Categories
Uncategorized

Minding his business

On February 3, Albemarle County School Board member Ken Boyd announced his plans to challenge incumbent Charles Martin for the Rivanna District seat on the Board of County Supervisors.

Urged by his constituents to run for a seat among the Supes, Boyd says he feels he could be of greater use to the County in a larger role. He has lived in the County since 1981, and for the past 12 years has owned and operated a financial services and investment advisory firm. He takes a decidedly pro-business stance, he says.

He recently discussed his vision for the County with C-VILLE. An edited transcript of that interview follows.

 

Kathryn E. Goodson: What are the main platforms of your campaign?

Ken Boyd: First and foremost, it’s time for a change, for new blood in that seat. The Rivanna District’s been represented by the same person for 12 years now. We need new ideas, new concepts. I haven’t already become part of the system. And I bring School Board experience with me—60 to 70 percent of our local tax dollars go to education as it is.

We need better coordination between the School Board and the Supervisors so we can work more closely on current issues. If we don’t, we’ll never minimize the amount of redistricting in the future.

I want to open Albemarle County back up to business. As it stands now, the County has the reputation of not being friendly to business—in some places, there’s far too much over-regulation and over-taxation. I fear some major businesses are stepping away from here due to that reputation. This attitude has to change, or the County won’t have the jobs for our young people and in turn, we won’t have the tax base that revenue brings in. We cannot survive on property taxes alone. We don’t have to sacrifice the environment to be pro-business in the County.

We must be proactive rather than reactive about our water needs. We must consider the long-term needs of the Buck Mountain Reservoir. Why not have some fresh eyes on the problem, rather than sit back and wait for another crisis?

 

Name some of the biggest accomplishments achieved during your four-year term on the County School Board.

For one thing, we’ve raised entry-level teacher salaries to $31,500 from $26,532. That’s a 19 percent increase over three years, accomplished during very trying financial times. With the higher starting salary, we can not only attract more qualified teachers, but keep them, too. I’m also very proud that we opened the door of communication between the County school system and the City school system to discuss collaborative measures for improvement. I think there’s room for that kind of improvement in communication between the City Council and the Albemarle County Board of Supervisors. There appears to be some sort of turf protection going on there.

 

Do you think running as a pro-business Republican will help or hinder your campaign?

I did not want to run as an Independent, and I didn’t want to hide my roots. I am proud to be a Republican, but I do not want to be stereotyped because I’m in one political party or another. I truly feel that the issues I intend to work for appeal to everyone—on a local level.

On the other side of that equation, I think I’d have a good rapport with our State and Federal legislators. The State legislators are going to re-evaluate the whole taxation structure of the State. And I would really like to have a hand in that, to evaluate what’s best for local control over spending and not have to go to Richmond or Washington, D.C., for that. We are capable of controlling our own destiny.—Kathryn E. Goodson

 

 

We need more dough, d’oh!

$94 million proposed budget comes up short  

Many of us here in Charlottesville are feeling the pinch of higher rents and climbing property taxes. The least City Council could do is send each of us a thank-you note for all our pain.

After all, property taxes are about the only things keeping the City financially solvent. Last year, real estate revenue accounted for 73 percent of all revenue growth. For FY 2004, City Council has promised to reduce the property tax to $1.09 per $100 of assessed value from $1.11, just as the City is feeling the brunt of an economic recession and facing massive expenditures for capital products.

City Manager Gary O’Connell presented the bleak forecast to City Council during its regular meeting on Monday, March 3. City Council will review and revise O’Connell’s $94 million budget and pass a final version in April. The City seeks public comment at regular Council meetings or through online postings to its website, www.charlottesville.org.

Charlottesville is finally feeling the national recession through declining revenues from sales, meals and lodging taxes. Real estate and personal property values are growing, says O’Connell, but not as fast as they were a couple years ago. Meanwhile, the City will lose more than $1.4 million in State budget cuts to the Juvenile Detention Home, the Regional Jail, City schools and social services.

