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Who will be the next mayor of Charlottesville?

Before City Council can dive into the complexities of the budget process, it will have to choose a new mayor. Although the jury is still out on who will become the city’s de-facto spokesperson, and it will remain out until Council’s first meeting in early January, it is customary that the post goes to the councilor with the most seniority.

Custom, then, leaves either Satyendra Huja or Kristin Szakos as the most likely candidates, but the job could go to any of the five council members.
“Anybody can be mayor as long as you have three votes on Council,” said Huja, who has been open about his desire to hold the position. “I think I have the experience and I think I can represent the community well.”


Satyendra Huja (right), standing outside the Charlottesville Circuit Court, was sworn in to another term on City Council. “In the next few years, the budget is going to be a major concern because our earnings will be less and less and the needs will be more and more,” he said. (Photo by John Robinson)

When the question was put to her, Szakos preferred not to divulge who she would vote for in January, and she understated her aspirations, saying that she was “ultimately” interested, “but not so much right now.”
Sources close to Council members have said Huja has his sights on the jobs and so does Szakos.

The job in questions doesn’t come with any legislative clout, rather it’s a chance to serve as the city’s spokesperson and to be a recognizable face in government.
“People assume that the mayor of Charlottesville is like the mayor of New York City, who actually runs City Hall,” said Mayor Dave Norris. “Not only he is not elected, but my vote carries no more weight than anybody else’s vote.”

Jim Nix, co-chair of the Democratic Party of Charlottesville, didn’t want to speculate, but said the mayor is “generally someone who has been there a while,” and also pointed out that Norris can also be in the running.
“There are no limitations on the number of terms a mayor can serve,” he said. “By custom it’s two terms, but there have been exceptions and there is nothing to prevent a third term. But I doubt that.”

Norris, who has served two terms, is not interested.
“It’s a full-time job,” he told C-VILLE. “It’s easily 40, 50, 60 hours per week. The visible parts of the job, running the meetings and doing events, are not even half the workload. All day, every day, you are on notice or on call.”

In his experience, however, Norris said the “most successful mayors are the ones who aren’t always in reactive mode, but who are actually projecting a vision and try to make things happen.”

Former Independent City Council candidate Bob Fenwick said in his mind Huja tops the list of candidates.
“He has got the credentials, he has been around a long time, he served the city honorably, so I think he would be a fine mayor,” he said.

Huja, who was recently re-elected to a seat on Council with the most number of votes, closely followed by newcomers Kathy Galvin and Dede Smith, worked in the city as the Director of Planning and Community Development for close to 30 years.

For former Councilor Holly Edwards, the mayor has to have clear leadership skills and guide Council through difficult times.
“I think that we should have a directly elected mayor,” she told C-VILLE. In addition to the informal and ceremonial duties, the mayor should take on more responsibilities.
“I think that there has been more of an expectation for the mayor to take on more responsibility.”
Norris said he could support the notion of an elected mayor in Charlottesville.
 

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News

The year in electoral absurdity

Yes, as shocking as it seems, Virginia has completed another circuit around the sun, and one more crazy political year has finally drawn to a close. And, as ever, we here at the Odd Dominion want to celebrate this historic moment by challenging you, dear readers, to a test of wits. (Or half-wits, as the case may be.)

So, grab a hot rum toddy and put your thinking beanie on. It’s time to take a quizzical stroll down memory lane.

1. Virginia’s General Assembly started out 2011 with a flurry of proposed legislation. Which of the following bills was not introduced?
a) HJ557, a bill to allow the Commonwealth to mint its own legal tender, preferably in the form of gold and silver coins.
b) HJ640, a bill to ratify the Equal Rights Amendment to the U.S. Constitution, 39 years after it was originally proposed.
c) SB1465, a bill to outlaw the use of Spanish as the primary language in “non-personal commercial interactions” (i.e., fast food and bank drive-throughs).
d) SB1470, a bill to consider castration as an alternative to prison for violent sex offenders.

2. Which of the following “facts” originally presented in the state-approved school textbook Our Virginia: Past and Present is untrue?
a) The Confederacy was made up of 12 states.
b) The U.S. entered World War I in 1916.
c) Stonewall Jackson commanded two battalions of black Confederate soldiers.
d) All of the above.

3. Virginia pols continued to have a way with words in 2011—especially when it came to offending large swaths of the population. Which of the following quotes wasn’t actually spoken aloud by a Virginia politician?
a) Representative Jim Moran: “A lot of people in this country, I believe, don’t want to be governed by an African-American.”
b) Delegate Dave Albo: “In a perfect world, I would like to be able to kick out every single person who’s an illegal alien in Virginia.”
c) Attorney General Ken Cuccinelli: “My Hispanic cab driver complained about his regs today: I don’t know what’s happening to this country, the regs are getting worse than Cuba.”
d) Representative Eric Cantor, opposing tsunami aid to Japan: “Essentially, what you are saying is to go borrow money from the Japanese so we can spend it there to help the Japanese.”

4. To what was Governor Bob McDonnell referring when he said “We’re furious. It’s a national embarrassment to the United States of America.”
a) The forced closing of the Joint Forces Command in Hampton Roads by the Obama administration.
b) The possibility that Republican intransigence in Congress would cause the U.S. government to default on its debt.
c) The flying of a rainbow gay pride flag over the Richmond Federal
Reserve Bank.
d) Michelle Obama dancing “The Dougie” at Alice Deal Middle School.

Racking your brain for the quote next to Republican House Majority Leader Eric Cantor’s high school photo? Hint: It wasn’t "They call me Dr. Love."

(Photo by ZUMAPRESS)

5. What quote did Eric Cantor choose to accompany his senior high school yearbook photo?
a) “In your heart, you know he’s right.”
b) “I wasted time, and now doth time waste me.”
c) “They call me Dr. Love.”
d) “I want what I want when I want it.”

