Categories
Arts

What’s Up at American Shakespeare Center?

American Shakespeare Center’s Blasphemy Tour is running now through June 17 at the Blackfriars Theatre in Staunton, Va. (Photo by Mike Bailey)

 

It’s so good it’s almost Blasphemy. 

Spring is a time of homecoming for the American Shakespeare Center. It is the season when the touring company returns to the nest to roost and perform three shows in repertory. This year’s tour, intriguingly titled, “Almost Blasphemy”, consists of two of Shakespeare’s most adored plays, A Midsummer Night’s Dream and The Winter’s Tale matched with John Ford’s ‘Tis Pity She’s a Whore. At first glance, the relationship of these three shows to the tour name and to each other may be difficult to discern.

“We title each tour like a rock band or recording artist usually title their tours,” says ASC Artistic Director, Jim Warren. “We’re trying to get something that relates to all three titles in some way; something that sounds fun to say; something that looks good on posters and t-shirts!”

“Almost Blasphemy” comes from the first scene in ‘Tis Pity She’s a Whore where the Friar tells Giovanni:

‘Repentance, son, and sorrow for this sin:
For thou hast moved a Majesty above,
With thy unrangéd almost blasphemy’.”

Touring rookie actor, Eugene Douglas, sees themes of rash decisions with serious repercussions and conflicts between spirituality and earthly delights in this collection of plays. “I see motifs in all three of romantic relationships run amok,” he says. Douglas plays no less than five roles betwixt the three productions and describes the plays thusly, “With Tis Pity, you have a genre bloodbath. With Winter’s Tale, you have a lyrical tragicomedy. With Midsummer, you have magic and romance and slapstick at the forefront. Each play has elements of these things, but are unique in their individual presentations.”

The grouping of plays offers a variety of choices for new patrons as well as for repeat visitors to ASC’s Blackfriars Theatre. Midsummer Night’s Dream, which has been performed several times in the company’s 24-year history, is one of Shakespeare’s most beloved comedies. ‘Tis Pity She’s a Whore is a gory, twisted re-imagined version of Romeo and Juliet is rarely performed (this is the second time in ASC’s history). The Winter’s Tale, with it’s half tragedy/ half romantic comedy mash-up provides the perfect middle ground between the other two plays in both tone and popularity.

In order to keep the more oft performed plays fresh for ASC regulars, costuming is a key element. This season is the first time that Midsummer Night’s Dream will be performed in traditional Elizabethan dress. In contrast, the costume influence for ‘Tis Pity She’s a Whore is Quentin Tarantino’s Reservoir Dogs. “The entire look of the show is something akin to ‘steampunk modern meets Alexander McQueen outrageous modern’,” says Warren. “Tis Pity has some outrageous modern costumes because it’s a lot like a Tarantino movie: violent/funny, dramatic/comic, full of smart characters with great dialogue. I also went with modern costumes for ‘Tis Pity so that audiences coming to see all three Spring Season shows get to see three very different flavors of costume styles.”

“I think each of these shows demonstrates a different level of reality,” summarizes Denice Mahler, a Blasphemy Tour actress. “They all, like life, evoke laughter and loss, tears of joy and pain. There’s a catharsis waiting to be had in each one.” Well, if that is blasphemy it sounds pretty entertaining.

For more information go to: americanshakespearecenter.com or call 1-877-682-4236.

 

Categories
Arts

A$AP Rocky: The People’s Champ

When A$AP Rocky took the stage at the Jefferson Theater on Monday night, it was with a graciousness uncommon to more veteran acts. He seemed happy to be there. A year ago, he and his rap clique were only minor figures in hip-hop. Last April, he was just cutting "Purple Swag," the song that made him an Internet darling. Through the viral opportunity of the web, A$AP Rocky’s career blew up in less than a year. Having recently signed a staggering $3 million contract, all eyes are on the Harlem rapper.

 

A$AP Rocky got in the ring with a sold-out Jefferson theater crowd on Monday.

It’s often difficult for rap to translate well in a live setting. Unlike the way people describe some rock acts as "studio bands" and others as "live bands," few rappers are characterized as best seen live. The live medium is contrary to the revision of hip-hop’s production, and Rocky’s sound is a particularly manicured one. Impressively, he met the challenge and matched the deafening bass with corresponding energy. Whether his crew was flanking him on stage or he was alone, Rocky was entirely the people’s champ.

