Categories
Living

The lost art of the dinner party: Let’s bring it back!

I find few things more exciting than being invited to someone’s home for a dinner party. Not a potluck or cocktail party, but a sit-down soirée with mixed company and food cooked and served by someone other than me. It’s a generous act of yore that seems now to be endangered if not entirely extinct. Surely we remember our parents entertaining at home, falling asleep to the sound of muffled laughter downstairs. And the first thing you do as a child when you make a new friend is invite her over, so what’s changed?

The popularity of restaurant dining’s certainly at play, yet breaking bread with people in a home setting deepens connections much faster. There’s no time wasted looking at a menu, ordering, or deciding on wines. You can linger without the staff sighing loudly behind you and there’s no awkward moment when the check arrives.

Of course, time, that elusive luxury of which we all get the same amount, is the ubiquitous excuse. But if we have time to cook for ourselves, take a photo of what we’ve made, and then broadcast it to all of our “friends,” then we have time to invite a few of them to eat with us. Spending less time on our virtual social life frees up more time for socializing in the flesh; besides, no one’s expecting the eight-course, aspic-laden affair with chargers and napkin rings that Emily Post outlines in her 1922 etiquette guide. Entertain with simple, weekday meals even—meatloaf, mac-n-cheese, build-your-own-tacos—just remain fully clothed when you get home from work and eat at the table instead of from the fissure between the couch cushions. You can laugh out loud instead of LOLing and bring up topics without assigning any hashtags.

Even with loftier aspirations, don’t burden yourself by cleaning the house from top to bottom. Chances are that if you are a hoarder, or have 18 cats, the people you invite will already know that and either forgive it, or decline the offer. If you’re just a person with unremarkable dust bunnies and a pile of dead ladybugs in the corner, then guests won’t notice. Tidy the bathroom and any linens they’ll use, light some candles, dim the lights, keep their glasses topped up, and your cleanliness will appear next to godliness.

It’s a drag slaving away in the kitchen while your guests make merry at the table, so come up with a menu that you can cook ahead. Baked dishes like lasagne or braises like pot roast can be warming in the oven (with their aromas at critical mass) when guests arrive so that all you need to do is toss a salad. And, if you think of the meal as four courses (appetizer, salad, main, and dessert), plan to make two courses, buy one course, and then take one person or couple up on their offer to bring something.

You always want to have drinks and nibbles available right away, so buy the appetizer components. Put down a cheese board with fresh or dried fruit, wrap prosciutto around grissini, or set out bowls of pistachios and olives tarted up with orange rind and fennel seeds. Tasking guests with bringing dessert (or even just gelato to top some box-made brownies) makes for a welcome mission and alleviates them from bringing wine.

Consider the number of guests you invite. Six can converse as a group without any factions splitting off, and if you want to introduce two singles, the other pair will provide a buffer if sparks don’t fly. The dinner table’s a great leveler, so go ahead and invite two big fish and watch them both act a little less big for their britches. Stay away from vitriolic topics, though don’t be afraid to delve. Ask your guests what they would have eaten first in Willy Wonka’s chocolate factory, or what part of themselves is physically perfect.

Invitees have a few rules to follow too. If you need to cancel, do so with no fewer than two hours notice (and not via text message). Don’t bring uninvited guests and don’t turn up sloshed. If you have a genuine allergy, let it be known to your host ahead of time; however, if you are just obnoxiously picky or health-conscious, eat everything you’re given, or else don’t accept the invitation. Send a follow-up thank you note—written is best, but electronic suffices. Most of all though, always always return the favor. It’s the only way to keep the dinner party alive.

Categories
News

Monticello Bird Club sponsors local teams for national Christmas Bird Count

On December 16, dozens of local conservationists and bird lovers will spread out across the Charlottesville area, armed with binoculars, cameras, and bird guides. Camped out under trees or near creeks, they’ll spend anywhere from a few morning hours to the entire day watching and listening for nearby birds, collecting information to later give the National Audubon Society for its national Christmas Bird Count.