Match the foolish Virginia politico with his idiotic deed:
6. Delegate Phil Hamilton
7. Lieutenant Governor Bob Bolling
8. Loudoun Sheriff candidate Ronald Speakman
9. Mark Sell, Loudoun County Republican Committee chairman
a) Touted as the Commonwealth’s “Chief Jobs Creation Officer,” told a Lynchburg newspaper “We do not believe the government creates jobs.”
b) Sent a picture of an unknown gentlemen’s penis to a female staffer.
c) Illegally steered a $500,000 government grant to Old Dominion University in return for a $40,000-a-year job.
d) Sent a Halloween-themed mass e-mail featuring President Obama as a zombie with part of his skull missing and a bullet through his head.

Answer key: 1-C, 2-D, 3-C (it was a tweet), 4-B, 5-D, 6-C, 7-A, 8-B, 9-D
 

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News

Push things forward

 

We’re on the verge of 2012, and whether the New Year is the dawn of a new era or just another click of the big wheel of fortune as it spins into eternity, it’s a good time to talk about new beginnings. This year, instead of a tired year-in-review, we decided to give you a look at the future of your city through the eyes of eight young men and women who are making waves in their fields. They’re mostly around 30 years old (which is the new 20), and they’re doing things like running businesses, leading schools, buying buildings, and curating art shows. So welcome to your future, Charlottesville, where you’ll be alternatively educated, well-fed, creatively coded, idealistic, and fit as a fiddle for the revolution, which won’t be televised but will likely be on YouTube.—Chiara Canzi, Brendan Fitzgerald, Spencer Peterson, Caite White

 

 

“A universal reintroduction to the basics of where food comes from…”

THE FOODIE

Emily Wampler
Age: 27
Occupation: Executive Director, The PB&J Fund
Astrological sign: Gemini
New Year’s resolution: To write more.
What’s missing from Charlottesville? A “Little Italy.” I miss Boston’s North End.
What did you want to be when you grew up? Pretty much exactly what I do now. Or an interior designer, which is hilarious if you have ever been to my apartment.

A UVA graduate, Emily Wampler loves to cook and has made it her mission to give students in city schools the best chance to grow up healthy. The PB&J Fund’s mission is to “connect Charlottesville youth with the resources and knowledge necessary to help develop a healthy diet.”

To fulfill its mission, the fund works with local agencies “to provide healthy meals and teach cooking habits, aiming to address kids’ nutritional needs at each stage of development.” Some of them include Children Youth and Family Services (CYFS), the Boys & Girls Club, and local elementary schools.

“The name came about because we believe that a healthy diet should be easily accessible to all kids, just like the most famous and basic childhood food of peanut butter and jelly.”

On the future of school food:
“It holds something bright: Healthful, well-balanced lunches and breakfasts through the cafeterias with as much local sourcing as possible and a universal reintroduction to the basics of where food comes from and how to prepare it.”

On the state of access to healthy food for city school children:
“The way I see it, we have a head start in the things that will be commonplace in 20 years. I think there are two next steps that are necessary for sustainable change to make the future bright for Charlottesville kids. One: a change on a state and national level that alters the procurement and standards applied to school lunches.

“Two, education, education, education and access, access, access. Changes in school lunch requirements will help our children’s diets, but I don’t believe it can single handedly solve the issue. Learning to cook, understanding the true implications of obesity related illnesses, and understanding that exercise and applying concerted moderation will help translate health changes in and outside of the school day. This requires a variety of action plans including making healthy foods that might be new or daunting to parents and kids more accessible by where and at what cost they are available to purchase as well as what to do with them when we do. It is irresponsible for adults to ignore that the kids in our lives are currently not expected to outlive us. We should want nothing more than to change that, and soon. We should be kept up at night about this. I like to think we will all do real and tangible things with that thought.”

 

“I think we’ll also see a West Main Street that offers a reason to walk between UVA and Downtown.”

THE DEVELOPER
Paul Beyer
Age: 29
Occupation: Vice President of Development, R.L. Beyer Construction
Astrological sign: Aries
New Year’s resolution: Focus on projects that I’m passionate about, and that inspire passion in others.
What’s missing from Charlottesville? A true critical mass of young people, young professionals creating things, making stuff, starting their businesses, looking to the future. Well, “young” is not operative. But “youthful” is.

What did you want to be when you grew up? A filmmaker.

Though Paul Beyer lost his run for city council, coming in fourth at August’s firehouse primary, his campaign was something of a feat for a young candidate. Running on a platform of sustainability, job growth, and arts promotion, Beyer trailed Dede Smith by only 31 votes. During the race, he held a series of informal “Talk About the City” gatherings at his apartment in the Pink Warehouse on Water Street.

After majoring in film at NYU and working in the big city for a spell, Beyer returned to Charlottesville to take a role in the family business. Now, Beyer is vice president of development for R.L. Beyer Construction, a company that specializes in custom family homes, where he handles land sales and acquisitions, advertising and promotional outreach, rental property management, and interaction with city and county government. A past chair of the Albemarle County Housing Committee, Beyer remains involved with the Charlottesville Redevelopment and Housing Authority Project, and whatever his future in Charlottesville looks like, his ideas are already changing the city’s future. Currently, Beyer is responsible for the development of Charlottesville’s Huntley neighborhood, where he plans to create a one-acre pocket park with a community garden and a recreational area.

On what the city will look like in 2022: “We will be a city that makes things—art, products, technologies, businesses. I think we’ll also see a West Main Street that offers a reason to walk between UVA and Downtown.”

On the current state of development: “For most of the city, getting a quart of milk, or a slice of pizza, or a beer means getting in your car and driving. We aren’t a walkable city. As much as we promote it, mass transit doesn’t make much sense here, because we’re not very dense. And we won’t be a truly sustainable city until our main corridors are. Preston Avenue, West Main and most of the city’s core should be far more vital places. Our neighborhoods should be anchored with commercial components: a deli, a diner, a bar, somewhere close enough to walk, where a true sense of community could start to coalesce. What also is crucial to any city getting denser is that more areas are carved out for public use. They don’t have to be big or expensive, just walkable and community oriented.”

