Categories
Living

Generation gap: Introducing puppies to older dogs

My patient, a 12-year-old Labrador, is showing his age. Arthritis has settled into those old bones, and he’s not as active as he used to be. But he’s still a happy dog, living out his golden years in peace with a family that loves him. We’re just finishing up, but his owners have one more thing they want to discuss. For just a moment, I can swear I see the dog’s eyes widen in alarm. “We’re thinking of getting a puppy.”

Let’s face it. Puppies may be adorable, but they can also be incredibly annoying. Their default setting is a kind of joyful insanity. If you’re an old dog trying to steal a few minutes of quiet in a convenient sunbeam, the last thing you want is some deranged little furball gnawing on your ears and sitting on your head.

To be fair, some older dogs really thrive with the addition of a puppy. I’ve seen plenty that discover a renewed zeal for life, seeming to borrow surplus youth from a puppy blessed with more than it needs. And others seem to relish the chance to be a big sibling, providing the puppy with an older (and hopefully better-trained) role model.

But even the most patient dog will eventually crave a break from his protégé, and it’s important to respect that. Old dogs need the ability to walk away and be alone for a bit. Make sure there are dedicated puppy-free areas where they can go recharge in their own bed without worrying about interruption.

It’s not just about having some room of his own. Your old dog is going to need some of your time as well. It’s normal to want to spend every waking minute with a brand new puppy, but that’s hardly fair. If your dog is used to getting all the attention, this new ankle-biter can be a frustrating intrusion on a familiar schedule. Be sure to reserve some time to let your old dog know that some things haven’t changed, and he hasn’t been replaced.

When it is time to bring the two generations together, keep in mind that older dogs don’t have the same physical capabilities as puppies do. Younger pups may think nothing of a three-mile hike, but that might leave senior dogs dragging their feet before the halfway mark. Be creative with walking routes to ensure that each dog is getting the right amount of exercise for their age, setting up shorter loops at the start, and then dropping off the old man before the second leg of the journey.

Age also comes with a variety of aches and pains, which can add a challenging dynamic to an elderly dog’s relationship with a puppy. Even the most amiable dogs will get a bit grumpy if something hurts, and if the pup is pushing him beyond his physical limits, it could invite trouble. Keep a close eye on play sessions, and don’t hesitate to intervene if you see any snipping or growling. And make sure to talk to your veterinarian about steps you can take to reduce that kind of physical discomfort to begin with.

It is rewarding to see older dogs accept a new puppy into the family, but it’s important to take a moment to see things from their perspective, and to give them the time and space they need to continue enjoying the happy life you’ve given them so far.

Dr. Mike Fietz is a small-animal veterinarian at Georgetown Veterinary Hospital. He received his veterinary degree from Cornell University in 2003 and has lived in Charlottesville since.


SPCA

You can meet us at the Charlottesville-Albemarle SPCA, where we’re all available for adoption. 3355 Berkmar Dr. 973-5959, caspca.org, noon-6pm, daily  COURTESY Charlottesville-Albemarle SPCA

Hi! I’m Amala, and while I came to the shelter as a wild cat, now I’m looking for a calm and understanding family to take me to my forever home. Because of my checkered past, I’m pretty shy around strangers, but I’m learning to love.

What’s up? I’m Riley, and I’d describe myself as a pretty laid-back dude. See, I had a few health problems when I first got to the shelter, but it’s given me perspective—I don’t sweat the small stuff. I’m cool with other dogs, too. Let’s hang out!

I’m Jody. I showed up in pretty rough shape, but I’m ready for a peaceful, quiet forever home where my new family will give me frequent brushings and feed me canned food (it’s the simple things). Let’s cuddle on the couch. Whaddya say?

My name might be Cher, but I’m nothing like my Clueless namesake. I love yummy treats (movie Cher frets about five peanut butter M&Ms); I love being outdoors (Cher prefers AC). There is one similarity: I love hanging out with my best (canine) friend, Tai.

Categories
News

Ready to regulate: Albemarle eyes homestays

In Albemarle County, about a third of the homestays are flying under the radar. At a May 3 Board of Supervisors work session on the topic, county staff said something must be done to regulate them.

The county has received 60 applications since 2004, and of those, 27 have been approved, according to Rebecca Ragsdale, the senior permit planner in the county’s Community Development department. Take a look at Airbnb, and more than 100 options in the county are listed.

“A fair number of applications came in just recently and are still under review or were denied because smoke detectors were not up to date,” she says, and adds that applications are not approved until building code, fire marshal and health department requirements are satisfied.

