Categories
Living

Five Finds on Friday: Alfredo Malinis, Jr.

On Fridays, we feature five food finds from local chefs and personalities. Today’s picks come from Parallel 38 chef Alfredo Malinis, Jr., who is fresh off an appearance at the James Beard House and whose cooking Washington Post critic Tom Sietsema recently compared to what’s found at some of D.C.’s best restaurants. On Tuesday, September 9 at Parallel 38, you can enjoy the special menu that Malinis prepared at the James Beard House. $120. One night only. Reservations required. Call (434) 923-3838.

1) Triple Cheeseburger at Riverside Lunch. “I love everything about this place. The staff, the food, and the ‘hometown secret’ feel. Triple cheeseburger is a must.”

2) Risotto at Vivace. “The risotto is the best I’ve had in a long time.”

3) Crispy Shredded Beef at Kyoto. “Incredible. If I could eat this every day, I would. My fiance won’t let me!”

4) Pancit at Little Manila. “Little Manila and Got Dumplings are must stops at the Saturday morning market. If the farmer’s market was open every day, I would still go just for those two stands. The pancit is just like my father makes!”

5) BBQ at Pasture. “Three letters. BBQ.”

Categories
Living

Bella’s owner Doug Muir has eye on larger piece of the biscotti

Local entrepreneur Douglas Muir was up against a tough sell. He wanted to start a new restaurant, but he was concerned his wife, whom everyone calls Bella, wouldn’t buy the idea.

Muir resorted to flattery. He promised to name the new spot in his wife’s honor. He promised to fly her mamma and papa in from Italy to spend several weeks stateside. He said he would use mamma’s recipes on the menu.

Presto. Bella’s family-style Italian restaurant was born.

Muir launched Bella’s on Charlottesville’s West Main Street in 2012. The concept, with large dishes meant to be shared by two or four people brought to the table and dished up by the diners themselves, did so well he decided to take it regional. He opened his second Bella’s, on Broad Street near Short Pump Town Center, three months ago. He’s now eyeing a three-store opening in the Northern Virginia/D.C. area by 2017.

While Muir admitted his expansion plans are “aggressive,” starting businesses is what he does. Since he stepped down from an 18-year career as a U.S. Airways pilot, he’s launched nine companies through his private equity group Muir and Associates. He’s become a sought after speaker and consultant for start-ups. He’s been brought on by UVA to teach classes on entrepreneurship.

Today, Muir and Associates manages Bella’s as part of a multi-company portfolio mostly focused on emerging technology and finance. In total, the group has more than 1,000 employees.

“Bella’s is probably the smallest company we have, but it is definitely the most fun,” Muir said. “It’s where my wife and I decompress.”

Muir is no stranger to the restaurant business. In 2001, he opened the first franchise of the Wild Wing Café in C’ville and held the business for nearly a decade before selling it to another owner who’s still running it today.

Several years after the sale of his wing joint, Muir felt the itch to get back into the food game after eating at a local Italian restaurant. “The bill came to about 280 bucks, and I was still hungry,” he said. The idea was to serve people big portions, sharable by two or four diners, at a fair price.

“It took off like a rocket,” Muir said.

Charlottesville, of course, was a fairly easy conquest with no comparable concept in place. But family-style Italian dining has been growing considerably since the launch of the first behemoth Buca di Beppo in 1993. Muir himself modeled his concept after Carmine’s, which has expanded from its roots in New York City to six locations stretching from coast to coast.

Can Bella’s find its niche among the nation’s reigning dons?

Muir thinks he’s done everything he can to position the concept for success. Before opening, he spent six weeks perfecting his menu. Using mamma’s recipes as his starting point, he served friends at a picnic table several times a week to collect feedback.

The result is a relatively concise list of classic antipastos, pastas, and entrées, rounded out by paninis on the lunch menu. It’s a menu that may not wow the modern foodie but certainly satisfies the craving for classic Italian comfort food like arancini, bruschetta, bolognese, and parmigiana. Plus, the portions are indeed huge for the price.

The food itself is possibly overshadowed by the atmosphere at the C’ville Bella’s, where the dining room is often full even for weekday lunches, and regulars are devoted to the scene. “The community they’ve built at that restaurant is pretty amazing,” said Jen Doleac, a UVA professor of Economics who’s a regular part of the Bella’s dinner crowd.

Muir said his Richmond location has gotten off to a solid, if not record-breaking, start. Going in, he knew opening during the summer would lead to smaller crowds, but that was in fact part of the plan.

“Opening up in the summer is not the best time, but instead of opening up to fanfare and crashing, people are leaving happy,” Muir said.

