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C-VILLE’s most-read stories of 2017

As we turn the page on 2017, we look back at the top 17 stories from our website this year.

1.  Sticker shock: Charlottesville health insurance premiums spike to highest in nation

2. Domestic violence victim Whitney French touched the lives of many

3. The kids are alt-right: Your guide to the new crop of white nationalists

4. Unite the Right counter events, business closings

5. United we stand: Charlottesville says no to hate

6. Candid Cantwell: An afternoon with the ‘Crying Nazi’

7. Police show up at activists’ doors

8. KKK rally peaceful, police tear gas protesters afterward

9. Haves and have nots: Unity concert divides Charlottesville

10. Robert Davis’ mother killed in head-on collision

11. ‘Fuller truth’: Love v. Huguely hearing presents new version of Yeardley’s death

12. A quick chat with Phil Lesh: Grateful Dead bassist talks Lockn’ return and missing Jerry

13. Police expect thousands, closed streets downtown August 12

14. A KKK grand dragon goes on the record

15. Victor Dandridge III sued for allegedly stealing $7 million

16. Miller’s time: Candidate arrested in mall shout-down

17. A new page: Longtime 10th and Page residents are seeing a shift in the neighborhood

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Our Charlottesville: Essays on the effects of August 12 then and now

The effects of August 12 are both visible and unseen. Palpable and elusive. Deeply felt and formative. Last week, Fourth Street—where Heather Heyer was killed while marching alongside other counterprotesters to let white nationalists and the watching world know that hate has no home here—was renamed in Heyer’s honor.

The international spotlight that shone on our city following that weekend was undoubtedly blinding, and it brought to light deeper truths about our town and ourselves that we have sometimes shied away from. But growth is birthed from pain. And by confronting our past and present, we are collectively moving toward a stronger and more unified future.

For the last issue of the year, we collected essays from local residents, faith leaders, activists, students, teachers and government officials who told us how August 12 impacted their lives—then and now.

David Vaughn Straughn. Photo by Eze Amos

David Vaughn Straughn

Member of Black Lives Matter Charlottesville and Solidarity Cville, artist, writer, community organizer

The Downtown Mall is where my father worked, where I worked, where I’ve had countless drinks countless times, and where I met my first high school girlfriend. There was a lot of joy linked to this place, and I identified Charlottesville as a haven of warmth and security even when living elsewhere. Now it’s almost impossible to cross Fourth and Water without a chill down my spine; to not feel the pangs of anxiety, hypervigilance, resentment and the desire to isolate.

The air is still thick with particles of tear gas and smoke.

The streets are still stained in blood.

It still stings.

However, these horrible experiences brought a community together to eliminate hate and defend our hometown, and I have met so many extraordinary, powerful, beautiful people who hold profound values of devotion and who fight valiantly for the most marginalized.

To these people I am incredibly grateful that I am learning how to honor all people sincerely and respectfully, be they queer, trans, disabled or otherwise marginalized; that I am connecting more deeply with the people of color in my community, as we celebrate blackness and the complexities that lie within it; and accepting that I am (as we all are) a product of a pervasive, white supremacist heteropatriarchy, and being willing to unlearn toxic social beliefs and practices.

Also to truly know what it means to believe that All Black Lives Matter, not only in the general sense, but that the very existence of all of the black people we speak with and come in contact with on a daily basis matter. All of these various feelings, emotions, concerns, fears and viewpoints absolutely matter; that not only Trayvon, Sandra, Eric, Michael, Tamir and other lives already lost matter, but also that my neighbor’s life, words and presence matters.

Also, in that belief that All Black Lives Matter, I believe that my life matters.

Standing in the midst of this visceral hate within these tragedies, this anger and seething vitriol in front of me, in the midst of almost being crushed by a car in an act of terrorism, I am finally ready to live. I am finally ready to persist and thrive; to not just float down the stream of life, but to row with fervor and passion, fueled with the fire of those before me who dreamed of the chances I have today, and who died for the rights I have yet to receive.

The incidents of the weekend of August 11 and 12 prove that the right to live as a person of color in this country, truly free, without fear of harassment, subjugation or violence, is a right that has yet to be allowed to us.

Leslie Scott Jones. Photo by Cara Walton

Leslie Scott-Jones

Author, activist, artist

The Summer of Hate undoubtedly affected all of us. The thought that there are people whose main objective is to harm others is alarming; the idea that they’d travel hundreds of miles to hurt people they’ve never even met is almost too difficult to fathom. Life before this past summer in Charlottesville was, for many, the idyllic picture that most people outside believe. Inside, for people of color, life in Charlottesville is the same as it ever was. The veil of unspoken racism was made transparent on July 8, 2017. It was shouted from the throats of City Council, police officers and, yes, Ku Klux Klan members. On August 12, 2017, that veil was ripped down by a car purposely driven through an unsuspecting crowd, killing one woman and injuring many others.

Those who were inches from that act of terror are still dealing with the ramifications. Ones who weren’t standing on Fourth Street are dealing with the guilt that they weren’t inches from it with their friends. I plunged myself into art, into work. After directing Jitney by August Wilson at the Jefferson School African American Heritage Center, I accepted a role in Seven Guitars, also by August Wilson and produced at UVA, with no break. I dove in, trying to make sense of my guilt, my own terror. It took me months to walk the Downtown Mall again. I’m still uneasy because I know that the hatred did not come from out of town. It is home. It lives in the same place I have called home for my entire life.

Walking down a Charlottesville street was always a tricky thing for me. My brown skin feels like a bull’s-eye painted on me. That target is just as bright for me today as it was the afternoon of A12, when I was being ushered into a safe house…just in case. Now, I feel I have a moral responsibility to walk these streets to show all of the people who were standing next to Heather when she died that I respect the sacrifice they made for me. I walk these streets to send a message to people who hate me for something I cannot control: They will not take my life from me, they will not take my town.

I was fortified with the words of a dear friend and fellow activist who spoke to me through tears on A12: “This will not stop me. I will go harder. I will not stop.” In that moment I realized I could not let them fight this alone. I had to stand with them and for them.

I deal with the hatred by doing art that continues to show people of color as human. I will lift up those stories to show people that humanity is universal. I will make white people understand that the same lie that created racism in this country has hurt them, too.

Moving forward we have a common goal of ending racism in America. We have people whose eyes have been opened. The journey may be hard; it may take time. For me and for my fellow activists and artists, we are determined to stay on this road until the end. I lean on my friend’s words whenever I think the road is too hard, or this fight will be too long. I repeat them to myself, like a mantra: This will not stop me. I will go harder. I will not stop.

Photo by Eze Amos

Tom Gutherz

Senior rabbi at Congregation Beth Israel, member of the Charlottesville Clergy Collective

It was a little bit shocking for many people in the congregation to see that openness of antisemitic signs, using chants and slogans and symbols. Most of us had had some encounters with antisemitism, in the course of growing up and being a minority and, in most cases, it was probably what I would call the garden variety antisemitism, statements being made out of ignorance, but not always. But I don’t think anybody had really expected to see this kind of hate, and the youth and the vigor and the excitement of those people and the signs that they carried—for many people, it was disorienting. In the aftermath, it made us sit back and question some of the assumptions that we have about how comfortable we should or could feel in places we do feel comfortable in and that we do feel very much a part of.

We are right in the center of everything here at Congregation Beth Israel. One block from Emancipation Park, one block from Justice Park, one block from the courthouse where all these cases are being tried. In some ways, it has really changed the way we think about our own safety in a way that, I would say, we never have before. And that’s sad.

On the other hand, at the expense of going through this as a faith community—we had a very strong sense that the synagogue might be under threat—it really reminded people how much they care about this place, this community. How much they care about our building, how much they love to pray in this place, and how much they value this tradition as a source of comfort and strength—and resilience.

I was just at a clergy conference in Boston and people asked quite often, “Have you healed? Has Charlottesville healed?” And I think the answer is, well, not yet. As long as these court cases are still going on, there’s still a desire for justice, there’s still a desire for accountability. The question of the monuments is not settled. Charlottesville comes up quite often in the language and conversation of some of the haters out there. And we ourselves are not rushing to say, “This is all in the past, let’s just go back to the way it used to be,” because the discussion about the monuments and the role of City Council, all that did reveal—and continues to reveal—are some deep issues that our community has to deal with. I’d like to think that that’s going to have a positive result in the end. I’d like to think that some of those conversations will be seen as more necessary, and that we’re really going to pay attention to and hopefully find some solutions and work forward on them. That’s the good part about not healing too fast; it leaves open that desire to get to the root of things.

Eboni Bugg

Senior manager for diversity, inclusion and global outreach at the Mind & Life Institute, therapist, yoga teacher

I should begin by saying that although I was present for the rallies in May and July, I was abroad on August 11 and 12 and my perspective on the events of the summer exists within this context. The magnitude of the chaos, trauma and intensity of A11/12 was conveyed to me via news outlets, social media, friends, family and in the interpretations of the people I encountered across Europe and Botswana where I was traveling. The juxtaposition of attending a conference reflecting upon the African philosophy of ubuntu and exploring our shared humanity while my home was in turmoil can’t be understated.

