Categories
News

Race against apathy: UVA students and the 2012 presidential election

As a UVA student living among what seems like a lively and politically active group of young people, it’s hard to detach myself from the rhetoric surrounding the great importance of young voters—especially as I’m gearing up to cast my first presidential ballot.

2008 was hailed as a record-breaking year for voter turnout, especially among young people. A statement by the United States Census Bureau released in July 2009 said more young people voted in 2008 than 2004. “Additionally, voters 18 to 24 were the only age group to show a statistically significant increase in turnout, reaching 49 percent in 2008 compared with 47 percent in 2004,” the report says.

This time around, both campaigns are targeting young people; Republicans emphasize the effects of the job market on recent graduates whereas Democrats focus more on Obama’s record with student financial aid.

Still, young voters have historically had the lowest turnout rate of any age bracket, and Geoffery Skelley, an analyst for Larry Sabato’s Crystal Ball at UVA’s Center for Politics, said the power of the youth vote is often given more credit than it’s due. “I think it’s been overstated just how much of an effect young voters had in the election last time,” he said.

Young people are more mobile, said Skelley, and they aren’t settled down in a community with a family, so they are probably less interested in the decisions that the government is making. “Young people are less likely to be involved just because they don’t see it as having as much importance, even though it may have just as much, if not more,” he said.

As part of the notoriously apathetic age bracket, I set out to find UVA students who are involved and vocal. What I found was a core group of students who are attempting to increase student participation and awareness of politics. Whether their efforts can move the needle when it comes to votes in the 18 to 24 bracket remains to be seen.

Before the voter registration window for this election closed, I walked past the two teams on the Lawn every day—Romney vs. Obama. Always, I was asked if I’d registered. Why yes, I have, but thank you for asking. I paused at one point to watch my peers avoid the tables like the plague. Eye contact equals interest; interest equals waste of time.

Local Democratic organizers estimate that only about 3,000 UVA students voted in the 2008 presidential election. The low voter turnout in my age bracket is appalling, and so are the excuses. “I don’t have time—I have an economics exam to study for that night.” “Both candidates suck.” “My vote won’t make a difference.” The list goes on.

Democratic and Republican student activists have been battling that attitude for months on Grounds. “I think it’s just important for students to notice their place within the general population, and how everything these candidates are talking about directly affects them,” said Camilla Griffiths, a senior at UVA and a neighborhood team leader for Organizing for America, Barack Obama’s grassroots campaign organization.

Many of my politically active peers dedicate about 15 to 20 hours a week to their respective causes, working in on-campus groups, for local campaign offices, or both. Their semesters consumed by phone banking, canvassing, registering voters, they still manage to go to class and even involve themselves in other extracurriculars.

“It hasn’t really affected my studies too much,” said Matt Wertman, a junior in UVA’s School of Architecture and the chairman of the on-Grounds chapter of College Republicans. “It has caused me much less sleep, but, you know, we can sleep after Election Day.”

Wertman and his fellow young GOP members have been hard at work this election season, establishing themselves as Virginia’s most active chapter of the national organization.

Rory Stolzenberg, a senior and the vice chairman of the College Republicans at UVA is also a voting member of the Republican State Central Committee, the GOP’s governing body in Virginia. He said he feels their efforts are paying off, and that people are more involved this year since it is a presidential race. “Honestly, 2012 is the big year. People are extremely motivated—more than I’ve ever seen before.”

The College Republicans benefited from some star power earlier this month when Mitt Romney’s son Tagg attended a watch party for the vice presidential debates. According to Stolzenberg, about 250 people came out to the event. “It got pretty wild,” he said. “Just so many people—I didn’t know there were that many Republicans at UVA.”

College Republicans said it was the economy that pushed them into Republican politics. Wertman and Stolzenberg said the bleak job market is the main force behind increased student involvement in this election and is contributing to a trend of fiscal conservatism among students.

“I have yet to have one voter tell me that the most important issue to them is any social issue that the Obama campaign’s brought up,” Wertman said. “Every voter I’ve talked to is concerned about jobs; they’re concerned about the economy.”

That’s in stark contrast to the attitudes of the active student Democrats I spoke to. They cited health care, public education, women’s rights, LGBT rights, and more as their reasons for getting involved. Many—like Griffiths, who chose to intern at the Obama office Downtown in order to break out of her University bubble—also said they valued the sense of community they gained working as campaign volunteers.

Griffiths said election season has generated a lot of excitement on Grounds, “but I think there’s almost an equal degree of passiveness,” she said. Discouraging that passivity is hard, she said, and excitement doesn’t always translate to votes.

Freshman Emma Meyers, another active OFA volunteer, hails from largely liberal D.C., and said she found something at UVA she didn’t expect: pushback. “Coming to UVA in particular has kind of been a bit of a culture shock, just because for the first time I’m in a more competitive political environment,” she said.

But though there’s been dialogue, she said she sometimes realizes she and her politically minded peers are something of a breed apart. “When you’re part of a campaign, with people who will dedicate, you know, 20 hours a week to volunteering, you kind of forget that not everybody is as into politics as you are,” said Meyers.

On October 16, I went to Boylan Heights for a debate-watching party hosted by our College Council to see just how many students were paying attention.