Most evident in A$AP Rocky’s hour-long set was youthfulness. The crowd was green – as was the air – and so was the performer. With that came a certain joie de vivre, and it permeated the show. Few rappers smile as much as A$AP Rocky did. He delivered the songs from his LiveLoveA$AP mix tape (he has yet to release an album) like they were still new to him. The crowd received them with the fanaticism of true believers, shouting the lines. As a bonus, he performed "Goldie," a song released two weeks ago and produced by Hit-Boy – one of the ears behind "Watch the Throne."

As A$AP Rocky occupied the stage, it was hard to imagine that he used to sleep in shelters with his mother, far removed from the adoration of college students. His birth name Rakim, after the pioneering rapper, he represents a new moment in rap.

The genre has matured and expanded from the golden age of hip- hop, beyond issues of legitimacy and demographics.  Its cultural references are increasingly eclectic. Rocky is a Harlem rapper borrowing heavily from Houston’s hip hop culture, wearing clothes from uber-hipster brand Supreme, representing something beyond his region and past his life experience. In this way, his career is a broader statement about America. 

As he prepares to release two albums, one with his clique and another on his own, this is a unique moment. Within his burgeoning stardom lies a candor. Shirtless and perspiring, he bid the crowd goodnight and walked off the stage. The lights stayed up. There wouldn’t be an encore. He’ll perform many over his career. –Julian Belvedere

 

 
 
 

C-VILLE Arts Beat: Top Picks for May 1-May 7

Saturday 5/5

Get in step

It’s time to dust off that birthday sombrero in the back of the closet and head over to the Salsa Social where DJ “O” Con Sabor will spin the hottest Latin jams. Both left feet are welcome, as the cover charge includes a one hour salsa lesson—but don’t show up wearing last night’s sweatpants!  This is your chance to dress, impress, and strut some serious stuff. $10, 8pm. Random Row Books, 315 W. Main St., 326-5501.

Thursday
5/3

What’s the big idea?

Let’s show off those big brains, Charlottesville!  The Tom Tom Founders Festival is putting on a crowd-sourced micro-financed pitch night. The idea is simple: Everyone chips in 10 bucks and the crowd votes on submissions from creative artists, entrepreneurs, innovators, and enthusiasts who could use financial support. The winning venture gets $1,000 to help fund the next Facebook or great American novel. It’s time to leave the garage and reveal your genius. $10, 7pm,
The Gleason Building, 126 Garrett St. #D, www.tomtomfest.com.

Tom Tom Founders Festival innovation event asks, “What would you create in Charlottesville with $1,000?”

 

Monday 5/7

Bass mates

Australian bass virtuoso Dane Alderson has arrived stateside (aka Charlottesville) and is picking up some weekly gigs at Rapture while visiting family in town. Growing up in Perth, he honed his craft by performing regularly with the West Australian Youth Jazz Orchestra, and ended up conducting workshops around the world with Grammy-winning “Flecktone” Victor Wooten. Joining Alderson will be Cville greats Tucker Rodgers and James McLaughlin, who are sure to do some schooling of their own.  Free, 10pm. Rapture, 303 E. Main St., 293-9526.

Sunday 5/6

You know my methods, Watson

The world’s foremost consulting detective Sherlock Holmes and his stalwart companion Dr. John Watson are back in 21st century London, battling a computer-savvy arch-villain. Catch the simulcast premiere of “Sherlock Season Two” in jumbo on the Paramount’s high-def screen.  Choose the VIP package and you get to nibble and quibble over the finer points of the Baker Street bachelor’s sleuthing, while doing good for PBS and benefitting the theater. Elementary, my dear. $50 VIP reception or free general admission, 7pm. The Paramount Theater, 215 E. Main St., 979-1333.

Sherlock Holmes (Benedict Cumberbatch) and Dr. John Watson (Martin Freeman) battle modern problems in the PBS Masterpiece Mystery series “Sherlock.”

WTJU’s Folk Marathon is a Week-Long Feast for Music Fans

Woody Guthrie’s 100th birthday is one of the many themes of this year’s Folk Marathon

WTJU, the community radio station operated by the Unversity if Virginia, is about to turn 55. One of the many factors contributing to the stations’ longevity is the tradition of quarterly fundraising marathons, in which each of WTJU’s four music departments — Folk, Rock, Jazz, and Classical — takes over the airwaves once a year for a full week of specialty programming. Two- and three-hour shows are devoted to specific artists, labels, genres, and even song topics, and attention to detail that’s rare even in the world of freeform radio.

