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Arts Culture

Galleries: January

Shifting shape

“By studying art and making art, we place ourselves into a centuries-long continuum of observers and visual speakers,” says art educator and painter Susan Patrick. “We begin to understand previous and current cultures through drawn, painted, and sculpted images.”

Patrick, who is on staff at Village School, has decades of experience teaching art at public schools, and is a member of McGuffey Art Center, where her work is on display in the Smith Gallery.

Her new exhibition, “Connections: possibilities/impossibilities,” showcases a series of acrylic paintings on canvas. The series was a way for Patrick to explore a simple but intriguing shape—the triangle.

Susan Patrick at McGuffey. Image courtesy of the artist.

“I had seen an image of a painting broken into triangles, and liked the composition,” says Patrick. Triangles can be found scattered throughout her paintings. One of them, “December #2,” is a study of shapes where triangles are held inside the jagged edges of a square. “Everything is splintered and in full agitation. The triangles push into each other and pull apart—confined in their squares.” The paintings are calm, yet full of struggle. “The triangles are ill matched, not able to create their own square and unable to leave the square format.”

Patrick’s work also contains hidden messages. “These paintings are partially covering paintings made in the past,” she says. On the surface, “Sooner” looks bright and cheerful. Vibrant greens and blues color Patrick’s signature squares, rectangles, and triangles. But hidden underneath is a messy, emotional sprawl of words. “A poem, written over and over, densely covered the canvas with layers of words,” says Patrick. The poem was about leaving behind a difficult situation, and bits and pieces of it still shine through and can be seen in the finished work, memories of the past mingling with the present.—Maeve Hayden

January Shows

Artistic Remedies for Creative Hearts 8767 Seminole Tr., Suite 101, Ruckersville. “Flight of Fancy: All Things Winged and Windborne” features work from ARCH members. Opens January 8.

Baker Gallery Woodberry Forest School, 898 Woodberry Forest Rd. “From the Moment” showcases new paintings by Darrell Rose. Through March 5.

Darrell Rose at Baker Gallery. Image courtesy of the artist.

The Center at Belvedere 540 Belvedere Blvd. “Natural Public Lands of Virginia” features photography work by Ben Greenberg.

C’ville Arts Cooperative Gallery 118 E. Main St., Downtown Mall. “The Studio Sale” features locally handmade, high-quality arts and crafts. Through January 31.

Eastwood Farm and Winery 2531 Scottsville Rd. “Roads to Eastwood” includes works by Jessica Livingston and Andrea Ruedy Trimble. Opens January 7.

McGuffey Art Center 201 Second St. NW. In the Smith Gallery, “Connections: possibilities/impossibilities,” recent acrylic paintings by Susan Patrick. In the Hallway Galleries, “New Members Show,” featuring work from McGuffey’s latest group of artists. Through January 30.

New City Arts 114 Third St. NE. In the Welcome Gallery, “You can’t compromise my joy” features new works by Fall 2021 New City Artist-in-Residence, Kori Price. Opens January 14.

Northside Library 705 Rio Rd. In the lobby, acrylics by Ali Sullivan. In the Quiet Room, photography by Bill Shaw.

Studio IX 969 Second St. SE. “Marley in Wonderland’’ features work by Marley Nichelle as part of the Prolyfyck Exhibition Series. Opens January 7.

Top Knot Studio 103 Fifth St. SE. “Old Password” by Christopher Headings. Through January 31.

Christopher Heading at Top Knot Studio. Image courtesy of the artist.

The Wayne Theatre Exhibit Gallery, 521 W. Main St., Waynesboro. “Find My Bearings” by Ashley Sauder Miller features works made from unconventional materials, paint, marker, and oil pastel. Through February.

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News

Milling it over

Living here, in the shadow of Monticello, you’ve likely heard of Shadwell, the birthplace of Thomas Jefferson. There’s even an historic marker for it, along 250 East, south of Pantops. But next to the marker, all there is to see is rolling pasture and a herd of not-very-historic-looking Black Angus cattle.

