Categories
C-BIZ Magazines

Flow of the co-op: Chancellor Street Preschool is owned and run by parents

At the Chancellor Street Preschool Co-operative, the business manager is a parent. The person who refills the supplies and maintenance closet with soap and toilet paper is also a parent. Parents administrate admissions and provide diversity outreach. Parents set the tuition, design the schedule and make strategic decisions about the school’s future.

“Every job is filled by a parent of one of the 30 children who attends the school. We have only three paid staff members: the teachers,” says Heather Swindler, a teacher whose two children are alumni. “Every parent has two jobs. They serve as a teaching assistance in the classroom a day or two each month, and they do an administrative or practical job for the school.”

Since 1972, the school has operated as an incorporated co-operative. It has a board of directors headed by two parent co-chairs who are elected by fellow parents each spring. “The flavor of the school can really change from year to year depending on who the parents are. Each kid is here for just two or three years. Each group of parents bring their own expertise and knowledge with them,” says Swindler.

“Parents bring fresh ideas, while teachers have institutional memory,” Swindler adds. Indeed, the school has a very high retention rate for teachers. “We’ve seen which ideas have worked out and which haven’t in the past. Yet I’m continually impressed by the innovative ideas that parents bring.”

For membership in the co-op, current families are given priority and then applications are considered in the order they are received, starting in October. The school has a nondiscriminatory policy and provides a few small scholarships based on financial need.

The curriculum of the school is play-based to encourage self-directed learning. The school rents its location in the education wing of St. Paul’s Memorial Church, but is unaffiliated with the church.

Tuition rates at the school are comparatively low. “Quality education is often expensive,” says Swindler. “Here parents don’t just contribute money, like they do in a regular private school, they also contribute their time, labor and expertise.” Swindler says that mothers and fathers are equally present at the school.

National data on how preschools and daycares spend their funding suggests that at an average childcare center serving preschool-aged children, 13 percent of funding is spent on classroom materials and food, 16 percent on administration costs, 14 percent on the preschool space and 56 percent on salaries and benefits for employees. A co-op distributes funding differently—and can charge less tuition—because of the labor of parents.

The one downside of the co-operative model is that not every parent has the capacity to contribute time and labor to a school, according to Swindler. “Also, we are a half-day school, so we don’t meet the needs of families with two parents who work full-time and don’t have any flexibility.”

On the flip side, Swindler says that parents who have decided to leave the workforce or work less while their children are young often benefit a lot from the community of the school. “If you are someone who had a high-powered job and you find yourself listening to baby talk all day and telling your child where not to put their fingers, the school is an opportunity to use your job skills again and connect with adults around an intellectual challenge,” she says.

Both parents and children benefit from having parents in the classroom. “As a parent, I got to see how my kids were at school,” says Swindler. “How they played with other kids. How they dealt with new tasks and challenges. It was a gift to be able to know the at-school version of my kids.”

Categories
C-BIZ Magazines

Global workers, local business: With help from the IRC, local companies hire refugees

Refugees flee violence and persecution to rebuild their lives—and careers—in new places, and over the years, the Charlottesville area has been the initial home for more than 3,500 refugees from 32 countries. The International Rescue Committee (IRC) helps them integrate into the workforce by partnering with local businesses.

Design Electric, a 250-person company that builds commercial, residential and industrial electric systems, and the Omni Charlottesville Hotel both have long histories with the IRC.

Casey Carwile, personnel director at Design Electric, says that workers who were recent refugees in 2000 still work at the firm and most work as electricians or electrician helpers. “There are inspirational stories,” says Carwile. “Two brothers from Russia came to work for us and both finished the entire electrician apprenticeship program in four years. Now they are lead men on a $14 million project at the university.” Recently, a third brother has come to Charlottesville and joined Design Electric as a pre-apprentice.

Carwile says the decision to hire refugees is a practical one. “We need to get our work done, so we need qualified, hard-working people. People from different countries and different backgrounds, we all work together.” Carwile says Design Electric has hired about 30 people through the IRC.

Language can be a barrier to employment and education for recent refugees, and Design Electric works with the IRC to provide language classes with an emphasis on the English required for electrician training.

Patti Shifflette, human resources director with the Omni Charlottesville Hotel, says that in the last 20 years, the Omni has hired hundreds of refugees. The practice has helped the hotel maintain staffing levels in a city with very low unemployment. But Shifflette feels the greatest benefit has been the creation of a diverse workforce. “Diversity is a strength that positively impacts our culture in the workplace and brings a high level of respect amongst all members of our staff. Our guests appreciate being able to meet and converse with staff who come from all areas of the world,” says Shifflette. “Refugees bring with them a strong desire to work and make a new home for their families, which brings to Omni a strong work-ethic and desire to succeed.”

Newly hired refugees tend to have entry-level positions, and the hotel often pairs a new refugee with another employee who speaks the same language. Initial job training is designed to be accessible even for those who do not have strong English language skills. As an employee’s language skills improve, she has the opportunity to move into positions suited to her individual strengths and skills that “offer higher compensation and growth potential,” says Shifflette.

To some extent, economic growth relies on population growth and the related increase in labor. Refugees and immigrants contribute significantly to the American economy. According to the Economic Policy Institute, first-generation immigrants are 13 percent of the U.S. population, but comprise 16 percent of the labor force and 18 percent of small business owners. Refugees and immigrants also bring diverse skills that help businesses gain flexibility in a fast-changing global economy.

The benefits of working alongside refugees can also be more personal. “When one of our refugee employees becomes a U.S. citizen, it’s one of the proudest moments, and that feeling of pride and excitement spreads throughout the hotel,” says Shifflette. “Being born and raised in the U.S., it has made me realize what many of us take for granted.”

Categories
News

‘The last straw:’ Woodard pulls the plug on West2nd

Developer Keith Woodard has abandoned his plan to build a $50 million castle of downtown luxury condos and retail space on a city-owned Water Street parking lot.

“The project was a tremendous undertaking, and over time, the process of obtaining the  necessary approvals became very difficult and at times adversarial, causing continual delays and uncertainty,” according to a press release from Susan Payne, a spokesperson with a local public relations group that represented the now-defunct West2nd development.

When Woodard responded to the city’s request for project proposals in early 2014, “it was a different City Council and different circumstances,” he said in the release.

That was under then-Mayor Satyendra Huja. While several council members have come and gone since then, Mayor Nikuyah Walker and Vice-Mayor Heather Hill, the two newest ones, have both openly opposed and voted against the project.

Keith Woodard. Photo by Amy Jackson

Woodard had been working for nearly five years to launch and build the 97-condo mixed-use development that would also house the City Market, and calls the Board of Architectural Review’s August 21 denial of an appropriateness application “the last straw.”

The BAR cited issues with the height and scale of the L-shaped building. Echoing formerly voiced concerns of councilors Walker and Hill, BAR members also questioned West2nd’s ability to properly accommodate City Market vendors.

Woodard has the option of appealing the BAR decision to City Council, but Hill says she doesn’t think he will.