The 2012 Folk Marathon is currently underway. It began on Monday and continues through midnight this Sunday. Upcoming shows will pay tribute to beloved labels like Rounder and Island Records, as well as live on-air performances by Trees on Fire and the Downbeat Project, and shows devoted to more unusual themes, such as “The Music of Coal,” the songs of late Monkee Michael Nesmith, and a two-hour collection of songs about chickens. (The full schedule is available on WTJU’s website.)

One of the running themes in the Marathon is the music of Woody Guthrie, as 2012 marks his 100th Birthday. As of 2010, radio stations can no longer air more than four recordings by the same artist in a three-hour period (due to a clause in the Digital Millenium Copyright Act) but the inventive WTJU DJs have found ways around this problem, by including dozens of covers, collaborations, and live performances of Guthrie’s songs.

165 hours of music is more than any one listener could hope to take in, but any shows you might have missed will remain in WTJU’s “Vault,” a streaming online feature that archives shows for up to two weeks after their original airdate.

With programming like this, it’s no wonder that listeners faithfully tune in all around Charlottesville — and increasingly, around the country and the world, thanks to a website that allows live streaming and archives playlists from past shows. Many former residents and UVA Alumni keep in touch with Charlottesville via the station, including many former DJs, such as the WTJU in Exile group, founded in 2010 when the stations’ then-Manager, Burr Beard, threatened to impose pre-programmed playlisting and the elimination of several of the stations’ music departments.

Beard resigned from his position in October of 2010; since March of 2011, the station has been under the stewardship of General Manager Nathan Moore, who has committed himself to preserving WTJU’s unique content while helping to bring the station forward into the 21st century and continuing to meet the financial challenges of operating a listener-supported non-commercial radio station in a stagnant economy. One of Moore’s current projects involves securing funding for a power increase to the station’s FM transmitter, which would “boost” WTJU’s signal around the listening area, and increase the size of that area to cover a larger portion of central Virginia.

A significant percentage of the station’s operating budget comes from the quarterly Marathons, during which the DJs will frequently ask the listeners to donate to the station. The WTJU Folk Marathon has set a fundraising goal of $40,000 for the week. As of this writing on Wednesday afternoon, they have just surpassed the $10,000 mark.
 

Categories
Living

Small Bites: This week's restaurant news

 Pop-up pig pickin’
Pork has a permanent place on Brookville Restaurant’s menu (and in chef/ owner Harrison Keevil’s heart), but on Friday, May 4, the second floor restaurant will temporarily become BVILLE-Q, featuring 100 percent locally-sourced barbeque pork to support the Tom Tom Founders Festival. Tickets are limited because a mere $45 gets you all-you-can-eat ’que and two drinks of beer or cider (additional drink tickets can be purchased at the bar). There’ll be “pig parts” passed throughout the night, but the main event—a good ol’ pig pickin’—starts at 8pm. Call 202-2791 to reserve your tickets and start stretching your stomach now.

A brand new box
Pei Chang, who cooks up ethereal Japanese cuisine nightly as the executive chef at Ten, has revamped the space and menu at another Asian place just around the corner. Chang and Nook owner Stu Rifkin bought The Box on Second Street and just reopened it as a noodle bar under the same name. Expect Vietnamese dishes like pho, ramen, banh mi, and pork belly buns served up super fresh, super fast, and super cheap (prices range from $3-8). Lunch service begins at 11am and dinner ends at 9pm with, in Chang’s words, “musical stylings from the golden age of hip-hop” providing the soundtrack. Get slurping!

They made it there
In January, Peter Chang dazzled the tastebuds of a sold-out crowd at the legendary James Beard House in New York with a seven-course meal paired with wines from Andy Reagan, winemaker at Jefferson Vineyards. On Friday, May 11 at 6pm, Chang and Reagan will recreate the entire experience at Peter Chang China Grill. The sensational spread costs $170 a head in New York, so at $75 and no travel costs beyond the gas to get to Barracks Road, the night’s a deal. Call 244-9818 for reservations.

