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Arts

ARTS Pick: Wozzeck

Art of war: Austrian composer Alban Berg drew inspiration for his apocalyptic opera Wozzeck (Met Live in HD broadcast), when he attended a production of the drama Woyzeck, a German play left incomplete by Georg Büchner at his death. Berg constructed his libretto for the production while on leave from his regiment in World War I, and became obsessed with completing the three-act work as a way of processing his experience. In a letter home, he wrote: “There is a little bit of me in his character, since I have been spending these war years just as dependent on people I hate, have been in chains, sick, captive, resigned, in fact, humiliated.”

Saturday, January 11. $18-25, 12:55pm. The Paramount Theater, 215 E. Main St., Downtown Mall. 979-1333.

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Arts

Alternative rock: WTJU and UVA Drama collaborate on a wacky new audio drama

Imagine that an enormous, totally round rock has suddenly appeared in Charlottesville. How would people react? Would the rock be considered a threat, a sign from God, or both?

Replace Charlottesville with the fictional Elkisbourne, and you’ve got “The Perfectly Circular Rock,” a new podcast produced by WTJU and UVA’s drama department. Early one morning, the title object materializes in the center of town. Within hours of its appearance, the residents of Elkisbourne start to project their own ideas onto the rock—using it as a metaphor for a failed marriage, constructing a religious cult around it, even attempting to grind it into an anti-aging cream.

Such an open-ended concept could go in countless directions, but director Doug Grissom says that he and his colleagues ultimately decided on an “all-out comedy.” This decision of tone was just one step in the creation of the podcast, a process that lasted more than a year.

Grissom, an associate professor in playwriting, wanted a reason to work with students in the MFA acting program. He submitted a proposal for a Faculty Research Grant for the Arts, only knowing that it would be an audio story co-produced with WTJU. Once funding was approved, Grissom and his students needed a big idea.

Brainstorming proved fruitful. “On Friday afternoons, we would meet and piece things together,” Grissom says, but their abundance of ideas made it hard to move forward. Winter had arrived by the time they decided on the rock idea, and the subsequent writing lasted through the spring semester. The past few months were spent recording and editing material at WTJU, with Grissom using local connections to fill spots in the cast left by any students who graduated last spring. On November 21, 10 full episodes of “The Perfectly Circular Rock” were released on RockDrama.org.

For the technical side, Grissom enlisted the help of WTJU’s national program producer Lewis Reining. Although Reining has worked in radio for around eight years and has wanted to create audio dramas since high school, “The Perfectly Circular Rock” is his first real chance to do so. In 2012, he co-directed and produced a modernized version of Orson Welles’s “War of the Worlds” broadcast, but the finished product was only about half an hour. “The Perfectly Circular Rock” episodes run roughly 20 minutes each.

The project brought some unique challenges. For one, most of its 25 voice actors were accustomed to the stage. “In some ways, there’s freedom—you only have to worry about your voice,” Reining says. “But at the same time, these mics are so sensitive that any sort of movement can come through.” He had to discourage the actors from gesticulating too violently or “pounding on the tables.”

His collaborators quickly learned the rules of radio, however, letting Reining focus on the details. Technically, the audio of “The Perfectly Circular Rock” is gorgeous. The podcast’s plot requires some pretty unusual stuff to be portrayed through sound—from a dog urinating on the rock to Slam Hammer, Elkisbourne’s Bogart-esque private eye, getting knocked out with a baseball bat—and in each of these circumstances, Reining delivered.

He loves the challenge of making bizarre sound effects seem realistic, and says he’s grateful for the freedom that modern sound editing technology grants him. Today’s audio dramas are heavily informed by their predecessors, he says, but adds that “you’re able to layer things with a granularity you couldn’t before.”

Even a perfectly edited podcast can fall flat if the content is lacking, though. In the case of “The Perfectly Circular Rock,” there’s no shortage of content—it just might not be what listeners are expecting. Both Grissom and Reining concede that “audio drama” is a misnomer, since the podcast is mainly composed of absurd vignettes created by Grissom and his students during brainstorming. Recurring characters are scarce. Aside from Slam Hammer, whose rambling, mock-noir monologues are some of the project’s funniest moments, the story is framed by competing radio personalities Moe DeLawn and Synnove Olander interviewing members of Elkisbourne about the rock.