Longtime developer Bill Atwood says he thinks a representative from the BAR should have been on the committee that selected West2nd as the winner of the city’s request for proposals.

“It basically turned into a beauty contest,” he says.

Atwood, whose nearby Waterhouse condos were recently foreclosed upon by Great Eastern Management, says it’s hard to build downtown.

The property where West2nd was proposed is extremely valuable, and becoming even more so, he says, and adds that the next developer who tries to tackle it should make sure his project is economically viable.

Woodard has faced several wins and losses during the life of West2nd.

City Council voted 4-1 to reject his special-use permit to build another floor and 28 additional units in February, though it met the city’s requirements, and approved the permit by a 3-2 vote two months later, when Councilor Wes Bellamy negotiated a deal to build eight units that would remain affordable for 15 years, and another eight units that the city would subsidize using property tax revenue from the West2nd project.

When Woodard called it quits August 28, 37 of the 97 units had been secured, and prices on Zillow ranged from $359,000 to $1.4 million for each condo.

The press release announcing the now-abandoned project’s fate calls the decision a “very difficult choice.”

“This project has certainly faced its challenges given its scope,” says Hill, who mentions that along with providing a permanent home for the market, residential, commercial, and retail spaces, West2nd also allotted space for private and public parking. “Layer on top of that numerous stakeholder groups weighing in on how this scope would be brought to life, often with competing priorities, along with rising construction costs, and this is unfortunately where we are.”

Hill says such a property in the “heart of our downtown” provides a tremendous development opportunity.

“I am certainly committed to evaluating partnerships, including with Mr. Woodard, that may open the door for other visions for this site’s development,” she adds.

Says Woodard, “I am disappointed that this project will not become a reality.”

And so are the people who were hoping to live there.

“I’m very disappointed,” says Ellen Teplitzky, who put a deposit on one of the condos in the spring. She had also reserved a spot at Waterhouse before Atwood “land banked” the residential properties.

“Twice burned,” she says. Teplitzky says she feels bad for Woodard, who spent an incredible amount of time and money on the project.

“All to preserve a farmer’s market,” she adds. “I’m sorry if I sound very callous.”

But some City Market vendors are glad to see the project gone.

“I think it’s a great opportunity for the vendors and the city to build a much better permanent market space,” says Janet Dob, who has been operating her Bageladies booth at the market for more than a decade.

When the city first called for project proposals in 2014, Dob says Shank & Gray Architects proposed Market Square, which “made the market space a priority with ample room to grow, rather than an afterthought tucked in a corner.”

She says it seems like the city doesn’t grasp the “enormous value” that the market—or “the soul of Charlottesville’s downtown on Saturday”—brings to the community.

Adds Dob, “Glad we’re going back to square one.”

 

Updated with comments from Bill Atwood and Ellen Teplitzky on August 31 at 3pm.

Categories
Arts

Album reviews: The Essex Green, Judy Dyble, Daniel Bachman, Spider Bags, and Ohmme

The Essex Green

Hardly Electronic (Merge)

I know I’m not alone in pronouncing this spring and summer a total bust—for every nice day, we’ve had a week of muggy, gloomy, rainy weather. Which gives The Essex Green’s Hardly Electronic both a wistful pang and a vicarious thrill, because the album’s 14 graceful indie-pop tracks collect a vibrant bouquet of spring and summer scenes, from the convertible cruise of “Sloane Ranger” to the country getaway of “Bye Bye Crow” to the dappled hammock sway of “January Says.” The prevailing sweetness and faux-Britishisms come off a bit precious in spots, but you do get the feeling that The Essex Green knows how to make the best of the season.

https://theessexgreen.bandcamp.com/album/hardly-electronic

Judy Dyble

Earth Is Sleeping (Acid Jazz)

Judy Dyble is like some mythical English auntie, a loner who nevertheless has a way with children. Unrecorded as the original vocalist for Fairport Convention, and barely recorded as a bandmate of pre-King Crimson Robert Fripp, Dyble’s second act almost counts as her first. She began releasing solo records in 2004, including last year’s Summer Dancing, a playful, ornate collaboration with Andy Lewis. Earth is Sleeping is a far more stripped-down and melancholy (though not mawkish) affair. Accompanied mainly by piano, Dyble connects with a disarmingly open-hearted and enchanted folk mezzo, even while relaying sad tales about Elvis impersonators and rainbows trapped in glass.

Daniel Bachman

The Morning Star (Three Lobed Recordings)

Inspired and not for the faint-hearted, The Morning Star is a seven-song, 74-minute suite that finds Fredericksburg native and freshly arrived Charlottesville resident Daniel Bachman venturing further into drones and space than on previous releases, which didn’t exactly pander to the masses. Here, the inventive acoustic guitarist employs radio and field recordings along with harmonium and fiddle, and responds to the troubling energy he’s finding in the world with performances that alternate between exorcism and meditation.

https://threelobed.bandcamp.com/album/the-morning-star

Spider Bags

Someday Everything Will Be Fine (Merge)

Friends in Chapel Hill call Spider Bags the best band in the world, which I guess means their live show is transcendent. It’s always been hard for me to hear the magic on a record, and the songs on Someday Everything Will Be Fine still feel kind of baggy (except for the ones that are, like, a minute long). But I can see how they’d work in a bar—there’s a diffident Midwestern desperation in Dan McGee’s sensitive-drunk tirades that makes them curiously endearing. And there’s plenty of boisterous energy from the garage-meets-cowpunk band that sounds like dudes in a warehouse on a winter’s day, tearing it up just to stay warm.

https://spiderbags.bandcamp.com/

Ohmme

Parts (Joyful Noise)

Vocalist/guitarists Sima Cunningham and Macie Stewart have loaned their talents to various Chicago artists over the last few years, appearing on Chance the Rapper’s Coloring Book, playing in bands with Vic Mensa, and touring with Tweedy. For Parts, their debut as Ohmme, Chicago returns the favor, supplying players like bassist Doug McCombs (Tortoise), virtuosic cellist Tomeka Reid, and MacArthur “Genius” fellow/saxophonist/composer Ken Vandermark. Parts is fervid but accessible art rock, its barbed hooks and bonkers musicianship conveying an earthy swing instead of immaculate lifelessness, as Cunningham and Stewart’s voices blend into a solid, radiating force. The crowd will be in good hands at the September 3 show at Richmond’s Strange Matter.

https://ohmme.bandcamp.com/album/parts

Categories
Living

The producers: Meet the locals who are taking the plunge into farming

Why did the farmer win an award? Because she was outstanding in her field.

Well—all jesting aside—probably not. If she was anything like the real farmers of Albemarle and neighboring counties, she was just as likely to be found working a job in town as spending time on her land. And when she was in the field, she probably had little or no time to stand still. As for the award? The average local farmer would be happy just to come out in the black.