According to the FY 2004 budget, the City is undertaking $5.2 million in new obligations while expecting only $3.6 million in new revenue increases. To make up the $1.6 million deficit, every City department was ordered to cut its budget by 5 percent for a saving of $800,000. Some of the cost-saving measures include: eliminating four positions that are either vacant or whose occupants are retiring; reviewing the City’s cellular phone contract; reducing overtime; eliminating return postage on parking tickets; allowing advertising on City buses; and reducing travel expenses.

Doubling the trash-sticker fee will generate another $800,000.

The City will also add five new police officers, costing $220,000, by increasing the vehicle decal fee by $5 per auto. The City also plans to raise more than $1 million for capital infrastructure improvements by increasing the meals tax to 4 cents from 3 cents per dollar.

This million bucks is a mere drop in the bucket compared to what it will take to fix up our crumbling City, according to O’Connell. He says Charlottesville needs about $130 million for capital improvements, mostly to repair buildings like Charlottesville High School and to re-brick the Downtown Mall.

Council agreed that it cannot keep relying on property taxes to pay its bills, but had no suggestions for other ways to raise money.––John Borgmeyer

 

 

Piece of Cake

Hackensaw Boys cut a record with John McCray

The gray, barn-like Monticello Dairy Building on Grady Avenue is home to an array of local businesses––a battery store, a Mexican restaurant, a catering business, a paintball battlefield and a multi-million dollar recording studio.

“We thought about calling the record Cat Piss Alley,” says Mark Hahn, a restaurant owner and caterer who also manages local scruff-meisters The Hackensaw Boys. The group is recording their new album in the Crystalphonic recording studio, deep inside Monticello Dairy. John McCray, frontman for the nationally recognized rock band Cake, is producing the record.

Hahn carries the band’s lunch through the Dairy’s rear service entrance, where you can hear the pop of paint guns and see pink-and-orange carnage seeping underneath a metal door into the gritty cement tunnel, which is indeed home to several thin, timid felines.

The so-called Cat Piss Alley ends with a heavy wooden door that opens into the hallway of Crystalphonic studio, where amplifiers and digital recording devices sit stacked beside a rack of metal cans that is the Hackensaws’ percussion section.

The layers of irony here are the stuff of Tom Wolfe––back-porch string music recorded in a high-end professional studio designed to draw big names to a town suffering from an uninspired local music scene. The incongruities seem to be working out well for the Hackensaws, however.

The band caught a lucky break last winter, when McCray asked local singer-songwriter Shannon Worrell (who is married to C-VILLE co-owner Bill Chapman) to open for Cake at the Norva, a venue in Virginia Beach. Worrell, recently retired from the music biz, declined. She recommended the Hacks instead.

Apparently, the Boys won over both the Norva crowd and Cake––last summer, McCray invited them to join the Sunshine Tour. The Hacks performed between sets by hip-hoppers De La Soul, rockers Modest Mouse and artsy heroes The Flaming Lips. After the tour, Modest Mouse invited the Hacks to join them for a series of West Coast gigs.

Now McCray, who produced all four Cake albums, is tailoring the Hackensaw sound to reach the pop music masses. McCray says his role in the studio is like a newspaper editor, telling the band what’s working and what’s not in an effort to create what McCray calls a “pleasing geometry” in each song.

The new album represents a roll of the dice for Hahn and the Hackensaws, since recording with McCray at Crystalphonic ain’t free.

“We feel like there’s a lot riding on this,” says guitarist David Sickmen. “It’s like the difference between thinking about your career and actually doing it.”

Also, the Hacknesaw record could be a boon for Crystalphonic, which opened last summer. Four partners, Berklee College of Music grad Kevin McNoldy, Amy and David Spence, and recording engineer Matt Jagger, founded the studio on the idea that because Charlottesville is home to both beautiful scenery and the Dave Matthews Band, a professional-quality facility will attract enough big names that the studio can subsidize special deals for local up-and-comers.