On what to expect in the short term: “I think the fact someone like Kathy Galvin was elected to Council bodes very well for the future. Understanding how architecture informs community is something Kathy does intuitively.”

On what the recession is teaching us: “Developers are already being a lot more cautious in what they promise, and the city and county are more realistic in what they expect. It’s a positive trend that will lead to better grounds for collaboration.”
 

“More people over the age of 50 and 60 will remain engaged in vigorous exercise.”

THE TRAINER

Hyam Hosny
Age: 37
Occupation: Owner, Clay Fitness + Nutrition
Astrological sign: Leo
New Year’s resolution: To be clear about what I want and don’t want. Not to do anything by accident.
What’s missing from Charlottesville? A beach. I love Charlottesville so much for its beauty, small town traffic, and big city thinking. If there was one thing I would bring to Charlottesville to make it better, it would be a beach. I guess I will have to go to the coast for that.
What did you want to be when you grew up? I wanted to be a track star, a vet, and a dancer.

It didn’t take Hyam Hosny all of the 18 months she’s run Clay Fitness to make an impression on the local fitness scene—it was more like nine. That’s around the time she added 4,000 square feet to her too-tiny Douglas Avenue studio, making room for a whole host of new clients (more than 300 these days), more classes (17 total, including everything from cycling to triathlon training), and more opportunities to share a science-based fitness method she passionately believes in.

That’s an awfully fast trajectory for this economic climate, but Hosny, an ACE-certified personal trainer and graduate of the Institute for Integrative Nutrition, has a proven track record. Before moving here in 2009, she owned a fitness and nutrition business in Washington, D.C., where she developed and trademarked a 12-week program that combines highly effective group training with nutrition counseling support and accountability.
“It’s a holistic approach,” she said, “where you can get all aspects of your fitness met without feeling alone on a lonely gym floor on a machine going nowhere fast.”

On the future of fitness:
“Less attention will be paid to traditional weight training (with external weight) and more attention will remain on using body weight and suspension training with body weight. TRX, gymnastics rings, gliding discs, bosu, and other tools that have the user controlling their own body will continue to be a focus. More people over the age of 50 and 60 will remain engaged in vigorous exercise. I have more and more clients who are committed to maintaining a high level of fitness well into their 50s. It’s clear that the issues that come from being less active are more significant than those that come from being more active.”

On fitness fads:
“We have been plagued by gimmicks in fitness, guiding people towards ab rollers, fad diets, silly named classes at their local gym claiming to blast their buns and whittle their waist. People have become more aware that exercise is a science. With all science, there are methods that work, and methods that are likely to flop. Systematic, thoughtful, and functional training is the way of fitness in the next era. No more droves of people running to their local gym to take the ‘blast your booty’ class.”

On training the whole body:
“Rather than doing only one form of exercise, more people are starting to see that what’s best for the body is diversity of training. More people are recognizing that there are many components to complete and overall fitness. Flexibility, cardiovascular endurance, and musclar strength and stability are all critical components. A week that used to involve only yoga or pilates may become more varied with cycling, strength training, pilates, yoga, running, and swimming could be part of one week of training. Gone are the days of treating one sport of mode of exercise like it’s a complete recipe for fitness.”

 

“I think that the future of education is looking at alternative learning options for kids that are outside of the brick and mortar setting.”

THE EDUCATOR
Thomas W. Taylor, Ed. D.
Age: 33
Occupation: Principal of Charlottesville High School
Astrological sign: Gemini
New Year’s resolution: Get into more classrooms for observations. I get to work with awesome teachers; I would love to see them more doing what they do best: teaching our children.
What’s missing from Charlottesville? The beach; otherwise it is perfect. I moved to Charlottesville in 2008 from Virginia Beach.
What did you want to be when you grew up? At the top of the list, I wanted to be a teacher and coach. I am so blessed to do what I love.

Thomas Taylor got his educational doctorate degree from UVA and became principal of Charlottesville High School in 2008. A young and dynamic principal who believes in a hands-on approach to leadership, Taylor prowls the hallways of his school, greeting every student he comes across, offering advice when necessary. Under his leadership, the drop-out rate at Charlottesville High School has decreased each year.

On the future of education:
“When people think about alternative learning, they often think about discipline schools or learning online, but there is much more to alternative learning than just that. I think that the future of education is looking at alternative learning options for kids that are outside of the brick and mortar setting that we are used to. Things that are a little more applicable, that are more hands on and virtual learning is a part of that.”

On the current state of education:
“There is a lot of excitement about education now. There is a greater emphasis today on students and their critical thinking, their writing skills, their problems solving skills, their physical and cultural geography, teamwork, communication. These are things that we really haven’t focused on education-wise in the past couple of decades, and now we have a resurgence in how we think about student learning.”

On teaching and learning:
“What this means for teachers and students is that there is a lot less direct instruction and a lot less teacher in front of the classroom and what this may look like ‘a guide on the side versus a sage on the stage.’ Teachers today are more facilitators and need to be more facilitators than direct lecturers. ‘I am here to help discover what you need to know’ versus telling you directly what you need to know and that is where that guide on the side versus the sage on the stage piece comes in.”

On the use of technology in the future:
“I think that you can’t substitute any kind of subject area with any kind of technology. What technology can do is that it is an enhancement and it is so much more than a tool. What I am far more interested in is how can you use that to be a better critical thinker, how can you use it to be a better problem solver, how can you use it to develop better cultural competencies.”

On the challenges of education in the future:
“I think the future of education holds some significant challenges financially, in supporting teachers if we really want to recruit, train and retain the best teachers in education because it is the most important part of education. Financially we are going to have to be able to support them as a community.”
 

THE (UN)POLITICIAN

Bailee Elizabeth Hampton
Age: 31
Occupation: Musician
Astrological sign: Taurus
New Year’s resolution: I don’t do those.
What’s missing from Charlottesville? A more vibrant social environment.
What did you want to be when you grew up? Not like my parents.

