challenge with my images,” she says today. Seaman’s conviction is reflected in a body of work that guest curator David Griffin describes as dramatic and sometimes ominous. Seaman herself compares her photos of polar ice in the Arctic and Antarctica to portraits of ancestors, each revealing a unique personality. Her exhibit The Last Iceberg is at Chroma Arts Project.
 
Robin Schwartz has been taking pictures of her daughter Amelia with animals since Amelia was three. Gibbon apes, dogs, kangaroos, llamas, and a hairless cat have all appeared with 13-year old Amelia, who now collaborates with her mother, helping choose poses and clothes. “My daughter and I share an affinity with the animal kingdom and we play out our fantasies and explore our eccentricities by creating a cultural space where animals not only co-exist with humans, but also interact as full partners,” Robin says. Schwartz’s interspecies fantasia Amelia’s World is on display at Warm Springs Gallery. The photographer will be at the gallery on June 9 at 11:00 a.m. Pets are welcome.
 
LOOK3’s feast of images and stimulating discussion is bound to put some festivalgoers in a, shall we say, interactive mood. Let them head to the Truth Booth on the front lawn of the McGuffey Arts Center June 7-9. Truth Booth is a touring inflatable installation shaped like a cartoon speech bubble. Inside, the booth functions like an old-fashioned photo booth that takes multiple, rapid portrait shots, except that it takes two-minute videos instead. As the videos are taken, subjects are invited to complete sentence, “The truth is…” First installed at Ireland’s Galway Arts Festival in 2011, Truth Booth is traveling to festivals, fairs, and the like, compiling footage that will be edited into a single work of art.
 
“The stories behind the photographs, I think that’s where we’ve distinguished ourselves,” Owens says modestly, acknowledging only when asked that LOOK3 is the preeminent photo festival in the U.S. “When we bring people to the stage, it’s not a canned presentation. We sit them down with a professional interviewer and ask them questions that are sometimes tough to answer.” Look and listen—Central Virginia has the privilege every June. 
 
For tickets and information about classes and other events, go to www.look3.org. 
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News & Views 5.31.2012

Support Seniors Safe at Home!

Seniors Safe at Home helps senior citizens make critical repairs to their homes. The Charlottesville Area Association of Realtors, Blue Ridge Home Builders Association and AHIP are joining forces to help local senior citizens stay safe, warm and dry. Together, they are raising funds, building awareness, and making repairs.
 
The community is being asked to help by sending a tax-deductible donation to AHIP by July 15, 2012 so that Seniors Safe at Home can reach its $25,000 goal.
 
The program helps low-income senior citizens (aged 62 and older) who live in Charlottesville and Albemarle County. Right now, AHIP has a waiting list for urgent repairs. More than 60 elderly households are waiting for help, and they field new calls every week. Seniors Safe at Home is raising funds so that no senior has to wait for help.
 
Repairs tackle such items as leaking roofs, broken furnaces, water and waste emergencies, loose steps, electrical and plumbing hazards, insecure windows and doors, and more.
 
Repairs range from $100 to $6,000, with an average cost of $2,000. Donations go a long way to help:
  • $30 buys a box of screws for assembling a wheelchair ramp
  • $50 covers paint and paint supplies for three rooms of a house
  • $100 buys a square foot of shingles
  • $500 replaces a hot water heater
  • $1,000 covers patching and coating of a mobile home roof
  • $2,000 buys a handicap access ramp
AHIP purchases all materials from local businesses and employs local subcontractors. Your donation will go a long way in helping ensure that no senior citizen in our community will have to wait for an urgent home repair. AHIP is a 501(c)(3) not-for-profit organization and your donation to AHIP is fully tax-deductible. 
 
You can donate online at www.ahipva.org,  and click the “donate now” button. Under additional comments, select Seniors Safe at Home from the drop-down menu. Or you can mail a check, payable to AHIP, 2127 Berkmar Drive, Charlottesville VA 22901, attn: Seniors Safe at Home. Please write Seniors on the memo line of your check. 
 
If you have questions, or would like more information, please contact: Ravi Respeto, AHIP’s Development Director, 434.817.2447 x26 | ravi@ahipva.org; or Kay Sands, Chair, CAAR’s Senior Safe at Home Committee; 434.220.7637 | kay@roywheeler.com.
 
