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Arts

ARTS Pick: Josh Radin and A Fine Frenzy

Theme player

Wearing your heart on your sleeve can take you pretty far with today’s music audience. For co-headlining singer-songwriters Joshua Radin and Alison Sudol (A Fine Frenzy), everything boils down to sincerity. But nothing implies a successful dose of honest emotion like T.V.’s constant use of your songs, a fact Radin learned first-hand as an artist whose tracks frequently play on “Scrubs” and “Grey’s Anatomy.” Sodol pushes her own themes of environmental activism and conservation in the new release, Pines, with a book to follow.

Monday 11/5 $27-35, 8pm. The Paramount Theater, 215 E. Main St.,Downtown Mall. 979-1333.

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Arts

ARTS Pick: The Other Side of the Ice

To travel from Newport, Rhode Island to Seattle, Washington with your family–who are all together for the first time since an emotionally wracking divorce a decade-and-a-half ago–most people of sound mind would tackle the 3000 miles in an airplane, or a car, or a train. Emmy award winning documentary film producer/book author/decorated journeyman Sprague Theobald packed his family onto a trawler and sailed north on an 8500 mile trek through the treacherous Arctic sea route, the Northwest Passage. A combination of flaring tempers and icy weather threatened their voyage at every impasse. The Theobald clan faced death continuously, from their boat getting trapped in ice, to their daily encounters with polar bears. Sprague Theobald’s new film, The Other Side Of The Ice, is the story of their journey, a harrowing tale of adventure and survival in the pursuit of redemption. A discussion with director Sprague Theobald will follow the film.

Sunday 11/4 Virginia Film Festival, Nau Auditorium, 1pm

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Arts

ARTS Pick: Free Bridge Quintet

Keyed up

Fifteen albums comprise an impressive repertoire for any musician. Make that artist a contemporary jazz pianist surrounded by critical enthusiasm and the reverence sky-rockets. Cyrus Chestnut performs with the Free Bridge Quintet in a reunion between friends (in art and otherwise)—the faculty members comprising the quintet have played together since 1997, and members Robert Jospé and John D’earth have performed alongside Chestnut in the past.

Sunday 11/4 $8-15, 3:30pm. Old Cabell Hall, University of Virginia. 924-3052.

 

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News

Soundboard 11/2: This week’s top news in a live radio format

Each week, the C-VILLE news team joins reporters from Charlottesville Tomorrow at WTJU 91.1 FM’s on-Grounds radio station for Soundboard, an hour-long, straight-from-the-source news show that touches on the big stories of the week.

Listen to this week’s show, during which we took a look at the childcare crunch in Charlottesville, the debated Human Rights Task Force, the debut of Shops at Stonefield, how veterans adjust to post-military life, and the new movie Lincoln, filmed in nearby Richmond.

Tune in from 9 to 10 am Fridays, and check c-ville.com Friday afternoons for the recorded version.

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Arts

Get short: 8 films in 107 minutes at the Virginia Film Festival

If you think that 107 minutes seem too few to screen eight very different films, the Virginia Film Festival wants you to know that you’re wrong. With eight original, exciting, and even provocative short pieces by seven directors, the Shorts Program contains more movies in under two hours than most people see in a week. Here are some favorites:

Aysehan Julide Etem has a bone to pick with the American education system. In keeping with the Virginia Film Festival’s theme this year, Will Work for Words tackles both political and financial concerns. Hopefully it comes as something of a surprise to learn that American policies continuously make it more difficult for international students to remain in the nation during after finishing college. This is despite the fact that the net contribution of international students to the U.S. economy is $20,232,000,000. Since when does America turn away skill and enthusiasm, and how does the education system claim to do so in the name of helping the economy? This is the question Etem poses and attempts to answer, enlisting international students under withheld identities and using nothing but words to express their experience with the education system in the United States. With a 30% decline in the number of international students in America throughout the past decade, “Will Work for Words” comes as a crucial reminder of the nation’s status as one of immigrants and proposes that retaining and encouraging this identity will assist the economy and the education system as a whole. The next president should take note.

Everybody’s got baggage. Maybe it’s that ex from five years ago or the sibling whose shadow you never escaped, or perhaps it’s a series of boxes strapped to your back and containing the assembly-required components of a strange musical instrument. Well, that latter one is the burden Avery Lawrence’s protagonist in Arranging Suitcases carries on his trek across water, streets, and railroads, anyway. Only the film’s finale reveals this mysterious instrument as the man assembles it from the strange luggage set in order to finally put it to use. Physical burden takes a somewhat different shape in Lawrence’s “Moving a Tree”, in which a man chops a tree, carries it up a hill, and rebuilds a monument to the fallen tree. Avery’s video-based performance art pushes physical limits as its characters tackle their absurd tasks. Both pieces depict characters handling heavy loads and performing strange feats, a testament to Lawrence’s odd yet poignant filmmaking.

