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News

The faces of Occupy Charlottesville

Just like the people who make up the Occupy Wall Street movement, the members of Occupy Charlottesville are indignant about the state of corporate corruption in the U.S. government and “sick” of a small portion of the population “controlling the majority of the wealth, resources and labor equity.”

But in Charlottesville, the so-called 99 percent has encountered an unexpected ally: the local homeless population. Since the camp at Lee Park has been given a 30-day renewable permit from the City, some of the area’s homeless have become an important part of the cause, securing the camp at night and serving as practical examples for the movement’s newly discovered local bone of contention: taking care of each other and of those people most affected by the financial downturn.

Kali Cichon
Age: 25
Occupation: on disability

“One of the interesting things about this movement is that we have all decided that while we identify as a group, we are autonomous. There are people here who are trying to change some of the zoning and coding laws to make it easier to provide outreach services, that’s more political than I usually get into. There are people here who are just offering to show support and be here, which is also very important.

“It’s funny because a lot of us don’t really agree politically. A problem and great thing about a movement that encompasses 99 percent of the population is that we don’t have one special interest. We are not here to save the polar bears or reduce carbon emissions. The financial crisis is a big part of it, because it has affected everybody, but we are also here knowing that even if we all have individual interests, we are here to make society better for everybody. We are here to make government and the system suit our needs and that means something different for everybody.”


Shawna Murphy
Age: 27
Occupation: “wage slave” and pizza delivery

“I was inspired when I saw people doing it in New York and when you are alone in your mind, you do a lot of thinking, ‘What can we do?’ We don’t have any option in terms of change or die. If we don’t succeed, we are not going to have a country to pass down to our children. The ball has been dropped, and the ball needs to be picked up.

“We have a town that has a ridiculous amount of money, a ridiculous amount of people working service jobs. Charlottesville itself is authentic. The problem is that it’s not really acknowledging into itself that it cares about the suffering of others. Charlottesville has a conscience, which is more than you can say about a lot of other places in this world. Charlottesville wants to be in synch with its conscience. That’s why we have a lot of support. It’s like popcorn. It’s popping up in the general consciousness.”

 

John Wendel
Age: 21
Occupation: computer repair person

“When I first got here, I was motivated by political and economical reasons, but after being here at night and seeing the way the bottom echelon of the 99 percent is being treated, it is all about unitarian rights and making sure that people who have been ignored by everyone else have someone to talk to and someone to help them.

“We need to have programs for people who are trying to make ends meet but can’t because of the cost of living in Charlottesville. The bus drivers, the teachers, a lot of them come out here and talk to me, and everyone is having a hard time. There’s no reason to be paving the downtown mall with new bricks when you’ve got people out here with mental health issues who are being completely ignored and the only help they get is a meal.”

 

Ian Downie
Age: 26
Occupation: UVA student; Marine veteran; and movement sympathizer

“The people who come here are really interested in getting change and fixing society’s problems. A lot of times, I don’t even agree with them, but the fact that they’re willing to come out here and do this for change shows a real quality of character.

“A few points of their philosophy I really agree with. Their whole ‘consensus-based decision making,’ I find that to be awesome. I really admire that. A lot of their economic stuff, unfortunately, I think is naïve. I think they have the right goals in mind, but maybe don’t have the right means of getting there.

“I’m a Libertarian. The whole Libertarian focus is just to end the force of the law in all human interactions. All the problems with the financial crisis, I think all of it stems from the government coming in and saying ‘You have to do things this way’ and it just mangles the market. Some of the people here wouldn’t agree with that.”

 

Brent Palmer
Age: 31
Occupation: unemployed farmer

“The biggest thing is to break the grip of big corporations, corporate powers have on politics. Right now they fund most of the political campaigns, which means that Congress owes most of their careers to the 1 percent and not to the people who actually vote for them. We just need to get corporate money completely out of politics. Locally, for me, the big reason I am here is to raise awareness of the national issues, but at the same time, we are able to do a lot for the homeless. We are able to call attention to some issues with the parks, really get people thinking about their community.