Hampton has been a vocal member of Occupy Charlottesville and was one of the 18 people arrested during the group’s eviction from Lee Park. She says the occupation has meant “so many things” to her. “I’ll never be the same person I was before this experience.” Elizabeth identified herself as homeless when she was arrested. You may have seen her playing her ukulele on the Downtown Mall or working at the Tea Bazaar, but you’ve definitely seen her, because she’s out there, living her life in the open.

On where we’re heading: “Into the unknown void.”

On the future of politics:
“Maybe I’m wrong, but I feel like we could be headed for an all out revolution. Nationally, we’re so far beyond fixing that the only way things are going to change is through revolution. Calling our senators, calling our congressmen, making petitions and voting aren’t doing us much good these days on the national level, so resistance is necessary. Locally we need to do some work as well. We need a poor person on City Council. We need to focus on doing more to help the homeless instead of making the Mall look pretty. We need to stop allowing war profiteers to invade our local economy. The list goes on.”

On the movement:
“On one level, it represents this grand idea in my mind of true anarchic resistance. A resistance of plutocracy, and a culture that’s killing the planet, that’s separating people from their humanity, and will destroy life on earth. A resistance that spans many class lines and political ideologies, so that many are represented and involved. A resistance that is non-hierarchical in nature. There’s no one in charge, because we’re all in charge! That’s beautiful.”

“On another level it represents the true meaning of community. It hit me after the first Occupy Charlottesville General Assembly, when I realized that over 100 strangers had just agreed to be there for each other spiritually, materially, and monetarily if need be, in order to ensure the movement.”

“It also represents frustration. Frustration that I’m only one person. Frustration with people who don’t understand why people are doing such a thing. Frustration at how the State fails and yet people still count on it with their lives. Frustration in true democratic process, sometimes it takes a REALLY long time to get an entire group to come to consensus on something.”
 

 

“I think we’ll continue to see improvement in sales over the next several years.”

THE ENTREPRENEUR
Greer Johnson
Age: 29
Occupation: Owner of Duo
Astrological sign: Sagittarius
New Year’s resolution: To run more.
What’s missing from Charlottesville? That’s a tough one! I think I’m going to have to go with beach/ocean. Other than that, we’ve got most everything I’d want.
What did you want to be when you grew up? A T.V. news anchor.

Just under 30 years old, Greer Johnson has been a retail fixture in Charlottesville for four years since opening her Elliewood Avenue shop, Duo. After graduating from Washington & Lee University with a degree in business journalism and a year spent working at SNL Financial, she decided to take the leap and start a business.

“I’d always had this idea of opening a store that had both new and secondhand clothing, so it was just a matter of when I decided to do it,” Johnson said. “I kind of figured, why not go for it?”

The store, which opened in April of 2007, is a two-floor, pinked-out homage to beautiful clothing and accessories. The lower level is dedicated to new clothes by designers like Trina Turk, Lauren Moffatt, and Corey Lynn Calter, while the upper level is filled with gently used, brand-name clothing. It’s the success of the two-tiered business model that prompted Johnson to open a second Duo location just over the mountain in downtown Harrisonburg. “We actually have a lot of customers who are already familiar with Duo,” she said. “They’ve come over to Charlottesville to shop before and recognized us from that.”

On the future of retail:
“The future looks good for small businesses in Charlottesville. Consumer confidence is improving, and Charlottesville customers are so great about wanting to support local small businesses like Duo. I think we’ll continue to see improvement in sales over the next several years.”

On the state of small business:
“Small businesses were doing really well when I opened in 2007. Shortly thereafter, though, the economy really went south, and we’re still recovering from that. I’d say consumer confidence is certainly on the rise, though, and shoppers are more comfortable spending money today more so than a year ago.”

 

“I think apprenticeship is going to make a comeback.”

THE CURATOR
Maureen Lovett
Age: 25
Occupation: Executive Director, New City Arts Initiative
Astrological sign: Capricorn
New Year’s resolution: Get more involved with the Virginia Arts of the Book Center. I majored in printmaking at UVA, but I haven’t had the space to produce much work since I graduated. More broadly, I want to be more present with people when I’m with them.
What’s missing from Charlottesville? There are a lot of nonprofits that employ less than three people in this town, which is kind of rare, and a lot of these organizations have a hard time providing good health insurance to their employees. It’s a bit idealistic, but I wish there was a way that all of these employees could buy into a group rate across organizations. I would love to start that company, but I imagine it would be incredibly complicated.
What did you want to be when you grew up? Occasionally, I wanted to be a marine biologist. Other times, I wanted to play in the WNBA. I was the tallest kid in my third grade class and thought the basketball court was my calling.

After receiving a B.A. in studio art from UVA, Maureen Lovett took part in that great yearly migration of recently graduated creatives to New York City. While there, she became involved with the International Arts Movement, an organization that works to build grassroots networks of artists and engage them with their communities. Lovett volunteered in the organization’s Space 38|39 studio, and at its annual Encounter gathering, before taking part in that small counter migration of UVA graduates back to Charlottesville, where she began curating gatherings of her own.

After organizing the loose collective that would become Charlottesville’s New City Arts Initiative, Lovett soon found herself at its center. Since August of 2010, the Ashburn native has served as the executive director of the nonprofit, a local offshoot of the International Arts Movement committed to “gathering artists and creative catalysts to wrestle with the deep questions of art, faith, and humanity.” The vision of Lovett’s group may be lofty, but from her office at The Haven at First and Market, she runs a number of practical initiatives that keep this city’s young artists connected, busy, and community-oriented. In addition to supporting a resident artist, New City Arts runs a gallery out of the WVTF and Radio IQ Studios on Water Street, assists with the Garage, a small show space at the west end of Lee Park, and develops creative programs for the homeless population served by the Haven.

On the future of the art world:
“I think apprenticeship is going to make a comeback. One example is Enrique Martínez Celaya. Rather than being a lone studio artist making work and selling it traditionally, he started Whale and Star, a studio that supports his practice, but allows interns, fellow artists and patrons to practice with him, and learn from how he works.”

