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Abode Magazines

It’s material: Local designers bring fresh perspective to home building supplies

One man’s trash is another man’s funky countertop. That is, if the other man is Evolution Glass founder Bill Hess.

“We take locally sourced bottle glass and transform it into amazing, blow-your-mind countertop surfaces suitable for homes and businesses,” Hess says.

And he isn’t the only local creating exciting new materials that let homeowners take risks to personalize their space. Here’s a closer look at Evolution Glass and the introduction of a unique hybrid from the Charlottesville Tile Company.

Wood you?

Carpenter Todd LeBack was crafting a laminated wood sink for a customer several years ago when an idea struck him: What if you could bring wood accents into kitchens and bathrooms in places where you’d traditionally see tile?

“I was thinking about situations where you could do a sink with a certain wood species and an accent wall behind it,” he says. “I just tossed it around in my head.”

Working during his free time, LeBack was able, over the course of two to three years, to develop a product that fit the bill. His still-fledgling line of wood tiles comprises any number of wood species as a base, which is veneered with water-resistant glue. For applications like showers, he’s developing a fully waterproof product using epoxy.

LeBack says his wood tiles are stable enough to be grouted like standard tile, and their only real limitation is in high-heat areas where they’d be a fire hazard. He’s still developing prototypes but is installing production wood tiles in two backsplash applications in the near future.

“It can be treated as tile, and there are certain wood species that are either expensive in solid form or not available, so by veneering it, you can get essentially any species you can think of,” LeBack says. “It can be used to match an existing wood, like a cherry vanity with a cherry backsplash.”

According to LeBack, the tiles are comparable in price to custom ceramics—$25 to $40 per square foot—and look like the wood accents you might find in luxury automobiles or on grand pianos.

Photo: Heather Phillips
Photo: Heather Phillips

Bottled up

Recycling is a tough business. And glass bottles in particular don’t recycle well. Most of the time they’re “downcycled” into products that have less value than the original bottle.

Hess had another idea when he launched Evolution Glass.

“There is no market for glass recyclers. They have to pay to get it hauled away, so by recycling with us they save money,” he says. “We take it for free. It keeps it in the local use area and it doesn’t have to be transported anywhere…using fuel.”

First working with a landfill in Ivy and later establishing a relationship with the University of Virginia, he’s come up with a way to melt and combine clear and colored glass bottles discarded locally to produce rich, swirled glass countertops and tables.

“We use varying amounts to create different looks,” Hess says. “Our process is totally unique. There is no other countertop in the world made like ours.”

On top of the signature look, Evolution’s glass offers structural properties comparable to stone, Hess says. The glass isn’t tempered, but its thickness makes it difficult to break. And it’s scratch resistant without requiring maintenance or a sealer like many stone materials.

Hess says he’s done more tables than counters since launching his material a year and a half ago, but his recent collaboration with Wes Carter of Albemarle Countertop Company is helping him move into more kitchens. Eventually, he believes he’ll be able to produce a material strong enough to serve as wall panels and stair treads.

“Stair treads are a cautious area—we have to be absolutely sure it’s going to work, but with the wall panels, we’re just waiting for the right customer,” Hess says.

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Abode Magazines

Got it covered: Performance fabric helps furniture survive life’s wear and tear

It’s no secret that outdoor fabrics often make their way inside, too—they’re a great way to protect against spills, stains and smells and the patterns and textures are often indistinguishable from regular fabric. But, says Folly co-owner Victoria Pouncey, occasionally the right textile for the space just isn’t available. Enter performance fabrics.

Photo: Virginia Hamrick
Photo: Virginia Hamrick

“[They] are essentially regular fabrics that have been treated with incredible stain repellents,” Pouncey says, which means the treatment can be applied to a wide range of fabrics. “Many fabric companies offer collections that are already treated or they will take care of the process for you.”

But where should you use performance fabrics? Pouncey says seating is where it’s most important.