Currently, homestay operators in the rural and development area may rent up to five rooms inside a single-family detached home with an owner or manager also occupying the home. In the rural area, residents can rent up to five rooms in an additional structure.

Ragsdale says the county is concerned for a number of reasons and as some supervisors pointed out at the work session, it’s an issue that should be addressed now before the gap between those in compliance and those operating illegally widens.

“Fairness [and] equity issues have been raised in terms of taxation,” she says. “If these homestays are not licensed, there has been no verification that basic safety requirements are met.” This includes up-to-code smoke detectors, fire extinguishers, carbon monoxide detectors and compliance with health department requirements.

Carolyn McGee, president of StayVA and owner of The Inn at 400 West High in the city, says unregulated homestay owners should be required to follow even the smallest regulations.

“If you’re going to serve alcohol, you can’t just leave a bottle of wine with a bow on it. You have to have an ABC license,” she says. “As a B&B owner, that’s what we have to do.”

In the last General Assembly session, a bill was passed to give localities the autonomy to regulate their own homestays, though many already do.

Numerous industry professionals and StayVA members sat in the gallery while the bill was signed, she says. “We’re happy with it.”

At the work session, Supervisor Norman Dill suggested the county define a minimum for what counts as a business. “You’re allowed to have a yard sale without having a business license,” he says, and plenty of people rent out their houses for UVA’s graduation weekend. Do they technically need a business license, he asked. “Why encourage people to break the law because it’s difficult to comply?”

Dick Cabell owns The Inn at Sugar Hollow Farm, one of approximately 20 full-time bed and breakfasts in the city and county, all of which have business licenses and collect and remit transient occupancy taxes.

“As a B&B owner, I don’t want to be vindictive about this because we chose to go the route we did and we have benefited from it and we think we have provided some benefit as part of the team,” he says. “This Airbnb thing is a whole different concept and now the county is in a quandary.”

But Cabell says the playing field should be leveled so he can continue to compete with the unregulated homestays.

“Our business has gone down in the last three years, but not in a way that we’re going to go out of business,” Cabell says. “I just can’t donate as much to my grandkids’ college funds. I can’t take my trip to Jamaica because my income as gone down. The guy next door to me who’s renting his house out and not telling anyone—he’s going to Jamaica.”

The BOS will have a public hearing June 14 to discuss regulating homestays.

Categories
Arts

Movie review: Guardians of the Galaxy Vol. 2 keeps fans happy

The A-hole Avengers are back in Guardians of the Galaxy Vol. 2, with just as much swagger and ragtag chemistry as ever. It’s easy to forget that the first film was a risk for the unstoppable Marvel Cinematic Universe, a massive introduction to myriad characters, planets, teams and sci-fi concepts for a franchise wedded to the gradual reveal. Adding to the surprise was the hiring of veteran writer-director filmmaker James Gunn, known for his transgressive work (Slither, Super, Tromeo & Juliet). The gamble worked, and Guardians of the Galaxy was one of the strongest entries in the MCU to date, packed with laughs and thrills and characters worth spending more time with.

Guardians of the Galaxy Vol. 2
PG-13, 136 minutes
Regal Stonefield 14 and IMAX, Violet Crown Cinema

Vol. 2 finds the team uncontrollable as ever, yet the common goal of survival forces them to put aside their differences (as best they can) to defeat a threat facing the entire galaxy. We meet the Guardians as they battle to protect sacred and powerful batteries belonging to the Sovereign race from an interdimensional beast over the course of an opening credit sequence for the ages. If you recall, Groot ended the previous film as a tiny version of himself, affectionately known as Baby Groot. The team abandons its morale-raising sound system when the monster sneak attacks them, leaving it to Baby Groot to complete the setup, and he dances to charming easy listening, removing focus from the epic battle in the background. It’s the perfect intro, and an effective mirror of the first film’s credits.

When the battle ends, the Guardians must return the batteries to the Sovereign race, but Rocket’s (Bradley Cooper) sticky fingers get them all in trouble. They are rescued by a mysterious figure known as Ego (Kurt Russell)—claiming to be Peter Quill’s (Chris Pratt) father—and return to his planet to learn more about his origins, how he came to find Peter and the Guardians and what he intends to do now that they are his guests (or captives?).

Like the first film, Vol. 2 works best when it’s focused on the team dynamic as the anti-Avengers. They bicker, they rarely see eye-to-eye, yet it is always in their common interest to cooperate, a conflict that mirrors the better-known characters of the Universe. The cast is as great as ever, with new characters such as Mantis (Pom Klementieff) fitting right in. The dialogue is funny and smart, and it packs a surprisingly effective emotional punch in the end.