It’s another cagey strategy for a man that has managed to parlay an engineering degree and background as a pilot into entrepreneurial success and a simple MBA into an adjunct professorship at the University.

“I was blessed to get on with such a prestigious university,” Muir said. “All engineers are considered geeks. We come up with the ideas and then hire the start-ups. But I think I can teach entrepreneurship to these innovators.”

Family-style dining is no innovation. But if Bella’s keeps going the way it is, Muir—not to mention his wife—will probably forgive himself for getting back into the good old-fashioned restaurant business.

 

Categories
Arts

ARTS Pick: Trampled by Turtles

The name is Trampled by Turtles, and after a listen to their music, it becomes apparent why. The group’s slow rhythms pack a powerful wallop of energy that is felt at the very core. Taking inspiration from opposing directions such as Nirvana and Bob Dylan, the Minnesota band combines rock ‘n’ roll energy with traditional bluegrass to create a sound that is both tranquil and profound. The heartfelt lyrics strike deep through the voice of lead Dave Simonett, and a beautiful medley of fiddles, banjos, and bass provides a backdrop that completes the musical experience.

Tuesday 9/9. $25-28. The Jefferson, 110 E. Main St. Downtown Mall. 245-4980.

Categories
News

What’s Happening at the Jefferson School?

African American Heritage Center Hosts First Story Slam Tonight

Starting at 6:30pm tonight, September 5, the Jefferson School City Center’s African American Heritage Center (JSAAHC) will host a Story Slam, featuring eight storytellers. This month’s theme is “Grits.”

“We were brainstorming about this season’s programming and [we wanted to] have something fun and in line with the mission here,” explained Assistant to the Director Mia Haruko Logan. “Part of the story slam is honoring the tradition of oral storytelling, and just paying homage to that and bringing it into modernity and having contemporary storytellers.” Each month will feature a different theme related to African American cultural heritage. October’s theme is “Gravy.”

Logan stressed that this event is not for professional storytellers, and that anyone of any age is welcome to come and tell a story. The slams will be held on the first Friday of each month with a final competition, the “Slamma Jamma” in late spring, where winners from each month will compete against each other.

The cost is $5 for JSAAHC members (includes one free drink ticket) and $8 for nonmembers (includes one free drink ticket). Individuals who sign-up for a JSAAHC membership will get in for free.

Official Rules for the Heritage Center Story Slam are as follows:

1. Storytellers register upon arrival—please try to arrive promptly at 6:30 if you want to tell your story. Names are usually drawn out of a hat to decide order of presentation.

2. Stories should fit into the theme of the night.

3. Stories should be true as you remember it.

4. Stories should be under five minutes in length! 6 minutes and you hear a whistle—8 minutes and you get the hook.

5. No Notes, No Props, No Music.

Three judges will be selected from the audience. Each storyteller is given a score on a scale of 1-10 on the following criteria: sticking to the theme, sticking to the five minutes, and audience response. The storyteller with the highest score wins and is given a spot in the final slam off.

The JSAAHC is also looking for a logo for the Story Slam and t-shirts. Design must say Jefferson School African American Heritage Center Story Slam 2014-15.  Winner gets $50 and two free tickets to the October slam. Send designs to admin@jeffschoolheritagecenter.org.

Raffle, Game Night Happening at Mary Williams Community Center

JABA’s Mary Williams Community Center will be raffling two pairs of tickets to an upcoming concert at Carver Recreation Center featuring “Touch the Band.” Proceeds from the raffle will support JABA’s Home Delivered Meals program in Charlottesville & Albemarle county. Raffle tickets are available at the center and at JABA’s Hillsdale location for just $1.00 a chance. Concert tickets are valued at $18.00 each and include refreshments catered by Mel’s Cafe. The winners will be drawn on Monday September 8. “Touch the Band” will be performing on September 12, 8:30pm-11:30pm at Carver Rec.

Mary Williams Community Center Manager Kelly Carpenter also reports that the Center will be partnering with Charlottesville Parks & Recreation to host a weekly Games Group. Beginning Sept. 17, each Wednesday through December 17 from 2:15pm to 3:15pm, the Center will be open to individuals who would like to play dominoes, checkers or scrabble. While the group is geared to seniors everyone is welcome.  There is no fee to participate. Call the Mary Williams Community Center for questions and to reserve your spot at 434-987-8433.

Touch the Band to Perform at Carver Recreation Center

On September 12, Charlottesville Parks & Recreation will present a concert by TOUCH the Band from 8:30pm-11:30pm at Carver Rec. The cost is $18 per person.

TOUCH is a six-member ensemble that play soulful blues, smooth jazz, and R & B.  The band has won many awards and is known for its ability to get the audience dancing and singing along. More information about the group can be found by visiting their website at www.touchtheband.com.