With her design partner, Beth Ann Kallen, Pouncey recently designed a kitchen banquette with the iconic Les Touches from Brunschwig et Fils and upholstered a sofa and loveseat with a Lee Jofa linen for a family with three children and a Lab. Says Pouncey, “After the usual mishaps and spills of family life, the furniture is still looking perfect!”

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Abode Magazines

In a seller’s market, preparation’s key for Charlottesville homebuyers

It’s not exactly a jungle out there. But if you’re buying a house, you do need to think like a tiger, and get ready to pounce.

Recent data about local real estate shows a market that’s heating up. The fourth-quarter report from the Charlottesville Area Association of Realtors says that things are looking brisk both from the standpoint of inventory (it’s down 14.6 percent) and how quickly properties sell (they’re spending about 40 percent fewer days on the market, compared with this time last year). And though prices haven’t jumped, they have been on a steady rise. Detached homes in the last quarter of 2016 fetched a median price of $295,500, up from $270,000 two years earlier.

We’re not in the bubble zone, but at the moment, “It’s a seller’s market,” says Erin Garcia, Realtor with Loring Woodriff.

If you’re looking to buy, then, you need speed and agility. Garcia says she prepares her buyer clients for this reality: “You’ve got to be in the house within the first 24 hours. In particular, in the city, under $400,000, you’ve got to be ready to go.” This is not an entirely new situation, she says, but it’s recently gotten a little more acute. “We don’t have the ability to go back and look at the house three times” before making an offer, she says. Therefore, buyers have some serious homework to do upfront.

Number one, a pre-approval letter from your mortgage lender is a must. Number two, says Garcia, you’ll need to get familiar with a blank contract, ironing out any questions or concerns ahead of time and making sure you understand all the terms. When the time comes to make an offer, she explains, “We won’t have two hours to go over it.”

Those are the quantifiable things, but as we all know, homebuying is an emotional business. Garcia says buyers need to spend time thinking carefully about what they really want in a house—before the make-an-offer stage. “Setting up expectations helps dramatically in making the process go smoother,” she says.

What neighborhoods do you like? Answering this question, says Garcia, is a matter of “using the time more wisely”—since viewing properties before they get snatched up means a lot of last-minute jaunts to new listings. “We’re trying to make that a tighter sphere as far as what you’re looking at,” she says. “It’s an elimination game.”

What kinds of house qualities are must-haves for you, and which are more like wishes? Hash it out with your spouse, if you have one, sooner rather than later. “Being able to discuss needs versus wants is important,” says Garcia. “It’s purely intellectual as you’re figuring that out, but then that process can evolve into ‘This is more important than I realized.’”

So when the right place pops up, how do you come up with an appropriate offer? Sellers have been receiving, on average, 97.8 percent of their asking price for detached homes. Translation: You probably won’t talk ’em down too far.

“Sellers are pricing properties well,” says Garcia. “They are using informed and educated pricing analysis from the beginning.” And if you’ve found something good, chances are other buyers are finding it too.

What if, for some reason, that FOR SALE sign has been in the yard for a while? “There’s something to be said for how long a house has been on the market,” says Garcia, “but it’s seller perception as well.” Sellers, in other words, usually only feel they can come down so much without taking a bruising.

Consider not only how you can gently negotiate downward, but how far upward you yourself are willing to stretch. “If there are multiple offers, we might even bring full price and an escalation clause,” says Garcia. That’s one of those terms you want to get familiar with: It means that you’re promising to beat any other offer by a certain amount, up to a cap that you set.

The bottom line: Know thyself, and be ready to move. “You have to be decisive,” says Garcia, “in a way that holds true to what you know of value.”

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Abode Magazines

Boxwood beware: How to care for the classic shrub and prepare your spring garden

When it burst upon the scene five years ago, boxwood blight put a big scare into Virginia nurseries and all who love the iconic shrub, though perhaps some who scorn it for its historical associations and acrid smell would just as soon see the genus in its grave. Much like a sci-fi movie, sticky spores attach to anything that’s been in contact with infected plants (pruners, shoes, gloves, old leaves) and pathogens live in the soil for five to six years. The afflicted drop their leaves, decline and die. Labeled a “devastating disease” by the Virginia Cooperative Extension, it wreaked havoc among old English and American varieties before nurseries learned to control it with strict hygiene and reliance on resistant varieties.