Students filled up two main spaces upstairs, one side predominantly Republican, mostly in polos and pearls, reflecting the work College Republicans have done to target fraternities and sororities. The other side was filled with Democratic supporters, a hodgepodge of individuals from all corners of the University. People walked around with clear plastic cups filled with red or blue drinks, proudly declaring their party affiliation through alcohol consumption.

Several Republicans chose to wear their politics on their sleeves, like the two blonde students with red bows placed carefully in their hair, matching red bracelets on their wrists, and two little red drinks in their hands.

The crowd was lively, shouting and laughing at the TV whenever their candidate sent a zinger flying at his opponent. It felt like more of a sporting event than anything else, and Republicans only reinforced the atmosphere by taking up a chant of “U-S-A, U-S-A” at the end of the debates.

On Election Day, I’m sure I’ll see dedicated Republicans and Democrats herding students into cars and vans to the polls and plenty of “I voted” stickers. But regardless of how much effort the most active students have put into getting out the campus vote, unless there’s a seismic shift in attitude, UVA’s voter turnout will be like Scott Stadium during an unsuccessful football season: half-capacity and half-hearted.

That’s not slowing down the dedicated core of activists, who are going to keep pushing the same message until November 6 —just get to the polls.

“No matter what you do, what talk you put on, whether you volunteer or not, it comes down to voting on Election Day,” said Meyers.

Allie Cooper is a UVA fourth year and an intern at CVILLE Weekly.

Categories
Arts

November’s First Friday Exhibits

First Friday is a monthly art event featuring exhibit openings at many Downtown art galleries and additional exhibition venues. Several spaces offer receptions. Listings are compiled in collaboration with Piedmont Council for the Arts. To list an exhibit, please send information two weeks before opening to arts@c-ville.com.

First Friday exhibitions:

BozArt Gallery 211 W. Main St. Ceramics and paintings by Mike Harrison and Julia Kindred. 5-9pm.

The Bridge PAI 209 Monticello Rd. “Vipassana: A Personal Experience,” paintings and sculpture by Madrid-based artist Chicho Lorenzo. 6-8pm.

Café Cubano
112 W. Main St. Paintings by Elaine Bunch.

City Clay 301 W. Main St. “Mug Up” a show and sale of handmade cups for dining with friends, mugs for the approaching snowy winter, teapots that will serve as perfect birthday gifts, and handmade domestic wear by guest and City Clay potters. 5-7:30pm

Chroma Projects 201 2nd St. NW. “Water Keepers” paintings and ceramics by Diego Sanchez and Scott Meredith in the Front Gallery, “Intervals” paintings by Karen Hubacher in the Black Box Gallery, and “Domesticity: Collages by Barbara Bernstein” in the Passage Gallery. 5:30-7:30pm.

C’Ville Arts 118 E. Main St. “Seasons of Color,” by fiber artist Maryann Lincoln. 6-8pm.

FIREFISH Gallery “The Mask Show,” a collaborative project among 20 local artists and “A Wing and A Song,” an exhibit to benefit a parrot sanctuary. 5:30-8pm.

The Honeycomb 310 E. Market St. “Random Accumulations,” paintings by Dave Moore. 5-9pm.

McGuffey Art Center 201 2nd St. NW. “The Thirsty Guilt: Installation by Peter Allen” in the Sarah B. Smith Gallery and the “Central Virginia Watercolor Guild Annual Juried Exhibition” in the Hallway Galleries. 5:30-7:30pm.

Milli Joe’s Coffee 400 Preston Avenue. “Polaroids: Reworked & Repurposed” by Cary Oliva. 5-7pm.

Mudhouse 213 W. Main St. “Serpents,” small paintings and collages by Sharon Shapiro. 6-8pm.

Second Street Gallery 418 E. Main St. “…And Justice for Mall of America,” an Installation by Brent Birnbaum in the Main Gallery and “Pictures for Artificial Intelligence” by Michael Zachary in the Dove Gallery. 5:30-7:30pm with an artist talk at 6:30pm.

Studio Baboo 321 E. Main St. Works by painter Donna Redmond, photographer Tim McDaniel, and art quilts by Evelyn Braintwain. 3-7pm.

Warm Springs Gallery 103 3rd St. NE. Recent Paintings by Beth Cartland. 5:00-8:00pm.

WVTF and Radio IQ Study Gallery 216 West Water St. “Woven Journeys” by textile artist Joan Griffin. 5-7pm.

OTHER EXHIBITS

Albemarle County Courthouse 501 E. Jefferson St. Group show by members of Central Virginia Watercolor Guild.

Charlottesville Albemarle Airport 100 Bowen Loop. Charlottesville Stone Carvers Guild show.

Hotcakes Barracks Road Shopping Center. “Landscape Journal, Local Views,” oil paintings by Meg West.

Kluge-Ruhe Aboriginal Art Collection 400 Worrell Dr. “What They Wanted,” an exhibition by Melbourne-based artist Yhonnie Scarce. 10am-4pm.

Sun Bow Trading Company 110 South St. “Camel Flowers,” rare textile art of tribal Anatolian and Persian animal decorations. 11am-5:30pm.