On collaboration in the arts community:
“Because of the recession, funding is down in the art and nonprofit worlds, but I think that the more organizations barter—trading gallery and studio space for things like workshops or publicity—the less money gets wasted on overhead. Lowering the cost of space lets artists benefit more from the resources that places like Piedmont Council for the Arts and the Bridge already offer. Even when the economy improves, I think bartering is going to stay with us, because of how it builds networks of artists and integrates them into the life of the community. Instead of encouraging competition for a few local resources, the arts community is finding that many organizations can meet the needs of artists very easily.”

On the changing nature of support for the arts:
“Though the arts are getting cut on an institutional level, I think a lot of other organizations are rising up in support of artists, in the form of grants, or simply by providing them space in exchange for the work that they’re doing in the community. Which are both very traditional forms of patronage, but they’re starting to happen in increasingly creative ways.”
 

 

“I wouldn’t be surprised if, in the next five to 10 years, you start seeing a lot more start-ups and technology-related businesses in Charlottesville.”

THE PROGRAMMER
John Feminella
Age: 27
Occupation: Principal Consultant for fluxcrux, a new web development consultancy.
Astrological sign: Tyrannosaurus Rex (Actually, a Libra)
New Year’s resolution: ‘Be humble, for you are made of earth. Be noble, for you are made of stars.’ It’s a Serbian proverb.
What’s missing from Charlottesville? One thing we’re missing is a creative, community-supported space that people of all ages can go to and experiment with science and technology. Imagine if there was a community-supported hacker space, or lab, where people could try out fun ideas or build something cool. I think that those sorts of spaces are sort of a Library 2.0. With Library 1.0, we consumed knowledge from books and learned by osmosis. With these kinds of spaces, we’re looking at something like turning that knowledge into practice with experimentation and trying things out.
What did you want to be when you grew up? A fighter pilot.

In 2004, after one year as a technology consultant for Microsoft, John Feminella took a job as a software architect for defense technology giant Northrop Grumman. While he completed his economics and computer science studies at UVA, Feminella reduced overhead costs and refined NG’s software development, and was named Outstanding New Engineer by the company. ¶ One might work for Northrop Grumman in a number of cities. But Feminella loves Charlottesville. For six years, he has helped operate the Charlottesville Blackjack Club, which donates its considerable winnings to charities. And he has never needed an office to house his expertise. On StackOverflow.com—a website that crowdsources questions about programming, sans fee—Feminella is ranked No. 142 of more than 900,000 computer programmers, a stat that brings contracts to him. As principal consultant for fluxcrux, his web development firm, Feminella boosts the online capabilities of national magazines and financial firms alongside locally grown start-ups that keep money in the Charlottesville economy.

On the future of the software sector:
“Charlottesville, like everywhere else, is kind of suffering from a labor deficit of software development talent, and people who can actually construct all of the technology that everybody wants to build.”

“If you look at what’s happening in the economy in general, a lot of people think that part of the reason for this sort of persistent high unemployment is not because there’s a fundamental problem with the American economy, but might be because we’re going through a restructuring phase where existing jobs are being obsoleted or changed around by technology. That leaves people in a transient state where people don’t yet have the skills to move into a new position, but the job exists and there’s nobody to fill it.”

“The shortage is likely to continue for a while, so what will probably happen is, this demand is not going to go away. We’re going to be able to attract more people to Charlottesville because of it’s quality of life —it’s a great place to work and to live. I wouldn’t be surprised if, in the next five to 10 years, you start seeing a lot more start-ups and technology-related businesses in Charlottesville.”
 

Categories
Living

Small Bites: This week's restaurant news

We’ve loosened our belts this year with more eatery openings than closings. Here, for our second annual rhyming year-end wrap-up, is a look back at what closed and opened—and what we’re looking forward to in 2012.

Goodbye, 12th Street Taphouse. Farewell, Batesville Store. We loved you, Downtown Hotdog. Escafé? Loved you more. It’s true Penne Lane and Carlton’s didn’t last very long, and losing Padow’s and The Tavern felt flat out wrong.

Peace out, Wild Greens and 300 Valley Street. Enoteca, your bruschette was a favorite late-night treat. We lost two grocery stores—Stoney’s and Corner Market. We’re not done with this list—sit yourself down and park it.

Arrivederci, Raggazi’s. We sure miss you, Rise. And, hey, Staunton Grocery? Can you hear our hungry cries? See ya later, Barracks Road Quiznos and Hollymead’s Maggie Moo’s. (We never knew we had so much to lose!) We lost Toliver House and, in Belmont, Two Sides. But there’s still more to be eaten! Let us be your guide…

Welcome, Buttz BBQ and Burger Oasis. The switchover at Monsoon Siam barely phased us. Everything’s great at Elliewood’s Pigeon Hole. Try the stone-ground grits—we could eat a whole bowl!

And ditto the pearl balls at Peter Chang’s Grill; catch a glimpse of the chef and you’ll get a big thrill. In the old Enoteca spot, Positively Fourth Street. And one block up, see the Skybar—it’s real neat.

Get your delish kabobs at Nicola’s or Afghan. In the mood for sushi? Now & Zen—we’re big fans! Down the street above Fellini’s opened 9 1/2 and a new sandwich spot’s name, Which Wich, makes us laugh. In the old 12th Street space, you’ll find El Jaripeo. And in ex-Salad Creations, Downtown Deli (hold the mayo!). The once-mobile Lunchbox is now brick-and-mortar, but the roving kitchen will still take your order.

Belmont Pizza & Pub’s where Two Sides used to be, and somewhat nearby is a new Gibson’s Grocery. Just down the street, near The Bridge is The Farm and just off the Mall, we hear Tempo’s got charm.

Over on West Main, the Spice Diva is stocked and Sweethaus has the best treats on the block. And speaking of treats, have you heard about Sweet Frog? For Hollymead and Barracks’ froyo, go whole hog. And speaking of hogs, in Palmyra, there’s Two J’s. The barbeque’s smoked to perfection in two ways.