Despite its strengths, there are notable lags that threaten to pull the movie apart at times. After the initial reveal of Ego’s origins, the time spent on his planet is repetitive and not terribly entertaining or interesting. While that is happening, the sibling rivalry between Gamora (Zoe Saldana) and Nebula (Karen Gillan) is a nonstarter taking up a lot of screen time to go nowhere in particular. Though it does reflect somewhat the theme that family is about more than blood relation—Quill’s mixed relationships with biological parent Ego and father figure Yondu (Michael Rooker), Rocket’s raising of Baby Groot—for the entire middle of the film, several lead characters are doing little more than eating up screen time. If you liked the detour in Avengers: Age of Ultron focusing on Hawkeye’s family, you might enjoy the second act of Guardians Vol. 2, but they are similarly flawed.

Thankfully, the energy picks up for the finale and the characters get back to doing what they do best, and this might be the first MCU movie worth shedding a tear for. Even at its worst, Guardians of the Galaxy Vol. 2 is totally watchable for fans, rabid and casual alike.


Playing this week

Regal Stonefield 14 and IMAX
The Shops at Stonefield, 244-3213

Beauty and the Beast, Born in China, The Circle, Colossal, The Fate of the Furious, Get Out, Gifted, Going in Style, Sleight

Violet Crown Cinema
200 W. Main St., Downtown Mall, 529-3000

Beauty and the Beast, The Boss Baby, The Circle, Colossal, The Fate of the Furious, The Lost City of Z, Their Finest

Categories
Arts

Brendan Wolfe delves into the world of a jazz legend

If you have never heard of Bix Beiderbecke, the unlikely jazz legend from a Midwestern, German-American family, listen to his tunes on YouTube or Spotify and you’ll want to know more. Dig deeper and you’ll learn that cornet soloist and pianist Leon Bismark “Bix” Beiderbecke was born in Davenport, Iowa, in 1903 and died in Queens, New York, of alcoholism and lobar pneumonia just 28 years later.

But his spirit lives on in his hometown—at the annual Bix Beiderbecke Memorial Jazz Festival—which is where Brendan Wolfe, author of Finding Bix: The Life and Afterlife of a Jazz Legend, first encountered him.

Blank vertical book cover template with pages in front side standing on white surface  Perspective view. Vector illustration.

Wolfe, managing editor of the Encyclopedia Virginia website, grew up in Davenport. An aspiring writer and historian, he says he “was really into history and I would sit at the dining room table and write a novel about Valley Forge or a comic strip about D-Day.” Wolfe attended the University of Iowa for undergraduate and graduate school, and it was there that he started writing about music. This month his first book, Finding Bix, hits bookstores and becomes a part of the bibliography about the elusive cornet player.

Thanks to the preservation of historical documents and correspondence, certain details of Beiderbecke’s life can be sketched out. We know that he was expelled from a boarding school in Chicago at age 19. He was often described by friends as being slovenly, the creative genius who couldn’t remember, or didn’t care, to change his clothes. We know from reviews of his playing that he was appreciated in his own time. After hearing Beiderbecke perform a solo with Paul Whiteman’s band, Louis Armstrong wrote, “I’m telling you, those pretty notes went all through me.”

During his most prolific period Beiderbecke maintained a grueling schedule. He consumed too much alcohol, had at least two nervous breakdowns, went to rehab, turned to alcohol again and died young. We also know that at age 18 Beiderbecke was accused of cornering a sight-impaired 5-year-old girl in a garage and demanding that she show herself to him. He was arrested and held on a $1,500 bond, the charge dropped only after the girl’s father determined it would be detrimental to her to testify.

Wolfe examines all of these accounts in detail, but rather than trying to create a definitive portrayal of Beiderbecke, he is more interested in exploring the musician’s blurry edges, often challenging the authoritative tone of previous claims by other scholars. (He even becomes the first Beiderbecke historian to discover that a 1929 feature in the Davenport Democrat was largely plagiarized, including the quotes it attributed to Beiderbecke.) “[Finding Bix] is almost a meta biography of Beiderbecke,” Wolfe says, “a story of all the stories and how they’ve been told and what they add up to and what kind of meaning we can make of it.”

Essential Bix Beiderbecke

“I’m Coming Virginia” Originally recorded in September 1926 by African-American vocalist Ethel Waters. Beiderbecke recorded his take, with Frankie Trumbauer on C-melody sax, in May 1927.