UVA’s Fralin Museum of Art  155 Rugby Rd. “Ancient Masters in Modern Styles: Chinese ink paintings from the 16-21st centuries,” “Jean Hélion: Reality and Abstraction,” “Making Science Visible: The Photography of Berenice Abbott,” and “The Valley of the Shadow: American Landscape in the time of the Civil War.” Noon-5pm.

UVA’s Ruffin Gallery 179 Culbreth Rd.   Paintings by New York Artist Margaret McCann’. 9am-4:30pm, Mon-Fri.

WriterHouse 508 Dale Ave. “Tale Telling,” an exhibit by print-maker Akemi Ohira. Opening reception 2-4pm on Sunday, November 4.

Check out PCA’s Google Map of local galleries and cultural hotspots to plan your visit.

View Charlottesville Arts & Culture Map in a larger map.


Categories
News

Tracking Sandy: On armchair reporting in a disaster

Fourteen months ago this week, I spent a long night hunkered down with my laptop in a middle school gym on the Jersey Shore as Hurricane Irene, roaring like a freight train overhead, made landfall a few miles to the south.

At the time, I was the editor of a local news website covering a town on Barnegat Bay, which separates the mainland from one of New Jersey’s long, skinny, overdeveloped barrier islands. Like the rest of the Jersey Shore, the community had grown accustomed to watching potentially devastating storms die in their tracks or pass them by. The Ash Wednesday nor’easter of 1962, which killed dozens along the eastern seaboard and destroyed most of the beachfront towns near where we lived, was ancient history; with typically short memories, people rebuilt, populating the dunes with miles of mansions.

You can only bypass doom for so long. We waited for Irene last August with real fear, thinking she might be the Big One. She wasn’t, but she was no cakewalk. The kicked-up tides flooded the beaches and bayfronts, the power blinked out and stayed out for days, and when the storm itself hit, it brought powerful winds that toppled trees, tore off a few roofs, and kept me and my fellow reporters awake through the night, talking to the cops out on patrol and filing updates to the Web.

This time, it really is the Big One for the Jersey Shore. And I’m realizing that there’s an even more exquisite torture than waiting for a hurricane to trundle toward your home, and that’s watching a hurricane all but obliterate your former home from 300 miles away.

I don’t own any property in Sandy’s path. My husband, who stayed in New Jersey for work and has been calling Long Beach Island home these past many months, was safe on the other side of the state. But I still spent yesterday glued to my laptop, checking and re-checking the news outlets I used to work for, hungry for updates, photos, anything. Everybody else in the country was looking at Shore footage, too, as the storm—the largest tropical cyclone ever recorded in the Atlantic—took direct aim at the South Jersey coastline.

I know I’m not the only one whose anxiety rose with the water. Live somewhere long enough, and your love for it is sewn onto you like a badge. But this compulsion I’m feeling to keep refreshing half a dozen news sites doesn’t come from worry alone. All day Sunday, as I headed home from a weekend in Maryland with friends, I was plagued by the feeling that I was driving in the wrong direction. All day Monday, I was wishing I could swap places with my exhausted former coworkers.

As a reporter, you just want to be where the story is. That itch to see something with your own eyes and share it may essentially be born from the same dangerous mix of bulletproof hubris and voyeurism that drives people to ignore evacuation warnings, but it’s hard to shake it. It got harder as the night went on and the reports got worse: storm surge meeting bay across the narrow strip of LBI, piers disappearing into the ocean, cars floating away, and, most terrible of all, first responders forced back by powerful water from houses where people screamed for help.

I’m not sure what we’ll see today when the sun rises on Sandy’s wake. All I can do is refresh the page, and wait.

Categories
The Editor's Desk

Editor’s Note: In a town this size, there is no place to hide

I’ve had a couple encounters in the past week with what friend and sometime contributor Jim Barns likes to call the small town department. When I first moved here for the job and wrote something that piqued his interest, Jim would write to me from the small town department and explain the connection between two people, the back story of an issue, or relate some anecdote of his that overlapped with the one I had told.

Anyway, last week for the first time I had a very sudden realization that I’ve been here long enough to become the subject of one (or more) of those stories, that whatever anonymity I’d enjoyed in my arrival had melted away in a hundred triangulated conversations.

It put me in mind of the John Prine song “In a Town This Size”: “What you do and what you think. What you eat and what you drink. If you smoke a cigarette, they’ll be talking about your breath.”

Now this isn’t that small a town. If you read this column much, you’d know I’ve lived in Kyle (pop. 846), Sylva (2,435), and Rhinelander (7,735). But Charlottesville (43,475) at its smallest manages to combine the nosiness of a Southern Presbyterian grandmother with the transactional awareness of a D.C. socialite, so it shrinks up fast. What you need in a town this size is an outside audience every now and then, the chance to shine up and put your best feet forward together.

Which brings me to the Virginia Film Festival’s 25th anniversary, the subject of Larry Garretson’s feature this week. I see Jody Kielbasa on the Mall quite a bit and it was fun to get updates from him (sometimes just a bemused grimace) as he put this year’s program together with his team. It’s even more fun to watch the town gear up for one of its most beloved events. It’s a big year for film in Virginia (Lincoln), but it’s always a big year at the fest because the film industry comes to us.