Running jokes reappear more often than most characters, which provides a cohesion of its own. Listeners will want to pay close attention to learn if a perpetually unfulfilled request to hear “Stairway to Heaven” is ever granted, or if the rock is ever called “spherical” instead of “circular”—because, as several characters complain, “circular is two-dimensional…a rock cannot be circular.”

While this grant has ended, Grissom and Reining are open to another collaboration. “I loved doing it. I wasn’t sure I would,” Grissom admits. He cites the flexibility of creating an audio drama, as opposed to directing something onstage, as one of its greatest benefits.

“For the most part, it costs the same in an audio drama if you want to set it in space or you want to set it in an old-style Western,” Reining adds. “It’s so much easier to do. You have the freedom to go wherever.”

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Arts

ARTS Pick: The Gina Furtado Project

Take your pick: Mom, songwriter, singer, and “absurdly talented” banjo player (according to Bluegrass Today), Gina Furtado has two IBMA Banjo Player of the Year nominations to her credit. With the new album I Hope You Have A Good Life, she expands on her versatility with the Gina Furtado Project, playing original material that goes from bluegrass to swing to gypsy jazz and more. Furtado is joined by Max Johnson on bass, Drew Matulich on guitar, and Malia Furtado on fiddle.

Sunday, January 12. $14-17, 7pm. The Prism Coffeehouse at C’ville Coffee, 1301 Harris St. 978-4335.

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Arts

ARTS Pick: Frank Vignola’s Hot Jazz Trio

Hot list: When Les Paul names a guitarist to his Five Most Admired Guitarists List (Wall Street Journal, September 2007) you’d think that person would be easily recognized. But despite leading bands for decades, Frank Vignola has maintained a career slightly outside the spotlight by supporting other very recognizable names, including Ringo Starr, Madonna, Donald Fagen, Wynton Marsalis, Tommy Emmanuel, and the Boston Pops. The much-admired virtuoso is currently stepping out with his Hot Jazz Trio on a wide-ranging tour that includes stops in both Hawaii and Switzerland.

Friday, January 10. $15-18, 8pm. The Front Porch, 221 E. Water St. 977-4177.

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Uncategorized

ARTS Pick: Nick Nace

Playing it off: If things had gone according to plan, you’d know Nick Nace for his acting work. A self-proclaimed drama kid, Nace followed his dreams to New York City to attend acting school, and spent his spare time playing guitar. Soon enough, he says that cheap guitar was guiding him towards the tunes, and the result is a full-length album, Wrestling with the Mystery. The intimate songwriting and catchy melodies have earned Nace comparisons to Hayes Carll, Justin Townes Earle, Slaid Cleaves, and James McMurtry.

Thursday, January 9. Free, 8pm. Blue Moon Diner, 512 W. Main St. 980-6666.

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Arts

Bold classic: Greta Gerwig takes Little Women to new heights

It would be against the spirit of Greta Gerwig’s adaptation of Little Women to compare it to other versions, particularly the 1994 one directed by Gillian Armstrong. Just as the March sisters are all different yet equally deserving of a fair shot at happiness, so too does each adaptation tap into a separate aspect of Louisa May Alcott’s enduring tale of family. If you have a particular attachment to Katharine Hepburn or Winona Ryder as Jo, you need not put that aside in order to appreciate Saoirse Ronan.

What sets Gerwig’s film apart is the way she modernizes the story while preserving the time in which it was written. It’s stylistically bold yet thoroughly classic, adding an inventive nonlinear structure. The characters are true to the text yet deepened, but not artificially inflated. And perhaps most impressively, Gerwig’s metanarrative feels decidedly un-meta, growing naturally from the story as if it had been there all along. How a filmmaker can achieve a postmodern throwback, an innovative-yet-classic work of brilliance on her second feature is, frankly, nothing short of astonishing.

