Categories
Living

The new traditional: In one Scott Weiss house, the Southern vernacular gets an update

Sometimes, inspiration doesn’t look the way you expect it to. In 2008, Rhonda Matthias was gathering ideas for a new house she and her husband, Cary, planned to build. They had the land—a four-acre parcel in rural Goochland County—and they thought they wanted a “traditional farmhouse,” something with two stories.

The house features a deep wrap-around porch along three of its sides, lending a Southern quality that’s both practical and aesthetically pleasing. Photo: John Robinson

“But we couldn’t settle on exactly the look we wanted,” Rhonda said.

Then she came across a photo of a one-story house with a wraparound porch. It was distinctly Southern, like something out of the Lowcountry. “I showed it to Cary and he loved it too,” she said. “There was no going back once we realized we wanted the wraparound porch, to take advantage of the views we have here.”

Through Rob Carter, who’d eventually become the contractor for their project, they met Crozet-based architect Scott Weiss—and he turned out to be very well-suited for their Southern-flavored vision. “A lot of what I like comes from Florida beach houses,” he said.

The couple had lots of specific ideas about their new home. “We knew we wanted this big open living space, like so many houses have these days,” said Rhonda. “But we wanted the kitchen to not be central. There’s all that noise in the kitchen.”

Weiss designed a floor plan that keeps the kitchen handy but still quite separate from the living area.

While firmly rooted in tradition, the three-bedroom Matthias house is clearly of contemporary vintage. Topped by a steeply pitched roof, the one-story house boasts very high ceilings over the common rooms. Triangular gable windows punctuate the wood-clad ceilings, adding light and drama. Another modern touch is in the dining area, where Weiss created an open structure of beams and built-ins to suggest an enclosure around the table. “I wanted it to feel more like a room,” he said. “Plus it creates zones of travel on either side”—de facto hallways leading to bedrooms.

Outdoor life
While various ideas came and went during the design process, the wraparound porch—running along three sides of the house—remained key. The main entrance is found on one side, allowing a large stone fireplace to dominate the front porch. Its mantel is made from a cherry tree found on the property.

A steeply pitched roof makes way for very high ceilings, like in the dining area, where architect Scott Weiss created an open structure of beams to suggest an enclosure around the table. Photo: John Robinson

From here, pastoral views roll away to the horizon, and wide steps—a “stairway to nowhere,” as Weiss put it—lead down. It’s clear that the seating out here is not just for show. “The really deep porches are usable even when it rains,” said Rhonda. “I love to be out there with a book when it’s raining.”

“Any porch I design has to be that deep,” said Weiss, who left roof rafters exposed over the porch à la the beach houses he loves. In the Southern tradition, deep porches not only provide practical outdoor living space but help protect the indoor rooms from summer sun. The Matthiases attest that their verandas do keep things cool, furthering their goal of an energy-efficient dwelling.

“One key thing was making sure the way we put the house down on the land takes advantage of the sun,” said Rhonda. “It does exactly what it’s supposed to do.” In winter, the low sun helps warm the house, while in summer, deep eaves keep things shaded inside.

Fire and stone
The interplay between indoors and out, heat and cold, continues even in the heart of the house. A freestanding soapstone fireplace helps delineate the living and dining areas and radiates heat even hours after a fire’s gone out.

“I had wanted a masonry heater,” said Cary. “We were visiting a friend in Alabama, and there was a soapstone sculpture. He said it came from Virginia.” This was how the couple learned about the Alberene quarry in Schuyler, which eventually supplied most of the stone for their fireplace.

It’s flanked by built-in bookshelves that also serve as columns to support the beam structure over the dining table. “These corners needed to be substantial since they were floating in the room,” said Weiss. The whole arrangement provides quiet spatial interest, allowing a custom cherry table (and whatever is served on it) to take the spotlight.

The kitchen has the same sense of understated style, with quartzite countertops and black distressed-finish cabinets. Tucked behind it is a breakfast nook lined with windows and more built-in shelves.

After nearly three years in their house, the Matthiases are still making improvements to landscaping and planning future projects (finishing the basement, for one). But they also revel in the many pleasant spaces in and around their home—like the screened porch off the master bedroom. It’s not just a place to get outside.

“Three seasons a year, I can open the French doors to the screened porch [at night] and you feel like you’re camping in your own bed,” said Rhonda. “You get the full choir of coyotes.”