The first movie that really gets to you is like the first wave you catch. It changes you. Mine was The Mission when I was 11 years old. Ennio Morricone’s soundtrack; Jeremy Irons, Robert DeNiro, and Liam Neeson’s ensemble performance; a pure morality play hitting me at my most morally righteous moment—it made me want to study Spanish and change the world. I remember the narrator, ostensibly the Jesuit Father Luis Altamirano, evaluating the tragedy of the story arc and the hollow absolution he gets from the cynical regional governor that “the world is thus.”

I think people really get down to their best work in life the minute they stop hoping the world will turn out like someone promised it would, and start believing it’s what you make it. But someone’s got to make the promises first, which is what filmmakers do. Altamirano’s response: “No, thus have we made the world. Thus have I made it.”

Categories
Living

Free Will Astrology: Week of October 29

Scorpio
(October 23-November 21): This is an excellent time to explore the frontiers of wise foolishness. I’m hoping you will take full advantage of learning opportunities that might require you to shed your excess dignity and acknowledge how much you don’t know. Are you brave enough to disavow cynical thoughts and jaded attitudes that muffle your lust for life? Are you smart enough to understand how healthy it would be to go out and play like an innocent wild child? Make yourself available for delightful surprises.

Sagittarius
(November 22-December 21): Zombies used to be terrifying. But then they became a featured motif in pop culture, often in humorous contexts, and now there’s a growing acceptance and even affection for them. Here’s the view of Max Brooks, author of The Zombie Survival Guide: “Eventually rock and roll morphs from Sid Vicious to the Jonas Brothers. Same thing with vampires: We went from Dracula to Twilight to make them peachy and G-rated. I guarantee you someone is working on a way to take the fear out of zombies and market them to children.” Your assignment, Sagittarius, is to do to your personal fears what the entertainment industry has done to zombies: Turn them into amusing caricatures that don’t trouble you so much. For example, visualize an adversary singing a duet with Justin Bieber.

Capricorn
(December 22-January 19): “You must learn from the mistakes of others,” said humorist Sam Levenson. “You can’t possibly live long enough to make them all yourself.” That’s excellent advice for you right now, Capricorn. In order to glean the teachings you need most, you won’t have to bumble through a single wrong turn or bad decision yourself. There will be plenty of blundering role models who will be providing you with the precise inspiration you need. Study them carefully.

Aquarius
(January 20-February 18): Every November, thousands of writers participate in National Novel Writing Month. They pledge to compose at least 50,000 words of a new novel in that 30-day period. In accordance with the astrological omens, Aquarius, I propose that you commit yourself to a comparable project in your own field. Is there a potential masterpiece on which you could get a substantial amount of work done? Is there a major transformation you’ve long wanted to undertake but have always had some excuse to avoid? I predict that you will attract unexpected help and luck if you summon the willpower to focus on that task.

Pisces
(February 19-March 20): Don’t believe the climate is changing? Go ask the birds what they think. Sixty percent of all the feathered species in North America have moved north in the past 46 years. Scientists are pretty sure their migration is a response to the warming trend that’s afoot. I like the idea of tuning in to how animals behave in order to get accurate information about the state of the world. Would you consider doing more of that, Pisces? According to my astrological analysis, the coming months will be a time when you can learn a lot from non-human intelligences.

Aries
(March 21-April 19): Big opportunities are coming up for you. Even if you cash in on them, though, they aren’t likely to make an immediate practical impact. They are subtle and deep, these prospects. They have the potential of catalyzing monumental shifts in your long-term unfolding, but will take a while to transform your day-to-day rhythm. So what are these openings? Here are my guesses: 1. You could root out a bad seed that got embedded in your subconscious mind before you knew any better. 2. You could reinterpret the meaning of certain turning points in your past, thereby revising the flow of your life story. 3. You could forgive yourself for an old sin you thought you’d never let go of. 4. You could receive a friendly shock that will diminish some sadness you’ve carried for a long time.

Taurus
(April 20-May 20): This would be a good time to get introspective and meditative about your urge to merge…to think objectively about the way you approach togetherness…to be honest with yourself about what strengths and weaknesses you bring to the art of collaboration. The most important question you can ask yourself during this inventory is this: “How do I personally contribute, either knowingly or unconsciously, to the problems I experience in relationships?” Here’s another query you might consider: “How hard am I willing to work to create the kinds of intimacy and alliances I say I want?”

Gemini
(May 21-June 20): “Dear Rob: I seem to be marooned in an interesting limbo. The sights and sounds are not exactly pretty, but they keep me perversely entertained. I’m sampling tastes that are more sour than sweet, thinking that sooner or later the sweetness will start to prevail—but it never does. Sometimes I feel like I’m in a trance, unable to do what’s best for me. Can you offer any help? Like maybe give me a password that would break me out of the trance?—Meandering Gemini.” Dear Meandering: This is one of those rare times when you have cosmic permission to favor what’s calming and reassuring rather than what’s amusing and stimulating. Your password is sanctuary.