“We went nuts. We got the best equipment we could, across the board,” says Jagger. “We can record the guy down the street or Elton John.”

Both the Hackensaws and Crystalphonic are hoping that a quality product, be it a record or a recording studio, will translate into fame and fortune. But in the music business, a few ties to rock celebrity won’t hurt.

“I’ll try to introduce a few people to this music,” says McCray. “If it’s a good record, it will stick. If it’s not, nothing I can do will help it.”––John Borgmeyer

Categories
Uncategorized

Fishbowl

On February 26, UVA sophomore and Student Council presidential candidate Daisy Lundy was assaulted in what police described as a possibly racially motivated attack.

By that evening, a cluster of emails and outpourings about the widely reported incident had been dispatched campus-wide, including this confronting question by undergraduate Tiffany Chatman: “Still think racism doesn’t exist at UVA?”

For Corey D.B. Walker, Associate Professor of African-American Studies at UVA and Director of the Center for the Study of Local Knowledge, the answer is, yes, of course racism still exists at UVA.

“I am not surprised that it has degenerated to this,” he says. “I am surprised at the severity of it.”

University Police Captain Michael Coleman reported that an 18- to 20-year-old heavyset white male shoved Lundy’s head against her car early on the morning of February 26. Afterwards Lundy, who was involved in a run-off election for Student Council President, reportedly told friends the attacker said, “No one wants a nigger to be president.” If Lundy wins the now-postponed election, she would be the first black woman to lead the UVA student body.

The immediate response to the assault was a flurry of activity. There was an impromptu meeting of students, faculty and staff, dubbed a “Community Reflection and Response.” A $2,000 reward was posted for anyone with information leading to a conviction.

In a mass email from President John T. Casteen III to everyone connected with UVA, he wrote, “The decades-long efforts to make this University an authentic cross-section of what we are as a people, and the hard-earned progress made toward this goal, are too important to be cast aside by some senseless acts.”

Despite Casteen’s assertions, progress in University race relations remains elusive, say critics.

Chatman, who is a member of UVA’s Black Student Alliance and an outreach group called “Building Legacies and Connecting Classes,” says the racism on campus is shrewd—not usually so overt as Lundy’s attack. “The subtle way that people are generally unfriendly to me…” she says, “I really get this feeling that I’m not exactly welcome here.”

In her courses, for instance, Chatman says, the soft racism is at its prime.

“In my French class last semester, I was so uncomfortable,” she says, “that I was afraid to speak up, afraid to make a mistake. It killed my performance. When we would divide into groups, not one person would walk up to me to be my partner.”

Indeed, racism has become a familiar reality to many African Americans at UVA. Last December, fraternities Zeta Psi and Kappa Alpha were acquitted of disorderly conduct after photos circulated of two white men dressed in tennis skirts and blackface as Venus and Serena Williams. Last spring, students at the UVA Architecture School hosted a “Medallion party.” The legend on the invitations? “Callin’ all chicken heads and thugs.”

“The party was clearly making fun of us,” says Chatman.

Walker believes change won’t come until UVA is more racially diverse. “Less than 2 percent of this faculty is African American,” he says. “What is that alone teaching?”

Indeed, undergraduate black enrollment has decreased to 1,436 in 2002 from 1,698 in 1991. And for the 2002-2003 school year, out of 18,250 students at the University overall, 9.3 percent is black, according to UVA statistics.

Still, Walker says the tense racial situation on campus has its roots in the misconception that race problems don’t exist. “The unwillingness to face it,” says Walker, “only advances it. The faculty must be charged with teaching the unvarnished racial history of our area.”

During the “Community Reflection and Response” meeting, UVA Dean of Students Penny Rue had much the same response.

“Goodwill and trust have been eroded here,” she said, making the question not how to get it back, but was it ever there in the first place?