Two hundred and sixty years ago, that pasture was part of the Shadwell plantation owned by Peter Jefferson (and sub­sequently by his son Thomas). The property also included a riverside commercial and industrial center that was active until the mid-19th century, when the area reverted back to farmland. In the last few months, though, Shadwell has been a busy place again: A small crew of dedicated stonemasons have been at work, securing a little piece of the area’s past.

These masons are working on the only visible remnants of Jefferson’s ownership of Shadwell: the large grist mill constructed there in 1807, used to grind wheat grown on the area’s plantations so that the grain could be sold. Nothing survives of the building where Jefferson was born in 1743, though in 1991, archaeologists uncovered a cellar foundation that they believe shows the outline of the house. For the most part, the woods have reclaimed the site along the Rivanna’s banks, but the mill’s footprint—about the size of half a basketball court—is still clearly visible, along with parts of the foundation and one corner of the building that’s almost two stories high.

This illustration depicts the mill in its heyday. Photo: Wikimedia Commons

Right now, that corner is protected by scaffolding draped with plastic sheeting and surrounded with wheelbarrows and buckets for building supplies. A crew of four is carefully using custom-made mortar based on formulas used in the 19th century to secure the walls and repoint the stone layers that are still standing.

Their firm, Dominion Traditional Building Group, specializes in masonry reconstruction of historic buildings using historical methods. The company has worked on the Monticello Mountaintop Project, James Madison’s Montpelier, St. Andrew’s Catholic Church in Roanoke, and other historic sites around the Mid-Atlantic. Mike Ondrick, one of the company’s founders (and head of the Shadwell crew), has worked on more than 1,800 structures in his 30-plus years as a master stonemason. But on this project, the charge is not reconstruction—just stabilizing the structure to prevent further collapse.

Over the years, interpretive work at Shadwell has revealed important details about life in 18th and 19th century Albemarle. Archaeologists have uncovered Native American artifacts on the site, too. “When Peter Jefferson moved here, this was still the frontier, with Native American groups traveling between their homeland, and Williamsburg, the capital of Virginia,” says Monticello research archaeologist Derek Wheeler in a Monticello-produced video about the site.

What’s brought activity back to Shadwell is plans to extend the Old Mills Trail, which runs along the Rivanna from Darden Towe Park past Woolen Mills, southward to connect with the proposed network of trails running from the Chesapeake to the Shenandoah Valley. The route being discussed would use the railroad right-of-way going right past the mill site—which presents both opportunities and challenges.

“We are working with Albemarle County on easements [for the proposed trail],” says Gardiner Hallock, vice president for architecture, collections, and facilities for the Thomas Jefferson Foundation, owner of about half of the original Shadwell property. With increased public traffic, Hallock says there are plans to install interpretive signs explaining the mill’s history and its function in the economy of Jefferson’s time.

But more people walking by the site also means “we had to stabilize it now, before any more is lost—and keep it safe,” Hallock explains. Along with signage, there will be fencing to keep wanderers out of the ruins. On the current worksite, a large sign warns random hikers who might feel like climbing the 200-year-old walls: “STOP. THINK. Have you been trained on scaffolding usage?”

Pre-pandemic, Monticello offered tours of the Shadwell property, led by Wheeler, about once a year. Whether those tours will resume is uncertain. But Hallock is excited about using the mill to help show another side of life in central Virginia during the Jefferson era.

“This site is the last part that’s above ground of the extensive operations [at Shadwell]—two mills, a miller’s house,” he notes. “The local economy processed its grain there. In the 1830s, there was a cotton mill with about 100 employees a little upriver.” Over time, the complex also included a barrel-making shop operated by Jefferson’s enslaved coopers, a sawmill, several stores, and houses.

Then, as always, things changed. In the late 1700s, farmers had shifted from tobacco to wheat (thus the need for mills), but, within a few decades, wheat gave way to apples as the area’s major crop. The railroads made the waterways less important to commerce; the cotton factory burned down in 1851; and gradually the Shadwell “town center” disappeared, leaving only a haphazard stack of stones behind.