In the midst of this dissonance, I received numerous emails and telephone calls requesting clinical presence for individuals and groups affected by the alt-right presence, violence and domestic terrorism. Most of these calls were for queer, trans and POC [people of color] affirming care, which can be difficult to come by or assess in our community. Since coming home, I have been providing ongoing support to many who have experienced trauma in the wake of A11/12, but also working with local organizations and groups to bolster awareness of the underlying issues that have permeated our community prior to the events of the summer. People often inquire as to what is different about my work post-A11/12, and the reality is that for many of my most vulnerable clients and the way I support them, much remains the same. The underlying societal imbalances that contributed to the trajectory of events over the summer is interwoven into the very fabric of our town.

In many ways, Charlottesville, in the shadow of Monticello, represents the birthplace of the American contradiction: life, liberty and freedom—for some. This contradiction extends into our major institutions and services for education, medical care and mental health. There exist disparate health outcomes for many marginalized groups in Charlottesville and very few providers that reflect the demographics of the community. The events of A11/12 in many ways highlighted these issues and my hope is that in the wake of this ongoing tragedy, our systems become better able to support those disproportionately affected by institutionalized oppression, but also create systems of accountability to help redress power imbalances.

In the work I do for groups and organizations, I love talking about ways of providing critical services such as education, medical care and mental health treatment in culturally responsive ways. This type of care reflects the potency with which culture impacts our ability to be successful in life, centers the individual’s culture as the frame of reference for offering help and is representative of the community it serves. This model works toward empowering communities from within, building capacity for historically under-resourced groups to build equity in their own health and wellness. Numerous community agencies have extended significant resources to respond to this crisis…this is not an indictment of their work. But as I reflect on what I have learned over the summer, I am also called to reflect on the work of the activists and community organizers who laid significant groundwork for us to question the validity of existing structures and to harness the energy of community to respond nimbly. As painful as these events are, the people who are seeking help have the opportunity to heal, not just from this trauma but from other traumatic experiences.

I have seen some internal barriers to vulnerability breaking down, and I’ve seen people really wrestling with the beautiful struggle of claiming and understanding one’s identity. By the time someone comes to see me, they’ve already done the hard work, and my job is to bear witness. It’s been a remarkable opportunity for me to be of service.

Brittany Caine-Conley. Photo by Eze Amos

Brittany Caine-Conley

Lead organizer of Congregate C’ville

I lend many thoughts to embodiment, always considering what it means to live and express faith in a bodily, present way. Faithful presence was the focus of my summer and the reason I showed up to counteract overt, violent white supremacy.

Both on July 8 and August 12, within the turmoil and the conflict and the exhaustion and the complete despair, I experienced what it means to be embodied, what it means to know something in my bones. I felt the evil of white supremacy to an extent I had never previously encountered.

I had witnessed white supremacy with my eyes. I understood it with my mind. I even prayed about it and lent my spirit and time to dismantling it. But I hadn’t encountered violent white supremacy in my bones.

In White Christian America we like to think about things and pray about things. We look at oppression and supremacy and evil, we mentally process oppression and supremacy and evil, we pray for the end of oppression and supremacy and evil, and we institute programs to address oppression and supremacy and evil. But we don’t actually experience oppressive supremacy in our bones.

There’s a striking difference between perceiving oppressive evil in our minds, seeing oppressive evil with our eyes, feeling oppressive evil with our flesh and actually knowing oppressive evil deep down in our bones. When a truth lodges itself in our bones, reality begins to shift.

We can’t simply think and pray and write checks and create programs and expect justice to flow like a river. Our reality will transform once we allow uncomfortable truths to lodge deep down inside of our bones. Goodness and justice will flow when we learn how to be present in the face of evil and oppression, when we experience, in our bodies, the very thing we hope to change.

May we show up. May we practice presence. May we learn how to accompany one another, not just with our thoughts and prayers, but with our bones.

Jocelyn Johnson

Jocelyn Johnson

Johnson Elementary School art teacher, writer

I tried to prepare. I braced against it. Still, August 12 in Charlottesville shifted something in me. When those men raised their Klan-marked Confederate flags, I felt like I could not breathe. When they chanted “Jews will not replace us!,” my mind flew back to visiting Germany in high school. Our school group took a day trip to Auschwitz. Sixteen and standing in that fallow place, the truth of history felt far away, as if a curtain of time shielded me from all the obscenities that had occurred there.

This summer, when those men aimed their rage at brown and black bodies, at immigrants and refugees and Jewish people, I felt overwhelmed with grief. By glorifying brutality and genocide, they proved my teenaged self wrong. The symbols they brandished, the chants they resurrected, made those historic atrocities feel close in the cave of my chest. Just like that I understood there was no distance. We could do terrible things. Terrible things could be done to us.

In the weeks afterward, I couldn’t sleep. I watched colleagues and students tearful and exhausted as the school year started. I wrestled with the fact that this spectacle of hate was now part of my son’s understanding of the world. Signs of anger, fear, stress and depression were more visible in our civic discourse and on my Facebook feed. Folks seemed to be retreating into smaller inward-looking circles, distrustful even of those who have a slightly different point of view.

But lately, I’ve noticed that people have grown more committed too, more determined. It’s as if they are also thinking what I’ve come to know. If there is no wall of time to protect us, then there is only us. If those men could position their bodies to do harm, then we can angle ours to do good. Those men offered us a rare close-up view of where tribalism and intolerance lead, but the legacy of August 12 is still forming in our hands. What if we manage to work together to define ourselves in blindingly stark contrast? What if we channel our new anxious energies toward fostering equity, diversity, decency? We face real challenges in this town and on this fragile boat of a planet. August 12 convinced me, we need each other more than ever now.

Photo by Eze Amos

Heather Hill

City councilor-elect

I believe our city’s reputation as an open and welcoming community made us a target for white supremacists seeking to aggressively oppose our ideals. Their actions on the weekend of August 12 revisited the worst demons of America’s past and reinforced the sad reality of the continued hate and discord among some Americans.

While the horrors of that weekend were the direct result of hate-filled visitors pouring into our city, the response of our government revealed systemic issues that have been present for some time. These include a lack of communication, coordination, responsiveness and an unwillingness to leverage external resources effectively. If we cannot handle the day-to-day responsibilities of government well, how can we expect to handle extraordinary situations?

This summer’s events have galvanized many of us to address the systemic flaws in our city. I believe that in order to accomplish this we need to focus on how our local government is structured and identify changes that make it more effective and more citizen focused. We need to educate ourselves so we understand how a strong economic base supports so many of the community’s needs. We need to work with our state leaders to influence decisions currently not in our direct control. Finally, we need to create mechanisms that enable us to develop a mutual understanding, working together to be effective problem solvers.

In the months that have followed August 12, I have heard from more and more people who want to be part of a meaningful path forward, yet ironically the public discourse that has been shaped by the rightful anger from the summer’s events is preventing the change we all want and need. This goes against what I believe our community wants to be—open to each other and our differences. I believe there is something to be learned from everyone, whether they speak loudly or softly, whether one may agree with them or not. It is important for voices to be heard by their government but it is also important that we maintain a respectful atmosphere where we treat and speak to others as we hope they would treat and speak to us.

It is hard for me to put into words how much my life has been enriched the past year by going into spaces less familiar to me and engaging with such a diverse and passionate set of voices. This experience has given me a new lens from which I now view our community, its diversity, its history and its future. I could not be more excited about the potential we have as a community to come together, build relationships and leverage our collective resources as we write the next chapter for our Charlottesville.

Tim Dodson

Tim Dodson

Third-year UVA student, current managing editor and incoming editor-in-chief of The Cavalier Daily

I can’t walk around the Rotunda without imagining the heat of the torches from the racists marching past me, or pass through the Alderman Library parking lot and not think of how white nationalists threatened to break my camera as I saw them throw a man to the ground and pile tiki torches into the back of a U-Haul truck.

When I walk downtown, I have flashbacks to choking on chemical irritants and militia men patrolling the streets.

I can’t forget looking down from the top of the Water Street Parking Garage on the scene of the two other vehicles hit in the car attack, surrounded by posters and fliers victims dropped as they fled the scene.

The events of August 11 and 12 still haunt me, and because the news never stops—reports being released, UVA students making demands of the administration, court hearings—I haven’t had much time to reflect. Journalists—yes, even student journalists—have a responsibility to follow the stories.

I’m still traumatized by what happened to the city where I’ve lived for my entire life, and I can’t imagine what it’s like to be someone who was injured on those days, or a member of a minority community targeted by the white nationalist movement. But I can listen.

August 11 and 12 taught me that journalists must listen to the wide range of perspectives in our communities and approach our work with more empathy. For example, I saw reporters and cameramen step on the flowers at Heather Heyer’s memorial. That was troubling, to say the least. In October, we also saw a local news station air an interview with a white nationalist leader who described torch rallies as “mystical and magical,” just days after the community’s wounds were reopened with another torch-lit rally.