4th Annual Virginia Summer Solstice Wine Festival
Lazy Days Winery in Amherst is hosting a Summer Solstice Wine Festival on Saturday, June 23 from 11:00 a.m. to 7:00 p.m., and on Sunday, June 24, from 11:00 a.m. to 5:00 p.m.  The Winery is located at 1351 N. Amherst Hwy,  just south of the intersection of US Hwy 29 and Virginia 151, 3.5 miles north of Amherst. 
 
Celebrate local wines, live music, great festival foods, local growers, arts and crafts. Free admission for children 12 and under. Free kids’ inflatable bouncers, petting zoo and for adults, an antique car display. 
 
Participating wineries include Lazy Days Winery, DelFosse Vineyards and Winery, Democracy Vineyards, Hill Top Berry Farm & Winery, Mountain Cove Vineyards, Peaks of Otter Winery, Rebec Vineyards and Winery and Wintergreen Winery. 
 
Tickets for the winetasting are $15 online; $20 at the gate. General admission is $5 online and $10 at the gate. 
 
For more information, go to www.summersolsticefestival.com.
 
Hike Wintergreen
Wintergreen has joined the National Trail Day Celebration with the inaugural Hike Wintergreen on Saturday, June 2, 2012.  The celebration is being co-sponsored by Wintergreen Resort and The Wintergreen Nature Foundation. Five diverse trails with varying levels of difficulty were selected, providing adventures for the novice hiker to the advanced trailblazer. These include:
  • 1 mile Appalachian Amble

    An interpretive hike for adventurers of all ages 
(10:30am and 1:30 start times)
  • 2.5 mile Cliffs Challenge

    Guided hike for those able 
adventurers 
(10:30am and 1:30 start times)
  • 6.5 mile Wintergreen Highland 

    On your own for this Intermediate Adventurers 
(9 am start)
  • 14 mile Devils Walkabout

    On your own for this advanced adventurer only trip 
(8am start)
  • 14 mile Perimeter Purgatory

    On your own for this difficult/
advanced trail running experience (8am start)
The top male and female finisher of the Perimeter Purgatory hike will each receive a complimentary admission to the Wintergreen Adventure Challenge on June 30 or July 1.
 
Tickets are $30 for adults; $25 for children; $15 for Nelson County students; and $50 for the Healthy Family package. Proceeds to benefit Nelson County Parks and Recreation Scholarship Fund. Be sure to pick up your tickets at registration to get a time that works for you and your family. 
 
All hikes start from the Discovery Ridge Adventure Center where there will be a variety of drinks, sandwiches and snacks for purchase. Discovery Ridge Adventure Center will be open from 10am – 6pm. Zipline and Summer Tubing will be open from noon to 6:00 p.m. Tubing is limited to 25 people per session and is restricted to participants 42” or taller.
 
Stop by the Hike Wintergreen Village for information on hiking, healthy living and more! For more information, visit www.wintergreenresort.com.
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Natural Tile & Stone

Granite, Travertine, Marble, Tile—everywhere, eternally! Its eye-catching beauty, timeless quality, and universality strike most visitors to Italy and the Mediterranean with awe. Natural stone has been used as a building material for eons because it weathers many different climatic conditions, just as it does in nature. Tile ranks with natural stone in its durability, while its design options are limitless and magnificent. 

Beyond beauty and durability, using natural stone and tile is a smart investment, being more trouble free and cost effective than many imitative products, and their sustainability makes these materials the best choice. So even if you’re not building the Duomo, but plan your renovation to last, you can’t do better than to use natural stone and tile products, both indoors and out.

The Many Shades of Green
‘Green’ and ‘sustainable,’ like ‘organic,’ have become buzzwords and their overuse has made many people skeptical. Basically, sustainable or green building is the result of a design process that focuses on increasing the efficiency of resource use—energy, water, and materials. A green building reduces its impact on human health and the environment during its life cycle—from site selection through to eventual disposal or removal of its products.
 
The building industry is no different from others, having many products that claim to be ‘green.’ But natural stone is the original green building material. It is neither bonded by petroleum based resins nor does it emit VOCs (Volatile Organic Compounds) into your home. Stone products can be cleaned with Ph-neutral dish detergent and are 100 percent recyclable, with after-use in other projects or crushed for roadbeds, etc. Tile, a manufactured product, has breathtaking beauty and longevity just as outstanding as natural stone. In addition to limitless design options, tile is also inherently sustainable, hygienic, and extremely durable. Sustainable production by quality manufacturers is on the upswing as are choices, including tiles composed of recyclable materials (glass, leather, etc.).
 