Farming may be society’s most essential profession, but you’d never know it from looking at the numbers. Nationwide, the average farmer’s age is now 55.6; in Albemarle, that number is 62.3. For decades now, people have worried that as aging farmers retire, there will be no one to replace them, and family farms will disappear or be absorbed by corporate agriculture.

Not everyone agrees that there really is an “aging farmer crisis.” One economist got a lot of press in 2014 for a study that pointed out that the average age of farmers has increased exactly in concert with the average age of the labor force in general. Carl Zulauf even predicted that “the current period of prosperity will lead to an influx of younger farmers.” In 2017, the Washington Post reported that the number of young farmers was growing, largely because college-educated people were decamping from desk jobs to get their hands in the dirt.

Locally, the picture is mixed. The United States Department of Agriculture’s 2012 Census found that in Albemarle, most farmers worked 200 days or more off the farm every year. That makes sense when you consider that the average Albemarle farm lost more than $11,000 that year. In nearby Nelson County, the average farm eked out a $309 profit. Farming, for many people, may be a lifestyle they love or even a family legacy, but it’s also a very uncertain source of income. “The dirty secret of the food movement is that the much-celebrated small-scale farmer isn’t making a living,” wrote Bren Smith in the New York Times in 2014.

Dave Norford, vice president of Albemarle County Farm Bureau’s board, says it’s a major challenge even to get into farming in the first place. “It takes so much capital and experience,” he says. “You have to start out young and small and work your way up to it. It’s not like you jump right in at 21 and you’re all of a sudden a farmer.”

Norford raises cattle and has three teenage sons. “I spent my whole life building my operation to where if they want to take over, hopefully it would be big enough where they would have a fighting chance at making a living,” he says.

Having access to land is a major hurdle for new farmers, especially those without family land, and the wealthy economy in our area is a double-edged sword: There are lucrative markets here, but real estate—especially large tracts of open land—is unaffordable.

Still, between 2007 and 2012, Albemarle more than doubled its young farmer population. The local food movement has put small farms—often organic or artisanal in nature—on the minds of many consumers, and there is an undeniable romance to farming that can cut through the drone of corporate and academic lifestyles. Day after day, there are those among us who get up early to irrigate their tomatoes, bundle kale into bunches, doctor sick lambs, round up calves for auction, fix tractors, mend fence, court chefs, and brave chiggers, sunburn, and all the other physical demands of farming—all to accomplish a type of work that often costs more than it pays, but which the rest of us depend on for our very survival.

Below, meet a few hardy souls who have recently signed up for the job.

Plus bread

It was music that brought Heather Coiner and Ben Stowe together—they met in 2012 at an old-time music festival in West Virginia—but the trajectories that landed them there included another commonality too: They both love producing food.

At the time, Coiner had recently decamped from the academic life (she holds a Ph.D. in plant ecology) and was baking bread instead. “Partway through grad school I had an identity crisis,” she says. “I needed to do something tangible. The pace of academia was too slow.” She started a CSB (community-supported bakery) in Toronto, where she then lived, and delivered bread to customers by bike, contemplating a future in the food movement. Somewhere in Virginia or West Virginia, she thought—near the music scene she was part of.

Meanwhile, Stowe had tried out GED and ESL teaching after finishing college in New York City, and had quickly foreseen the end of that career. “I was proud of the work, but I was going to burn out,” he says. He followed a girlfriend to a farm internship in Wisconsin and, working in the greenhouse and the fields, began to envision a different path. “I was impressed by the quality of life,” he says. “I loved the food. I was working hard and sleeping well.”

He did a few other internships through World Wide Opportunities on Organic Farms—a popular program connecting organic farms with short-term workers—and eventually spent two seasons at Waterpenny Farm in Sperryville, learning from experienced farmers who, he notes, “had a middle-class life.”

Heather Coiner and Ben Stowe’s Little Hat Creek Farm is a farm-bakery combination that “got bread customers before we got regular vegetable customers,” says Coiner. In 2016, the couple completed construction on a 1,000-square-foot bakery building with a wood-fired oven and plenty of space for trays, loaf pans, racks, and work tables. Photo by John Robinson

The couple became a couple more or less simultaneously with starting a business partnership, and the idea of a farm-bakery combination took hold early on. The search for land resulted in “a couple false starts,” says Stowe, before a very lucky break: He connected with Michael and Kathryn Bertoni, the owners of Appalachia Star Farm, an established CSA in Nelson County.

It was a good fit all around. The Bertonis were ready to stop farming after a decade in the business. They too had worked at Waterpenny in the past and knew that Stowe would understand the methods they’d been using. For Stowe and Coiner, the farm was a turn-key operation, complete with farmer’s-market and CSA customers and even, says Coiner, “crops in the ground.” In 2013, they signed a two-year lease and got to work.

Of course, the bakery concept was a major add-on to the business they were taking over, and one that required a name change (Appalachia Star became Little Hat Creek Farm) plus some big investments in infrastructure. Coiner made do with their house oven at first, and in 2016 they finally finished a 1,000-square-foot bakery building with a wood-fired oven. Now, in a gleaming space filled with trays, loaf pans, racks, and work tables, she bakes not only bread but croissants and other pastries—a valuable differentiator for CSA members and at the three farmer’s markets Little Hat Creek attends weekly. “We got bread customers before we got regular vegetable customers,” says Coiner.

When their two-year lease was up, she and Stowe were ready to commit long-term—to each other and to the farm. They got married, bought the property, and kept growing the business. This year, they have three full-time employees, 19 CSA members, and one and a half acres in vegetable production.

Photo by John Robinson

“This size farm would be too small without the bread,” says Stowe, age 34. With the farm-bakery model, they can make more money on a small property, their business is diversified, and they find more wholesale opportunities.

Bouncing their roly-poly 1-year-old twins as they tell their story, they readily acknowledge the long hours their business demands, as well as the juggling act they perform as new parents. But they’re even quicker to name what they love about farming. “You have to remind yourself about the high quality of life,” says Coiner, age 40. “We live where we work, and we’re eating high-quality food. We’re able to make a living for a family of four.”

Cattle drive

Growing up in Chesapeake, the oldest of six siblings, Antonetta Bates never imagined raising cattle. But she knew she loved an-imals, and when her family took camping trips to Sherando Lake, she’d stare out the car window at the cattle farms around Lyndhurst, unknowingly glimpsing a vision of her future.

It would take a while for that future to arrive, though. Not until 2011, when she moved to Earlysville to work as a live-in personal assistant to the owner of a large estate farm, did she find an opportunity to try out the agricultural life. Her employer put her in charge of managing the prop-erty—mowing, haying, maintenance—and offered that, if Bates liked, she could get a pet cow.

Antonetta Bates loves her grazing Angus and Herefords, but each animal is also thought of in numerical terms. Buying a young, pregnant female—a “bred heifer”—costs around $2,000, and that cow might produce a calf a year until she’s about 10 years old. Each calf can be sold at auction at about 7 months old and 500 pounds. Photo by John Robinson

Her first cow was indeed a pet (Annabelle, a Holstein, who died in March at age 6) but also served as the gateway to Bates’ more serious farming endeavors. “What really started me was a local farmer gave me an orphaned Angus heifer,” she remembers. “Then I bought a young bull and a few young calves to breed. Then my boss loaned me money and I bought 25 head and a second bull.” As she puts it, “it snowballed from there.”

