Categories
News

Legal expert speaks to Jesse Matthew’s anticipated guilty plea

Jesse Matthew is set to enter a plea deal in the abduction and murder of Hannah Graham and Morgan Harrington in Albemarle Circuit Court on March 2.

Commonwealth’s Attorney Robert Tracci issued a letter February 29 stating that although it is anticipated that Matthew will plead guilty and resolve both cases, Tracci’s office will not provide any additional details or comments before the hearing.

Legal expert David Heilberg says most capital murder cases now end in plea bargains, and he expected this as the likely outcome for Matthew and his defense attorneys, Doug Ramseur and Michael Hemenway.

“It would take the death penalty off the table,” which Heilberg says is likely Matthew’s motivation. “At this point, it can’t get any worse.”

Last summer, Matthew was given three life sentences for abducting and sexually assaulting a Fairfax woman in 2005. “You only have one life to serve,” Heilberg adds.

Matthew is accused of capital murder in the death and abduction of Graham, an 18-year-old UVA student who disappeared September 13, 2014, and was found dead several weeks later on Old Lynchburg Road. He has also been indicted by a grand jury for the 2009 murder and abduction of Harrington, a Virginia Tech student, who was last seen at a Metallica concert at the John Paul Jones Arena that October. She was 20 years old at the time.

Categories
News

Detained UVA student faces North Korean press

The UVA student detained in North Korea last month for allegedly committing a “hostile act” against the country publicly apologized for making “the worst mistake of [his] life” February 29 at a government-arranged news conference in Pyongyang.

Otto Franklin Warmbier, a third-year commerce student, Echols scholar and Theta Chi fraternity brother, was visiting North Korea with the Chinese travel agency Young Pioneer Tours when he was arrested at an airport on the last day of his trip.

The UVA student admitted to taking a banner with an “important political slogan” from a staff-only area of his hotel, the Yanggakdo International, on January 1. Charges against him say he was encouraged to take the banner by a member of an Ohio church, a secretive university organization and the C.I.A., according to the New York Times.

In his statement, Warmbier said he attempted to take the banner as a trophy for a member of a church who wanted to hang it on the church’s wall. He identified the church as the Friendship United Methodist Church in Wyoming, Ohio, and said the church member agreed to buy Warmbier a used car worth $10,000 for bringing back the banner, or pay his mother $200,0000 if Warmbier was detained and didn’t return, according to the Korean Central News Agency. Warmbier added that a member of UVA’s secret Z Society also encouraged him to take the banner and promised him membership in the society.

“I beg that you see how I was used and manipulated,” Warmbier said at the news conference, according to CNN. “I was used by the United States administration like many before.”

In a video of the conference, edited and posted by the Associated Press, Warmbier can be seen sobbing and pleading for his release.

“I am begging to the Korean people and government for my forgiveness,” he said, adding that he has no idea what kind of penalty he could face.

Categories
Living

Heavy lifting: Primal Strength Gym offers training for all levels

It may be hard to imagine a gym where heavy-lifting Strongman competitors and women trying to tone up both feel comfortable working out. Introducing Primal Strength Gym, a weight-lifting fitness center located at 1110 E. Market St. that revolves around building strength—for intense competition or otherwise.

The brainchild of Texas A&M alum Charles “Tank” Tankersley, Primal Strength Gym celebrated its one-year anniversary this month. If you’ve never heard of it, there’s a reason for that. Tankersley deliberately kept the gym’s existence pretty quiet for the first year, recruiting members through friends and by word of mouth. He wanted to start small and gradually grow the business so he could still manage his life as a government employee and father of a 3-year-old. Since opening he’s expanded and essentially doubled the size of the space, which is filled with standard weight-lifting accoutrements such as barbells and benches. But you’ll also find strength training equipment you’re not likely to see in gyms that play pop music and offer BODYPUMP classes, such as the spheres of pure concrete known as Atlas stones or the rows of kegs filled to varying weights with sand.

Creating an atmosphere that’s welcoming to everyone on the fitness spectrum is challenging, Tankersley says, but there’s a supportive camaraderie that comes with strength training.

“I wanted it to be like a family, and everybody knows everybody. They take ownership of the gym and really take care of the place,” Tankersley says, adding that everyone there has at least one thing in common: “People like feeling strong.”

A former high school baseball player, Tankersley got away from weight training in college and stayed in shape by running. By the time he moved to Washington, D.C., in 2006 for a job with the Defense Intelligence Agency, he was eyeing the irons again.