Walker suspects what’s required is a systematic change from the senior administration down. “We need new strategies in thinking, more research of the continuing significance of race in our society,” he says. But when asked to put a timeline on when some new strategies might start to pay off, his answer is grim.

“Definitely not in my lifetime,” he says, “that’s for sure.”—Kathryn E. Goodson

 

 

You go, G.I. Joe!

Campus hawks rally ‘round the flag

On February 24 area Republicans gathered in front of the UVA Rotunda to rally around one message: It’s high time we stopped protesting the start of a war already in progress, and started supporting President Bush and our armed forces.

After a brief prayer by Reverend Peter Way, who once held Republican Rob Bell’s seat for the 58th District in the House of Delegates, the crowd recited the Pledge of Allegiance. The succession of Republican speakers began, from Bell to Matthew Rubin, head of ‘Hoos for Israel.

“How many of you support the war on terrorism,” Keith Drake, Chairman of the Albemarle County GOP asked the riled crowd. “We’re already at war. We’ve been at war since September 11.”

“We will show our support for the military,” said Ben Beliles, President of the UVA College Republicans, who organized the rally, “which is preparing to go into harm’s way to defend the freedoms we are all privileged to enjoy.”

The rally, a protest opposing recent anti-war demonstrations, drew more than 100 area Republicans armed with signs such as “Fight for peace” and “God bless President Bush! God bless our troops!” The Rotunda stairs, enshrouded with a large banner signed by College Republicans and members of the rally, read “We Support Bush!”

The overall sentiment was clear: UVA College Republicans stand in support to rid Iraq of weapons of mass destruction, even if it means going against the grain.

“I am here today because my brother’s in the Navy,” said College Republican Kristin Hendee, “and he tells me of how disconcerted they all are with the protesting. He thought it was amazing I was coming here today to show my support.”

Lindsay Brubaker, another UVA Republican added, “We’re here to express our willingness to support Bush in this endeavor.”

The pro-Bush stance wasn’t the only message delivered during the line of Republican speeches, however. Four UVA Democrats (one with a Burberry handbag in tow) came bearing signs of peace and asking for more time for inspections, not war.

“When I saw the pro-Bush rally going on,” said undergraduate Devon Knudsen, “I wanted to come and see what the [Republican] positions were. Then I realized I didn’t want anyone there to think I was supporting what was being said.”

That’s when Knudsen grabbed a yellow poster board and marker and squatted on the sidelines to scrawl a statement of her own.

“I don’t want [the speakers] to get away with this without seeing another side to think about,” she said.

U.S. Senator George Allen couldn’t attend the rally in person, so someone read a letter from the former Republican governor: “Senator Allen says he is completely behind our troops and our President. Saddam Hussein has no right to be the leader of any country.”

Congressman Virgil Goode, drawing continuous clapping and cheering from the crowd, painted his own down-home view of Saddam Hussein.

“I would love to see that Saddam Hussein has decided to destroy all these weapons of mass destruction,” he said, “but it’s kind of like being in the room with a rattlesnake. Are you just going to wait until it bites you?”

Goode, ending his speech with thanks to those who attended the rally in support, also took a minute to thank the anti-war demonstrators.

“I want to say thanks to those who came today in opposition,” he said. “This is the home of the freedom of the press and freedom of speech. But I dare say, your free speech wouldn’t be welcome in Iraq.”—Kathryn E. Goodson

 

 

You have been disconnected

But not everybody has gone surfin’ with Wi-Fi Internet

There was a time when there was only one seat in the house for Downtown regulars seeking Internet access and a cup o’ joe—the lonely workstation at the back of Mudhouse. Caroline Cobb would head there at lunchtime to check her e-mail. Same for Mike Winn, a computer-less continuing-ed student at UVA. But now, thanks to a tech trend known as Wi-Fi, Web users have their choice among the 40 seats in the coffeehouse. If they’re willing to invest an initial $50 for a wireless modem and then shell out $25 per month for service, that is.