Robert Saunders, who grows boxwoods with his brothers just south of Lovingston, says things have settled down since the blight was discovered in 2011. He sees it now as manageable, but “the days of planting large numbers of English boxwood are over.” So, if you have some ancient specimens on grounds—soft fluffy English or burly dark American—now’s the time to protect them. Never prune boxwood in wet weather or subject them to overhead irrigation.

Unlike English and American (Buxus sempervirens), littleleaf boxwood (B. microphylla) produces cultivars apparently highly resistant to the fungus. Green Beauty, Wintergreen and Winter Gem are among the most highly ranked for resistance.

The gist is, if you have extensive old boxwood plantings, do not let people care for them who have tramped through lots of other peoples’ boxwoods until they tell you exactly what precautions they are taking (sterilizing tools, replacing coverings on shoes, etc.). It’s in everybody’s interest to do this.

In the meantime, keep your boxwoods well-groomed, with old twigs and debris cleaned out from the center of plants and do not overmulch. Air circulation and keeping infection out of the area are key. If you want to opt out of the whole drama altogether, consider inkberry and hollies for your deer-resistant evergreen needs.

Boxwood cares aside, spring is upon us, with winter jasmine and snowdrops having fully flowered at the end of January. Garden centers will be ready, with most opening March 1. Our last frost date still hovers around mid-May, so be careful setting out tender annuals unless you’re able to toss frost cloth or sheets over them on the frigid nights we’re bound to get at least through the end of March.

Cool season annuals like pansies, violas and sweet William are good choices for early color until the soil heats up. Buy tomatoes as soon as they go on sale to get a wide selection of varieties, but keep them potted so you can whisk them inside if needed before planting them when the earth has thoroughly warmed in May.

Now is the time to fertilize hollies, azaleas and dogwoods with an acidic product like Holly Tone. Pull back existing mulch, scatter fertilizer and lightly scratch in with a garden claw or rake before replacing the mulch. Boxwoods, however, need very little fertilizer and prefer a slightly alkaline soil, so keep Holly Tone away from them.

Resist the temptation to recarpet all beds with a nice thick layer of fresh shredded hardwood. If you’ve already got 2-3″, rake it up a bit to break the crust and wait until fall to add more. Too much mulch smothers plants and roots, sheds water and invites voles.

Always something to worry about in the garden. Love them or leave them, let us take a lesson in resilience from the boxwoods and welcome spring, ready to deal with whatever challenges nature has in store.

Spring checklist

  • Drop off lawnmower blades, hand pruners and other cutting implements at Martin Hardware for sharpening.
  • Check oil and gas for mowers.
  • Clean and oil hand tools. Sharpen shovel and spade blades with a bastard file.
  • Prune roses and fertilize with compost and well-rotted manure.
  • Fertilize perennials with compost or organic slow-release 5-10-5 product.
  • Top-dress bare spots in the lawn with compost before seeding and strawing.
  • Start indoor seeds—tomatoes, cleomes, zinnias—for setting out in mid-May.
  • Sow cool-weather greens —arugula, cilantro, kale, lettuce, mesclun—outdoors.
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News

SOLD: Ice rink goes for $5.7 million

Taliaferro Junction, LLC and Jaffray Woodriff announced their purchase of Main Street Arena on March 2, but it’s not quite time to say so long to skating—the new owners reached an agreement with the seller that will allow all ice skating programs to operate undisturbed this spring and through its final season this fall.

Construction on the new structure, which will be a minimum of 100,000 square feet, is anticipated to begin in spring 2018, according to a press release from local public relations firm Payne, Ross and Associates.

Local architecture firm Wolf Ackerman, along with New Orleans-based group Eskew+Dumez+Ripple, will take the lead in designing the new building at 230 West Main St. A general contractor has not been hired.