She learned as she went, picking up skills from other local farmers and from her vet (“God bless her,” she says, “I can text her pictures and she’ll tell me what to do”). Though she’s also tried raising hogs, sheep, and chickens, cattle have been her main focus.

It’s clear that Bates, age 39, loves her animals, calling them by name and reaching out to stroke their heads when she drives a golf cart among the grazing Angus and Herefords. Yet if these are not to be pets, each animal must be thought of in numerical terms. Buying a young, pregnant female—a “bred heifer”—costs around $2,000; such a cow might produce a calf a year until she’s 10 years old or so, each calf to be sold at auction at about 7 months old and 500 pounds. This year, her herd produced 36 calves.

Antonetta Bates. Photo by John Robinson

Given all the variables—calves that die unexpectedly, beef prices that go up and down (they averaged $3 a pound a few years ago, less than half that at the time of our interview)—cattle farming is a tough business. That’s not even counting the startup costs, which for Bates have been partially waived; her employer provides 70 acres of fenced pasture for her to use, along with equipment. The farm is now for sale, however, and Bates knows her future is uncertain.

Bottom line: “I would need 200 mama cows to make a decent living,” she says. That would require 200 to 400 acres of land, which is prohibitively expensive in Albemarle. Bates is hoping that she can enter a new partnership with a landowner or perhaps a retiring farmer so that she can continue the life she’s come to love.

“I used to wear stiletto heels and get my nails done. Now it’s more like I need a nail brush,” she says. “You’d think farmers were crazy, but it’s truly not about money; it’s the love of the work we do. Ten years ago, I never would have thought I’d put steak on someone’s plate.”

Spirit of inquiry

“We’ve been doing agriculture for 10,000 years,” says Austin Mandryk, “and maybe we don’t know how to do it yet.” He walks among rows of tomatoes at his Atelier Farm in northern Albemarle, checking out the 98 varieties he’s planted this year, partly in a spirit of experimentation: Maybe he’ll learn something about tomatoes that no other farmer yet knows.

His four-and-a-half-acre garden includes hundreds of other crops, from young fruit trees to husk cherries to turmeric to six different kinds of holy basil. He’s even experimenting between the rows, searching for the right combination of cover crops to form a “living mulch” that will prevent erosion and attract good bugs but not out-compete his food crops. “The vision for me is a verdant farm,” he says; he dislikes seeing farms that “look like Mars,” with bare soil between rows.

In his second year (or “beta year,” as he calls it) running Atelier Farm, Mandryk, age 38, is deep into the test phase on many ideas at once. Can he run a year-round CSA? Can he derive most of his income from customers who will drive to the farm, rather than stopping by his farmer’s market stand? Can he gradually shift production so that half the food he grows is from perennial fruit crops?

“Everything’s in flux,” he says, after a lengthy explanation of how he prices his CSA shares. (In brief, they’re $20 per adult per week.) Since the CSA is buffet-style, rather than each member receiving the same bag of veggies, and since some of the things he’s harvesting now could become part of his winter offerings (think frozen berries or dried herbs), the formula of costs and income and value on this farm is fairly complex.

He knows he needs more members—he’s at around 40, but would be more comfortable with 60—but seems to be patient with the process of finding the right people to buy into his vision. Though this is the first time he’s been in business for himself, he’s been working on farms since right after college (when he biked to a farm in Pennsylvania to spend 20 hours a week pulling weeds for free) and has managed several other organic farms around the East and Midwest.

“Farming was never presented as an option” when he was growing up, he says, but he discovered the farming path in college along with a love of being outside—he’s hiked the Appalachian Trail twice—and a devotion to ecology.

In the second year of running Atelier Farm, Austin Mandryk is deep into the test phase on many ideas. He wonders if he can run a year-round CSA or if he can derive most of his income from customers who will drive to the farm, rather than stopping by his farmer’s market stand. He also considers whether or not he can gradually shift production at his four-and-a-half-acre farm, which includes hundreds of crops, from tomatoes to fruit trees to turmeric, so that half the food he grows is from perennial fruit crops. Photo by John Robinson

Atelier Farm rents a corner of the property owned by Mandryk’s sister and her husband. In the two years since Mandryk arrived here, he’s installed a deer fence, built sheds and walk-in coolers and a summer kitchen, created a washing/packing area and an outdoor office and herb dryers, and a place for members to select their week’s veggies, herbs, and flowers. (A onetime creative writing student, he’s also written lyrical blog posts to go along with each week’s CSA shares.) And, of course, he’s grown lots and lots of food.

It’s a demanding life. He describes camping in the cornfield to prevent nocturnal theft by a raccoon, reading farming books by flashlight before going to sleep in his tent. Yet he’s trying to make the work sustainable for himself by building it around his own desires. “I want spinach in winter, and frozen berries and dried beans,” he says. “There is a lot to be said for selfless service, but the foundation should be that I do everything I want to do. I grow what I want, and share it.”

The right blend

“I sort of didn’t choose the easy road,” says Katherine Herman, sitting in the new office of her farm, Gathered Threads, in Nelson County. She’s right, in that farming is never easy. But then she’s right again in that her type of farm—a small herb farm that supplies dried herbs, ferments, and other value-added products—might demand even more work than most.

Not only does she grow the herbs (and “grow” implies all the usual sub-verbs, from preparing soil to harvesting) and then, in many cases, dry them, she also makes them into everything from tea blends to salves to bath salts to infused vinegars. There’s packaging. There’s planning. There’s recipe testing. Oh, and there are two small kids.

Herman and her husband, Ralph, are keeping Gathered Threads in motion, here on this remote six-and-a-half-acre property, through ingenuity and hustle. “My husband’s job is paying our bills,” she says frankly. Ralph works long hours driving a truck, then mows the garden perimeter and does building projects around the farm after hours. Katherine tends an acre and a half of herbs and vegetables, usually with kids in tow.

At Gathered Threads in Nelson County, Katherine Herman runs a small herb farm that supplies dried herbs, ferments, and other value-added products to members of her CSA. Herman grows the herbs and, in many cases, dries them and makes them into tea blends, salves, bath salts, and infused vinegars. Photo by John Robinson

Luckily, she has many years of experience as a grower, all the way back to the garden she planted as a Peace Corps volunteer in Tanzania in 2001. Yet Gathered Threads, founded in 2014, is different than the vegetable farms where she did most of her learning; her business draws heavily on her training at Sacred Plant Traditions herb school, as well as her own fermentation experiments, and requires endless creativity in the marketing sphere.

For example, several years after she’d started her herb CSA, the number of shares she was selling had fallen. Members were getting a monthly box of herbs and products, but there weren’t enough members. So this year, Herman decided to offer three different types of herbal CSA: medicinal, culinary, and bath-and-body. Sales went back up—and, of course, so did the complexity of developing and packaging the shares.