This program is open for anyone ages 18 and up. Included in the cost is heavy hors d’oeurvres by local favorite, Mel’s Café.  No alcohol is permitted. To purchase tickets, please call (434) 970-3053.  Tickets may also be purchased in person at Carver Recreation Center.  There are a limited number of seats available.

JSCC logoJefferson School City Center is a voice of the nine nonprofits located at Charlottesville’s intergenerational community center, the restored Jefferson School. We are a legacy preserved . . . a soul reborn . . . in the heart of Cville!

Categories
Arts

ARTS Pick: Hall and Oates

A group as legendary as Hall and Oates really needs no introduction. For nearly four decades, the Philadelphia duo has been belting out smooth melodies coupled with quick-riffed guitars, and their unwavering commitment to style and inspiration has produced countless hits including “Kiss On My List,” “Rich Girl,” and “Maneater.” Their soul-soaked groove has influenced generations of acclaimed musicians, including John Mayer, The Killers, and Rob Thomas. We can go for that.

Sunday 9/7. $45-100. nTelos Wireless Pavilion, 700 E. Main St. Downtown Mall. 245-4910.

Categories
Arts

September First Fridays Guide

First Fridays is a monthly art event featuring exhibit openings at many Downtown art galleries and additional exhibition venues. Several spaces offer receptions. Listings are compiled in collaboration with Piedmont Council for the Arts. To list an exhibit, please send information two weeks before opening to arts@c-ville.com.

First Fridays: September 5, 2014.

Angelo 220 E. Main St. “Fields and Marshes,” plein air paintings by Priscilla Long Whitlock. 5-7:30pm.

CitySpace 100 Fifth St. NE. “OpenGrounds Student Scholars,” a group exhibit from selected URA scholars on the intersection of art and environmentalism and a display from Building Bridges in the PCA office. 5:30-7pm.

C’Ville Arts 118 E. Main Street. “Wonderful World of Wool,” felted crafts from Janice Stegall-Seibert. 6-8pm.

Derriere de Soie 105 E. Main Street. Polly Breckenridge’s “Moments of Stillness,” mylar set into multiple pours of tinted resin. 5:30-7:30pm.

Fellini’s #9 200 Market St. “Tails I’ve Been Told,” commissioned pet portraits and intimate stories from pet owners by Cat Denby. 5:30-7pm.

The Garage 250 First St. N. “Ethiopia, Ark of the Covenant,” photography by Philip De Jong. 5-7pm.

Les Yeux du Monde 841 Wolf Trap Road. “Picasso, Lydia & Friends 2014,” prints by Pablo Picasso along with art by the late Lydia Csato Gasman, a renowned Picasso scholar and beloved University of Virginia professor of modern art as well as art by “friends” William Bennett, Anne Chesnut, Dean Dass, Sanda Iliescu, David Summers and Russ Warren. 5-7:30pm.

McGuffey Art Center 201 Second St. NW. “Summertime in the Garden,” watercolors by Marcia Mitchell in the Sarah B. Smith Gallery; “Central Virginia Watercolor Guild,” 23rd annual exhibition featuring the work of 62 Virginia artists in a variety of water media in the Lower & Upper Hall Galleries. 5:30-7:30pm.

Mudhouse 213 W. Main St. Paintings by Katy Jones. 6-8pm.

Second Street Gallery 115 Second St. SE. “Re-Material,” paintings and installations by Mary Ann Strandell. 5:30-7:30pm with an artist talk at 6:30pm.

Spring Street Boutique 107 W. Main St. “Days of Colors,” watercolors by Phyllis Koch-Sheras. 6-8pm.

Telegraph 110 Fourth St. NE. “Wild Boyz Tour,” reading, signing and poster release with Michael DeForge, Patrick Kyle and Simon Hanselmann. 5-8pm.

Warm Springs Gallery 105 Third St. NE. “Summer Afternoon,” paintings by Megan Lightell, Kurt Moyer, Jane Schmidt and collographs by Nina Muys. 6-8pm.

WriterHouse 508 Dale Ave. “Landscapes,” oil paintings by Jeanette Cohen. 5:30-7:30pm.

WVTF and Radio IQ Studio Gallery 216 W. Water St. “Drifting Ledge,” woven soft sculptures by Laura Dillon Rogers. 5-7pm.

OTHER EXHIBITS

City Clay 700 Harris St. Suite 104. “Recent Work from Tom Clarkson,” ceramics by PVCC Professor of Art and Ceramics Tom Clarkson with a reception on Friday, September 12, 5-7pm.

Fralin Museum of Art at the University of Virginia 155 Rugby Rd. “Realms of Earth and Sky,” “The Lyrical Line,” “Postwar British Prints,” and “Vinland.”

