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The Boomerangers: A new generation is moving back to C’ville to start families and businesses

As a teenager, I couldn’t wait to get out of Charlottesville. I wanted to travel, to prove my independence, and to test myself against challenges my hometown just couldn’t provide. If I didn’t leave right after high school, I reasoned, I might not ever leave. And the last thing I wanted was to be a 20-something, buying mallrats cigarettes and booze after spending the day lounging around at the Mudhouse talking about how one day my writing career would take off.

So in 1999 I packed my things and moved to Flatbush, Brooklyn. A lot of my peers did the same thing.

“I wanted to get as far away from Charlottesville as I possibly could,” recalled Kate Zuckerman, the 34-year-old founder of Common Ground and co-owner of Barefoot Bucha who fled to California after graduating from Western Albemarle.

The urge to spread your wings isn’t unique to us Generation X-ers who were born into the globalizing landscape of the post-Cold War 1980s. We inherited it from our parents, The Baby Boomers. Raised in the 1960s with an overwhelming pang to change the status quo, they set sail from their hometowns in search of greener professional and cultural pastures, largely setting up new lives in the process, far away from the worlds where they were raised. Throughout the 1960s about 20 percent of the U.S. was moving away from their hometowns, according to the Pew Research Center. But my generation is doing things differently. That number has dropped to under 12 percent over the last decade.

“When I left Charlottesville 12 years ago, I was 26 years old and there wasn’t enough going on here for me,” said Josh Hunt, 38, a Charlottesville native and co-owner of Beer Run who lived for years in Austin, Texas. “I felt like I had gone past what there was to do here.”

People have started to call us the Boomerangers, because we come back home. The story goes like this: The more often we came back to visit friends and family who had stayed put, the more we fell in love with our childhood home and began to see it, not as a small-town trap, but as a place that offers the community we once went looking for. We went in search of a scene and then realized we could actually start one. At home.

Generations change things, though. And Charlottesville has not been immune to that change. A major part of why native Gen-X-ers have been moving back to town is due to the fact that Charlottesville has become so much more than it was when we grew up. Being raised in a university town that was once home to our third president has its perks. Sure. But it can also be extremely hindering for a generation that wants to break out of the mold of tradition and dogma.

“It’s no longer simply governed by its association with Monticello and UVA,” said 29-year-old Caroline Horan, who graduated from Albemarle High School in 2002 and promptly moved to New York City. “There’s so much dynamic energy here. There’s a creative class here that I feel is being priced out of places like New York. There’s a capacity here for young entrepreneurs, whereas in New York you have to have a lot of money or funding to advance.” 

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29-year-old Caroline Horan graduated from Albemarle High School in 2002, attended Parsons The New School for Design, and moved to New York City, where she worked as a wine importer. After suffering a serious riding accident during a vacation in Mexico, Horan dedicated her life to Ayurvedic healing, moved home to Charlottesville, and started Ahara Thrive, a health consulting practice. Photo: Elli Williams.

Up and out

Horan left Charlottesville twice before she decided to settle down. After graduating from Parsons The New School for Design in Manhattan, she came back home, became a Pilates instructor, and got ensconced in the wine industry, working at the Market Street Wineshop. It was 2005 and while she was glad to be back, she quickly got restless.

“I felt like Charlottesville still wasn’t nourishing or stimulating me in the way I needed,” said Horan during a recent interview at C’ville Coffee. “I still had more to do and discover.”

So back to the Big Apple she went, working for several years in the “dog-eat-dog” wine importing business, until her mom called and told her she seemed exhausted, convincing her to take a vacation to Mexico. Funny how life works. The trip wasn’t restful, but it did change her life.

During a horse ride through the Mexican countryside, Horan was hit by a dump truck, fracturing and dislocating her shoulder. In the weeks and months after her emergency surgery and recuperation, Horan reevaluated her life and decided to focus on her health and well-being, with an emphasis on Ayurvedic medicine. She enrolled in a school for the ancient Indian practice during the day and ran a wine bar in the evening. In many ways, she was doing what so many of us have done—pursue our true passion in every way we can while supporting the quest with a money gig that has nothing to do with our aims. We burn the candle from both ends.