According to local bird enthusiast Jennifer Gaden, the count began in 1900 as a counterpoint to another holiday tradition, which involved shooting as many birds as possible for sport.

“People who began to be a little bit conscious about conservation and bird matters decided to start a different tradition,” said Gaden, who’s been involved with the count for 12 years and is the area’s data compiler. She said about half a dozen people turned out for the first Christmas Bird Count 113 years ago, and it has grown to be a time-honored tradition for bird lovers and their families.

Gaden said she’s been interested in birds since she was a little girl, and grew up gazing at the backyard bird feeders with her mom. She’s retired from the Virginia Natural History Museum, and has given lectures and workshops in the public school system about nature and conservation.

The yearly count provides essential numbers and information for conservationists and bird researchers, Gaden said, which is part of why she participates.

“It’s not just about counting birds,” said National Audubon Society spokesperson Delta Willis. “What we’re doing is really taking a pulse of the ecosystem that we share with birds.”

Willis said birds are early indicators of environmental transitions. Back in 2009, she said, the Christmas Bird Count data went toward a report about birds and climate change, which described how birds were already shifting their migration ranges north an average of one mile each year. National and state agencies like the Department of Fish and Wildlife use the data in efforts to preserve endangered species, Willis said.

“So not only am I interested in birds, but I am very much invested in their conservation, particularly given how many things are happening on Earth right now and how quickly things are disappearing,” said Gaden.

This year, 20 small local groups are signed up for the count. The teams are spread out, covering a 15-mile radius, with Ivy in the center. The best spots to quietly sit and listen are those with a variety of habitats, including water, marshland, grassy fields, and wooded areas.

Darden Towe Park, land surrounding the Rivanna Trail, and even cemeteries with mature trees are where groups will get the best results, Gaden said. This year, she’s hoping to come across an Evening Grossbeak, a black and yellow Canadian finch that has all but disappeared from the area in the last decade or so. Her group spotted one during last year’s count, and Gaden said she’s excited to potentially see another.

Gaden said newcomers are always welcome as long as there’s space, but she warns amateurs that it is “not a social event.” Counters must be willing to sit quietly and take direction from the leader, and groups should be no larger than five or six people. For more information on how to get involved in the Christmas Bird Count, check out http://www.virginiabirds.net/cbc.html.

Categories
News

Hope for the ‘Hoos? UVA football coach Mike London seeks to turn talent into wins

On Nov. 19, 2011, Virginia’s players engulfed Bobby Bowden Field after upsetting nationally-ranked Florida State, 14-13. With an 8-3 record and a bowl berth looming, the reclamation project was complete, the program built.

Since that night in Tallahassee, UVA has lost 10 of its last 14 games—six of them by 19 points or more—and suddenly the program is irrevocably broken.

Just as last November’s coronation was premature, rumors of Virginia football’s demise have been greatly exaggerated. The Wahoos were 5-1 in one-score games a season ago, but just 2-4 this year. The 2012 campaign could have looked a lot like 2011, and vice versa.

Unfortunately, Mike London’s second 4-8 finish in three years mandated change. Eight days after UVA’s ninth consecutive loss to Virginia Tech, London fired four assistant coaches and granted quarterback Michael Rocco an unconditional release.

“After conducting a complete evaluation of the program and discussing my thoughts with administration, there are a number of areas we need to improve on and it starts with me as the head coach,” London said in a statement. “The decision to release these four coaches is very difficult, but one I feel is necessary in order to meet the goals we have set for the Virginia football program.”

Defensive coordinator Jim Reid was let go, along with Jeff Hanson (defensive line/ recruiting coordinator), Mike Faragalli (running backs), and Shawn Moore (tight ends). It was announced that Anthony Poindexter will no longer be in charge of special teams, though he will remain on staff.

