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News

Live from the DNC: Moseying Around

I spent Sunday getting my press credentials and my bearings in uptown Charlotte, the convention epicenter. The city is festooned with cops and barricades, but I didn’t have any problem getting around.

There was plenty of Obama swag for sale at the Convention Center, including some $65 hoodies:

I wasn’t sure about the symbolism of these Obama yo-yo’s:

Wonder if there were any “Romney Pride” shirts for sale at the RNC?

Leaving the convention center, I saw this anti-free trade protester working a busy corner:

Speaking of protest, I watched Amy Goodman of Democracy Now! give a talk at the PPL, the independent blogger workspace at the DNC. She defended the importance of dissent and talked about her 2008 arrest at the RNC while covering protests as a credentialed journalist, for which she won a settlement. A colleague of hers at NBC told her he’d never been arrested; she noted that he was reporting from the VIP skybox.

Later last night, I passed these concession stand operators with a name that might not ingratiate them to a crowd of Democrats:

I mentioned Ralph Nader to them jokingly, and one of them took me seriously and announced to the others, “Hey guys, maybe we oughta not wear these t-shirts tomorrow!”

As I paused on the sidewalk to check my phone at the end of the night, a couple guys in Romney t-shirts stopped to ask whether I knew if Charlotte would be enforcing its 11pm noise ordinance laws. I guess all my credentials made me look like an official worthy of light harassment. Ha!

Note: For real-time updates from Charlotte, follow my Twitter feed at @SorensenJen.

Categories
Living

Small Bites: This week’s restaurant news

Moving haus
The transformation of the Random Row and Sweethaus building into a Marriott is in the offing, but fear not, cupcake-lovers. Tara Koenig’s moving her halcyon days-inspired sweets shop to the old Charlottesville Tire space at 843 W. Main St. It’s bigger (3,000 square feet to be exact!) and better (a new HVAC system will keep all that buttercream firm) and officially opening Wednesday, September 5, with a treat- and activity-filled 1st anniversary party on Monday, September 10th that will keep the kids (and the kid in you) in mind.

A river (of beer) runs through it
Our associations with beer and the James River are likely the cans we drink while floating down it. Now, that beer can be a local one enjoyed while overlooking the river from downtown Scottsville. The James River Brewing Company officially opened this past weekend with six beers on tap. The opening lineup consists of brewmaster Dustin Caster’s core four (a kolsch, an Irish wheat ale, an English southern bitter, and a British IPA), a seasonal, and his first reserve, Green-Eyed Lady—a Belgian strong ale brewed with pistachios. Who needs bar nuts when you can have ’em in your beer?

We knew him when
One of America’s rising star chefs, Jeremiah Langhorne, graduated from Albemarle High School a mere eight years ago and is returning to Charlottesville to cook a forage-themed dinner at The Clifton Inn on Wednesday, September 12. The 26-year-old got to know Clifton’s Executive Chef Tucker Yoder when they were both cooking at OXO. Now, Langhorne holds the impressive title of chef de cuisine at McCrady’s, the restaurant that, along with Husk, helped put Charleston and James Beard Award-winning Executive Chef Sean Brock on the culinary map. The cost for the seven-course dinner is $75 and one that you won’t want to miss. Call 971-1800 for reservations.

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Arts

Canine performers steal the show at American Shakespeare Center

The first thing they teach you in theater school is…well, don’t go to theater school, because you won’t make any money. But, the second thing they teach you is to avoid getting on stage with a dog. And the reason has nothing to do with dogs being difficult or unpleasant; it’s just that no matter what you try to do, those adorable little creatures will steal the scene. The on-stage relationship between man and beast goes all the way back to the ancient Greeks, but the convention of man’s best friend as a character actor found purchase during the Elizabethan era of theater, right around Shakespeare’s heyday, and the Bard took full advantage of this crowd-pleasing convention in one of his earliest plays, The Two Gentlemen of Verona.

Cooper, Tulip, Gabby Gail, and  Jed (clockwise from top) have all appeared on stage. Photos: courtesy of American Shakespeare Center.