“Locally, the big thing is that homeless people aren’t allowed to sleep in the parks. Right now, the ones who are part of the movement have kind of a lucky break, a lot of others can’t because they are not interested in this sort of thing and don’t know about it. They just want to find a place to sleep and that’s a crime. I have heard that there is a lot of talk going around about stopping them from going to the park and panhandling for money, which for many of them is their livelihood. In a time when the economy is this bad, the most important thing that we can do on a local level is take care of the people who are the most affected by it.”

 

John S. Marr
Age: 71
Occupation: retired, former epidemiologist and published author

“The movement is very young and it is not against government, but really capitalism, which has really destroyed the economy. It will draw the attention of others, because 99 percent of the people in the world are ‘the others,’ to reorganize it, hopefully, if possible, to make capitalism fair. It’s not fair now, it’s egregious.

“What I love about this movement is that it’s 21st century technology essentially combating the 20th century. Here we have a new group of people who is so far ahead of the government and is planning strategies and occupying could lead to other concomitant, satellite organizations, so that it won’t be literally to ‘occupy’ a specific place.

“What I begin to see here is synchronicity, almost like a mean that is immediately known to everyone, everywhere. As if ideas are being planted. Obviously, they are being communicated via the Internet. I really think this is going to be a major movement come this spring. It will be very interesting to see how the politicians and the political parties deal with it. I don’t think it’s going to be co-opted either by the left or the right.”

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News

Rules to run by

As we reach the height of campaign season, perhaps it behooves us all to pause for a moment and review the rules of the game. We’re not claiming that politics is a piece of cake, or that following a a set of simple steps will guarantee your election.

But folks, come on! If you’re going to try to make a living as a duly elected representative of the people, there are some very basic things you ought to know before you start running.

Do: Go back to the well. Although some politicians think reinventing themselves on a regular basis will win them votes (a condition known as “Chronic Romneyitis” in the biz), smart pols are more than willing to repeat themselves ad nauseum. A perfect recent example of this comes courtesy of State Senator Chuck Colgan, who had great success in 2007 with an ad portraying him as Rocky Balboa. Now a spry 85, Colgan is fighting to win an unprecedented 10th term to the Virginia Senate, and has thus brought the Balboa bit out of mothballs, releasing a companion ad complete with the fist-pumping Rocky theme, multiple hits to a speed bag, and an impressively agile sprint up an outdoor flight of stairs (complete with accompanying gaggle of cute schoolchildren).

Don’t: Sound like an idiot. Remember, while repeating yourself (and spouting meaningless, party-approved talking points) is perfectly fine, in politics—as in many things—context is key. So if you are, say, Lt. Governor Bill Bolling—who was very publicly appointed the Commonwealth’s “Chief Jobs Creation Officer” by his boss, Governor Bob McDonnell—it’s probably not the smartest idea to tell a Lynchburg newspaper that “We do not believe the government creates jobs.” Yes, we know: stimulus bad, private sector good. Blah blah blah. But really, if government can’t create jobs, why do you keep promising to do it?

Do: Cater to your constituents. On the campaign trail, telling folks what they want to hear is never a bad idea. Which is why Democratic State Delegate Ward Armstrong —who has been forced by redistricting to run for reelection in a new, more conservative district—is currently running ads in which he calls himself “pro-life, pro-gun,” and touts his opposition to so-called “cap and trade” legislation.

Don’t: Piss off your base. Oh yeah—did we mention that Armstrong is currently the Democratic leader in the House of Delegates? Something tells us that—even if Armstrong manages to squeak out a win against his well-funded opponent, Charles Poindexter—his days as minority leader might very well be numbered.

Do: Appreciate your campaign staff. Every good politician knows that, without a motivated cadre of paid workers and dedicated volunteers, no campaign can ever truly succeed.