Janice Edwards & David Edwards Studio 1074 Simmons Gap Rd. Guitar and watercolor studio tour as part of the Arts Rivanna Tour with openings on September 13 & 20, 10am-5pm.

Julia Kindred & Matalie Deane Studio 3023 Colonial Dr. Canvas and silk scarf painting demonstrations as part of the Arts Rivanna Tour with openings on September 13 & 20, 10am-5pm.

Judith K. Townsend & Catherine Twomey Studio 2125 Fray Rd. Paintings inspired by fractal images as part of the Arts Rivanna Tour with openings on September 13 & 20, 10am-5pm.

Kluge-Ruhe Aboriginal Art Collection 400 Worrell Dr. “Art and Country,” a selection of works from the permanent collection.

The Montpelier Center for Arts & Education 17205 Mountain Road, Montpelier. “Landscapes of the Present Century,” works by Lindsay Nolting.

Music Library at the University of Virginia Cabell Dr L001. “#Carbonfeed,” a new media installation by Jon Bellona, an OpenGrounds art & environmental action scholar.

Pigment 1229 Harris St. #13. “Melding,” acrylic and mixed media works by Susan Northington with a reception on Saturday, September 13, 4-6pm.

Thomas Jefferson Memorial Church 717 Rugby Rd. “Trees,” paintings by Sara Gondwe with a reception on Sunday, September 7, 11:30am.

 

Categories
News

November reign: Will Republicans romp to midterm victory?

Odd Dominion is an unabashedly liberal, bi-monthly op-ed column covering Virginia politics.

Reading political tea leaves is always a difficult proposition, especially in a rapidly mutating purple state like Virginia. As a recent spate of special elections has proved, our beautiful Commonwealth is basically two states now: a left-leaning northeastern bloc anchored by Washington D.C.’s fast-growing exurbs and urban/suburban centers like Richmond and Charlottesville, and a deep-red southwestern swath dominated by coal-country conservatives.

If Democrats thought they could still win the hearts and minds of these southwestern voters, the election to fill the vacant state senate seat of Phil Puckett (who resigned in June of this year) doused those misguided hopes with an ice-bucket-challenge-sized cascade of cold water.

The reason some donkeys held out hope of victory in the 38th District was due to a couple of factors. The first was the unseemly nature of Puckett’s resignation, which occurred as the senator was under consideration for a job with the GOP-controlled Virginia tobacco commission (although he failed to get the job, the suspicious circumstances surrounding his resignation are currently under investigation by the FBI). The second was the Democratic candidate, Mike Hymes, a Tazewell County supervisor who works for a coal company and has strong roots in the area. Unfortunately, despite a total expenditure of over a half million bucks on the race, Hymes lost to Republican Ben Chafin by nearly 30 points.

Republicans were understandably gleeful at the results, which secures them a two-seat majority in the State Senate. Combine that with the solidly Republican House of Delegates, and they have a formidable firewall against the ambitious plans of Governor Terry McAuliffe.

Now all attention turns to the upcoming midterm elections, which features one U.S. Senate battle (incumbent Senator Mark Warner versus Republican challenger Ed Gillespie), as well as a plethora of district elections (U.S. House of Representatives, Virginia’s Senate and House of Delegates). While both Warner’s race and the Virginia House contests are basically forgone conclusions (Warner will thump Gillespie soundly, and the House of Delegates will remain overwhelmingly Republican), both the Virginia Senate and U.S. House races present a more complex picture.

To be sure, Republicans have the edge in both chambers, mostly due to artful redistricting and traditionally lackluster midterm election turnout. But Democrats are guardedly optimistic about a number of pickup opportunities—chief among them Virginia’s 10th Congressional District, where Republican standard-bearer Barbara Comstock is fighting to succeed retiring U.S. Representative Frank Wolf (for whom she once worked).

Comstock’s campaign was recently given a boost when her political opponent, Democrat John Foust, derisively quipped “I don’t think she’s even had a real job” at a rally. Conservative condemnation was predictably swift, with everyone from State Sen. Jill Vogel to former first lady wannabe Ann Romney voicing support. But despite this regrettable instance of foot-in-mouth disease, Foust still has a decent chance of capturing this bellwether seat, which sits squarely in Virginia’s blue-leaning upper reaches.

If Comstock does emerge victorious, it will almost certainly auger a very bad night for Democrats nationally, with the loss of the U.S. Senate a real possibility. If she loses, however, Dems will have dodged a bullet, and can begin looking forward to the (far more favorable) 2016 election year. 

Too soon, you say? Sorry—when it comes to political prognostication, the next election cycle is never more than a column away.