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News

Second chance

Most of us associate TikTok with teenagers doing goofy dances. Charlottesville native Jesse Crosson, though, is using the platform to talk about something far more meaningful—criminal justice reform. Over the past year, Virginia has passed major legislation, like abolishing the death penalty and legalizing marijuana. Crosson, who was released in 2021 after nearly two decades of incarceration, is among the activists and organizers advocating for more critical reforms in the Old Dominion.

In 2002, struggling with substance abuse, Crosson was convicted of robbery and unlawful wounding in Albemarle County. Just days after his 18th birthday, he was sentenced to 32 years in prison—twice the maximum of sentencing guidelines.

While recovering from substance abuse, Crosson had a radical shift in perspective.

“My transformation was from having a self-centered view of the world, to recognizing my connection with, obligation to, and the benefits I receive from others,” he says.

Throughout his years in prison, Crosson led a variety of programs, including GED tutoring, mental health support, and yoga. He also became a licensed electrician, and a mentor for other incarcerated men. After 15 years of studying, he earned his bachelor’s degree in psychology from Ohio University in 2018.

In 2019, Crosson decided to petition for clemency. To his surprise, he received an outpouring of support from friends and family, as well as the general public. He met with multiple state leaders about his fight for clemency, and did interviews with the media.

On August 16, 2021, Crosson got the news he had been waiting nearly two decades to hear: Governor Ralph Northam granted him a conditional pardon, based on the excessiveness of his sentence, his age at the time of the crime, and his accomplishments.

“I went to a knee and started sobbing. I just lost my mind,” he says. “It went from zero to you’re getting out of prison today.”

Adjusting to life as a free man has been “really amazing,” says Crosson. Though he’s had some “really stressful times and difficult things happen,” he’s received an overwhelming amount of support—not a given for people coming out of prison, he emphasizes.

“I was really fortunate to have a place to stay, be able to get a job, and have transportation,” he says. “This is not something people should use for like toxic positivity to say, ‘everybody else can just pull themselves up by their bootstraps’ because that’s bullshit.”

Shortly after his release, Crosson created a TikTok account, @second_chancer, to share his experiences in prison, as well as advocate for criminal justice reforms. The account has since gained more than 500,000 followers, and features videos of Crosson casually recalling stories about the people he met and his process readjusting to the outside world.

Incarcerated people should have “the tools they need to succeed,” including emotional regulation skills, job training, and technological literacy, he says. He also hopes to see more support for victims of crimes, and changes to sentencing laws.

“You’ll have guys who get a five-year sentence, who are far worse when they get finished with that sentence, and are guaranteed to reoffend,” he says. “[Then] you have guys who get 50 years who after 10 years…have really turned their life around and are ready to reenter society but don’t have that opportunity.”

He says he’s received a wide range of responses to his TikTok, including positive comments that have made him “question and look at myself… I’ve also had some amazing exchanges with victims of crimes that were similar to mine. We’ve talked about our experiences, and it’s been really powerful and healing for both of us.”

Last month, he worked with a public defender on TikTok to collect clothes, food, and other necessities for people recently released from prison.

“It’s really encouraging that there is a capacity for some kind of action with this—it’s not just people sitting behind their keyboards talking about things,” he says.

On social media, Crosson has also discussed his relationship with local journalist (and former C-VILLE editor) Courteney Stuart, who did a story about his fight for clemency for CBS19 in 2019. Stuart later came to Crosson for advice about a personal issue, and began talking with him on the phone regularly. They soon became close friends—and eventually fell in love.

“We developed this amazing relationship without ever having stepped foot in the same room together,” says Crosson. “It’s been the healthiest and most gratifying relationship of my life.”

With Stuart, Crosson started the Pri-Zen podcast, which discusses a variety of issues within the criminal justice system. He is also working on a book proposal, and networking with local and state leaders to “find a way forward.” Crosson says he would like to go to grad school to become a licensed counselor or psychologist, and has also considered starting a nonprofit that provides re-entry services.

