Categories
News

Council for Higher Ed wants more financial aid funding







To keep up with the increasing number of Virginia students who are applying for financial aid, the State Council of Higher Education for Virginia (SCHEV) has recommended asking the General Assembly for the appropriation of an additional $29.8 million in need-based aid for the upcoming fiscal year. 



The State Council of Higher Education for Virginia has passed a resolution to ask the General Assembly for more money in the state financial aid program. The group cites increasing tuition and a struggling economy as sources for a higher number of students elibigle for aid. 




According to SCHEV, in the past decade, the number of students eligible for aid has increased by 11.3 percent, to 60,331 from 54,221. However, the state’s financial aid program has been able to fulfill need-based aid and has, interestingly, seen an increase in the number of awards given to students, a 27.2 percent jump—to 57,433 from 45,140. 

At four-year institutions, the average award has increased 62 percent—to $3,441 from $2,124, but this number represents a smaller portion of tuition. 

“Tuition is going up faster than financial aid,” says Kirsten Nelson, SCHEV’s director of communications and government relations. “Every year we are required to make budget recommendations, but this year we made a point of saying that financial aid is a priority.” 

At Piedmont Virginia Community College (PVCC), tuition has increased steadily for the past eight years. This fall semester, in-state students paid $101 per credit hour, compared to $81.65 in 2008, $72.50 in 2006 and $40.46 in 2002. Out-of-state students paid $304.25 per credit hour for tuition and fees. 

Tuition has increased just as PVCC’s enrollment exploded, an estimated 5,600 enrolled this fall, up 30 percent over the past five years. The number of students seeking aid has also increased. 

At UVA, the number of undergraduate students with financial need has steadily increased since 2005. Then, 3,275 students, or 23.6 percent of the student body, demonstrated financial need. In the preliminary figures for 2010, that number increased to 4,562 students, or 31.8 percent. The biggest jump was recorded between 2008 and 2009, when the recession kicked in. The number went from 3,798, or 26.6 percent to 4,315 or 30.3 percent. 

Tuition at UVA has also seen an increase. This fall, in-state students paid $10,836 compared to $33,782 for out-of-state students. 

Carol Wood, UVA’s spokesperson, says that all students with need receive financial aid offers to meet that need. AccessUVA, a financial aid program that meets 100 percent of a student’s financial need has been helping UVA students since its inception a few years ago. In June, Leonard Sandridge, UVA’s COO, told the Board of Visitors that for 2010-2011, $21 million in stimulus funds would be used to fund the program. 

According to the SCHEV report, at four-year institutions, the number of students with an income level of $60,000 or more seeking aid has increased. In community colleges, the need for aid has increased in all income levels. 

“I think a lot of what’s happening here is the cost of education is increasing and that’s causing someone, for example making $70,000 eight, nine years ago who may not have had financial need … now they are able to demonstrate financial need,” says Lee Andes, SCHEV’s assistant director for financial aid. “There are a number of factors, perhaps more students are applying for aid, but also more students who are already in school being able to demonstrate financial need as well.” 

Bottom line, says Andes, the purchasing power of financial aid has decreased. 

In addition to the almost $30 million in need-based request, SCHEV has also asked the General Assembly for an additional $5.3 million in financial aid for graduate students for the next academic year. “The purchasing power of the graduate financial aid program has decreased as well,” says Andes. “What we want to do is to return the program back to the 1995 levels of purchasing power. In order to do that we need another $5 million a year over five years to get to that point.”

Categories
Arts

Checking in with Patrick Costello







 

What were you doing when we called?

Eating lunch at Five Guys. They have a vegetarian option that I sometimes crave.




Hardly starving: In his art Patrick Costello reflects nature’s bounty, including everything from free standing structures to canned foods (pictured).




What are you working on right now?

I’ve just started drawing a positive for a large screenprint I’m going to do, and then I’m also printing shirts, trying to get ready for the holiday craft fairs. Last but not least, there’s a project that I’m working on in the longer term, that I’m applying for grants for now. Me and my friend Meg are going to walk from Tacoma, Washington, to San Francisco, California, canning food with people along the way. 

