Categories
Living

LIVING Picks: Week of April 29-May 2

FAMILY

Into the Wings
Saturday, April 29

Following a performance of Charlottesville Ballet’s The Firebird, children ages 3-8 are invited onto the stage to make a craft, learn a dance from The Firebird and more. $25-40 (ticket includes performance), 1 and 4pm. PVCC V. Earl Dickinson building, 501 College Dr. 227-7592.

NONPROFIT

Outback Lodge 25th anniversary
Saturday, April 29

This benefit for the Ronald McDonald House features performances by Indecision, The Secret, Cville Funk All-Stars and Mama Tried. $22, 7pm-midnight. Fry’s Spring Beach Club, 2512 Jefferson Park Ave. givebackfestivals@gmail.com

FOOD & DRINK

Paint & Sip
Thursday, April 27

Instructor Christina Ball leads you through the steps to create your own artistic masterpiece while you enjoy some wine. $30, 7-9pm. DelFosse Vineyards and Winery, 500 DelFosse Winery Ln., Faber. delfossewine.com

HEALTH & WELLNESS

Household hazardous waste amnesty days
Friday, April 28 and Saturday, April 29

The Rivanna Solid Waste Authority is holding household hazardous waste collection days during which you may drop off materials such as acids, antifreeze, swimming pool chemicals and fluorescent tubes. Dates for larger items are May 6, 13 and 20. Free, 9am-2pm. Ivy Material Utilization Center, Route 637. rivanna.org/hhw

Categories
Arts

Kishi Bashi confronts love through new sounds on Sonderlust

Kaoru Ishibashi ditched his violin for samplers, sequencers and electronics on Sonderlust, the third album released under his pseudo name Kishi Bashi. The composer—largely known for his mastery of the violin, which led him to accompanying Regina Spektor, Sondre Lerche and Of Montreal on tours—just couldn’t muster the inspiration to pick up the stringed instrument.

“I kind of put it [the violin] aside as I was working on the album and I ended up getting into a lot of sampling and resampling,” says Ishibashi. “I was creating new sounds through software called Ableton Live and I got really excited about the sounds I was making.”

At that point, Ishibashi found his instrumental direction for the album. He plays more keyboards on the record than he does violin—although he does conduct other musicians, some of whom play violin on several of the album’s symphonic jams.

But there was more to Ishibashi’s dramatic shift. As he prepared to make Sonderlust, released in 2016, his personal life hit a wall—he and his wife separated.

“The music itself was almost like an outlet for me because it was a pretty dark time for me,” says Ishibashi. “Lyrically, I just kind of poured my heart into the songs. Things are a lot better now, but it was a difficult time.”

Despite the marital woes, Sonderlust features upbeat electro-pop melodies that come alive through synths, acoustics and orchestral layering. Lyrics address heartbreak and hardship, making Sonderlust an emotional roller coaster through the ups and downs of love.

“I tried to stay positive. I’m a very optimistic person,” says Ishibashi.

Still, he finds certain songs from that period of his life hard to emotionally digest. One of those is “Can’t Let Go, Juno.”  Lyrics from the song lament: “It’s a new day / Another full of heartbreak / And every time I’m checking in with myself / I’m drinking my soul away.”

“That one is a very difficult one for me, even to perform,” says Ishibashi. “I do it, but I’m very emotionally connected to that one.”

Other tracks like “m’lover,” “Honeybody” and “Say Yeah” are more upbeat crowd favorites. On the start of “Say Yeah,” Ishibashi experiments with a pocket piano.

“I surround myself with a lot of instruments and if I hear a cool sound, I’ll just mess around with it,” says Ishibashi, who drifts between ’80s and ’70s territory throughout the 10-track album.

“This album in particular has a lot of throwback sounds in it,” he says.

He cites jazz funk fusion musicians Herbie Hancock, Bob James, George Duke and Herbie Mann as some of his influences.

“My past albums [including 2012’s 151a and 2014’s Lighght] were more orchestral. There was a lot of strings and it was more avant garde and experimental. I didn’t go crazy on this new one,” Ishibashi says. “I would say this album is not that adventurous compared to my other ones, but it’s definitely a different direction. I wanted to keep it simpler.”

The album was also a learning experience for Ishibashi.

“The one thing I learned is that with time you heal,” he says. “I don’t know if I’ve learned that much about love. It’s still pretty crazy, but it’s a wonderful, beautiful and, at times, a painful phenomenon,” he says.

Ishibashi, who is a 41-year-old Japanese-American, plans to follow his current tour with songwriting inspired by a new muse. He’ll be working on writing music that raises awareness of the Japanese-American internment. February marked the 75-year anniversary of President Franklin D. Roosevelt’s Executive Order 9066, which led to the incarceration of more than 100,000 Japanese-Americans who were forced into internment camps in the United States.

