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News

Bugs, leaks, condoms: The list goes on at Crescent Halls

In the heat of last summer, tensions boiled at a City Council meeting heavily attended by Crescent Halls residents who had been experiencing a major air conditioner failure, leading Mayor Mike Signer to temporarily suspend the meeting. Residents brought new concerns to a December 20 protest outside the Monticello Avenue apartment complex.

“I’ve seen roaches like crazy in the building,” says Phyllis Ellis, a 58-year-old resident who has lived in Crescent Halls for four years. “Some people have bed bugs. They try to control it, but sometimes it’s hard to control.”

At the protest, Ellis held a sign that said, “$20 million for parking garage, $1 million for rich people condos. Elderly/Disabled?” She’s currently on the city’s Section 8 housing choice waitlist and says she’s working toward relocating to Region Ten housing soon.

“I like my apartment, but I don’t really want to be in this place,” she says. “I’ve been trying to get out of this place for a long time. I feel sorry for some of the others that don’t have what I got, going to Region Ten. I hope some others can go, too.”

Crescent Halls, located near the IX Art Park, is designated as affordable housing for handicapped and elderly people. Ellis, who pays $234 in rent per month, has a heart condition that requires her to take blood thinners, and says they cause her body temperature to run cool. It’s often hard for her to stay warm in her one-bedroom handicap apartment, because when she shuts her bedroom door, the heat often doesn’t reach her.

But other residents say excessive heat is one of the complex’s biggest problems.

“On the eighth floor, if you go up there right now, you’ll probably pass out,” says Deborah Booker, president of the Crescent Halls Resident Association. Though hotels and apartment complexes are springing up all over town, she says, “It’s nothing we can afford.”

Aside from the overzealous heater, Booker says leaking ceilings, overflowing washing machines and an overall uncleanly living space are at the top of the list of things she’d like to see fixed.

‘We are humans, we are people, we live here,” she says.

Among other concerns were two used condoms allegedly found in the elevator this month. Resident Glen Roach produced a photo at the protest that he had taken of one for proof, time stamped December 17.

Several residents, like Ellis and Booker, brought up poor oversight from management at the Charlottesville Redevelopment and Housing Authority, and the length of time it takes for someone there to address residents’ concerns. Last summer’s air conditioning malfunction wasn’t repaired until it was already cool outside, they said.

“The people that work in the system, they don’t really come into the building and see what’s going on in the building,” Ellis says. “We have no one working in the building.”

Grant Duffield, the Charlottesville Redevelopment and Housing Authority’s executive director, says he visits Crescent Halls frequently, most recently a few days ago to make sure residents were prepared for the winter months ahead.

“I have a great deal of respect, admiration and concern for my friends at Crescent Halls,” he says. “They’re great people. I’m sure it’s frustrating at times, but we really are doing everything that we possibly can to help address the concerns that they have.”

His organization serves approximately 2,000 residents in 376 individual homes across 11 properties, and he says his priority is the health and safety of the residents.

And yet, those who live at Crescent Halls, many gripping wheelchairs and walkers, take to the sidewalk in front of their complex to make sure their voices are heard: “No more silence, no more silence, no more silence, no more silence, no more silence.”

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Arts

Trombone Shorty kicks it into high gear

On December 29, New Orleans native Troy Andrews aka Trombone Shorty appears at the Jefferson Theater with his group Trombone Shorty & Orleans Avenue. Named  by OffBeat Magazine as the New Orleans musical icon for the millennial generation, Andrews’s groundbreaking fusion of jazz, funk, blues, rock and hip-hop has been compared with the innovations of other Big Easy greats like Louis Armstrong, Fats Domino, Dr. John, Professor Longhair, Wynton Marsalis and The Neville Brothers. In fact, in lieu of Aaron Neville’s departure from The Nevilles in 2013, Andrews assumed the group’s two-decades-old gig of closing out the New Orleans Jazz & Heritage Festival.

This past year, despite two straight days of rain, the trombone virtuoso closed down the festival via diving into the audience and shredding like a madman while dancing in the mud. “I felt like we needed to give the crowd something special that was in the spirit of the event—go out on a bang, you know?” says Shorty,  as he describes a move that was more like something you’d expect to see at Lollapalooza than a jazz festival. “I always say I want to be a rock star, so the best way to make that happen is to act like one.”

The mentality is something Shorty’s fans have embraced. When asked about his decision to select Shorty as the Nevilles’ follow-up, decades-long Jazz Fest director and producer Quin Davis told The Times Picayune: “People’s understanding of heritage, when we say this is a heritage festival, I think they tend to look at it as in the rearview mirror. That heritage means you’re celebrating what passed, what used to be a long time ago. But in New Orleans, that’s not the case. Heritage here, you can see it through the windshield. It goes on, forward as well as back. And Troy is representative of where the music is going.”

Shorty’s approach is a no-holds-barred effort to update the music and make it accessible for new generations of listeners. “I mean, I’m always searching,” he says. “Some people ask me why I don’t just play jazz or rock or whatever—I tell them I really can’t decide because every day I hear something new. By me listening to every style of music—jazz, bluegrass, rap, rock ’n’ roll—I keep my ears opened. It’s always good to listen to all types of music because that means you’re always making it new.”

Shorty’s “making it new” can best be understood by his repertoire. For more than 15 years, he’s been mixing original and traditional material with a wide range of covers including Lenny Kravitz songs like “Sistamamalover” and “The Craziest Things,” “Brain Stew” by Green Day, and “Killing in the Name” by Rage Against the Machine. Shows often include renditions of Big Easy staples like “Saints” or “St. James Infirmary” alongside a James Brown medley or a jaw-dropping take on Ernie K-Doe’s “Here Come the Girls.” The result is a genre Andrews likes to refer to as “Suprafunkrock.”

Shorty says his nickname came from the fact that, “as a kid, when people saw me on stage or marching with bands, they’d say things like, ‘Look at that kid, the trombone’s bigger than he is!’” Getting his start as a bandleader at the  age of 6, he joined groundbreaking New Orleans brass band The Stooges as an early teenager. And from there, things only got better.

In 2005, at the age of 18, he played in the horn section for Lenny Kravitz’s world tour. The next year, producer Bob Ezrin brought him into Abbey Road Studios to work with U2. Then, in 2010, his debut for Verve Records, Backatown, climbed to the top of Billboard Magazine’s contemporary jazz  charts, stayed there for nine consecutive weeks and wound up earning a Grammy nomination. He’s toured with Jeff Beck, Dave Matthews, Eric Clapton, Dave Grohl and, earlier this year, the Red Hot Chili Peppers.