 

Tell us about your day job.

I am one-sixth of a collectively owned business called C’ville Foodscapes. We design, install and make frame vegetable gardens for people. I also do odds jobs to make ends meet.

 

What’s your first artistic memory?

I think my first artistic memory was actually performative. When I was younger I did a lot of drawing, I liked to draw horses and design—do you remember “Care Bears”? How they had little designs on their bellies? I would draw lots of little circular designs that I could tape on my belly. 

 

If you could have dinner with any person, living or dead, who and why?

I think I would like to have dinner with César Chávez, the farm labor organizer who did lots of organizing in California. I hope one day to be the artist version of him, in that he was such an effective organizer and he worked with farm laborers. I’d like to have a life based in creativity, and growing food and community organizing.

 

Item you’d splurge on?

Fancy cheese. 

 

Do you have any superstitions about your art?

I decide what I’m going to make, or think about what I’m going to make, and then go for it, and hope nothing goes wrong. I’ve had experiences with structures I’ve built falling apart mid-show, so I have nervous moments when I’m making a structure because I don’t want it to fall on anyone.

 

What is a concert, exhibit or show that has recently inspired you?

I’d say the Sharon Van Etten show at the Tea Bazaar. I saw that right before I started working on all the work for my show at the Garage, and I was like, “Oh, man. I just want to make art,” because she’s so talented. I also recently saw Allyson Mellberg-Taylor’s show in Brooklyn. It’s always inspiring to see my friends are making art that awesome.

 

Favorite artist outside your medium?

Somebody like Kathleen Hanna of Le Tigre. I like that she has done so many things in her career, worked with so many interesting people and continued to make awesome music the whole time. I also like that there’s a political awareness in her work.

 

Locally, who would you like to collaborate with?

Avery Lawrence. We have some ideas for screenprinted garden installation stuff. We want to make this installation where we can grow food and screenprint the planters. Maybe there would be a performative element to it. We both like to make masks, so we talked about having these kind of masked characters interact in a performance piece.

 

What would you do if you knew you couldn’t fail?

My honest answer would be that I don’t think about failing, I just assume I’m going to mess up a bunch and do it anyway. If I knew I couldn’t fail, I would probably be in a band on tour.

Categories
News

Silverman will bid out paving contract in coming weeks

The fate of the parking lot at the Amtrak train station on West Main Street may be at a turning point. The owners of the lot, local developers Gabe Silverman and Allan Cadgene, will finally pave it.

“That’s what we have been trying to do all this time, is to pave the parking lot,” says Silverman. The lot has been unpaved since the developers bought it in 1997.

After an attempt by the owners to use a product called Durasoil to abate the dust problem, area residents and business owners were prepared to pursue a lawsuit they had temporarily shelved. Peter Castiglione, co-owner of Maya Restaurant, previously retained lawyer Edward Lowry, who contacted Cadgene and Silverman about the threat of legal action if the dust problem was not resolved. Cadgene, a lawyer based in San Francisco, responded to a request from Lowry for “binding assurance” to try and bust the dust with Durasoil—which, according to its website, is an odorless fluid meant to bind with any surface.

Ultimately, says Castiglione, “Durasoil was worthless.” The restaurateur says he saw twisters of dust rise from the lot a few days after the product was used and, after the heavy rain of last week, “big new puddles” materialized throughout the lot. Silverman claims that Durasoil resolved the lot’s problems. “There doesn’t seem to be dust anymore…I’m happy about that,” he says.

Now, with neighbors and developers on the same page regarding plans to pave, the lot owners’ next step is putting the paving contract out to bid. Although Silverman says the document will be ready in the next couple of weeks, he does not know how long it will be before the lot is paved.

“It really depends on the people who are going to bid, and when the contract is signed,” says Silverman. “I would hope that it happens in the next month or so.”