“I’ve been commissioned to write a symphonic piece, so that’s going to be my focus for the rest of the year.”

Categories
News

Pig-killing couple convicted of animal cruelty with no jail time

 

In a two-day trial that ran into the early-morning hours on April 22, a 12-person jury convicted a Fishersville duo of animal cruelty and maliciously killing a pig by stabbing it in the neck at least 31 times.

Aymarie Sutter, 27, was employed as a veterinary assistant at the Charlottesville Albemarle SPCA on July 3 of last year when two Albemarle County patrol officers dropped off a pig they had received several calls about and eventually found wandering near Proffit Road. The SPCA does not take livestock, so as employees worried about what they would do with the swine, Sutter testified that she offered to take it to the home she shared with her fiance, Lee Oakes, 33, house it in their dog run overnight and take it to a butcher in the morning.

In a tearful testimony, Sutter told the jury that when Oakes arrived at the SPCA that evening, his intention was to hogtie the animal and haul it home on a tarp in the trunk of his car.

“Things didn’t go as he had planned,” said Bonnie Lepold, Oakes’ attorney, during her opening statement. The jury reviewed an SPCA surveillance video, which showed Oakes struggling to walk the pig in a dog harness outside the facility. There, he and Sutter forced the animal to the ground and tried binding all four of its legs with dog leashes while the pig thrashed and eventually bit Oakes through the boot. He then instructed Sutter to get his hunting knife out of his car, and he slaughtered the pig himself—just out of the video’s frame.

When the act was over and the pig was finally still, Sutter testified, “Lee closed his eyes and bowed his head, like I see him do over any animal life he takes.”

His own attorney called him a “terrible butcher,” but said when her client realized he would not be able to get the pig in the car alive, he killed it as quickly and humanely as he could. As a skilled deer and turkey hunter, she said he was not prepared for the thickness of the pig’s skin.

Prosecutor Amanda Galloway showed the jury pictures of the maimed animal lying lifeless with several gashes and cuts along its neckline. About 15 animal-lovers and animal sanctuary owners showed up in pig shirts, leggings and carrying pig purses—though they were forced to check the latter at the door. During the trial they audibly gasping for breath and sniffled when the bloodied images were shown. Some left the room.

Lepold and Alicia Milligan, who represented Sutter, argued that the pig was feral, “a nuisance animal” with “no real value” and belonging to no one.

Jose Zamora, a farmer on Mine Creek Trail, testified that he had bought a black pig at the Tractor Supply Company, and when the seller delivered it to him, a white pig also escaped out of the seller’s cage and ran into the woods on his property. The seller told Zamora to keep the white pig for free, though Zamora testified that he never wanted it. He would leave food out for the pig and saw it every day for more than four weeks until it went missing, he said. He identified the white pig as the one with 31 stab wounds to the neck.

Dr. Jaime Weisman, an expert in veterinary forensics training and a diagnostician at the Virginia Department of Agriculture and Consumer Services in Warrenton, conducted a necropsy—or an animal autopsy—on the pig and concluded that it bled out. She testified the pig probably suffered for 10 minutes before it died.

“It never even crossed my mind to call it anything other than domestic,” she said, noting that the pig she examined had thin hair and short tusks while feral pigs have thicker hair and longer tusks. A feral pig would never allow someone to get near it or pet it and it certainly wouldn’t walk on a leash like a dog, she said.

After the killing, Sutter testified that she and her fiance delivered the animal to Jim Vines, a meat processor and owner of Rolling Knoll Farm, who later took the stand and said he only agreed to receive the dead animal because he thought it was feral—its hair was rough, its teeth were rounded from chewing rocks and its nose was rough from rooting. He called it a “wilder pig” and said it takes virtually no time for a domesticated pig to transition to a feral one when out in the wild.

Staff photo.
Lorelei Pulliam, the executive director of Gallastar Equine Center in Afton, which has an animal sanctuary called Ranger’s Refuge. Staff photo

Outside of Albemarle County Circuit Court, Lorelei Pulliam, the executive director of Gallastar Equine Center in Afton, which has an animal sanctuary called Ranger’s Refuge, said “[The defense] is trying to characterize him as a nuisance species. He was a treasure.”

When the pig was captured by police, they testified that it was exhausted, hungry and frothing at the mouth. In Pulliam’s opinion, it was lost and looking for help. “Instead of getting that help, he was brutally butchered,” she said.

And reacting to an SPCA’s sobbing testimony—the only person present during the slaughter other than Oakes and Sutter—Pulliam noted the pig’s “horrible gurgling sounds at the end, as he took his last breath.” She called the testimony “one of the worst things I’ve ever heard in my life.”