The events forced me to think critically about my own work. I interviewed Richard Spencer for a piece about his time at UVA that The Cavalier Daily published earlier this year, and even though I made it clear he holds racist beliefs and included perspectives of people critical of his movement, I wonder if the potential harm of that article outweighed the importance of the question of how UVA shaped him. I stand by the reporting, but the ways in which we cover white nationalism demands reflection, and a willingness to admit we can and should do better.

A key challenge moving forward is engaging citizens and leaders to ensure the events of this past summer never happen again. From a journalistic perspective, that means providing students and community members with the information they need to get involved, whether it be at a student council, Board of Visitors or City Council meeting. It also means getting leaders on the record, and keeping them accountable when they fall short.

Jeff Fogel. Photo by Jackson Smith

Jeff Fogel

Civil rights attorney

In my six-plus decades of life, I have been at many demonstrations, protests and marches, but I had never seen such a spectacle of hate as graphic as that displayed on August 11 and 12. I was, however, glad to be there among so many people outraged by this scene and condemning fascism, white supremacy, homophobia and xenophobia. I was also happy to see so many people reject the idea, proposed by most of our city leaders, to leave the Nazis alone, on the misguided notion that they will just go away.

Never before had I seen police refusing to stop violence, ignoring pleas to intervene. Nazis were simply allowed to roam the streets of our city, threatening and intimidating and finally killing and maiming. Learning that the state police were ordered to stand down and that even the Charlottesville police were told to intervene only for serious bodily injury or death was shocking. I am representing people in seven different cases arising from July 8 and August 12, as well as incidents leading up to both events. In most cases, the defendants are demonstrably innocent and their arrest (even if they are ultimately acquitted) constituted punishment for exercising their free speech rights.

The aftermath of August, however, has also seen a positive and significant shift in the understanding of racial oppression in our community. Racial oppression, after all, is the flip side of white supremacy. Discussions about low-income housing, disparities in wealth and income and the treatment of African-Americans in the criminal justice and social service systems are all on the table and enjoying widespread support. We even elected [to City Council] a native of Charlottesville, an African-American woman and independent who sees through lies and hypocrisy. We have many moons to go to achieve true racial equality, but I think Charlottesville may be ready.

Charles Weber Jr.

Attorney and one of seven plaintiffs who brought a lawsuit against the city to stop the removal of the General Robert E. Lee statue

I am an optimist by nature. I would like to think that three watershed events of 2017 might present opportunities for change that could benefit all of the people of Charlottesville.

First, City Council, in reckless disregard of Virginia law, voted to remove our two historic Civil War monuments from our public parks, sparking the most serious political crisis in recent memory. In contrast to the overheated rhetoric and actual violence of the public demonstrations, the lawsuit filed against the city has proceeded respectfully and with the dignity required of legal proceedings.

Prediction: The city will lose the case and be ordered not to remove or interfere with the monuments. City Council will be forced to face reality. Some will not be happy with the result, but most of the public will understand that the rule of law prevailed and will more deeply appreciate the deliberative process of Virginia law.

Second, the city’s planning and real-time responses to the demonstrations and counter demonstrations over the summer have exposed inherent flaws in the structure of our local government. The purpose of democracy is to legitimize power and provide political accountability for those who exercise it.

Unlike the Constitutions of United States and Virginia, our city charter merges both legislative and executive power in one body, a city council composed of five part-time legislators. The city manager is an employee of City Council and not directly accountable to the voters.

So who can the voters hold politically accountable for shortcomings, real or perceived, in the executive branch of government this past year? Answer: no one really.

City Council met in executive session and emerged with a litany of mea culpas but no answers to the question of executive responsibility. A leader can always delegate authority but never responsibility.

The Heaphy report stands as Exhibit A for the proposition that a committee of five is structurally unfit to wield executive power. The people of Charlottesville would be better served If executive power were vested in one person, a full-time mayor elected by and accountable to the people.

Finally, on election day, the good people of Charlottesville, in a clear rebuke to the dominant Democratic party, handed Nikuyah Walker a historic victory—the first independent to be elected to City Council since 1948 and the first time in the history of Charlottesville that two African-Americans will serve simultaneously. What took so long?

Our charter specifies that all city councilors shall be elected at-large. In some localities, at-large elections have been found to violate the Voting Rights Act. In Charlottesville, at-large elections were adopted in 1922, at the height of the Jim Crow era, and were intended to disenfranchise as many impoverished people, including most African-Americans, as possible.

Until this past election, only seven African-Americans had ever been elected to serve on City Council in the entire history of Charlottesville as an independent city, the first being elected in 1970.

In 1981, a referendum calling for ward elections was passed by the voters, However, the Democrats on City Council nullified the vote and scheduled a second referendum. The second ballot initiative failed.

I believe that the people of Charlottesville, regardless of their skin color, will benefit by electing their councilors from smaller electoral districts. Doing so would alter the way in which the average citizen relates to his or her local government and could fundamentally improve the political culture in Charlottesville.

Kristin Szakos

Member of the Charlottesville City Council since 2009. Her term will end at the end of December.

When I ran for office eight years ago, I was fresh off the Obama campaign, and had become convinced that many of the things I’d heard from folks at the doors while canvassing—the desire for racial equity in education, for affordable housing, for living wage jobs and for access to government—needed to happen at the local level as well as in Washington.

I campaigned on those issues, and I have kept my focus on them ever since.

Before joining City Council, I was inspired by the work of the Dialogue on Race, instituted by Councilor Holly Edwards the year before, and had served as a facilitator to one of the Dialogue groups. The group’s focus on action as well as talk gave me—and many others—hope that the changes folks at the doors had wanted would be implemented.

And many have. The action items coming from that process have led, with City Council support, to Charlottesville’s Human Rights Ordinance and Commission; the keeping and sharing of racial data regarding police stops to be able to track and address racial inequities; the opening of the Jefferson School African American Heritage Center; the founding of a Promise Neighborhood—the City of Promise; creation of a job readiness/training/hiring program for people who have long been unemployed or underemployed; and a commitment as a Second Chance City for people with felony records.

Council also created and recently doubled the affordable housing fund and adopted policies to increase the production and preservation of affordable housing and counter pressures of gentrification. We have welcomed immigrants and refugees into our midst and celebrated our cultural diversity.

And yes, we voted to remove the Confederate statues that dominate our downtown parks—although a Circuit Court judge has issued an injunction keeping us from removing them.

But the work that made our city more fair and equitable was part of what brought white supremacists raging and screaming into our midst. Our commitment to move toward equity infuriated them, even as it fell short of what others had hoped for. And although I am heartbroken at the violence and the loss of lives the white supremacist rage inflicted, I cannot be sorry to live in a community that they object to.

The events of May 13, July 8 and August 12 have shaken this community to its core. The violence and our flawed response left many feeling unsafe and threatened, searching for who to blame. Council has heard fear and frustration and anger from every perspective: those who feel the changes haven’t gone far enough and those who feel they’ve gone too far.

I am hopeful that in the coming year we can recommit ourselves to building bridges, to listening, to talking to one another rather than at one another, acknowledging that we are all flawed and trying to be better. Vitriol and rage have their place, but they will not help to build up a community where all can feel safe and valued.

There’s a lot to do to make this the kind of community we know we should be. Overcoming 300 years of racial injustice and inequality in income, education and opportunity—along with supporting a thriving economy, keeping everyone safe and maintaining our infrastructure—are challenges that now face the next Council and the people of this city. I am confident that they are up to the task.

Photo by Eze Amos
Photo by Eze Amos

Mike Signer

Mayor of Charlottesville

I’m often asked if I’m an optimist or a pessimist after this year in Charlottesville. While I do have a combination of outrage, fury, disappointment, sadness and regret for what we were forced to endure, and for the many failures of our city and state governments documented in recent investigations, I answer that I’m still an optimist. I firmly believe we will overcome this dark chapter in our country’s history just as we did other dark chapters, whether McCarthyism or Jim Crow, through the very values and principles that make us Americans.

To the extent Charlottesville revealed a city, and a nation, that are vulnerable to this year’s firestorm, the years ahead will require the work of any village protecting itself from blazes. We have to address the inequities laid bare by this terrorism, and to make sure that such horrible events never happen again. This is why Charlottesville’s recent actions are so important, from creating more than 200 new units of affordable housing, to overhauling our permitting system, to suing the armed paramilitary groups who invaded us to prevent them from ever threatening us again, to the city manager announcing reforms for how the police approach these events.

I also take heart from political developments. In the recent statewide Virginia elections, candidates running on Trumpism were defeated by an unprecedented surge of activated voters. This stunning wave showed that, through it all, American constitutional democracy is alive and kicking. We are being stress-tested, and while it’s painful, we’re presenting the resilience and dynamism that leaders from James Madison to Martin Luther King Jr. saw as the heart of American democracy. The alternative of a passive and cynical populace just giving up would be much, much worse.