Little Women

PG, 135 minutes

Alamo Drafthouse Cinema, Regal Stonefield 14 and IMAX, Violet Crown Cinema

The story follows the irrepressible March family in Civil War-era Massachusetts: sisters Jo, Amy, Meg, and Beth (Ronan, Florence Pugh, Emma Watson, Eliza Scanlen) live with their mother (Laura Dern) while their father serves in the Union Army. The sisters are always up to something, talking about someone, staging a play, constantly with a whirlwind of energy. Scenes from their youth are juxtaposed with their lives seven years later, showing us how their shared childhood shaped who they’ve become. Along for the ride is Laurie (Timothée Chalamet), a boy from a neighboring family whose charming yet occasionally self-centered demeanor makes him alternately a love interest and object of scorn for Jo and Amy.

One important thing Gerwig does is respect her characters. She doesn’t reduce them to one trait nor does she talk down to the very real emotions of young people. Jo is a born storyteller and just as driven as any successful man, but cares about others as much as her ambition. When she considers leaving her writing career behind to marry, it truly stings because we know how hard she has worked and how much she thrives in the company of those she loves. When Amy pursues a mature career after a lifetime of being a near terror to Jo, we can see the pride and regret in her eyes. And when Laurie grows up, his journey is deeper than losing his spoiled tendencies.

(It would be a crime not to mention the exceptional supporting cast. There are no small parts here, and though Ronan and Pugh shine, everybody enhances the story, including Watson, Dern, Chris Cooper, Tracy Letts, Bob Odenkirk, and others too numerous to name.)

Though Little Women is a massive leap in technique and style for Gerwig, it is a continuation of themes she’s explored in her previous work, as writer-director of Lady Bird and co-writer and star of Francis Ha—finding balance between who you are and who you want to become, discovering the moment you can no longer coast through life, and accepting responsibility without losing your most cherished traits. That she’s made such a personal story from an internationally renowned novel, and managed to innovate a text that has been beloved for a century and a half, updating the plot and characters without robbing them of their time and place, is a subtle miracle.


Local theater listings

Alamo Drafthouse Cinema 375 Merchant Walk Sq., 326-5056.

Regal Stonefield 14 and IMAX The Shops at Stonefield, 244-3213.

Violet Crown Cinema 200 W. Main St., Downtown Mall, 529-3000.


See it again

Xanadu (glow-along)

PG, 96 minutes

January 11, Alamo Drafthouse Cinema

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News

(Don’t) take a seat: Downtown Mall still lacks public benches

Last year, the Seattle Department of Transportation installed 18 new bike racks on a stretch of pavement underneath Highway 99. However, the racks were not meant to provide more resources for cyclists—but to prevent the homeless people who had been camping there from coming back.

Seattle is just one of many cities known to use hostile, or “defensive,” architecture to deter “unwanted behavior,” such as loitering or sleeping in public spaces. Curved and slanted benches, street spikes and dividers, boulders and spikes under bridges, and benches with armrests—among other examples—have been spotted and posted on social media in cities across the country.

While city governments claim that such architecture is needed to maintain order and public safety, critics say it unfairly targets the homeless, preventing them from having places to rest.

In Charlottesville, this debate has lasted for years, specifically surrounding public seating on the Downtown Mall. In 2012, the North Downtown Residents Association released a report (endorsed by downtown businesses) claiming that the increasing amount of panhandlers and loiterers on the mall “yelling obscenities, verbally assaulting passersby, fighting, and engaging in other disturbing behavior” made mall employees and patrons feel unsafe and uncomfortable, The Daily Progress reported. The report recommended, among other things, that sitting and lying down be banned on the mall.

The same year, the city removed the fountain-side chairs in Central Place near Second Street, and replaced the seating in front of City Hall with backless benches, in an effort to prevent “disorderly conduct” on the mall. 

However, no bans on sitting or lying down were passed, and, as of today, “individuals who are residentially challenged or unsheltered” on the mall are not breaking the law, but “can be arrested for trespassing…if [they] are blocking entryways to businesses, or for aggressive soliciting, just to name a few examples,” says Charlottesville Police Department Public Information Officer Tyler Hawn.

Controversy arose again in 2016 when the Charlottesville Board of Architectural Review unanimously denied the Parks & Recreation Department’s request to replace all of the mall’s wooden chairs with backless metal benches to discourage loitering. BAR members believed the benches would be uncomfortable, and they’d prevent those who did not want—or have the means—to spend money at a business from fully enjoying the mall, dishonoring architect Lawrence Halprin’s intentions and design (which included 150 public chairs).