But, sustainability means more than recycled products. Clean water and its usage are major environmental concerns globally. Domestic stone fabricators utilize a filtration system for their wastewater, while cutting edge technology has a closed-loop, 100 percent water recycling system that dramatically lowers consumption. According to the Marble Institute (www.marble-institute.com), quarrying has improved enormously from an environmental perspective. The US, Canada, and Europe especially have reclamation plans in place for when operations cease. As a result, some of those beautiful state parks, golf courses, lakes, and recreation areas you see on ‘Sunday drives’ may be former quarries.
 
Much More than Green
While websites can educate, to get the lowdown on what’s happening locally Real Estate Weekly visited two area businesses that specialize in natural stone and tile—from the exquisitely rare to the sublimely staid. Pete Sandfort of SariSand Tile and John Cogswell of Cogswell Stone satisfied the quest for information, and their showrooms, the desire for beauty.
 
Entering SariSand Tile, you’re greeted with an array of texture and color that comforts with warmth and excites with possibilities. Tiles from many nations open a breadth of ideas and potential, and Pete Sandfort and the other designers are expert guides to help winnow the choices to a few that will make your project come alive.
 
Sandfort says that since the economic downturn, only one or two area custom builders specify sustainable building products, including tile. Most people, however, are interested in doing ‘the right/green thing’ and at SariSand you’ll see a wide array in a broad price range. Exquisite leather and glass tiles, ‘wood planking,’ and much more. Visit www.sarisandtile.com first and then visit SariSand Tile on Berkmar Court.
 
John Cogswell has been in the building and decorative stone business, literally from the ground up, for 22 years. Visiting Cogswell Stone in Palmyra, and speaking with him personally, is an education that is mandatory before beginning any project—interior or exterior. At the inclusive showroom and yard that exude an impression of solidity and beauty, your senses will be sated as you see and feel the difference between slate, soapstone, limestone, travertine, marble, granite, onyx, and others. Cogswell can show you what stone is best for your practical needs and guide you in design and product choice to achieve the look you want.
 
Cogswell is forthcoming about environmental differences of quarries—domestic and international—helping you make choices based on your values and the value you want for your project. Visiting www.cogswellstone.com is a good first step, but a drive to Palmyra is a must.
 
Sandfort and Cogswell agree that in the Charlottesville area, while the choices are many, only a few projects push the edges of design. But even if your tastes run to the more traditional or classic, SariSand Tile and Cogswell Stone can still help make your project unique. Visit them—you won’t be disappointed.
 
Francesca Toscani (Interior Editions) specializes in reworking and remodeling difficult kitchen, bath and other interior spaces to unlock their potential. francesca.toscani@yahoo.com; 434.823.1817.
 
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Arts

Head of the camp: An interview with David Lowery

David Lowery wears many musical hats. He’s best known as the front man of Cracker—the popular alt-rock outfit that hit it big back in the early ‘90s with the platinum-selling album Kerosene Hat. But Lowery’s reach in the business is much greater than Cracker’s ubiquitous radio hits like “Low” and “Get Off This.”
Before Cracker, he founded indie punk pioneers Camper Van Beethoven, and as a producer he’s helmed records by Counting Crows, Sparklehorse and, most recently, local country rock heroes Sons of Bill. He’s also started teaching a music business class at the University of Georgia.
This weekend, though, Lowery will act as festival curator, as he brings Campout East back to the region for two days of music at Glen Maury Park in Buena Vista. The event—an offshoot of Lowery’s long-standing Campout Festival held in California—is relocating from its debut last year at Misty Mountain Camp Resort in Crozet. In addition to two nights of Cracker, the line-up includes Southern Culture on the Skids, the Dexter Romweber Duo, Carl Anderson and Radiolucent.

Cracker (from left: Frank Funaro, Johnny Hickman, David Lowery and Sal Maida) pitch a tent for their second annual self-curated festival. (photo by: Jason Thrasher)

C-Ville: Everyone has his or her own idea of what makes a good festival. What’s your vision with Campout East?
David Lowery: “For a longtime we’ve done the Campout Festival in California, and we wanted to bring it east since Cracker has a lot of roots in Virginia. This festival is about giving back to our fans. It’s doing something for the core group that has followed our family of bands and given me a 25-year-plus career. We’re getting our community together in one place to hang out. I’m sorry we had to move it a little further away from Charlottesville, but I think people are going to like the new location. It rained a lot last year, so we’ll have a covered stage with a nice little spot next to the river [Maury River].”