After growing up in Portsmouth, Herman studied animal science at Virginia Tech, but her Peace Corps years started her on an agricultural trajectory. “It was nice to grow some of what I ate,” she says. When she returned to the U.S., she looked for a farming position, and ended up managing vegetable farms for about a decade before starting Gathered Threads.

Photo by John Robinson

Herman, age 40, believes in the connection between herbs and daily wellness. “We need herbs instead of  pharmaceuticals,” she says. But selling herbs can be an uphill battle since most people don’t consider them a necessity. This year, Herman offered her herbal and fermented CSA shares directly to customers and also as an add-on at larger vegetable CSAs around Virginia, selling around 90 shares. She has a few wholesale accounts too, and sells at the Nelson farmer’s market, “a good way to network and get exposure,” she says.

If direct-to-consumer sales are the first image one might conjure for a small specialized farm, they may not be the most sustainable for the farmer. Herman sees the future of her business in larger-scale growing and bulk sales. “I want to grow more herbs and get more herbs to people,” she says. “I want to sell quarter-, half-, one-pound bags,” supplying other practitioners or producers.

It’s still a young business, with a solar dryer under construction, the new office half-tiled, and Herman’s baby daughter playing under a tent behind the farmer’s-market table. But in the garden, long rows of comfrey, currants, gooseberries, elderberries, nettles, rosemary, and dozens of others are growing—fragrant and promising.

Categories
Real Estate

Charlottesville Chamber Music Festival: Reflection and Connection

By Ken Wilson –

Franz Schubert’s String Quintet in C major, D. 956 is one of the greatest works of the art form called chamber music, sorrowful but sublime, “a stirring paean to the indomitability of the human spirit” composed shortly before the Austrian master’s death in 1828.

John Adams’ whimsically titled Road Movies for piano and violin is a rare composition for chamber ensemble by one of contemporary classical music’s leading composers, capped by “a big perpetual motion machine for four wheel drives only.”

Chamber music: “Instrumental ensemble music performed by one player for each part, as opposed to orchestral music in which there are several players for each part.” The Charlottesville Chamber Music Festival: “A world-class annual festival of old favorites and soon-to-be favorites put on by two globetrotting native sons.”

From the celebrated to the cutting edge, from the sumptuous to the astringent—that’s the 19th annual Charlottesville Chamber Music Festival, seven concerts from September 6 through September 23 featuring an international cast of 17 musicians plus the University of Virginia Chamber Singers.

Violinist Johnny Gandelsman of the acclaimed Brooklyn Rider string quartet and Yo-Yo Ma’s Silk Road Ensemble will be back, as will other Festival favorites including pianists Mimi Solomon and Judith Gordon and percussionists I-Jen Fang and Matthew Gold.  

“This season we will continue our tradition of building bridges between sounds, lands, styles,  and cultures, presenting some of the world’s finest music and musicians in our home town in Central Virginia,” write cellist Raphael Bell and violinist Timothy Summers, Charlottesville High School and Julliard School classmates with international careers and cross-cultural tastes who founded the Festival in 2000.

The roots of chamber music “reach far from the here and now, into history,” Bell and Summers note. “What we call ‘chamber music’ arises from a long and literary tradition. We have books of sheet music in front of us which we read aloud, proceeding at a literary pace. Over spans of an hour or an evening, we give stories, sounds, and sequences which were written down and which are meant to be read. Much of it has travelled a long way.”

Stories, sounds, and sequences, sometimes mistakenly characterized as difficult and forbidding, classical music is accessible to anyone with an open heart and curious ears, as demonstrated by the delighted school groups often seen at the Festival’s free Community Concert at the Paramount Theater.

This year’s one-hour Community Concert, sponsored by the Bama Works Fund of Dave Matthews Band at the Charlottesville Area Community Foundation, will kick off the Festival on Thursday, September 6 at 12:30 p.m. at the Paramount. As always, the content of the program will be a surprise. No tickets are necessary—or available.

Like every Festival program, the first ticketed concert, Sunday, September 9 at 3:00 p.m. at the University of Virginia’s Old Cabell Hall, balances the comforting and familiar with the recent and bracing. It leads off with works by two late 20th century composers and music theorists, the American John Cage and the Japanese Toru Takemitsu, who counted Cage as one of his influences. 

“The history of our being in Asia with this music is long and mutual,” write Bell and Summers. “A natural touchstone for this exchange with Asia is the music of Toru Takemitsu, who is perhaps best known for scoring Akira Kurosawa’s 1985 film Ran.

The most prominent Japanese composer in his lifetime, Takemitsu drew inspiration from  Claude Debussy, Igor Stravinsky, Olivier Messiaen and other Europeans as well as from his native culture. His Voice, for Solo Flute (1971) employs a mixture of amplified and unamplified flute sounds and unusual playing techniques.   

His 1981 piece Rain Tree is “quintessential Takemitsu,” says Chicago-based percussionist Gregory Beyer: “ethereal, spiritual, misty, pointillistic. As I am preparing my part for performance, I feel as though every note I play on marimba and crotales is like a water drop within a complex matrix woven into the fabric of the musical texture with the other two percussionists.

“Together, our playing creates a thick cloud of mist, of rain, of dew drops being shaken gently from the boughs of the tree of life. Rain Tree indeed. There is something poignant, touching, deeply human about Takemitsu’s musical works, and I look forward to sharing it with the Charlottesville community.”

Sandwiched in between will be J.C. Bach’s Flute Quartet in C major, W.B 58, and John Cage’s Amores, a “multi-movement love poem from the pages of the mid-twentieth century American avant garde,” as Beyer describes it.

“The rarified and crystalline sounds of wooden and skin percussion instruments are the perfect foil to Cage’s complex percussion orchestra—the prepared piano. His love affair with that instrument alone created work upon work upon work of the most striking musical gestures of his life and of his times. It is exquisite music.”

Ludwig van Beethoven’s relatively neglected Symphony No. 4 in B-flat major, Op. 60—“a slender Greek maiden between two Norse giants” Robert Schumann called it, in reference to Beethoven’s monumental third and fifth symphonies—will close the program in an arrangement for chamber ensemble.

On Monday, September 10 at 7:30 p.m. in the night club-like setting of ​Live Arts, it’s time for Music Fresh Squeezed, a “collective exploration of new currents in music” in which “Festival musicians from far and near bring the best of what they’ve recently found.”

Taking part along with Bell and Summers will be violinists Johnny Gandelsman and Mayuko Ishigami, flutist Sooyun Kim, clarinetist Keith Lipson, pipa player Lin Ma, and percussionists Gregory Beyer, I-Jen Fang, and Matthew Gold.

Twentieth century South Korean composer Isang Yun spent much of his adult life in Germany, where he wrote music for Western instruments bridging the East Asian tradition and the Western avant-garde. Dedicated to the reunification of North and South Korea, and claimed as the national composer by both countries, he was abducted from Germany by the South in 1967, charged with espionage and imprisoned for 20 months before protests from some 200 musical artists won his release.