Categories
Arts

“America’s Next Top Model,” “The Vampire Diaries,” “30 Rock”

 “America’s Next Top Model”
Wednesday 9pm, CW
What started out as a dreadful season has turned out to be a lot of fun. For “Top Model’s” 18th cycle, evil genius Tyra Banks launched a “British Invasion,” pairing seven new American would-be models with seven former contestants from “Britain’s Next Top Model.” The first few episodes were nearly painful to watch, with some of the dumbest photo shoots in the series’ history—and that’s saying a lot—and Tyra’s goofier tendencies indulged like never before (the supermodel super powers? Oh, Tyra…). But the remaining girls are actually lovely. I’d say it’s a safe bet that an American will take the win, but I’m pulling for Brit Sophie. In other news, Tyra just pink-slipped longtime cronies Jay Manuel, J. Alexander, and Nigel Barker, so get your fill of those bozos while you can.

“The Vampire Diaries”
Thursday 8pm, CW
This supernatural teen drama had killer freshmen and sophomore seasons, but that hot streak came to an end halfway through this third season, when this whole stupid “Originals” plotline went completely off the rails. Parts of the season have been handled well—Bad Stefan is a hoot; Elena’s burgeoning relationship with Damon has been nicely executed; the bit about Alaric’s magic woo-woo ring screwing him over was inspired. But anything to do with the insufferable Klaus and his siblings (minus the terrific Elijah) has been infuriating. The bloodline twist was novel, and it ratcheted up the drama. But this Originals shit has to end in these last few episodes of the season (although I hear it won’t…). One promising spoiler: the May 10 season finale will flashback to the night of the accident that killed Elena’s parents, a plot point that has always bugged me (specifically Stefan’s unclear role in it).

“30 Rock”
Thursday 8:30pm, NBC
After a couple of bum seasons “30 Rock” has made a big improvement this year, which has made an uneven year for “Parks and Recreation” and “Community” barely being on the air somewhat more tolerable. Jenna’s sexual walkabout, Jack’s continued mission to make his crappy Kabletown company legit, and Kenneth’s confusing career path have made for some great ongoing plotlines, and the jokes have generally been sharper, too. This week we get the return of “Queen of Jordan,” Angie’s hilarious “Real Housewives” parody that was a highlight of Season 5. Let’s see if D’Fwan remembers his catchphrase this time.

Categories
Arts

On life, death, art, and being Sissy Spacek

Sissy Spacek recalls her Texas childhood and staying grounded by staying away from Hollywood in her new memoir, My Extraordinary Ordinary Life. (Photo by Lynne Brubaker)

If there’s a Dorian Gray trade-off that comes with being Sissy Spacek, it must go something like this. Even in recent films like Get Low, where she plays her age or older, there remains something girlish about her face. The freckles, the apple cheeks, the forthright blue eyes call time a liar. But what has unmistakably matured about her is her voice. The crisp tomboy drawl of Badlands and Coal Miner’s Daughter has ripened now. It’s become the voice that generations of Southern women have grown into as they aged—laced with music and meaning and joy and sorrow and sunlight. It’s a voice made for kitchen table conversation or front-porch storytelling, for fixing the cords that bind us into families, and into communities. It was the voice that came at me out of the speaker phone as we discussed her new memoir, My Extraordinary Ordinary Life, written with Maryanne Vollers.

Levon Helm, legendary drummer with The Band, had just died. Helm played Loretta Lynn’s father in Coal Miner’s Daughter, so I began by asking about him. “He was a wonderful man, an amazing musician, and a brilliant actor. People don’t realize that about him,” said Spacek. “He and Phyllis Boyens, who played Loretta’s mother, and her father, Nimrod Workman, who was a revered Appalachian singer—they brought such a sense of the life of the mountains. They just had that story right down to their shoes.” In a central moment in the book, Spacek described the experience of the cast staying at an inn in Wise, Virginia, during the filming. “Levon took over the basement taproom most nights, filling it with guitar players and banjo pickers, singing the old mountain songs that sprung straight up from the land that surrounded us. One of the wonderful things about being a filmmaker is that you get to live all these different lives, in different places, not as a visitor, but as somebody who’s trying to sink down into the bedrock of the community.”