In addition,  Andrews found time to write a children’s book in 2015, telling the story of his relationship with the music of New Orleans. “While I want to carry the torch for that legacy, more importantly, I want to ensure this tradition continues,” he says. “I’ve been fortunate enough to travel the world and share my music but I always come home to New Orleans. I want to do what I can to inspire hope in kids who’re growing up under difficult circumstances but have a dream—I’m living proof that as long as you work hard, you can take flight.”

Shorty is working on a new album—his fourth for Verve—which he expects will be released in late 2017. About the record, he’s keeping quiet: “It’s gonna be big,” he says. “We’re confident this will be the best work we’ve ever put out.”

Categories
Arts News

Local author spotlights under-the-radar female mathematicians at NASA

On February 20, 1962, Americans sat around their radios or TVs, transfixed by every update as astronaut John Glenn was launched into space, and became the first American to orbit the Earth. It was a big deal, not only for the country, but for the world. But as with many major scientific milestones, individual icons often overshadow the people behind the scenes. Back at NASA, the women “computers”—mathematicians—were an integral part of the approximately 1.2 million tests and simulations that got Glenn into space.

“These women really were amazing,” says Margot Lee Shetterly. “American superheroes, ordinary extraordinary people.”

A University of Virginia alum and Charlottesville resident, Shetterly is the author of the New York Times best-seller Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race (Hidden Figures, the movie, opens on Christmas Day). In the book, Shetterly lays out the histories and the story of black female mathematicians and physicists such as Dorothy Vaughan, Katherine Johnson and Mary Jackson, who became human computers for the West Area Computing Group at Langley Memorial Aeronautical Laboratory.

DF-01466_R - Janelle Monáe stars as Mary Jackson in HIDDEN FIGURES. Photo Credit: Hopper Stone.
Janelle Monáe stars as Mary Jackson in Hidden Figures. 20th Century Fox

Shetterly spent much of her early life around the scientists, physicists and engineers of NASA. Her father started work there in 1966 as a co-op student, and Shetterly remembers going to work with him, seeing the giant wind turbines, eating in the cafeteria and going to family festivals for NASA employees.

She later moved to Charlottesville to study finance at UVA, graduating in 1991 from the McIntire School of Commerce. After getting her degree, she spent years trading on Wall Street before she and her husband moved to Mexico and started an English-language publication there.

Around Christmas of 2010, the couple was back in Hampton visiting family. They were driving around with her father, Robert Lee III, and he was telling her about her Sunday school teacher who had been a computer at NASA. During the ride, the conversation about the women who worked there, such as Johnson, who calculated launch windows for astronauts (including for Glenn’s first flight), grew.

“For me, I realized I knew these women, but I didn’t know this story,” Shetterly says in a phone interview with C-VILLE. “And that sent me down the path to figure it out.”

Once she understood the historical significance of the work the women did, Shetterly wrote in the book’s prologue that “the spark of curiosity became an all-consuming fire,” and she dove vigorously into the research.

Margot Lee Shetterly, a 1991 graduate of UVA, started researching material for her book, Hidden Figures, in 2010, after her dad, Robert Lee III, told her he had worked alongside one of her Sunday school teachers at NASA. Photo by Aran Shetterly
Margot Lee Shetterly, a 1991 graduate of UVA, started researching material for her book, Hidden Figures, in 2010, after her dad, Robert Lee III, told her he had worked alongside one of her Sunday school teachers at NASA. Photo by Aran Shetterly

The story of the desegregation of NASA is a complicated one, rooted in the early civil rights movement. Its kicking off point came in 1941 when President Franklin D. Roosevelt desegregated the defense industry. Government agencies like Langley Memorial Aeronautical Laboratory suffered from a labor shortage during World War II, and qualified African-Americans seized the opportunity to apply to fill positions such as scientific aides, lab assistants, model makers and mathematicians. The women human computers crunched numbers for the NACA (National Advisory Committee for Aeronautics, later to be renamed NASA) to make airplanes quicker, safer and more efficient. They often matriculated from historically black colleges and universities like Hampton Institute and West Virginia Institute (today’s historically black colleges and universities, which serve 3 percent of the U.S. collegiate population, produce more than a quarter of the African-American college graduates with a bachelor’s degree in a STEM field).

Once World War II ended, and America transitioned into the Cold War Space Race with the Soviet Union, NASA set its sights on sending American astronauts into space. Vaughan, Johnson and Jackson were integral parts of advancing this mission—doing long calculations, creating, checking and rechecking equations, taking part in model experiments and studying aeronautics to improve air traffic control.

Hidden Figures catalogs these contributions, but it also talks about the complicated time period from the early integration period of the 1940s to 1980, when about 50 black female mathematicians worked at Langley. The women computers were separated from the men, but also from each other—the East Computing area was for white women, and the West Computing area was for black women. But collaboration was necessary to keep the assembly line of equations, figures and data running smoothly between research divisions, so working with people from different genders and races was a regular occurrence.

However, women at NASA were ranked below and paid less than their male counterparts, even with a similar amount of education and experience. And it was hard work—the grind of computers was repetitive and tedious, as these women inputed numbers through calculating machines as they tested equations through long days with half-hour lunches during a six-day work week. Before astronauts took off into space, the computers of West Area helped engineers in the aeronautic division. The women computers had to keep pace with the blitzing speed of the American aircraft industry, which went from the 43rd-largest industry in the U.S. in 1938 to the biggest industry in the world by 1943.

The women’s experience with NASA is rooted in the evolving political and social climate of the time. While it may have not been as harsh or overt at Langley, segregation was a part of virtually every level of U.S. society at the time—from housing to employment to health services to education. But, eventually, landmark victories in the fight for civil rights and racial equality were won.

In the 1954 case Brown v. Board of Education, the U.S. Supreme Court ruled that separate educational facilities were inherently unequal, therefore unconstitutional. African-American students were granted admission into public schools—from grade school to grad school—across the country.

Despite the ruling, integration was not immediate, nor was it institutionalized en masse. Many state and local politicians, particularly in the South, fought the ruling. During his inauguration speech, Virginia Governor James Lindsay Almond Jr. described segregation as part of the “plain and unequivocal facts of history.” On a chilly January 1958 day, Almond proclaimed an antebellum creed that “integration anywhere means destruction everywhere.”