Horan eventually realized the pace of New York City didn’t mesh with her new path. So last year, she jumped ship and came back to Charlottesville. She has since launched her own Ayurvedic consulting practice called Ahara Thrive, and gives talks on topics like digestion at Rebecca’s Natural Food, where she works part-time, and at Common Ground, the wellness cooperative started by fellow boomeranger, Kate Zuckerman. The two of them are part of a much larger movement to turn Charlottesville into a center for alternative health and well-being practices.

“It’s a budding energy. It’s not as though all of these people are becoming very successful right now, but there’s this growing energy and I think we’re on the brink of something,” Horan said.

There’s a generational divide that permeates health modalities like Ayurveda and holistic healing. The boomers put these kind of practices on the map in the ’60s and ’70s, but their efforts died with a whimper in the face of the rampant advances in medical technologies and specialties during the ’80s. As the health care industry expanded, people edged away from the more “hippified” alternatives. Now it’s the X-ers who are leading the movement back with the help of dogged boomers who never let go. The trick is to figure out how to turn a cultural movement that spans two generations into life-sustaining business practices, in short, to create a new local health economy.

“There’s not enough awareness yet for Ayurveda in Charlottesville, so my goal is to spread the awareness and create an Ayurvedic destination here in Charlottesville,” said Horan.

Horan said the younger generation is excited about learning alternative medicine techniques and that our parents’ generation is showing promise of reinvigorating a movement it once created. Having exhausted the promises of traditional western medicine, many Boomers are testing the temperature of preventative healing as they deal with a host of nascent diseases and ailments brought on with age.

Zuckerman is in the same boat, trying to breath a new energy into her hometown while attempting to bridge cultural and generational gaps by founding the egalitarian-based health and wellness center run out of the Jefferson School City Center.

After going to college in California, moving back to Charlottesville, and then living in L.A. for years, Zuckerman said when she finally boomeranged back to town for good in 2008, she was struck by how much Charlottesville was “a racially, economically, socially stratified city.”

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Kate Zuckerman attended college in California and moved to Los Angeles after graduating. She returned home to Charlottesville for good in 2008 and started Common Ground, an alternative health cooperative located in the Jefferson School City Center. Zuckerman and her husband, Ethan, also run Barefoot Bucha, a Nelson County-based kombucha brewing company with regional distribution and a distinctly green footprint. Photo: Elli Williams.

So she opened Common Ground, offering sliding scale fees for a wide array of health and wellness classes, with the goal of attracting the poorest and wealthiest sectors of Charlottesville and putting them in rooms, classes, and scenarios where their commonalities are more apparent than their differences.

The accolades for Charlottesville as a quality-of-life town turn into a laundry list: Top 100 places to live, America’s smartest city, the No. 1 city to live in in the country, the seventh best place in the country to raise a family, etc. But what makes Charlottesville so attractive for young natives who are returning with aspirations of sparking progressive change and building a new generation of Charlottesvillians? It’s not that they buy into the hype, it’s that they don’t want to miss out on the fun.

For many of the boomerangers I spoke with, it’s not the hype of this town that has brought them back. They could care less about that. More, the answer lies in the quality of relationships that come along with the slightly oxymoronic fact that Charlottesville is a big small town.

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Arts

Interview: Rob Barraco discusses Dark Star Orchestra’s grateful groove

Like many Grateful Dead fans, Rob Barraco has been a devoted Deadhead since his teenager years. It’s safe to say the versatile keyboardist has found the perfect gig as a member of Dark Star Orchestra. Since forming in 1997, the lauded tribute act has earned its own legion of fans for spot-on re-creations of entire Dead shows.

Across nearly two decades of hard touring, Dark Star has played an astounding 2,200 shows, mostly song-by-song reboots from the Dead’s extensive set list archive. With precise attention to detail and an adventurous penchant for improvisation, the band has been highly praised for its ability to channel the Dead’s original pedigree.