Categories
Arts

ARTS Pick: Speech & Debate

Debate teen

When a daring show like Stephen Karam’s Speech & Debate comes along—about a trio of teenage outsiders who discover the truth about a sex scandal in their hometown of Salem, Oregon—it garners well-deserved buzz. Dealing with heavy themes like sex, money, trust, and the nebulous transition from adolescence to adulthood, the dark comedy doesn’t pull any punches just because the roles are played by teenagers. Sort of like the way real life operates.

Through 2/16 $25, 8pm. Live Arts, 123 E. Water St. 977-4177.

Categories
News

Green happenings: Charlottesville environmental news and events

 Each week, C-VILLE’s Green Scene page takes a look at local environmental news. The section’s bulletin board has information on local green events and keeps you up to date on statewide happenings. Got an event or a tip you’d like to see here and in the paper? Write us at news@c-ville.com.

Biodynamic farms: The 2013 Virginia Biological Farming Conference takes place this weekend, February 8 and 9, at the Koger Conference Center (1021 Koger Center Blvd.) in Richmond. The annual event is geared toward those interested in a “beyond organic” farming approach that works with natural processes. This year’s conference includes speakers and authors from all over the U.S. Register on the Virginia Association for Biological Farming website.

Stream check-ups: Want a better understanding of the health of our rivers and watersheds? Join StreamWatch volunteers on Saturday, February 9, for a free training workshop and learn how to gauge water quality and stream health through benthic invertebrate sampling. Call Rose Brown to make reservations at 434-962-3527 (or e-mail her at rose@streamwatch.org), and meet at 10am in the Ivy Creek Natural Area’s education building.

Mall rally: Environment Virginia is organizing a climate rally to take place February 17 in Washington, D.C., with the aim of urging President Obama to address global warming and reject the Keystone XL pipeline. Buses of Virginians will descend on the National Mall just before noon. Visit Environment Virginia’s website for more info and to find out how to get on a bus.

 

 

Categories
Arts

Film Review: Warm Bodies

Dead heads in love: Warm Bodies examines the dark comedic vacant soul of the zombie

We’re not done with zombies. Not only does the Brad Pitt starring- World War Z loom on the horizon, but in the past decade there have been countless zombie films.

Simply put, most of those movies suck. A few work. There’s Ruben Fleischer’s Zombieland, a gory comedy that features four heroes driving across the country. Then there’s Danny Boyle’s 28 Days Later, which is scary, bloody, and in its way, wholly plausible.

Finally, there are George A. Romero’s recent zombie movies. After a 20-year break following Day of the Dead (1985), in the last seven years he’s given us Survival of the Dead, Diary of the Dead, and Land of the Dead. None is as good as his 1978 masterpiece Dawn of the Dead.

What can we make of Warm Bodies? Aside from featuring the undead, this movie tacks where few others do. First, it’s a love story (though Brian Yuzna’s much, much gorier Return of the Living Dead III is, too). Second, it’s a comedy (as is Zombieland and parts of Romero’s Dawn of the Dead).

What Warm Bodies has that most other zombie flicks don’t is the zombie’s story. Our narrator, R (Nicholas Hoult), is a zombie. He doesn’t know why he’s a zombie. He just knows he is. He also knows he’s different from most other zombies. He collects things, like vinyl records. He tries to make friends, and has one in M (Rob Corddry).


What he shares with his brethren is a taste for brains. When a band of humans looking for supplies raid the zombie-plagued section of town where R exists, he kills Perry (Dave Franco), and falls in love with Perry’s girlfriend, Julie (Teresa Palmer).
That’s when R starts to change. Suddenly he’s more interested in love than brains.

He has an uphill struggle. There are other zombies who don’t understand why he loves a human; the humans don’t trust him, in particular, Julie’s father, Grigio (John Malkovich), who runs security in the walled-off city where the humans live; and then there are the Bonies, zombies who have no humanity left. They just want to eat.

It’s absurd, but Warm Bodies is the right kind of absurd. It’s just bloody enough to make the zombies feel like a legitimate threat. It’s just funny enough to make you forget how ridiculous it all is.