Festival audiences will hear two of Yun’s compositions on Thursday, September 13 at 7:30 p.m. at Old Cabell Hall, the Clarinet Quintet No. 1 and the Garak for Flute and Piano. Sweet Air, for flute, violin, clarinet, cello and piano by Bang on a Can co-founder David Lang and the Piano Trio No. 3, Op. 110 by Robert Schumann will round out the program.

“Nothing so ideally perfect has been written for strings as this inexpressibly lovely work” is how one prominent musicologist described Franz Schubert’s String Quintet in C major, D. 956. Often referred to as Schubert’s Cello Quintet because it adds an extra cello to the standard string quartet lineup, the piece was composed in 1828, only two months before his death, but was neglected by his publisher and didn’t receive its first performance until 1850.

The Quintet will be heard on Sunday, September 16 at 3:00 p.m. at PVCC’s Dickinson Theatre. Preceding it will be the Ghost Opera for String Quartet and Pipa by Tan Dun, perhaps the world’s most celebrated Chinese composer. Playing the pipa, a four-stringed Chinese folk music instrument made to be plucked, will be Lin Ma, a Chinese pipa artist residing in New York City who has been named one of the top ten pipa masters by China Central Television.

“The works of Tan Dun have been some of the most influential Asian music of recent times,” Bell and Summers write. “His soundtrack for Crouching Tiger, Hidden Dragon brought him worldwide reach, and his concert work continues to resonate across the globe.”

Carl Maria von Weber’s sparkling Clarinet Quintet in B flat major, Op. 34 and Flow 1, for violin, cello and pipa by Chinese avant-garde composer and conductor Huang Ruo will open the program.

Duets dominate the program on Thursday, September 20 at 7:30 p.m. at the Dickinson Theatre, beginning with J.S. Bach’s Sonata for Cello and Piano, then leaping almost three centuries forward for John Adams’s Road Movies for violin and piano, written in 1995. “The title Road Movies is total whimsy,” Adams wrote on his blog, “probably suggested by the ‘groove’ in the piano part, all of which is required to be played in a ‘swing’ mode.”

Japan’s preeminent living composer Toshio Hosokawa describes himself as “searching for a new form of Japanese spiritual culture and music, one through which I can remain true to myself as well as to my origins.” Hosokawa’s Water of Lethe is scored for piano quartet. Johannes Brahms’ Sonata for Viola and Piano In F minor, Op. 120 No. 1, one of the cornerstones of the viola repertoire, will close the program.   

This year’s final program, Sunday, September 23 at 3:00 p.m. at the Paramount Theater, will open with Bach Preludes, Fugues and Chorales and close with W.A. Mozart’s Piano Trio in G major, K. 496.

Three modernist works will be heard in between: Elliott Carter’s Figment No. 1 is scored for cello. Luciano Berio’s Sequenza VIII for violin is a “love-letter . . . to the repertoires and possibilities of [the] instrument.”

The UVA Chamber Singers conducted by Michael Slon will close this year’s Festival with a choral work by Latvian composer Peteris Vasks, “a Baltic mystic whose Plainscapes is an invitation into the natural landscape and to the world of voice” in Bell and Summers’s words.

“This year we have a bit more Asian music” Summers says, “though we don’t really have a theme. As we both work more and more, we find Asia as a whole—Shanghai, Beijing, Tokyo, Seoul, Hong Kong, Singapore—more and more on our itineraries. And we find music from there coming to us in Europe and America.  So it seemed rather natural to acknowledge a classical style in America which looks across both oceans.”

“There is something poignant about bringing these focused international styles to Charlottesville, which has long been connected to central questions of what it means to be of a place and also of the world at large. A lot of this centers around Jefferson, Madison, and Monroe, of course—but it also revolves around the broad influence of the University, of its writers and doctors, its engineers and lawyers. And it revolves around our own families and friends and neighborhoods.”

“Every year is a bit of a search to see what American music can be: how does music from afar or from long ago resonate? How does the close and new resonate? Every year is an experiment on the meaning of new and old, and what can be remembered.”

Memory, reflection, acknowledgement and connection—at a time when the Charlottesville-Albemarle community has been soul-searching, the Festival provides a welcome opportunity for meditation and reflection.

“Chamber music allows a small number of musicians to perform in conditions of friendly and intimate peace and quiet,” Summers says. ‘It lives on the border of public and private, sometimes going strongly in one direction or the other, but always centering itself in-between.”

“We’ve got a lot of friends by now with whom we perform the world over, from Switzerland to Australia,” Summers says, “and there’s a lot we have to show them about how fine Charlottesville can be. They have something for us; we have something for them.”

And they all have something important for us.

Categories
Real Estate

Get Your House Ready for Winter

By Marilyn Pribus –

Hard to believe, but some trees are actually starting to lose their leaves for winter. You should be thinking about getting ready, too.  Here are some pointers to prep your property for cold weather. Don’t wait for winter storm warnings.

Outdoors
Inspect the outside of your property, looking for cracks in the foundation and loose shingles. After dark, look around doors and windows for light shining from inside and mark these air leaks for caulking. Check for spots where unwanted guests looking for a cozy warm winter den might sneak in.

Consider storing away window screens. This will let in more daylight and reduce the risk of damage from accumulated snow or ice.

Remove leaves and debris from gutters to prevent ice dams that can promote roof leaks or cause gutters to break off from the eaves. There are adapters that connect to a hose to  wash out debris and many leaf blowers have attachments that can blow gutters clean.

Look upward. Snow and ice can break tree limbs so remove branches that could fall on your roof, power lines, or driveway.

Indoors
Replace tired weather-stripping on your doors. For air leaks under seldom-used doors, buy (or make) a “door snake.” This old-timey device, usually made of fabric and filled with heavy stuffing such as rice or beans, acts as a draft blocker. Find easy directions on the internet.

Don’t wait to have your heat pump or furnace professionally serviced because that first cold snap will find many heating repair companies overwhelmed.

If your system is more than 15 years old, you might be surprised how much more efficient replacement equipment could be. Except in the very coldest weather, heat pumps are effective in Central Virginia. 

Take time to check the insulation in your attic to keep heat from escaping. If you have a whole-house fan, lay a lightweight batten of insulation over it.  A “door” that many people overlook is attic access. Rigid foam board insulation is effective to protect a removable panel. If the access is pull-down folding stairs, it’s a little more complicated, but the internet provides good directions for insulating that space.

Check the attic for signs of moisture or visible leaks in your roof and repair if needed.  Cover your attic access door with insulation to prevent heat loss.

Change the direction of any ceiling fans to blow upwards and circulate warmed air around the room. Ensure your heating registers haven’t become blocked by rugs, toys, or other items.

Replace air filters. Consider a filter’s MERV (minimum efficiency reporting value). Disposables generally have a significantly higher MERV and can filter out pollen, dust mites, textile and carpet fibers, mold spores, animal dander, and smoke from tobacco or wood fires.