From his advocacy work, Crosson ultimately hopes that people will learn to “humanize everyone” and recognize that people are not “irredeemable.”

“There’s a failure to understand that we are not simple, rational creatures,” he says. “The vast majority of crimes that I saw committed were committed…as a result of trauma and really difficult circumstances.”

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News

In brief: City goes dark, new maps approved

In the dark

If your power went out during Monday’s snowstorm, you weren’t alone. The storm dumped as much as a foot of snow across central Virginia, and the Virginia Department of Transportation reported that “thousands of fallen trees and downed power lines” led to widespread outages.

By mid-afternoon on Monday, more than 31,000 of Dominion Energy’s 46,000 Albemarle County customers were without power, according to outage aggregator Power­Outage.US. In the city, 13,000 out of 24,000 households lost electricity.

“We encourage those in the hardest hit areas, including Charlottesville, Fredericksburg, Northern Virginia, and Richmond to prepare for the possibility of being without power for multiple days,” reads a Dominion statement from Monday evening. “We know you are frustrated…Crews will work throughout the night to restore service.”

Many area residents spent Monday night without power, with temps dropping below 20 degrees. By the middle of the day on Tuesday, the percent of outages had decreased, but thousands locally still had no electricity access.

Percent of Dominion customers without power:

Albemarle
Noon Monday – 67
8 pm Monday – 62
8 am Tuesday – 46

Charlottesville
Noon Monday – 54
8 pm Monday – 25
8 am Tuesday – 16

Highway shut down for hours

The winter storm jammed up operations all across the state. Hundreds of drivers were stranded on I-95 for as much as 19 hours beginning on Monday evening. The slowdown started when a tractor-trailed lost control, leading to a domino effect of stopped commercial vehicles, the Associated Press reports. On midday Tuesday, the Virginia Department of Transportation was still hard at work getting people off the road. “​​We are working to get traffic moving again as best we can using every available interchange between Prince William & Caroline counties,” the agency reported early on Tuesday.

Senator Tim Kaine’s view while stuck on I-95 on Monday.
Photo: Tim Kaine

Senator Tim Kaine was among those stuck in his car on the blocked highway. “I started my normal 2 hour drive to DC at 1pm yesterday. 19 hours later, I’m still not near the Capitol,” he tweeted at 8:30 am on Tuesday morning. “I’m frustrated, but not in serious trouble. If you are in trouble on Virginia roads today, call @VaDOT at 1-800-FOR-ROAD.”

Virginia approves new maps

Last Tuesday, the Supreme Court of Virginia approved new congressional and General Assembly maps, which will go into effect for this November’s elections.

An initial draft of the maps would have split Albemarle down the middle, putting the northern half of the county in the 7th Congressional District. The final maps keep all but the very northwest corner of the county in the 5th District. Though the district’s lines change in places, analysis from The Washington Post says the partisan composition of the new 5th District is very similar to the partisan competition of the old iteration, which Bob Good won by 5 percent in 2020. Statewide, the Post says the current map has five solidly Democratic seats, three toss-ups, and three districts that lean Republican. The new map has six districts that favor Dems, one toss-up, and three that favor Republicans. (Currently, Democrats control seven of Virginia’s 11 districts.)

The reshuffling has impacts in the state chambers, too—under the new maps, longtime Charlottesville and Albemarle state senator Creigh Deeds no longer lives in the district he currently represents. Deeds, however, says he plans to move out of Bath County and into the Charlottesville area so he can run for re-election. At the House of Delegates level, four different delegates currently represent portions of Albemarle. Under the new map, that’s down to just two.—Ben Hitchcock

In brief

C’ville bachelorette gone in record time

Salley Carson. Photo: Bachelor Nation

“Well, That Was The Quickest Elimination In Bachelor History,” reads a Bustle headline about Salley Carson, a Charlottesville native and contestant on the reality show’s 26th season. Carson called off her wedding just weeks before appearing on the show—and on the first day of filming found that she just wasn’t ready to turn around and find love so quickly. Despite an offer to stay in the competition from bachelor Clayton Echard, Carson departed in the season’s first episode.

