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Arts

Learning curves: Bruce Holsinger crafts a timely work of fiction with The Gifted School

Charlottesville resident, author, UVA professor, and dad of two boys, Bruce Holsinger may want to add prognosticator to his CV. His new novel, The Gifted School, is about privilege, parenting, inequity, and the corrosive extremes that parents go to in order to ensure their kids’ educational advantage. The novel arrives in the aftermath of a headline-grabbing college admissions scandal and an article by the New York Times and ProPublica that exposed equity crises in Quest, Charlottesville’s public school gifted program. It’s almost like Holsinger saw it coming.

“It is a bit disconcerting to see the novel come out in this climate when everyone is thinking about privilege in relation to school admissions,” Holsinger says. Yet, “people have been thinking about that for a long time.”

In fact, Holsinger first conceived The Gifted School about 15 years ago, while he was living in Boulder, Colorado, after his first child was born. “I wanted to explore these issues around pressure parenting, helicopter parenting, and privilege, and the way those [things] feed into questions about children and the way that we parent,” he says.

The story of The Gifted School emerges from the lives of four women who become close friends after meeting at a baby swim class. Holsinger captures the intimate bonds and competitive nature of their friendship years later when their kids are in middle school. He uses the admissions process for a new school for gifted students to guide the unraveling of his characters, and expose the dark consequences of parental ambition. Relationships turn cutthroat, creating a ripple effect of strife among fifth grade BFFs, a first-generation immigrant artist and his family, a teenage vlogger and her audience, and a midlife-crisis dad and his soccer star sons. Characters are tested and contrasted through assessments, parental interventions, and dire consequences.

While comparisons to Charlottesville can’t be avoided when talking about a book by a local writer that’s set in a community with extreme parenting (the fictional city of Crystal) and equity issues, Holsinger says his inspiration for the novel is solidly founded in the Rocky Mountain state. “This book is very much a Colorado book,” he says. “I lived there for nine years and the place really imprinted on me—the things I loved about it and things that made me uncomfortable about it—and this is a novel of that place.” But, he admits, the “experience as a father of soccer players is from here.”

He also confesses to his own participation in angling to define his child as exceptional, once even lying about his son’s age, subtracting it a bit, in order to make him seem more advanced than other kids on the playground. “When my kids were younger, I was never above massaging the facts a bit,” Holsinger says.

The intricate layers of perspective in The Gifted School allow Holsinger to dig deep into the lives of his middle school characters as well as the adults. “I didn’t want to write this just about parents and just about parenting and friends and frenemies and so on. I wanted it also to be about the pressures that kids face in an environment of intense scrutiny and testing from the point of view of parents and schools.”

Holsinger says he had “the most fun and the most challenge” coming up with the point of view of 11-year-old Emma Z, who he calls more socially gifted than intellectual, and sharp as a tack. Xander is the same age and a chess genius who masterminds a major plot twist. “I wanted to work those two in tandem with each other so that you’d have a clash of sensibilities,” says Holsinger. “So that world of the children could be as rich as possible.”

Holsinger’s characters find emotional closure by the end of the book, but the pervasive anxiety that drives The Gifted School is not entirely resolved, and Holsinger says the complexity of the topics he explores is always evolving, adding that while a novel is not an opinion piece, it’s certainly an important conversation starter.

“Given all the very fraught issues around giftedness in terms of race and economic privilege and differential treatment of children in the public schools…I hope one takeaway from the book is that it might hold up a mirror to people…and ask them to think about them in a more self-critical way…it can be hard to step outside your own point of view. One thing fiction can do is provide a bit of a lesson on how to do that.”

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News

Going it alone: Charlottesville Tomorrow dumps Progress, broadens mission

When Charlottesville Tomorrow began in 2005, it was one of the first nonprofit, local news orgs in the country. Its mission was so narrow—land use, community design, transportation—that another local weekly called it a “growth watchdog.”