Wi-Fi, or “wireless fidelity” access, has been a mainstay in bigger cities for the past couple of years. It’s creeping into Charlottesville, not only at Mudhouse, with several providers promising access elsewhere soon. In the case of Mudhouse, Web surfers will need to create an account with the wireless firm Airpath, which charges $25 per month or $3 per hour. Once established though, users can access the satellite Web service anywhere that Airpath, or its partners, provide service (called “hotspots”). Sounds good, but right now the only other Airpath location in Charlottesville is the Doubletree Hotel near Sam’s Club on Route 29N, not exactly the stomping grounds of coffeehouse regulars.

Internet junkies with slightly broader roaming instincts may want to wait until April when Ntelos will begin to offer unlimited wireless Internet for $50 per month. The $100 set-up fee will get you going and includes the external modem. Initial coverage in Charlottesville will be only “south of Rio Road” but, according to a rep, that should expand over time.

Still, Mudhouse’s Wi-Fi service seems custom made for Raman Pfaff, ExploreLearning’s chief architect, who says he “lives in the wireless world.” But, despite his assertion that “whenever I’m here, I’m online,” Pfaff says that after the free trial period is over, he won’t be signing up. His thinking is that since Mudhouse already pays for Internet access, it may as well provide free wireless access.

Mudhouse is not the first coffeehouse to get into the Wi-Fi game. Nationally, Starbucks has partnered with T-Mobile to provide hotspots in all its stores. The newest Charlottesville Starbucks on Pantops already has equipment in place, but, according to manager Sheri Craft, it won’t go live until the other two area stores are wired and ready to go. Access at Starbucks will not be free, either, although rates are not yet set.

“Free” is the going rate at Everyday Café, also on Pantops, but the Internet service is not wireless, it’s T1 Ethernet. Still, it might satisfy somebody like Corey Brady, a UVA graduate student who says she chooses a café “more and more based on whether Internet access is available.”

But free wireless is on the horizon locally. John Leschke will be opening a new Ivy Road café, Java Java, in April. There he will offer 14 wired Ethernet ports and up to 14 wireless connections. And the former UVA professor doesn’t plan to charge for the Web. “I’m a coffee shop!” he says.

Clearly, demand for Wi-Fi is on the rise, if for no other reason than to raise Charlottesville’s hip quotient. (Imagine the e-mail: “Hey bro, I’m sipping a café breve and smoking an American Spirit out on the Mall. Gotta run.”) Without any advertising, 25 people signed up in just two days for the Mudhouse service with about 40 total to date.—James Weissman

Categories
News

Take a Message

Since the first cave dwellers plunked a rock against a wall for purely expressive reasons, music has been social—even sometimes political. Like any art form, music offers an individual’s take on the surrounding world, one that is in turn absorbed and cast back into the world by an audience. Every song, no matter the subject, is a statement of sorts.

In Charlottesville, where a wide range of musicians make their home far from the contemporary perils of life in New York City, Jerusalem or Kabul, it’s fitting to wonder what the music of area artists is telling us about our little world and its values.

 

“Charlottesville is a good place to do anything you like, so it’s easy to be inactive or lazy, and the sad thing is that things then get swept under the rug, like the fact that we have such an extreme racial division,” says singer-songwriter Karmen Buttler, who records as Karmen. “Whether it’s Downtown or Belmont or the University, the communities in Charlottesville are so separated from what is going on with one another that people, artists or no, aren’t thinking about what is happening, myself included.

“And that’s really too bad,” Buttler says, “especially with so much going on here as well as in the world around us.”

But isn’t that just human nature? It’s much easier to turn a blind eye to the problems around us, especially in prosperous times, than to undertake the arduous and messy task of resolving them.