Meanwhile, the City of Charlottesville recently approved an amendment to a site plan for the parking lot. Valid for five years, the site plan calls for landscaping, new street lights and a rain garden—a storm management feature‑—in the center of the lot. According to City Planner Nick Rogers, the lot will be leveled first, then paved.

In an earlier interview, Silverman said outside buyers were interested in purchasing the lot, on the market for $13.5 million, for a multi-story development. However, things now may be different. “No updated information about that. We are just going ahead and paving the lot,” he says.

Categories
News

Bell bill would police texting








Enter a typical high school in Virginia, and one theme quickly emerges: teenagers treat cell phones like appendages, and idle moments frequently involve the fidgeting of fingers on touch screens and mini keyboards.

In a teenage culture where texting is sometimes more common than talking, Del. Rob Bell, R-Albemarle, wants to ensure there are clear ways to police the perverse.

The average American teenager sends or receives six text messages for every hour they’re awake.  Extrapolated, that’s 3,339 texts per month, according to a recent study by Nielsen Co.

“That statistic does not surprise me,” says Amy Hoppenjans, a world history teacher at Charlottesville High School. “My co-teacher and I are constantly on the lookout for cell phones, and, in some cases, have had to refer students to the office for their refusal to comply to put their cell phone out of sight.  For some students, it’s like an addiction.”

In a teenage culture where texting is sometimes more common than talking, Del. Rob Bell, R-Albemarle, wants to ensure there are clear ways to police the perverse. Bell has authored a bill that would update Virginia law so that texted threats or lewd photos are accounted for.

If Bell’s bill is enacted, Virginia law would treat obscene or threatening text messages the same as traditional phone calls, closing what he says is an antiquated loophole.

“We want to make sure the law addresses these new technologies,” Bell told C-VILLE.

The early feedback surrounding the bill appears positive.  

Dewey Cornell, Director of the Virginia Youth Violence Project at UVA’s Curry School of Education, lauded Bell as “a champion of efforts to reduce bullying and threats of violence in schools.” 

Cornell also emphasized the nuances of patrolling inappropriate texts and the need for schools to strike a balance between their own prevention efforts and law enforcement involvement.

“There must be a way to distinguish the small number of very serious cases that may rise to the level of a criminal offense from the majority of cases that can be addressed through prevention, counseling and ordinary school disciplinary measures,” he told C-VILLE.

In another act of support, the Virginia Joint Commission on Technology and Science recently endorsed Bell’s proposal, meaning that the General Assembly will now consider it during the body’s next legislative session that starts in January.

Though optimistic about the bill’s success, Bell said 10 years spent sitting in his delegate seat have taught him there is no sure-fire proposal.

“We’ll see what the House and Senate think,” he says.

Virginia Pounded in Paradise by #13 Washington Huskies 106-63

Virginia was just pounded into oblivion by the University of Washington 106-63 Monday night. The Huskies were up 55-31 at the intermission and never looked back.

The Hoos committed 12 turnovers just in the first half alone. Mike Scott scored 11, K.T. Harrell had 14, and Joe Harris led Virginia with 19 points.

The 106 points given up by Bennett’s squad was the most ever by a Bennett coached team. There is nothing positive to report about this game other than the fact that no one died (or was injured) in the smack-down.

The Cavaliers (2-2) will play Oklahoma at 4:30 p.m. EST. Tuesday afternoon. 

Categories
Arts

The Next Three Days; PG-13, 122 minutes; Regal Downtown Mall 6







Astounded to see his vaguely hot-tempered wife imprisoned for a murder she swears she didn’t commit, a vaguely even-tempered professor concludes that he must try to break her out. His motive for this dubious conclusion, in writer-director Paul Haggis’ estimation, seems to be that he’s in a thriller about a guy who tries to break his wife out of prison. Hey, it could happen; it did in the recent French film Anything for Her (which in French stopped short of “anything” and just was called Pour Elle), the source for this overdetermined remake. 



Russell Crowe plays an English professor at a community college who hatches a plan to bust his wife (Elizabeth Banks) out of jail after she is convicted of murder in Oscar-winner Paul Haggis’ The Next Three Days.