Central Virginia’s foremost Shakespeare company hasn’t shied away from the convention either. The American Shakespeare Center developed a relationship with Augusta Dog Adoptions, a volunteer-based dog fostering and adoption non-profit, for the purpose of casting well-suited pooches to perform in ASC’s production of “Two Gents” at the Blackfriars Playhouse, and if you develop an irresistible urge for ear-scratching and tummy-rubbing, you can apply to take home the hairy little thespian. This arrangement piqued our interest, so we dug a little deeper via e-mail with ASC’s Director of Education Sarah Enloe and Benjamin Curns (who plays Launce).

C-VILLE Weekly: How were the dogs auditioned?

Sarah Enloe: “ADA chooses the dogs and brings them to us.The only guidance we gave them is in asking them for adult dogs, they have chosen all of them based on their ability to work in large crowds, deal with loud noises, etc.”

What kind of training do they go through?

“They are walked around the space when they arrive. They meet the actors with whom they will have direct contact. We expose them to loud music and other noises to make sure it is not frightening to them. ADA also uses crate-training for all of their fosters, so the dog is placed in a crate between scenes for their comfort. The ADA brings us the dogs and takes care of any training before they arrive.  We have “handlers” (volunteers and interns) who meet with the dog before the performance, work with them backstage, take care of them during the show, and greet the audience.”

How long do the actor companions work with the dog to develop a relationship?

“Approximately 15 minutes to 1 hour.”

How are the relationships between the canine actor and the human actor?

Benjamin Curns: “The relationships with the dogs are generally very good, very easy-going…They have all been very loveable, very people-oriented, and not ever presenting anything that can’t be dealt with in the moment.  Some have [been] downright amazing.”

Any funny or unpredictable moments caused by working with the dogs onstage?

“Two performances ago, while complaining that my dog had no heart and that he was ‘a stone, a very pebble stone’ with no feelings at all, our gorgeous dog Cooper decided to plop his hips down to the stage and expose his belly for additional petting.  The audience roared mostly because it was adorable, but also because he was “acting” against the text and therefore making my job as Launce both harder and more hilarious.”

“At our very last performance, our rotund lab, Jed, cried a bit onstage for the first time.  It was his second performance and his second scene. It started with a small whimper and got increasingly louder.  My thought is that this was because he was not the center of attention as this scene is a quick one between Launce and the play’s other clown, Speed.  Well, ol Jed is interrupting the setups for jokes, screwing with timing, and crying before the punch lines.  After a few silent takes and reassuring pets, I finally asked Allsion Glenzer, our Speed, if she was aware about any rewrites of the script that I didn’t know about!  The audience roared, Allison giggled and Jed stopped crying.”

What are the next steps for the dogs? Where are they headed after the show closes?

Sarah Enloe: “They go to their foster homes, visit adoption events at Petsmart, hopefully people will fill out applications to adopt them. We will host a puppy event (probably October 27) to show off all of our past pups and get those who haven’t found one yet permanent homes.  Bring the kids!”

All featured dogs are available for adoption through ADA’s website: www.augustadogadoptions.org

The Two Gentlemen of Verona/Through November 23

Blackfriar’s Playhouse, Staunton www.americanshakespearecenter.com

Categories
The Editor's Desk

Editor’s Note: A tragedy and the reflection of schadenfruede

Last week, tragedy visited our office. Our friend and colleague, Beth Walton, was murdered, apparently by her son. It was like a lightning bolt ripped through the curtain that separates us, newsmakers, from the news. There is nothing to make sense of. Someone we knew and liked, in the prime of her life, is gone, and so are her children. The police are still investigating what they believe to be a family crime, but they have indicated they have little left to say to the media about it. Which is fine with us. We are tired, and our hearts are with Beth’s family and friends.

Leave it to the Germans to coin a word for the human capacity to enjoy the suffering of others: Schadenfruede, which is something like damage-joy. The English language is better designed to describe and dissimilate than to communicate complex emotions, especially the type we don’t even want to have. But everyone knows it’s true. Why else do murder trials and shootings make the headlines? Humans are exhilarated by suffering when it doesn’t affect them directly.

A few blocks up the street, George Huguely was sentenced to 23 years in prison for killing his girlfriend, Yeardley Love. The story clogged headlines for the lion’s share of the past year and drew the attention of major national media outlets. Another feature of Schadenfruede: We most enjoy the suffering of the prominent, the wealthy, the privileged. A preppy murder will command an ocean of ink. But Rachel Bowles, who was killed by her husband around the same time Love died, barely got a mention.