Slow down, plead locals

A Richmond woman died in a car crash on 5th Street late on New Year’s Eve, leading local advocacy group Livable Cville to call for safety adjustments on the busy roadway. Members of LC held a press conference at the site of the crash on January 2, demanding the city reduce the speed limit from 45 to 40 and make other safety changes to the street.

Hospital limits visitors

The UVA hospital has reinstated limitations on visitors, citing the uptick in coronavirus cases in the region. Since January 3, visitors have not been allowed in the emergency department, outpatient facilities, the lobby, the cafeteria, or any public spaces. The hospital does make exceptions for pediatric patients and those nearing the end of life.

Youngkin staffs up

Governor-elect Glenn Youngkin continues to add new names to his staff ahead of his inauguration later this month. Youngkin’s chief of staff will be Jeff Goettman, a businessman who worked in Trump’s treasury department. He also hired McGuireWoods big-shot lawyer Richard Cullen, a Republican Virginia Attorney General in the 1990s, as a counselor.

Pouring it on

At Mas Tapas, muralist Chicho Lorenzo notes that the snow “made an awesome collaboration,” adding a frothy head to the beverage held up by one of the revelers in Lorenzo’s mural.

Photo: Chicho Lorenzo

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Arts Culture Food & Drink

‘I Hate Charlottesville’

By James Keith Ford

“Before social media, finding other spooky folks wasn’t easy,” recalls Bill Hunt. Then he discovered the goth scene at Charlottesville sushi spot Tokyo Rose. “Descending into that dark basement, I was amazed to see dozens of strangers clad all in black. It was the first time in my life that I was in a room surrounded by people who dressed like me, listened to the same music as me, watched the same movies as me.”

In the 1980s and 1990s, sushi chef Atsushi Miura allowed the Ivy Road restaurant’s underground basement to operate as a small music club. Miura hosted (and performed at) folk and indie-rock concerts as well as weekly goth nights that became a cornerstone of Charlottesville’s music culture for decades. A subsequent iteration of the restaurant, operated since 2004 by Helen Yan, who passed away in June, closed in late 2021.

“Finding space for smaller, non-mainstream bands to play was difficult,” says Hunt, who became a DJ and bartender at Tokyo Rose. “In a given week I would find myself heading to the Rose sometimes four nights in a row, catching some sad acoustic sets at Shut Up and Listen, some high-energy punk rock, a hip-hop DJ set, and finally The Dawning on Saturday.” According to WTJU DJs Dominic DeVito and Davis Salisbury, visits to Tokyo Rose were crucial in their respective decisions to move to Charlottesville. Tokyo Rose’s basement stage featured local folk singers Shannon Worrell and Lauren Hoffman, short-lived punk bands Gulf Coast Army and The Union of a Man and a Woman, and obscure underground noisemakers Last Days of May and Grand Banks, who shared a bill with nationally touring acts. Among them were Smog, Sleater-Kinney, Cat Power, Olivia Tremor Control, Jeff Mangum of Neutral Milk Hotel, Sparklehorse, the Dismemberment Plan, the Mountain Goats, Calvin Johnston, Dave Pajo (as Aerial M), Juliana Hatfield, Superchunk, Godspeed You Black Emperor!, Low, Palace Music, Helium, the Make-Up, Trans Am, Borbetomagus, the Microphones, Danielson Family, Stars of the Lid, and Animal Collective—all would go on to play much larger stages in later years, if they hadn’t already.

Atsushi Miura. Photo: Hook Archives

One memorable visit by New York art-rockers Oneida saw the semi-regulars open their set with an endurance-testing, high-energy 25-minute rendition of their aggressively monotonous one-chord one-syllable song “Sheets of Easter.”

Darius Van Arman, who was responsible for booking many of these early concerts, went on to form Jagjaguwar Records, today home to acts like Bon Iver, Sharon Van Etten, and Angel Olsen. Although it’s been decades since Van Arman lived in Charlottesville, he recently reminisced on social media about the venue’s importance to the label’s early years. Jagjaguwar’s recently released 25th-anniversary compilation is bookended by performances by none other than Tokyo Rose’s restaurateur and sushi chef Miura himself.