The city has since listened to mall patrons’ complaints that the backless benches in front of City Hall were not “human-friendly,” replacing them with the originally designed wooden chairs, says city Communications Director Brian Wheeler. But it has not added any more public seating to the mall, which, according to Wheeler, currently has 37 wooden chairs 

Stephen Hitchcock, executive director of The Haven, says the issue doesn’t feel as loaded as it did a few years ago.

“Obviously, you’re going to have people who have pretty strong opinions about folks who are holding signs on the mall, or asking for money, or sitting in front of the landmarks,” says Hitchcock. “But, I feel slightly encouraged, at least in contrast with what I hear happening around the country [with hostile architecture]…something that I feel is really important about the Downtown Mall is that it is one of the only places where the city sees itself, across race, class, gender, sexual orientation, you name it.” 

However, on January 4, Charlottesville resident and activist Matthew Gillikin revived the discussion surrounding mall seating on Twitter, pointing out the very few public chairs available, compared to the hundreds of private chairs owned by restaurants and cafés.

In response, someone else listed the fees the city charges each downtown business with outdoor seating: $125 annually, plus $5 per square foot—revenue generated from what is ostensibly public space.

The Center of Developing Entrepreneurs, currently under construction on the west end of the mall, could add more public space–plans call for an exterior courtyard and outdoor amphitheater for public and private events.

According to Wheeler, if the community wanted to add more wooden chairs to the mall, or even “a different type of bench that was much longer, [that] you could lay down on,” the proposal would have to approved by the BAR. 

The city would also have to allocate a significant amount of funding for the seating, says Wheeler. He estimates the wooden chairs on the mall cost $1,200 to $1,500 each, and says they are expensive to maintain.

And while the city wants to be “good stewards of the mall…the number one architectural change we can make for our homeless population is to give them an affordable home and economic opportunities,” says Wheeler. “We want to get people out of homelessness.”

 

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News

In brief: Mayor Walker re-elected, Lime scoots out, Chick-fil-a drives in

Loud and Clear

Nikuyah Walker begins a second two-year term as mayor of Charlottesville, after being re-elected at the January 6 City Council meeting. Councilors Michael Payne and Sena Magill voted for Walker, while Lloyd Snook and Heather Hill (who made her own bid for mayor) abstained.

Hill opened the meeting with an impassioned speech offering her services as mayor. “I really have gained a deep affection for the city, this region, and the people we share it with,” Hill said. During her time on council, she says she’s “developed a new lens from which I now view our community, its diversity, and its disparities in its harmony.”

Lloyd Snook did not mention any candidates specifically, but returned to the theme of civility that he’d emphasized during his campaign, saying “the selection of a mayor should be about how things will be done, not what will be done.”

“Council can start by not displaying open contempt for people coming to speak to us,” Snook said. “We can start by not displaying open contempt for the people on the dais.”

Michael Payne endorsed Walker by name, citing feminist academic theory and Walker’s record of “historic and unprecedented investment in housing.”

“I’ve walked in rooms the past three years where no one really took me seriously,” Walker said. “They didn’t think they had to. They discounted the abilities of black women. It wasn’t until the election that people understood the value I bring to rooms.”

“The individuals who have the least are heard the most when I am in the room,” Walker said.

Sena Magill, who received a $225 donation from Hill during her campaign, did not tip her hand during the initial comment period. “Whatever decision I make on this dais today will disappoint people who voted for me,” Magill said. “That’s inevitable. I have to vote with my heart. Where deep deep down I know I’m fighting for what’s right.”

Magill was elected vice mayor by a 4-1 vote, with Snook casting his vote for Hill. 

Mayor Walker. Photo: Eze Amos

_________________

Quote of the Week

“We got a new council here. We put y’all in those seats. Y’all got something to say? Respond to us.”

—Local resident and activist Mary Carey, speaking at the first meeting of the new City Council.

_________________

In Brief

Cut loose

Supervisors at Charlottesville’s Trump Winery fired at least seven employees for their lack of legal immigration status–but only after the workers completed the annual grape harvest. The firings come nearly a year after The Trump Organization vowed to remove undocumented workers from its properties, which have long relied on low-wage, illegal labor, and after a harvest that included 60-hour weeks and overnight shifts, according to The Washington Post. 