As far as odd goes, though, Russell Richards’s tale of a science experiment gone terribly awry might take the cake. The director’s Super-8 film starring a man-turned-fly parodies horror of the Atomic Age and its preoccupation with science and animals taking a turn for the terrifying. As the would-be scientist wildly attempts to solve the problem he’s gotten himself into, he finds himself facing one obstacle after another as spiders, monsters, and chainsaw-wielders enter the fray. Of course, these pale in comparison to his ultimate threat in Bride of the Fly–the wife who tries to swat him, resulting in his zany attempts to steer clear of her path. Honey, he simply shrunk himself.

The Virginia Film Festival takes a few wide-ranging short films and places them side-by-side on its final afternoon. Both narrative features and documentaries of differing tones and themes comprise the Shorts Program, a mini-festival in its own right. They may be brief, but the pieces presented offer something for everybody’s palette, and then some. Who says size matters?

Black Damp. Using the story of the ghost town that is now Centralia, Pennsylvania, the film explores the town’s story and the government’s role in disaster.

Meditation in Motion. Virginian clay and metal artist Rick Radman examines his own creative process.

Modern Old-Time Fiddling. Old-time fiddlers strive to find a voice in the age of the internet and blending musical styles.

Occupy America. Political beliefs aside, the shift marked by the Occupy movement deserves exploration and an understanding of its historical impact.

Sunday 11/4 Virginia Film Festival, Regal Downtown Mall, 4:15pm

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Arts

ARTS Pick: The Red Eye Theatre Festival

As if the truncated schedule of putting on a live show didn’t generate enough stress, a small assemblage of theater stalwarts have decided to put on The Red Eye Theatre Festival. Seven scripts, selected by a jury of playwrights, are given to seven directors and 25 actors in four locations across the United States. At 8am, the directors draw their script, select their actors and go into rehearsal.  At 8pm, the seven casts mount the stage in each of the four locations and present their family-friendly scripts for the audience. Our corner of this unique theatrical event takes place in Waynesboro with the oversight of Hamner’s Boomie Pedersen and WTA’s Clair Meyers.

Saturday 11/2 $10-12, 8pm. WTA Gateway, 329 W. Main St., Waynesboro. (540) 943-9999.

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Arts

First Friday ARTS Pick: Maryann Lincoln

Colors and patterns have adorned the path Maryann Lincoln follows to inspiration since the start of her creative journey. Carefully choosing her fabrics, the fiber artist blends materials to compose pieces ranging in tone from peaceful and wave-like to sparklingly bright. Whether stitching together a city scene or a natural landscape, she reaches artistic harmony in a way unique to her emphasis on striking a balance between self-motivation, creativity, and gratitude throughout the designing process. Her show “Seasons of Color” offers a way to bring together the range of human gifts and experiences through her quilted fabrics, reflecting her blending of disparate parts into a whole.

First Friday 11/2 6:00-8:00PM. C’ville Arts Cooperative Gallery, 118 E. Main St., Downtown Mall. 972-9500

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News

CFA Institute announces fall 2013 move-in to old Martha Jeff site

The redevelopment of the former Martha Jefferson Hospital in North Downtown may be running behind schedule, but the anchor tenant is eager to show work is underway. The CFA Institute, currently headquartered just outside the city limits, held a “wall-breaking” ceremony yesterday with city officials and neighborhood association reps to mark the start of major construction on what it says will be its new home within a year.

Charlottesville developer Octagon Partners purchased the main Martha Jefferson campus for $6.5 million in September 2010, and when CFA was announced as an anchor tenant, the company said it would move in by spring 2013.

Sweetening the deal was a tax incentive agreement with the city that required Octagon to secure $40 million in investments and bring in 400 high-paying jobs with a minimum average salary of $75,000 in return for a 50 percent break in property taxes. CFA pledged to recruit 45 new positions in addition to its existing 400.

The international nonprofit—a professional organization for investors—got its start in Charlottesville more than 50 years ago. Today, the company has offices in New York, Brussels, Hong Kong, and London, and is the organization responsible for granting the Chartered Financial Analyst designation.

In a press release, CFA addressed a big concern of its soon-to-be North Downtown neighbors: parking. The makeover at Martha Jefferson will include 526 parking spaces, the company said, “eliminating the potential for spillover parking in the surrounding residential neighborhood.” They hope to get LEED certification for the project, which will more than double their office space to 144,000 square feet.

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News

Desperate Wahoos approach stretch run after winless October

No team is quite the same from one year to the next, no matter how similar the personnel might be. Few teams are as markedly different as Virginia’s 2011 and 2012 editions.

Last year’s squad won five of six one-score games. Early, ugly wins over Indiana (34-31) and Idaho (21-20) gave UVA the confidence it needed to top No. 12 Georgia Tech (24-21), Miami (28-21), and No. 23 Florida State (14-13) en route to eight wins and a Chick-fil-a Bowl berth. It was a composed team that learned how to win.

A season later, Virginia is timid and unsure, completely devoid of the bravado it displayed in 2011.

These Cavaliers have lost three games by a single score – all to teams with inferior talent. A loss Saturday would mark the program’s longest losing streak since 1981, Dick Bestwick’s final season as coach.