And so I believe that the year 2017, and the expansion in the resistance to Trumpism that followed Charlottesville, will ultimately rank as one of this country’s greatest constitutional moments, on par with the period of deep democratic self-reflection that occurred in the 1930s, as democracies in Europe fell one by one to tyranny, and as Sinclair Lewis wrote the best-selling novel It Can’t Happen Here.

To paraphrase many others, there’s nothing that’s wrong with us that what’s right with us can’t fix. But nothing will happen because of arcs of history or pendulums swinging on their own. It comes down to us—to individuals and organizations working hard to strengthen democracy, to embody the resilience that is the soul of American democracy.

Eze Amos

Eze Amos

Photojournalist

How has the summer affected me? Well, I’m heartened by the way the community has come together. July and August affected everyone in Charlottesville, and it’s amazing how people have reacted to it. In all, the community is in sync with the idea of bringing love back to Charlottesville. The whole thing has been dubbed “the summer of hate” and it’s amazing how people have come together to try not just to restore Charlottesville, but to be honest about the realities here and to build a better city. This city is my home. This is the place I came to as an immigrant a decade ago. I’ve never lived anywhere else in America. I love this city. And it’s my honor to be a small part of telling the story of my city. I’ve been following the rise of this white supremacy in Charlottesville for a few years now. I feel I know the story. I feel I am the right person to help tell it. And yet nothing prepared me for August. I wish I could have taken one photo that would have conveyed everything that happened that day. It was unreal.

And of course even as I appreciate how the community has come together, August has also helped me to name realities I’ve always sensed about Charlottesville but that I know some of my lighter-skinned friends don’t like to talk about. The tensions between black and white Charlottesville, the lack of diversity downtown—I see these issues more now. It has made me look at everything, at every person, in a new light. It has changed the way I see my environment now. Especially that day—being out there and seeing well over 1,000 people who came to Charlottesville all united in one thing: hate. You could see the hate on their faces, and the interesting thing about that is that these people didn’t actually know us at all. They just came into this town in order to hate us. These are adults, not just kids, not just youth who have lost their way. Some of them are old, grown men. Family men. You could tell that these guys have careers, they are professionals. The guy who punched me in the face, he looked like a family man. A man who has kids. And he came to my town with a shirt that has Hitler on it, and you could see the look on his face when he punched me, looking at me as though I was a thing. All of that has affected me in ways that I probably don’t even understand now. It has changed me.

I’ve been attacked online several times. I’ve been doxxed. I’ve always heard this before, but I never knew it to be true that black people look alike. Really, we do? A white supremacist picked a black face in the crowd and said I was the person, and he published my name next to the photo. He declared that I was a violent photographer and should be arrested. I looked at the photo and I look nothing like that person. My name was also on this list of dangerous antifa in Charlottesville that was published on a Nazi site, right alongside Tom Perriello. I guess I should be proud to be in the big league. I guess those guys just upped my status.

The impacts of August are ongoing and pervasive. As a photojournalist I go to every event I hear about. I go to all the City Council meetings and witness the confrontations over and over again, and I’m thinking, “Is this really Charlottesville?” I get it—people are angry, they have a right to be angry—I don’t want to say they shouldn’t be. But it has just changed everybody. The slightest thing will just tick people off. And it also has affected me. As much as I try to stay neutral, I have to admit that I’m still a black person. I’m still a black photojournalist. I’m still documenting the fallout. There are traces of August everywhere. There is no passing week that I’m not in a space or a conversation or an action that doesn’t remind me of that day. The mark of that day is never going to leave this town.

I haven’t been able to take a breath since August. I have been working non-stop. I’ve noticed in my everyday life that my capacity for patience just in general has been worn down. It is hard to live with this pressure for such a long time. To be perfectly honest, I could use a vacation.

But I also want to focus on the positive. I have made so many new friends since that day. In the few weeks following August 11 and 12 I probably made 500 new friends on Facebook. I see a lot of people downtown now who say hi to me. The summer of hate has actually helped me to build a bigger community of people in Charlottesville. I do love this city.

Photo by Eze Amos
Categories
Arts

Album reviews: Des Demonas, Monster Rally, Chris Gantry and Various Artists from the Peruvian Andes

Des Demonas

Des Demonas (In the Red)

I’m not a subscriber to the “worst times spawn the best punk” school of thought—after all, times are always bad on some level—and perhaps because the underlying rot has always smelled the worst in the nation’s capital, great punk has always come out of D.C., no matter who’s president. But these incredibly dark times have definitely provided some rich fodder: See “The South Will Never Rise Again,” the rousing leadoff track on Des Demonas’ terrific debut. The band—something of a D.C. dream team including members of The Make-Up, Medications and CityGoats—doesn’t let up, dishing Farfisa-soaked scuzzy noise for a solid half hour, and Jacky Cougar Abok seals the deal with a bracing bark halfway between Mark E. Smith and Damo Suzuki, a perfect vehicle for righteous indignation. Invigorating stuff.

Monster Rally

Flowering Jungle (Gold Robot)

Cleveland-bred, L.A.-residing Ted Feighan began releasing music as Monster Rally in 2010, following in the footsteps of magpie collage artists like Mr. Scruff and Avalanches. In time, Feighan carved out a distinct aesthetic of hazy, harmless grooves forged from tropical/exotica records and rudimentary funk drum tracks. Though the production values are cleaner on Flowering Jungle, he hasn’t wavered from his formula—and it is a formula; there aren’t any standouts or variations of mood. Fortunately, it’s a congenial, likable mood, languorous and chilled out but askew enough to avoid elevator/lifestyle boutique territory. There’s even an occasional light touch of menace—Cleveland in the rear view mirror—but nothing that would make anyone take Flowering Jungle off the stereo on a sunny, untroubled weekend afternoon.

https://monsterrally.bandcamp.com/album/flowering-jungle

Various Artists

Andina: Huayno, Carnaval and Cumbia—The Sound of the Peruvian Andes 1968-1978 (Tiger’s Milk/Strut)

Since 2013, the Tiger’s Milk crate diggers have been uncovering fantastic Peruvian music past and present, and Andina is a sinewy, stellar addition to its catalog, an instant cure for winter blahs. The compilation covers a rocky period in Peru’s political history, but the groups on Andina eschew the topic of national administration for the politics of dancing. It’s a varied collection devoid of flimsy Andean clichés—the conjuntos feature a variety of lead instruments (electric guitar, piano, accordion) and stylistic leanings (folk, jazz, psychedelia), and the whole thing is soaked in layers of baião rhythms and a contagious elation. For those inclined, there is also a corresponding cookbook, and I am not kidding.

https://tigersmilkrecords.bandcamp.com/album/andina-huayno-carnaval-and-cumbia-the-sound-of-the-peruvian-andes-1968-1978-5

Chris Gantry

At the House of Cash (Drag City)

Outlaw country, insurgent country—why not acid country? And what else could you call an album recorded at Johnny Cash’s studio—at the behest of the man himself—which features fiddle and dobro masters Buddy Spicher and Bashful Brother Oswald, but kicks off with the line “Flyin’ saucers outside my window / Come on boy, away, away…” and follows with Soft Machine organ solos? On Nashville underground legend Chris Gantry’s never-released 1973 album, strings and mellotrons flutter about; oboes, harps and tablas swing by—and when Gantry isn’t crooning like a countrified Nilsson on “Different” and “Clair Oh Clair,” he’s narrating a shaggy-dog Bible story or the tale of a single human tear. It’s small wonder that Music Row shut its doors to such shenanigans. But these are inspired shenanigans for anyone whose tastes run to the freaky.

https://chrisgantrynashville.bandcamp.com/

Categories
Arts

A slow tumble down the local music rabbit hole

Unranked and surely incomplete, here’s an alphabetical list of what Charlottesville-area artists released this year. It’s longer than last year’s, and based on interviews and conversations with many of these artists, I suspect it’s because the past year hangs heavy in our hearts. And so, we have music to sustain us, whether we make it or listen to it.

Click on the “Charlottesville” tag on BandCamp.com—there’s something new to hear from a local artist almost weekly, whether it’s a single, an EP or an album. Check out what’s going on over on SoundCloud, where psych-rockers Free Idea regularly post lengthy non-album jams to their page. The site is also a treasure trove of local hip-hop, with rappers uploading tracks to their pages almost as fast as they can spit their rhymes (see EquallyOpposite, Quin Bookz, Waasi and many others). Want more still? Go to shows.