Cancer
(June 21-July 22): On September 22, the San Francisco Giants played a baseball game against the San Diego Padres. In the fourth inning, Giants’ third baseman Pablo Sandoval sprinted to the edge of the field, then hurled himself over a railing and into the crowd in order to snag a foul pop-up. The fact that he landed upside down but perfectly unhurt wasn’t the most impressive aspect of his feat. Nor was his improbable ability to wield such precise concentration while invoking so much raw force. Even more amazing was the pink bubble that Sandoval blew with his chewing gum nanoseconds before he dived. It was a supremely playful and successful Zen moment. That’s the spirit I hope you will bring to your efforts in the coming days.

Leo
(July 23-August 22): Your unconscious mind will be more accessible than usual in the coming weeks. It will reveal its agendas more clearly and play more of an active role in your life. Is that a good thing or a bad thing? It will depend on how open-minded you are toward the surprises your secret self will reveal. If you try to ignore or repress its eruptions, they’ll probably wreak chaos. If, on the other hand, you treat this other part of you as an unpredictable but generous ally, you may be able to work out a collaboration that serves you both.

Virgo
(August 23-September 22): Urbandictionary.com defines “Skymall solution” as “an absurdly single-purposed tool or solution that solves a problem you don’t actually have.” The term is derived from the famous Skymall catalog, which sells unusual specialty products. According to my analysis of the current astrological omens, you should be wary of any attraction you might have to Skymall solutions. Do you really need a King Tut tissue box cover or an ice cube tray that makes ice in the shape of dachshunds or a stencil set for putting messages on your bundt cake? I doubt it. Nor do you need their metaphorical equivalents.

Libra
(September 23-October 22): Right before I woke up this morning, I had a dream that one of my teeth fell out. As I lay there groggily in bed, my mind searched for its meaning. “What does losing a tooth symbolize?” I asked myself. “What is its psychological meaning?” I promised myself that when I got up, I would google that question. But my rumination was interrupted by a dull ache in the back of my mouth, and it was only then that I remembered: Yesterday, in actual waking life, I had a real tooth yanked out by a real dentist. The moral of the story, Libra: Be wary of making up elaborate stories and mythic assumptions about events that have simple, mundane explanations.

Categories
Arts

Virginia Film Festival celebrates 25 years of changing with the times

The phrase “calm like a duck” comes to mind. It is late September, 11 days before the announcement of the lineup for this year’s 25th Anniversary Virginia Film Festival, and festival director Jody Kielbasa and his staff are scrambling to pin down films and featured guests. Kielbasa is a pretty high-octane guy. Former Virginia Governor Gerald Baliles describes him as “the equivalent of a five hour energy drink.”

Despite the RPMs, there’s a strong sense about him of polish, ease, and even something that might be called calm. But you also sense that, like the duck, he’s paddling pretty hard below the surface.

With the schedule announcement only a week and a half away, very little is set. “We’re going to have far and away the strongest schedule we’ve had in the four years I’ve been here,” says Kielbasa. But even with dozens of films already slated for inclusion, there isn’t much that can be nailed down until the special guests, actors, and directors (referred to in the business as “the talent”), start to commit. “At the moment we’re still chasing talent. And when I say ‘chasing’ I mean we’re talking with managers and agents and assistants to see how schedules work out and who can and cannot be here.”

Progress is excruciatingly slow, and, in fact, come announcement day there are still significant slots left to be filled. “When I was a kid in the back seat of the car,” Kielbasa confided, “I’d ask, ‘When will we be there?’ The answer was, ‘Over the next hill.’ Well, there’s always a next hill.”

Richard Herskowitz served as director of 13 festivals and programmed two before handing off the reins to Kielbasa in 2009. He uses a different mode of transportation to describe the stress of scheduling a world-class festival with film industry talent: “It’s like a locomotive coming at you. It gets closer and closer and scarier and scarier. The weeks leading up to it are incredibly intense, because when it comes to getting the headliner talent and the film premieres, that happens really close to the last minute.”

Ask Paul Wagner, documentary filmmaker and long-time friend of the festival, what it must be like to build the festival year after year and he just shakes his head and chuckles sympathetically: “I really feel sorry for them.”

Legislative legerdemain
That the state of Virginia has any official interest whatsoever in courting the film industry is due to a sneaky little piece of legislative sleight-of-hand conducted back in 1980 by a then four-year veteran of the House of Delegates. In the classic holiday film White Christmas, Bing Crosby says to Rosemary Clooney, “Oh come now, Miss Haynes. Surely you know that everybody’s got a little larceny operating in them.” He didn’t add, though he might have, that even politicians are not immune to a little well-meaning swindle every now and then.

Before he was governor, before he was attorney general, Gerald Baliles was a delegate from Henrico County. He tells the story with the gleam in his eye of an old campaigner who savors looking back on the occasional bit of mischief. Baliles had seen a study about the effects on the local economy of a movie that had been shot in Virginia Beach. He decided to sponsor legislation that would create an office to promote film production around the state, but the bill didn’t pass. So, as a member of the House Appropriations Committee, Baliles, in his words, “slipped it in the back of the budget, in the fine print.” The budget was passed without anyone noticing that a small new program had been created. “And so,” said Baliles, “the Virginia Film Office was born.”