“In a Mist” This 1927 cut is one of two Beiderbecke recordings where he is playing an original composition. As the story goes, when asked what he wanted to title the piano solo, Beiderbecke responded, “Dunno. I’m in a fog.” After a slight revision, the title stuck.

“Singin’ the Blues” This tune was first recorded by the Original Dixieland Jazz Band in 1920. Beiderbecke laid down his version with Frankie Trumbauer on C-melody sax and Eddie Lang on guitar in 1927.

Within the narrative of this meta biography, Wolfe becomes a character himself. “I thought of myself like a film documentarian,” he says, “putting the camera on my shoulder and going out and engaging people and engaging the material.” He is at heart an essayist, and his writing tends to ruminate on a question or, in the case of Beiderbecke, many questions. How and why do we create narratives about artists that elevate them to legends and distort or deny reality? How do we reconcile an artist’s flawed and sometimes ugly character with the soul-stirring art he creates? Does commerce sully art? What does it mean to sell out? Are artists by nature self-destructive? “Ultimately that’s what kept my interest with Beiderbecke,” Wolfe says, “…how any argument you want to have you can put him in the middle of it.”

“The problem with Beiderbecke’s multitudes, though,” Wolfe writes in the book, “is that they can sometimes cancel each other out so that, voilà! Beiderbecke disappears.” Wolfe likens the nature of Beiderbecke to the music he creates: “Jazz isn’t here to stay; it’s here to disappear. …Which is why I think it’s the perfect music for Beiderbecke.” But Wolfe is comfortable with the possibility that aspects of Beiderbecke’s life and character remain ambiguous. “The pleasure comes, both as a writer and a reader, not in reaching a conclusion but in engaging the question,” says Wolfe.

Categories
Arts

Theater review: Four County Players resurrects Noël Coward’s Blithe Spirit

Is there any comedy trope that’s been kicked around more often than the bickering husband and wife at home? Domestic discord has been a go-to gag for centuries and the cornerstone of TV sitcoms for a reason. We all know the excruciating grief of slogging through a never-ending argument with our significant other, but whether it’s PTSD empathy or black-hearted schadenfreude, we love to listen to zingers coming at the expense of a couple of fictional suckers who can’t get on the same page. Luckily for the audience at Four County Players, it’s exactly that kind of oh-that’s-rich, bitter tit for tat that makes Blithe Spirit a fruitful extended exercise in comic contention.

British playwright Noël Coward was well aware of how comedy can be born from conflict. That is to say, he was astute enough in his conception to realize that if a lady and gentleman are tearing each other down to the subatomic level with sharp repartee—and it gets laughs—then it stands to reason that throwing an ex into a heated squabble should theoretically be that much funnier. It is. Just like a husband and wife locking horns, going bigger is an old idea, too. Even in the time of his early comedies, Shakespeare figured out that if one set of bumbling identical twins is amusing, two pairs of identical twins are hysterical. Sometimes more is, truly, substantially more, and Coward expands on the traditional blueprint with sidesplitting results.

Blithe Spirit
Runs through May 21
Four County Players

Written in 1941 during the height of the London Blitz, Coward’s wartime black comedy serves up caustic, hilarious one-liners that burn exasperated husband Charles Condomine and his second wife, Ruth, right where they stand—in the stuffy confines of their English country house with dry martinis in hand. Though there’s nary a passing mention of World War II, the timeless premise of farcical matrimonial anguish remains anything but textbook, thanks to the surprisingly funny consequences of hashing out relationship issues in the unexpected and interfering shadow of death; there’s also a thoroughly hefty comic bounty wrangled from decrying what sounds like the bureaucratic miseries of the afterlife. I’ll explain.

Apparently, Coward’s initial idea was to simply write a play about disagreeable ghosts, but Blithe Spirit ultimately used an apparition to reveal just how difficult it is for marriages to stay happy.

The story pits novelist Charles in the most bizarre of love triangles when he invites Madame Arcati (Kate Monaghan) to hold a séance. While his sly motive is to note her methods as research for his next book, the spiritualist act quickly gets out of hand. The quiet mockery of the medium produces the ghost of Charles’s deceased first wife, Elvira, who appears in the Condomines’ living room. Madame Arcati, Ruth and guests Dr. Bradman (Charif Soubra) and Mrs. Bradman (Barbara Roberts) are blind and deaf to Elvira; Charles is unnerved to find that he isn’t. Quite suddenly, he’s haunted and harangued by two very unsatisfied women with strong personalities. And, as the cliché goes, hilarity ensues.