Hoult, who’s come a long way since playing the outcast kid to Hugh Grant’s hip loner in About a Boy, has the right face for R. His big eyes show what’s going on in his dead head—zombies can barely speak—and as he becomes more human, he revels in his rediscovered ability to move and talk.

He’s matched well with Palmer, who, like R, is an outsider within her circle. Her Julie is tough but not afraid to see some humanity in the dead. Corddry’s shtick—inappropriate jerk with a heart of gold—translates well as M becomes more human. It’s all done so lightly, you may even say “Awwwww” once or twice before the credits roll.

Warm Bodies/PG-13, 98 minutes/Regal Stonefield Stadium 14 and IMAX

Playing this week

Argo
Regal Downtown Mall 6

Broken City
Regal Stonefield 14 and IMAX

Bullet to the Head
Regal Stonefield 14 and IMAX

Django Unchained
Regal Stonefield 14 and IMAX

Finding Nemo 3D
Carmike Cinema 6

Flight
Carmike Cinema 6

Gangster Squad
Regal Stonefield 14 and IMAX

Hansel & Gretel: Witch Hunters
Regal Stonefield 14 and IMAX

Hotel Transylvania
Carmike Cinema 6

The Hobbit:
An Unexpected Journey
Regal Stonefield 14 and IMAX

Hyde Park on Hudson
Regal Downtown Mall 6

The Impossible
Regal Downtown Mall 6

Les Miserables
Regal Stonefield 14 and IMAX

Life of Pi
Regal Downtown Mall 6

Lincoln
Regal Stonefield 14 and IMAX

Mama
Regal Stonefield 14 and IMAX

Movie 43
Regal Stonefield 14 and IMAX

Parental Guidance
Regal Stonefield 14 and IMAX

Parker
Regal Stonefield 14 and IMAX

Playing for Keeps
Carmike Cinema 6

Quartet
Vinegar Hill Theatre

Red Dawn
Carmike Cinema 6

Silver Linings Playbook
Regal Downtown Mall 6

Skyfall
Carmike Cinema 6

Stand Up Guys
Regal Downtown Mall 6

Wreck-It Ralph
Regal Stonefield 14 and IMAX

Zero Dark Thirty
Regal Stonefield 14 and IMAX

Movie houses

Carmike Cinema 6
973-4294

Regal Downtown Mall
Cinema 6
979-7669

Regal Stonefield 14 and IMAX
244-3213

Vinegar Hill Theatre
977-4911

Categories
News

Dumler faces censure, calls for resignation

Albemarle County Supervisor Chris Dumler faced official censure and angry calls for his resignation at his first Board of Supervisors meeting after pleading guilty to sexual battery last week, and may also have to beat back a challenge to his continued presence on the Board.

An overflow audience—some holding signs calling for the Scottsville representative to step down—listened as Duane Snow read a statement ahead of the censure vote. “Mr. Dumler’s presence on this Board will be a constant reminder to our wives, mothers, daughters and ourselves of the sexual abuse on these women,” Snow read, his voice shaking with emotion.

The Supervisors voted unanimously to censure Dumler, then passed a resolution on party lines to call for his resignation. Dumler abstained from both votes. The Scottsville representative was arrested last November for forcible sodomy after a woman accused him of subjecting her to unwanted anal intercourse the month before. Two other women came forward with accusations of abuse just before Dumler pled guilty to a misdemeanor charge of sexual battery last week. He’ll serve 30 days in jail, but plans to do his time on the weekends so he can continue to serve.

Many residents who took the mic during public session expressed outrage over Dumler’s continued presence on the Board, including some who had held his seat themselves.

“Albemarle County is at the lowest point in its morality right now,” said former Scottsville representative Forrest Marshall. He said Dumler had left himself vulnerable to blackmail, and needed to step down. “The more you stay in the limelight, the more you’re going to get (women) coming out and saying, ‘It’s not that bad for me to go and testify,’ and you’re going to wind up serving some serious jail time. The smart thing for you to do is get off right now.”

About a dozen more residents added their voice to the chorus calling for Dumler’s resignation, but a few spoke up supporting him, including local Democratic Party leader Cynthia Neff, who posted his bail following his arrest last November, and Scottsville resident Dolores Rogers.

“We as a nation have a long history of flawed leaders,” Rogers said, all the way back to the founding fathers. “If you want a lapdog, you need to buy one. If you’re not in Scottsville, you need not bother teling us who should represent us.”