“I was really skinny and really weak, and wanted to do something to improve my body image,” he says. “I started lifting and made a lot of improvements, and kind of got addicted from there.”

That addiction ultimately led him to get certified as a personal trainer and start competing through North American Strongman, an amateur Strongman corporation that holds weight lifting-based competitions around the country. (You know those 400- pound behemoths you see on TV pulling trucks and running with giant bags of sand? It’s like that.) When the desire to live in a smaller town brought him to Charlottesville in 2010, he couldn’t find a gym that fit his training needs.

“When you look at people who are really high-level competitors, they train at places that create intensity,” he says.

In 2012 he began Primal Strength Camp, an online resource for anyone interested in Strongman-style strength training. Last year, when he found the perfect spot, he turned his online presence into the brick-and-mortar Primal Strength Gym.

So what can you expect if you walk into the gym with little to no prior weightlifting experience? Along with the heavy metal blaring through the speakers and Hulk-like men walking around, you can expect a friendly, welcoming environment where members cheer each other on and equipment that ranges in weight enough to be beginner-friendly.

Tankersley walks newbies through a simple warm-up of stretching, jumping rope and air squatting. He’ll gauge your strength by starting you out on the lowest weights, like the 90-pound Atlas stone, which he’ll ask you to deadlift, hold on top of your knees in a squat and then hoist with your arms onto a platform that may or may not be as tall as you; and the 30-pound empty keg, which you’ll clean up to your chest before pressing above your shoulders. And if you smugly lift the empty keg onto your shoulder without any struggle, he’ll hand you the 50-pounder—which, it turns out, is a lot heavier. 

One of the primary elements that sets Primal Strength Gym apart is the emphasis on rest time. Some of us don’t do well standing still, especially when there’s a perfectly good 135-pound barbell racked and ready to be squatted, but Tankersley says taking ample rest time between sets is crucial to this type of training. It’s one thing to only give yourself 45 seconds to breathe between reps during a fast-paced circuit training class with low weights. But when the weight is higher, the rep count is lower and the ultimate goals are bulk and brute strength, Tankersley says it’s crucial to take what may at first feel like a lengthy period of time between each set. For building muscle he recommends two to three minutes of rest for men, and about one minute for women; for both genders who want to gain strength he suggests a solid three to five minutes. Too long and you won’t make progress, he says, but not long enough and you run the risk of burning out or hurting yourself.

It’s a different style of workout for sure. You may not walk out of there with your heart racing and sweat pouring down your face, but be prepared for sore legs and shoulders the next morning.

Categories
Arts

Below the surface: ‘Visions for 2016’ is a meditation on abstraction

Janet Bruce’s “Shorelines” paintings sneak up on you. Standing in front of them, you see them come alive, as things you didn’t notice at first become apparent.

She builds up surfaces with many layers of paint, adding texture and visual interest, as glimpses of the various undercoats are visible.

In some, she adds animated squiggles of oil stick. These marks have an almost casual quality, but also complete assuredness. There’s a fearlessness to her approach.

In 2013, she moved to New York from Virginia, trading in a familiar landscape for something completely different, which is reflected in her work. “In New York, I had moved from the space of mountains and clouds to the seashore,” she says. “The question now was how do I transform perceptions to essences with abstraction? To return the paintings to a realm of their own.”

Bruce joins artists J. M. Henry, Deborah Kahn and Martha Saunders in the exhibit “Visions for 2016,” on display now at Les Yeux du Monde.

“This show took a long time to percolate,” says Lyn Warren of Les Yeux du Monde. “I like all these artists individually and think they all have very distinct styles, but I also feel they work well together because of the way they treat their surfaces.”

Henry’s minimalist landscapes are lovely meditations on color and paint. His large canvases feature an anodyne smoothness bisected by slashes of pigment into which he manages to invest enormous visual interest. Although the black mats with title and signature used on his smaller oils are distracting, the paintings’ evocation of J. M. W. Turner’s atmospheric studies still shine through.

Throughout, the low horizon line imparts a contemplative quality. “With the landscapes in the current show, I was transitioning from oil paint to acrylics, and experimenting with translucency by adding various materials to the paint,” says Henry. “As with all of my work, I am primarily interested in color, and by returning to a familiar (landscape) format I can better gauge the effects I am creating.”