“The new building will be architecturally iconic, linking West Main Street to the Downtown Mall,” the press release says. “The building will be designed both to attract innovative companies to Charlottesville and to retain established local ventures that might otherwise leave the area.”

Additionally, the release says the property’s new owners will donate the ice park equipment to a business venture hoping “to get a new ice skating park up and running in a new location.”

Read more in-depth coverage:

http://www.c-ville.com/iced-various-communities-will-affected-main-street-arenas-departure/#.WLhw4xIrLaQ

http://www.c-ville.com/iced/#.WLhv4BIrLaQ

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News

Getting personal with Heather Hill

City Council candidate

Age: 39

Resident since: 2003 (with two years away after getting her MBA)

She describes herself as a wife and mother of three, a neighbor, an engaged community leader, an engineer, a business person and, now, a candidate for Charlottesville’s governing body. With her navy and lime-green Nikes laced up, Heather Hill is running for City Council.

“I know it has traditionally been said that campaigns are about the shoe leather,” she said at the February 21 event in the McIntire Room at the Central Library downtown to announce her candidacy. “But I am going to go on with this sneaker rubber and my name on my back with the goal of covering every possible square inch of this city.”

If not out running—Hill has completed two Ironman Triathlons and one marathon—where have you seen her? Her lengthy résumé includes an MBA from UVA’s Darden Graduate School of Business Administration. She’s president of the North Downtown Residents Association, a member of the Belmont Bridge Steering Committee, chair of the International School of Charlottesville’s building committee and an independent project-based consultant for startups locally and in Richmond, as well as for companies such as Tempur-Sealy.

She’s a former member of the Charlottesville Tomorrow board of directors and former marketing chair for the Charlottesville Design House benefiting the Shelter for Help in Emergency.

In her spare time, Hill is driving the “rail to trail” effort to create a multiuse pathway that connects the city’s already existing northern walking and biking trails to West Main Street.

“I have the experience to serve this city,” she says. “I am energized at the idea of making Charlottesville a better place for all who call it home. We need a city that is responsive to the needs of the community. We need a city that is efficient in how it uses its limited resources. And we need a city that establishes clear priorities and is accountable for getting them done.”

Achieving the level of progress Hill envisions starts with transparency and accountability, she said at her campaign launch: “We do not have reliable and consistent conduits for community input. With staff often being pulled in multiple directions, priorities are unclear and, in turn, there is little accountability for getting things done.”

Her plan? To listen, engage and act, in hopes of completing her first task by listening where the city is united and divided.

“Now let’s get started,” she says.

TAKE FIVE

Heather Hill lists the top issues she wants to tackle if elected to City Council.

1. Work with/support city staff to develop processes and invest in technology systems that will allow for greater transparency in government, which in turn will drive prioritization and accountability for the issues that our community values most.

2. Leverage experienced resources within our community to address our challenges with affordable housing.

3. Make the city more responsive to the needs of Charlottesville’s small business community.

4. Put priority back into safety and infrastructure through investment in our transportation systems and schools.

5.As a member of the Belmont Bridge Steering Committee and a citizen who crosses it daily (often pushing a stroller), I am committed to getting a new bridge in place that addresses the multi-modal needs of our community and in a timeline that minimizes further investment in the existing structure.

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Arts

Album reviews: Spiral Stairs, Alison Krauss and The xx

Spiral Stairs

Doris and the Daggers (Domino)

After eight years, Scott Kannberg, aka Spiral Stairs, sounds rested and rejuvenated. Doris and the Daggers kicks off with “Dance (Cry Wolf),” a flashing ’80s glam jam. When Kannberg’s baritone comes in like a countrified Ian Curtis, it’s a little startling, and on the chorus he sounds like Bowie circa “Let’s Dance.” While a vocal range of approximately six notes undercuts Kannberg’s hypothetical elegance, it also prevents him from crossing into pompous Killers territory. And the band—which includes members of Broken Social Scene and The National—doesn’t stint while pushing meaty grooves to the fore, with elements of folk rock, heartland rock and good ol’ alt rock. “Emoshuns” is the dumb kind of title Kannberg used to write in Pavement, and, lo and behold, the song could be late Pavement. “Dundee Man” sounds like sunny ’80s Aussie rock—chirping guitar and melodic bass, with Kannberg repeatedly intoning the title for a stupid-funny chorus. “AWM” mixes things up with a pretty lead acoustic guitar and piano; it comes off like R.E.M. crossed with Tom Petty. Doris and the Daggers is no masterpiece, but passes for a modest tour-de-force.