Added London: “I have coached with some of these men for many years, won a national championship with some, and I truly appreciate their dedication and commitment, and more importantly, their friendships. I wish them the best.”

The staff’s unorthodox rotation of quarterbacks this season—a practice surely to be abandoned in 2013—prompted Rocco’s decision to transfer.

“The quarterback position is one where, if you have a lot of things going through your mind, it inhibits the way you play,” Rocco told The Roanoke Times. “It’s an unhealthy environment for any quarterback at UVA. It was hard on all the quarterbacks, not just me. I had no idea what was going to happen next year.”

Virginia’s on-field results have been inconsistent during London’s tenure. In 2010, an overmatched squad nearly knocked off USC and did beat No. 22 Miami, but allowed nearly 40 points per game in four losses down the stretch. In 2011, the Wahoos needed overtime to beat Idaho, just weeks before they became the first team ever to record road wins over FSU and Miami in the same season. In 2012, UVA torched double-digit favorite N.C. State after losing six in a row, including home games to lowly Maryland and Wake Forest.

London’s pedestrian 16-21 record at Virginia makes his success on the recruiting trail all the more impressive. The current class, his third, is ranked 20th nationally by recruiting authority Rivals.com, though staff attrition could alter its makeup. His second class ranked 27th. His first, 25th. The 2010 group (next season’s senior class) was recruited primarily by his predecessor Al Groh and ranked 67th.

The trick now is to translate talent into wins.

“My primary task is to continue to evaluate this program and take the necessary steps to make us successful on the field,” London said. “This University and its fans deserve a program that competes for championships. In order to do that, we need to make improvements in every aspect of our football operation.”

MACON GUNTER is a licensed real estate agent with McLean Faulconer, Inc. in Charlottesville, where he represents buyers and sellers of homes and land. A University of Virginia graduate, Macon has long covered UVA athletics and currently contributes to C-VILLE Weekly and the Virginia Sports Radio Network. Contact Macon through www.macongunter.com. 

Categories
News

Fiscal Cliff Funnies takes a look at Big Box management

Categories
Arts

Album reviews: Freelance Whales, Alyssa Bonagura, Soundgarden

Hypnotism and headbanging

Freelance Whales

Diluvia/Mom & Pop Music

Indie pop rockers Freelance Whales made a splash with its 2009 debut, Weathervanes. Critics loved the album and TV did too, as tracks from the band appeared on episodes of “Chuck” and “One Tree Hill,” in addition to being featured in commercials for Twitter and Chevrolet. Three years later the band has released its follow-up, Diluvia, and it is quite a treat. “Locked Out” is emblematic of the album’s sound full of upbeat baroque pop featuring horns, a xylophone and the sort of swelling, echoing verses you can’t get out of your head. Lead singer Judah Dadone often leads the way, but bassist Doris Cellar gets in on the fun on tracks like “Spitting Image.” And when the two of them sing back and forth to each other on “Red Star” and “Winter Seeds,” it is hard not to get caught up in their hypnotic sway. Diluvia is a more layered, slightly more nuanced release than the group’s debut, but every bit as rapturous.

Alyssa Bonagura

Love Hard/Self-released

Pop music tends to get a bad rap for good reason, since there is a lot of vapid garbage in the genre. Occasionally though, it is better than you expect it to be and you have to rejoice because of this. Love Hard, the debut pop rock album from Alyssa Bonagura, is one of those gems that makes you smile while not making you want to throw up afterward. From uplifting pop anthems (“Warrior”) to driving rock numbers (“Got That Feeling”), Love Hard is a decidedly upbeat record that unabashedly looks at life through rose-colored glasses, and that’s a good thing. Chances are, you’ve heard the handclap-happy number “I Make My Own Sunshine” on a Lowe’s commercial recently, and most can relate to the lovers lament, “When You’re Gone.” The album is almost entirely composed of relationship songs, and gets a tad tired by the end, but overall Love Hard is a gem.