The professor is played by Russell Crowe, and his wife is played by Elizabeth Banks. He has cleverness and determination; she has a sweet face that makes it easy to believe she doesn’t deserve this. If only that were enough.

Haggis, the Oscar-laden ex-Scientologist who wrote and directed Crash, and who wrote Million Dollar Baby, Clint Eastwood’s two Iwo Jima movies and two recent James Bond movies, has a penchant for agitators persevering through desperate situations. He also bends toward bloat, and at times his title, The Next Three Days, seems like a disclaimer about how much time this movie takes to get where it’s going.

Maybe that’s why plausibility becomes a problem. We have time to consider how absurd it all is, to think: Hey pal, isn’t busting her out a little extreme? Couldn’t you put yourself through law school and take up the fight from the inside, as Hilary Swank did for Sam Rockwell in Conviction? Or maybe you could send in some hottie to seduce and blackmail the parole officer, as Edward Norton did to Robert De Niro with Milla Jovovich in Stone? Of course, those examples proved underwhelming, thriller-wise, but we’re just saying there are other options.

Here, the stakes are high but generic, with any moral and legal implications served up as mere story stuffing. After brief, potent tutelage from Liam Neeson as an accomplished prison escapee, plus some YouTube research and a few schooling transactions with seedy underworld thugs, Crowe’s alleged everyman is ready for action. 

But reflexively rooting for our protagonist isn’t the same as caring about him. It’s hard to know what to make of his alleged desperation. He says he’s useless without her, but then seems keenly organized and purposeful when planning his grand caper on her behalf. Is it actually that he’s useless without the challenge of rescuing her? That might be interesting—but apparently not to Haggis.

As the time wears on, she too becomes desperate, palpably so. Twice she tries to kill herself—once in a manner that also endangers the life of her husband. So, uh, will there be mental health care, for both of them, in their getaway place?

Categories
News

Clay Witt's "Ultra Marine,"; Les Yeux du Monde; Through January 2







Clay Witt’s images stand out, not just for his painstaking approach to creating them, but in the literal sense: mounds and eddies of gold bulge from his canvases like sculpture, pushing the gallery’s light around.
 



In works like “Leviathan”—a work in cut paper, mineral pigment, polymer emulsion, gesso, gold leaf and rust on canvas mounted to panel—Clay Witt pushes his working materials to their natural limits. Witt speaks at the gallery on December 5 and hosts a holiday lunch December 8. Visit www.lesyeuxdumonde.com for details.




In “Ultra Marine,” the local painter installs another mythic landscape of foggy horizons and gilded beasts at Les Yeux du Monde, on display through January 2. Where his last exhibit depicted a “Peaceable Kingdom” of animals in bleary lands devoid of people, Witt’s latest work takes this approach to the ocean. Fish, waves, octopi and extinct birds drawn from 19th-century illustrations float in complex, multi-layered scenes the artist describes as post-apocalyptic. Together, they let visitors step easily into a world where fire floats on the water and an unnamed exodus plunges a funnel of countless fish into the murky depths. 

If the themes of the exhibit don’t excite your particular tastes, there’s a good chance the craftsmanship will. To call Witt’s work painting would be like describing NCAA sports as an exercise program for students. Over the two months it can take a single piece to emerge, Witt will apply layers of gilding, clay, gesso, ink, emulsion, cut Japanese paper, varnish and wax, then strip away strategic bits with tools ranging from a rag to an automotive sander. 

“I’m building a world,” he says. Where you see hundreds of fish, there are likely hundreds more hidden within the piece so he can make the image three dimensional by rubbing away translucent coats of material. To depict a circle of fire on the ocean, Witt fed a digital image of waves into his computer plotting cutter, so he could apply the resulting slivers of paper to the canvas in layers to create depth. The flames are water gilding, a delicate process that involves films of gold so thin they come packed 250,000 sheets to an inch and disintegrate when touched with bare hands.

“I do these gold surfaces and then destroy them,” the artist says, “almost as a corrective to this preciousness.”