Categories
Arts

Film review: Pierce Brosnan churns out second-rate action in The November Man

Watching The November Man try its best to be an exciting Bourne-inspired actioner is like listening to someone trip over themselves, so eager to get to the punchline of a joke that they skip key parts of the setup. And just as a botched joke can be unintentionally funny, so too is The November Man mind-bending for reasons completely unrelated to its attempts at intrigue.

The movie begins following veteran spy Peter Devereaux (Pierce Brosnan) on a botched mission as upstart David Mason (Luke Bracey) disobeys an order to save Devereaux’s life. Years later, Devereaux is pulled out of retirement to take part in a final mission with both personal and geopolitical ramifications, pitting him against Mason and the darkest depths of the CIA.

Despite its fondness for intrigue and plot twists, the only surprising thing about this Brosnan-produced vanity project—which speaks surprisingly low of Brosnan’s vanity—is that it got a theatrical release at all. Out of focus both conceptually and visually (really, the camerawork is noticeably bad), it screams of straight-to-DVD quality, and would be right at home on a shelf next to the five movies Sean Bean was in this month.

If there’s one thing The November Man should be remembered for, it’s for budding filmmakers to learn how not to handle plot twists. Potential spoilers follow: Devereaux has a weak spot that he’s been hiding for years…that is very easily discovered by a cursory photo search in the CIA database. Three-quarters of the way into the plot, we find out that someone isn’t who they said they were, but the character was introduced so haphazardly and awkwardly that I already thought the newly revealed fact was just the regular plot the whole time.

Sure, it’s dumb. You already knew that. But it’s worse than that. As it plods along, The November Man is kind of about war crimes in Chechnya, the future Russian president, student versus teacher, and the ethics of committing geographically contained atrocities to prevent global ones. Mostly, though, it’s about verbally abusing women, kidnapping women, putting innocent women in the line of fire, and just generally not being very fond of women.

Misogyny is sadly nothing new to this genre, with casually demeaning language, superfluous girlfriends, and entire conversations unnecessarily set in strip clubs, but there is nothing casual about the sexism of The November Man. It goes out of its way to be hateful to its female characters, as when a top level interrogator—who, given her high rank, we would presume is a trained and capable professional—lilts under the pressure of being casually and enthusiastically told to “show me your tits” and being called an “ignorant twat.” A lead character makes the transition from innocent bystander to secret badass, until she takes off her dress, starts crying, and has to be saved. Every female character is either sexually harassed, raped, shot, stabbed, or kidnapped. A female assassin promises to be exciting at first, but is constantly upstaged by the bros and meets a cartoonish end. Sexism is real and deserves to be portrayed, but the feeling here is that the writers jumped at the opportunity to be sexist as though it’s a guilty pleasure.

Given the glee with which The November Man discards its plot in favor of a toxic combination of clichés and a level of hatred toward women that is far and above the unfortunate norm, why its cast and crew desired to make a second-rate Bourne movie in a world where The Bourne Legacy already existed is a bigger mystery than anything in the movie itself.

Playing this week

A Most Wanted Man
Regal Downtown Mall Cinema 6

As Above/So Below
Regal Stonefield 14 and IMAX

Begin Again
Regal Downtown Mall Cinema 6

Boyhood
Regal Downtown Mall Cinema 6

Calvary
Regal Downtown Mall Cinema 6

Chef
Regal Downtown Mall Cinema 6

The Expendables 3
Regal Stonefield 14 and IMAX

Ghostbusters
Regal Stonefield 14 and IMAX

The Giver
Regal Stonefield 14 and IMAX

Guardians of the Galaxy
Regal Stonefield 14 and IMAX

The Hundred-Foot Journey
Regal Stonefield 14 and IMAX

If I Stay
Regal Stonefield 14 and IMAX

Island of Lemurs: Madagascar
Regal Stonefield 14 and IMAX

Let’s Be Cops
Regal Stonefield 14 and IMAX

Magic in the Moonlight
Regal Downtown Mall Cinema 6

The November Man
Regal Stonefield 14 and IMAX

Sin City: A Dame to Kill For
Regal Stonefield 14 and IMAX

Teenage Mutant Ninja Turtles
Regal Stonefield 14 and IMAX

What If
Regal Downtown Mall Cinema 6

When the Game Stands Tall
Regal Stonefield 14 and IMAX

Movie houses

Regal Downtown Mall Cinema 6
979-7669

Regal Stonefield 14 and IMAX
244-3213

Categories
Magazines Real Estate

What is your home worth?