It wasn’t until 1am Saturday that the jury indicated it had made a decision. The jury found them not guilty of stealing the pig, but convicted them of one felony count of killing livestock and a misdemeanor count of animal cruelty, each charge carrying a $500 fine and court costs—and no jail time.
Pulliam, who dubbed the pig Profit, commended the commonwealth’s attorney for prosecuting the case, and says the moniker only comes, in part, because the animal was found near Proffit Road. She also likes the name “because he has a lot to teach people and people have a lot to learn.”

Categories
News

An ‘insidious’ and ‘invasive’ threat to democracy

It’s the issue former President Barack Obama will focus on, joining people like Arnold Schwarzenegger and HBO’s John Oliver, who consider it the biggest threat to the United States’ representative government. The menace is not one that comes from outside the country, but a homegrown tradition dating back to the earliest days of the republic: gerrymandering.

That’s the process in which district lines are drawn to favor the party in power, and both Democrats and Republicans are guilty. Ever wonder why Virginia, a state that has gone blue in the past three presidential elections, has Republican majorities in the House of Representatives and the General Assembly? That would be gerrymandering.

Since the last time Virginia’s lines were drawn following the 2010 U.S. census, OneVirginia2021, founded by local mensch Leigh Middleditch, has been working with members of all political persuasions to get compact and contiguous electoral districts drawn before the next redistricting after the 2020 census through grassroots efforts, education and litigation.

One of those efforts is the documentary GerryRIGGED: Turning Democracy On Its Head, which calls gerrymandering both “insidious” and “invasive.” It will screen in Charlottesville April 26.

Local photographer Dan Grogan became a believer after attending a workshop “to address this threat to democracy,” and now is on OneVirginia2021’s foundation and education committee.

“Our biggest enemy is ignorance and apathy,” says Grogan, who points out that in the past seven election cycles, Virginia incumbents “have won at a 98 percent clip” because they’ve selected their voters, not the other way around.

Several bills are put forward in the General Assembly every session, and they typically die in a Republican-controlled subcommittee. But this year at one early morning meeting, committee members were shouted at by angry citizens after redistricting reform bills were killed.

Delegate Steve Landes, one of Albemarle’s four delegates, carried a bill to take the politics out of line drawing. That was defeated, but “the issue is gaining a lot of steam,” says Grogan. “We’ve been done ill by both parties.”

GerryRIGGED screens for free at 7pm Wednesday, April 26, at PVCC’s Dickinson Building.

Categories
Arts

ARTS Pick: Rockn’ to Lockn’

From the Avett Brothers to Widespread Panic, this year’s annual Lockn’ Festival lineup is a who’s who of dusty rock music, but it’s not just household names. Since the festival’s inception, the Rockn’ to Lockn’ battle of the bands has made it possible for Virginia acts to make their Lockn’ debut. Twelve bands, including local favorites Will  Overman Band, Sun-Dried Opossum, Kendall Street Company and Adar, will duke it out for a chance to take the big stage.

Friday, April 21. $7-10, 8pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

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Arts

ARTS Pick: Ween

Sometime in either 1984 or 1985 two junior high school kids with no interest in friendship were seated next to each other in typing class. It turns out they had even less interest in typing, and through a bit of distracted goofiness, including fusing the words wuss and penis, Ween was formed, and history was made. Aaron Freeman and Mickey Melchiondo spent the next 28 years as the unrelated Gene and Dean Ween, playing genius, wacky tunes, inventing words and amassing a die-hard fanbase, despite little mainstream exposure. After a breakup (so Dean could get sober) in 2015, the band returned last year for a run of shows before launching a full touring schedule.

Thursday, April 20. $42, 7pm. Sprint Pavilion, 700 E. Main St., Downtown Mall. 877-CPAV-TIX.

Categories
Arts

ARTS Pick: Junior Brown

As a young boy moving about the Midwest with his family in the 1950s, Junior Brown became a good listener, and what he heard was country music “growing up out of the ground like the crops—it was everywhere; coming out of cars, houses, gas stations and stores like the soundtrack of a story.” Brown took that story and made it his own, becoming an accomplished guitarist known for his mastery across country genres—outlaw, Americana, Texas, neotraditional and classic—as well as the invention of an entirely new instrument, a combination of electric guitar and lap steel guitar he calls the “guit-steel.”

Thursday, April 20. $22-25, 8pm. The Southern Café and Music Hall, 103 S. First St. 977-5590.

Categories
Arts

ARTS Pick: The Realistic Joneses

Merging the profound with the trivial, Will Eno’s absurdist script for The Realistic Joneses plays out like a tough-topic sketch comedy. When new neighbors arrive, two couples get to know each other through unlikely circumstances that bring them together and push them apart in unexpected ways. The Hollywood Reporter calls the story a “mordant, melancholy existential sitcom.”