That’s not entirely true. The gold in his work may be obscured or coated with strategically cracking varnish in places, but it still shines brilliantly where it needs to and gives the images their trademark contrast. Don’t trust the newsprint reproduction on this one. If you want any sense of what this stuff looks like, its metallic element requires you see it in person. 

For his part, Witt’s background is as multifaceted as his work. He picked up gilding when a frame shop where he once worked needed help with an urgent restoration job. He apprenticed in Arabic calligraphy in Syria after degrees at UVA and the University of Massachusetts. At the opening, Witt greeted gallery visitors wearing an impeccable pinstripe suit with a white satin pocket square. But the ink stains around his fingernails let on to the long hours in the studio with his dog, Agnes, contemplating the way animals see the world and pushing the limits of half a dozen materials at once. The fruits of his labor are visually intriguing and unlike anything you’re likely to find from another artist.

Hoos Rebound From Disturbing Loss to UW Beat Oklahoma 74-56

Virginia rebounded from Monday nights ass-kicking given them by Washington and behind Mike Scott’s 27 points they beat Jeff Capel’s Oklahoma Sooners 74-56.

Oklahoma was led by Tyler Neal’s 16 points off the bench, and Cade Davis’ 15, but their 17 turnovers proved too costly on the afternoon as Virginia looked like a completely different team than the day before.

Mike Scott made a nice contribution both defensively (15 rebounds), and at the free-throw line where he was 13-15 at the charity-stripe. The Hoos had only 9 turnovers.

Virginia plays the fifth-place game of the Maui Classic tomorrow against the Wichita State Shockers. Go Hoos! 

Categories
News

Recession bypasses St. Anne's-Belfield







St Anne’s-Belfield recently ended its centennial year capital campaign, the largest fundraising drive in the school’s history.  The elusiveness of a precise founding date for the school as it presently stands—claims could be made for celebrating the centennial in 1956, 2039 or 2075, among other years—evidently did not put a damper on the efforts, as STAB raked in a haul that exceeded even the school’s lofty hopes when it began the campaign in 2009.



The $30 million renovation of St. Anne’s lower campus, which includes new athletic fields as well as K-8 classroom buildings, is winding down.




According to STAB historian Kay Walker Butterfield, the school’s pedigree dates back to 1856. That’s when the Albemarle Female Institute opened on 10th and E. Jefferson streets. In 1910, one Henry Lee bought the struggling academy and turned it into the St. Anne’s School. 

By 1939, St. Anne’s was doing well enough to relocate to a new campus, paying $40,000 for a property on Ivy Road that had been the home of Elizabeth Wetmore, a journalist noted in her day for taking on fellow reporter Nellie Bly in a race around the world. By 1975, St. Anne’s and the nearby Belfield School had merged, and the school has been spread across the Wetmore property, dubbed Greenway Rise, and Belfield property ever since.

So how does this history lesson tie into the capital campaign? STAB initiated the campaign last year to celebrate 100 years of this path to the present and make enough cash to continue it well into the future. To that end, St. Anne’s raised a staggering—and staggeringly specific—total of $44,000,407.21 (picture a Mr. Burns type scrawling out his check for $7.21). 

Luke Anderson, STAB’s director of communications, says that the campaign had four goals: bulk up the school’s endowment (and this it did, up from $2.7 million last year to $17 million at present); sustain $1 million-plus in its general fundraising coffers; build a new arts and science center on the Greenway Rise campus; and perform a major overhaul of the Belfield campus. 

The former two goals certainly may not do much to dispel, as Anderson puts it, the “rich kids on the hill” image that STAB holds among many in the area, particularly given that most of the money is from parents of current students. However, Anderson says that the push to increase the endowment is largely about stabilizing tuition. “It allows us to keep tuition steady and try to offset the 2 to 4 percent annual increase in tuition that most schools face,” says Anderson.

The endowment is also intended to assist the 41 percent of STAB students who receive financial aid. Anderson contests the notion that this is simply subsidizing the school’s athletic programs and says that financial aid at STAB is purely needs-based. 