Don’t: Send them unsolicited penis pictures. You know, after the Anthony “Bulging Britches” Weiner twitpic fiasco, we would have thought that most pols would have learned to keep any and all pictures of male genitalia to themselves. Well, apparently this valuable lesson has yet to be learned by Loudoun County Sheriff candidate Ronald Speakman, who thought it would be a good idea to text-message a picture of some dude’s junk to a female staffer he barely knew. His excuse? It was totally a joke! And besides, the penis wasn’t even his! Now, we don’t know whose penis it actually was, but we can promise you this: The proud owner of that penis has a better chance of being elected sheriff of Loudoun County than Ronald Speakman does.

Although some politicians think reinventing themselves on a regular basis will win them votes (a condition known as “Chronic Romneyitis” in the biz), smart pols are more than willing to repeat themselves ad nauseum. 

Categories
Living

Small Bites: Foodie flicks, Sweet on the Shenandoah and more

SMALL BITES

Foodie flicks
The Virginia Film Festival is dishing up three courses for foodies. On Friday at 5:30pm, Cafeteria Man documents a Baltimore chef’s mission to reform a system of school cafeterias that feeds 83,000 children. On Saturday at 3pm, catch Polyface Farms’ Joel Salatin in Farmageddon, which exposes government policies that favor agribusiness and factory farms over small family operations. On Sunday at 6:45pm, watch El Bulli: Cooking in Progress for a glimpse into Ferran Adriá’s Spanish culinary laboratory, which the New York Times called, “the most influential restaurant in the world.”

Sweet on the Shenandoah
Albemarle Baking Company has a new cake called the Shenandoah, which layers a caramel mousse studded with Virginia maple syrup-glazed walnuts and roasted local pears atop a vanilla sponge, with an airy mousse (made with Claude Thibaut’s Virginia sparkling wine!) crowning it all. Isn’t eating local sweet?

Double your pleasure
El Jaripeo-lovers who live south of the 29N border can get their guac fixes closer to home now at the restaurant’s second location, near the UVA Corner in the former 12th Street Taphouse spot.

Drinking and driving
One of the many improvements noticed by Barracks Road Harris Teeter shoppers post-renovation is a fleet of new grocery carts complete with two cup holders. Finally, no need to choose between caffeine-loading and broccoli-bagging. It’s the little things.

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The Editor's Desk

Editor's Note: When movies are films

11.1.11 I’ve always loved the movies, but I can’t remember the first one I fell for. Was it the trippy cartoon version of The Hobbit? I recall being dragged to a double feature of Lawrence of Arabia and The Man Who Would Be King at an age I couldn’t possibly have understood things like an implied male rape in a Turkish prison, much less withstood a nearly six-hour onslaught of colonial bloodshed.

When I was 9, my sister got grounded for letting me and my best friend watch Purple Rain, an R-rated flick that would barely deserve the rating these days but gave us plenty to feel funny about.

The point is I could tell you my life story through the movies that have shaped me, but I didn’t realize people actually spent their lives making them until I arrived in college, and hipper friends began talking about Wim Wenders, Jim Jarmusch, and Werner Herzog.

In one criticism class, we read an Italo Calvino essay in which the genre-blending maestro talked about his childhood experiences walking into the village to catch looped double features of American films. He always arrived towards the end of the first movie, then had to wait through the second to see the beginning, a process he later turned into a narrative strength.

This week, the Virginia Film Festival comes to town to pull back the curtains, introducing us to the people, the ideas, and the methods that shape our moving pictures. The festival reminds us that film can be political, historical, musical…anything we want it to be. And that, while Hollywood may be the industry’s center, the art grows in places like this.

Take Maestro Fellini’s advice as an order to sample the festival’s offerings as broadly as possible: “You have to live spherically (cerca di vivere la vita come una sfera)––in many directions.”––Giles Morris
 

Categories
Living

November ABODE: Kitchen

SECRET INGREDIENT
Give thanks for the apple
There is no fruit (or vegetable either!) that serves as such a stalwart servant month after month, year after year, as that all American fruit, the apple. European settlers stitched seeds into their clothing, then sowed them here in the colonies to propagate the taste of home. But didn’t they know that apples don’t bear true to seed? Of course. They also know that even ugly apples and sour apples can feed livestock and can be made into passable (read: alcoholic) cider.