Determining a home’s value is key to a successful listing and sale.  Sellers who insist on over pricing their home will find that when it doesn’t compare favorably with others in the same price range buyers won’t make an offer.  Meanwhile, buyers looking at lower priced homes who may be good prospects won’t see it at all.  For homes that are reasonably priced, the negotiation between buyers and sellers with the advice of their agents will ultimately determine their market value.  However, before all parties can go to closing, there is another critical step.

While the ultimate price on the sales contract reflects what the buyer is willing to pay for the home and what the seller will accept, the mortgage company will nevertheless require a report from a professional appraiser.  Since appraisers have no stake in whether the home actually goes to closing, they are the most objective party in the transaction, and their objectivity is further enhanced by the requirement to rigorously follow the mortgage company’s guidelines.

When the appraisal report is complete, the mortgage company determines the amount it is willing to lend based on the terms and conditions of the loan package.  This can range from 100 percent financing  (still an option though it is much more rare than it once was) to a pre-determined percentage of the appraised value of the home.  If the appraisal comes in under the price on the sales contract, the buyer either has to make up the difference out of pocket or has the option to pull out of the contract, not an agreeable outcome for any of the parties involved.

A home’s appraised values reflects a range of variables such as the quality of the local school district, distance to amenities like shopping and other services, condition of the home and  landscaping,  its age and whether or not it has been renovated,  the age of the heat pump or the roof and  the color of the walls or carpet. The value and condition of other homes in the neighborhood are also big factors in determining the value of a particular house. While sellers are not able to control many of these variables, they can become familiar with the process and take steps to assure their home gets the best possible appraisal report.

How Appraisers Work

An appraiser works from a fixed formula, explained Jim Kennedy with Kennedy & Associates and they must follow guidelines laid down by the mortgage company that engages them.  For example, when determining the gross living area of a home the appraiser can only consider rooms that are above grade.  That means if there are two 1,000 square foot ranchers in the same neighborhood, but one has a finished 1,000 square foot basement, they would still both have the same gross living area for appraisal purposes.  This doesn’t mean that the finished basement doesn’t add value to a home, but it is not on par with the upstairs.

In addition to counting bedrooms, bathrooms and square footage, the appraiser will walk through the home and note the materials used for floors walls and countertops.  They will also consider the condition of the home, Kennedy said, as well as any history of repairs.  This means if you have done repairs over the years, for example replaced the roof or the HVAC, added new windows or updated your kitchen or bath, be sure to  provide the appraiser with any records so the improvements can be taken into consideration when the appraiser is preparing his or her final report.

Comparables Are Critical

When determining the value of a home it is essential to consider the competition, said Troy Johnson with Absolute Appraisals.  It is not uncommon, he continued, for homeowners to keep track of every improvement and the costs incurred.  When they are ready to sell, they want to add this figure to what they paid for the house in determining what they think it should be worth.

Unfortunately this is a cost approach to value that fails to consider that a home’s price is always relative to what similar homes have sold for in the same community, Johnson said.  So, for example, it’s great if you just replaced your roof, but unless most of the other homes that sold had leaky roofs, what you have done with your repair is bring your home up to standard with the others in the neighborhood.  This means its sales price will reflect what the others in your area sold for regardless of what you paid the roofer.

Home valuations based on tax records can also give misleading results, Kennedy said.  He explained that tax records often don’t reflect improvements or additions to a home and the square footage may be way off.  As a result, estimates of your home’s value that uses these records may give a general idea of what it’s worth, but chances are will not be very accurate.

Trends in real estate are also a factor in determining your home’s value.  Today people are gravitating to homes with big kitchens and open floor plans, Johnson said.  Also one level living is also very popular.  If your home is a conventional two story with all the bedrooms upstairs, its market price may be less than one next door with a first floor master suite, even if both homes have been well-maintained and have the same square footage.

If you are thinking about selling your home and are considering some spruce ups, focus on the kitchen and the bath, Johnson said.  Natural stone countertops “go a long way” towards making your home more appealing in today’s market.  These would include granite, soapstone, or even concrete if your home and your tastes are very contemporary.

Kennedy agreed with the importance of kitchens and baths if you are looking for ways to make your home more appealing.  He suggests upgrading your appliances to ones that have a more up to date look and function.

Upgrading carpet and paint colors to reflect current trends can also be low cost ways to bring your home up to standard with today’s market, Johnson explained.  You may not see an actual return on dollars spent in terms of a higher sales price, but these updates will make your house more competitive which can mean a quicker sale.  Since more days on the market are costly, you can actually save money by doing the right cosmetic repairs.

Before you make any final decisions about upgrades, invite your REALTOR® over to walk through your house and give you suggestions.  They are very familiar with your competition and can give good advice on what will be the most cost effective ways to get your home ready for sale.