The $30 million Belfield renovation project has likewise not been without controversy. C-VILLE previously reported on objections over the former headmaster’s house being demolished to make way for the renovation. But with the demolition well in the past and final construction winding down, STAB expects both campuses to be running at full capacity by next month. The Belfield campus’ new athletic fields and main complex of buildings, housing kindergarten through 8th grade, have been in operation since classes began in September, and the final phase of the project, the preschool building, is scheduled to be completed by the end of this month.

Categories
Living

Space trash







I met with two songwriters behind the Red Satellites, guitarist Drew Carroll and singer Kevin Hivick, for caffeine and conversation last week, but mostly to ask them, in light of rumors that they’ve been banned from certain venues for breaking stuff, what it feels like to be considered the most dangerous band in Charlottesville. 



The tinkly production values of glam rock get applied to Weezer-like tracks on the Red Satellites’ brisk new EP, TheTriangle.TheTree, released at a show last Friday. It is the band’s second EP in 2010 alone.




Their response? Sure, sometimes a window or a microphone stand gets broken. But reports of their recklessness are greatly exaggerated.

Fifteen months after the brothers Hivick, Kevin and Daniel, decided they’d like to do more than trade piano riffs in their family’s Keswick garage, the Red Satellites have morphed from an eager, if ragtag, group assembled through flyers and Craigs-
list, into a cohesive unit with a stable of convincingly executed, emotionally driven songs. Look no further than the band’s new EP, TheTriangle.TheTree, a collection of four Odyssean tunes that apply the filigree of glam to Weezeresque structures. 

Sometimes, rock’s best moments come when a band’s conviction eclipses its abilities, leaving the audience with the sense that the whole experience is headed for a cliff. (Think of the Replacements, or Guided by Voices.) The loose cog in the machine is Kevin Hivick. His energy arises as much from his teenage training as an opera singer as it does his nervousness to get on stage. It’s the former that opens up the band’s sound to Broadwayesque, faux-British vocal stylings, and the latter that forces Hivick to leave himself behind to embody Marc Bolan, Elton John, Iggy Pop or whatever character he chooses, depending on his mood. The shirtless character that appeared in  photos around the release of the band’s first EP, he says, is dead. We’ll see.

While few singers have the gumption to get out from behind the guitar, Hivick goes whole hog with a lead singer persona, donning the flowy shirts and big sunglasses that earn the band its “glam” classification. Though “glam” gets them in the door, the Red Satellites’ conviction to rock and roll fundamentals is the band’s biggest selling point. Drummer Brenning Greenfield’s drunken, rolling fills channel the spirit of Keith Moon, which can be tough for a band to compete with; most try by turning the amps to 11 in a vain effort compete with a ringing squad of cymbals. But the Church of Meat Loaf is next to the ghetto of the overwhelming, and the restrained passages in the Red Satellites’ songs keep the band safely in the church. 

You can only threaten to spin out of orbit before you crash to earth, or float out into the beyond. “Even the Replacements eventually had to clean up their act,” says Carroll.

 

High in the tree

Charlottesville writer Kathryn Erskine won the National Book Award last week for her young adult novel, Mockingbird. The story follows a young woman afflicted with Asperger’s who struggles to move forward after losing her brother in a school shooting. Erskine, a lawyer-turned-writer, said in a recent interview with Publisher’s Weekly that the book was inspired both by her daughter’s struggle with Asperger’s, and her own search for answers after the 2007 Virginia Tech shootings. “My thoughts went to what it must be like to be related to one of the victims and to how a kid like mine who sees the world so differently,” she said in the interview, “who doesn’t feel heard or understood, how frustrated she gets and how frustrated other people get with her because they don’t understand how her mind works.”

The “Oscars of the literary world” took place last week in New York, at a ceremony for 600. The award carries a $1,000 cash prize for being nominated, and $10,000 for winning, which might tide Erskine over until her next book, The Absolute Value of Mike, is released next summer.