More chicken

Soon, you’ll be able to fil’ up without getting out of your car. This week City Council granted a special use permit for Chick-fil-A to open a two-lane drive-through location where the Burger King in Barracks Road currently sits. “It’ll be a great meeting place and community center,” one speaker said during the public comment period. Councilor Michael Payne voted against the permit, citing a hesitancy to approve “car-centric development” given the city’s emissions reduction targets. 

Helping hand

Beginning on January 27, Cville Tax Aid—a partnership led by the United Way of Greater Charlottesville—will be offering free tax preparation services for most taxpayers with household incomes of $55,000 or less. The program will be offered at sites in the City of Charlottesville, Albemarle, Fluvanna, Greene, Louisa, and Nelson counties until April 15. To schedule an appointment, call the United Way or visit CvilleTaxAid.org.

Scooters be gone

After spending only a year in Charlottesville, Lime will remove all its e-scooters due to new city regulations, including a requirement to provide at least 50 e-bikes. The company says the bikes, which are often vandalized, are not cost-effective. Bird also called it quits in Charlottesville last summer, but newcomer VeoRide is here to stay (for now, at least).

 

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News

‘Put up or shut up’: New organization will lobby Democratic legislators for statue removal

The campaign to take down Charlottesville’s statues of Confederate generals Stonewall Jackson and Robert E. Lee has taken on a new tenor with the election of a Democrat-majority government in Virginia.

The Monumental Justice Virginia Campaign, a new organization dedicated to removal of the statues, launched with a press conference at the Free Speech Wall on December 26. A larger rally will be held in Richmond on January 8. 

At the press conference, activists once again stated the case against the statues. A collection of supporters stood behind the speakers, holding crisp blue posters with the slogan “Monumentally Wrong” and large red Xs over images of the Lee and Jackson statues. 

“This is an opportunity for Virginia to get on the right side of history,” said Lisa Woolfork, an associate professor at UVA. “These statues are not neutral objects, they are racist relics forced upon communities who do not worship the white supremacy they maintain.” 

“It is past time to correct these monumental lies with some monumental justice,” Woolfork said.

Advocates for removal of the statues see a legal path forward that seemed unlikely before: The passage of a bill that would give control over statues back to localities. 

Delegate-elect Sally Hudson has promised to introduce such a bill when the General Assembly session begins on January 8. Former delegate David Toscano proposed similar bills in the last two General Assembly sessions, but neither made it out of committee. 

Though the movement’s hopes rest on Hudson and her legislation, the new delegate made sure to emphasize the broad coalition that has formed in opposition to the monuments.

“Movements like Monumental Justice change the world. Politicians just cut the ribbon,” Hudson said. “We wouldn’t be here today without the activists and artists and educators and all of the elected leaders who have elevated this issue.” 

“Thank you to every member of our community who has done the very ordinary yet essential work of correcting our public memory,” Hudson said, “Of sharing a fuller understanding of our history neighbor to neighbor and friend to friend.”

Woolfork read a statement from Zyahna Bryant, the student activist whose 2016 petition helped start the statue fervor. “Our public spaces should reflect the principles we strive for, one of them being freedom,” Bryant wrote. 

In her statement, Bryant made sure to underscore that removing the statues will not fix the larger systemic inequalities in the area. “We must also focus on the structural and situational change that must come along with removals as a package deal,” she wrote. 

Hudson acknowledged Bryant’s point. “In the days ahead, my colleagues and I will be introducing substantive legislation to confront white supremacy in all of its modern incarnations,” Hudson said. “Whether that is mass incarceration or segregation or the persistent inequity in our every institution.”

Former councilor Wes Bellamy spoke with his young daughter in his arms.

“If our General Assembly cannot act now to remove these beacons of hate, I don’t know when we will have the courage to do so,” he said.

For Bellamy, structural change and statue removal aren’t mutually exclusive. 

“People ask me, ‘Why can’t we focus on affordable housing? Why can’t we focus on schools?’” Bellamy said. “We can walk and chew gum simultaneously. In fact, we have an obligation to walk and chew gum simultaneously.”

“The time for those statues to move was yesteryear,” Bellamy said. “It’s time to put up or shut up.”