“As people, we have a tendency to gravitate toward the easiest thing to digest, especially when things are good,” Buttler says, pointing to the mass popularity of Britney, Justin and their ilk. “Unfortunately, the picture that is painted is that there aren’t critical, politically conscious people doing anything when times are good, but it’s really that the media isn’t looking at them and showing people that, even though it is going on.”

That might be an overstatement when it comes to Charlottesville, however, where musicians on the Downtown Mall are plentiful, for instance, but soapboxes are scarce regardless of media presence. Besides, when was the last time you went out to a performance by a local musician and were exhorted to get more involved in the community?

Despite its reputation elsewhere around the State as a liberal base camp, Charlottesville is not, many local musicians say, a home to musical activism. The reasons for that are many.

 

“Write what you know” is the adage guiding successful writers of every stripe. Unsurprisingly then, those musicians writing about issues that resonate strongly within themselves tend to strike the deepest chord with their audiences.

“The greatest songwriters write about what moves them and are able to make you feel what they feel,” says Geoff Sprung of the Small Town Workers. “A songwriter’s first obligation should be to be true to oneself. If that means writing about ‘partying all night’ or about ‘saving the children,’ so be it.”

Maybe it’s more laudable to write about downtrodden kids than all-night raves, but musicians almost universally recognize that music doesn’t succeed if it isn’t honest—whatever the message.

“One thing that I’ve learned as a songwriter and musician is that you just can’t fake it,” says Vandyke Brown’s George Lakis. “Passion and effectiveness are inextricably linked.”

In other words, even music that successfully tackles headier themes and is predictably tagged “important” can fail its audience and fall short as art when it is written out of obligation.

“Music suffers most under the strains of unnaturally forcing something into a work—political activism, false projections of an unfamiliar situation, anything that the artist doesn’t at that time need to write about,” local folk artist Paul Curreri says. In his music, Curreri avoids out-and-out political or social statements, choosing instead to wax personal with the “faith that certain emotions and interests are doubtlessly shared by others.”

The personal, it would seem, is political. Songs woven from personal tales and observations inevitably reflect back on the world from where much of their inspiration is drawn.

Few artists today express this as poignantly as local blues luminary Corey Harris. On his latest album, Downhome Sophisticate, Harris grapples with emotionally and politically charged issues. In “Frankie Doris,” Harris tells the story of a Welfare queen out to get what she considers her due. Harris doesn’t condemn Doris for her actions, nor does he celebrate them, giving the story a greater context and a certain moral ambiguity by levelly exploring the rationale behind her actions. Similarly projective, Harris’ “Money Eye” tells of the undoing of a relationship under cultural and materialistic pressures, while his “Santoro” addresses the simmering hatred and mistrust that underlies relations between African-Americans and police.

“I’m just trying to tell a story, and I realize that whatever story I have to tell is connected to the story of humanity. So, I’m trying to tell a story that is an individual story but at the same time others can relate to,” Harris says. “And I think that’s a part of art: I mean, you want to communicate, whether or not other people are always understanding your language—not everyone will always get everything, but you still want to communicate.”

In that give-and-take between artist and audience lies the real means for efficacy. When the listener has a stake in the interpretive process, in determining what a song or lyric means to him or her personally, the music takes on an internal life of its own.

The personal communication of music is especially good at giving listeners a look at others’ lives. Through a song, you can reflect on certain realities that you otherwise might ignore.

“We all flip flop and get down to the floor/Face down in the ward, ducking strays and afterwards the slaves, crack dealers and whores/ Can you adapt to that?” asks BEETNIX hip-hop frontman Damani Harrison in the song “Brainwash Syndrome.”

“If what a person portrays in their music is from their true self they can perform it anywhere, and those that need a message will get a message,” says Harrison. “Only then will the real meaning behind the music be understood.”

Local musicians like the fact that the personal allegorical tale more easily strikes a nerve with its audience, and for many it is the only way to go. They say that songs given to a specific and obvious end too easily come off as contrived or bogus.