But the federal government and civil rights groups continued to fight to desegregate public schools. At the time, African-Americans in Charlottesville attended segregated schools like Jefferson Elementary and Burley High School. Seeking better education and resources, black families petitioned to be allowed into the city’s white schools and were the denied by the Charlottesville School Board. In 1956, the National Association for the Advancement of Colored People filed a lawsuit against the board to force its schools to integrate. By the fall of the same year, the U.S. District Court ruled in Allen v. School Board of the City of Charlottesville that Charlottesville must integrate Venable Elementary and Lane High.

Refusing to comply with the federal order, Almond ordered the shutdown of Lane and Venable in the fall of 1958, both of which remained closed until the next school year. Though truncating more than half of a school year was a serious measure, Almond’s C’ville order was not the most drastic in Virginia. Prince Edward County schools closed for five years rather than integrate—from 1959 to 1964. But Charlottesville eventually accepted the judgment, and at the start of the 1959 school year, three African-American students—John Martin, his brother, Donald, and French Jackson—walked through the front doors of Lane High School.

Though the progress was just as gradual, the road to desegregating the University of Virginia happened earlier than the Brown v. Board of Education decision. In the 1950s, the undergraduate community was almost exclusively white males, aside from white women studying in the nursing and education schools. Pro-segregation Virginia Senator Harry Byrd said, “If we can organize the Southern states for massive resistance to this order I think that, in time, the rest of the country will realize that integration is not going to be accepted in the South.”

But in 1950, Gregory Swanson sued the university to gain admission into its law school. Swanson was admitted, but he decided to leave after one year. Though his stay was short-lived, Swanson paved the way for other graduate students such as Walter N. Ridley from Newport News. At the time, UVA was looking to admit blacks “who were highly likely to be successful.” Ridley applied and was admitted, and in 1953, he became the first black man to receive an academic doctoral degree at the University of Virginia and at any Southern institution of higher education. UVA’s undergraduate program became integrated in 1955, and many of the trailblazing African-American undergrads studied in the STEM fields.

One of the students who benefited from these trailblazers is Victoria Tucker. Tucker, who graduated in 2012 with a nursing degree, works in palliative care at Virginia Commonwealth University while pursuing a nursing Ph.D. at UVA. She originally wanted to focus her doctoral studies on palliative care, doing something that focused on mindfulness as a family caregiver, but then she stumbled upon her own “hidden figure.” For a grad school class assignment, the professor asked students to turn in a history paper on any topic of their choice.

“What started as a personal quest for understanding my own heritage in nursing became such a humbling experience,” says Tucker. “I thought to myself, ‘What did I need when I was younger?’ There weren’t books about black nurses that were really accessible to me at an early age. And I just realized, ‘This is what I want to do. I want to add to that scholarship.’”

Tucker reached out to the nursing school alumni office to inquire about Dr. Mavis Claytor, the first African-American to earn a degree from UVA’s nursing school in 1970. Tucker spent time with Claytor and her family, and learned about her experience integrating UVA’s nursing school. That meeting inspired Tucker to change her course trajectory to nursing history, specifically the history of African-American nurses in Virginia during segregation from 1950 to 1980. She’s now digging into the archives to uncover these written and oral histories.

Tucker’s discovery of Claytor as a “first” for UVA as late as the 1970s was not unique. Many institutions found it difficult to integrate in a timely manner—juggling the law of the land with the racial climate of U.S. society. To reconcile these warring demands, some educational institutions complied in a de jure sense, by pushing back against or slowing down integration efforts. In terms of early and high school education, this could mean building portable additions to overcrowded black schools instead of sending extra students to nearby white schools, or busing black students to farther away black schools instead of letting them attend white schools closer to home.

Initially, U.S. colleges and universities only admitted white males. White women were the next demographic to be integrated into American higher education, but, early on, they faced pushback as well. Kitty O’Brien Joyner, one of the only female engineers at NACA when she was hired in 1939, had sued UVA—and won—to gain admittance into its all-male undergraduate engineering school. But institutions around the South especially, built extension schools to reach underserved populations like women, people who lived in more rural, secluded areas or those who wanted an education but did not have the economic liberty to move to college towns or to go to school full-time. As the early civil rights movement gained steam, and African-Americans demanded equal opportunities, many colleges and universities admitted minorities into these extension schools, where they attended classes away from campus. One such student was Mary Jackson, one of the women highlighted in Hidden Figures. In 1938, the Hampton, Virginia, native graduated from Phenix High with the highest honors. She went to Hampton Institute (later renamed Hampton University), majoring in math and physical science. After college, she worked as a secretary and bookkeeper for the King Street USO. Jackson was active in the Hampton community, leading the Bethel AME Church Girl Scout Troop, and she spearheaded social uplift programs as a sister of Alpha Kappa Alpha, the first historically black intercollegiate sorority. Jackson was working as a military clerk typist when she perused a list of job vacancies in the Air Scoop, the official publication at Langley. Jackson spotted a research position at Langley and decided to apply. Three month later, she accepted the job, where she performed research investigations about the airflow around model planes and space rockets in the Supersonic Tunnels Branch.

Recognizing a brilliant mathematician, Jackson’s boss offered her a promotion if she took a few more math classes, starting with a differential equations course. This extension program (managed by UVA) was set up for the NASA Langley employees. At the time, Hampton was a segregated city, and Hampton High School, where UVA offered its extension classes, was an all-white school. Jackson applied to the City of Hampton for special permission to attend the extension school classes, and although her dispensation was granted, it didn’t result in a general acceptance of black employees from Langley being allowed to attend the school.

Like Margot Lee Shetterly, other UVA grads have actively engaged in archiving the contributions of African-Americans to the greater American history, but also, more specifically, to the legacy of Virginia and its flagship university.

Born and raised in Charlottesville, Niya Bates has two degrees from UVA—a bachelor’s of arts in African-American studies in 2012 and a master’s in architectural history. In May, she became the public historian of slavery and African-American life at Monticello. Her daily tasks include leading guide staff trainings on talking about race and the legacy of slavery at Monticello, helping develop new museum exhibitions and cultivating a diverse visitation audience with community outreach. Bates knew she wanted to be a historian since childhood.

Niya Bates, who was hired as the public historian of slavery and African-American life at Monticello in May, says uncovering the hidden histories at Monticello is critical to continuing to spotlight the complexities and depth of American history. Photo by Eze Amos
Niya Bates, who was hired as the public historian of slavery and African-American life at Monticello in May, says uncovering the hidden histories at Monticello is critical to continuing to spotlight the complexities and depth of American history. Photo by Eze Amos

“I spent a lot of time with my grandparents growing up,” she said. “My granddaddy was born in 1908, and my grandmother 1927, so they told us about growing up in the South during Jim Crow, going to one- or two-room schools, walking miles to work at a nearby former plantation. But they were proud of their history, and the ways they maintained and resisted. It’s something that always stuck with me.”