Soundgarden

King Animal/Universal Republic

Back in the mid-’90s when grunge and alternative rock were all the rage, Soundgarden was one of the genre’s best. Moody, dark, apocalyptic and yet somehow melodic and lyrically gut-wrenching at times, its songs tapped into the zeitgeist of Generation X. While King Animal, the band’s first album of new material in 16 years, probably won’t win any music awards, it’s certainly a valid return for the group. Despite the appearance of a borderline semi-acoustic pop/rock track like “Halfway There,” the album still rocks like it’s 1996. “Attrition” is a cannon blast of fuzzy, distorted guitars and loads of crashing drums, while tracks like “Been Away Too Long” and “By Crooked Steps” remind listeners that Soundgarden is still making headbanging alternative rock filled with meaty guitar riffs and the signature Chris Cornell wails. Mature and not as dark and brooding as past efforts, King Animal is one of 2012’s noteworthy comeback albums.

 

Categories
News

Green happenings: Charlottesville environmental news and events

Each week, C-VILLE’s Green Scene page takes a look at local environmental news. The section’s bulletin board has information on local green events and keeps you up to date on statewide happenings. Got an event or a tip you’d like to see here and in the paper? Write us at news@c-ville.com.

Genuine article: The Nature Conservancy, which has its Virginia offices here in Charlottesville, has weighed in on the real vs. fake Christmas tree debate. Their take: Real trees help keep land open and take carbon dioxide out of the air while growing, and they require less fossil fuel to produce and are easier to recycle than fake trees. Get choppin’.

Lens lessons: Pick up some tips for capturing your best birdwatching moments from award-winning nature photographer Victoria Dye at a presentation offered by the Monticello Bird Club on Thursday, December 13. Meet at the Ivy Creek Natural Area’s Education Center at 7pm.

Farms and finance: Also on Thursday, join the Local Food Hub to learn how to make your farm more profitable. Farm manager Ellen Polishuk will lead the workshop, going over management practices and marketing strategies. For more information and to RSVP, check out localfoodhub.org/events/workshop-making-money-on-your-farm.

Categories
Arts

Charlottesville City Limits: Local promoters’ favorite performances of 2012

Charlottesville is one hell of a music town these days. With 60-plus shows weekly, we are starting to feel on par with the heralded scenes of Athens, Asheville—and at this rate, someday…Austin! We reached out to local players in music promotion and asked them to name a show that stood out in 2012.

Rodrigo y Gabriela at nTelos Wireless Pavilion (above)
“For musical excellence, it has to be Rodrigo y Gabriela with their backing band, C.U.B.A. [They have] a sound that takes you aback with a presence so unassuming. Both are magic on the guitar: simply amazing to watch the dexterity, precision, fluidity, grace and passion that flows from these two.”—Jackie Knight, Starr Hill Presents

“The duo of Rod y Gab occupy a space unlike any other band. They pulled off a stunning exploration of Cuban music with the addition of a back-up band. Their speed, virtuosity, vitality, and style took the crowd on quite an exhilarating journey.”—Ann Jones, LiveNation/Ticketmaster

Bruce Springsteen at the Obama for America Rally at the Pavilion
“The musical moment for me this year was hosting Bruce Springsteen at the Pavilion solo acoustic. Being able to see him up close and in an intimate environment was pretty special. He brought a lot of passion to the show even though it was a short set and just him. It also was special in that the show just came out of nowhere but our staff was able to pull it all together in just a couple of days.”—Kirby Hutto, Starr Hill Presents

Photo: John Robinson

Kris Kristofferson at The Paramount Theater
“Kris Kristofferson told us backstage after his solo acoustic show, ‘That was exactly what I needed…I connected with tonight’s audience and it felt great, like it’s supposed to.’”—Jason Williams, The Paramount Theater

