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The Big Picture

The top of the Water Street Garage was a popular spot on Monday, April 8, when residents gathered a little before 3pm to see the partial (about 86 percent) eclipse, when the moon blocked a large part of the sun from view. If you missed it, you’ll have to wait a while for a similar experience: On March 30, 2033, only Alaska will be included in the path of totality, but a partial solar eclipse will be visible over most of the rest of the United States. In the contiguous U.S., totality will occur again on August 22, 2044, over North Dakota and Montana.

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Back to nature

When it comes to burying our dearly departed, most of us know what
 to expect: embalming chemicals, expensive coffins, concrete vaults, and other things that may not be so good for the environment. 

But is all that really necessary?

If you ask Stephanie Bonney, the answer’s a hard no. Green burial is “a more responsible way to take care of the Earth—the planet we live on,” says Panorama Natural Burial’s general manager. 

During a Panorama green burial, no toxic embalming chemicals are used, and bodies return to the earth in biodegradable boxes or burial shrouds, because “we are only introducing materials that nature can use to nurture new life.” Bodies are buried at three-and-a-half feet, where “soil is more nutrient rich, and organisms are better at doing their jobs.” (And in case you’re wondering, there’s never been a reported case of a naturally buried body being dug up by predatory animals—the farthest they dig into soil is 12 inches.) Simple river rocks, set flush to the ground with a name and birth and death years, marks the graves.

“We’re essentially going back to that principle in Judeo-Christian tradition, which is literally ‘dust to dust,’” says Chris Murray, whose family has owned Panorama Farms in Earlysville for 70 years. With the “current conventional funeral burial practices, the body basically never turns to dust.”

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Sew fine

It was a few days before prom, and a Charlottesville  High School senior was worried. The full-length, midnight-blue dress she ordered online had finally arrived—and, even with three-inch heels, it dragged on the ground. So her mom reached out to her regular tailor, “and they told me I was too late, that there was no time to shorten the dress,” she says. 

On the recommendation of a friend, the pair turned to Kim’s Alterations on the Downtown Mall. Not only did a quick fix save the day, er, night, but the work was beautiful, says the mom. “We were thrilled!”

And the mother and daughter are not alone. According to Alicia Henry, Kim’s “is the best.” Henry says she’s shown up at the York Place shop with “everything from 1920s breeches to modern linen dresses, and [the tailor takes] care of it all with such precision. She [even] helped me with a design idea—repurposing a vintage bustier using 1940s crepe fabric—and she nailed it.”

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Into the woods

Lily Casteen was 7 years old when her parents enrolled her in ARC
Natural History Day Camp, on the back acres of Panorama Farms in Earlysville. Now in her 20s and a wildlife conservation major at Virginia Tech, Casteen says the summers she spent at “mud camp,” first as a camper and then for seven years as a counselor, were instrumental in setting her on her current career path.

“I’m now doing exactly what I was doing there,” but on a bit larger scale, says Casteen, who’s in Alaska this summer, surveying a threatened species of ducks. “I learned so much from Kevin, and from the other people around me.”

“Kevin” is Kevin Murphy, a retired science teacher who’s been the camp’s director for 33 of its 38 years. The goal of ARC Natural History Day Camp is to “teach young people how to be observant, inquisitive, sensitive, and resourceful.” And discovery is imperative: Every day, campers explore a different habitat—pond, creek, meadow, or forest—“to see what each area has to offer.” 

One of the most important lessons, recalls Casteen, is to “leave no trace. When you turned a rock over in a stream, you had to turn it back the way it was. I still do that.”

Sponsored by the garden clubs of Albemarle, Rivanna, and Charlottesville (hence the ARC in its name), the camp runs for two weeks every June, rain or shine, because everyone knows that exploring woods and streams is even more fun when you’re soaking wet and covered in mud.

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A dynasty is born

Six individual national wins. Victory in all five relays. National team champs (for the third year in a row!). It was business as usual for the University of Virginia in March at the NCAA Women’s Swimming & Diving Championship in Knoxville, Tennessee.