The online publication broadened its name recognition and reach when it began sharing content with the Daily Progress in 2009, a liaison that lasted 10 years, until executive director Giles Morris announced June 24 that its partnership with the Progress was over, and CTom was broadening its mission: “Charlottesville Tomorrow delivers in-depth reporting and analysis that improves local decision-making. We seek to expand civic engagement to foster a vibrant, inclusive, and interdependent community.”

It wasn’t just one thing that caused the break up with the Progress, says Morris, a former editor of C-VILLE Weekly. The once-heralded collaboration had survived multiple editors, publishers, and owners of the newspaper, most recently BH Media, a subsidiary of Berkshire Hathaway, whose CEO Warren Buffett famously declared for-profit print newspapers “toast.”

Lately, “the Progress was only running about half our stuff,” says Morris. “I don’t think it was working as well.” And he’s not worried about losing the print outlet. “We’ve always been digital.”

In the year or so since Morris became executive director, he’s doubled the news staff to four, and hired former DP associate city editor Elliott Robinson to be editor. He wants to run longer, more in-depth pieces. In the past, says Morris, “we just wrote meetings reports.” The daily news cycle doesn’t allow time for a reporter to call nine sources, he says. “As a nonprofit, we can be very intentional.”

“It was their call,” says DP editor Aaron Richardson. “I wish them every success.”

UVA associate professor Christopher Ali, who specializes in local media, says he was surprised by the move. “This was one of the most innovative partnerships in digital news.”

Working with the Progress guaranteed visibility for Charlottesville Tomorrow, he says. “I’d be interested in seeing their strategy for visibility.”

Ali is “more worried about the Daily Progress than I am Charlottesville Tomorrow. It is really difficult to be a small market paper.”

He suggests with the loss of CTom content, the Progress “double down on local coverage” and don’t substitute AP stories. “That’s the one thing local newspapers can offer.”

Charlottesville Tomorrow was founded by hedge fund manager Michael Bills and Southern Environmental Law Center founder Rick Middleton at a time that growth in Albemarle County was a big concern for rural landscape lovers. Its wealthy board included Renee Grisham, wife of mega-author John, and the nonprofit was supported by donors like Ted Weschler, a top stock picker for Buffett and an investor in C-VILLE Weekly’s parent company.

The change in mission came slowly over the past year since Morris was hired. “The language in our original mission didn’t sound like where we want to be.”

Land use and public education have been “pillars of our coverage,” he says. “We’re not going to abandon that. If the community wants public health or housing coverage, we’re going to raise the money to do it well.”

“I consider it more of an evolution than a change in mission,” says Bills. “We’re still trying to fill the local news coverage the community needs to make decisions.”

Much like listener-supported public radio, Charlottesville Tomorrow will continue to need donors. It reported revenues of $460,000 in 2017, and in the $400,000 ballpark the two years prior, according to its IRS 990s.

Morris wants people to sign up for emails, which will include fundraising pitches. “We want more readers. We want more readers to be donors,” he says. And CTom will continue to apply for grants, such as the ones it receives from the Knight Foundation.

The events of August 12, 2017, also factored into the changes Charlottesville Tomorrow is making, with more people covering local government meetings, says Morris, and more awareness of racial inequity.

Morris says he wasn’t pointing fingers specifically at the Progress when he wrote, “Today, Charlottesville is a place where we’re all questioning and challenging the inherited models that have reinforced harmful power dynamics.”

But he does acknowledge the role community newspapers had in supporting segregation while covering up “the corrosive injustice of racism in the South.”

When he came to Charlottesville in 2011, he says he was “unprepared to cover race and equality in this place.” While at C-VILLE, Morris had to deal with a protest in 2013 after the paper published a racist comment in a section called “The Rant.”

Says Morris, “In journalism, we share a responsibility.”

Morris and Robinson will be conducting a series of listening sessions in the coming months to learn how locals want Charlottesville Tomorrow’s guiding values of “equity, truth and community” put into place.

City spokesman Brian Wheeler was CTom’s first executive director. “As someone who was involved in the birth of the organization, I am excited to see its current leadership continuing to innovate, to launch a next generation news website, and to serve the community’s critical information needs.”