The Wood Brothers at The Southern Café & Music Hall
“Engaging, authentic, and sincere is the best way I can describe The Wood Brothers’ performance back in March. The band had total control of the audience and would go from being upbeat androwdy during songs like ‘When I WasYoung’ and ‘Shoofly Pie’ to the point [where] you could hear a pin drop during songs like ‘Luckiest Man’ and ‘Postcards from Hell.’”—Justin Billcheck, Cerberus Productions

Photo: Regan Kelly

“Great band, great group of guys, great show, and way sold out. Not bad for a Sunday night in Charlottesville.”—Andy Gems, The Southern Café & Music Hall

tUnE-yArDs at The Jefferson
“Walking into the tUnE-yArDs at the Jefferson. I was really exited to see how in the world one of my favorite albums of the previous year was not only going to sound, but how could it even be achieved. It turned out that the DIY girl showed us all that the songs translate very well to the stage and can be incredibly danceable. Isn’t that why we go see live music? To see something we can’t do in our own garages and be truly impressed.”—Matthew Simon, The Paramount Theater

Hank Strauss Mackelmore & Ryan Lewis at The Jefferson Theater
“Before the show, I was as much of a non-fan as one could’ve been. At the show, I was awesomely proven wrong. From the moment Ryan Lewis ‘Spiderman-ed’ up onto our opera boxes and launched himself into a welcoming crowd of fans, all the way through the next few hours of hits from The Heist, it was a truly remarkable show in this town. I’ve still got the album on heavy rotation in my car.” —Collean Laney, The Jefferson Theater

Photo: Roger Gupta

Rubblebucket at The Southern Café & Music Hall
“Rubblebucket (IMO: Talking Heads meets Bjork plus horns) playing a sold out show on their first headlining play in the market and C’ville transplants the Founding Fathers (Chris Pandolfi and Andy Falco of The Infamous Stringdusters) making their grand premiere. This was one of our first Festy Presents shows and it was amazing to feel the vibe of a festival brought into a club experience.”—Michael Allenby, The Artist Farm
Roger Gupta

Kool and the Gang at John Paul Jones Arena
“I attended the Kool and the Gang concert at the John Paul Jones Arena recently in celebration of Charlottesville’s 250th birthday. What made it special was the outreach by the city to promote an event with the consideration of attracting a diverse audience, the true makeup of Charlottesville’s communities. It was the responsible thing to do.”—Ty Cooper, Lifeview Marketing

The nTelos Wireless Pavilion’s 2012 season
“In an environment of deep economic uncertainty, venues are still trying to recover, and earn back loyal cultural customers by offering diverse programming at low fees. The Pavilion hit it on the mark this year with sold out shows one after another—and, to boot—visits within one month from the leader of the free world (Obama), a leader of the religious world (His Holiness the Dalai Lama), and the “Boss” of the rock ‘n’ roll world (Bruce).”—Mary Beth Aungier, State Theater (Culpeper)

Photo: Danny Shea

Dan Deacon at The Jefferson Theater
“I knew before Dan Deacon and his ensemble arrived at the Jefferson in their freaky bio-diesel schoolbus that we were in for a special night. Not a concert. A high energy collective experience of sensory overload. You must follow his instructions when he asks. Not only [is he] an incredible arranger and musician right now, but when you are at the show, he is the world’s best MC. He creates and directs the party with us. Participation is mandatory and highly rewarding. He brings call and response to a place you never expected. The songs are crazy, intense, and much more accessible than you would ever imagine because of Dan and the connection he makes. If you were there, you know what I’m sayin’.”—Danny Shea, Starr Hill Presents

Photo: Courtesy Black Market Moto Saloon

C’ville Knievel Vintage Bike Rally at Black Market Moto Saloon
“After living in Charlottesville for over 12 years, the greatest entertainment spectacle that I have witnessed was the Black Market Moto Saloon’s first annual C’ville Knievel Vintage Bike Rally. Starting at noon on a sunny June day with a Jinx roasted boar in the front lot, dozens of show quality vintage motorbikes and their fearless pilots gathered to enjoy circus performers, acrobats, a 12-piece marching band, surf guitar acts, psycho-billy rockers and more. The highlight of the evening was, of course, C-ville Knievel himself jumping through a ring of fire at midnight over a burning scale model Rotunda.”—Matteus Frankovich, Black Market Moto Saloon