If it’s coffee you want, Trailside and Atlas are new. And don’t forget Java Dragon. It’s open now, too.

Expresso Italian is here for the long haul; getcha some pancakes—a big order, not small. The mother-son team at Wild Wolf’s charming, and the cured meat at Balkan’s so good it’s disarming.

There are bakeries like Great Harvest and Yoder’s Sugar & Spice, and there’s always pizza from Little Caesar’s or Slice. Over in Greene, The Standard sounds good, even if it’s a bit of a drive from our ’hood.

In 2012, we’ll be licking our lips—you know what they say, “forever on the hips.” Andy McClure’s bringing an eatery to Garrett, and Livery Stable will open (we swear it!). An unnamed street food spot’s coming Downtown, and in the old Escafé, what’s going down? In that space, it’s The Whiskey Jar’s time. Now we’ll note Vu Nguyen’s pho joint and—finally!—end this rhyme. Happy New Year, foodies. 

Categories
Living

Bite into 2012: Feasting for your future fortune

Ringing it in
Many of us like to welcome the New Year after a special meal on the town, but how do the people cooking our meals like to celebrate? Unsurprisingly, either quietly or the next day. After the mad buildup to the holidays or a long night in the kitchen, chefs are happy but tired.

The Chuck Norris, Godfather, and Clint Eastwood burgers at Timberwood Grill are the perfect antedote to your New Year hangover. (Photo by John Robinson)

Tomas Rahal of Mas Tapas says that his New Years’ Eves are “boring,” in a good way. He describes a chill celebration with staff and regulars: “I always try to toast it in with Cava and caviar…I welcome the intimacy.”

Chef/owners Sarah and Paul Diegl of Real Food in Orange celebrate family style: “At home we like to make a New Year’s brunch. We’re working on perfecting our croissant technique, so we’ll have them with homemade Meyer lemon jelly. Our children love poached eggs, so I’m sure they’ll be on the menu. And lots of good coffee.”

Chef-turned-Caromont goat cheese goddess Gail Hobbes-Page says, “As an ex-chef, I now love New Year’s Day because I don’t stay up late or burn the midnight oil, and I have the whole first day of the year to cook and celebrate. It’s so refreshing to wake up early on New Year’s Day and get our meal started. Plus, the goats don’t know it’s a holiday.” For this native of tiny Corapeake, North Carolina, the menu includes “black eyed peas and collards—and always oysters on the fire.” And, of course, cold bubbly chosen by husband and Hamiltons’ sommelier Daniel Page.—Meredith Barnes

The morning after
New Year’s Day brings hope, resolve, and in some cases a powerful hunger (and hangover) that only a hearty breakfast can fix. —Tami Keaveny

Kick off 2012 at Fellini’s #9 from 11am to 2pm with a three egg frittata jazzed up with spinach, mushroom, pancetta, or sausage. If you’re still resolved to keep your resolutions, ask for egg whites only and skip the pork. A Bloody Mary bar stocked with lots of hot sauce and veggies is there for the weak of mind.

Feeling tough? Take a swing at Timberwood Grill’s “baddest burgers on the planet”—the Chuck Norris, Godfather, and Clint Eastwood are all piled high with macho toppings. Or try the ironically named “Health Kick” (hash rounds, fried eggs, Andouille sausage gravy, cheddar, and jack cheeses) and put your diet off a week. Camp out from 10am to 2pm with the long beer list, football-playing TVs, and a family-friendly section.

Go whole hog from 11am to 3pm at Horse and Hound Gastropub with The Full English—two fried eggs, peppered bacon, Irish banger sausages, sautéed mushrooms, roasted tomatoes, baked beans, and toast. Or, go vegetarian (but no less indulgent) with the buttery fig & stilton blue cheese melt, which, thank goodness, comes with the irresistible French fries.
Wipe the stardust from your eyes from 10am to 3pm at Blue Moon Diner with the popular Huevos Bluemoonos featuring two eggs over hashbrowns topped with melted cheddar and house-made salsa. House-made granola with fresh fruit, honey, and yogurt is a responsible (yet delicious) alternative.

Feasting for future fortune
Every culture has its lucky foods and what better time to gobble down good fortune than the start of a brand new year. Even if luck evades you in 2012, your belly will feel fortunate for the night.—Megan Headley

Fish
Fish has always been a common alternative on holidays when the Catholic church forbids the consumption of red meat. In Japan, herring roe is eaten for fertility, shrimp for a long life, and dried sardines for a good harvest.

Legumes
Like coins that swell in size when cooked, legumes symbolize money. Down South, we eat black-eyed peas, a tradition that traces back to their fortunate discovery following a food shortage during the Civil War.

Grapes
Spanish New Year’s tradition is to eat 12 grapes at midnight—one for each chime on the clock. Each grape represents a different month, so taste carefully—February might taste rough, but July’s looking super sweet.

Greens
Cooked greens are a symbol for wealth all over the world simply because their leaves look like folded money. And the more you eat, the larger your fortune!

Pork
Because pigs root themselves in the ground before pushing forward, they symbolize progress (and bacon). In the U.S., pork’s high fat content signifies wealth and prosperity.

Oh, and try to avoid unlucky vittles like lobster (they walk backwards = setbacks!), chicken (they scratch backwards = regret!), and any winged fowl (they can fly away = so could your luck!).

Categories
The Editor's Desk

Editor's Note: Passing the torch

12.27.11 I usually write these columns on Monday mornings, the day we put the paper out, but because of the holiday I’m writing this one on Friday, which means it will be four days before you read it, with all of the events of the weekend between. I’m writing into the future.

It’s appropriate, since the feature this time around is about how exceptional young people around town see the future of their professions and the city. They’re looking forward, because they are the ones who will have to push things forward. The thing with the future is that you have to look backwards to see where it’s going. Seeing the future is really about tracking your own trajectory.