In her own story, bedrock is Mary Elizabeth Spacek running barefoot with her brothers around the streets of Quitman, Texas—“my To Kill a Mockingbird childhood,” she called it on the phone. “There were screen doors, and your parents whistled for you at night, and we played at Magic Hour running around the neighborhood ’til we thought our little hearts would burst trying to catch the last little bit of light.” The story might have stayed right there, but it grew in the telling. “In the beginning, I wanted just to write about my childhood, but when I began to write I realized that my childhood had so informed the rest of my life that I needed to be able to (talk about) my adult life, my career, my life here (in Virginia). It really is true that every experience I’ve had and every place I’ve been and every relationship I’ve had has fed my work.”

The book is organized around place, with big sections titled Texas, New York, California, Virginia. We get to see all the burgeoning talent, the early forays into the folk music scene in New York, the growth of her career through a series of remarkable films, and the impulse to go to ground in Albemarle county so that her daughters can have the same kind of rooted childhood that she had. But the soul of her story is in the details. As she described it on the phone, “the book really explains me. It’s why bugs on the screen and the wind in the trees and geese flying overhead are like a choir.”

My Extraordinary Ordinary Life
By Sissy Spacek, with Maryanne Vollers
Hyperion, 288 pages

Spacek kicks off her book tour here
in Charlottesville on May 1 with a signing at Barnes & Noble.

It’s hard to avoid the impression that Sissy Spacek is not primarily a star, though she certainly plays one on TV. Nor is she at heart a celebrity, though her celebrity stories are good, and warm, and funny, and generous. No, Sissy Spacek is at heart an artist. She’s a gleaner of truths, a miner of gold, a driller for bedrock. She comes by that miner’s impulse honestly. In the book, she describes her mother leaving home for the last time before her final trip to the hospital. “She kept walking around the house looking at everything. This was the place she loved best…. I’ll bet that’s what was flooding through her mind that morning, all those sweet memories. She stood there in the living room a long time, Daddy said, just taking it all in.”

It’s not a particularly sorrowful book, though there are sorrows enough in it. A question starts to form itself, but the interview is over. I never get to ask: Why are so many of the best stories laden with mortality? No matter. Having read this book, I know how she would answer.

“Death is the mother of beauty,” said the poet Wallace Stevens. It’s the shadow on the wall that lends insistence to the day. It goads us to harvest the simple, ordinary, extraordinary things that surround us, and to turn them into meaning—like Levon Helm playing mountain music in the taproom, like all the little shards of blessedness that her mother gathered in that last long look around the house. Like any good artist, Sissy Spacek knows this right down to the soles of her bare feet pressing into the dust.

Categories
News

City's plan to link miles of off-road trails moves ahead

A map from the city parks department shows existing multi-use trails in green. Red lines mark pending trail projects, all of which Charlottesville Parks and Trail Planner Chris Gensic hopes to see completed in 2014. (Image courtesy City of Charlottesville)

When Chris Gensic has his way, park-hopping in Charlottesville will be as easy as getting on your bike.

After years of acquiring land parcels, planning, mapping, and securing grants, Gensic, the city’s park and trail planner, is poised to launch a spate of projects that aim to link a string of parks and greenways on the north side of Charlottesville within two years, creating more than seven miles of continuous off-road paths.

Gensic was hired in 2006 to help implement Charlottesville’s 2003 Bicycle and Pedestrian Master Plan, which outlines the city’s cycling and walking infrastructure needs, from bike lanes to off-street trails.

One key aspect of the plan involves creating a network of multi-use paths—flat, commuter- and family-friendly, and free from the traffic that so often scares off people otherwise eager to use something besides a car to get around.

So far, only scattered sections have made it to completion. The quarter-mile Schenk’s Greenway path along McIntire Road is done, as are two sections in McIntire Park West. To the east, a finished path along the Rivanna River traces a section of the popular, but only partly city-owned, Rivanna Trail, the volunteer-built footpath that circumnavigates Charlottesville.

The dead-end sections of crushed gravel and asphalt trail seem far from being part of a greater whole. But in 2014, bikeable paths are expected to connect Pen Park and the Downtown Mall to a united McIntire Park, the western section of the restored Meadow Creek, Greenbrier Park, and the Meadowcreek Parkway, with bike-and-pedestrian-only bridges spanning streams, roads, and rail beds.

So why the piecemeal approach? The main problem, said Gensic, is that it’s hard to back into bike infrastructure. In the central and western U.S., newer cities were built for bikes as well as cars, he said, and miles of abandoned railways have been reclaimed as trails. But Charlottesville poses some problems.