The Abe Ovadia Trio at Fellini’s #9
“The most memorable concert this year was the Charlottesville Jazz Society’s B3 3 to 3 in July. What made it special was that every band that played from 3pm to 3am had someone play the B3 Hammond Organ. And the B3 they played was [Miss Lucy] the one that belonged to the late George Melvin. The musicians were amazing, and watching George’s brother sit all night and listen to every band and closely watch them play Miss Lucy, was touching and remarkable.”–Jacie Dunkle, Fellini’s #9

Ryu Goto at Cabell Hall
“We opened the 12-13 season with a 23-year-old Japanese-American violinist, Ryu Goto. He astonished and moved all of us with his effortless virtuosity and exquisite lyricism…I was filled with wonder at the artistry, humanity and modesty of this young man who is already distinguishing himself with an international career.”—Karen Pellón, Tuesday Evening Concert Series

Categories
Arts

Pigeons Playing Ping Pong make Charlottesville a second home

Odds are, if you keep an eye on music in this town, you’re familiar with Pigeons Playing Ping Pong. Whether you’re one of the devoted and exponentially growing “Flock,” or simply a fan of the work of behavioral scientist B.F. Skinner, the name just sticks. To clarify to the latter group, it’s a band: a moveable feast of super high energy funk, rock, electronica and psychedelic jazz from Baltimore (I know, another neat band from Baltimore, what’s with that place lately?) who’ve been carving a niche in our town, with some noteworthy appearances at The Box, a recent opening gig for the Kings of Belmont at the Southern, and a headlining spot on Thursday at Rapture. C-VILLE sat down with vocalist and rhythm guitarist Greg Ormont for some softball questions.

C-VILLE Weekly: What made you want to make music for a living? And why with these particular people?

Greg Ormont: “We all met at the University of Maryland in College Park and had a great time jamming together since day one. While some of us always had dreams of rocking out for a living, we all shared in the fun that is music. In our journey from playing in our friend’s basements to playing on big stages at festivals, we’ve had more and more fun at every show and always took notice of how live music brings different people together. There is nothing we’d rather do with our lives than bring people together while having a blast playing music with each other.”

What keeps you coming back to Charlottesville?

“The people. Every show in Charlottesville has this energy that’s through the roof. Young or old, people in C’Ville seem to love funk music and dancing all night, which is what we’re all about. Our last show at the Southern was awesome, and we can’t wait to come back to Rapture on the 13th for another funky psychedelic dance party.”

The year is coming to a close, what were some highlights for Pigeons Playing Ping Pong in 2012?

“Oh man that’s a tough one, because we have so much fun at all of our shows. First and foremost, we played at over a dozen festivals this summer, including Camp Barefoot, Catskill Chill and The Werk Out, and they all were insane. Playing side by side with some of our favorite bands was surreal and we are super thankful for that opportunity. Another big highlight of 2012 was jamming with John K. of Furthur at a small festival in Maryland. Meshing 40 minutes of Grateful Dead and Phish tunes with one of the great guitarists in the jam scene was nuts to say the least. We also did a Phish after-party in Atlantic City on a boat in July that we will never forget. Honestly, I could talk about the highlights of last year for hours, so I’ll just stop now.”

What’s the band working on?

“We’re gearing up for our biggest year yet in 2013, starting with a big New Year’s Eve show at the 8×10 in our hometown of Baltimore. We will be hitting old and new markets up and down the east coast all year, while expanding our reach to the mid-west, including a run to Colorado and back this spring. We are booked at a number of major festivals this summer, and are currently working on our next album, which we plan to release mid-2013. We are constantly writing new music, touring new and familiar cities and having more fun than we thought possible. And there’s no end in sight.”