 

Fall bounty at Albemarle Ciderworks.

So they planted their secreted seeds and nourished the tiny seedlings, protecting them from the elements and the livestock while scratching out a rugged living nearby. In the eight to 10 years until the first apple harvest, the resourceful (and hungry) homesteader would certainly have noticed native crabapple and wild cherry trees flourishing in the hills and hollows of Virginia; for those colonists that had actually cultivated Old World apples, these native fruit trees would have seemed like a decent rootstock on which to graft European apple varieties.

Letters went home requesting scion wood from established European apple varieties, and eventually some cuttings must have materialized. Meanwhile, the homesteader would graze his livestock in and around his fledgling trees (smuggled and imported both) to take advantage of their manure delivery service and weed control. The combination of Old World grafting and ‘pippin’ cultivation resulted in an astonishingly diverse assortment of genetic combinations in a relatively short period of time, and American apple lore was born.
Why did these early settlers put such faith in the apple? They knew that fresh apples would feed the family in the fall, and could be smoked and dried for cooking into the stew all winter. Some apples would store tolerably well in the springhouse or root cellar for as long as six months.

The windfall fruit from the orchard would feed the livestock and would be well suited to crushing and fermenting into hard cider, which (with some restraint on the part of the craftsman) would keep for up to a year. Even if it began to come undone as a spirit, the likely culprit would be acetobacter, the bacteria that eats alcohol and produces vinegar. In turn, apple cider vinegar could be put to myriad use, from health tonic to seasoning agent and even as a tool for preserving other fruits and vegetables.

RECIPE FOR SUCCESS
An apple at every course
If you haven’t tried Virginia Gold, (Old Virginia) Winesap, and the Albemarle Pippin, make it a point to put them on the table this Thanksgiving. With these three apples, you have a red-skinned, fragrant charmer (Winesap), a glowing golden beauty (Virginia Gold), and a flavor powerhouse in yellow-green (the Albemarle Pippin).

If you’re wondering how and when to incorporate a fresh salad on Turkey Day, consider serving it after the heaping dishes of turkey, stuffing, gravy and potatoes. Toss crisp leaves of arugula and watercress in a creamy lemon dressing along with toasted walnuts, fresh grapes and sliced apple. Not only will this salad serve as a digestive and a palate cleanser—it just might save a loved one from overindulging at the buffet! Great apples for salads are the Virginia Gold (it doesn’t brown after being cut) and the Albemarle Pippin, which will taste a bit green and tart until the middle of the winter.

If you have a formal Thanksgiving dinner planned, nothing is more dramatic (and less filling) than a poached apple dotted with fresh whipped cream. It can be dressed up with nuts, or caramel, or crumble topping, or chocolate…but a little shaving of nutmeg and cinnamon might do just as well. Try poaching all three varieties, although they are likely to need different cooking times. Larger takes longer. The Winesap and the Virginia Gold will soften, but the Pippin can take the heat.

For the liquid portion of the meal, fresh apple cider is the perfect beverage for children and adults regardless of outside temperatures because it can be served cold or warm. Nothing will make the kitchen smell more festive than a pot of cider mulled with cinnamon stick and clove—banish the Yankee Candle and fill their noses with the smell of real food and drink!
Keep the fresh cider handy while you are preparing your side dishes, because its moisturizing and sweetening powers will only enhance your stuffing, your sweet potato casserole, and even the whipped cream atop your pumpkin pie. Braise your Brussels sprouts in it! Poach your pears in it! It will even work in cranberry sauce!