Senior Kate Douglass won three individual national championships (200-meter individual medley, 100 butterfly, 200 breaststroke), while Gretchen Walsh won two (100 backstroke, 100 freestyle). And Walsh’s older sister, Alex, who along with Douglass medaled at the 2020 Tokyo Olympics, won the 400 IM. As a team, the Hoos swept the relays with wins in the 200 medley, the 800 free, the 200 free, the 400 medley, and the 400 free. 

Before the meet, Head Coach Todd DeSorbo said, “Arguably, we’ve got the best team that we’ve ever had here at UVA, so I feel really good.” 

Turns out DeSorbo had reason to feel good: By meet’s end, Virginia’s nearest competitor, the University of Texas, had scored 414.5 team points to UVA’s 541.5. And in case the Cavs’ foes thought they had a chance to catch UVA, the 400-meter freestyle relay team put an exclamation point on the Hoos’ performance during the competition’s final event with a time of 3:05.85, which set a new NCAA and American record. It also made UVA the first team since Stanford in 2018 to sweep all five relays at the national championships. 

After the meet, DeSorbo talked to C-VILLE about saying goodbye to the seniors on his team. “They believed and trusted immediately, and were just really excited to be a part of the potential rise of our program. And they’ve all just been such great people and influences and leaders on our team. … They’re definitely gonna leave a lasting legacy, and they play a significant role in where we are today.”

But Gretchen Walsh, who will be a junior next year, is already looking toward 2024, when she hopes to help UVA match Stanford’s 1995 feat of winning four straight NCAA Swimming & Diving titles. “I think we can do it,” she said in April. “We’re creating a legacy, and that’s one of the coolest things about this experience.”

To help make a four-peat a reality, Walsh pointed to her list of individual goals for next season: Hit 20.5 seconds in the 50 freestyle and 47 seconds in the 100 backstroke—and add another American record by beating 45.56 seconds in the 100 freestyle. Then there’s that Olympic rings tattoo: Silver-medalist Alex Walsh refuses to get her rings tattoo until her sister, who failed to qualify for the 2020 Olympic team the summer before she arrived at UVA, also medals at the Olympics (Gretchen’s fourth-grade self-portrait was of her standing on the Olympic blocks).  

“Since coming into UVA, having this change and this new environment, I feel a lot more confident going into next summer, in my abilities and my training, all around,” Gretchen Walsh said. “I think [an Olympic medal] is definitely feasible.”

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Net positive

If you’d told a young Anna Williamson that one day she’d be atop a ladder at the John Paul Jones Arena, making the final snip to cut down the net after the UVA men’s basketball team won a share of the ACC regular-season title, she’d have thought you were pranking her.

But that’s exactly where Williamson, a then-fourth-year student manager who’s been an uber-fan fan of the team her entire life, found herself last March. 

“When [Associate Head] Coach Williford came up to me and said, ‘Anna, you’re gonna finish it off, take the rest of [the net down],’ and handed me the scissors, it was so special,” Williamson says. “And to look over and see my family on senior day … I thought about my little self, who’d go to games and watch UVA beat Carolina schools.”

Watching Williamson, the daughter of two University of Virginia alums, climb to the top of that ladder was especially moving because she was born with spina bifida, and is paralyzed from the knees down. A North Carolina native, she has undergone more than a dozen surgeries and wears a brace on her right leg to help her walk. Inclines are difficult for her.

Before last spring’s ACC Tournament, few UVA basketball fans knew much about Williamson, other than that she was one of 10 student managers whom they’d occasionally glimpse on the sidelines—that is, until ESPN reporter Holly Rowe shone a light on her. And that’s when Williamson says parents of children with spina bifida, a birth defect in which an area of the spinal cord in a developing baby doesn’t form properly, reached out to her on social media, looking for reassurance that their children were going to be fine.  

Williamson, who graduated in May and will open Revival coffee shop in Charlottesville this fall, is more than fine. 

“It’s a mental game,” she says when asked about the often grueling work of being a student manager for a D-1 college basketball program (she estimates that she worked eight hours on game days, and another three or fours on practice days). 

“I can do a lot more physically when I get my mind right about it,” Williamson says. “I’m 5-foot-4, and I’m not as strong [as other student managers], but I did the job to the best of my ability, which is what was asked of me.” 