“We desperately want to win a game,” Mike London said. “We want to play and win a game. That’s priority for us.”

Virginia focused its attention inwardly during the bye week, a fine choice for a team that ranks near the bottom of so many statistical categories.

Said London: “We don’t get a lot of time to go out and practice the fundamentals of what we do, what we need to do, and that was a large portion of spending those practice opportunities in getting better but also making sure that we correct a lot of things, whether it’s personnel, scheme-wise, that we take a good look at what we’re doing and how we’re doing it and who’s doing it. Those are things that an open week allows you to do, and we try and take full advantage of that.”

London suspended three players for violations of team rules during the week off, effectively sending the message that the team’s record shall have no impact on how his charges conduct themselves.

Virginia (2-6) travels to N.C. State (5-3) this weekend for the first time since 2007. The Wahoos have won 15 of the last 24 meetings between the schools, but dropped last year’s game, 28-14, in Charlottesville.

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Living

Who will save Merlot? The fate of a much-maligned grape

Merlot is making a comeback. Or so the prediction has gone for the past three years. According to retailers though, sales haven’t even begun to rebound, yet we keep reading that they have. So, has this grape that went from golden child to outcast in the span of 20 years really risen from the depths of our drains, or is it just an industry agenda to aid in its climb to cool again?

First, a look at Merlot’s day in the sun. In the early 1980s, several California and Washington producers were using Merlot as a blending varietal (just as in its native Bordeaux, where it’s the most widely planted varietal) to soften the fiercely tannic Cabernet Sauvignon. It didn’t take long for enterprising Americans to realize that the varietal could easily stand on its own. Single-varietal Merlot started popping up in the mid-’80s, with producers like California’s Shafer and Duckhorn and Washington’s Leonetti Cellar and Hogue leading the charge.

Fast forward a couple of years and Merlot, with its one-word, easy to pronounce name and uncomplicated palate, had become a sensation like Madonna and Prince and parachute pants. Grab your best pair and pour some Merlot on me.

Everyone wanted a piece of this Pac-Man-era pie, so producers started planting it in spades on marginal sites and bottling juice from underripe fruit. They assumed that as long as the label read Merlot, we’d lap it up. And we did, until its wimpy structure and taste of green bell peppers led producers to vamp it up into an ocean of alcoholic black cherry vanilla Coke. Wine-flavored wine to go with cheese-flavored cheese. Merlot had become a joke.

The 2004 movie Sideways issued the ba-dum-ch when fictional, frumpy, Pinot Noir-lovin’ Miles threw a temper tantrum at the prospect of having to drink any bleeping Merlot. It was a below the belt (albeit unintended, according to the movie’s writers) blow that deflated Merlot sales by 2 percent in the 12 weeks after the film was released, by 12 percent come 2006, and by 10 percent for the last three years running.

Something good came from Merlot’s denigration though. Faced with a glut of unwanted swill, producers started growing and making less, thus focusing on a return to quality, which, in its best examples, is a lush, plummy mochaccino of a wine. Merlot’s primed for a rally, but is anyone buying it?

Neither Market Street Wineshop’s Robert Harllee nor Rio Hill Wine & Gourmet’s Doug Hotz are seeing a resurgence of sales. “Cab is still king. But something like 85 percent of affordable Bordeaux (under $15) are mostly Merlot. In fact, it’s hard to find a majority Cab in that category,” said Harllee. Even in California, where cult Cabs often require deep pockets and a waiting list, you can get fantastic Merlot at a reasonable price. Hotz sells a Merlot from Annabella (Napa) and St. Francis (Sonoma) for under $20. “Both offer serious bang for the buck,” he said. There are exceptions, of course, like Château Pétrus, which is almost entirely Merlot and costs, by the caseful, as much as a new car. However, generally speaking, Merlot’s glass ceiling is about 50 percent lower than Cabernet’s.

Sommeliers love Merlot because it can be enjoyed at a younger age and with a wide range of foods. Keswick Hall sommelier Richard Hewitt says he’s selling more Merlot these days and that it seems to have regained the face it lost after Sideways. A great deal of his Merlot sales are from Virginia wineries, where just about everyone agrees the grape does really well.

Six of the 12 wines in this year’s Governor’s Case contained Merlot, and Keswick Vineyards earned one of those spots for its 2010 Merlot, a 100 percent single varietal. Keswick winemaker Stephen Barnard praises the grape for its predictability and consistency in a climate that’s anything but. “It ripens early, so most years you can get good, clean, ripe fruit which allows you to make a consistently high quality wine,” said Barnard. He tends to favor a European, fruit-forward style of Merlot that’s more elegant and supple than its harsher, boozier West Coast counterparts, but it’s still a wine with some vigor to it. The Octagon wines from Barboursville are blends driven by Merlot and have at least eight to 10 years of cellar life in them.

So what’s an overexposed and underappreciated grape to do? Wait for its white knight to grant it the respect it deserves? Virginia might be just the place for that movie.