Barraco, who joined DSO seven years ago, brings experience straight from the source. He’s toured with Grateful Dead member offshoots (the group disbanded following the 1995 death of Jerry Garcia), including The Other Ones, The Dead, and the Phil Lesh Quintet. Barraco chatted with C-Ville Weekly ahead of Dark Star’s Thursday night (December 5) return to The Jefferson Theater.

C-Ville Weekly: Set the record straight on Dark Star’s approach, comparing re-creation vs. reinvention. 

Rob Barraco: We look at it like we’re given a blueprint. Let’s say we decide to recreate a ’77 show. We have the set list and we know the arrangements of the songs and the instrumentation of that era. We’re pretty picky, right down to the guitars, amps, and stage set up. We’re true to those parameters, but after that, it’s all improvised. All of the jams go where they go, and how we get to the next song is a mystery.

Every three or four shows we decide to do an elective set, which is our own, and when we do that we’ll cross eras. You might get a Pigpen [Ron McKernan, Grateful Dead keyboardist between 1965 and 1972] tune and a Brent Mydland [keyboardist between 1979 and 1990] song in the same show.

In the Grateful Dead’s 30 years, the sound changed from decade to decade. How do you adapt on a nightly basis? 

For me in particular as the keyboard player I have to wear six different hats. You start with Pigpen and also have to include [additional Dead keyboardists] Tom Constanten, Keith Godchaux, Brent, Vince Welnick, and Bruce Hornsby—a lot of different guys that I have to emulate. They have completely different personalities when it comes to playing and singing. I’ve become familiar with the different ways that they each play, so I can adapt to it. I’ve always prided myself on being my own guy, playing the way I play. But I know how to make it work for each different era.

What first drew you to the Dead’s music, and what keeps it interesting after all these years? 

I was 14 the first time I heard the Dead via a friend of mine playing “Casey Jones” on an acoustic guitar. All of the sudden the Grateful Dead was part of my world and I noticed it everywhere. My cousin gave me a copy of Workingman’s Dead, and I wore the grooves out of it. Then I cajoled my parents into letting me a see a show in New York City in March of 1972, and it was mind-altering. Within 20 seconds I became a lifelong fan. I love the improvisatory nature of the music, much like the jazz music that I also really appreciate. In many ways you get on stage and make the damn thing up.

You played with Grateful Dead bassist Phil Lesh in his quintet that also featured guitarists Warren Haynes and Jimmy Herring. How would you describe playing in a band with one of your longtime idols?

Playing with Phil and listening to him are two different animals. You don’t have the luxury of judging, you have to react. The first time we played together at a rehearsal, he got a whole different side out of my playing. I could tell that we saw music the same way. In the Q [Quintet], he never wanted us to sound like the Grateful Dead. He wanted us to be ourselves, and we took the songs to nutty, out there places. That band was about mining the nooks and crannies of songs, as well as the spaces between. We still get together and play at least once a year.

How do you approach it when a member of the Grateful Dead plays with Dark Star? 

The hope is that they will come and embrace what we do—just be a member of the band. When Bob [Weir] sat in with us at the Fillmore in San Francisco, he really didn’t lead the band. He just kind of played. Phil also joined us at the Fillmore [on a different night], and it was monumental. In all of the years I had played with him, he was always the leader, but he [too] just came out and played in the band. Real magic happened.

Is there a favorite Dead show that you saw live, and have you played it with Dark Star Orchestra? 

September 27, 1972, at the Stanley Theater [in New Jersey], and we have played it once. To me it’s the pinnacle of the band. At that point their connection is so deep. The first time I heard it I was blown out of my socks.

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Uncategorized

Overheard on the restaurant scene: this week’s food and drink news

We’re always keeping our eyes and ears out for the latest news in Charlottesville’s food and drink scene, so pick up a paper and check c-ville.com/living each week for the latest Small Bites. Have a scoop for Small Bites? E-mail us at bites@c-ville.com.