That “ask” came the summer before she started at UVA in 2019. She was working as the first female coach at the Tony Bennett Basketball Camp, when Ronnie Wideman, associate athletic director for men’s basketball, spoke to her about being a student manager when school started in the fall. After considering her strengths and weaknesses, and thinking about what she’d bring to the program, Williamson said yes—and never looked back.

Her job was to “do whatever made the [members of the team’s] lives easier day to day. To oil the machine, do behind-the-scenes work, and watch [the team] shine,” she says. “UVA was my dream school since I was a kid, and I’ve always admired [Head] Coach Bennett,” who Williamson says taught everyone about much more than basketball.

“He taught me a lot of perspective on life, and about hard stretches, and how caring for your friends and family is more important than basketball.”

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Culture Food & Drink

Exquisite taste

Ask Alicia Simmons about her happiest childhood memories, and she immediately recalls the many hours spent in the kitchen with her twin sister and grandmother at the family’s farm in the Shenandoah Valley. “We made lunch for dad and grandpa every day,” says Tavola’s executive chef. “That’s how I fell in love with cooking.”

Growing up on a farm formed Simmons’ appreciation of food because she knew the hands that touched every morsel she helped prepare and then consumed, the amount of work it took to get an ear of corn from a seed in the ground to her plate. “Farmers,” she says, “are more appreciated now than they used to be. But growing up, farmers were my heroes.”

Her grandfather was a dairy farmer who grew a variety of crops, and also raised ducks, pheasant, and trout. “I was lucky to see it all,” says Simmons, 28, adding that it came as little surprise to anyone when she enrolled in the culinary arts program at Valley Career & Technical Center.

“Basically, we had a little restaurant at valley vo-tech, which set you up to work in a bigger restaurant,” says Simmons, who quickly increased her knowledge of prepping and cooking and pricing everything out. She says it was a great foundation, something she built on when she graduated from Piedmont Virginia Community College’s culinary arts program several years later. More importantly, though, her vocational training confirmed what she’d known since she was a child: She wanted to cook professionally.

Soon after graduating from PVCC, Simmons landed a job making salads at Staunton’s Newtown Baking & Kitchen, where she worked alongside Chicano Boy Taco owner and former Zinc executive chef Justin Hershey.  

But it was her pastry work—she’d fallen in love with dessert-making while at VCTC—plus a recommendation from Hershey that led Simmons to Tavola in 2015. In addition to making desserts at the popular Belmont restaurant, she prepped food and helped serve private events. Soon, she was working on the line and putting together salads for Tavola’s then-chef de cuisine Caleb Warr, “a great mentor who took me under his wing and really showed me how a chef is also a teacher,” says Simmons. “He was so patient, and took the time to show me all the little things.” Eventually promoted to sous chef, Simmons was named the Italian eatery’s executive chef in 2021.

On a typical day, she arrives at Tavola around 11am to receive the day’s food orders (many of the restaurant’s ingredients come from local farms, and its specials are based on what’s in season), and begin prepping, which means everything from baking bread or cheesecake to preparing sauces or butchering half a pig.

“That’s the joy of it,” says Simmons, who earned Best Chef honors in this year’s Best of C-VILLE competition. “And I love cooking for all the foodies here, people who appreciate our open kitchen and seeing how hard we work. They see it all go down, and they like the food even more [because of it].” 

Simmons prides herself on preparing some of the area’s finest cuisine (linguine alla carbonara, anyone?), but she also makes it a priority to share her culinary knowledge, scoffing at those TV and movie chefs who terrorize their kitchen employees. 

“Nobody appreciates going to work and being yelled at,” Simmons says. “I had great teachers coming up. And I want to reflect the way my grandma, Justin, Caleb, and [Tavola co-owner and chef] Michael Keaveny treated me. You need to enjoy your job to enjoy cooking. A big part of what I do is take the time to show everyone else how it’s done, so they can take what they learn and teach someone else and keep the ball rolling.”