Seven years later, during his term as governor, Baliles read another article about film festivals as a boon to tourism. This time he needed no shell game to make something happen. As he tells it: “I thought of the idea and talked to the Kluges. John Kluge [billionaire media tycoon and Charlottesville resident] owned Orion Pictures. Earl Hamner [creator of “The Waltons”] was a fishing friend at the time, and it struck me that he could be useful. I asked the Kluges to host a reception, and they offered cash and connections.”

In this milestone year, Baliles is being honored by the festival with the Founder’s Award in recognition of the essential role his political clout played in its creation. The joint recipient of the award, the woman whose cash and connections were also essential in getting the festival off the ground, has her own story to tell about the founding.

Success has many parents
Patricia Kluge, co-recipient of the Founders Award, was patroness of the festival throughout its early years. She too was there at the inception, though her memory of how the festival came together differs significantly from Baliles’.

“I had a big house party at Albemarle,” said Kluge. “And David Brown [producer of The Sting, Jaws, Driving Miss Daisy, Cocoon] and his wife Helen Gurley Brown [author of Sex and the Single Girl and long-time editor of Cosmopolitan magazine] were staying there. At dinner I was asking David what did he think would be the kind of event to attract the right kind of tourists to Charlottesville. And he said, ‘Why don’t you have a film festival?’ And so I thought…if we did an American film festival, that would be very good at the University…. We called some friends in Hollywood and they thought it was a brilliant idea. Then we felt that we needed to have the Governor involved.”

Bob Gazzale, now head of the American Film Institute, served as the festival’s inaugural full-time director from 1989 to 1991. Before that, he had been present at the initial planning meeting hosted by then-University President Robert O’Neil: “They gathered the titans of American film for that very first conversation. It was Jack Valenti [long-reigning president of the Motion Picture Association of America]. It was Jeannie Firstenberg who ran the American Film Institute for 27 years. It was Lewis Allen who was a wildly successful Broadway producer, but also a great filmmaker and a graduate of the University…. They had the best minds at the table.”
When asked about the different stories told by the founders, Gazzale laughs. “Well…success has many fathers. And mothers. It was a marriage of opportunity. There is no question that Gerald Baliles was a driving force, and it would not have happened without him. I can say the same of Patricia. And I can say the same of Robert O’Neil. Those three parties came together and said there is an economic development angle, there is an academic angle, and then Patricia arrived with ‘let’s not forget that the movies are fun.’”

High profile, low key
The early years of the festival saw Patricia Kluge’s money, connections and penchant for fun combine with the University’s academic prestige to lure a significant roster of alumni supporters in the industry. The result was an explosion of old Hollywood glamour in a sedate University town. Jimmy Stewart, Gregory Peck, Douglas Fairbanks Jr., Charlton Heston, and Robert Mitchum all attended in the early years. The roster also sported a parade of younger artists, writers, and industry names: Robert Altman, Nick Nolte, Norman Mailer, Jerzy Kosinski, John Sayles, Jane Alexander, Horton Foote.

Independent Producer Mark Johnson (Diner, the Narnia films, “Breaking Bad,” and Best Picture Academy Award winner for Rain Man), himself a University alumnus, was a participant at the inaugural festival in 1988. The next year, he was tapped to be a member of the Advisory Board, which he has now chaired for more years than he can recall. Johnson is probably responsible for bringing more films and industry players to the festival than anyone else. His stalwart service as the festival’s primary industry champion over the past 25 years is also being formally recognized this year with a proclamation from Governor Bob McDonnell.

Johnson recalls the black tie gala at the Kluge estate that first year: “It was a grand affair. In fact, there were helicopters bringing in people from D.C. As you may have heard, that festival almost bankrupted any future festival because it was so expensive. It was fun to try to do it on a grand scale, but the festival stepped down in its ambitions substantially since then, and I think, quite frankly, to the benefit of the spirit of the festival.”

Without abandoning its appeal to Hollywood names and high profile films, this downscaling of the opulence factor turned out to be a key to the festival finding its niche. “It’s not trying to be one of the big flashy festivals,” said Johnson. “It has its own personality, which is more quiet.” And this has a great deal of appeal to the artists who are contemplating coming here. “It’s very low key, no one is trying to sell them anything. No one is trying to take advantage of them. There are no flashbulbs in their faces.”

Charlottesville filmmaker Paul Wagner, himself the winner of an Academy Award for Documentary Short Subject, agreed: “Why spend a lot of effort trying to make it the hip indie festival when Sundance and South by Southwest have that locked up? Why make it a big press event when New York and Toronto have that locked up? Why not take what you have that’s unique and expand on that?”

Nothing endures but change
The Virginia Film Festival has survived its first quarter century through a potent mix of star power, ego, heaps of goodwill from volunteers, donors and audiences, intellectual rigor, and sheer enthusiasm for the art of the cinema. It has had founders like Baliles, Kluge, and O’Neil who have put their stamp on its identity. And it has had a number of directors, some of whom served for only a year or two, but three of whom—Gazzale, Herskowitz, and Kielbasa—have presided over and ushered in most of its defining moments.

Gazzale’s Virginia Festival of American Film, under the sponsorship of Patricia Kluge, was awash in the glamour of old Hollywood. Under Richard Herskowitz, the festival was challenged to become more fully a part of the University, and he dropped its emphasis on American film in an effort to explore broader themes. Herskowitz also broadened the reach of the festival in another sense—inaugurating an expanded series of festivities, events, panels, and happenings that reached out to communities outside the University.