Entertaining as Blithe Spirit is, make no mistake: This is a comedy almost entirely predicated on the strength of its dialogue. There’s precious little in the way of silence, mimicry or physical comedy, barring the brief bits involving the nervous stammering of servant Edith, portrayed in a timely, frantic awkwardness by Linda Zuby. Other memorable moments free to please without Coward’s words derive from the bloodcurdling screams of flummoxed Ruth, played with precision by Claire McGurk Chandler.

Chandler handles her considerable quantity of intricate insults and outrage with the accuracy and bombast appropriate of a well-trained opera singer. In her wide-eyed indignant scowls and stares lurk the stylistic touches of Amy Poehler, but her delivery also reveals a delightfully bottled restraint that continually gives way to a stunned reaction reminiscent of Margaret Dumont, the haughty straight woman of many Marx Brothers’ movies. Perhaps more startling than Chandler’s uncanny ability to speak her lines with such hardened grace is the flawless accent that pops out of her. Indeed, her believably formal manner of speaking never wavered throughout the show; it sailed effortlessly beyond the cynicism of this recent New York City transplant, who wouldn’t have guessed that I might hear put-on snobbery reverberating so convincingly from the rafters of a community stage tucked behind the Barboursville post office off of Route 33.

Credit is due to dialect coach Carol Pedersen, who did an impressive job with the entire cast. They admirably clung to their proper English voices while navigating roller coaster-like lines designed to jut out, cut back and thrust between each other in alternating freefalls. Director Miller Murray Susen rightfully calls the language “beautifully complex,” and certainly, Chris Baumer made sure that it came across that way in his sturdy portrayal of Charles.

Complicating things in the best and most irritating ways, the cloying and petulant Elvira, embodied by Tiffany Smith, offered a respectably impertinent counterpoint to Chandler’s just-so Ruth. The visitor from beyond the grave attempts to reclaim her former home at every turn: languidly rolling on the sofa, whirling gleefully around the gramophone and—to the audience’s joy—giving everyone hell.

Categories
News

Soering supporter: Sheriff Chip Harding says evidence points to his innocence

Former UVA student Jens Soering has insisted for decades he’s innocent of the notorious double homicide for which he’s been imprisoned for 31 years. He was an international sensation even before then-Governor Tim Kaine agreed to ship Soering back to his native Germany, a decision rescinded by his successor Bob McDonnell immediately upon taking office in 2010.

That didn’t slow the drumbeat that Soering, 50, was wrongfully convicted of the 1985 murders of his girlfriend’s parents, Derek and Nancy Haysom. Now, along with the German Bundestag and Chancellor Angela Merkel calling for his release, Soering has another heavy hitter proclaiming his innocence.

No one would call Albemarle Sheriff Chip Harding soft on crime. He’s spent a career going after the bad guys, most of it with the Charlottesville Police Department, relentlessly investigating crimes and lobbying the General Assembly to fund Virginia’s moribund DNA databank back in the late 1990s and turn it into a national model.

So when Soering’s pro bono attorney, Steve Rosenfield, asked Harding to take a look at the investigation and trial, Harding says he knew little of the case, thought Soering was probably guilty and that “McDonnell did the right thing” in nixing the reparation.

Two hundred hours of investigating hefty case files later, in a 19-page letter to Governor Terry McAuliffe, Harding says, “In my opinion, Jens Soering would not be convicted if the case were tried today, and the evidence appears to support a case for his innocence.”   

Even more disturbing: Recent DNA results from the crime scene indicate “not only was Soering not a contributor of blood found at the crime scene, but two men left blood at the scene.”

Harding’s theory is that the dead couple’s daughter, Elizabeth, whose uncommon type B blood was found at the scene and who has claimed her mother sexually abused her, had the motive for the savage slayings and used either an emotional or a drug connection to entice the unknown accomplices.

“I totally understand why the jury found him guilty,” Harding says. But multiple factors convinced him that the jury had been misled and that Soering had an inadequate defense, including a lead attorney who “was mentally ill and later disbarred,” he writes the governor.

“If I had to pick one thing,” he says, “it was the DNA.”

The DNA databank was established in 1989, the year before Soering’s trial. “There was a lot of blood available at that crime scene,” says Harding. “Why it wasn’t tested, I don’t know.”

He also mentions the bloody sock print found at the scene, about which a so-called expert was allowed to testify that it was likely Soering’s. “That was totally outrageous,” says Harding. Qualified experts have since said the print excludes Soering from the scene, but one juror said in a 1995 affidavit that the sock print testimony swayed him to convict.

