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The Family pulls a few punches to get laughs

When I think of Luc Besson or watch one of his movies, the thing I feel most is ambivalence. It’s refreshing to watch a guy use real violence in movies that are supposed to be comedies—violence isn’t all that funny, even when it’s played for laughs. A great example of horrific violence used for comedic purposes is Michael Bay’s Pain & Gain.

The difference is that Pain & Gain knows what it is, which is a lampooning of idiots who got into crime and quickly found themselves over their heads. The Family, Besson’s latest, has violence aplenty, but it’s so at odds with the tone of the rest of the film, it’s hard to know just how to feel.

I’d suggest that that’s Besson’s point—to make his audience feel uneasy at the idea of celebrating a fun-seeming family that uses violence to solve its problems—but that’s not his point. The Family isn’t that ambitious. Here, he just wants to make a movie where Robert De Niro sends up his tough guy image but also gets to remain a tough guy.

Why else would De Niro, as Gio Manzoni, a mafia sub-boss under FBI witness protection in France—he turned on members of his organization—beat up a French plumber who suggests a bribe in order to get a job done a little faster? If Gio (using a fake name, Fred Blake) had read Peter Mayle’s A Year in Provence, the beating wouldn’t be necessary.

For that matter, why did Fred/Gio turn on his mafia family? Oh yeah, never explained. It’s the height of snobbery to gripe about logic gaps in a Luc Besson movie—the enjoyable The Fifth Element– makes absolutely no sense—but what else have I got when The Family seems so derivative?

For example:

1. Mafia family moves in under pseudonym to a town to avoid getting detected? Check. (See also: My Blue Heaven.)

2. Mafia family tries to live normal life? Check. (See also: The Sopranos.)

3. For God’s sake, the movie’s main character is a rat. (See also: State of Grace, Donnie Brasco, The Departed, and, to a lesser degree, On the Waterfront, and that’s just for starters.)

So what does The Family have going for it? De Niro, who seems to be having genuine fun. Michelle Pfeiffer is his wife, Maggie, who sends up her Married to the Mob character. Then there are the kids, 17-year-old Belle (Dianna Agron), and 14-year-old Warren (John D’Leo), who start running all the cons at their high school.

But for all the fun, there’s the ick factor; characters are dispatched, after 100 minutes of pleasant screen time, mercilessly. And when Belle isn’t being ogled creepily by Besson’s camera (a recurring theme in all his movies that feature young women—so, most of them), she’s beating the shit out of people who take advantage of her. I wonder if anyone else sees irony in Belle turning young men into mincemeat for treating her badly while the director is using her purely as a sex object?

Who knows? But you get where I’m going with the ambivalence thing, right?

 

Playing this week

Austenland
Regal Downtown Mall Cinema 6

Blue Jasmine
Regal Downtown Mall Cinema 6

The Butler
Regal Stonefield 14 and IMAX

The Conjuring
Carmike Cinema 6

Despicable Me 2
Regal Stonefield 14 and IMAX

Elysium
Regal Stonefield 14 and IMAX

Getaway
Regal Stonefield 14 and IMAX

The Grandmaster
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In a World
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Insidious Chapter 2
Regal Stonefield 14 and IMAX

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One Direction: This is Us
Regal Stonefield 14 and IMAX

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Carmike Cinema 6

Percy Jackson:
Sea of Monsters
Regal Stonefield 14 and IMAX

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Regal Stonefield 14 and IMAX

Riddick
Regal Stonefield 14 and IMAX

Short Term 12
Regal Downtown Mall Cinema 6

The Spectacular Now
Regal Downtown Mall Cinema 6

Star Trek Into Darkness
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This is the End
Regal Stonefield 14 and IMAX

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Regal Stonefield 14 and IMAX

The Way, Way Back
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We’re the Millers
Regal Stonefield 14 and IMAX

The Wolverine
Regal Stonefield 14 and IMAX

The World’s End
Regal Stonefield 14 and IMAX

World War Z
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Movie houses

Carmike Cinema 6
973-4294

Regal Downtown Mall
Cinema 6
979-7669

Regal Stonefield 14 and IMAX
244-3213

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