Tell me about some of the bands you decided to include this year.
“All of the Campout events are meant to highlight bands that fall into the Cracker and Camper Van Beethoven family. It’s generally groups that are related to my bands or side projects. Southern Culture on the Skids is a band I’ve played many shows with, going back to my dabbling with FSK. Radiolucent is an Athens, Georgia band that I just happen to love. They’re really young kids that grew up on Whiskeytown and the Drive-By Truckers. There’s a soul element to their sound, and it just blew me away the first time I saw them play.”

After the festival, Cracker will spend most of the summer on the road with the Last Summer on Earth Tour, also featuring Barenaked Ladies, Blues Traveler and Big head Todd and the Monsters. Is this meant to be a ‘90s revival?
“Conceptually I don’t really see it as a ‘90s thing. That seems a little insulting. This tour is the Barenaked Ladies idea, and they’re bigger now than they were back then. I think this tour is going to be really successful, and I’m glad we’re going to be a part of it.”

How would you describe the way Cracker’s sound has evolved through the years?
“We’ve always been a country roots rock band. We’ve always leaned on American roots stuff, whether it’s soul, blues or country. To me—that’s when rock works best—as a mongrel that mixes all that stuff together. That’s what bands like the Rolling Stones, Led Zeppelin and even the Clash did so well—put so many different styles in a blender. Fortunately, our sound somehow fit into modern rock radio back when grunge had taken over the entire world.”

After all these years, what part of the music industry are you enjoying most these days—performing, producing or teaching?
“I’ve decided to stop being a producer. I think it’s the most thankless job in the world. You’re always in a really awkward position of trying to make a record better, but in order to do that, you have to insult everybody by telling them how their songs aren’t good enough. You always have to be the bad cop. Psychologically that’s not a good place to be.
I do enjoy teaching people about the music business. I teach about the finance and economics of the music business, and it’s a pretty hardcore class. Half of my students seem to be artists and musicians and the others are finance and business majors. I’m basically teaching them all how to rip each other off in the future. When it comes to music, being on stage is still the best.”

Judge rules in favor of Meadowcreek Parkway interchange

A federal judge has struck down a local group’s latest legal objection to the Meadowcreek Parkway, issuing an order that dismisses a number of legal arguments against the federally funded interchange that will connect the rod through McIntire Park with the 250 Bypass.

An attorney for the Coalition to Preserve McIntire Park, James B. Dougherty, argued last month before Judge Norman K. Moon in federal district court that the Federal Highway Administration tried to get around accounting for the entire road’s environmental impact by presenting its section of the parkway—the interchange with the Route 250 Bypass—as a separate project.

Dougherty also claimed the FHWA unnecessarily dismissed some construction alternatives that would have kept the intersection from encroaching on parkland. Lawyers for the government argued that the alternative was a sprawling intersection that would grow as traffic volume did, and would eventually be too big for pedestrians and cyclists to safely cross.

Moon agreed with the FHWA in his judgement, saying he felt the total environmental impact of the roadway had been considered, and agreeing that the proposed plan’s overpass presented a safer option. 

Check out the entire 53-page order below, read more details on Charlottesville Tomorrow, and pick up the June 5 copy of the C-VILLE for the full story.  

Judge Moon’s order on Meadowcreek Parkway interchange

 

BH Media deal discussed

Warren Buffet (file photo)

Berkeshire Hathaway’s purchase of 63 daily and weekly newspapers owned by Media General—including the Daily Progress and the Richmond Times-Dispatch—is still keeping people talking. Especially media wonks like us.

If you missed the C-VILLE Weekly staff’s discussion of the deal that hands over control of the papers to Warren Buffet’s company on our regular WTJU radio show last Friday, check out this sound bite, and join the discussion in the comments.

 

 

Media General’s Purchase by Warren Buffett’s Berkshire Hathaway from May 25, 2012 by C-Ville Weekly on Mixcloud

 
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News

Graduates head to colleges thanks to the I Have A Dream Foundation

National Honor Society member Joey Wright will study electrical engineering at Old Dominion University in the fall. (Photo by Nick Strocchia)

If you saw Joey Wright on the Downtown Mall, you probably wouldn’t give him a second look. Just shy of 6′-tall, brown-haired, and wearing the ubiquitous teenage uniform of jeans and a North Face fleece, Wright looks like any other 18-year-old. Take the time to engage him in conversation, and you’d be impressed by his good manners. “Yes, ma’am,” he says with a slight Southern accent when asked if he’s excited about graduating from Charlottesville High School next month. A football and lacrosse player, Wright is a National Honor Society member who smiles frequently and easily and looks you in the eye when he says he’s going to study electrical engineering at Old Dominion University in the fall. What you wouldn’t see is that Joey Wright’s entire life has been a financial struggle.