Runs through May 13. $20-25, times vary. Live Arts, 123 E. Water St. 977-4177.

Categories
Arts

Reggae legend Culture keeps local connections strong

When a major band comes to Charlottesville, it doesn’t necessarily take the stage at the John Paul Jones arena or the Jefferson Theater. Culture, one of the most influential reggae bands of all time, returns to play The Ante Room on April 21. And while the band hails from Jamaica, its current keyboard player is a Virginia native.

Chris “Peanut” Whitley grew up in Harrisonburg and discovered Bob Marley, Peter Tosh and Culture in high school. After graduating from Shenandoah University in Winchester, he joined a local reggae band that was opening for Culture at Trax, a now-closed nightclub that was the center of the local music scene throughout the ’80s and ’90s.

Culture
Friday, April 21
The Ante Room

“The music director at that time said ‘Would you be interested in coming on tour?’ I didn’t really understand what I was signing up for,” Whitley recalled. “I knew I could play but I was nervous. It’s Culture man, my favorite act! I had to learn about 100 songs. Right away my first tour was for six months. Can you imagine? All over the world. I was in my early 20s. I was like a kid in a candy store…It was a dream come true.”

Culture was formed in 1976 by Albert “Ralph” Walker, Joseph Hill and Roy “Kenneth” Dayes. Hill died in 2006 after collapsing during a show and his son, Kenyatta, now fronts the band. Culture rose to international acclaim with its debut single “Two Sevens Clash,” and the album of the same name. Reggae had not previously been popular outside of Jamaica, but Two Sevens Clash became widely appreciated within the early U.K. punk scene by bands such as the Sex Pistols and The Clash.

After being adopted by the British punk scene, Culture and other big reggae acts found a different niche in the U.S. as they were accepted by American hippies. Dreadlocks increasingly began to appear at Grateful Dead concerts.

Starting in the 1980s, American reggae promoters began “really tapping into the Dead Head scene and the hippie thing,” says Whitley. “That’s how Culture became a mainstay in the States. Culture, Spear, Eek-a-Mouse and Yellowman became bigger than the rest of them because they got picked up by the hippie thing.”

Whitley believes that Culture is probably the biggest reggae act on the African continent.

“Huge crowds of 100,000-plus,” Whitley says. “They took Joseph Hill’s music and lyrics for their own. He spoke for the oppressed. They felt like Joseph was a rallying cry to the world. About African liberation. Really giving dignity and pride to being African…he was bigger than Bob Marley there.”

In 2002, Two Sevens Clash was named “one of the 50 coolest albums of all time” by Rolling Stone.

With Kenyatta Hill still fronting the band and original member Walker performing with them, Culture brings a unique opportunity to Charlottesville. The band that inspired millions can be seen in The Ante Room’s intimate setting, in a space no larger than the Jamaican clubs they started out in 40 years ago.


TwoSevens

Culture club

Culture’s 1977 release of Two Sevens Clash was so influential it caused the city of Kingston, Jamaica, to shut down as described in the liner notes of the reissue: “…on July 7, 1977—the day when sevens fully clashed (seventh day, seventh month, 77th year) a hush descended on Kingston.”

Categories
Living

LIVING Picks: Week of April 19-25

NONPROFIT
Run for Autism 5K
Saturday, April 22

Families, including adults and children with disabilities, are invited to run or walk in support of the Virginia Institute of Autism. $25-45, 7:30am kids race, 8am 5K race. Charlottesville High School, 1400 Melbourne Rd. 923-8252.

FAMILY
Earth Day Staunton
Saturday, April 22

Enjoy hands-on activities, live native wildlife shows, nature crafts, face painting and more. Kids who complete an Earth Day passport will receive a prize. Free, 10am-2pm. Gypsy Hill Park bandstand, 600 Churchville Ave., Staunton. earthdaystaunton.org

FOOD & DRINK
An Evening with Morels
Saturday, April 22

Start with Brut and canapés in the Octagon Cellar before tucking into a four-course feast paired with six Barboursville wines. Dinner will be prepared by chef Spencer Crawford in cooperation with a wild mushroom expert. $135, 7pm. Barboursville Vineyards, 17655 Winery Rd., Barboursville. (540) 832-7848.

HEALTH & WELLNESS
Yoga at IX Art Park
Tuesday, April 25

Join Cora Houghton for an all-levels yoga class every Tuesday. Bring your own mat; class meets near the geometric/butterfly/beach mural. $5-15 (pay-what-you-will, cash or check), 5:30-6:30pm. IX Art Park, 522 Second St. SE. commongroundcville.org/yoga-ix-art-park