The backlash likely isn’t over yet. Another resident, Earl Smith, said he’s gathering names for a petition to recall Dumler. He’ll need 372 Scottsville signatures to get a judge to consider the request—10 percent of those who voted in the 2011 election that put Dumler on the board—and said he’s already close to that number.

But Dumler said he planned to keep his seat. The Daily Progress reported that after public session, he spoke up in his own defense.

“As far as I know, I am the only one up on this dais who was actually in the room on [that] night,” the Progress story quotes him as saying of the night police say he assaulted a woman. “And so I can say to you conclusively, that with that knowledge, as one of two people who possesses a set of full facts and information about this, I have no moral compunction between me, myself and the Lord about continuing to serve.

“The second thing I would say, and this is very important, that I hope and I pray that none of the individuals who spoke today, or anyone else, ever, for that matter, is ever in a position where he has to put a value on clearing his name, and realizes that he cannot afford to do that.”

 

Categories
Living

Beer and batter: Brews, baseball, and the growth of craft

Although it still feels like winter outside, pitchers and catchers will report to Spring Training next week, which indicates the time for baseball fans to start getting excited. With baseball, of course, comes beer, and for many, an increasingly exciting selection.

The rich tradition of beer and baseball began not surprisingly as an effort by big breweries to reach a captive audience of beer drinkers without those drinkers realizing such product placement. The involvement of the Anheuser-Busch brand with the St. Louis Cardinals is well documented in William Knoedelseder’s recent book Bitter Brew, which details the rise and fall of the Busch family and its brands.

Budweiser is the official sponsor of Major League Baseball, with signage in every ballpark. The Rockies play on Coors Field in Denver, and the Brewers play in Miller Park in Milwaukee. Although many traditionally associate ballpark beers with an overpriced, Big Gulp-sized plastic jug of flat beer, more and more stadiums are embracing customers’ demands for craft and local beers. In addition to the fact that consumers are drinking more craft beer, this invasion is also due in part to the fact that many of the great cities with major league teams and ballparks have killer microbreweries to support nearby. I couldn’t believe it when I was at AT&T Park in San Francisco last year and didn’t have to settle for one of the big three. It was hot, and I admit to pounding Hoegaarden in the outfield seats. Let’s match the best ballparks with their local craft brews.

Fenway Park and Harpoon Brewing (Boston): Harpoon, whose most prominent beers are the Harpoon IPA and UFO (its unfiltered wheat beer), is available at legendary Fenway for the cost of only one arm and one leg.

Yankee Stadium and Brooklyn Brewery (New York City): Brand new Yankee Stadium sells several Brooklyn Brewery beers, including the flagship Brooklyn Lager, as well as Brooklyn Brown and the Brooklyn Pennant Ale, which commemorates the 1955 World Series win by the Brooklyn Dodgers, and contributed funds for the statue of Dodgers Jackie Robinson and Pee Wee Reese.

Wrigley Field and Goose Island (Chicago): Chicago’s legendary ballpark is pouring local favorites from Goose Island, including the Belgian-style Matilda. Honker’s Ale, a brown ale, is another Goose Island favorite. With the expansion of California brewery Lagunitas into Chicago and the A-B/InBev purchase of Goose Island, those transplant beers from Lagunitas may become the craft favorites.

AT&T Park and Anchor Brewing (San Francisco): Home of the Giants, this beautiful ballpark on the bay offers Anchor Steam Beer, one of the original craft beers made in the United States. True beer aficionados will enjoy the deep draft list at the Public House entrance, with offerings from Ballast Point, Russian River, the Lost Abbey, and other famous west coast breweries.

Nationals Park/Camden Yards and Flying Dog/Heavy Seas: Our most recent local baseball team is serving up local pints in addition to highlights from phenoms Bryce Harper and Stephen Strasburg. Flying Dog and Heavy Seas are breweries in nearby Maryland with offerings on tap. These two breweries are unsurprisingly also served up the road at Camden Yards, home to the original home team, the Baltimore Orioles. Camden Yards is knocking the craft angle out of the park, with a firkin of cask-conditioned beer going on tap regularly through events at the park.