To punctuate a day in the kitchen, don’t forget to try some hard apple cider, a product that is enjoying a resurgence across the country and here in Central Virginia. Hard apple cider tends to finish fairly dry, and sports small bubbles like champagne, so it doesn’t cloy and clog the palate like sweet white wines or busty reds (doesn’t turn your teeth purple, either!). Serve it alongside an appetizer platter featuring ham, unctuous cheeses and aged cheeses—or just alongside your cutting board.—Lisa Reeder

Our kitchen columnist, Lisa Reeder, is an educator and advocate for local and regional food production in Central Virginia. She received chef’s training in New York and currently works in Farm Services and Distribution at the Local Food Hub.

Categories
Living

November ABODE: Kids

GROWING ROOM

Separate peace
Challenge: Provide independence for growing sisters
Sisters Alex (7) and Ivy (9) Lynch walk together from their home off of Rio Road to school, every day. However, as a bright and articulate fourth grader, Ivy has started to feel the need to assert her independence and has questioned the traditional, not-quite-three-minute, sisterly walk. “I like walking to school by myself now and not walking with my sister,” says Ivy. “It’s sorta new.” In fact, almost six months ago the girls moved into separate rooms for the first time in their young memories.

“I like my room because it’s fancy,” says Alex who has relocated down the hall to what was formerly a guest room. “The curtains are silk,” she points out, smoothing the material. “They’re silky,” Wendy, Alex’s mom, gently clarifies with a smile. Flitting about her new, pink room Alex selects a few books off her shelf, mixes a “smoothie” in her toy blender and serves “coffee” to a visiting reporter. She spends a moment surveying her room, beaming and clearly in her element.

The white loft bed in Ivy’s room offers a spacious workspace below. A broad desk allows for plenty of room to do homework, often with a friend. She pulls open a desk drawer to show an example of how she likes to keep things organized.

“When I’m organizing, I like to organize one thing at a time,” she wisely advises. “It’s like reading a book: You shouldn’t start reading a new book until you’ve finished the [first] one.”
When asked about what prompted the split, Wendy Lynch says, “I wanted to do it because of how messy their room always was. And it was impossible to tell who was making the mess. Ivy did end up cleaning it up pretty much all the time and it was getting unfair. Alex promised that if she had her own room she’d keep it clean and she has.”

So far it seems that the separate living arrangements are working well. The sisters are grateful for their individual walk-in closets. With ample space for the girls’ well-organized clothes and even some toys, cleanup has become streamlined and mostly pain-free.
Ivy spent time with no fewer than two grandmothers to get her closet in proper order. She has the majority of her clothes hanging, which makes it easy for her to pick out a school-worthy outfit the night before. And in Alex’s closet there are hanging fabric pockets for her gymnastics clothes, socks, and accessories, keeping things tidy and accessible.

Alex (top) and Ivy Lynch show off their newly separate space.

Even though the change has been a welcome one for all involved, the girls do admit to missing their nights together. “I don’t like [not sharing a room anymore] because my sister used to say, ‘Yeah, I’ll tell you a story’ every night,” reminisces Alex. “And she’d play stuff: pretend flutes, and pretend pets going on all night.” They both fess up to keeping each other awake way past bedtime on bunk beds in what is now Ivy’s room. But, as their mother attests, they have been enjoying their independence and the responsibility of keeping their spaces tidy, organized and wholly their own.—Christy Baker

MINI STORAGE
Keeping things organized
One of Ivy Lynch’s favorite features of her reconfigured room is the under-the-bed bulletin board. Displayed there are drawings, a few roller derby trading cards and various keepsakes. “It’s a place for memories,” she states.

Even if siblings share a room, having a space all their own allows for individual expression and a place to keep things organized—their way. The photo mobile and funky flowerpot photo holder offer a new take on the standard bulletin board (both at Cha Cha’s, $11.50 and $26).—C.B.
 

Categories
Living

November ABODE: Real Estate

You finally find the house you want to buy. Your Realtor draws up a purchase agreement and you’re told you have to get title insurance. This sounds kind of scary, so you ask yourself, “Do I need to hire a real estate attorney?”

For "boilerplate transactions," you can probably just stick with a title company, says attorney Bill Tucker.