Disposable filters can be vacuumed once to extend their use, but then should be discarded. Purchasing permanent washable filters means you’re never caught without and, after the initial expense, can save you money.

Safety First
Clean dust and cobwebs from smoke and carbon monoxide detectors. Install new batteries. Old batteries may still have some juice, but for safety’s sake, redeploy them in non-critical devices.

Cold weather can strain electrical systems and create fire hazards. Never use extension cords for space heaters or overload a circuit with several heating devices. Keep flammables far from the fireplace.

Candles are cheerful, but can be dangerous if you don’t pay attention to them. Check for lint buildup in dryer vents.

Have your fireplace or woodstove checked, especially the chimney, to ensure there is no blockage or creosote buildup which could cause a dangerous chimney fire. If you use your fireplace or stove for emergency heat, be sure you have seasoned wood available in a protected place that keeps it dry.

Check the expiration date on fire extinguishers.  Have a family fire drill with a rehearsal about how to actually use a fire extinguisher—without discharging it, of course. Remind your whole family of fire safety plans including various exit strategies (such as testing a door for heat before opening it) and especially about a meeting place at a safe distance from the house.

Prepare for Power Losses
Power outages can be especially dangerous if you are dependent on a well pump or medical device, so for safety’s sake backup is available in a variety of prices. Some people opt for a whole-house generator that switches on automatically when the power fails for more than a few seconds. Others choose one they start themselves to serve essential circuits, but not the entire property.

Camping equipment is handy for outages. Break out the camp lanterns, have a flashlight for everyone in the household, and keep plenty of fresh batteries. “Juice packs” that store power for electronic devices often have a built in flashlight. Chemical “snap” lights—also called glowsticks—last up to 12 hours. These are completely safe and provide effective emergency lighting in a hallway or bathroom.

Never use a charcoal grill or even a propane camp stove inside the house because carbon monoxide buildup is life-threatening. 

So take an hour for some August preparations to make your winter more comfortable and—most important—safe for your family.


Marilyn Pribus and her “Mr. Fixit” husband live near Charlottesville. They had a threatening dead hickory removed and he’s splitting that hickory wood to replenish the wood pile for the wood stove on their hearth.

Categories
Arts

Straight talk: Teens are bullied into denial in gay conversion drama

So-called “gay conversion therapy” is child abuse, plain and simple, perpetrated by adults who knowingly manipulate the fears and insecurities of young victims in order to make them hate themselves and their inborn nature. The Miseducation of Cameron Post examines a camp, God’s Promise, from the point of view of a teen (Chloë Grace Moretz) who was forced to attend in 1993 after she was caught with her best female friend by her boyfriend. The camp is dedicated to eliminating same-sex attraction by a combination of pseudo-psychotherapy, scripture, and gaslighting masquerading as positive reinforcement. So-called gender confusion, girls playing sports, and boys forming closer relationships with their mothers than their fathers, are all to blame for the teens’ conditions, though they are certainly not actually homosexual. “Sin is sin,” says the camp director, Dr. Lydia Marsh (Jennifer Ehle). “Would you have a parade for drug addicts?”

The premise may seem familiar—attempts by religious institutions to erase supposed deviation has been frequently satirized, in this case most similarly by But I’m A Cheerleader. What sets director Desiree Akhavan’s vision for The Miseducation of Cameron Post apart is its focus on just how deep a tragedy this belief is, that one can “pray the gay away.” The absurdity of the delusion is presented as slightly comical at first, but as the layers of trauma and self-hatred are peeled back, it becomes heartbreaking to watch someone knowingly lie to themselves and to others in order to give the appearance of being a happy, stable Christian. Otherwise typical teenage insecurities about appearance and living up to parental expectation become something else entirely when your basic right to exist as you are is under assault. One scene in particular—details withheld to avoid spoilers—shows a camper, one of the most vocally devoted to becoming ex-gay, giving in to a temptation she’s long felt. Immediately after, her words make it clear that she knows deep down she will always be attracted to women, but that the indoctrination took root in the most negative, self-hating corner of her mind—one which many of us have—and has been ruthlessly exploited.

Moretz is excellent in the title role, bringing more to the Cameron character than just being an observer. She knows there is nothing wrong with her. She has the same insecurities and fears as any teen and doesn’t yet have the vocabulary or life experience to directly combat ideas that are clearly reprehensible, but are presented with a kind face. John Gallagher, Jr. (Reverend Rick) turns in a fascinating performance as proof positive that leaving same-sex attraction behind is not only possible but desirable, with a quiet loneliness behind his eyes.

The setting of the early 1990s means that the world is on the verge of limitless connectivity, but online communities do not yet exist for kids to escape their feelings of isolation. They cannot discover that there are people just like them everywhere, they can only react to what they experience.

The story can be uneven as it finds its footing and meanders too much at times. But once it begins exploring its more unique ideas, The Miseducation of Cameron Post shows intelligence and empathy on a subject that could have very easily been ridiculed or dismissed.

The Miseducation of Cameron Post

R, 91 minutes; Violet Crown Cinema


Playing this week

Alamo Drafthouse Cinema 377 Merchant Walk Sq., 326-5056  

Alpha, BlacKklansman, Crazy Rich Asians, The Happytime Murders, The Meg, Mile 22, Mission Impossible: Fallout

Regal Stonefield 14 and IMAX The Shops at Stonefield, 244-3213

2001: A Space Odyssey, Alpha, A.X.L., Beautifully Broken, BlackKkKlansman, Christopher Robin, Crazy Rich Asians, The Equalizer 2, The Happytime Murders, Mamma Mia! Here We Go Again, The Meg, Mile 22, Mission Impossible: Fallout, Operation Finale, Slender Man, The Spy Who Dumped Me  

Violet Crown Cinema 200 W. Main St., Downtown Mall, 529-3000

BlacKkKlansman, Christopher Robin, Crazy Rich Asians, Eighth Grade, The Happytime Murders, The Meg, Mile 22, Mission Impossible: Fallout, Papillon, Sorry to Bother You, Support the Girls, Three Identical Strangers, Won’t You Be My Neighbor?

Categories
News

In brief: Crime report, coach gets caught, dead body bamboozle and more

It’s about crime

The Albemarle County Police Department released its annual crime report for 2017 in June, and while we already published some of the most striking statistics, here’s what else caught our eye.

Between the years of 2016 and 2017, crimes rates increased in all but one category. The largest increases were in homicide and forcible rape, whose rates increased by a whopping 500 percent and 93 percent, respectively. The exception was robbery, which decreased by more than 50 percent.

  • 1,805 larcenies, 1.4 percent increase
  • 1,305 property crimes, 2.3 percent increase
  • 146 breaking and enterings, 0.7 percent increase
  • 74 stolen motor vehicles, 21.3 percent increase
  • 37 aggravated assaults, 9 percent increase
  • 27 forcible rapes, 93 percent increase
  • 10 robberies, 52 percent decrease
  • 6 homicides, 500 percent increase

Disorderly conduct was the most common call for service.