Great craft beers from their respective cities can also be found on tap at Angels Stadium in Anaheim, Dodgers Stadium in L.A., Comerica Park in Detroit, and even in the home of the A-B Eagle, Busch Stadium. These beers are also mostly available at Beer Run and Market Street Wineshop locally. As someone who became a Red Sox fan in Boston while living in the literal shadow of Fenway Park, I would still be more than honored to have Champion Brewing Company’s beer featured at Nationals Stadium and Camden Yards, where I attended my first major league ballgame. I certainly won’t judge if there’s something special about a Bud, Coors, or Miller at the ballgame, but for those who take their beer as seriously as their ball club, these craft draft prospects are exciting to watch.

Categories
Arts

ARTS Pick: Anna Vogelzang

With pluck

Powerful yet coy vocals and astute songwriting are the definitive traits in folk balladeer Anna Vogelzang’s music. And as for evidence of her industry cred, she works with some of current music’s kick ass players. On her recent release, Canary in a Coal Mine, she employed Franz Nicolay on accordion (formerly of The Hold Steady), Brian Viglione on drums (Dresden Dolls), Todd Sickafoose on upright bass (Righteous Babe/Ani DiFranco), while taking on the ukulele, banjo, and kalimba herself. Pat + Sasha opens.

Friday 2/8 Free, 8pm. Blue Moon Diner, 512 W. Main St. 980-6666.

Categories
News

Virginia’s environmental lobby claims victory in battle over uranium mining —for now

A bill that would have lifted Virginia’s 31-year ban on uranium mining died in the State Senate last week, but local environmental advocates monitoring the issue in Richmond during this year’s fast-paced legislative session say the long-running debate is hardly over in the Commonwealth.

Dan Holmes, director of state policy for the Piedmont Environmental Council, which has a local office in Charlottesville, has been tracking the issue in the capital since last month. He said the early death of the bill was a small victory for environmentalists and others pushing to keep the ban in place, but “there’s still room for mischief” before the session wraps up.

The question of whether to end the moratorium was expected to be one of the hot topics of the 2013 session, which followed several large-scale studies exploring the risks of mining and years of big-budget lobbying efforts by Virginia Uranium, which holds title to the Pittsylvania County land containing one of the world’s largest deposits of the material used to fuel nuclear reactors.

But the bill that mining advocates had pinned most of their hopes on was killed by its sponsor, Senator John Watkins of Powhatan County, after it became clear last Thursday that the measure would never make it past the Committee on Agriculture, Conservation and Natural Resources—typically the first stop for legislation related to mining.

Holmes said big crowds attended a committee meeting to voice their support for keeping uranium mining out of Virginia, but didn’t get a chance to speak up before Watkins stopped his bill’s progress.

“Over 200 people were there,” said Holmes. “Even when they heard the bill was going be killed, they still showed up. It was a good day.”

There’s time for those who want to see Virginia capitalize on its massive uranium deposit to stage a comeback. “They could still slip something in the budget,” he said, though that window of opportunity is closing, and Holmes said he thinks legislators feel a back-door approach like that would be a black eye for the pro-mining camp.

But the debate won’t end with the closing of the session. Watkins has promised to keep pushing for an end to the moratorium, saying mining is vital to Virginia’s economy. “The failure to lift this ban is a definite stigma and blot on our reputation as a pro-business, pro-energy, pro-property rights state,” he wrote in a statement released after the bill died, in which he also urged Governor Bob McDonnell to start drafting regulations ahead of a future vote on the moratorium.

Holmes said a return to the issue in the months and years to come feels inevitable, and that’s frustrating for those who have pushed back steadily. In their eyes, the science is in: It’s just too risky to dig up and mill the radioactive material in a relatively wet climate like Virginia’s, where flooding could compromise the safe storage of waste and potentially contaminate groundwater. “This is not a new issue,” he said. “It’s been studied for five years now.”

There’s one thing about the battle over the ban that he finds heartening, though. Unlike so many legislative fights, this one wasn’t purely partisan; plenty of Republicans who might be expected to fall into step with Watkins appeared willing to break rank and support the ban.

“It’s been a breath of fresh air,” Holmes said. “It’s always a pleasant experience when you see senators and delegates making decisions on information, and not on party lines.”

Categories
Arts

Beyond bluegrass: Punch Brothers defy genres through collaboration

The Punch Brothers look the part of a bluegrass band—clad in old-timey suits and armed with traditional instruments. But catching one of the band’s dynamic live shows is to witness an acoustic adventure that defies the typical boundaries of the genre. 