Kahn is the only artist of the four to incorporate figures in her work. They’re highly stylized, not fully realized, of uncertain age and sex, and arranged in space or within the suggestion of a room.

Intentionally enigmatic, Kahn uses her figures to strike emotional chords with the viewer, creating feeling through form.

“For me, form is created through space,” says Kahn. “Space in painting is complicated, but tension in forms create space. A painting is complete when forms contain contradictions: Figures are separate yet one; forms appear masculine and feminine; figures are moving and still. The contradictions signify simultaneous conflicting feelings.”

Kahn refers to herself as a colorist, and her sophisticated palette has the curious quality of being both rich and subdued. She builds up her surface, carefully modulating the color to create varying tonalities.

Saunders’ lyrical paintings seem to speak of both macro and micro worlds. “Dissolving,” a mysterious vision of line, volume and light, could be either celestial or cellular. She is interested in the physical world, relying on both scientific data and personal observations to create her poetic responses. Her encaustic paintings feature wonderfully inventive patterns, translucent and opaque areas and a muted palette of grays, mauves and browns that seems to suggest a primordial, elemental color scheme.

“When I’m working I am interested in describing states of matter if things are solid or not,” she says. “They’re pictorial, but I hope that I convey the physicality and the energy. I think people get the sense that the material (the wax) itself can change. I’m trying to create fields that are pushing at each other within the composition, trying to get the fields to interact in the right proportions.”

Surface is certainly one of the unifying elements in “Visions for 2016,” but all of the work shares a meditative, transcendent quality. Verging on abstraction, the paintings invite introspection while providing a means for the artists to explore their media in highly personal ways.

Janet Bruce’s “Shorelines: Lakeside Littoral” is part of the “Visions for 2016” exhibition on view at Les Yeux du Monde through March 6. Image: Courtesy the artist

Visions for 2016

Les Yeux du Monde

Through March 6

–Sarah Sargent

Categories
Arts

ARTS Pick: The Triumph of Love

Love conquers all, but not before it navigates a series of mishaps and disguises in UVA Drama’s The Triumph of Love. Award-winning director Chase Kniffen leads the cast through a contemporary approach to the 18th-century French comedy complete with razor-sharp wit, murderous subversion and a cross-dressing princess who stalks her love interest while constructing a triangle of fraudulent suitors.

Through 3/3. $8-14, 8pm. Ruth Caplin Theatre, 109 Culbreth Rd. 924-3376.

Categories
Living

Breakfast of champions: Blue Moon Diner dishes up food worthy of the best

Breakfast with national champions, it turns out, is an inspiring start to the day. So I learned on a recent weekday morning with UVA baseball coach Brian O’Connor and men’s tennis coach Brian Boland, both defending NCAA champions in their sports. Their takes on success, failure, competition, family and life were so moving that, when I arrived at the office, my head was still spinning.

Our venue was the legendary Blue Moon Diner, an inspiring place in its own right. Buzz White opened the diner in 1979 with a mission, he says, to create “a place for a diverse crowd to enjoy good food without spending an arm and a leg.” That philosophy, White believes, has survived several ownership changes. John Grier, who owned the diner in the mid-1980s, agrees. “Each owner since Buzz took the core of his concept, and while each made contributions to the evolution, it is still recognizable,” says Grier. Current owners Laura Galgano and her husband, Rice Hall, came on board in 2006, and they share the same passion and philosophy that have helped sustain the diner’s success for so long.

In restaurants as in sports, it starts at the top. “Everything that is successful long-term starts with leadership,” says Boland. You have to create a culture.

At Blue Moon Diner, the culture is “a delicate balance of salt, fat and love,” says Galgano. But, as any great coach or restaurateur will tell you, that third ingredient is the most important. It separates the ordinary from the great. Galgano and Hall love food and hospitality, and it shows. “Food has always held a central place in my heart,” says Galgano.

So, while the listed ingredients of my delicious Hogwaller Hash were eggs, bacon, sausage, ham, hash browns and peppers, it is without a shred of cynicism that I can say the key ingredient was unlisted: love. What does this mean? It means the food is prepared and served by people who care deeply about the experience of the person consuming it. This care begins with a dish’s sourcing and lasts until the customer has enjoyed it and walked out the door.

“We try to put the effort into making each meal great by taking pride in its individual components,” says Galgano. Sausage is made in-house, as is ice cream, granola and corned beef, which Galgano says can take up to a month to make. The attention to detail works wonders. Case in point, Boland’s choice: the Nordic omelet of smoked salmon, red onion, tomato and scallion cream.