Thursday 12/13 Pigeons Playing Ping Pong/Rapture, 303 E. Main St. 293-9526.

Categories
News

Cuccinelli vs. McAuliffe for governor—can we really be that lucky?

Wow. Wasn’t it just a few weeks ago that we were complaining about a dearth of electoral excitement ’round these parts? Well, in a classic case of “be careful what you wish for,” the ink on our last column was barely dry when the Commonwealth’s biggest political players went on a collective news-making spree.

It all started with an unexpected announcement from Lieutenant Governor Bill Bolling, who held a press conference the Wednesday after Thanksgiving to reveal that he was dropping his bid for the Republican gubernatorial nomination, all but assuring that Attorney General Ken Cuccinelli will be the GOP nominee. Bolling’s decision, it should be noted, wasn’t completely out of the blue. After all, one only needed to look at the available polling (and the fact that state Republicans have decided to eschew a primary this year in favor of a Cooch-friendly nominating convention) to see that Bolling had an extremely tough road to the nomination. As the man himself mused to reporters (quoting the wise old sage Dirty Harry), “a man’s got to know his limitations.”

Of course, this announcement doesn’t preclude the possibility that Bolling might run for governor as an independent. He certainly didn’t rule it out, and pointedly refused to endorse Cuccinelli, noting acidly that he had “serious reservations about [Cuccinelli’s] ability to effectively and responsibly lead the state.”

At that point, all eyes swung over to the donkeys’ side, where 2009 also-ran Terry McAuliffe was the sole announced Democratic candidate for governor. The Macker had already dodged one bullet when the still-popular former Governor (and current senator) Mark Warner announced over the holidays that he had no interest in getting his old job back. But a growing chorus of voices on the left wanted Charlottesville’s ex-U.S. Representative Tom Perriello to step into the race. Now, many progressives will readily admit that McAuliffe is an affable money man with great connections (Bill Clinton chief among them), but they fear that his lack of governing experience and pro-business mindset will make him a terrible Democratic standard-bearer. (And McAuliffe certainly didn’t do much to allay these fears with his completely lackluster ’09 campaign.)

But those liberal dreams of a Perriello candidacy were sadly not to be. Exactly one week after Bolling terminated his campaign, Perriello released a statement to the left-leaning blog Blue Virginia declaring, in no uncertain terms, “I do not feel called to serve in elected office at this time.” But unlike Bolling’s scorched-earth exit from the race, Perriello went out of his way to compliment McAuliffe, and promised that he “will be supporting Terry and all of those who are willing to put their names on the ballot.”

But will anyone actually step up to challenge either McAuliffe or Cuccinelli? At this point, that seems highly unlikely. Which means that—praise Santa!—Christmas has come early here at Odd Dominion headquarters. After all, there was nothing we wanted more than to watch the Cooch and the Macker face off in an epic electoral battle for Virginia’s political soul. And now that every credible challenger on both sides has fallen away, it looks like we get to watch these two highly entertaining goofballs smack each other around for an entire year.

Best. Christmas. Present. Ever.

Categories
Arts

Film review: Playing for Keeps

Keep awaySoccer farce Playing For Keeps gets a red card

Playing for Keeps is not the worst movie of 2012. In fact, it’s not even in the bottom 10. (It may be in the bottom 11.) And in life’s grand scheme, it’s innocuous. But it is contrived, lazy, stupid, and looks as if it were smeared with mud.

Instead of going to pains to describe this hodgepodge of clichés and bad choices, how about we just rip on the ways it’s awful? If plot summary happens incidentally, great.

1. The title. Playing for Keeps is possibly the most torpid title in movies this year. Even Trouble with the Curve is more appropriate, and that title sucks. If it’s of any interest, in Playing for Keeps our hero/non-hero is George Dryer (Gerard Butler), a former European soccer star trying to keep his family together while coaching his son’s soccer team.