Echols scholars Soering and Haysom met his first year at UVA in 1984 when he was 18 and a virgin, he’s said. He was smitten with the 20-year-old Haysom. The weekend of the murders, the two went to Washington in a rental car. Soering initially confessed that he was the killer to protect Haysom because he mistakenly believed he would have some sort of diplomatic immunity.

He quickly recanted and said it was Haysom who disappeared for hours and drove to Bedford, but Haysom, who pleaded guilty to being an accessory before the fact, still maintains Soering was the one who single-handedly butchered her parents.

Harding notes that her court-appointed doctors said at her sentencing “Haysom had a personality disorder and lied regularly.”

Last year Rosenfield, who is the attorney for now-exonerated Robert Davis, filed an absolute pardon with McAuliffe. A German documentary, The Promise, details the case and concludes Soering is innocent.

To have Harding, who has a national reputation in law enforcement, agree, only bolsters Soering’s case, says civil rights attorney Jeff Fogel. “What a coup.”

Harding, who investigated the wrongful conviction of Michael Hash that led to Hash’s release, joins the list of those who believe Soering is innocent, a position not shared by many in Bedford, including the case’s lead investigator, Major Ricky Gardner, who did not return a call, nor current Commonwealth’s Attorney Wes Nance.

Nance says the DNA evidence is not new, and he takes issue with concluding it proves two unknown males were in the Haysom house. “I do take some issue with [Harding’s] self-reported investigation,” such as talking to former lead investigator Chuck Reid, but not Gardner, citing a “movie with an obvious bias position,” and failing “to account for Ms. Haysom continuing to accept responsibility for her role in her parents’ death and continuing to confirm Mr. Soering’s role in those brutal killings,” he writes in an email.

“When you make a false confession in Virginia, it’s hard to get it changed,” says Harding, even when Soering had multiple details from the crime scene wrong. He mentions the Norfolk Four, who were convicted of a 1997 rape and murder and just received pardons. “It was just unbelievable how much evidence there was these guys didn’t do it,” says the sheriff.

“DNA is the truth,” avows Harding. “It proves the innocent, it convicts the guilty. It’s not that I’m hard on crime. I’m just trying to get it right.”

Correction: Elizabeth Haysom’s blood type—B—was found at the scene but it has not been tested to determine whether it’s actually her blood.

Categories
Living

Stonefield’s ‘luxury’ green market

On Thursday evenings and Saturday mornings now through October, a luxury farmers market will take place on the open green space at The Shops at Stonefield, located at the corner of Hydraulic Road and Route 29.

The Green Market Stonefield will focus on quality over quantity from hand-selected vendors “to create something different,” says Caroline Birgmann, a Stonefield PR rep. The markets will include Virginia-based North Cove Mushrooms, Earlysville’s Buck Mountain Farms and Sylvanqua Farms, and Rocksalt, My Chocolate Shoppe, DuCard Vineyards, Early Mountain Vineyards and Castle Hill Cider, among others. There will also be artisan and craft vendors, plus food tastings from Stonefield restaurant partners like Burton’s Grill and Burger Bach.

The markets will also feature live music and occasional fashion shows from Stonefield apparel retailers.

Vendors will set up their wares under a 40-by-100-foot tent so markets can take place rain or shine, from 4 to 7pm Thursdays and 8:30am to 12:30pm Saturdays—the same time as the popular City Market. Some of the vendors—such as Caromont Farm and Mountain Culture Kombucha—will participate in both markets, but many vendors will be different.

Sweet pairing

Get thee to Splendora’s Gelato on the Downtown Mall for a gelato sandwich made with cookies from Found. Market Co. dough. Splendora’s owner and wizard of all bizarre-but-delicious flavors, PK Ross, says she’ll offer a rotating selection of cookie/gelato combinations. Last week’s combos: snickerdoodle cookie with gianduia gelato, and ginger cookie with cardamom gelato (this reporter’s personal favorite).

With the grain

According to a press release issued by Governor Terry McAuliffe’s office on April 19, Ragged Branch Distillery, which opened in 2010 in Charlottesville with the intention of producing its Virginia Straight Bourbon Whiskey from 100 percent Virginia-produced grain, has received a $17,000 grant from the Governor’s Agriculture and Forestry Industries Development Fund, administered by the Virginia Department of Agriculture and Consumer Services, to assist with the Ragged Branch project, and Albemarle County is matching that grant with local funds. The release also says the distillery will create four jobs in the county over the next three years.