“This may be the best omelet I’ve ever had,” exclaims Boland, “and I’m not even kidding.”

Sometimes made in-house and sometimes sourced from Alaska, the smoked salmon gets a boost from the house-made scallion cream, with diced scallions, sour cream, mayo and spices.

The care even extends to what’s in your mug. “The coffee was great,” says O’Connor. Galgano agrees: “I am utterly addicted to our Trager Brothers Blue Moon Blend coffee,” she says.

Galgano’s favorite food items at Blue Moon Diner look an awful lot like mine. “The apple omelet is one of my favorite flavor combinations,” said Galgano, who also favors the macaroni and cheese, catfish sandwich and buttermilk pancakes, which my pancake-expert children swear are the best in town. While many know the diner for its breakfast, I find lunch and dinner to be just as good, especially the creative weekly specials.

A culture of success and love of what you do are also vital to persevere through the adversity that sports teams and restaurants inevitably face. No one knows this better than O’Connor, who calls last season the most challenging of his tenure. His team plunged from the nation’s No. 1 ranking to depths the team had never experienced before, suffering 24 losses, the most in any of O’Connor’s 12 seasons at Virginia. And yet, his team then won the first national title in program history. Whether in restaurants or sports, “you have to grind it out during adverse times,” says O’Connor. “If your foundation is strong, you have a chance to be successful.” 

Galgano says the same is true of restaurants facing tough times. “You have to have enough confidence in what you love to believe that your customers will share in that love,” she says. When that fails, she just falls back on one of her favorite sayings: “It takes a special kind of crazy to run a restaurant.”

Galgano and Hall met as UVA students in the mid-1990s, and first worked together at Martha’s Café, now home to The Pigeon Hole, on the Corner. They also spent several years together at Bizou, but all the while dreamed of owning their own place.

“It would be an integral part of the community for all ages, serve good comfort food from local purveyors and be a home to customer and employee,” Galgano says they envisioned.

If that was their aim, I’d say they won, too.

Categories
Arts

ARTS Pick: WinterSongs

Billed as a day of “joyful sharing, support and empowerment,” the second annual WinterSongs brings together 200 female singers from Charlottesville, Albemarle County and the University of Virginia for an afternoon of sisterhood and music, to raise money for the Shelter for Help in Emergency. Burley Middle School choral director Craig Jennings, the event’s organizer, says he hopes the show will give new meaning to the phrase “girl power” and be “one of those oh-my-gosh [times] that will go in everyone’s lifetime scrapbooks.”

Saturday 2/27. Donations accepted at the door, 5pm. Monticello High School, 1400 Independence Way. 244-3100.

Categories
Arts

Film review: The Witch is an unsettling, skillful revelation

“A New-England Folktale” reads the subtitle for the much-hyped (all of it earned) The Witch, the feature film debut from writer-director Robert Eggers.

One would be forgiven for interpreting this as a mark of revisionist horror, but there is nothing revisionist about Eggers’ film. In fact, there’s much that is revolutionary.

The Witch follows a tight-knit family in 17th-century New England who are banished from their plantation for the unrelenting Calvinist fundamentalism of patriarch William (Ralph Ineson). While living in exile, on their own farm surrounded by an impenetrable forest, strange occurrences with no obvious causes begin to plague their quiet life, testing their devotion to God and each other.

Eggers’ commitment to historic fidelity is crucial to the voice and tone of the film, going further than most movies to be fair to the beliefs and lifestyle of its characters. They speak in early modern English with accents that are unfamiliar to moviegoers and dialogue pulled directly from primary sources.

The film’s view of witches and the supernatural is not imposed onto the past, but is very much rooted in the belief in their existence. Eggers introduces the fact that there is something in the woods with possible sinister intent early in the film, so gone are any tricks of ambiguity. All of this makes the film much more unsettling and terrifying than if it had relied on conventional horror tropes.

There are two ways to view The Witch, both equally valid and not mutually exclusive. The first is as the story of Thomasin (soon-to-be superstar Anya Taylor-Joy), a young girl on the cusp of adulthood, and her family: loving yet devout father William, stoic mother Katherine (Kate Dickie), sexually conflicted brother Caleb (Harvey Scrimshaw) and terror twins Jonas and Mercy (Lucas Dawson and Ellie Grainger). All eyes are on Thomasin as she nears womanhood: Caleb cannot help but sneak peeks at her developing body, and Katherine wants to bring her back to the plantation to “serve another family” while immediately suspecting her of causing every mysterious event that befalls them. Thomasin loves her family yet finds herself at odds with them.