It’s official—your favorite Charlottesville crepes are about to go mobile. The Flat: Takeaway Creperie will soon hit the streets and offer its menu of sweet and savory crepes from the window of a shiny red food truck. Flat founder and owner Lauren McRaven launched a Kickstarter campaign in November, and raised more than $10,000 to purchase a trailer and expand the creperie. According to the restaurant’s Facebook page, the truck will be available for events like weddings, sorority formals, and company parties.

Whodunnit? Devils Backbone Brewing Company is hosting a dinner theater night on Tuesday, December 17. Local company Clever By Half Productions will present an original interactive mystery, using the entire dining pub area as a stage. Sit back and enjoy a meal and flight of beers while the murder mystery unfolds around you, or get involved and participate in a live audience interrogation to help catch the killer. Call 361-1001 or e-mail manager@db brewingcompany.com to make a reservation, which includes the performance and selections from a three-course dinner menu. The event begins at 6:30pm.

’Tis the season 

Want to brush up on your cooking skills now that it’s the holiday season? Check out these local events that will teach you what you need to know in order to impress your friends and family with everything from appetizers to desserts.

Even if you’re no architect, you can spend an afternoon building a house with your own two hands. Kids and parents alike are invited to enjoy hot chocolate and cookies while getting creative at the Monticello gingerbread house family workshop on Saturdays and Sundays, December 7-8, and 14-15. The two-hour class begins at 2pm each day, and advance reservations are required. Recommended for families with kids ages seven and up.

Join your fellow food lovers for a holiday celebration dinner at the Charlottesville Cooking School on Thursday, December 12. Charlottesville native and chef Ashley Clarke Brooks will lead the workshop and teach new ways to prepare holiday dishes like roasted carrot and fennel soup, beef wellington, triple potato and leek gratin with gruyere, and chocolate soufflé. The event begins at 5:30pm, is expected to last three-and-a-half hours, and costs $80. Register in advance at www.charlottesvillecooking school.com.

Try your hand at some gourmet cooking just in time for the holiday season. Charlottesville Wine and Culinary is offering a workshop at First Colony Winery on Sunday, December 8, that will allow you to both prepare and enjoy four courses for $65 per person. On the menu is a pear, goat cheese, and watercress salad, seafood and sausage gumbo, rice with red beans and peas, and poached pear raspberry sherbet sundaes. The event begins at 11am. Call 979-7105 to make reservations.

Categories
Arts

The Charlottesville Mural Project unveils a tribute to the Rivanna River

On a chilly Friday in late November, Ross McDermott of the Charlottesville Mural Project gathered a large group on the railroad crossing at First Street to dedicate the organization’s newest mural, designed by local artist Kaki Dimock.

The mural’s theme is the Rivanna River, a subject originally proposed by Rose Brown of the organization StreamWatch, who contacted the Mural Project with the idea.

“We knew we had to find an artist that would do a good job of representing the life that might be represented in the Rivanna, if you could go underwater and look at it,” McDermott said, “and I immediately thought of Kaki Dimock—she’s the perfect artist. She usually involves the animal kingdom, and often underwater scenes as well.” Development on the project took two years, and was sponsored by StreamWatch, the Rivanna Conservation Society, and the Rivanna River Basin Commission. “Public art really takes the whole community to make it happen,” McDermott said. “This mural was funded by a Kickstarter campaign, that raised $11,000—we were only going for $8,000, but we raised 11. And we had over 150 people from the community give money to support this mural. So this really is a group effort from our community.”

Facing the train tracks on the back of a Pilates classroom may not seem like the ideal spot for a large public mural, but the First Street crossing, located two blocks south of the mall between ACAC and South Street does get a lot of heavy foot traffic—after the dedication, I spotted three different acquaintances who happened to be passing by. Its location, and sufficient distance from the Historic Downtown zone, frees it from needing the approval of the Board of Architectural Review, who have clashed with McDermott over specifics in the design of past murals. Matt Pamer’s 2012 design for “Kingdom Animalia,” at West Main Street and Sixth Street, underwent multiple revisions before approval. Dimock’s is the fifth public mural for McDermott’s project, and seventh overall, if you include the two recent murals at Buford Middle School and St. Anne’s Belfield.