After serving in AmeriCorps, Bates became interested in how physical space shapes identity, which is what led her to architectural history and historic preservation. Bates feels that her work to uncover the hidden histories at Monticello is critical, spotlighting the complexities and depth of American history. To her, the lives of Sally Hemings, Brown Colbert and other slaves Thomas Jefferson owned are the “hidden figures” that make history so unique and complicated.

“I knew I was led by a desire to stay in my hometown, and wanted to work in a profession that allowed me to do community development,” Bates says. “Sure Jefferson’s contributions to our nation’s founding were interesting, but telling their stories is what makes my job fun and gives it the most meaning.”

Claudrena Harold, an associate professor of African-American and African studies and history at UVA, says that desegregation was a complicated story that began decades before Brown v. Board of Education or the Civil Rights Act of 1964, and it extends into the late 1970s. She recently published a book on the political organizing work and activity of black Southerners titled New Negro Politics in the Jim Crow South.

“For the most part, African-Americans integrated graduate schools before they integrated undergraduate schools,” she says. “Before some of the major Southern schools became integrated, what the states would actually do is pay for African-Americans to go to schools that would accept them.”

Claudrena Harold, associate professor of African-American and African studies and history at UVA, says the draw to the Hidden Figures story is that it’s told through a collective voice, rather than spotlighting one individual in black history. Photo by Eze Amos
Claudrena Harold, associate professor of African-American and African studies and history at UVA, says the draw to the Hidden Figures story is that it’s told through a collective voice, rather than spotlighting one individual in black history. Photo by Eze Amos

UVA did that in 1936 when a black student named Alice Jackson became the first black student to apply to the university. When she was denied admission into UVA’s master’s degree program in French, the NAACP sued the state of Virginia. As a response, the Virginia General Assembly passed the Dovell Act, or House Bill 470, which set up a fund that would subsidize the tuition and travel expenses of qualified black students so they could pursue graduate education in other states. Jackson and hundreds of African-American students over the next few decades had their educations paid for this way (UVA continued this policy until 1950). She used her grant money to get a master’s in English in 1937 from Columbia University.

Historical significance and narrative power are a big reason why Hidden Figures continues to garner heavy buzz. Last week, First Lady Michelle Obama held a private screening of the film, followed by a panel that included the film’s creators, cast members and Shetterly. As a scholar studying groups, movements and eras, and as a co-director of two films herself (Sugarcoated Arsenic and We Demand), Claudrena Harold thinks one of Hidden Figures’ biggest draws is that it tells the story of a collective. The book and film put the spotlight on colleagues, their cooperation with each other and support of each other, which is a story that strays from the typical way history is told—through singular actors in “great man”-type narratives.

“I tend not to like what I call ‘first Negro’ narratives–the first black person to do this or that—because when I think about something like education, I think generations, not individuals, transform history,” says Harold. “To be sure, there are seminal figures in our history, but I think black intellectual history can be told through Ida B. Wells or W.E.B. Du Bois, but also through a Virginia Union University or a Howard University. So in addition to their distinctiveness, it’s also important that they are doing this together.”

Shetterly feels that the story of Hidden Figures is encouraging for people of all races and ethnic backgrounds, genders and ages, because it taps into a sense of optimism and shared humanity.

“At a time we are looking at issues of inclusion, I think we’re asking ourselves: who are we as American? Who gets to call themselves American?” Shetterly says. “There’s all these questions that we were asking in the ’40s, ’50s and 60s that are still relevant today.”

Categories
Real Estate

Antiquing is Great in Central Virginia

Television shows like PBS’s Antiques Roadshow and America’s Lost Treasures on the National Geographic Channel reflect an enduring interest in antiques and the lure of discovering something “big.” Why is antiquing such a perennial activity?

“Antiques are the ultimate in recycling, reusing and repurposing,” declares Annette Couch-Jareb, manager of A&W Collectables, a 60-dealer antique cooperative on Route 250 in Keswick. “Antiques are going to be unique and original, usually better quality, and oftentimes less costly than similar objects that are new.”

Couch-Jareb points out that even if your home has a modern décor, there’s always a place for an antique. “We’ll call your house eclectic,” she says. “An old piece becomes a focal piece and is even more dramatic in a modern setting than in a home filled with antiques. No matter what your style, an antique piece creates history in your home.”

Indeed, antiques lend individuality to the newest of homes and often harken back to our region’s history. One fine piece can become an anchor adding character to a home, whether it is a family heirloom or something old that is new to the family. Those pieces suggest the energy of  much less complicated times.

How to Shop
Before you start the hunt, it makes sense to educate yourself.  The Federal Trade Commission publishes some standards to guide and protect shoppers. By law, an antique is more than 100 years old. Collectibles are simply what a person chooses to collect; however a vintage collectible is defined as at least 50 years old. A reproduction is created to resemble an antique, but there is no added value. “Repro,” on the other hand, is a term describing a reproduction deliberately created to deceive buyers. 

Familiarize yourself with antiques in general by reading books, chatting with dealers, or even taking an online course in antiques. These courses are generally free or inexpensive. As you shop, of course, you’ll gain a mental yardstick for the value of items and what is a fair price.

Decide what you want to collect or what you are looking for. If you’re on the trail of a specific piece for a specific place in your home, have measurements with you and perhaps even a picture of the spot.

Price guide books are filled with information, photos, and average retail prices. Some are general while others deal with specific categories such as pressed glass or dolls. Online guide books show pictures of items with fairly accurate ranges of prices. Values aren’t exact, of course, because they can vary with an item’s condition and even by location because some things become “trendy” in certain regions.

In addition, there are apps for smart phones specifically for antiques. It’s a good plan to keep your phone, guide books, and tape measure handy when you are shopping in case you fall in love with something at an unexpected time or place.

Be sure the object you are buying is something you genuinely like and inspect pieces carefully. Check for broken or missing parts, stains, or other defects. Does the seller know anything about the item’s history?

With more expensive pieces, a provenance (a past history which might include dated purchase receipts, appraisals, historical records, or photographs) should be provided. If it is not available, this should be reflected in a lower price.

Ask about return policies, and always get a written receipt including the seller’s name and contact information, a description of the item—including age, origin, and the price you paid—and a written guarantee. If the seller is not willing to guarantee an item, the price should reflect this uncertainty.