“We’re hundreds of years older,” he said, “and we don’t have abandoned railroads”—freight and passenger trains still use the tracks that criss-cross the city on a daily basis—so there are few opportunities for rail-to-trail projects.

“We’re retrofitting an old, old city that used to be a little town, and became much more populated,” Gensic said.

David Stackhouse of the Charlottesville Area Mountain Bike Club said the persistence of a car-centric design culture here has been a stumbling block, too.

“We’re in an age when we really need to encourage cycling, especially within the city limits and its close surroundings,” Stackhouse said, but too often, two-wheeled travel is an afterthought at best. Consider, he said, that 50 years after the completion of the 250 Bypass, there’s still no way into the east side of McIntire Park except by car.

“It’s mind-boggling,” Stackhouse said.

Attitudes about what’s feasible are shifting, though, said Scott Paisley of Bike Charlottesville, another cycling group that continues to put steady pressure on the city to build better bike and walking routes.

When he and other volunteers led a push for more bike lanes a few years back, “a lot of people said, ‘That would be wonderful in a perfect world, but there’s no room,’” said Paisley, who co-owns Blue Wheel Bicycles. But after volunteers hit the streets with measuring tape to prove that existing roadways could support a sliver of space for cyclists, he said, more city leaders got on board.

In January, the city hired Amanda Poncy as a part-time bicycle and pedestrian coordinator to help build on existing infrastructure and make the bike and pedestrian master plan a reality. Poncy said it’s a slow process. Bike lane additions are tied to repaving projects, so they’re getting built bit by bit. All the while, the city’s working to tie on-street cycling routes into the developing network of trails.

“We’re doing everything we can to try to close the gaps in the network as quickly as we can,” Poncy said. “All this stuff takes time.”

Gensic knows that all too well. The walls of his cubicle in the City Hall Annex are papered with maps that chronicle years of efforts to greenlight and build the trail system.

There are still question marks in some spots. It’s unclear whether the city will be able to build a railroad underpass to close a gap in Greenbrier Park. Parts of the Rivanna Trail, which Gensic hopes will eventually have publicly-owned, multi-use path paralleling much of its mileage, are in the hands of property owners who don’t want to sell easements to the city. And the closing of section of his northern loop relies on the construction of a controversial interchange at the planned Meadowcreek Parkway and the Route 250 Bypass, a project that would offer the much-looked-for access to McIntire Park East, but which is currently tied up in federal court. Some of the outstanding “hyphens” in the loop should be closed by 2015, Gensic said.

But the plan is to go on building, piece by piece. The city dispenses $100,000 a year for new construction, and Gensic has so far successfully sought more than $1 million in federal and state grants that will pay for the lion’s share of the more expensive bridge projects—some of which will be done as early as July.

Gensic said he’s aware that most city residents won’t know what’s in store until they stumble across a new path themselves, but he believes people will come to use and value the trails once the parts become a whole. It’s satisfying, he said, to be able to move from the low-hanging fruit to the serious sections of trail he’s been planning for so long.

“Now it’s finally at the point where I can start building the big ones,” he said.

 

Categories
News

Green scene: This week's environmental news

 

 

Housing renewal: Last week, LEAP (the Local Energy Alliance Program) announced its new Energize 250 campaign, a twist on Charlottesville’s 250th anniversary celebration. The effort aims to get 250 local homeowners to pledge to improve their houses’ energy efficiency by 10 percent within 250 days. “We’re looking forward to another 250 years,” said LEAP director Cynthia Adams, right, also a contributor to this week’s Green Scene, pictured here with homeowner Laura Merricks. (Photo by Carissa Dezort)

 

Can’t go home again

Last weekend, visiting my family in southwestern Pennsylvania, I saw something shocking. I was driving a mile up the road from my mom’s house, and passed a house where I’d spent a lot of time as a kid—the house of my friend Stephanie and her mother Dian, who cared for me and my brothers. But the house no longer existed. There was just a flat place on the ground and a nearby pile of smoldering wood.

Apparently, a new owner had bought the house and discovered a bad mold problem, so he had it torn down.

It was only one such moment in a weekend full of vertigo. My hometown happens to be in one of the most active areas for hydro-fracking in Pennsylvania. There’s more drilling evident every time I go home—more than 500 gas wells dotting the rumpled topography of my home county. Many of these are on hilltops and ridges and, thus, can be seen for long distances. The wells consist of narrow metal towers, but they require several acres of surrounding flat ground to support storage containers and a parade of large trucks.