Dimock is indeed a great choice of artist for the subject. She’s well-known in the local art community, often working in ink and watercolor, and her work is more masterful than it might appear at first glance. Rather than perspectival representation, Dimock extrapolates from a child’s style of drawing landscapes. A pseudo-cutaway with a river basin at the bottom and the elements drawn in proportion to their significance rather than their visual size are executed with attention to detail and a composition that recalls pre-Renaissance European religious and iconographic painting. “The animal world is drawn in huge, out-of-perspective format,” Dimock said, “because I think that’s how important the animal world is.”

The central design element of the mural depicts the shad species of fish, which recently returned to the Rivanna after the Woolen Mills Dam was removed in 2007. “Shad are a bellweather species,” Dimock said. “They only live in waters that are really clean, well-oxygenated, the right chilly temperature, moving at the right speed. So it’s an important indicator of our success in restoring any given river, whether the shad want to come back and live there. In this image, the shad are back and the other fish are welcoming them there. You’ll also see that there’s a giant squirrel celebrating above Monticello, there’s a squirrel driving a tractor, there’s a frog eating a donut. The design really evolved over these incredible conversations with people who know about the river, and know about the species that live in the river, and then we took great creative liberties with that.”

Like so many other local art projects, the mural also received assistance from developer Gabe Silverman, who passed away last month. “[Gabe] was a longtime supporter of the mural project,” McDermott said. “He donated a free space for us to paint this mural, off-site, because we couldn’t paint it right next to the railroad tracks. We’re very grateful to him and his support for the arts in Charlottesville.”

Because the location is so close to the train tracks, it took a bit of convincing. “We had to work closely with Buckingham Branch Railroad, who at first didn’t like our presence on the tracks,” McDermott said. “But we worked with them, and we’re thankful for their cooperation.”

The project was also covered by an insurance policy under the city’s Neighborhood Development Services thanks to Jim Tolbert. Blue Ridge Builders Supply donated Benjamin Moore paints at a discounted price. “It was painted on a cloth called parachute cloth, and then basically glued to the wall in one day,” McDermott said. “There’s four long panels, and we sliced it up and pieced it back together, with the help of some good installers.” The initial installation date had to be postponed because the weather on the initial date made it too cold to apply the glue.

On November 22 McDermott and Dimock led a dedication ceremony for the mural, along with several representatives and sponsors of the project including Robbi Savage of the volunteer group the Rivanna Conservation Society, Marvin Moss of the state organization the Rivanna River Basin Commission, and David Hannah of StreamWatch, all of whom spoke at the dedication. In addition to many of McDermott and Dimock’s friends and supporters from the arts community, there was a surprise appearance by a class from the nearby Village School, whose students brought handmade signs bearing pro-environmentalist messages about water conservation.

See more by the Charlottesville Mural Project.

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News

Education Beat: CATEC’s annual fundraiser a feast of opportunity

Our Education Beat coverage is the result of a partnership with Charlottesville Tomorrow

Two days before Thanksgiving, Bob Bressan was in the throes of organizing the Charlottesville Albemarle Technical Education Center’s 12th annual Thanksgiving fundraiser, rattling off orders for walnut stuffing and ham biscuits, reminding students to take turkey gravy off the stove, and running pots and pans through the dishwasher.

“It’s organized chaos,” said Bressan, CATEC’S culinary arts director. “You have to look at it in pieces. If you look at the whole thing, even for me, it’s kind of frightening.”

This year’s feast offered a 22-item menu designed to feed about 170 families. It’s also an opportunity for real-world business experience for CATEC’S students.

The school’s curriculum is competency-based, and requires students to demonstrate proficiency of one concept before moving to the next. This style of learning paired with an event like the fundraiser, Bressan said, is a good match.

Second-year student Mikala Dabney, who said her grandmother started teaching her to cook when Mikala was 4, took a break from rolling dough for biscuits and consulting with another student about the amount of egg in the pumpkin cheesecake to explain what she likes about the CATEC program: It’s active learning.