Albums and EPs

A.D. Carson, Owning My Masters: The Rhetorics of Rhymes and Revolutions; Sleepwalking, Vol. 1: A Mixtape (hip-hop, rap)

Adar, The Rapids (soul, funk, jazz, rock)

Andrew Neil, Code Purple (brooding acoustic rock)

Animal Sun, Animal Sun (alternative rock)

Astrochimp, State of the Art; Syncrotuning (indie synth pop)

Awkward Bros, Right On! (pop punk)

Backtraveller, 80 (electronic synthesizer and guitar pop)

Big Lean, Convos With Self; XL Lean (hip-hop, R&B, soul, rap)

Bella Morte, Year of the Ghost; One Bright Soul In This Emptiness (goth, darkwave, post-punk)

Bonnie Cash, Collection Day (hip-hop, rap)

Borrowed Beams of Light, Naked Gods, New Boss, Group MMS, Sweeter Than Honey: Live at The Southern (indie psych pop, electronic, etc.)

Breakers, In Search of An Exit (alt-rock, proto punk)

Butterfly Vendetta, Loud & Clear (pop punk, rock)

Carry/Dais Queue, Split (ambient noise)

Cass, 23 (hip-hop, rap)

Charles Owens Quartet, As One (jazz)

Clay Bones, Clay Bones (blues)

corinne, Naomi and The Dagger; Wonderful; Junipearl; Juniper (alternative, lo-fi)

Cream Dream, Bright Idea (post-twee, rock)

Crimson Youth, Improvisations for a Listless Mind; 6 Blue Eyes (experimental, electronic)

Croan, Soul Resurrection (jazz rock, neo-soul)

Cryptids After Dark, Some Distant Light (indie pop, rock)

Dais Queue, My Guitars Vote and various live recordings (experimental)

Davis Davis, Live 11-15-2017  (experimental guitar and cello)

Dave Petty, As You Are (acoustic)

David Dillehunt, Surrender (soundtrack)

Debra Guy, Lucky Numbers (acoustic singer-songwriter)

Devon Sproule, The Gold String (indie folk)

DMV Hef, No Love Lost, No Trust Given (rap, hip-hop)

dogfuck, The Alphabet; Surprise, You Dick! (hip-hop, rap, electronic, experimental)

Eli Cook, High-Dollar Gospel (blues, rock, country)

Eliza Juno, Turing Test (piano indie pop)

Erin & The Wildfire, Thirst (rock, blues)

Ethan Lipscomb, Just Sex (electronic, dance pop)

Fanciful Animals, Digital Pangea (jazz-ish math-ish prog rock)

First of Three, Call The Navigator (ukulele folk)

Floom, Multi-Voice of the Immensity (avant-metal, flute doom)

Fried Egg, Back and Forth (punk, hardcore)

Frohawk, Analyzing My Life EP (midtempo electronic, future bass)

Fulton Ave., Fulton Ave. (death metal)

fwawn, Recent Encounters with the Void (downtempo, post-rock, hip-hop)

Gold Connections, Gold Connections (indie rock)

Graeme Rosner, Close Harmonies (And Other Drugs) (R&B, soul pop)

Grand Banks, various live sets (ambient, electronic)

Greg Brown, Another Dose; Just Tell Me Why (instrumental rock)

Greg Duncan, Unification (jazz)

Greg Howard and Angela Kelly, The Holly and the Ivy (Chapman Stick and flute Christmas)

Guion Pratt, Drone for the Holidays Vol. 1 (ambient, hopeful drones)

Haircut, June 2017 Promo Tape; Shutting Down (punk, hardcore)

Harli & The House of Juniper, Basement Tapes (alternative jam rock)

Inning, Après-Ski (indie rock)

Jan Coleman, Red and Blue; Young People (pop rock)

Jaewar, True! Raw Honey (funk, hip-hop, neo-soul, reggae)

Jean Glas, Music for Blue Light and Baby’s Breath; Temporal Rift; Eat So Well (ambient, experimental electronic)

Jeff Roberts, Lavender Soul (soul rock, pop)

Jon Spear Band, Hot Sauce (blues rock)

Jordan Peeples, Heavy Low (alternative indie folk)

Josh Zimmerman, Simon (electronic, downtempo synthesizer)

Kate Bollinger, Key West (alternative, indie folk pop)

Kathryn Caine, The Gospel According to Kathryn Caine (bluegrass, country, Americana)

Katie Wood, Old Matoaka Amphitheater-live (lo-fi alternative acoustic)

Kendall Street Company, Space for Days (groove rock, jam)

Ken’s Last Ever Radio Extravaganza, various sound collages (noise, electronic)

Kevin Davis, 14 Stations (experimental, free improvisation noise composition)

Kilo Pascal, From Nothing (meditative acoustic, electronic)

Krayon, Krayon (EDM, electronic, future bass)

LaQuinn615217 (rap, hip-hop)

Lauren Hoffman & The Secret Storm, Family Ghost (alternative dark rock/melancholy pop)

Lowland Hum, Thin; Thin B-Sides; Songs For Christmas Time (minimalist folk)

Mill, MILL (rock, baroque indie)

Molasses, Molasses (electronic, experimental, noise, percussion)

Nate Braeuer, Broken Skylight (baritonic piano folk)

Ned Oldham, Dark Mountain (folk, electric country)

New Boss, Third Sister (indie rock, guitar pop)

Noah Zeidman, I’m Not Feeling It (bedroom rock, folk)

Post Sixty Five, Strange Company (ambient, alternative indie rock)

precious bane, canticle of the serpent (lo-fi doom folk dirge)

Raintree, Blush Pool (ambient post-rock)

Rivanna, A Clear Run (acoustic, alternative folk)

Roads, VA, The GEmCD Project; Uncovers; Covers (ambient, avant-garde folk)

Robert Shelton, Virginia Boy (Americana, folk)

Sauce is Matisse, This Prison, This Reality; Mattspergers (electronic-y rap)

Second Draw, The Last Draw (bluejam)

Ships In The Night, Myriologues (dark wave, synth pop, electronic)

Scottie, Scottie (acoustic-y electropop)

Shimmer, 000 (lo-fi ambient, experimental)

Smoke Signals, Odyssey (post-hardcore, metal, scream)

Sondai, Wallflower (hip-hop, rap)

Sorority Boy, Two Demos; Friends/Enemies (dream pop, shoegaze)

Sow, 2017 (punk, hardcore)

Space-Saver, Pizza Party and other live recordings (experimental thrash-sax)

Spectrum, World on a String (funk, neo-soul)

susan, my room (alternative, avant-garde, lo-fi, shoegaze)

Susan Munson, Halfway to Anywhere (acoustic rock, singer-songwriter)

Sweet Tooth, Ache (synth-psych dream pop)

Synthetic Division, The Love of Your Life (electropop, synth pop, goth)

TaliWok, Winter to Spring 2017 (ukulele, melodica, piano, drum machine)

Terry Stokes, Polarity; Invitees; Liminality (singer-songwriter, soul pop)

Tha Lynks, Sorry for your Loss (hip-hop, rap)

The Anatomy of Frank, South America (chamber pop, indie folk)

The Attachments, The Attachments (punk, garage, rock ‘n’ roll)

The Can-Do Attitude, The Can-Do Attitude (cosmic cowpunk)

The Chuggernauts, Oi Oi AHOY pt. 1 (punk)

The Graphic World, The Graphic World (freeform experimental space rock)

The Hill and Wood, When You Go (indie folk)

The Moonbees/Accidental Seabirds, Ladybug House Volume 3 (alt-country, alt-folk, alt-rock)

The Multi-Os, Multi-Os; Triple-Entendre (weirdo folk pop)

The Ragnarockers, Live @ Rapture IV.XII.MMXVII (funk, bar blues)

The Trust Circle, Better Than Nothing (indie, emo, pop punk)

The Unholy Four, Do Not Kill or Be Sober (rock, punk)

The Vailix, Architect (conceptual hard rock)

The Willies, Full Ride (pop, soul pop)

This Hollow Machine, Aleph Null (Part 1) (acid industrial, ambient noise)

Time Nothing, Rythmn In Chaos (beatdown, hardcore)

Travis Elliott, Get In Love (acoustic rock, singer-songwriter)

Turtone, Family, Friends, and Even Aliens (8-bit, experimental)

U.S., Manifesto (alternative, goth, industrial, post punk)

Voice of Saturn, Shapeshifter (electronic, acid, synthwave)

Waterloo, Give ‘Em Hell, Kid (hip-hop, rap)

Wes Swing, And The Heart (dream folk)

Wild Rose, Wild Rose/Demo 2017 (punk, rock ‘n’ roll, hard rock)

Will Overman, Crossroads (Americana)

Whaler, Collections, vol. II (hardcore)

Wülf Boi, Foolish Warrior (rap)

Zeb Vance Henderson, you were beautifully and wonderfully made (experimental, chill post-rock)

Zeek, The Overlooked EP (hip-hop, rap)

Zombietron, The Adventures of Zombietron (loop-y electronic, ambient, experimental)

 

Keep an eye out for music videos, too. Brandon Dudley, aka Lee Bangah, wrote a song and filmed a video about Charlottesville’s Vinegar Hill neighborhood. Check it out below.

 

Forrest and Zaynah Pando of Pando Creative Co. made a video for Wes Swing’s “Mirrors,” starring Swing’s fellow Charlottesville musicians Diane Cluck and Devon Sproule. They’ve made videos for other local bands as well, including Nettles and Post Sixty Five.