This week’s feature  focuses on UVA’s new Contemplative Science Center: an interdisciplinary, multi-department institute designed to integrate the understanding and practice of yoga and meditation into the University’s curriculum and, more broadly, into the country’s academic fabric. The effort joins the interests of a billionaire couple devoted to yoga, a medical and nursing faculty that employs meditation for healing and grief management, and a religious studies department with expertise in Indian and Himalayan traditions.  As a culture—one shaped fundamentally by Protestant Christian morality—we still contend with Edward Said’s critique of “orientalism.” What is foreign, exotic, new, and unfamiliar to us can no longer be treated as the objects of our desire or revulsion, the muses to our mysteries, or the answers to our prayers. We are a country of many traditions and cultures; as we learn about others, we learn about ourselves.

Categories
News

Live at the DNC: Houston, We Have Landed in Charlotte

I arrived in Charlotte last night amidst hordes of bubbly convention-goers. Before I begin covering the week’s events in earnest, I’d like to say a few words about my own perspective. Those of you who are familiar with my comics know I have fairly strong political convictions, and I’m going to let ’em rip as necessary here.

Like many progressives, I’ve had mixed feelings about the first Obama administration, but I’m hoping for a successful convention. At the very least, the country needs a palate-cleansing after last week’s dreckfest in Tampa. I want to see Elizabeth Warren smack down Chris Christie six ways from Piscataway. As a self-employed freelancer, I want to see the Affordable Care Act defended. I want to hear the Repubicans’ barbaric stance on women blasted back to the Stone Age where it belongs. Yes, we live in a berserk plutocracy where rhetoric typically falls short of reality. But in these fact-challenged times, I’ll take what I can get.

While waiting for my luggage in between flights yesterday, I spoke with a 26-year-old delegate from Austin named Heather. This will be her first national political convention. When I suggested that Obama’s initial coronation in Denver 2008 would be hard to top, she quickly countered, “But this will be his last one!”

I’ve been jaded by too much triangulation to feel that level of attachment, but I wouldn’t object to some of that Denver magic here in Charlotte.

Categories
Arts

ARTS Pick: Black Joe Lewis and The Honeybears

Monday 9/3

Greasin’ the groove

In an age of dub step and rap versions of ’80s new wave, Black Joe Lewis and The Honeybears stand apart with gritty, funky, dirty-picking, soul-howling blues. But don’t mistake Joe’s crew for a novelty act. This band is puttin’ hands on hips, lettin’ backbones slip, and establishing themselves as protectors of the flame, traversing the path made by Howlin’ Wolf, Joe Tex, and James Brown, and providing the world with just a little more soul. $14-16, 8pm. Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

Categories
News

What does George Huguely’s sentence say about the way we punish killers?

In Norway last Friday, Anders Breivik was sentenced to 22 years in prison for killing 77 people and wounding 242. Six days later I sat in court and watched as George Huguely’s jury-recommended sentence of 26 years for the murder of one woman, Yeardley Love, was reduced to 23 years. American prison sentences start big and then dwindle as the years go by. With time served and good behavior, Huguely could be free in 20 years. Norwegian law does the opposite, starting small and adding time if a person remains a danger to society.

Breivik is unlikely to ever get out alive, but still, the fact that his original state-mandated penance is less than Huguely’s only reinforces my belief that trying to quantify the consequences of our actions is nonsensical. Outside of the courtroom, there’s no such thing as moral mathematics.

The New York Times reported that Norwegians as a whole were happy with Breivik’s sentence, even parents who’d lost children in the attack. Norway, it seems, views prison as an opportunity for rehabilitation, while in America it’s seen as a vehicle for retribution. Ever since the Huguely trial ended, I’ve wondered what good can possibly come from sticking a damaged young man in a tiny cell with only his anger to keep him company. It’s a deterrent, I guess. We think Norwegians are soft on crime, but then they barely have any crime. We’re the ones who wake up every morning to news of a new mass shooting.

A lone member of the jury that convicted Huguely was in court for the sentencing, sitting unnoticed at the back of the room. After it was over, I asked him what he thought, and he replied that although he wouldn’t have complained if Judge Edward Hogshire had upheld the jury’s recommendation, he felt the decision was fair.

“Are you glad it’s all over?”

“I don’t think it will ever be over.”

No, it ain’t over yet. Not by a long shot.