The band keeps audiences guessing with a sound that can move fluidly from Bach to rock, all through the scope of a five-piece string band. Through years on the road testing the limitations of their instruments the band members have created an expansive brand of indie chamber grass. They’ve become beloved for inventive takes on familiar covers with standouts including the White Stripes’ “Dead Leaves and the Dirt Ground” and The Cars’ “Just What I Needed.” The group’s latest full-length album, last year’s Who’s Feeling Feeling Young Now?, features a gripping take on Radiohead’s “Kid A” with warm tones of wood and steel interpreting the tune’s original glitchy atmospherics.

Beyond the exciting covers, the Punch Brothers have built a large repertoire that includes everything from high-minded newgrass instrumentals to pastoral classical journeys to gritty folk-rock songs.

“We’re always trying to strike a balance,” said banjo player Noam Pikelny by phone. “We have a reputation for working up covers that surprise people. We love playing our versions of other people’s material and certain songs have become part of the band’s identity. But original music is still the driving force behind this band.”

http://www.youtube.com/watch?v=6Amyd9ASuow

The first seeds of the Punch Brothers were sewn in 2006. After a lengthy run with the bluegrass-pop outfit Nickel Creek, mandolin innovator Chris Thile was looking for a new project. He approached a few rising stars in the acoustic music world—guitarist and founding member of the Infamous Stringdusters Chris Eldridge, Pikelny (Leftover Salmon, John Cowan), and violinist Gabe Witcher—to help with a solo album, How to Build a Woman from the Ground.

Next,Thile had something more ambitious in mind—a four-movement classical suite called “The Blind Leaving the Blind,” which chronicled through nimble-fingered, tension-and-release string work the emotional turmoil of his divorce. The work was the focus of the band’s 2008 album Punch.

“As soon we started playing that, there was a sense among us that we had something special to offer,” Pikelny says. “There was music to be created that none of us could’ve really imagined yet.”

Soon after, the group’s line-up was solidified with the addition of bassist Paul Kowert. All of the band members moved to New York City and, with everyone in close proximity, extended group collaboration began in earnest.

With a diligent road ethic, the band has seen its fan base swell and become a mainstay at a range of festivals from Telluride Bluegrass to Bonnaroo to Newport Folk. The ability to attract diverse audiences comes from the evolution of a sound that’s increasingly hard to pigeonhole. With subsequent albums, 2010’s Antifogmatic and Who’s Feeling Feeling Young Now?, the band has made it a point to tone down instrumental exploration in favor of tighter song-driven arrangements. On the latter effort, producer Jacquire King (Kings of Leon, Norah Jones) helped craft concise tunes that utilize the members’ otherworldly chops for nuance and effect, as opposed to front-and-center display. The album’s opening “Movement and Location” could be categorized as pulsing dance rock without a beat, while “New York City”—a co-write between Thile and Josh Ritter—showcases the mandolin player’s tender vocal range through a hard-charging breakup song.

“When this really started to turn into a collaborative project, we tried to distance ourselves from the expectations that this was going to be musician’s music—a band all about instrumental firepower and crazy soloing,” Pikelny explains. “As we become comfortable with our identity and continue to hone our sound, we work hard to not lean on the instrumental aspect of the band.

“Because of our history, we’ve run the risk of playing things that appeal to us because they’re technically challenging. We’ve realized that the best thing that each one of us could be doing is just serving the song—even if that means laying low and playing a supportive role.”

Punch Brothers Jefferson Theater, February 11

 

Categories
Arts

ARTS Pick: WTJU’s Annual Folk Marathon

Folk inclusion

The good folk comes out during WTJU’s Annual Folk Marathon. This year’s slogan is “Staying in Tune,” and features a daily instrument theme, and live performances by a long list of local acts that includes Ragged Mountain String Band, the Teri Allard Trio, and Buzzard Hollow Boys. The marathon stays true to its roots by offering a wide range of special programming such as Western swing, Scandinavian folk, Cumbia Cumbia, and entire shows dedicated to the subtle art forms of accordion, bagpipe, and yodeling music.

Through 2/10 Donations strong encouraged, around the clock. WTJU 91.1 FM. 924-0885.