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All the pretty horses

Talk about a gift that keeps on giving: In 2006, local philanthropist Fred Scott donated an antique carousel to the Virginia Discovery Museum, which oversaw its installation on the Downtown Mall. After 15 years and millions of rotations by seven horses (the VDM estimates that more than 100,000 children ride the carousel every year!), the beloved whirling wonder—one of the oldest remaining self-propelled carousels in the country—was in need of restoration.

Re-enter Scott, who, in honor of the museum’s 40th anniversary, made a generous pledge to restore the 1910 carousel to spinning glory. Then came a matching grant challenge from the Perry Foundation, and area families, businesses, and foundations quickly stepped up. Local contractor Martin Horn and artist Christy Baker did the work, with a monetary assist from Apex Clean Energy, Bama Works Fund, The Caplin Foundation, Chilton Trust, Loring Woodriff Real Estate Associates, Martin Horn, S&P Global, and Virginia National Bank. 

During the May ribbon-cutting ceremony, Janine Dozier, the VDM’s executive director, said restoring the carousel, which is free to ride and open to the public during the museum’s hours, was “truly a labor of love. …After what has been a long and difficult two years for everyone, reviving the carousel [is] a wonderful gift to the families of Charlottes­ville.” To which we say: Giddyup!

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Up on the roof

What beats tucking into a big ol’ plate of Huevos BlueMoonos? Tucking into a big ol’ plate of Huevos BlueMoonos while enjoying a rooftop view of the city. Always a stellar bet for breakfast, the Blue Moon Diner now boasts an open-air space with primary-colored tables and chairs beneath large umbrellas atop its recently renovated West Main Street digs. And did we mention there’s a sweet little bar up there too? We’ll take a Ghostly Bloody with our eggs, please.

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The marrying kind

It takes a lot to surprise Sarah Fay Waller. No, she’s not a spy. Nor is she a volcanologist or a roller coaster designer or an underwater welder. She’s a wedding planner, and when she says she’s seen and heard it all (say, a bride who dreamed of synchronized swimmers performing during the cocktail hour), believe her. 

“I’m always up for the adventure of the unexpected!” Waller says. “And any opportunity I have to ensure that a couple’s day is a true reflection of their individual styles and personalities, as well as a blend of their relationship together, is incredibly meaningful to me.”

A University of Virginia grad with a master’s degree in art history, Waller started Day by Fay in 2017 after spending five years assisting a friend with her wedding planning business. She says a semester in Rome, where she immersed herself in the city’s classical art and architecture, literature, music, and tradition, still inspires her style, “a blend of timeless and whimsical.”

Waller’s primary focus, though, is on the planner-client relationship. The first thing she offers her clients is a 45-minute video call, during which she learns more about each of them, their vision for their wedding, and the kind of support or guidance they’re looking for when it comes to their day. “It’s so important that the relationship is a mutual one in which direct conversations can be had with total transparency, and expectations can be managed.”

Waller says one of the things she enjoys most about the wedding planning process is presenting a couple with their design board, a reflection of their lifestyles and a vision for their wedding with “a uniquely curated design…[that she’s created] just for them.” Another favorite moment is on the wedding day, when Waller and the couple walk into the reception space and see their design brought to life, just before guests are invited to join them.

Speaking of guests, there tends to be fewer of them these days, she says, because two-plus years of a pandemic has altered the way many couples are heading to the altar. “It’s caused people to rethink and reconsider so many details,” Waller says.

Weddings are smaller, and couples are willing to get married sooner or during the off-season, so they don’t have to wait for an available Saturday. Ceremonies and cocktail hours continue to be outdoors, and couples opt for plated meals instead of a buffet, where guests are touching shared surfaces and using the same utensils and dishware. 

But those smaller wedding ceremonies are often followed by larger cocktail hours and receptions with extended family and friends. As for other trends, Waller says she’s seeing “some absolutely incredible floral installations, which we can never get enough of, and some jaw-dropping veils.” And while she’s “a sucker for a sweet sparkler send-off,” she’s “always excited” to see alternatives—whether it’s a petal toss, a post-ceremony receiving line, bubbles, or glow sticks.

But at the end of the (big) day, Waller says what she loves the most about weddings is “celebrating two individuals committing to each other in the presence of the people who mean the most to them: their families and friends.”