  • Disorderly Conduct: 1,223 calls
  • Mental Health: 575 calls
  • Noise Complaint: 560 calls
  • Drug Offenses: 529 calls
  • Trespassing: 427 calls
  • Vandalism: 403 calls
  • Domestic Assault: 321 calls
  • Shots Fired: 273 calls
  • DUI: 174 calls
  • DIP: 163 calls
  • Littering: 12 calls

The report’s demographic breakdown found that whites make up two-thirds of the arrests in the county.

  • White: 66.2 percent
  • Black: 32.3 percent
  • Asian or Pacific Islander: 0.8 percent
  • Unknown: 0.7 percent
  • American Indian or Alaskan Native: 0.1 percent

Suicide stats

The county crime report included a new section for mental health. In 2017, Albemarle County Police received 575 mental-health-related calls, a 7 percent increase from the previous year. In 2015, there was a record 24 percent increase from the previous year. Deaths by suicide have decreased slightly over the past half-decade.

2013

  • Attempted: 18
  • Completed: 12

2014

  • Attempted: 17
  • Completed: 13

2015

  • Attempted: 10
  • Completed: 15

2016

  • Attempted: 18
  • Completed: 6

2017

  • Attempted: 11
  • Completed: 11

We’ve been duped

A human figure wrapped in cloth, tightly bound at the neck and feet and dumped at the McIntire Recycling Center over the weekend gave recyclers a scare—until police responded to the scene and cut the cloth to reveal a mannequin. Police are still investigating the body bamboozle.

WillowTree makes moves

Governor Ralph Northam dropped by August 27 to announce that WillowTree will invest approximately $20 million in an expansion and relocation to the old Woolen Mills factory, which will create more than 200 jobs. The new location will allow the 276-employee company to grow to 500, and the move is expected to be completed by the end of next year.

Coach gets caught

A Monticello High School assistant football and girls’ basketball coach has been placed on administrative leave following his August 24 arrest for allegedly sending “inappropriate electronic communications” to a juvenile. George “Trae” Payne III is also a teacher’s aide at the school.

 

Change of venue

Attorneys for James Fields say he won’t be able to get a fair trial this November in the same town where he allegedly rammed his Dodge Challenger into a crowd of anti-racist activists, killing one of them and injuring many. They’ve asked to move his three-week, first-degree murder trial elsewhere, or bring in out-of-town jurors. A judge is expected to rule on the motion August 30.

Like a high school paper

Liberty University now requires its student newspaper, the Liberty Champion, to get approval from two to three administrators before publishing a story. Bruce Kirk, the school’s communications dean, told student reporters their job was to protect Liberty’s reputation and image, according to a story in the World magazine.

Heaphy’s new job

Tim Heaphy. Photo by Eze Amos

Former U.S. Attorney Tim Heaphy, a current Hunton & Williams partner who was hired to conduct the controversial independent review of how the city managed last year’s white supremacist events, will now have another notch on his resume. When UVA Counsel Roscoe Roberts retires at the end of the month, Heaphy, a UVA School of Law alumni, will take his place.

Quote of the week:

“We ain’t mad at you Spike Lee. We just want you to do the right thing.” —Unnamed young people in an open letter to Spike Lee, saying he used their images from the August 12 attack in his movie, BlacKkKlansman, without permission. They want him to donate $219,000 to fight white supremacy.

Categories
Living

We’ll toast to that: New cidery set to open in September

Bryant’s Cider will open a production and tasting room Labor Day weekend in Roseland. Set amidst the Blue Ridge Mountains in a rustic, all-original 19th-century barn with hand-carved logs and original architectural features, the tasting room will feature Bryant’s hand-crafted hard ciders, which are produced using fresh-pressed Nelson County apples from the cidery’s own farm.

The small-batch ciders are crafted using traditional methods, with natural carbonation; the premium cider is non-filtered, non-pasteurized, and uses no artificial ingredients. The ciders are fully dry, with no added sugars.

To celebrate the opening, four bands will play music throughout the weekend, and there will be food from 151 BBQ and other local vendors. Bryant’s will also tap two limited release ciders: The Ol’ Lady, a bourbon barrel-finished cider with organic ginger using barrels from Charlottesville’s Ragged Branch Distillery; and Red Eye, a cold-brew coffee cider using fresh coffee from Nelson County’s Trager Brothers Coffee.

Worth the drive

For those interested in a Labor Day weekend day trip, the Inn at Little Washington will celebrate its 40th anniversary with a food and music street festival in the streets of Little Washington, Virginia, on Sunday, September 2. Annette Larkin, the Inn’s director of public relations, says the event pays homage to talented chefs who have worked in the kitchen of the Michelin-starred restaurant (the Inn has earned two).

“This event was created to highlight the next generation of culinary stars,” she says. “Twenty-five of our former sous chefs will be returning to cook their finest offerings, which will be served along with fried chicken, barbecue, local wine, and beer.”

Many of these chefs have gone on to esteemed careers as executive chefs at top restaurants in both the region and the country.

Larkin says there will be bands, Janis Joplin, Cher, and Elton John impersonators, hot air balloons, and fireworks, too.

On the half shell

Ivy Inn chef and owner Angelo Vangelopoulos will participate in the premiere Commonwealth Coastal Classic on the Norfolk Waterfront September 15.

The event—an expo-style festival modeled on other popular Southern culinary festivals held in such locales as Charleston and South Beach—will feature small plates from more than 30 Virginia chefs; interactive demonstrations; Virginia wine, beer and spirit tasting stations; original artisan work; and live music.

Mead your maker

Mead, an alcoholic beverage with roots in ancient history, is brewed from honey, water, and yeast, and has long played an important role in the mythology of various cultures. Soon Charlottesville’s cup will be overflowing with the nectar of the gods, when Altavista-based Skjald Meadworks launches its Charlottesville tasting room at 1144 E. Market St. in the next few months.

Gwen Wells, wife of meadmaster Jerome Snyder, says Charlottesville was a natural extension for their product.

“I’ve had a crush on Charlottesville for years,” she says. “I love the mountains, the outdoors, the music, restaurants, and people. We are outgrowing our space in Altavista, and I was ready to close my business and do something different, so we decided that I would take over the daily operations of the meadery, set up a bigger and better tasting room with a gift shop, and why not here? Here we found ‘our people’—curious, open-minded, adventurous, and friendly. There are so many craft breweries, so many music venues, that we feel right at home.”

She says they currently offer several varieties of mead, including one with lavender and vanilla and another with Earl Grey tea and lemon, and soon will have meads with strawberry, heather, ginger, and fig.

While the couple awaits ABC permission to open the tasting room, they’ve decided to open the gift shop, which features work by local artisans, by September 15.

In the meantime, Skjald Meadworks mead is available locally at Market Street Wine, Beer Run, and by the glass at Firefly, which has even started “Mead Mondays” with special prices for their meads.