Barracks Road boon

Later this summer, Boston-based farm-to-fork casual eatery b.good will open in the Barracks Road Shopping Center North Wing, in the space between Pink Palm and Penelope. Also new to Barracks Road is Oliva, open now next to Talbots and Barnes & Noble, which offers a large selection of gourmet olive oil and balsamic vinegar, in addition to other culinary gift items.

Categories
News

Bumper Buddha’s big move

Drive past St. Thomas Aquinas Church on Alderman Road and you’ll notice something different—a Charlottesville icon has disappeared. The UVA student-dubbed “Bumper Buddha,” a statue of the church’s namesake welded out of chrome car bumpers, was moved to IX Art Park on May 2.

“Without question, the sculpture became a landmark not only for our neighborhood, but also for Charlottesville,” says the Reverend Mario Calabrese, an assistant priest, adding that the parishioners he talked with were pleased it would be moving to a spot with a wider public audience. The church plans to add on to its current building and develop the limited land space around it,
so St. Thomas Aquinas won’t be sporting a new statue anytime soon, he says.

The Reverend William Stickle commissioned the statue from Indiana sculptor Hank Mascotte in 1967.

Local realtor Mark Mascotte, the sculptor’s nephew, says that a church representative called him about moving it and Mascotte thought the art park would be a “perfect fit.” He contacted IX owner Ludwig Kuttner, who graciously accepted.

“It’s nice to have this new element that someone’s watching over the park,” says IX’s executive director, Brian Wimer. “We feel like we’re being taken care of.”

“The interesting part is it happened right at the same time the city seems to be embroiled in relocating statues,” Mascotte says.

When asked if IX is going to become home to other homeless statues —an island of misfit toys—Wimer said, “I think it’s a strong possibility as people are shifting monuments around this town. We are happy recipients of all sorts of pieces of art. Please, let the donations begin.”

Like the General Robert E. Lee statue? Wimer laughs. “That would entail some very long discussions.”

Categories
Arts

Telemetry series at The Bridge takes off

Open-minded listeners looking for a new sound experience should head to The Bridge Progressive Arts Initiative on Sunday night for the Telemetry series. Developed by programming committee members Peter Bussigel, a composer and intermedia artist and professor in UVA’s music department, and Travis Thatcher, technical director of composition and computer technologies in that same department, the regular series is a place for music that Thatcher says is “often electronic but not necessarily always.”

The last two events “have been really successful, with [more than] 50 attendees,” says Thatcher.

Telemetry
May 14
The Bridge PAI

On Sunday, three local acts from UVA and Charlottesville, plus Curved Light out of Austin, Texas, will deliver performances of sound that challenge typical notions of musicianship and instrumentation. Here is an idea of what’s to be experienced, according to the artists themselves.

Curved Light

“I’ve always been attracted to ambient sound, but not necessarily its function in the background,” says Peter Tran, who along with Deirdre Smith creates psychedelic synth sound and vision as Curved Light. “I wanted to recontextualize [ambient sound] in a live context where an audience would be forced to engage, utilizing more direct textures and immersive visuals to create an expansive, psychedelic environment.” Audience members can expect “both intense visual and aural stimuli that explore the limitless possibilities of the modular synthesizer” from a Curved Light set, says Tran. It’s not something that’s easily categorized, and for that reason, “each concert is absolutely a journey.”

Travis Thatcher

Thatcher will perform what he says is “an ambient pastoral Berlin School sort of set.” (The Berlin School was a movement in 1970s West Berlin that explored the creative potential of the synthesizer through ambient sound often combined with sequenced runs of notes—think Tangerine Dream, Klaus Schulze and Ash Ra Tempel.)

For the set, he’ll play an original Oberheim Two Voice synthesizer that he’s restored in the past year. This particular instrument is a “relic,” Thatcher says, explaining that when the Two Voice appeared in 1975, it was the first commercially available polyphonic synthesizer, in that it could play two notes at once. While technology has advanced since 1975, the Oberheim changed the electronic music landscape for good. Plus, Thatcher adds, “I think it just sounds cool.”

Ghost Fortune

Ghost Fortune’s Ron Geromy thinks that chaos sounds good. “People’s expectations of such sounds are very different than other genres of electronic music, so it creates an interesting space to explore live,” he says.

Ron Geromy, a UVA student, explores that space with noisy patterns of interference created between the soundwaves of rather fragile homemade synthesizers. He makes his own synths by printing a 3-D shell and soldering buttons, switches and knobs to a Schmitt trigger chip—it’s an easy circuit to make, Ron Geromy says, one that “produces a very pleasant square wave.”