Two months after the trial ended, Yeardley Love’s mother Sharon filed a $30.5 million lawsuit against George Huguely and a $29.45 million suit against the State of Virginia, UVA men’s lacrosse Head Coach Dom Starsia, Assistant Coach Marc Van Arsdale, and Athletics Director Craig Littlepage.

By my count, Huguely is known to have attacked four different UVA athletes in the years leading up to Yeardley Love’s death, including one teammate, and yet no one, not the coaches who saw him every day, or the administrators who ran the athletic department, took any disciplinary action. This, in a nutshell, is the thrust of the lawsuit: Everybody knew George was violent, yet nobody did anything about it.

The defense, meanwhile, busied themselves over the summer with an extensive campaign of legal whinging, meant either to secure a new trial or to have the results of the old one overturned. It was pro forma argument at best, desperate and laughable at worst. A colleague who’d been with me in court for the whole affair asked in an e-mail what the defense could possibly be thinking. Even if the judge had granted a retrial, he wondered, did anyone think it would have ended differently?

Nothing I saw during sentencing dispelled the general air of incompetence given off by Huguely’s lawyers, especially Fran Lawrence, who often seemed like he’d just woken up and found himself in court.

Last Thursday, Huguely’s family and friends took the stand and told us about George’s essential goodness, but their testimonies consisted entirely of vague clichés (he was loyal, kind, a leader) and incoherent stories (he helped a kid finish a jigsaw puzzle, he stopped someone from falling/jumping out of a car), and were not only unconvincing, but utterly disconnected from the reality at hand.

Huguely’s lawyers had their strategy all wrong. The time to show us his humanity was during the trial. Nobody was ever going to be convinced of his innocence; what we needed to believe in was his tragedy. Instead, they minimized and belittled the damage done to Love in a misguided effort to convince us that Huguely didn’t really kill her.

The way the Love family looked at Huguely each day in court made it clear they were after retribution. Lawrence and co-counsel Rhonda Quagliana made the mistake of trying to prove that they didn’t deserve it. They should have let the prosecution win that point and redirected the discussion towards the idea of rehabilitation. Watching the videotaped interview made the morning he was arrested, seeing Huguely break down when he was told Love was dead; that was the best stuff they had. It was the only convincing evidence that Love’s death was in any way accidental, and the only sign that Huguely was anything other than a pair of fists and an overworked liver.

Back during the trial, as I sat in court listening to descriptions of Love’s battered body and watching Huguely stare dumbly at the nightmare that was his new reality, I invariably found myself thinking of a line from Dylan Thomas: After the first death there is no other. Anders Breivik will live out his days in a three room suite of a cell equipped with exercise equipment, a TV, and a laptop. One survivor of his rampage called this cushy treatment a sign that Norway was a civilized nation.

“If [Breivik] is deemed not to be dangerous any more after 21 years, then he should be released,” the man said. “That’s how it should work. That’s staying true to our principles, and the best evidence that he hasn’t changed our society.”

George Huguely won’t be treated so well, but then nothing about this case is going to change American society either. After the first death there is no other, I tell myself, but I know that it’s a lie. Every violent death feels like the first death, and in America, all you have to do is wait a while. It’s guaranteed that there will be another one coming.

Categories
Living

My other kitchen: Chef Chris Humphrey’s common ground

Restaurant people know that the best way to avoid passing your spouse like a ship in the night is to marry another restaurant person—double points if she works in the same restaurant. Rapture’s Executive Chef Chris Humphrey and longtime waitress, Sarah, tied the knot last fall and now see one another at work six days a week and at their 100-year-old Fry’s Spring home on their shared day off.

Chris loves cooking on those Tuesdays, roasting chicken in cooler months or making catfish tacos in the summer. While dinners after work each night are super simple (it’s usually 11pm), reconnecting over a drink while they cook pasta or make sandwiches has become a ritual they relish.

The large country kitchen’s gas range had never been used when they bought the house a year and a half ago, and along with a skylight that floods the kitchen with natural light, it served as a big selling point.

With Sarah’s passion for baking, counter space is at a premium (her Kitchenaid and convection oven commandeer it), though that’s a small concession for Chris, who loves her peanut butter pie.

Having separate strengths in the kitchen meant that their equipment happily united too, leaving them fully-stocked and wanting for nothing: “Apart from maybe a fancy blender,” said Chris.