An uncommonly taciturn man, Miura, whose stern-but-sarcastic deadpan disposition was amplified by a shaky command of the English language, slowly became a reluctant regular performer at Tokyo Rose. After sitting in as a guest on the acoustic series Shut Up and Listen, Miura revealed a new side of his personality onstage with a guitar and a kazoo, singing bold and memorable songs that were both earnest and playful. His “I Hate Charlottesville” (chorus: “too boring”) quickly became a popular local anti-anthem.

In the final years of his tenure at Tokyo Rose, Miura recorded two albums—one solo, featuring what are reportedly his translations of Japanese songs (“Pooky” is a favorite), which never saw release once he learned about publishing rights (mp3s circulated under the title Live at Tokyo Rose, though it appears to be a demo-quality home studio recording, devoid of crowd noise or banter); and a proper full-length, Cheap and Fake, made with The Dirty Round-Eyes featuring Stephen Barling and Brandon Collins of BC. Professional studio renditions of memorable originals such as “Good-Looking Girl” and “Pancake” share space on the album with a heartbreaking Roy Orbison cover and a raucous, blown-out live rendition of “Don’t Call Me Alcoholic,” in which the audience joins in.

Miura sold the business in 2004 and returned to Japan, and that marked the end of an era in Charlottesville music. A scattering of shows continued over the next few years; punk locals such as Worn in Red and The 40 Boys performed at Tokyo Rose irregularly through 2007. However, the basement had been re-done with white tile and disco balls, and the bright and clean aesthetic was not quite the same as the dim dungeon it had once been. Bands played in front of projectors showing Korean-language karaoke video footage, as if to highlight the disorienting discrepancy. The music was fun, but the feeling wasn’t the same as it had been in the original space—that crucial cornerstone of the music community, which, along with WTJU and venues ranging from Trax to the Pudhaus, helped pave the way for concerts at the Twisted Branch Tea Bazaar, The Bridge PAI, and venues ranging from the vast Satellite Ballroom to the tiny living room of the recently vacated Magnolia House.

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Arts Culture

Pick: Dailey & Vincent

Screen to stage: Duo Dailey & Vincent have been performing their medley of traditional country, gospel, and bluegrass for audiences for over 10 years. Recently, Dailey’s tenor and Vincent’s harmonies were broadcast nationwide on their weekly RFD-TV series, “The Dailey & Vincent Show,” which boasts five seasons. The Grand Ole Opry members will perform songs from their critically acclaimed albums Patriots & Poets and The Sounds of Christmas, their first holiday record, a No. 1 debut on the Billboard Bluegrass chart.

Sunday 1/9. $24.75-49.75, 8pm. The Paramount Theater, 215 E. Main St., Downtown Mall. theparamount.net

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Arts Culture

Pick: Blue Ridge Bards


Fast friends
: Local musician Matthew O’Donnell treats every performance like it’s a gathering of close friends. His band, Blue Ridge Bards, plays traditional Celtic folk with a modern energy, infusing it with rock, pop, country, and jazz. The group’s live show mixes things up between accordion, kick drum, bouzouki, and tin whistle, and includes a raucous mix of drinking songs, sea shanties, Irish jigs, and original music with easy-to-pick-up choruses that will have audience members singing along in no time.

Friday 1/7. Free, 8pm. The Stage at WTJU, 2244 Ivy Rd. wtju.net

Categories
Arts Culture

Pick: The Looking Glass

For art’s sake: Let your imagination run wild at Arts Underground, a night of free-flowing creativity inside The Looking Glass. Grab a drink from the colorful bar as you descend into Dripstone Cave for artmaking (materials are available for a la carte purchase). Feeling blocked? Wander through the immersive museum for inspiration, or loosen up with some karaoke at Flowstone Stage.

Thursday 1/6. 21-plus. Free, 6pm. IX Art Park, 522 Second St. SE. ixartpark.org