First, a little bit about title insurance. “Buying or selling a home is the biggest transaction you’ll ever make,” explains Bill Tucker, senior partner at Tucker Griffin Barnes. “So you want to make sure the title comes without encumberances.” An encumberance is a general term for any cloud on a piece of property, such as easement issues, delinquent taxes, various liens, mineral rights being held by prior owners, a long lost aunt who is actually a co-owner of the property that the seller didn’t disclose or forgot about—all of these things get passed on to the buyer as part of the title if they’re not settled first. The title company assists both buyer and seller in removing defects from the title prior to closing.

A title company performs many of the often complicated and confusing administrative aspects of buying and selling a home. So does a real estate attorney. But an attorney can dispense legal advice and answer legal questions.

“If it’s a boilerplate transaction, then a title company is probably fine,” explains Tucker. Meaning, it might not be necessary to utilize the services of a real estate attorney on top of the title company. “But if language needs to be added to a contract, or if there’s a dispute, an attorney is called to interpret, advise and prepare the related paperwork.”

A good example is the case of a seller who discovered a $40,000 alimony lien on his property. The seller had paid the lien years prior, but the debt release had never been recorded at the courthouse, making it seem like the debt was still outstanding. To make matters worse, the seller’s ex-wife had passed away. The title company was not in a position to help other than to recommend consulting with an attorney, which the seller did.

Disputes over earnest money are another example. Earnest money is a deposit (anywhere from $500 to the sky’s the limit), paid by the buyer and held in a trust account to show they are “earnest” about buying the property. The money usually includes an agreement to perform necessary duties and inspections within a specific time frame. If the buyer doesn’t perform and/or decides she wants her earnest money refunded, an attorney, not the title company, is called to settle the dispute.

A title company usually gets around legal concerns by hiring an attorney or keeping one on retainer. But it’s important to remember that the attorney works for the title company, not you.

Dave Shockley, managing broker with Better Homes and Gardens Real Estate, says that most of his clients end up using a real estate attorney, though his agents are careful not to recommend attorneys over and above title companies. “I advise clients to involve one of them as early in the process as possible.”

Cost is oftentimes the deciding factor —a title company in the Charlottesville area typically charges $275-350 for a routine closing transaction, while an attorney such as Tucker represents a purchaser for $525 and a seller for roughly $625.

If it’s a routine sale, a real estate attorney may not be necessary. Then again, legal glitches tend not to reveal themselves from the outset. Paying a bit more for legal representation from the start may save money and headaches down the road.—Jessie Knadler
 

Categories
Living

November ABODE: Rental Rescue

I remember the days when all I needed to hang “art” on the walls were some plastic push pins and a roll of masking tape. Times have changed—but unfortunately, custom framing can come with a hefty price tag, leaving you hanging before you’ve even put a nail hole in the wall. With do-it-yourself framing and artwork, you can take your walls from shamed to framed without busting your drywall, or the bank.

1. Frame it out
Any person with a credit card and a bus pass can run to the super store and pick up a frame, but I think we can do better. Consider going thrifty on your next framing project. Browse the selection at one of our local thrift or consignment shops. Chances are you won’t find many empty frames, but think outside the Dogs Playing Poker. In most secondhand shops, you can pick up framed art for next to nothing, including large prints. Love the frame but hate the print? Take it out and reuse the frame.

Found an old frame that meets your needs but has seen better days? That’s nothing a little sandpaper and a can of spray paint can’t fix. What about an old mirror? Risk the bad luck and grab a hammer. Secondhand is a great way to get high-quality frames at a low cost.

Custom-framing stores like Freeman Victorious even put out boxes on the sidewalk of discount frames and framing supplies.

2. Mat it down
Matting is a sure-fire way to add a custom high-end look to a print or photograph. By doing it yourself, not only can you save money, but you can customize your mat for unique sizes, and shapes. You can get a large mat board for around $8, then use it for multiple projects. To make your own photo mat, start with the following tools: Mat board, ruler, pencil, Exacto/utility knife.