Where Should I Go?
Whether you are a casual shopper, an amateur collector, or someone who takes antiquing very, very seriously, it can be a lovely way to spend an afternoon or even a weekend on the road.

Antique lovers know our region is blessed with a great variety of antique dealers, both large and small, and we wish we could list every single one.  A splendid resource is Sunday Driver (sundaydriver.com), which was founded in 1987 for a few Western New York antique shops and has now expanded to a number of regional antique directories listing more than 1,000 antique shops.

The Central Virginia directory lists 98 dealers from Afton to Wirtz, while the I-81 directory lists 96 dealers from Abingdon to Wytheville. Addresses and phone numbers are given as well as websites when available. You can request a free PDF directory or get a hard copy for a modest fee for postage and handling.

The Sunday Driver includes dealers from large malls to individuals. An internet search for “antiques + Central Virginia” can also guide you to many antique businesses. A number of dealers have websites and even for those without websites there are often online reviews to check out.

Antique Malls
These venues have many vendors under one roof so they’re a great place to get your feet wet and possibly discover a particular interest. In addition, shoppers will find themselves protected by owners, managers, and vendors alike who have a significant interest in policing their businesses by excluding dishonest dealers. Because antique malls are big, they are often located in rural areas where rents are lower.

The largest in our region is the Ruckersville Gallery with more than 80 dealers and more than 150 consigners. (“Huge place, friendly staff, well worth the drive,” posted one visitor on a review page.) The Wooly Lam, also in Ruckersville, lists about 40 stalls. (One reviewer posted: “This is a fun place to shop. Great variety of vintage, antiques and shabby chic.”)

Another multi-dealer venue is the Covesville Store between Charlottesville and Lovingston. (“I have been shopping there for many years, and sometimes made a purchase and sometimes not, I really do love looking in the store,” says one online reviewer.)

Its sister shop, the Tuckahoe Antique Mall, is in an old apple-packing shed in Nellysford. (“An excellent antique mall with a broad variety of treasures. Well worth the drive from Richmond!”) reads an online shopper’s review.

Individual Dealers
There are dozens of individual dealers as well. Here are some regional samples:

Habitat Stores often stock previously owned furniture from antiques to modern.  Donated items might include dressers, mirrors, doors, windows, flooring, chairs, and even a piano. There are Habitat ReStores in Charlottesville, Staunton, Buena Vista, Farmville, Lynchburg, Richmond and other cities in our area. Check individual websites for photos of some of their inventory and for weekly specials.

Circa, a Charlottesville institution often drawing people from some distance, stocks its meandering multi-building warehouse with “affordable antiques and quality used furniture.” Their inventory encompasses true antiques to very-early-heirloom pieces in need of some TLC, including drop-leaf desks, china cupboards and secretaries to fit in corners, chairs, tables, artwork, and lots more.

“Our inventory comes from auctions and individuals who are moving or downsizing,” says Circa manager Robin Slaats. “We buy a lot from just people, and we like finding new homes for their things.”

Another example is Kenny Ball Antiques in Ivy Square in Charlottesville. Chloe Ball started working at her father’s shop straight out of college about a dozen years ago.  She points out that compared to antique malls, many individual stores typically have a niche. “For example,” she explains, “we specialize in 18th and 19th century French, English and Italian antiques.”

The shop has been in business 30 some years. “We used to go to France every other month,” Ball says, “but now we can buy online at auctions and estates.” She says some shoppers have one special particular thing in mind while other people find things and make them special.

The niche for Oyster House Antiques, open daily on Charlottesville’s Downtown Mall, is antique Chinese furniture, purchased in China. They also stock jewelry, scrolls, figurines and other items. A warehouse with additional inventory is nearby on Preston Avenue, however while it is open on weekends, it is open by appointment only during the week.

Gasoline Alley, appropriately located in an old service station on Main Street in Waynesboro, has a niche for “petroliana” (not surprising, given their name) as well as “breweriana,” including many old advertising signs, but also antique and mid-Century furniture, architectural elements, and more. Their website shows much of their merchandise.

Patina Antiques, Etc. is on East High Street in Charlottesville and stocks what they term “a true hodgepodge” of fine antiques and brand new items from furniture to functional accessories. This mix fits well into the eclectic décor many people choose these days.

Again, this is a very small representation of the many reputable antique businesses in our region. These days, the hunt is helped by dealers with websites featuring specific pieces in their inventories.

Other Ways to Use Antiques
Sometimes shoppers find something they weren’t planning on buying. They may love it, but not really have a place for it. That’s the time for thoughtful repurposing.

One family, for example, used an antique pie safe to house their television behind closed doors. An oversized headboard, shutters, or old windows could become a room divider. An armoire might serve as a file cabinet in a home office.

When a large antique piece such as a weather vane or wagon wheel can’t be incorporated into a practical function, consider turning it into a focal point as a piece of art. Could it be mounted over a buffet or mantelpiece? Smaller pieces such as jewelry or thimbles might be mounted in shadow boxes and used in wall arrangement with miniature paintings, small musical instruments or similar items. 

“It’s interesting,” says Couch-Jareb of A&W Collectibles. “I think about 90 percent of purchases are impulse items, but you have them in the back of your mind.” She urges people to shop with tape measures and floor plans in case you see the “perfect” item you didn’t even know you were looking for. (For emergency measurements: a dollar bill is very close to 6 inches long.)

Remember, she continues, “When you are antiquing, you are supporting a local small business.” She says dealers typically don’t seem themselves in competition with each other because everyone has different things. “We all try to support one another. If someone is looking for something, and I know it’s likely to be at another place, I’ll send them there and other places do likewise.  We have a stack of cards from other businesses and I can gladly send them in that direction. “

The bottom line is that antiquing is an enjoyable way to spend a day finding treasures, gifts, home décor, or simply items that appeal to you.


Marilyn Pribus and her husband especially love their antique dark-wood, curved-glass-fronted secretary desk. The underside of the drawer is marked National Biscuit Company making it clear the craftsman was recycling a cracker crate when the piece was built.

Categories
Real Estate

Have a Jolly, Thrifty Christmas

If you haven’t quite finished shopping for this year’s holidays and have three truly tough names on your list that you absolutely have to get something for, you may also be thinking THERE’S GOT TO BE A BETTER WAY.

We’ve rounded up some imaginative ideas for you and created a simple checklist for next year. Consider tucking it in your wallet, “magneting” it to your fridge, or copying onto your smart phone. 