Therefore, those hilltops have to be massively reshaped before drilling can begin. After a well is done producing, the tower can be removed and the truck traffic will cease. But the manmade mesa will remain. The soft shapes of the hills are being changed quickly and forever.

Fracking is a possibility in Virginia, too; as near a neighbor as Rockingham County came close to approving a fracking permit in 2010. The U.S. Forest Service is considering allowing limited fracking in Virginia’s George Washington and Jefferson National Forests, too, with a final decision expected in July.

Razing a house might be a necessity, though it does violence to the memories and experience of people who spent time within. When we tear down the hills, what is the reach of our violation?—Erika Howsare

 

BULLETIN BOARD

Heritage on film: Grad students at UVA have spent the semester making short films about Virginia’s food heritage, and you can see them on May 2 at 7pm and May 3 at 5pm. The latter event will also include presentations about ideas for food-based economic development. See vafoodheritage.com for locations.

Feeling crabby: The Chesapeake Bay Foundation released good news last month about the blue crab population in the Bay. Namely, it’s up. The total crab count is 764 million—the highest level since 1993 and a 66 percent increase since 2011.

Drawing a line: Local activists will join others worldwide for a May 5 rally organized by the climate change network 350.org. Demonstrators intend to “connect the dots” between climate change and extreme weather patterns. They’ll gather at the Down-
town Free Speech Wall from 5-6pm.

Baby spinach: The Local Food Hub hosts a plant sale at Scottsville’s Maple Hill Farm, May 5 from 10am to 3pm. Hear music, munch food, and paint murals (besides, of course, buying plants and produce).

 

Chronicling progress

When Tanya Denckla Cobb set out to write a book about local food, she didn’t intend to create a field guide to a movement.

An environmental mediator and the author of books on organic gardening, Denckla Cobb was developing a course on food systems planning at UVA when she met Will Allen, whose Milwaukee-based urban farming initiative Growing Power has inspired community gardening projects all over the country.

Denckla Cobb said she was so inspired by his methods—which include using compost to keep winter beds warm, and establishing inner-city apiaries—that she decided to chronicle his organization’s efforts in a book.

But Allen helped convince her that the story was bigger than his group alone, “so we set out to cover the breadth and depth of the food market,” said Denckla Cobb. Her book, Reclaiming Our Food: How the Grassroots Food Movement Is Changing the Way We Eat, has been named one of Booklist’s top ten titles on the environment for 2012, and offers a comprehensive look at how and why small, local farming and food distribution projects are succeeding around the country.

With help from a team of graduate students and colleagues, Denckla Cobb researched and found hundreds of operations across the country tackling all aspects of the food-supply chain. Eventually, they narrowed their focus to a few dozen projects, many of which are succeeding against the odds in challenging climates and difficult environments.

The book features Nuetras Raices, a farming co-op created by Puerto Rican Americans in Holyoke, Massachusetts, who channeled their agricultural heritage into a project that could feed their families and sustain their community. It explores the Janus Youth Urban Agriculture program, which gives poor and homeless kids in Portland the chance to grow their own food and profit from it. And it touches on efforts to encourage sustainable farming from the Arizona desert to southern Wisconsin.

Denckla Cobb said that against her expectations, she found a common thread.
“People are coming at local food projects for a host of different reasons,” she said, “but they’re being used everywhere as a catalyst for healing our land and healing our communities, and helping build neighborhoods where there weren’t any.”

At a time when the national discussion about the way Americans eat is so often bleak—hunger, obesity, food safety fears—Denckla Cobb’s book is packed with good news about real people whose efforts to farm locally aren’t just succeeding, they’re thriving.

But her hope is that the book is more than a feel-good read. She aimed to offer up a practical guide to kickstart similar projects in all corners of the country.

“Everyone needs to eat, and everyone relates to food,” she said. “How people spend their time and how they choose to eat is a way that they can reclaim power in their lives. I really do think it’s democracy in action.”—Graelyn Brashear

 

Efficiency comes forward

Years ago when I ran a green construction company in a resort town in Idaho, most of the customers we worked with wanted a home that had character and taste. They wanted hardwood floors, exposed beams, and high ceilings. Aside from the givens of separate bedrooms and bathrooms for the kids, they preferred tile that was or resembled stone, granite countertops, black or stainless appliances, big windows to take in the views, and real wood siding.