He lives with his mother, a waitress who earns $2.13 an hour before tips. The pair is close, but he also has a good relationship with his father, an employee at Portsmouth’s Naval Shipyard, where Wright hopes to find a job one day.

This coming weekend, Joey Wright will collect on a promise made to him 12 years ago when, in the fall of 2000, local businessmen Chris Poe and Jeff Gaffney “adopted” Wright—and every other member of his kindergarten class at Belmont’s Clark Elementary School.

Through the I Have a Dream Foundation of Charlottesville, Poe and Gaffney pledged to provide Wright and his classmates with the tools—tutoring, mentoring, counseling, summer school, camps, and enrichment classes—to help them graduate from high school. Students who earned diplomas, said Poe and Gaffney, would be guaranteed the equivalent of in-state public school tuition (currently about $12,000 per year) so they could attend a college, university, or an accredited vocational school.

“It still hasn’t completely set in,” said Wright, who went four-for-four in college acceptance letters. It also hasn’t been easy, but he knew the moment the first “big envelope” arrived in the mail that “it’s been worth it.”

Wright and 45 of his co-“dreamers” will graduate from high school in the coming weeks. Five more are working on GEDs, while another five, who repeated first grade, are on track to graduate next year. Four other students finished high school a year early. All but two of the 62 dreamers will receive a high school diploma in the next year. Compare that to the state graduation average (89.9 percent), and the graduation rate of those whom the Virginia Department of Education deems “economically disadvantaged [high school] completers” (81.8 percent). Ninety-three percent of the dreamers will pursue some type of post-high school education.

Birth of a dream
Chris Poe wasn’t much older than Joey Wright when he was home from college one weekend, and half paying attention to an installment of the long-running CBS newsmagazine “60 Minutes.” When a piece about New York City entrepreneur Eugene Lange, who started the national I Have a Dream Foundation, came on, Poe perked up. “He’s on to something,” Poe thought when he learned that Lange, during a 1981 speech, spontaneously promised a class of poor, Harlem sixth-graders college tuition if they stayed in school and graduated. At the time of the broadcast, Poe “didn’t have two nickels to rub together,” but he filed the information away, hoping to “one day be in a position to try to pull something like that off.”

Fast forward several years, and Poe, now married, a father, and a financial advisor at Northwestern Mutual, began surveying friends, community members, and educators about Charlottesville schools where the children were most in need. Every single person, he recalled, said Clark Elementary, which in the late 1990s—prior to the Belmont housing and restaurant boom—had the highest concentration of poverty in the city, with about 80 percent of its students receiving free or reduced-cost lunches. But before he ran his idea past a single public school official, Poe did some homework of his own, and spent the better part of a year “vetting” the I Have a Dream Foundation. “If I was hitching my wagon [to it], I wanted to make sure it was on the up-and-up and good people were involved.”

In early 2000, Poe made his pitch to then-City Schools Superintendent Bill Symons, who didn’t waste any time in bringing the plan to Art Stow, the principal at Clark.

“My initial reaction was that this is too good to be true,” Stow recalled. And then he thought: “What’s the catch?”

But, he said, “I trusted my superintendent,” who was comfortable with Poe and his vision for I Have a Dream Charlottesville. Good thing, because Stow, now Red Hill Elementary’s principal, had a son, Ethan, in the kindergarten class that was about to be offered the deal of a lifetime.

“It was a miracle,” said Stow, who gets choked up at the memory. “I knew the families so well, and knew that they, like every other family, love and adore their children.” The program gave those families both hope and opportunity, Stow said.

Jeff Gaffney (left) and Chris Poe are about to make good on their promise to pay for the college education of an entire class of Clark Elementary School Students. (Photo by John Robinson)

Once he’d decided on an elementary school, Poe’s next step was to find a partner. Enter Jeff Gaffney, the current chairman and CEO of Real Estate III, who at the 1999 National Association of Realtors convention heard Colin Powell speak about the “importance of business people getting involved in the lives of at-risk youth in the towns and villages where they lived,” Gaffney said. “I was really motivated by that message. It stuck with me, and when I came back to Charlottesville, I started looking around for places where I could help.” A month later, he heard Poe on WINA radio talking about his recently launched I Have a Dream program.