Shop the sales.
REALTOR ® Byrd Abbott, an associate broker with Roy Wheeler Realty Co., confides that she has nearly three dozen people on her Christmas shopping list. “By the end of February I’m already keeping my eyes open for sales,” she declares. She explains that she keeps a list in her head to work on all year, then around Thanksgiving she goes through it to see where she’s lacking. “And then,” she adds, “there are stocking stuffers to think about for six to eight stockings.”

Be prepared.
Whenever you’re with someone on your list and you hear a mention of “What I’d really love to have is (fill in the blank)” don’t trust your memory.  Write it down! It could be a Fourth-of-July wish for an American-flag motif scarf, a hankering for extra pairs of SmartWool socks, or a manicure (get a gift certificate). You think you’ll never forget, but when it’s time to shop it can be hard to recall.

Be alert for that special gift.
Whether you’re shopping a sale at your favorite store, browsing in a shop while on vacation, or wandering through an antique mall, keep in mind the people on your holiday list. Does your mother-in-law collect cookie cutters? Does your sister adore silly earrings? Does your child’s music teacher love special pots for her African violets?

Recycle things.
“Every year I save gift boxes, pretty ribbons, bows, and beautiful wrapping paper,” says Abbott. “Often paper can be trimmed and used for a smaller package the next time.”

If you have youngsters in your life, recruit them to make holiday cards.  Provide construction paper, glue sticks, scissors, and colored felt pens plus a supply of ribbons, old holiday cards, or do-dads from a thrift shop. These are guaranteed to bring a much bigger smile from the recipient than a store-bought card.

Be a DIY Santa.
“In this very commercial era, when we’re all so busy, I think people really appreciate a home-made gift,” observes REALTOR ® Sabina Martin, Associate Broker with Charlottesville’s Better Homes and Gardens Real Estate III. And, she points out, it’s usually less expensive than buying something.

“I have a bunch of close friends, colleagues, and neighbors around town that I like to give something to,” she says, “and I always make something myself.”  One year, for example, she collected clear glass jars and planted paperwhite  narcissus bulbs on rocks. “I put a pretty red bow around the rim, and they were blooming just after I delivered them.” (Generally these narcissus bulbs take 3-6 weeks to bloom. Find instructions online.)

Another year Martin enlisted her children to help her make chocolate truffles and chocolate-dipped dried fruit, then layered them on wax paper in pretty boxes and tins she had saved all year.

We hope we’re not giving away Martin’s secret for next year when we say she told us, “I have a plan to make scented bath oils to give which are so easy. You can google a recipe, but I like to use an oil base that’s good for your skin.  Put 8 ounces of almond, coconut, or olive oil in a pretty bottle, then add 8-10 drops of an essential oil—available at health food stores—in a scent that’s wonderful like lavender, jasmine, rose, or peppermint. Shake it, then add a pretty ribbon to the bottle.” 

Googling “thrifty Christmas ideas” will take you to many places such as Pinterest with literally hundreds of inspirations. A quick visit garnered ideas for making “stained glass” candle jars (using colored tissue paper), molding quick candles, creating clever holiday décor from Popsicle sticks, and a variety of festive paper crafts.

*Plan ahead for next year’s decorating.
Plan ahead for next year by keeping the metal frame from this year’s wreaths. Settle on a special theme such as small children’s toys, or statuettes of birds, trains or fire engines. Then keep an eye out when you’re shopping in thrift shops or yard sales. Set up a plastic bin to store your found items until it’s time to create your wreaths and garlands next year.

Again, browsing the Internet yields many clever ideas ranging from quick and cute to pretty darn classy. Example: Fill clear glass wine glasses with colored water then float little candles in each one. An alternative: Place a festive item such as a snowman figurine or tiny Christmas tree under an inverted wine glass and secure a fat candle to the bottom of the glass which is now, of course, the top. Look for wine glasses and other pretty glass containers in Charlottesville thrift shops for 50 cents or a dollar each.

Planning ahead for 2017 will make the holidays more relaxed and joyful.


When Marilyn Pribus and her husband moved to Charlottesville nine years ago, they were caught flat-footed when neighbors suddenly appeared at the door with home-baked holiday treats and little gifts. This year she is prepared with cuttings from her Christmas cactus, well established in holiday mugs.

Categories
Arts

Album reviews: Big Star, Sun Ra and NRBQ

Big Star

Complete Third (Omnivore)

A legendary band’s most legendary turn. After Big Star’s brilliant 1972 debut, #1 Record, stiffed, co-leader Chris Bell quit, leaving Alex Chilton as the band’s main mover for its 1974 follow-up, the sparkling Radio City—which also stiffed. Both albums are power-pop classics, routinely included in best-ever lists, but for many Big Star fanatics, Third is The One, although it’s not even clear the shambolic studio happenings were meant to constitute an album, even when PVC released a collection called 3rd in 1978.

When Rykodisc reissued the songs as Third/Sister Lovers in 1992, I was 22 and heartsick—primed for despairing, achingly beautiful songs like “Big Black Car,” “For You” and “Blue Moon,” which seemed to fall from heavy clouds. I sneered along with “Thank You Friends” and “Take Care,” and shuddered in wonder at “Kanga Roo” and “Holocaust.” It’s still a shattering album—to say the songs have aged well is wrong—they haven’t aged at all. Omnivore’s three-CD set collects all extant recordings from the sessions, including outtakes and Jim Dickinson’s never-released mixes. Big Star completists will rejoice to the skies.

Sun Ra

Singles: The Definitive Collection (Strut)

There is no better introduction to Sun Ra than the headings of his Wikipedia biography: “1.1 Early life… 1.2 Early professional career and college… 1.3 Trip to Saturn.” Despite Ra’s cosmic assertions and otherworldly use of synthesizers, most of his output—though insanely prodigious and diverse—is well-rooted in traditional jazz/blues idioms from the home planet: big band, hard bop, R&B, even doo-wop. And yes, he released dozens of singles, mostly for sale at gigs, the better to pay the bills—a double-disc collection came out in 1996, and now comes this “definitive” 65-song package from Strut. “Definitive” has to be in quotes for someone whose discography is as unwieldy as Ra’s, but for anyone looking for inroads to the oeuvre, this might be the best one-stop shop yet. The scope of Ra’s Arkestra is on full display, as are fan favorites like the burbling “Love In Outer Space” and the infectious “Somebody’s In Love” (covered by Yo La Tengo on its latest). The liner notes are bounteous and fascinating; the performances throughout are transporting and vital. Life-affirming stuff.

https://sunrastrut.bandcamp.com/album/singles

NRBQ

High Noon: A 50-Year Retrospective (Omnivore)