Alison Krauss

Windy City (Capitol)

With her 1987 debut, Alison Krauss burst into view as a prodigy—and, in male-dominated bluegrass culture, a bit of a rebel. She won bluegrass album Grammys at 19 and 20, with a voice that was a little wild and fiddling that was straight killing. Over the next few years Krauss shaved the edges off of both, broadening stylistically and becoming a superstar. She settled into a reliably high-quality Americana career, cementing her prominence with the tastefully sedate 2007 Robert Plant collaboration Raising Sand.

It’s a testament to Krauss’ versatility and talent that upon seeing the Meg Ryan-meets- Courtney Love imagery on the cover of Windy City, one could imagine a rock or soul crossover. But the album works from a countrypolitan base, adding elements of Tex-Mex, calypso and Western swing—there’s no banjo, but there’s a credit for tuba arrangement. The material includes a slew of covers, from “Gentle On My Mind” to “You Don’t Know Me,” and while Krauss’ croon holds sway, it’s the backing band that really shines, especially on a joyous honky-tonk/Dixieland version of “It’s Goodbye And So Long To You.”

The xx

I See You (Young Turks)

The xx is back with its third record, and for fans of the band, it’s time to rejoice; I See You is replete with the same casual motion and languid melodies from its self-titled debut (2009) and Coexist (2012).

For newcomers, it’s time to rejoice if you prefer your darkness to be harmless. Members of The xx are meticulous master crafters of atmosphere. Fittingly, the music has been used in copious TV settings, and there’s nothing here that would alienate even the most timid network exec—“A Violent Noise” contains neither violence nor noise. The tunes here are slow, sweeping, synthetic, seductive and lead nowhere. Romy Madley Croft and Oliver Sim don’t sing so much as exhale suggestions of standard feelings: “When my heart it breaks / I’ll put on a performance / I’ll put on my brave face.” “On Hold” builds up a bit of steam, abetted by some Hall & Oates samples, and “I Dare You” maintains the momentum, but still drifts by like the landscape from a train. As pop music, I See You never rises above ambience. On the plus side, it’s less expensive than an aquarium.

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Living

Local restaurant openings and closings in February

In February, two restaurants/breweries opened their doors: Carpe Café and Hardywood Park Craft Brewery.


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Arts

ARTS Pick: Jordan Tice

Jordan Tice’s journey to becoming a force on the bluegrass scene started with classical guitar, jazz and rock ’n’ roll, then expanded into a variety of projects that found him keeping musical company with members of Crooked Still, Punch Brothers, Dave Rawlings Machine and Canadian folk act The Duhks. He was even tapped by banjo-playing actor/comedian Steve Martin, who used Tice for his twangy scoring of Shakespeare’s As You Like It in Central Park. His new album, Horse County, with a backing band by the same name, is his first all-original release and it highlights his new interest in ragtime.

Saturday, March 4. $13-15, 7pm. C’ville Coffee, 1301 Harris St. prismcoffeehouse.org.

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Arts

ARTS Pick: Chicago

Murder, fame and greed consume the lives of two 1920s jazz club performers in Chicago, the longest-running American musical in Broadway history. From behind bars and in the courtroom, Velma Kelly and Roxie Hart compete with each other for public attention, while singing and dancing through a media frenzy. Directed by Edward Warwick White with choreography by Heather Powell, the production features Becca Vourvoulas as Velma and Natalee McReynolds (fresh from her role as Sergeant Sarah Brown in Live Arts’ Guys and Dolls) as Roxie.

Through March 26. Times vary, $14-16. Four County Players, 5256 Governor Barbour St., Barboursville. (540) 832-5355.