AMC has been showing the George C. Scott version of Charles Dickens’ A Christmas Carol, and I can’t get over how contemporary the language feels. The tensions in the story are about income disparities between the rich and poor and the moral and spiritual dangers of a materialistic culture. You think you know it well, because of Tiny Tim, but listen:

“What’s Christmas time to you but a time for paying bills without money; a time for finding yourself a year older, but not an hour richer; a time for balancing your books and having every item in ’em through a round dozen of months presented dead against you?”

I haven’t run into anyone with the mettle to humbug the holiday season so succinctly, but the idea of a social critique––and there are others in the story––being so perfectly alive 160 years after its writing makes you wonder if the future doesn’t proceed from the past more like a spiral than an arrow, and even then mostly because daily progress helps us feel better about death.

In the New Year, we need new ideas, new paradigms, a new relationship between leaders and visionaries. It’s time for the Boomers to pass the torch, so that the light may shine more favorably on their achievements, and so the next generation may add the weight of expectation to the force of its ideas.–Giles Morris
 

Categories
Arts

Review: The Girl with the Dragon Tattoo

The main draw of The Girl with the Dragon Tattoo, David Fincher Edition, is that we want to see what this director will do with it, although we can sort of guess that the crucial thing he’ll do is make a ton of money.

Brutal and mesmerizing, David Finsher’s adaptation of The Girl with the Dragon Tattoo features supremely gutsy performances from Rooney Mara (above) and Daniel Craig, and leaves no skeleton un-closeted. Photo courtesy Columbia Pictures.

It’s still not even three years since the first book in Stieg Larsson’s sensation-spawning “Millennium Trilogy” became a Swedish film, but getting over our remake gag reflex somehow seems easier when the remaker in question is a luxe stylist of serial-killer thrillers. Fincher’s supremely slick opening credits sequence right away suggests a new way to see this: not as merely another unnecessary English-language effigy of European box-office success, but as some kind of radical nouveau Bond flick, complete with Daniel Craig in the lead role, from the hand of the director of Se7en and Zodiac.

This whole setup suits Fincher’s pervy predilections all too well: In an atmosphere foul with family secrets, brutal sexual violence, and murder, a dubiously disgraced journalist (Craig) and a disturbed computer hacker (Rooney Mara) form an unlikely crime-solving alliance. The mood is by turns brooding and cheeky. The method is technically exacting. The temperature is not warm.

It begins with the journalist getting summoned to a nest of wealthy Swedish industrialists. They have their own private island and ample skeleton space in the family closets, or basement torture chambers, as the case may be. Their reigning patriarch, an elderly tycoon played by Christopher Plummer, has commissioned a biography of himself, but what he really wants is an investigation of the presumed murder of a beloved niece several decades ago. He describes the rest of the family, which includes Stellan Skarsgård, as “the most detestable collection of people you will ever meet.” The journalist does his legwork and determines this claim to be a fair one.

As for the girl with the dragon tattoo, we may infer her family to be nearly as detestable as the tycoon’s, and in any case, she is now a ward of the state, whose caseworker is also her rapist. She first encounters the journalist as he’s checking this man’s background. Then she becomes the journalist’s assistant, then his lover. He already has a lover, who is also his editor, and is played by Robin Wright, but that doesn’t much matter, just as it doesn’t much matter that Wright troubles herself to affect a Swedish accent and Craig doesn’t.

The movie works briskly through its coils of retributory sadism, keeping a straight face even during what amounts to an overly explanatory Scooby Doo-ish ending. Some credit for Dragon Tattoo’s efficiency seems due to screenwriter Steven Zaillian, but as we’ve established, this was a tale promiscuous enough to freely drift between its tellers, and now here it is as a film by David Fincher—a very dark one, where lurking actors give off glints of their charisma. It sells itself.

Categories
Arts

This week in T.V.

New Year’s Eve specials

There are so many NYE specials, and honestly, they’re all pretty similar: annoying host, fame-whore cameos, ball countdown, and some questionable live music performances. Here’s a rundown of the major entries: the venerable “Dick Clark’s New Year’s Rockin’ Eve” will air on ABC starting at 10pm, preceded by a two-hour special at 8pm that will recount great moments from the 38(!) previous installments. Ryan Seacrest will continue primary hosting duties, with musical guests Lady Gaga, Justin Bieber, Pitbull, and Hot Chelle Rae. NBC’s coverage starts at 10pm, is hosted by Carson Daly, and will feature performances by Drake, Jessie J, “Voice” coaches Blake Shelton and Cee Lo Green, and Tony Bennett, and NBC News’ Brian Williams will give his music review of 2011. Fox is going a twangier route with a country-themed special featuring “American Idol” runner-up Lauren Alaina and Rodney Atkins starting at 11pm. MTV is going for a younger crowd with its 11pm special hosted by “Teen Wolf’ star Tyler Posey and trying-too-hard Demi Lovato, with music by Selena Gomez, Mac Miller, Jason Derulo, and other folks who were fetuses in the 1990s.

 

“South Park” 

Saturday 9pm-midnight, Comedy Central

As you may have heard, the Mayans made this fabulous stone calendar way back when, and it happens to expire in 2012. Some people think this means they knew the date of the end of the world. Some people think it signals a new age of cosmic enlightenment. I think they ran out of rock, or their chiseling hands cramped up. Unsurprisingly, the “South Park” gang falls on the cynical side of things, and has decided to celebrate our impending extinction with a “Countdown to the End of the World” marathon. The “South Park” kids will help viewers prepare for the possible doomsday with three hours of apocalyptic episodes, including the brilliant “Make Love, Not Warcraft.”

 

“Intervention,” “Hoarders” 

Monday 7am-11pm, A&E

Start off your new year by scaring yourself into a productive, healthy lifestyle by taking in marathons of two of the most confronting shows currently on television. You could argue that documentary series like “Intervention” and “Hoarders” are incredibly manipulative, and you would be right. But the bottom line is, these shows are more powerful than any anti-drug PSA, and more useful than any home-improvement show. New episodes of both series start at 9pm Monday. Prior to that you can catch up with repeats of “Intervention” from 7am-3pm, and “Hoarders” from 3-9pm.