Jody Kielbasa, has continued that effort. One of his first acts was to drop the focus on an annual theme. “It’s really opened things up,” he said. “We still screen classic films, but we try to encase them in a purpose.” The festival has been beefed up to well over 100 films, making that last minute imminent train wreck scramble for talent all the more harrowing. But as a result, in the past few years the festival has shattered its attendance records. “In screening 100-plus films we can reach every segment of the community with a subject. We can do things on sexuality and religion and politics and art…you name it. We can create partnerships within the community to explore these issues, and a lot of people who wouldn’t ordinarily come to the festival start coming.”

Bob Gazzale, present at the founding and still active as an advisor, has had the best seat in the house for evaluating the major changes the festival has gone through. The festival that he helped create, the one focused on American film and on an annual theme, is gone now, but he sees that only as good and inevitable and right: “Nothing endures but change, particularly when you’re celebrating an art form. If you don’t change the conversation occasionally, you’ll be lost in time.”

Categories
Living

Apples, coffee, and a Glass Haus: This week’s restaurant news

Keep the doctor away
Celebrate “dem” apples with Vintage Virginia Apples/Albemarle Ciderworks on Saturday, November 3 from 10am-5pm at the 12th Annual Apple Harvest Festival. Take a hayride, taste the orchard’s diverse bounty of apples, and learn about our area’s history of apple growing and the old-fashioned methods of turning them into tasty treats like cider and apple butter. Entry to the event is free, but bring your wallets to buy some local eats and, of course, a bottle of cider to go with them.

Second time’s a charm
Caffe Bocce, the Italian spot that fed patrons in downtown Scottsville for a decade before it closed at the end of 2004, is giving it another go—this time in Charlottesville. Glasses and dishware line the windows of the old Carlton’s spot on Market Street and owners Chris Long and Joy Kuhar are shooting for a November 5 opening, pending an ABC license. Long’s in charge of the kitchen, with the help of Terry Col, and will cook up rustic Italian favorites for guests to enjoy at the bar, the dining room, or the charming garden patio.

A kitchen in the haus
The X-Lounge, which closed in mid-October, is making a quick turnaround to Glass Haus Kitchen under the same ownership, but with a new chef. Ian Boden, who won over palates at Staunton Grocery for five years and then at Blue Light Grill for a shorter stint, is hard at work creating a menu of “inspired American cuisine” that will take full advantage of our local best. The bar will be a focus—not in the way it was at X-Lounge, but as a place to drink artisanal cocktails and eat delicacies like pickled oysters over goat milk panna cotta with sea beans and finger limes for $14 and under. At tables on the wood-enclosed patio and in the water-themed dining room, both à la carte and tasting offerings are bound to delight.

Categories
News

Local Food Hub celebrates impact on regional foodshed with Community Food Awards

“I’m kind of doing it Jefferson-style. I will die deeply in debt and someone else will have my land,” said a triumphant Michael Clark to an audience seated in the loading dock of the Local Food Hub’s Ivy distribution facility last Thursday.

Clark, the owner of Planet Earth Diversified, had just accepted a $1,500 prize from Bundoran Farm as the winner of the Innovation in Agriculture award, which he earned by rigging a system of antique diesel engines to burn enough waste vegetable oil from restaurants to power his entire greenhouse operation and add 20 kilowatts of electricity to his power grid. One of seven award winners at the Local Food Hub’s second annual Community Food Awards, the former UVA engineering student was triumphant simply because he has earned his living as a farmer since 1975. His joke was funny, poignant, and appropriate, delivered to a crowd of people focused on proving him wrong.

Founded in 2009, the Local Food Hub aggregates, markets, and distributes locally grown food with the expressed goal of making it possible for people to become profitable small farmers. Over the past two years, the nonprofit has worked with 75 producers to supply over 150 businesses and institutions, including 52 schools, with $1.2 million worth of fresh meat, eggs, fruits, and vegetables. At a time when small farms have to contend with rising energy costs, high land prices, and increasingly demanding food regulations, the Local Food Hub is paving the way towards a local distribution model that prioritizes small, sustainable suppliers.

“We can make small family farming a viable option for the future, and that’s really why we’re all here,” Director of Farm Services Adrianna Vargo said.

Some of the Community Food Awards winners have been in the game a long time, like Tim Henley of Henley’s Orchards in Crozet, who won the Agricultural Endurance Award for continuing a family tradition begun in 1932 that stil thrives. Henley’s Orchard grows over 50 varieties of apples and peaches on 50 acres of heavenly land. Others, like Susan and Scott Hill of Hill Farm Vintage Vegetables in Louisa, are brand new. The retired teacher and Army pilot won the Pioneer in the Field award for their innovative implementation of high tunnels to grow a range of heirloom lettuce varieties.

While the farmers were the stars of last week’s celebration, the mission of changing the way we grow, distribute, and, ultimately, eat food relies on consumers as much as producers. The Local Food Hub’s co-founders, Kate Collier and Marisa Vrooman, recognized that they needed to bring together institutional buyers who understood the value of locally sourced food to make their model something more than a feel-good project. UVA Hospital and the Charlottesville and Albemarle school districts were early adopters and have provided a consistent market. But there have been many other supporters.