Cost Versus Value

If you are planning some renovations and want to know if they will add to the value of your home when it goes on the market, there is another source of helpful information.

Every year Remodeling Magazine publishes the Cost vs. Value Report that is available at their website.

The report considers 35 common remodeling projects and compares their costs with what REALTORS® and brokers estimate they will add to the price of the home when it sells.  This year 4,500 REALTORS® from around the country participated in the survey, and each region was represented by selected cities, the closest to us being Richmond.

The good news is that as the housing market improves, so do the values of different remodeling projects.  This year’s report shows that the number of dollars recouped on remodeling projects increased for the second year in a row, and while national trends were reflected in regional data, there were some interesting local variations.

For example, the top project nationally was installation of a new steel entry door, which recouped 96.6 percent of its cost at closing. This renovation no doubt reflects the continuing importance of curb appeal in today’s market.  While homeowners in our area can expect an even higher return on this project (100.3 percent) a bathroom remodel that returns 110 percent is an even better investment.  Nationally the bathroom remodel returned only 72.5 percent.

Some other beneficial investments reflect either concern for curb appeal, energy conservation or both.  These include garage door replacement, which returned 100 percent in Richmond, and vinyl, and wood window replacement at 99.2 and 96.7 percent respectively.  These were substantially higher returns than nationally where both came in at less than 80 percent. Fiber cement siding replacement is also a good choice returning 94.2 percent.

If you could use more living space in your home, you might want to consider adding an attic bedroom (89.6 percent) or undertaking a basement remodel (86.5 percent).

Do Green Features Help Sell Your Home

Will you get a higher price for your home if you invest in energy savings?  While research elsewhere in the country suggests the answer is yes, local appraisers say this can be a difficult question.

A 2012 article in the Washington Post reported on a study conducted in California, which was based on 1.6 million homes sold between 2007 and 2012.  Results showed buyers were willing to pay an average of 9 percent more for a home that was green certified.   This result held even after controlling for other variables such as location, school district, crime rates or the home’s amenities.

When it comes to Charlottesville “the verdict is still out,” Johnson said.  He explained that to include the value of green in a report he has to be able to prove the difference with hard figures based on analysis of the data.  Unfortunately it is often difficult to find an impact on price.

“We don’t have a big enough volume of sales,” Kennedy said, suggesting it may take a few years with the growing volume of green homes on the market to really say for sure.

“Green features can make your home more competitive,” Johnson said adding that this means your home may sell more quickly than one which is lacks these upgrades.  “We won’t know until we have more data,” he said.

Depending on how long you are planning to stay in your home it may be worthwhile to undertake green renovations since you will enjoy energy savings, greater comfort, and possible tax credits in the meantime.  Keep good before and after records.  That way when your house does go on the market you can show prospective buyers the savings they can expect.

What is Your Home Really Worth?

Valuing your home is both an art and a science.  While the market price reflects buyer and seller preferences, this must be backed up by the appraiser’s best estimate of the true value.  If you are ready to put your home on the market, consult your REALTOR® about how best to prepare it for an effortless sale.

Celeste Smucker is a writer, blogger and author who lives near Charlottesville.

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Charlottesville Chamber Music Festival

Classical music fans in Central Virginia love September. So do some of the finest classical musicians in the world. For fifteen years now, Charlottesville natives Timothy Summers and Raphael Bell have brought the two together for the Charlottesville Chamber Music Festival, two weeks’ worth of stimulating concerts of classical music for small ensembles. The eight 2014 performances (seven ticketed and one free) take place September 7-18, in the city’s most beautiful performance spaces, The Paramount Theater and Old Cabell Hall, and, fittingly, in a nightclub known for contemporary sounds.

The roots of chamber music “reach far from the here and now, into history,” Bell and Summers write, introducing this year’s continuation of that history. “What we call ‘chamber music’ arises from a long and literary tradition. We have books of sheet music in front of us, which we read aloud, proceeding at a literary pace. Over spans of an hour or an evening, we give stories, sounds, and sequences which were written down and which are meant to be read. Much of it has travelled a long way.”

The two local boys turned world travelers studied music together, first at Charlottesville High School, then at New York City’s Julliard School. Today they enjoy international careers; Summers as second violinist for the celebrated Orpheus String Quartet, and in the first violin section of the Mahler Chamber Orchestra; Bell as principal cellist of the Royal Flemish Philharmonic. Once a year, they bring it all back home, inviting a group of colleagues (19 in 2014) to join them for a festival that has become a highlight of the musical year and the vibrant Charlottesville cultural scene.

Charlottesville “was not only a good place to grow up,” Summers says, but “it is a place which seems to continually develop culturally. There is so much music and arts in the area, and there are so many interesting people coming from the University and community, we can depend on an interesting and interested audience. It is also extremely nice to bring people here from all over the world, to visit in a place we know has so much to offer.”