Local food rubber meets the road

Everybody wants to see more local food being served in schools, senior centers and the like. (Well, everybody except Sysco.) But it’s complicated. With the big institutions our society has come to rely upon for care of young and old people, a friendly little exchange with a local potato grower is not that practical. Your average middle school probably goes through a small farm’s worth of potatoes every week.

In Loudoun County, it seems, local food in the schools is proving difficult. They had a pilot program going that was supposed to bring in local produce–not even from Virginia, but from a farm in the eastern panhandle of West Virginia. And the farmer in question was ramping up to meet the schools’ demand, when–just before the start of this current school year–the program was killed.

(An irony of the situation: Loudoun County has a large school system because its population’s grown so enormously, and many of its new residents live on what used to be farmland.)

You’ll have to read the article to get all the ins and outs, but basically the problems are bureaucratic ones. There are contracts that can’t be ended, requirements that are prohibitive to most small growers, and—it seems—a lack of clarity about the program’s goals. It’s a mismatch between the reality of farming and the reality of a big school system.

One hopes to see these things ironed out somehow. It strikes me that our own Local Food Hub is probably a great model for solving some of these problems—at least the ones that have to do with the scale of small farms. Where will we be with these issues, as a nation, in 20 years or so? Will Albemarle County still be an island of somewhat better practices, amidst a sea of Sysco? And what kind of balance will we have between housing and farmland?

 

Categories
Arts

The Infamous Stringdusters eschew bluegrass dogma

It’s been a big year for The Infamous Stringdusters. The dynamic five-man string band picked up a Grammy nomination for Best Country Instrumental, started an independent record label, High Country Recordings, and kicked off a sold-out bill in front of 10,000 people at Colorado’s legendary Red Rocks Amphitheatre this past summer. But as far as long-term vision, perhaps the biggest thing the band did this year was move to Charlottesville. 

With a Grammy nomination and two Festy sets to their name, The Infamous Stringdusters are reviving local bluegrass while taking steps beyond the genre. Photo by Tom Daly. 

In many ways, the relocation from Nashville is more about musical identity than geography. When the band first emerged in 2007, it was lauded by the Music City bluegrass establishment as the genre’s next great upstart. The group won the International Bluegrass Music Association’s Emerging Artist of the Year Award and immediately landed gigs at high-profile festivals. But frankly, the Nashville-centered old guard of the bluegrass world can be a stodgy crowd. Purists get miffed when young bands mess with the traditional parameters set by forefathers like Bill Monroe more than a half-century ago. From the beginning, the Stringdusters had bigger ideas about where they wanted to take their music.

“People who love bluegrass take it very seriously,” said the band’s banjo player Chris Pandolfi. “It’s like a religion. But our goal has always been to cross genres and reach new people—fans who aren’t judgmental and are willing to go along with us.” 

On stage, the group is armed with acoustic instruments and virtuosic chops. It’s easy to see what first attracted traditional bluegrass fans. With nimble, quick-picking fingers, the Strindusters trade solos with spitfire finesse and harmonize vocals with high lonesome grace. But the band often applies this roots-based skill set to broader sonic exploration. In current sets the band expands down-home tunes with energetic extended jams and dance-friendly grooves, while also lending fiddle and banjo treatment to a range of covers, including The Police’s “Walking on the Moon” and U2’s “In God’s Country.” Similar to what predecessors Béla Fleck and Sam Bush pioneered in New Grass Revival, and the current sound of contemporaries like Railroad Earth and Yonder Mountain String Band, the Stringdusters push their music beyond conventional boundaries, and enhance their country-hued romps with intelligent improvisation.    

“This year we figured out who we are as a band,” says guitarist Andy Falco. “People are shocked that a string band can rock. There’s nothing we love more than changing someone’s perception of what this music can be.” 

With a broadening sound and a creative approach to moving forward in an evolving music industry, the Stringdusters picked Charlottesville as a new home base. Pandolfi and Falco moved to town at the beginning of year to be close to the band’s management company, The Artist Farm, which operates out of the top floor of the Pink Warehouse building on South Street. Bassist Travis Book is a more recent arrival, as is the band’s sound engineer Drew Becker. Fiddler Jeremy Garrett and dobro player Andy Hall still live in Nashville. 

Although the band spends more than half the year touring across the country, making an impact on the local music landscape has been a priority. In April, the group played a sold-out show at the Jefferson Theater, part of which was used in the recording of the recent live album, We’ll Do It Live —the band’s first release on its new label. Then in October, the band and management hosted the second annual Festy Experience, a three-day festival on the grounds of Devils Backbone Brewery that drew nearly 4,000 people to Nelson County for a range of local and national acts, including Lake Street Drive, David Grisman, and Brett Dennen. Under the Festy umbrella, the Artist Farm has recently started promoting shows in town by bands in line with the festival’s musical aesthetic, and when the Stringdusters’ van is parked at home, the band members who live here have started playing local gigs as a stripped-down side project called the Founding Fathers. All of this has contributed to a revived spirit in Charlottesville’s new-school mountain music scene, which has been a bit disjointed since the closing of the Prism Coffeehouse in 2006. 

“This is an inspirational town for a musician—especially for the kinds of things we want to do,” said Falco. “We’re finding opportunities to help create a new scene.” 

This week the Stringdusters are hitting the road for a four-night run to ring in the New Year. In another act of localism, the band is bringing cello-looping indie tunesmith Wes Swing along for the ride to open shows in New Jersey and Baltimore. The brief tour will culminate in two hometown shows, including a New Year’s Eve bash at the Jefferson Theater and a bonus show the night before at the Southern Café and Music Hall—only available to Jefferson Theater ticket holders. The big New Year’s gig will also feature Swing, along with additional support from the rollicking horns of Richmond’s No BS! Brass Band. Rest assured, it’s not going to be a typical bluegrass show.

“At the end of the day, it matters very little what music is called,” says Pandolfi. “What we’re really trying to create is an experience.”