Gaffney, 47 and the father of four, called Poe to tell him he liked what he was doing. Then he asked how he could help. “I thought I could be a board member or something,” he said. But Poe had other ideas. “He put his arm around me and said: ‘We’re going to do this together,’” Gaffney recalled.

That is how, shortly before the start of the 2000-2001 academic year, Gaffney and Poe found themselves calling or visiting the homes of dozens of strangers. Since most of the dreamer families didn’t own computers, it fell to the pair to make telephone or in-person contact to let everyone know about the first I Have a Dream informational meeting, which ultimately attracted 11 people, representing seven or eight dreamers. The parents were dubious.

“They were naturally skeptical. I’m sure they didn’t believe us, and they assumed that after a year or two we were going to leave town,” Poe said.

“Are you kidding me? What do you mean, you’re going to pay for my son to attend college?” was what Maria Rice, Joey Wright’s mother, thought when she heard about I Have a Dream Charlottesville.

Like Principal Stow, she initially considered the offer too good to be true. A single parent whose son has long witnessed her struggle financially, Rice’s voice began to shake, and she was overcome by tears when she recalled, years later, that the two men were dead serious when they made their offer, which has been funded over the years through mostly individual donations, as well as money from the Geismar Family Foundation, United Way of the Thomas Jefferson Area, the Charlottesville Area Community Foundation, the Junior League of Charlottesville, and Bama Works.

“Jeff and I have never had limitless resources, and we were never able to write a $2 million check,” said Poe, who recently turned 48 years old. “We’re just two working guys who have to get up every day”; two guys who had to “beg, borrow, and steal” to support their vision. They haven’t done it entirely on their own, though. “A community of people; a ton of them” have written checks—including some for six-figures—and volunteered their time over the years.

When the program was newly up and running, thanks in large part to a $175,000 grant from Toyota’s U.S.A. Foundation that came after “some creative marketing” was used to convince the organization that Charlottesville is a Washington, D.C., suburb, Poe and Gaffney decided to schedule another parent meeting. This time there was food. And a moon bounce, face painters, and a clown.

“If we could get the kids to come, the parents would come too,” Poe said. The family parties continued over the years, and at each event “we would explain what we were doing, and slowly but surely, they began to trust us. Second grade, third grade, fourth grade, we kept coming back.” When there was a transition—Beth Shapiro, the project’s original coordinator moved, and Erica Lloyd came on board—“we were still around.”

“Sit down with people and break bread, and they eventually come to realize that you’re not a snake oil salesman; that you’re not doing something crazy; that you’re going to do it every day for 12 years,” Gaffney said.

It took a while for that to sink in, he said, but over time not only did the pair convince dreamer parents of their sincerity, they also sold grandparents, aunts, uncles, and cousins. “Extended families would come to the parties, and we’d eat and have amazing conversations and get to know each other.”

The real turning point occurred at a Pantops steakhouse gathering when the kids were in middle school. As Poe updated the parents on the status of their children’s college accounts, “one hand shot up,” he said, and a mother demanded to know exactly how the money was being invested. At first, the successful financial advisor was stunned by the question.
“But I thought about it for two seconds, and realized that it was a great, transitional moment,” he said. “They were now invested in the outcome of the program and wanted to know what was happening. It was kind of an ‘aha’ moment for us and for the parents. They were finally believing.”

Jesse Watson wants to return to Charlottesville and run his own company after he receives an accounting degree from Ferrum College. (Photo by John Robinson)

Reality check
As they got older, dreamers like Charlottesville High School senior Jesse Watson began to believe too. Compactly built with a cautious attitude and a sparkly stud in his ear, Watson said the longer he was in the program, the more he came to appreciate the opportunity.
“It was a chance to better myself. When I knew I’d have help, I actually wanted to go to college,” he said. He also knew he had to “do the homework. And steer clear of trouble.”
An admitted loner who “was kind of slack,” Watson will attend Ferrum College near Roanoke in the fall. He has a dazzling smile, which is on full display when he talks about being the first person in his family to attend college. But he’s quick to share credit for his success with Erica Lloyd who, straight out of UVA’s Curry School of Education, became I Have a Dream Charlottesville’s coordinator in 2002.

“Ms. Lloyd is like a ninja in the trees, watching everybody,” said Watson. She keeps close track of all her dreamers—both in and out of school.