2. The cast. Forget the leads, Butler and Jessica Biel. These two star in bad movies for a living. But what are Dennis Quaid, Catherine Zeta-Jones, Uma Thurman and, to a lesser degree, Judy Greer doing in this tripe? Quaid is a bad actor who makes terrible movies (and recently!—skip The Words), but this is really the dregs. Perhaps Greer was tired of playing the bitchy best friend or the industry decided she’s too old. Maybe Jones and Thurman really needed a paycheck. It’s a total mystery how anyone with star power ended up in this farce.

3. The conceit. Wait, this is a movie about a guy trying to win back his family/redeem himself so he agrees to coach his son’s soccer team? With the mildest of modifications, it could be any of the following wretched movies about sports screw-ups: Ladybugs. Kicking & Screaming. Major League: Back to the Minors. Any Given Sunday. Summer Catch (also starring Biel!). The Scout. The Benchwarmers. Johnny Be Good (also starring Thurman!). Considering the depths of cinematic sports rottenness, the filmmakers could have taken a few cues from the above-mentioned barf-fests and cobbled together a screenplay that doesn’t appear as if it were written on cocktail napkins after one too many Long Island iced teas. Screenwriter Robbie Fox also wrote Pauly Shore’s In the Army Now. At least Playing for Keeps is better than that.

4. The way the plot shakes out. Playing for Keeps is more predictable than the aforementioned Trouble with the Curve and it doesn’t have the benefit of a suitably grouchy performance by Clint Eastwood.

5. This movie looks terrible. Each shot seems as if it’s been smudged with a thin layer of grime, the lighting is an afterthought, and there are whole scenes where it appears as if they made up the camera moves as they rolled film. A quick glance at director of photography Peter Menzies Jr.’s resume reveals that every movie he’s shot is bad, with the possible exception of Die Hard with a Vengeance. That movie isn’t good but it’s such a vast improvement over Die Hard 2: Die Harder, call it a draw.

There you have it, kids. You’ve been warned.

Playing for Keeps/PG-13, 100 minutes/Regal Stonefiled 14 and IMAX

 

Playing this week

A Late Quartet
Regal Downtown Mall 6

Alex Cross
Carmike Cinema 6

Anna Karenina
Regal Downtown Mall 6

Argo
Regal Downtown Mall 6

The Bourne Legacy
Carmike Cinema 6

Brave
Carmike Cinema 6

The Collection
Regal Stonefield 14 and IMAX

Diana Vreeland:
The Eye Has To Travel
Regal Downtown Mall 6

End of Watch
Regal Stonefield 14 and IMAX

Finding Nemo 3D
Carmike Cinema 6

Flight
Regal Stonefield 14 and IMAX

Killing Them Softly
Regal Stonefield 14 and IMAX

Liberal Arts
Vinegar Hill Theatre

Life of Pi
Regal Stonefield 14 and IMAX

Lincoln
Regal Stonefield 14 and IMAX

The Odd Life of Timothy Green
Carmike Cinema 6

ParaNorman
Carmike Cinema 6

The Perks of Being
a Wallflower
Regal Downtown Mall 6

Pitch Perfect
Carmike Cinema 6

Red Dawn
Regal Stonefield 14 and IMAX

Rise of the Guardians
Regal Stonefield 14 and IMAX

Queen of Versailles
Vinegar Hill Theatre

Skyfall
Regal Stonefield 14 and IMAX

Smashed
Regal Downtown Mall 6

Twilight Saga:
Breaking Dawn Part 2
Regal Stonefield 14 and IMAX

Wreck-It Ralph
Regal Stonefield 14 and IMAX

Movie houses

Carmike Cinema 6
973-4294

Regal Downtown
Mall Cinema 6
979-7669

Regal Stonefield 14
and IMAX
244-3213

Vinegar Hill Theatre
977-4911