NRBQ is one of American music’s most beloved cult bands, a secret handshake for devoted fans as well as artists like Keith Richards, Bonnie Raitt and, uh, Homer Simpson. The acronym stands for “New Rhythm & Blues Quartet,” a narrow moniker for a group that internalized country and avant-garde jazz (High Noon includes Sun Ra and Thelonious Monk covers) on top of every flavor of trad rock ’n’ roll. And it’s not “rock”; it’s definitely “rock ’n’ roll.” Through numerous lineup changes, NRBQ has eschewed the nasty and brutish in favor of the sweet and carefree—it’s timeless music for dancing, swimming, driving and cooking out. This extensive set is devoid of chaff, and the classic lineup of guitarist Al Anderson, bassist Joey Spampinato, keyboardist Terry Adams and drummer Tom Ardolino is amply represented with nugget after deceptively simple nugget: “Riding in My Car,” “I Want You Bad,” “It Feels Good,” “Me And the Boys,” plus the exquisite, lost holiday classic “Christmas Wish.” An old saw goes that if there’s a bar in heaven, NRBQ is the house band. But hallelujah, we’ve got ’em down here.

Categories
Living

LIVING Picks: Week of December 21-27

FAMILY

Kwanzaa celebration
Monday, December 26

A discussion will follow a showing of the first feature film on Kwanzaa, The Black Candle: A Kwanzaa Celebration. Free, 3-5pm. Jefferson School African American Heritage Center, 233 Fourth St. NW. jeff schoolheritagecenter.org

NONPROFIT

Operation Silent Night
Through December

The Charlottesville-Albemarle SPCA is reducing adoption fees by 50 percent for all critters—cats, kittens, dogs, puppies and small animals—through the end of the month. Charlottesville-Albemarle SPCA, 3355 Berkmar Dr. caspca.org

FOOD & DRINK

Keswick Hall Christmas Day grand buffet
Sunday, December 25

Take the whole family to an elegant Christmas buffet. $79 adults, $35 ages 3-12; seatings at 11am and 1pm. Keswick Hall and Golf Club, 701 Club Dr. Call 979-3440.

HEALTH & WELLNESS

Food for Thought class
Wednesday, December 21

Learn ways to modify your diet and reduce fat, cholesterol and sodium. Includes tips on adding foods rich in nutrients such as fiber, potassium and antioxidants. Free, 1- 2pm. Sentara Martha Jefferson Hospital Health & Wellness Center, 590 Peter Jefferson Pkwy., Suite 200. (800) 736-8272.

Categories
News

Kessler petitions to remove Bellamy from City Council

Jason Kessler, the previously unknown writer who last month exposed Vice-Mayor Wes Bellamy’s racist and vulgar tweets from before he was elected, is now collecting signatures to remove him from office. He’s also made a video that elucidates some of his concerns about issues affecting white Americans.

“I’m closing in on a hundred,” says Kessler about his signature collection.

Virginia does not make it easy to remove elected officials, even convicted sexual batterers like former Albemarle supervisor Chris Dumler.

Kessler must gather enough signatures of registered Charlottesville voters to be equivalent to 10 percent of those who voted in the last City Council election, a number he’s pegged at 527. Once the signatures are collected, he says a special prosecutor will try Bellamy for “misuse of public office” for calling for the boycott of Doug Muir’s restaurant, Bella, after the UVA lecturer compared Black Lives Matter to the KKK in a Facebook post, and for Bellamy assigning his Twitter account the username ViceMayorWesB when it contained the older, “hateful comments,” says Kessler.

“There’s a pattern of bias, racial bias Bellamy has consistently shown since being in office,” he says.

Kessler has been busy on his blog, charting the times Bellamy tweeted while on the job as an Albemarle teacher, denouncing Mayor Mike Signer, calling out the local “biased media” and accusing Bellamy of using the Young Black Professionals Network of Charlottesville as a slush fund.

Says Kessler of his petition, “The local media is trying to suppress it because they’re shills for the status quo. They care about access to politicians.”

Kessler shared some of his thoughts in a YouTube video on Donald Trump and white identity politics.

In it, he denounces years of “racist, anti-white policies,” such as affirmative action, and the growth of social justice warriors—“blacks, Hispanics, gays”—for whom the culture is “so slanted in their favor that they have something magical called privilege…”

He blames media for “blaming white people for slavery, even though it was done by every race of people on Earth.”

He also notes “biological differences in intelligence” between races. “I don’t need to go into that because you already know which groups are not focused on intellectual attainment and their culture does not promote that,” he says.

“My greatest fear is we will become the new South Africa and there will be a white genocide,” which, he assures viewers, is being covered up by the mainstream media.

The video is no longer available online.

“‘Identity politics’ is a dismissive term, originally hurled by conservative critics to demean what we on the left call the civil rights struggle,” says Jalane Schmidt, a UVA religious studies professor who teaches classes on race and religion.

While the term “white identity politics” may be new, she says, “the ideas are quite old: using discredited biological theories to dismiss black intelligence and culture” and “propagating a falsehood of ‘black privilege.’”

Because conditions for working-class whites have declined, she says, those espousing white identity politics have turned their fire on “undeserving” minorities.

While Kessler had earlier aligned with the alt-right, he denies he’s a white supremacist and describes himself as “center left” on most issues.

Says Kessler, “In 2016, a lot of working-class whites felt they were being picked on by elites, academia and the media.”

And in his video, he says, “The white majority spoke. It wanted Trump. It wants to slow the brakes to being turned into an oppressed minority.”

Correction 12/21: The original story cited a fake video called “Party at UVA” that Kessler says he did not create. C-VILLE regrets the error.

Categories
Arts

Local radio stations amp up the holiday content

On December 24, 1906, Reginald Fessenden transmitted the first wireless public radio broadcast. It included Christmas songs, stories and, in Fessenden’s words, his own “not very good singing.” Today’s listeners have many—usually very good—derivatives of Fessenden’s holiday work, and here in Charlottesville the programming at local FM radio stations is no exception.

“Our perspective is that there are some really cool, different and newer takes on Christmas classics,” says Jeff Sweatman, the 106.1 The Corner program director and brand manager. His current favorite is a holiday album released last year by Sharon Jones & The Dap-Kings. After Jones’ recent passing from pancreatic cancer, he says the album has stayed front-of-mind.

He also references tunes like Fleming and John’s “Winter Wonderland,” which mixes in “Misty Mountain Hop” by Led Zeppelin, and Spiraling’s “Do You Hear What I Hear?,” featuring bites from The Who’s “Baba O’Riley.”