Using your ruler and a pencil, measure the size of the glass/inside of your frame. This will provide the dimensions of your mat, allowing it to rest comfortably inside the frame. On a durable surface, use your utility knife to cut the mat board to size on the back of the mat. (Tip: Using an outside edge of the board can help you to get away with only having to cut two sides). Using your ruler and pencil again, measure and trace the cutout for your photograph or artwork. You want to cut the opening to be a few centimeters smaller than your art piece, allowing you to tape the photograph to the back of the mat, leaving no gaps between the photograph and the mat board. Starting in a corner, cut your opening with the utility knife in even strokes along the edge of your ruler.

Using masking tape (easy to remove), place a strip of tape along each edge of the photograph’s back, leaving half an inch of the tape (sticky side) exposed. Lay the photograph down with the image facing up. Lay your mat on top of the photograph, centering the cutout over the photograph, press, and hold. (This will be easier than trying to mat the photograph from behind without seeing the front of the image.)

3. Shake it up
If traditional framing and matting leave you feeling boxed in, have fun and be creative. Cover the backing of a frame in decorative wrapping paper from Rock Paper Scissors or O’Su-zannah. Simply tape your photos or art to the wrapped back using double-sided tape for a fun, colorful touch.

Or, pick up an old window sash from The Habitat Store. Clean the glass, and mount photos from behind on each glass pane, using double sided tape.—Ed Warwick

Before joining the ABODE team, Ed Warwick was the author of “Simply Cville,” a blog about D.I.Y. design, entertaining, and home improvement projects. A UVA grad, Ed currently works as the Coordinator of LGBT Student Services under the University’s Dean of Students.

TOOLBOX
Snip snap
Scissors, shears, cutters, nibblers and nippers—It’s a happy family of cutting tools for everything from thin metal to cardboard and tile.

Let’s start with scissors. You probably already have a pair of basic paper cutting scissors hanging around your home or shop, but consider acquiring another pair or two to use for specific materials. Having a pair used exclusively for fabric, one for paper and one for other stuff, such as plastic tags and packaging, will keep the blades sharp and extend the life of your cutting tools. Scissors can be professionally sharpened in order to keep your cutting experience satisfying and safe (Martin Hardware provides sharpening services).

Utility shears are your go-to tool for heavier material such as leather, linoleum and carpeting. Large shears use what is called “compound cutting action,” which provides enough power to cut easily through things like sheet metal. Aviation snips are similar to utility shears but with the added feature of a spring to ease the strain on the hand. These shears also come with the option of a curved blade, which allows for a tighter cutting radius.
If you’ve forgotten the combination to your padlock, then you have most likely experienced the awesome power of the bolt cutter. With short blades and long handles, these babies have enough leverage to cut through chains, bolts and metal rods.

Occasionally, one needs to cut a small odd-shaped hole in sheet metal or plastic. Time to get out the nibbler (awww). Drill a small hole near the middle of the area you need to nibble and insert your nibbler and start munching away with the spring-loaded cutter.

Finally, when you need to cut a notch in tile to fit it around piping or another obstruction, use a nipper. Similar to the nibbler, it bites tiny bits of material away a little at a time.

Unlike heavy-duty, power cutting tools, these varied hand-held cutters, nippers and shears provide controlled, precise and physically satisfying results.—Christy Baker

Christy Baker is a local Jane-of-all-trades. Whether it’s fixing furniture, building a chicken coop or maintaining her roller skates, this creative mom of two always keeps a toolbox (or at least some duct tape) handy.

Categories
Living

November ABODE: Matt McClellan crafts an ideal kitchen in black and white

Kitchen renovations never finish on time. For Matt McClellan, a graduate of UVA’s School of Architecture working toward his license, the process of designing a major addition onto the side of his 1949 house took five months longer than expected. He and his wife, Meredith, bought the house in 2007 and tore the existing kitchen off before they even moved in. When it became evident that things weren’t going to finish on time, the father of three knew to go with the flow in order to get exactly the space he had envisioned: a traditional, simple, stunning kitchen where his family could easily congregate and live life.