On the edges of those systems, he has “discovered a lot of very beautiful, transient sounds produced by the feedback overloading [the] mixer and speakers, that once pursued further, disappear. These could be tones, or textures, or even just rhythmic patterns created by clipping,” he says. “But none of them can be sustained for too long.”

“People’s expectations of such sounds are very different than other genres of electronic music, so it creates an interesting space to explore live.” Ron Geromy

Molasses

Molasses, Will Mullany’s solo drum performance project, developed out of what Mullany says is “a dissatisfaction with the alienating and detached nature of a lot of live electronic music. To the uninitiated, a lot of electronic performances can be hard to relate to, merely because the mechanism of the sound production is hidden away in synths, effects boxes and computers.”

With a performance built around a drum kit that Mullany has augmented with sensors, microphones and digital elements that capture sound from the drum kit then “mess it up and spit it out anew,” Mullany aims to give more physicality to digital sound. He says he’ll likely use other sound-making gizmos he’s found or made, too.

Molasses is “a pretty transparent ploy to summate my formerly incompatible interests in digital and analog sound processing, DIY instrument building, avant-garde rock and free-improv,” says Mullany, adding that he won’t decide the exact setup until the night of the show. “I’m going to play drums and things are going to come out of the speakers and beyond that, I’m not sure what else is going to happen,” he says.

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News

In brief: Congressman Garrett, media lies, torched motel and more

Tom Garrett is mad as hell

Fresh off the heels of voting May 4 to repeal and replace the Affordable Care Act, U.S. Representative Tom Garrett was in town May 11 to tour DaVita, a dialysis facility on Pantops, and to squeeze in a few minutes with local media (see excerpts below). That’s when we learned Garrett is angry about threats and hate mail he and his family have received stemming from an MSNBC interview and subsequent coverage of that, and he’s threatening legal action.

What he said in an interview with MSNBC when asked about Charlottesville protests against the repeal of ACA: “I would wager based on the locality that that particular event occurred in, I wasn’t there, that none of those people did vote for me.”

What he says he didn’t say: “Tom Garrett says he doesn’t care if people get care and if people die because they didn’t vote for him anyway. That’s a lie.”

Responses he got on social media: “Mr. Garrett, I want to slash your face with a knife until you no longer resemble anything human.”

His heated response to social media attacks: “I’m doing the best I can. We might have different economic preferences. Shame on the people who do that sort of thing. “

What he says is the media’s responsibility: “You have a duty to point out when people lie.”

On not reading the American Health Care Act: “The reality of life is you have a staff to do this job.”

On protests at his office: “Keep protesting. It’s okay. This is America. It’s awesome. Disagreement is fine. Don’t lie.”


“I think it’s probably time to repeal and replace the beard.”

—Congressman Tom Garrett on his look since the election


MLK slept here

HotelFire_StaffPhotoThe motel where Martin Luther King Jr. stayed in 1963, a few weeks before he was jailed in Birmingham, went up in flames May 4. The 1955-built Gallery Court Motel on Emmet Street became a Budget Inn and in its latest incarnation, was rehabbed into Excel Inn. The cause of the fire is under investigation.

Burned

Victor Andrei, the man who allegedly assaulted a firefighter and led police on a brief chase when he was denied entry into the Excel Inn during the fire, was granted bond May 8. Andrei, a grad student at George Mason University, told NBC29 he had a school project due the following day and his materials were in his hotel room.

Staff photo

Catlin decamps

Former Albemarle spokesperson Lee Catlin, now assistant county executive, will retire November 1 after 25 years. Catlin was half of a county power couple, and her husband, former planning director Wayne Cilimberg, retired last year.

Next to last of the Republican mayors

dutchVogt-JenFarielloGunther “Dutch” Vogt, 95, who was Charlottesville’s mayor in 1968, died May 2 in Knoxville. The big issue of the day then was an unsuccessful referendum to merge the city with Albemarle County, which council supported, he said in a 2006 interview. About serving on City Council, he said, “It was a good experience, but I wouldn’t want to do it again.”

Late night snack

County police are asking for information about a Saturday night attempted food truck robbery behind Pro Re Nata in Crozet. A white man described as in his 20s or 30s and a woman in her late teens or early 20s fled on foot. One held a gun, but no injuries were reported and no money was stolen.

Driving amok

Amherst woman Mary C. Tenhoopen-Jones, 75, was charged May 3 after driving the wrong way on U.S. 29 in Nelson County around 10pm, refusing to stop and crashing into a state trooper cruiser while going 20mph, according to a release.