Categories
Real Estate

First Night Virginia: New Year, Old Tradition

By Ken Wilson –

It’s called First Night, but it’s really Last Evening meets First Morning, as we finish off the old year and greet the new one, sober but enthused, entertained and enchanted, and in the company of family and friends. The alcohol-free New Year’s Eve celebration, first held in Boston in 1975, is an international tradition now and has been hip-hip-hooraying Charlottesville’s Downtown Mall since 1982.

The 36th First Night Virginia, featuring 22 acts and activities, begins at 4:00 p.m. and continues till the last skit is laughed at and the last step is danced—sometime in 2018. The annual First Night Processional, a come-as-you-are parade along the Mall, begins at the Paramount Theater  at 6:15 p.m. The parade ends near The Omni Hotel at a field of bubble wrap. Come ready to STOMP! Music and magic, comedy and kids’ activities—here’s a look at some of the fun and festivity First Nighters will enjoy this year.

Lucky Daredevil Thrillshow
The Big Top comes to the Paramount at 4:00, 6:30 and 9:00 p.m., as silver-tongued devil Tyler Fyre and darling of danger Thrill Kill Jill of the Lucky Daredevil Thrillshow bring their “fast paced and funny, death-defying daredevil stunt spectacular with all the glitter, glamour, and gut-wrenching thrills of a Vegas show.” The duo harks back to the early days of Barnum & Bailey on Coney Island when bearded ladies, snake charmers and other sideshow acts drew bathers and their money to the boardwalk.

“Though sideshows’ popularity waned after the early 20th century, a small but steady revival has been growing over the past decade,” Tyler and Jill say. “It started with pop culture’s renewed interest in burlesque (see: Von Teese, Dita) and expanded to include a host of strange and dangerous acts (see: pretty much everyone on America’s Got Talent).”

Eric Jones, Magician
Buckingham County native Eric Jones calls himself a “Prestidigitator Armed with Sleight-Of-Hand.” The six syllable P-word means “magician,” and Jones is such a good one that he once fooled Penn and Teller with a trick in which coins appear and vanish from a person’s hands without the magician ever coming near them.

Jones honed his craft in Charlottesville in his 20s, and has performed on The CW Network, Syfy and Comedy Central, at the World Famous Magic Castle in Hollywood, California and for Monday Night Magic, the longest running magic show in New York. He was a semi-finalist in season 12 of America’s Got Talent. An author and a lecturer as well, Eric has shown some of his pet tricks to many magicians across the country, including those gathered at The World Magic Seminar in Las Vegas, Nevada.

Jones performs his brand of “close-up magic” with the help of a camera man, a projector, and a movie theatre-sized screen. “People can focus on the magic as they would if they were sitting right beside me on stage,” he says. “There is nowhere for the magician to hide anything, but miracles still happen.” He’ll demonstrate his artistry at the Paramount Theater at 5:15, 7:45 and 10:15 p.m.

Songwriters Galore
It will be blues to bluegrass and everything in between at City Space from 7:00 to 11:00 p.m. as, one by one, eight local singer-songwriters take the stage. Forrest Swope, who will play from 10:30 till 11:00 p.m., has been performing in and around Charlottesville since the ’80s. As lead guitarist for The Jolly Llamas, he opened for both Phish and the Dave Matthews Band in the early ’90s at Trax. More recently, he played in Crystal Rainbow Unicorn Puppies and sat in as a special guest with local favorites Mama Tried, The Cows, and Jam Thicket. As a singer-song writer Forrest has recorded with Terri Allard, Andy Waldeck, and Kathryn Caine, and will be bringing popular favorites such as “POS Car” to the stage at City Space.

“While many of my friends have played in years past, I have not played First Night before, and I am really excited to be asked to this year,” Swope says. “I went to a musician’s camp this past summer in New York, hosted by the legendary Richard Thompson, along with Shaun Colvin, and came back re-focused on my craft. That enthusiasm spurred me to play more solo.

“The events of this summer were particularly challenging for me, and for my friends and colleagues. One of the ways I have worked my way through things is with music. Susan Munson (playing from 9:00 to 9:30 p.m.) and I are old friends, and she has been encouraging me to play more of my songs out as a solo musician. I was really touched when she invited me to perform at First Night this year.”

MIRA Early Music Ensemble
English and Flemish-style polyphony as heard in the 15th, 16th and 17th centuries, augmented by gems from the Medieval era, folk songs, and works by more recent, but historically informed composers such as Benjamin Britten—that’s the rich and rare repertoire of MIRA Early Music Ensemble, the Charlottesville-based group founded by Raven Hunter in 2005. MIRA has sung at historic Bruton Parish Church in Williamsburg, the Staunton Music Festival and for the Evensong service at the Washington National Cathedral. They’ll warm hearts and lift spirits at 5:15 and 7:45 p.m. at First United Methodist Church.

Zuzu’s Hot 5
Bring your dancin’ shoes for the joyful noise of Zuzu’s Hot 5 in the Omni Ballroom at 6:30, 9:00 and 11:30 p.m. With trumpet, trombone and upright bass, plus banjo, mandolin, guitar, ukulele and the vocal stylings of Susanna Rosen, aka “Zuzu,” the Charlottesville–based group plays New Orleans-style, Prohibition-Era jazz to warm a cold Virginia night: everything from stomps and Dixieland to 1900-1930 blues and pop. Expect numbers by Fats Waller, Louis Armstrong, and Bessie Smith.

“We formed in 2012, inspired by the early jazz combos of Fats Waller and the Hot 5 and Hot 7 bands of Louis Armstrong,” Rosen says. “Later trad jazz bands, like The Firehouse 5, and contemporary ones like Tuba Skinny, and Meschiya Lake and the Little Big Horns influence us too.”

“My very first New Year’s Eve gig was on tenor sax, on December 31,1967,” says vocalist and guitar player Pete Vigour. “Sam Green, Brandon Rose, Doug Bethel and I met playing swing music. Everyone in the group plays several different types of music, but none of us had tried the New Orleans Dixieland band thing. So, when I wanted to give that a try, I asked all of these overqualified gents. They’ve been giving me goosebumps ever since. It’s absolutely incredible performing with them.”

Bent and Goofy
The Bent Theatre Improv Comedy motto is “You Say It, We Play It,” and the troupe has been keeping Central Virginia laughing since 2004. With more than 20 comedians, they’ll be silly about little stuff and silly about big stuff in the sanctuary of the Haven at 9:00, 10:15 and 11:30 p.m.

Children’s Entertainment and Activities
The Goodlife Theater will present The Recycling Pirates Puppet Show, “a rollicking puppet musical about pirate characters created from trash,” at Key Rec Center at 4:00, 5:15 and 6:30 p.m. Led by Captain Jack Sparetire, these pirates sail the urban seas looking for things that can be recycled, reused, reduced and repaired, in a show designed to teach kids about the need for and ease of recycling. Jeanne Wall provides the sparkle and Joe Pipik is the original puppeteer. Since the two got together in 1994 and founded Goodlife Puppet Theatre, they’ve performed at the Kennedy Center and at the Children’s Theatre-In-The-Woods at Wolf Trap.

The Award-winning folks at Expressions Face Painting will be at work in the Omni Hotel Small Ballroom from 4:00 until 6:00 p.m. making “cheek art”—small designs and large—on faces, arms and hands. Glowing black light paint will be available as a New Year’s special.

The Omni’s James Monroe Room will be the setting for The Buffalo Bill Wild West New Year! at 5:15, 7:45 and 9:00 p.m., an interactive storytelling session presented by Buffalo Bill himself. Stories will include A School for Cowpokes, Mostly True Tall Tales, The Old Fashioned Melodrama, and Prairie Pastimes and Games.

Light House Studio will present family-friendly award-winning short films including animations, documentaries and music videos at Vinegar Hill Theatre at 4:00, 5:15, 6:30, 7:45 and 9:00 p.m.

Light House Studio was founded in 1999 by a group of local filmmakers, artists, and educators who began with a small pilot workshop, Video Diary. Since then it has assisted young people in the creation of thousands of documentaries, dramas, and animated films, work that has been broadcast on PBS, CNN, IFC, and TNT, and shown in festivals all over the United States.

By the Community For the Community
While it’s often mistaken for a City of Charlottesville event, First Night Virginia is actually presented by a volunteer-driven, non-profit that is dependent, almost entirely, on local sponsors, including Sloan Manis Real Estate of Charlottesville and 21 other businesses, organizations and fellow non-profits this year.

“Sloan Manis Real Estate Partners wanted to sponsor this year because they enjoy being part of the community celebration at a time when we need more celebration in our community,” First Night president Drake Van de Castle says. “Aaron Manis and David Sloan both have deep local roots and they want to help add to the special fabric that makes our community so wonderful.”

“A large part of our support comes from the public,” Van de Castle notes. “And I certainly want to give a shout out to the City of Charlottesville. They provide police support and facilities—a tremendous amount of resources and manpower. Without their support it would not happen.”