Lloyd, 31, can be found most days behind an always-open yellow door in a large, bright space in the Charlottesville High School library. An entire wall of her office is papered with dreamer college acceptance letters from places like Boston’s Berklee College of Music, George Mason University, Virginia Tech, James Madison University, Virginia Commonwealth University, Lynchburg College, and Virginia State University, to name a few. Over the past decade, she’s worked closely with teachers and staff at Clark, Walker, Buford, and Charlottesville High schools, among others, to assure the dreamers’ success. She’s taken the group on college visits and field trips, and exposed them to successful first-generation university students. She’s in continuous contact with every dreamer’s family, and has made certain each student has received academic support. She’s helped them explore potential careers by teaming them up with real-world mentors. Every student has participated in self-esteem and “healthy habits” seminars, and they have given hundreds of hours back to the community by volunteering at a variety of organizations, including the PB&J Fund, Charlottesville-Albemarle SPCA, the Blue Ridge Area Food Bank, the Alzheimer’s Association, and the Barrett Early Learning Center.

“She definitely kept us on track more than anyone,” Joey Wright said. “She was always in school, always checking in, saying ‘I see you’re getting this grade’ or answering any questions we had. My parents didn’t go to college, and you can only get so much information from Googling, so she was more helpful than anyone.”

After she graduates from college, Amanda Lawhorne hopes to becomes a special education teacher because those students “are closer to God,” she said. (Photo by John Robinson)

Amanda Lawhorne, another senior dreamer, will attend Piedmont Virginia Community College in the fall. Earlier this year, when she began having anxiety attacks and missed several weeks of school, Lawhorne was tempted to drop out and forget about one day becoming a special education teacher. Lloyd, however, delivered her homework and issued pep talks. “I had a rough year, and I know I would have quit school without her,” Lawhorne said. “Ms. Lloyd told me [catching up] would be hard, but I could do it. She’s always made me feel special because she was always there to support me.”

Despite that support, Lloyd admits that the road to graduation has had some bumps. “Everything will be going according to plan, and then something blows up,” she said. “There have been health issues and family issues that have threatened [the students’] ability to continue in school. Every kid has had his own journey; nobody’s sailed straight through. Being a teenager is hard, and some of these kids have made some bad choices.” The bumps in the road have included an arrest for shoplifting, an unplanned pregnancy, and one student who “felt he didn’t deserve to be a dreamer.”

But, as Lloyd says again and again, “Once a dreamer, always a dreamer,” meaning the students cannot be kicked out of the program. No. Matter. What. Because of this, when a kid messes up, Lloyd sees it as her job to help him recognize that there’s value in coming back from it, and to not compound the error and spiral down and down. It is why she refuses to give up on the two dreamers who are currently MIA, and why she continues to try to convince them to resume their studies so they can get a high school diploma. In some ways, it’s her presence and her attitude that have had the single most lasting effect on the dreamers.

“What I do isn’t rocket science,” she said. “It’s just walking alongside of these kids and being involved in their lives.” Lloyd—and the program—remind them “they have a valuable future.”

With many of her dreamers leaving CHS, as well as high schools in Albemarle, Fluvanna, Orange, Louisa, Buckingham, Cumberland, Waynesboro, Prince William, North Carolina, and Hawaii, the obvious question is: What’s next?

“Keeping them in college,” Lloyd answered. “Eighty-nine percent of low-income kids drop out of college in the first year, so we need to make sure our kids are plugged in to the support networks that exist on campus. They have to build that community that they’re going to study with and that will hold them accountable.”

Many of her students, she said shaking her head and smiling, are worried about what will happen to her. “They want to marry me off so I can have babies, but I tell them I’m going to keep track of them. I’ll make a lot of college visits, and I’ll take them out for real dinners.”
As for I Have a Dream Charlottesville’s future, Poe said that for all the program’s success, he and Gaffney will feel “on some level like a little bit of a failure if we don’t replicate ourselves. We’re not going to sponsor another class, but I will forever be an ambassador and a strong advocate for this program.” There is a fundraising donor base in place, and “we will help anyone—individually or collectively—who’s willing to adopt a class,” Poe said.

“We want to make sure this is sustainable, and not something that’s come and gone,” Gaffney added. “We want to find a way to pass the torch. We’ve got the infrastructure, and we’ve paved the way, and now we’re hoping and praying that somebody else will step up and continue what we started.”

On the shelves in Erica Lloyd’s office are 62 white binders. Each one is labeled with the name of a Clark Elementary School kindergartener who in 2000 probably didn’t understand what the term “college educated” meant. Over the years, they’ve all become intimately familiar with those two words. Lloyd has made sure they ring in their heads, alongside 13 words penned by author Robert Collier that she printed out long ago, and hung on her wall as a constant reminder: “Success is the sum of small efforts, repeated day in and day out.”