Energy efficiency was an afterthought, although they did think about it. Five solid months of winter will have you giving some consideration not only to where you store your snow toys, but also what those utility bills are going to look like—especially if your vacation home will be mostly sitting empty.

Still, we did not sell our custom homes or remodels by touting energy efficiency. Sustainability and green, yes, but no one really cared about efficiency. Today, things are a bit different.

Gas prices are on the rise again, and policymakers are worried about the recession’s impact on people’s budgets. Homebuyers are beginning to have conversations around the operating costs of the home—as in, how much extra per month will this home cost to live in over that home.

Seriously, who wants to live in an inefficient home? Um, sign me up for the draftier-in-winter and stuffier-in-summer property, please. I prefer noisy too, and I really like mild to major indoor air quality issues; sneezing and coughing are a major pastime of mine.
No thanks! If you knew you had a choice (and many don’t know), wouldn’t you just say at the outset, I want a nice kitchen AND an energy efficient home?

Here in Charlottesville, LEAP and the Charlottesville Area Association of Realtors recently held a stakeholder luncheon on valuing energy efficiency in the real estate market. Attendance was cut off at 75 because every seat was taken. This is a hot topic for real estate agents in our area. We have already had one LEAP customer who believes her home sold quicker because of energy improvements, and others who will be uploading their Home Performance with ENERGY STAR certificate onto their MLS record for potential buyers to see. It’s something to consider for both sides of the real estate equation: investing in a home’s energy performance pays off.—Cynthia Adams, executive director, LEAP.

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The Odd Dominion: President Virgil Goode?

 

Former Fifth District rep Virgil Goode is, however improbably, a presidential candidate. (Photo by Coe Sweet)

As longtime readers well know, former U.S. Congress critter Virgil Goode was one of the founding inspirations for this column, and has remained our patron saint ever since.

Even as he faded from the headlines following his unexpected 2008 loss to Tom Perriello, we secretly longed for his return. There was just something about his well-coiffed, incredibly simplistic, aw-shucks brand of hate politics that fascinated us. In many ways, he is the perfect encapsulation of the earnest, intolerant, know-nothing politician—a man who flipped from Democrat to Independent to Republican to xenophobic lunatic, yet kept the same avuncular, disarming expression on his face every step of the way.

Which is why Goode’s recent triumph over lesser adversaries to win the Constitution Party’s nomination for President has filled us with unbridled joy. The idea of Virgil sharing a debate stage with Mitt Romney and President Obama gives us paroxysms of pleasure, and we will do whatever we can to make it happen.

There’s only one problem: Nobody knows what the hell the Constitution Party is. Making matters worse, the party has currently managed to get Goode’s name on the Presidential ballot in only 15 states. But we’re not going to let that faze us, because we have devised a brilliant plan.

The idea came while perusing a recent article about voter fraud in the Richmond Times-Dispatch. As it turns out, even though documented cases of voter fraud are almost non-existent nationwide, Virginia has charged 39 people (out of around 3.7 million votes cast) for committing fraud during the 2008 election. And even more amazingly, not one of these cases would have been stopped by the so-called “voter ID” bills currently awaiting Governor McDonnell’s signature.

How is that possible, you ask? Well, as you may or may not know, the Old Dominion is one of only 13 states in which convicted felons permanently lose their right to vote (unless pardoned by the governor), and a large majority of the fraud cases involved a felon registering to vote or actually voting. (Of course, the fact that a person, having paid his debt to society, can be sent back to prison for exercising his constitutional franchise is completely reprehensible—but that’s a subject for another column.)

So here’s our foolproof idea: Since well over 7 million U.S. citizens are currently either in prison, on probation, or on parole, all Virgil Goode has to do between now and election day is persuade Virginia, along with 47 other states, to follow the lead of Maine and Vermont and allow not only ex-felons, but currently incarcerated individuals to vote. Then, in a mass show of gratitude, felons everywhere (along with their extended families) will throw their support behind Goode, easily pushing him past the 10 percent threshold needed to be included in the debates.

To be sure, this devious plan is completely antithetical to everything Virgil Goode professes to believe. But hey, we figure the guy went from Blue Dog Democrat to far-right, Muslim-bashing nutjob in record time, so a little thing like suddenly championing the voting rights of prison inmates should be no problem at all.

See you at the debates, Virgil!