Trey Holt, executive chef at St. Anne’s-Belfield School, took home the Traiblazer Award for his single-minded and steadfast commitment to using the Hub’s distribution facility as a kitchen pantry and his ability “to overcome the barriers of budget, red tape, and picky eaters to create delicious food that benefits kids, farmers, and community.”

The event’s keynote speaker, UVA political scientist Paul Freedman, framed what was ultimately an intimate and casual ceremony in its larger context.

“What sets the Charlottesville-Albemarle area apart when it comes to food is not simply that this is a great place to be a food eater—because it is. What sets us apart is that this is a great place to be a food citizen,” he said.

Categories
News

What’s coming up in Charlottesville the week of 10/29

Each week, the news team takes a look at upcoming meetings and events in Charlottesville and Albemarle we think you should know about. Consider it a look into our datebook, and be sure to share newsworthy happenings, too.

  • It’s the coast and Northeast U.S. that will bear the brunt of Sandy’s wrath today and tomorrow, but Central Virginia is also bracing for the affects of the superstorm. The regional Emergency Operations Center opened at 8am today, and officials are warning residents of the possibility of prolonged power outages—something many locals were all too familiar with following the summer derecho. We’re reminded to reserve 9-1-1 for emergencies only. For non-emergency issues, call 434-977-9041. Follow this link for more emergency contact info and tips.
  • Tomorrow—Tuesday—is the deadline for requesting a mailed absentee ballot for the November 6 election. If you have questions, call the local Voter Registration offices. The number for Charlottesville is (434) 970-3250; in Albemarle call (434) 972-4173. In-person absentee ballot voting ends Saturday.
  • The Commonwealth Transportation Board holds a public meeting at 6pm Thursday, November 1 at Germanna Community College, 18121 Technology Drive, Culpeper, to discuss projects currently addressed by its Six-Year Improvement Program (SYIP), including rail and road. During a half-hour open house at the start of the meeting, state officials will offer information on a number of projects, and the public can weigh in with oral or written comments. Visit VDOT’s meetings website to check out meeting materials. You can also submit comments to VDOT online through November 30.
  • Also on Thursday is the final of three public meetings to get input on the City of Charlottesville’s Comprehensive Plan, which is due to be updated in the coming year. The meeting is from 7-9pm in the gymnasium at Clark Elementary School; the content will be the same as at the two previous meetings, and will give residents the chance to review the Comp Plan Goals and Land Use  Map.
Categories
Living

Critical thinking: What’s the difference between the right guy and the wrong guy?

(To be read with “Should I Stay or Should I Go” by the Clash as proper background music.)

One huge problem with coming from a dysfunctional family is lacking a roadmap for having a functional relationship. Certainly, I have functional relationships with friends and even most of my family members (now), but when it comes to a long-term partner, I am absolutely clue-LESS.

To make matters worse, I grew up in the theatre with a bunch of entertaining yet extraverted exhibitionists, which means I also lack a sense of normal social boundaries. As a result of my background, I experience a lot of angst when it comes to determining what is acceptable behavior in a man (and myself) and what is not.

This condition is akin to driving on a strange road in extremely thick fog—it is scary and there are no points of reference to help navigate. Since my goal is to have a successful, functional long-term relationship, learning what is acceptable and what is not, is critical.

In other words, what most women may understand as unacceptable in a man quite quickly, I have to analyze for a long time, which includes consulting about 10 different people before I can decide A) if the behavior is indeed unacceptable/acceptable, B) whether or not said behavior is a deal-breaker and C) is the problem really with me rather than him?

Say I have met a nice-looking, passably intelligent, reasonably employed guy who’s house is a total mess (as in dishes in the sink for weeks, papers, tools, and clothes piled everywhere in a layer of dust bunnies and grit).* I, on the other hand, a visually oriented person, need things to be tidy and reasonably clean. I will obsess—possibly for weeks—over this point from 12 different angles ranging from basic hygiene issues to deep psychological implications before deciding if I should keep this man in my life or let him go.

I will also spend a lot of time second guessing myself. Am I hijacking what could possibly be a wonderful opportunity? Am I settling for something less than I deserve? Will the benefits of being with this person outweigh this issue in the long run or will it cause an irreparable rift? Is this issue really all that important?

It is nerve-wracking.

The benefits to all this (possibly) over-thinking is that when I make the decision to 86 a relationship, I am sure that it is the right thing to do and I can do it calmly without reserve, allowing for as gentle a break-up as possible. The downside is I spend way too much energy on an issue that most people could figure out in a fraction of the time.

At least I am trying to get it right.

*Disclaimer: This scenario is based on many men I have dated (or married) over the years and does not reflect any one in particular.

Mary Burruss is a freelance writer and blogger who thinks moving to Charlottesville was one of the best decisions she ever made. She writes about art and culture for pubs like Art Times, US Airways Magazine and Virginia Living, and blogs on culturenuts.wordpress.com and datingbycommittee.wordpress.com. Salsa dancing is the latest in a long string of her passions.