First Night Virginia saw a 10 percent increase in attendance last year and has become a tradition for folks across the Commonwealth and beyond. “We have people who have been every single year,” Van de Castle says. “A family from Philadelphia has been coming for eight straight years. Our first call to get wristbands this year was from a couple in Kansas City coming to the area to see relatives over the holidays who heard good things about our special community celebration.” And then there is the couple who began their first date as First Night volunteers. When they returned to help the next year, they were engaged.

Admission
Until midnight December 28, FNV admission wrist-bands are $16.00 for adults, $6.00 for children, ages 6-15, and $38 for a family pack (2 adults, 2 children). On December 29, 30 and 31 adult wristbands are $20.00, children’s are $9.00 and family packs are $49. Children ages 5 and younger are admitted free. Online wristband sales run till midnight on December 28. Wristbands may also be purchased December 29, 30 and 31 at retail vendors or at FNV headquarters in the Omni Hotel starting at 10:00 a.m.

Parking and Transportation
First Night patrons need only show their wristbands to get free parking in the Water Street or the Market Street Parking Garage on December 31. Parking is also available at the Jefferson School African American Heritage Center. Charlottesville Area Transit (CAT) bus service will run their regular service, ending at 11:30 p.m.

Categories
Real Estate

Prepare Now To Profit From 2018’s Hot Real Estate Market

By Celeste M. Smucker –

For home owners who have been waiting for the market to improve—or who have just learned there is a great job waiting in another city, or who have their eye on a terrific floor plan in a brand new subdivision—the good news is that 2018 looks like a great year to sell your house.

After a very active 2017 (the best many agents have experienced in 10 years or more) inventories of homes for sale are depleted and buyers are lined up to see new listings as soon as they come on the market.  All of this is great news for sellers, especially those living in popular neighborhoods where homes sell very quickly, some for more than the list price.

Even in a fast-paced market, however, sellers must carefully prepare their homes to get the best price.  While this is good advice for any situation, it is especially critical for those selling in direct competition with new construction. Buyers active in the new construction price range appreciate the advantages of moving into a brand new energy-efficient house, and owners of resale homes must be willing to update and price accordingly to compete effectively.

First Steps
Selling your home starts with a careful look around, viewing it as the commodity it is and seeing it from a buyer’s eyes. Begin by walking through the house and noticing all the annoying little items you take for granted, but that will be very noticeable to buyer prospects.

For example, homes that are the most appealing are free of clutter.  Start at the entry and walk through each room removing anything that is not essential.  Clear off kitchen counters, remove family photos, your children’s artwork and grocery lists from the refrigerator and organize your cupboards so anyone looking inside (and they will) is impressed by all the storage space.  Give the same kind of attention to all of your closets. 

As you walk through the house, make a list of small repairs like dings in the woodwork; areas where a child or your favorite cat scraped paint off the wall; a doorbell that doesn’t work; a kitchen drawer that sticks; a dripping faucet; or bathroom tile that needs to be cleaned and caulked.   

Also plan to clean the fingerprints off cabinet fronts and the dust from fan blades.

Your exterior is the buyers’ first impression so make sure it looks its best.  Are hoses neatly coiled and out of sight? Bikes, lawn equipment and trash cans put away? Do decks need power washing and resealing? 

When weather permits, add  colorful bedding plants to your landscaping and in pots on your deck. A tasteful flag or seasonally appropriate wreath can be nice touches, and, if it needs it, give your front door a new coat of paint.

Call Your Agent
Before you do any major repairs—paint interior rooms, take up old carpet, or replace the roof—make an appointment with your agent.  They can advise you on the repairs that are critical to complete and suggest staging ideas to make your home show its best. 

Your agent will also do a CMA (Comparative Market Analysis) and recommend the most appropriate list price based on the prices and conditions of your competition—those homes currently on the market—as well as those pending and awaiting closing and those that have sold and closed.  Their knowledge of the condition, amenities, and  shortcomings of these other homes is critical and absolutely essential to help you make an informed decision about the right list price.

Ask your agent about the benefits of having your home pre-inspected.  Chances are your buyer will do their own inspection.  However, especially if you suspect there could be something major that needs attention—the HVAC is dated, there is moisture under the house, or the roof looks questionable—learning about problems in advance allows you to get several estimates on the cost of repairs and have ample time to complete them.  If you wait until after the buyers’ inspection you may be faced with getting the work done quickly under the pressure of meeting the contract closing date, which could end up costing a lot more.

Showings
Light, bright and spacious homes look the best, so when agents schedule a showing prepare by opening the drapes, pulling back shower curtains, putting out clean towels and turning on lots of lights.

If your home is well insulated have copies of utility bills available along with your agent’s fliers highlighting the home’s amenities and upgrades (like the new roof or the energy-efficient AC, self-closing skylights or maintenance free siding or deck). 

Plan to be away during showings and drop your dog at daycare or take him with you.  Be especially sensitive to odors like doggy smell or cat litter.  Your agent can advise you on how to handle these challenges. 

They will also suggest how neat and tidy your home should be.  For example, Len Mailloux, Associate Broker with BHG Real Estate III, believes that when a home appears lived-in buyers will understand that it is loved while Scott Ward with A. Scott Ward Realty Inc. suggests you continue to live in your house, just “live neater.”

If you are ready to sell in 2018, call your agent today to learn how to get the quickest possible sale at the best price.  They will also help you buy your next one, and if you are moving out of the area,  refer you to a top notch agent in the market where you are relocating.


Celeste Smucker is a writer and blogger who lives near Charlottesville.

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Crying fowl: New YMCA threatens birds, says teen advocate

On the treadmill at the Brooks Family YMCA, it almost feels like you’re outside running, thanks to an expanse of glass looking into the woods of McIntire Park.

And that expanse of glass has taken out a tufted titmouse, a dark-eyed junco, a hermit thrush, a cedar waxwing and a white-throated sparrow, according to Charlottesville High student Walker Catlett, who’s been monitoring the situation since October.

A tufted titmouse and a dark-eyed junco are casualties of the new YMCA. Photo by Walker Catlett

Buildings kill nearly 1 billion birds a year, according to the American Bird Conservancy, and are more deadly than cats. And the use of lots of glass further confuses the feathered creatures, who fly smack into windows.

“Buildings in general are one of the leading causes of bird deaths,” says Catlett. “This building has killed five. Think about how many buildings there are and you can see what a problem it is.”

Catlett, who got the bird-watching bug from his grandmother and who is a member of the Blue Ridge Young Birders Club, noticed that the windows on the new Y were “big and reflective,” and when he checked around, he found the dead titmouse and junco.

He advised the YMCA of the fatalities, and it put up hawk decoys to deter the birds. “They don’t really work,” he says.

The CHS junior would like to see the fitness center use Feather Friendly—adhesive markers applied to the exterior glass that’s manufactured by 3M—or ABC BirdTape for the DIYer.

Piedmont Family YMCA CEO Jessica Maslaney is sympathetic to Catlett’s concerns about the five bird strikes since the Y has been open—but her priorities are different.

“We have lots of windows,” and applying decals to them would cost upward of $15,000, she says.

“Our mission is to provide wellness for all,” she says. “Do we spend $15,000 on decals or on safety and services for members?”

On her wishlist are handicapped doors to the building—“one of the things we wish we’d done”—that cost $6,000, and treads on the stairs.

And there’s an aesthetic consideration with the decals, which she says have to go up every six inches and would affect the “great sight lines.”

“I’m not trying to minimize Walker’s concerns,” she says. “I applaud his efforts.” And she suggests that if a bird-loving donor wanted to fund avian-avoidance measures, that would be another matter for the nonprofit.

Catlett raised an alert on social media but, so far, says Maslaney, “We haven’t seen a huge local response.”

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Unfriended: Garrett staffer calls cops on constituent

Craig DuBose likes to let his 5th District congressman know how he feels about issues, and he regularly posts comments on Tom Garrett’s Facebook page—until he discovered he’d been blocked December 7.

DuBose says he called Garrett’s Washington office the next day, and was transferred to communications director Matt Missen, who told him he’d violated the terms of service for the Facebook page.

“He refused to provide any specific instances of the supposed violations except to say that I had used profanity,” says DuBose. “That’s absolutely not true.”

DuBose says he asked to speak to the chief of staff, and Missen refused to transfer him—or take a message. After reminding Missen that case law in Virginia makes it illegal for elected officials to prohibit constituents from engaging on Facebook, DuBose, who says he’s called his congressman’s office 150 times this year, hung up.

Five minutes later he called back to comment on health care, and was immediately transferred to Missen, who refused to take his message and hung up on him, says DuBose.

He called Garrett’s Charlottesville office to leave a message about health care and asked the person answering to pass along a message to the D.C. office that he was filing a complaint with the ACLU that the office was violating Davison v. Loudoun County Board of Supervisors, the federal court case that ruled public officials who conduct public business on social media accounts can’t block constituents, even if they’re frequent flyers.