The second approach is to interpret The Witch as a reminder of America’s puritanical roots, which were often atrocious and self-destructive about matters of women’s agency and personal liberty. Most societies attribute human emotions, animal urges and natural phenomena to supernatural entities —gods, spirits, demons, etc.—and The Witch is dedicated to showing both sides of this perspective. The Protestant worldview looks at someone who feels no shame for her inner nature and shuns her as a possessed creature of Satan who seeks to lure good Christians away from the righteous path. This society didn’t need to create mythical beings to be afraid of, it just looked to someone it didn’t approve of—normally a sexually unashamed woman—and projected its fears and superstitions onto her. This is not altogether different from the public shaming we still subject women to, we just stopped pretending we’re being pious while doing it.

Yet the world of The Witch is not one without a sense of justice, and the daring way Eggers resolves the story must be seen to be believed. The film has all the trappings of a horror film, yet is so much deeper and more observant than the label implies. The first viewing will likely unsettle you rather than scare you. The second viewing will make you reflect on your own views toward women and the way they are subjected to society’s unceasing gaze. The Witch would be a masterstroke from an established director, but as a debut it is a revelation.

The Witch

R, 92 minutes

Violet Crown Cinema

Playing this week

 Regal Stonefield 14 and IMAX

The Shops at Stonefield, 244-3213

The 5th Wave

13 Hours:The Secret Soldiers of Benghazi

The Boy

Brooklyn

The Choice

Deadpool

Hail, Cesar!

How to Be Single

Kung Fu Panda 3

Race

The Revenant

Ride Along 2

Risen

Star Wars: The Force Awakens

Zoolander 2

Violet Crown Cinema

200 W. Main St., Downtown Mall, 529-3000

45 Years

The Big Short

Chimes at Midnight

Deadpool

The Finest Hours

Hail, Caesar!

The Lady in the Van

The Revenant

Spotlight

Star Wars: The Force Awakens

The Witch

Categories
Magazines Village

Spring 2016 C-VILLE Kids: On stands now!

The latest issue of C-VILLE Kids is out! From entrepreneurial teens to life-saving medical tests, here’s what you can find inside (and below, a digital copy of the magazine).

This month’s feature: Four families who picked up everything (even the cat!) and moved abroad.

Michelle and Keith Damiani first established a five-year plan that would give them time to save money, find the right destination and secure a place to live. They landed in Spello, in the Umbria region of Italy, partially because it would push them out of their comfort zone. “We were cautious not to end up in a town with lots of English speakers,” says Keith.

Categories
Living

LIVING Picks: To-do for the week

Nonprofit

Carson Raymond Foundation poker tournament

This Texas hold ’em poker tournament and casino night benefits the Carson Raymond Foundation, a local organization dedicated to providing elementary school children an opportunity to participate in organized sports.

Saturday, February 27. $30-100, 6-11pm. Fry’s Spring Beach Club, 2512 Jefferson Park Ave. 979-1333. carson raymondfoundation.com.

Health & Wellness

Hoop for your heart

Hula-hoop to your heart’s content as UVA Club Red hosts its annual American Heart Month hula-hooping class. Hoop for Your Heart promotes exercise and healthy lifestyle choices in a playful and approachable way.

Friday, February 26. Free, 6pm. UVA Aquatic and Fitness Center, 450 Whitehead Rd. clubred uva.com/hoop.

Festival      

Grand Gala 2016: Havana Nights

Escape the winter doldrums and spend a night celebrating all things Cuban, from the music, to the entertainment, to the food. The event includes cocktails, dinner, dessert and, most importantly, dancing. Proceeds go to the Senior Center.

Saturday, February 27. $175, 6:30pm. Boar’s Head Inn, 200 Edman Dr. 974-7756.

Food & Drink

Salt marsh to table dinner

Enjoy Bold Rock cider, Rappahannock oysters and live music before a seated dinner of wildfowl and game prepared by Chef Tomas Rahal, paired with Spanish wines. Proceeds benefit the Chesapeake Bay Foundation.

Thursday, February 25. $125-200, 5:30-10pm. Mas, 904 Monticello Rd. 979-0990.