“I like being hands-on,” Dabney said. “We have catering jobs and stuff to do and lots of things to make.”

The annual Thanksgiving project has fetched the Culinary Arts program as much as $8,000 in past years, and Bressan expects another good year in 2013. The funds allow second-year students to visit culinary arts programs and cultural centers, such as New York—experiences, Bressan said, that provide more real-world learning. In March, students will travel to the New England Culinary Institute in Montpelier, Vermont.

Bressan, a self-taught chef, learned the industry ropes in the early 1970s by catering part-time as a graduate student at the University of Virginia. As business picked up, however, he found himself running his own catering company.

Nearly 40 years later, CATEC Director Adam Hastings said Bressan’s leadership has lead to the Culinary Arts program’s success, and to engagement with prestigious schools like the Culinary Institute of America.

Despite the emphasis on career-readiness and money, Bressan said, the event reminds him to be grateful for other things.

“I’m thankful for a great place to work, my health, and for the students, who years down the road, we will see their success,” he said.

Local classrooms receive design award

The Virginia Schools Boards Association has honored Buford Middle School and Charlottesville-based VMDO Architects with a “gold” design award for their newly renovated science labs at the middle school. The project was one of five in the Commonwealth to receive the commendation.

The renovation modernized Buford’s four existing science classrooms into state-of-the-art labs that aim to help teach science concepts through the lens of engineering and advanced manufacturing technology, such as 3-D printing. The project also marks the start of the Commonwealth Engineering Design Academies, a laboratory school partnership with the University of Virginia’s School of Engineering and Applied Science, and the Curry School of Education.

“The Gold Design Award testifies, not only to the innovative architectural solution, but also to the critical importance of visionary leadership and effective collaboration,” VMDO architect Steve Davis, the project’s designer, said. “With the new Design Academy, the city has established a new standard for middle school STEM education.”

“When parents come to pick up their kids, they often swing by to see the labs,” Buford Principal Eric Johnson said. “Former students have come back from the high school, too—they want to see how nice it is.”

Aaron Eichorst. Charlottesville City Schools.

MEET YOUR EDUCATOR

Aaron Eichorst, Coordinator of Fine & Performing Arts,
Charlottesville City Schools 

In what new ways do you support student learning?

In Charlottesville City Schools, we are enthusiastically attuned to the transformative power of the arts and how the arts connect to all areas of learning and life. My goal is to emphasize these connections where they are happening and to bring this awareness to a broader audience.

What are you doing to engage the community at your school?

In addition to student performances, we provide a well-planned schedule of professional music, theater, and dance assembly programs geared to each grade level: a carefully chosen artist-in-residence program; field trips to local museums and concerts; an annual division-wide art exhibit and much more.

How will you respect your school’s history and culture while making the decisions necessary to educate young people for their future?

We recognize the arts as a discipline essential for a complete education and our fine arts program is an example of excellence. The arts have never been viewed as “frills” but as an indispensable part of our culture and history. This philosophy is embraced by the school board, the administration, and the community
at large.

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News

City underwrites effort to expand electric car chargers

Charlottesville is giving a shot in the arm to its nascent electric car scene, something officials believe will be good for the local environment—and the local economy.

The city is now accepting applications for a new mini-grant program that will steer $50,000 from an existing public green initiatives fund to businesses that install charging stations, giving preference to those close to big retail areas. The idea: Let electric car owners charge while they shop.

“There’s really a case for investing the community in the process, and not just having the city say, ‘We’re going to put a station here,’” said Susan Elliott, the city’s climate protection program coordinator.

Roger Voisinet, a local realtor, part owner of the Main Street Arena, and long a supporter of alternative energy ventures in the city, helped provide the impetus for the program when he asked City Councilor Dave Norris to consider helping fund a charging station Downtown.

“I proposed that to Dave, who said, ‘Great, but let’s think even bigger,’” Voisinet said.

The incentive program, approved by the City Council last month, allows people to apply for up to five reimbursement grants of $3,000 or a third of the total cost of the station—whichever number is lower—with a maximum of two grants per property. Those looking to install faster-charging but pricier DC current stations can get up to $7,000. The first application deadline is December 15, though Elliott said there will be future rounds.