Erica Lloyd talks about the I Have a Dream Foundation of Charlottesville by C-Ville Weekly on Mixcloud

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The Editor's Desk

Editor's Note: The daily news

5.29.12 Everyone was talking news last week. First, we learned that Warren Buffett was coming to a store near us, and then the Oracle of Omaha delivered a prophecy (in a letter to his editors and publishers) to make a newsman glow.

Later, David Carr, of the New York Times and The Night of the Gun fame, wrote an innocent little story about how the New Orleans Times-Picayune was scaling back to three days a week because its circulation had dropped to half of its pre-Katrina level. Two classic Southern newspaper chains are moving in different directions.

Advance Publications, which also runs the major daily papers in Alabama, is cutting circulation, distribution, and staff and shifting its emphasis online. Media General’s papers, as part of BH Media, are ridding themselves of their debt and doubling down the bet in their markets.

You know the story. The InterWeb set up shop next to the paperboy and started selling for free. According to a publishing audit cited in the NYT story, newspapers have dropped in circulation 20 percent over the past five years. Buffett addressed the trend in his letter, which was kind of a manifesto: “We must rethink the industry’s initial response to the Internet. The original instinct of newspapers then was to offer free in digital form what they were charging for in print. This is an unsustainable model.”

I think everybody understands that you can’t give away content, because content relies on the human beings who gather it and produce it, and you can’t get them for free. Either the reader or the advertiser has to pick up the tab, or they can split it.

Buffett’s exhortation to his own papers, though, points out the complexity of the problem facing daily newspapers: “But American papers have only failed when one or more of the following factors was present: (1) The town or city had two or more competing dailies; (2) the paper lost its position as the primary source of information important to its readers or (3) the town or city did not have a pervasive self-identity. We don’t face those problems.”

Unless that’s the royal “we” talking, I’d argue that the challenge of the Internet is that: A) anyone can be daily; B) daily newspapers have already lost their positions as primary sources of information for younger generations; and C) no town in America has a pervasive self-identity. I don’t claim to know more about this than Buffett; just a reminder that oracles traditionally delivered messages in riddles.—Giles Morris

Categories
Arts

“Dogs in the City,” “Breaking Pointe,” “Real Housewives of New York”

 “Dogs in the City”
Wednesday 8pm, CBS
In the movie Scrooged, a television exec demands that Bill Murray’s character start developing programming for cats and dogs, because studies showed that one day household pets would become steady TV viewers. The future is apparently now. “Dogs in the City” is a new documentary series intended for dog lovers, and their dogs. It follows “dog guru” Justin Silver as he acts as an intermediary between various Manhattanites and their canines. Some dogs won’t stop chewing furniture or biting people. The pooch of a recently divorced couple is having trouble adjusting to joint custody. Another dog is terribly overweight. You get the picture.

“Breaking Pointe”
Thursday 8pm, CW
Ballet has had something of a cultural resurgence over the past decade. The hit movie Billy Elliot and its subsequent Broadway translation showed that boys can dance, too. Borderline-campy cult fave Center Stage made the classical dance style seem hip to a younger generation. And of course Black Swan made professional ballet seem sexy, scary, and potentially mind-shattering. This new documentary series by BBC Worldwide goes behind the scenes of Salt Lake City’s Ballet West company, exploring the lives of the directors, choreographers, and dancers for whom ballet is very much an art, but with the physical demands of a sport. The previews look beautifully shot and promise lots of drama, stemming from professional rivalries and the brutal effects the rigorous art form can have on the dancers’ bodies.

“Real Housewives of New York”
Monday 9pm, Bravo
The Manhattan shingle of the “Real Housewives” franchise is one I’ve had a hard time really getting into. I’ve watched episodes here and there, but have never been sucked in like I’ve been with Atlanta, New Jersey, Orange County, and my favorite, Beverly Hills. That may change with this new, fifth season, because the show has gotten a major line-up change and these ladies are coming loaded for bear in the drama department. Gone are series originals Alex McCord and Jill Zarin, along with later arrivals Kelly Bensimon and Cindy Barshop. Sticking around are noted wackadoo Ramona Singer, erstwhile countess and wannabe pop star LuAnn de Lesseps, and polarizing fireball Sonja Morgan, joined by Aviva Drescher (cousin of Fran, and an amputee), award-winning journalist Carole Radziwill, and fashion designer Heather Thomson. The season preview features yelling—so much yelling—and some pretty juicy allegations.