“We really wanted a place where we could sit down and eat. We find that we never really use our proper dining room; it’s not really convenient for sitting the kids down for breakfast,” he said. McClellan decided to give the kitchen a turned roof line, perpendicular to the original house. The result is a spacious, light-filled kitchen complete with a massive island, eating area, a mudroom/laundry facility, and plenty of storage and cooking space in between.

The space shows restraint on McClellan’s part. “I wanted to keep it traditional and simple. I didn’t want to try to do too much. At the same time, we wanted a really functional kitchen with materials that spoke for themselves,” McClellan said. Those include a stained cherry island, black granite countertops, custom birch cabinetry painted Dove White, and a white subway tile back-splash that has a slight crackle finish.

While the overall aesthetic is in keeping with the traditional bones of the house, it is in no way an old-fashioned kitchen. “We wanted something that wouldn’t be dated in five or 10 years. We wanted something that has some staying power,” said McClellan. Considering the fact that McClellan claims the family spends 75 percent of their life occupying some part of the kitchen “zone,” his simple, functional, durable design was worth the investment.—Cate West Zahl

 

“Our old kitchen was really tiny. We realized what a lot of people end up realizing, and that’s that we spend a lot more time in the kitchen, certainly more than the people who built these older houses originally occupied the kitchen. Now it’s definitely more of a family space.

“I’ve always liked stainless. I mean, if I can’t live in some cool loft outfitted with mid-century modern furniture, at least I can have stainless steel appliances! You take what you can get. It’s got a nice clean quality to it.

“The concept of the kitchen was that the black granite countertops would be a durable and attractive workspace. The black-and-white color combination is classic, without feeling too old fashioned. It’s a timeless color scheme that I knew we wouldn’t tire of.

“My only regret is that the three windows are a little too tall, because my wife has a hard time seeing outside the windows. It’s fine for me, and it is nice when you sit at the island.
“I love the light fixtures. I was looking for something round to counterbalance all the edges in the room, which is actually pretty angular and geometric. I got a consultation from designers in town, called Fifth Wall. They helped me pick out the lighting which really keeps the space up to date.

“Meredith was involved in a lot of the decision making. We agreed on almost everything, except for the faucet, which we almost got divorced over. I just had to have it, and she was like, ‘We are not spending that much money on a single fixture!’

“I scoured the Internet for deals. So I ended up buying most of the appliances at discount prices. The stove had been returned and was a floor model. The budget wasn’t going to support doing everything Viking or Wolf. We wanted nice appliances. The refrigerator was a floor model. The process was dragging out for so long, so I left my ame at Ferguson and said, ‘If anything comes in that is dented, I want it, give me a call.’”

 

Virginia Organizing holds annual soup dinner fundraiser

PRESS RELEASE: Virginia Organizing–– Virginia Organizing will hold its Social Justice Bowl VIII on Friday, November 18, at 6:00 p.m. at Westminster Presbyterian Church on Rugby Road.

Please help Virginia Organizing tackle injustice. Come for a soup and bread supper and take home your soup bowl, handcrafted by a local potter.

Tickets must be purchased in advance. They are $25 and are available at Quest Bookshop, Timberlake’s Drug Store, and at the Virginia Organizing office at 703 Concord Avenue. Or purchase your tickets by calling 984-4655 x229. Please also consider sponsoring individuals who would like to attend, but cannot afford tickets.

EVENT SPONSORS:
UNION BANK & TRUST, REBECCA’S NATURAL FOOD, BANKERS INSURANCE, CVILLE IMPORTS, CHARLOTTESVILLE DERBY DAMES AND RUDY’S RUG CLEANING

Virginia Organizing is a non-profit grassroots organization dedicated to challenging injustice by organizing people in local communities to address issues that affect the quality of their lives. Virginia Organizing especially encourages the participation of those who have traditionally had little or no voice in our society.