Sweatman says The Corner tries to be the antidote to sister station Z95.1, which plays Christmas classics 24 hours a day starting on Black Friday. He tells a story of airing Kasey Musgraves’ “Present Without a Bow” featuring Leon Bridges right after Halloween, which sparked a number of angry social media posts—some in all caps—from Corner listeners.

“I think of people stuck in their office listening to [holiday] music all day,” Sweatman says. “Even when we go all Christmas, we mix it up. There’s a couple of good Hanukkah ones in there, too.”

The Corner will “go all Christmas” on Christmas Eve and Christmas Day until noon, playing a mix of listener favorites such as Barenaked Ladies, Ingrid Michaelson, Sara Bareilles and The Ramones.

Mark Keefe, program director and general manager of WNRN 91.9, has a similar perspective and tries to “not overwhelm people with [holiday music].” What the station is really good at “is not making people who really don’t want to hear that all the time mad,” says Keefe. “You’re not going to get dogs barking ‘Jingle Bells’ here.”

From Christmas Eve through Christmas Day, each of WNRN’s specialty shows will present its own holiday program. One seasonal special that airs this month features tunes recorded in-house by Rob Cheetham, Lowland Hum and The Hill and Wood. “That concert was really cool,” Keefe says. “Having some good local takes on holiday tunes [makes it] pretty special.”

Keefe says the station will cap off 2016 with the year’s top 100 songs, as chosen by listeners. Voting via the WNRN website closes Friday, December 23, at 11:59pm and listeners can catch 2014 through 2016’s top tunes from December 28 to December 30.

“You get the cornucopia of holiday programming in Charlottesville,” says Josh Jackson, program director for public radio networks WVTF 89.7 and WVTW 88.5. Jackson says his listeners enjoy programs such as King’s College’s live broadcast from “A Festival of Nine Lessons and Carols,” which airs on WVTF from 10am to noon on Christmas Eve, and the Vienna Philharmonic’s New Year’s Day broadcast from 11am to 1pm, featuring live performances of waltzes, polkas and other classical tunes.

On Christmas Day for the first time, WVTW will present “Tinsel Tales,” stories on the meaning of Christmas and other holiday stories, as told by famous public radio voices such as Audie Cornish, Nina Totenberg and David Sedaris.

Peter Jones, WTJU 91.1’s folk director and volunteer coordinator for the past 20 years, looks forward to similar storytelling programs. Jones oversees live music at WTJU, and says the station’s 200-plus volunteers and hosts bring something new to their programs for the season.

Jones also hosts WTJU’s “Folk and Beyond” on Thursdays from 4 to 6pm, and “Tell Us a Tale” on Sundays from noon to 2pm, which he says is the only children’s radio program in central Virginia. This Sunday, at noon, Jones says his listeners will hear Hanukkah stories.

“We just hope everyone has a wonderful holiday season,” WVTF’s Jackson says. “We love our listeners and we are a community.”

Tuned in to the holidays

WVTW Radio IQ 88.5

“Tinsel Tales,” holiday stories
from Audie Cornish, David Sedaris and more

Sunday, December 25, noon to 3pm

WVTF 89.7

“A Festival of Nine Lessons and Carols,” live from King’s College

Saturday, December 24, 10am to noon

“New Year’s Day live from Vienna,” presented by the Vienna Philharmonic

Sunday, January 1, 11am to 1pm

WTJU 91.1

“Tell Us a Tale,” stories of Hanukkah

Sunday, December 25, noon to 2pm

WNRN 91.9

“Top 100 songs of 2014 to 2016”

Wednesday, December 28, to Friday, December 30

Seasonal music now through December 25

The Corner 106.1

Seasonal music now through December 25

Categories
News

A Vinegar Hill memorial you can actually see

forthcoming addition to the Downtown Mall will commemorate Vinegar Hill, the historically African-American neighborhood that saw displacement of 158 families when city residents voted to develop the land in the 1960s. Officially called Vinegar Hill Park, this chunk of real estate between the Omni hotel and Main Street Arena will house $15,000 worth of interpretive signage, such as informational kiosks.

“The important thing about this site is its location,” says Mary Jo Scala, the city’s preservation and design planner. “It’s near where [Lawrence] Halprin envisioned this homage to Vinegar Hill, and it’s near where a lot of West Main Street’s African-American businesses were located.”

Halprin, a renowned landscape architect, began designing the Downtown Mall in the early 1970s, but he left room for a “park” that was never built to remember the lost neighborhood.

“The whole mall is a park, in a sense,” Scala says. “It’s an urban park. It doesn’t necessarily have to have trees or playground equipment or whatever you traditionally think of as a park. I think urban parks are kind of a place of respite where you can sit and enjoy yourself.”

Halprin’s drawing of the park shows trees and a water feature, Scala says. “That’s certainly possible for the future,” she adds. “That’s the beauty of this site.”

Within the next six months, Scala says you’ll be seeing wayfinding signage for Vinegar Hill Park on the mall.

Asked if this is the type of commemoration the Blue Ribbon Commission on Race, Memorials and Public Spaces has advocated for, commission chair Don Gathers says, “That and much more. We would like something specific and highly visible located at the entrance to the park or plaza—whatever they intend to call it—and also something throughout the Downtown Mall to direct people that way.”

The current marker memorializing Vinegar Hill, which will stay in place, isn’t cutting it on its own, Gathers says.

“It came to be known because it was behind one of those huge black planters and on the opposite side of it was a large city trash can bolted to the ground,” he says. “Unless you were looking for it, you never would have known it was there.”

While the city has since removed the planter and the trash can, Gathers says the marker still sits eight to 10 inches off the ground and is barely visible to the public.

Andrea Douglas, executive director of the Jefferson School African American Heritage Center, says the park—as the Historic Resources Committee described it—will honor more than the displaced families and the black population, but also the idea that Vinegar Hill was once a center of commerce in Charlottesville.

“It wasn’t just black people who used the commerce on Vinegar Hall,” she says. “Inge’s store was the place in Charlottesville where anyone could go to buy fish. …It holds a significant history that is associated with the development of our community.”

And there’s also room for more seating at the park, but, according to Scala, the Board of Architectural Review and Parks & Recreation have squabbled about what constitutes a Halprin-approved bench on the mall. (Which, if you ask the BAR, the backless benches in front of City Hall apparently aren’t).

In the past, the city has removed benches on the mall because of an alleged “behavior problem” by those using them, which the homeless people who camp on them have taken as a personal attack.