The two old friends and orchestra mates call their 2014 season “one of our most ambitious yet, tracing an historical path from the 18th century the 21st,” an “instrumental path from works for one to works for fifteen,” and “a geographic path through Austria-Hungary, Italy, Charlottesville, New York, and elsewhere. It is both an explosion and a condensation of chamber-musical history.”

The season kicks off in Old Cabell Hall on Sunday, September 7 at 3:00 p.m. with Franz Schubert’s Violin Sonata in A major, D. 574 and Piano Trio in B-flat major, D. 898, and Bohuslav Martinu’s Sonata for Cello and Piano, H. 340. Tickets for Paramount and Old Cabell Hall concerts are $25 and $18 for adults, and $6 for students.

“The opening program this year is the quietest, the homiest,” Summers says. “The music of Schubert has a special place right near the center of chamber music, something surprisingly deep. There follows a group of four concerts together, Thursday, Friday, Saturday, and Sunday. It’s hard to describe one without the others, since they make a sort of explosive, exploratory set.”

The first concert of the group, 8:00 p.m. Thursday, September 11 at The Paramount Theater, has “themes of afterlife and of turn-of-the-century Vienna,” with Erich Wolfgang Korngold’s “Glück, das mir verblieb” from Die tote Stadt, W.A. Mozart’s Quintet for Winds in E-flat major, K. 452, and a rare chamber orchestra arrangement of Gustav Mahler’s Symphony No. 4 in G major. The second concert, 8:00 p.m. Friday, September 12 at the Paramount Theater, runs from the baroque to the modern, with works of J.S. Bach (Brandenburg Concerto No.2), Antonio Vivaldi, Luciano Berio, Alexandre Lunsqui, and Gioacchino Rossini.

The third concert of the group, at 8:30 p.m. Saturday, September 13, is the second annual Fresh Squeezed Music program, featuring a wide-ranging selection of work by contemporary composers in a casual environment. This year it’s at The Southern Café and Music Hall. Doors open at 8. The audience will hear new, improvised, “and otherwise recreational” compositions by Luciano Berio, Steve Reich, Jacques Brel, Astor Piazzola, and Sebastian Fagerlund. Trumpeter Jeroen Bal will play a set combining work by 18th century French composer Jean-Philippe Rameau and 20th century French singer-songwriter Jacques Brel. General admission tickets are $12.

Bal (“a heckuva trumpet player,” Summers says), will be featured as well in the fourth concert of the set, Sunday, September 14 at 3:00 p.m. at Old Cabell Hall, in a program that includes a chamber orchestra arrangement of Ludwig van Beethoven’s Symphony No. 3 in E-flat major, Op.55, (the “Eroica”), Beethoven’s Trio in B-flat major, Op. 11, Bohuslav Martinů’s La Revue de Cuisine, Georges Enescu’s Légende, and Györgi Ligeti Le Grand Macabre. “The Ligeti and Martinu are quite absurd,” Summers says. “Ligeti’s piece is about the sort-of-end-of-the-world and Martinu’s is a love triangle between pieces of cookware.”

Each year, Festival musicians help foster the next generation of classical music lovers, visiting schools in Charlottesville and surrounding counties. On Thursday, September 18 at 12:30 p.m., the festival welcomes school kids and curious adults alike to its annual free lunch hour concert at The Paramount Theater, with violinist Jennifer Koh and pianist Benjamin Hochman, hailed by New York Times critic Anthony Tommasini as “two exciting artists of the new generation (who happen to be married).”

Koh and Hochman join Summers and Bell at the Paramount at 8:00 p.m. that evening for the festival finale, playing three new American works – Yehudi Wyner’s Concordance, John Zorn’s Passagen, David Ludwig’s Aria Fantasy for Piano Quartet – plus a repertory staple from the 19th century, Johannes Brahms Sonata for Piano and Violin No. 1 in G major, Op. 78.

Over its fifteen-year history, the Charlottesville Chamber Music Festival has built a loyal – and adventurous – base of subscribers. “We have a very enthusiastic audience,” says festival board chair Henry M. Peskin, “which is interesting, because we have had quite an eclectic program over the years. Some things are very familiar and some things are very unfamiliar, and they support it.”

Even mayors support it! “I love classical music, although I have limited knowledge of Western classical music,” says Charlottesville mayor Satyendra Huja. “But that doesn’t stop me from enjoying it. I am looking forward to the Charlottesville Chamber Music Festival. The festival contributes significantly to our cultural vibrancy and economic wellbeing. I encourage residents and visitors to participate.”

By Ken Wilson