There are some stipulations: The stations must be available to the public and within walking distance of shops and restaurants, and if they choose to charge electric car owners for “fueling” up, they have to pledge to keep the price low.

Elliott said staff and elected officials have been monitoring the development of electric charging networks in other cities, and learning from those efforts. She said they know, for instance, that electric car owners don’t follow the “gas pump model” of waiting until they run low to fuel up. Instead, they seek out spots where they can kill two birds with one stone—charge their battery and pick up groceries—even if it means they’re only plugged in for 10 minutes here or half an hour there.

And that’s where the opportunity for economic development comes in. “Early adopters of electric vehicles tend to have some disposable income,” she said, so catering to them could allow businesses more access to their buying power.

Voisinet said adding more charging stations will also help put Charlottesville on the map as a destination for electric car owners around the region, who tend to plot their out-of-town excursions based on where they can recharge.

And ultimately, he said, beefing up a local network will help solve the chicken-or-egg conundrum that has dampened the popularity of plug-ins. If people see it’s easy to get around Virginia in electric cars, more people will consider buying them.

“It’ll get easier for some to say yes when they feel comfortable they can go from Richmond to Charlottesville and charge somewhere in a convenient public place,” Voisinet said. He’s glad to see his city stepping up to help get the movement going. “It’s almost like building the first gas stations. We’re at the beginning.”

Got a business? Want to apply for one of the city’s charging station grants? Get an application at charlottesville.org/cityEVnetwork.

Categories
Arts

ARTS Pick: San Fermin

Named after the Spanish festival in Pamplona famous for the running of the bulls, San Fermin is the pop music outlet for Brooklyn-based composer and songwriter Ellis Ludwig-Leone. Along with vocal contributions from Allen Tate, Jess Wolfe, and Holly Laessig of Lucius, Leone brings baroque stylings to the indie arena in an operatic composition that unites familiar themes–youth, nostalgia, anxiety, and unrequited love–in a collage of poetic intensity on his eponymously titled first release.

Tuesday 12/3. $8, 8:30pm. The Southern Café and Music Hall, 103 S. First St. 977-5590.

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News

What’s happening in Charlottesville-Albemarle the week of December 2?

Each week, the news team takes a look at upcoming meetings and events in Charlottesville and Albemarle we think you should know about. Consider it a look into our datebook, and be sure to share newsworthy happenings in the comments section.

  • The Albemarle County Architectural Review Board meets from 1-3pm Monday, December 2 in room 241 at the Albemarle County Office Building on McIntire Road. On the agenda for review is the plan for the new Northside Library.
  • The boards of directors for both the Rivanna Water and Sewer Authority and the Rivanna Solid Waste Authority will meet at 2:30pm Monday in the second-floor conference room at the authorities’ headquarters, 695 Moores Creek Lane to discuss opting out of the state’s disability plan and signing up for a plan with the Virginia Association of Counties.
  • The Charlottesville City Council meets at 7pm Monday in council chambers at City Hall. Several special use permits are on the agenda, as is a public hearing on the purchase of a residential lot near Greenbrier Park that will allow for public access to the Rivanna Trail. Also included is a resolution to revise Architectural Design Control district guidelines for the West Main Street area, where multiple student housing projects are underway or planned.
  • The Albemarle County Planning Commission meets from 6-9pm Tuesday, December 3 in Lane Auditorium at the County Office Building on McIntire. Several agenda items deal with changes to local agricultural and forestal districts. The Commission will also hold a public hearing on an ordinance amending the rules defining which kinds of signs require special use permits, and will discuss the local Long-Range Transportation Plan.
  • The Albemarle County Board of Supervisors holds an all-day meeting Wednesday, December 4. It will take on the same forestal district changes as the Planning Commission, and will hold a public hearing on the establishment of an auxiliary police force.
  • The city’s Bike and Pedestrian Safety Committee meets from 5-7pm Thursday, December 5.