Five minutes later, says DuBose, Missen phoned back and said he was reporting DuBose to Capitol Police for “harassing” Garrett’s office.

Missen confirms the Facebook blocking and calling the cops on DuBose.

“He violated the social media policy,” says the spokesperson. “He repeatedly cyberstalked members of our staff and made inflammatory comments.”

Missen alleges DuBose threatened him. “He’s going to be getting a visit from Capitol Police,” he says.

While Missen would not disclose the threats, he says, “We do not tolerate that when cyberstalking and threatening staff.”

And he makes a suggestion: “When you speak to Mr. DuBose, I think he should be a little more careful because there’s an active investigation.”

“That’s interesting,” says DuBose. “I wonder what the threats were. It’s clearly intimidation.”

After pondering the cyberstalking allegation, DuBose says he went to the Facebook page of Garrett’s former communications director, who had posted a photo of his girlfriend wearing an American flag bikini and scarf.

“I sent an email to Tom Garrett after he made a speech on the floor of the House about honoring the flag, and said, ‘Maybe you’d like to speak to members of your staff about honoring the flag,’” says DuBose, who disagrees that commenting about a public Facebook page constitutes cyberstalking.

A U.S. Capitol Police spokesperson refused to provide more detail. “We do not comment on active investigations,” says Eva Malecki.

DuBose is not the only local who’s been blocked on Garrett’s social media accounts. Nest Realty’s Jim Duncan was blocked on Twitter earlier this year. Garrett’s office said it was the congressman’s personal account, on which he can block whomever he pleases.

Duncan says that reasoning is “BS” because Garrett uses that account “officially as well.”

Leslie Mehta, legal director for ACLU of Virginia, likens social media to a town hall, and blocking constituents from commenting and seeing what an elected official is saying “violates the First Amendment and the ability to see what your government is doing.”

The civil liberties org has gotten about a dozen complaints in the past year, which points to a pattern, says Mehta. The rules aren’t entirely clear at this point, and what started as a personal account could change into a public account, she says. In its amicus brief for Davison v. Loudoun, the ACLU offers suggestions to help legislators protect rights of both the elected and citizens, she adds.

Meanwhile, DuBose is still wondering what threats he allegedly made. “The only thing I”ve ever said is that I’m committed to seeing [Garrett] is not re-elected,” says DuBose. “If that’s the case, plenty of people in the 5th District are guilty of that.”

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Lamenting Lambeth: UVA proposes sports complex in its place

On December 7, the UVA Board of Visitors deferred a decision on the construction of a softball stadium at the university’s Lambeth Field—and those living nearby are thanking their lucky stars.

Lambeth Field, also known as the Colonnades, opened in the early 1900s as a stadium for varsity football, baseball and track. Now, it’s used by students and the public alike for UVA-affiliated club sports practices and tournaments, pick-up soccer and lacrosse games, festivals, barbecues, people-watching, sun-soaking and more.

When asked about a potential new stadium, second-year Nate Hellmuth, president of the Lambeth Field Apartments Association Council, says “Many are concerned about the lights and sounds from a sports facility just feet away. …If the university decides to build a softball facility in its current proposed location, the university will have effectively destroyed the quiet community that so many love.”

Hellmuth describes Lambeth Field Apartments, which abut the location of the proposed sports complex, as a “desirable upper-class housing area,” and he says residents are concerned about the loss of parking if the stadium is built. Hellmuth says he’s been told by the university that it’ll knock out their entire parking lot.

“This, to many, is more important than the loss of Lambeth Field,” he says. In comments on an online petition he’s circulating, which currently has 496 student signatures, several people said they never would have chosen to live in that apartment complex if it didn’t have a parking lot.

Students and community members say UVA did not include them in its plans to build the stadium until a month before the Board of Visitors was scheduled to vote on it.

“What a surprise to see what was planned,” says Karen Dougald, president of the Lambeth Field-adjacent University Circle Neighborhood Association, who was invited to a November 1 meeting at UVA by the school’s community relations department.

“The more questions we asked, the more concerned we became,” she adds. Dougald held a neighborhood meeting December 3, just four days before the Board of Visitors was scheduled to vote on the complex. “It was unbelievable that no one with whom we spoke knew anything about this.”

The community shares several of the same concerns as students, including losing access to Lambeth, noise from the proposed facility’s PA system and stadium lighting—but they also worry about the potential for plummeting home values.

“We know real estate values will tumble because you find very few people who want to have a stadium next door to them,” she says, and suggests that North Grounds should be studied as a possible location because it would better follow the university’s master plan and have a lesser impact on neighborhoods.

“We do not want to take away a lovely stadium for these girls,” Dougald says. “We want them to have this, but to put it where they’re proposing, in our opinion, is absolutely the worst scenario.”

UVA architects Alice Raucher and Michael Joy attended the University Circle neighborhood meeting, as did softball coach Joanna Hardin, former athletics director Craig Littlepage and spokesperson Matt Charles.

Spokesperson Anthony de Bruyn says the university will soon begin a feasibility study and will consider alternative locations for the softball stadium, but a presentation shown to the board at the December 7 meeting says the proposed location would take advantage of existing parking and bring varsity sports back to Lambeth Field.

The current softball field is at The Park in North Grounds, which is a remote location with limited room for expansion, according to the presentation.

“The university remains at the beginning stages of this project and we continue to engage in active dialogue with student residents and our neighbors,” he says. UVA does not need city or community approval to build on its own property.

University Circle resident Martin Kilian says he believes UVA will take the community’s opinion into consideration. The board’s recent decision “gave everybody a little time to collect their breath,” he adds.

This is not the first university project that has drawn neighborhood ire. The Emmet/Ivy parking garage, which was dubbed the “1,200-car monster” by the Lewis Mountain neighborhood, faced fierce opposition—to no avail. The garage opened in 2003.

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In brief: City departures, a random drawing and Coran’s cannabis (or lack thereof)

City departures

Besides the abrupt retirement of former police chief Al Thomas, City Attorney Craig Brown will head out the door after 32 years for a new gig as Manassas’ first city attorney. In addition, Charlottesville’s spokesperson Miriam Dickler will sign off early next year, and Commonwealth’s Attorney Dave Chapman is filing his final briefs after six terms as the city’s prosecutor.

Another retirement

Virginia State Police Superintendent Steven Flaherty will leave the post he’s had for 14 years early next year, a move he says is unrelated to scathing reviews of state police August 12. Governor-elect Ralph Northam has named Lieutenant Colonel Gary Settle to succeed Flaherty February 1.

Random drawing

Virginia’s House of Delegates could see a 50-50 Democratic-Republican split—or not—following the December 19 recount of a Newport News race that put Dem Shelly Simonds up by one vote. The next day, Republican Delegate David Yancey picked up another vote to tie the race, and now the winner will be determined by drawing lots.

Quote of the Week:

“They put two names in, somebody shakes it up and they pull it. It’s that or it’s straws.” -State Board of Elections member Clara Belle Wheeler tells the Richmond Times-Dispatch how the winner in the tied race in the 94th District will be determined

Unpopular move

Albemarle County General District Court. Staff photo

Albemarle supes put a moratorium on discussions about moving county courts from downtown until March 2, but directed their consultant to continue exploring relocating the County Office Building and developing a performing arts and convention center in the county.

Shelling it out

The city will most likely be ordered to pay $7,600 in legal fees to attorney Pam Starsia, who represented Vice-Mayor Wes Bellamy when white nationalist Jason Kessler unsuccessfully attempted to remove him from office in February. Starsia, who is a former Showing Up for Racial Justice organizer, told the Daily Progress she plans to donate the money to local anti-racism causes, though she has relocated to Texas.

Coran Capshaw. Photo by Ashley Twiggs

RLM disavows high-profile summit

On November 27, the Aspen High Summit website was touting music/development mogul Coran Capshaw of Red Light Management as a headliner for its invitation-only December 11-13 meeting of the minds for visionaries in the music and cannabis industries.

At least it was until a C-VILLE Weekly reporter called, and then Capshaw’s name abruptly disappeared from the Aspen High website.

The summit brings together the “Music Tribe and the Cannabis Tribe” to “finally consummate their long relationship,” according to the website, over hot toddies and “first class cannabis” in Colorado, where toking is legal.

The Arcview Group, a cannabis investment organization in Oakland that boasts more than 600 high net-worth investors who have pumped more than $140 million into 160 cannabis-related ventures and raised more than $3 million for the legalization effort, according to its website, sponsored the event.

Despite being billed as invitation only, the Aspen High website appeared to offer tickets to anyone who wanted to pony up $1,150.

In a rare response from Red Light Management, Ann Kingston writes in an email that Capshaw “was never attending this event. We called them due to your inquiry and they took down any reference to RLM.”

Correction December 28: Albemarle supervisors put a moratorium on court relocation until March 2, not March 1, but will continue to explore development of government offices and performing arts and convention centers in the county, but not the courts as originally reported.