“The seat-of-the-pants topical song, sincere as it may be, can backfire and even turn off a listener if one is not careful,” says folk artist Devon Sproule, who records under her first name only.

In a sense, subtlety and sincerity can effectively work in concert to give music greater resonance with an audience, she says.

Nickeltown’s Browning Porter agrees. “I’ve always thought that [local singer-songwriter] Brady Earnhart’s beautiful love songs from the point of view of gay men are political in an indirect way, and this really makes them much more profound and successful than a song that bluntly preaches tolerance,” Porter says. “And I think if you can identify with someone, then ‘tolerance’ is too pallid a word for what you feel towards them. ‘Solidarity’ is a better one.”

Presumably local musicians listen to tunes from all over the country and world, including songs from the Overtly Political school, such as N.W.A.’s “F*ck the Police” or the Sex Pistols’ “God Save the Queen.” Both of those groups explicitly courted their audience’s alienation with the sheer force of their respective messages. Even if they’re familiar with the technique, though, musicians in Charlottesville don’t seem intent on shocking an audience into submission or rejection.

Buttler says the subtle approach is more effective “because it’s not about wearing it on your sleeve. It’s about relating to people, and getting people to relate to you, without the subject matter being your sexual orientation or political position or ethnicity,” she says.

“I think music is such a wonderful thing for that, because so many people don’t realize how open they really are to do or think things that otherwise they would avoid if it were labeled.”

Indeed, perhaps a middle-aged, conservative man might really dig a k.d. lang song he hears on the radio. He’ll buy a couple of her albums, only to realize that she is a lesbian. In this scenario, he’s more likely to re-evaluate his beliefs than if lang hollered “Gay pride!” from the mountaintops and over the airwaves, in which case he would have just turned off the radio without giving it a second thought.

 

Maybe this is starting to sound like an elaborate apology by musicians for not taking a more active role in the advancement and well being of the community. That couldn’t be further from the truth.

For the most part, local musicians are aware of the power they hold to convey social ideas. A photograph, painting or novel can be incredibly moving, but the audience is often only able to know the person behind the piece indirectly. With live music performances, at least, the musician is the art made flesh. As artists, they walk, talk and feel. They are one of us.

“I remember one of my teachers in high school once told me that he cried more when he heard that John Lennon died than at his father’s funeral,” says former Charlottesville musician Ben Arthur, now living in New York. “The possibilities in music—particularly in popular song—for emotional communication are extraordinary and are why, I imagine, a lot of us get into this game.”

It certainly motivates Arthur, whose songs have a pointedly popular feel to them, and who connects with his listeners by means of a quirky, comedic and sometimes surreal take on the commonplace. In his album Gypsy Fingers, Arthur too places a special emphasis on personal tales in songs like “Sestina” or “This Hurts You (More Than it Hurts Me).”

Yet while their powers of influence are self-evident, do musicians have a responsibility to speak out? What about novelists, athletes or movie stars—anyone in the popular public sphere for that matter? Do they have a responsibility to their audiences?

“I feel that as a musician I have as much responsibility to be involved politically and socially in my community as any other person,” says Jessie Fiske of the Hackensaw Boys. “Musicians, however, are in a unique position to submit their ideas to the general public on a larger scale than the average individual.”

To an extent, Harris agrees. “I feel individually that I have a responsibility with my music, but I think it’s just an aspect of being a human and sharing the planet with other people that you have that responsibility, whether or not you play music,” he says. “I don’t know if you have any more responsibility as a musician, but it’s definitely a tool in some way to educate people or to get people excited about certain ideas.”

If our musicians feel no greater responsibility to act than should we, they at least understand their unique position of influence. As such, Harris, for one, today feels a growing sense of urgency in acknowledging and using that power.

“Artists should speak out on things they feel strongly about, because we can still exercise that right and it might not always be like that,” he says. “There is already a constriction of the First Amendment. It’s not as robust as it once was, and a lot of other basic freedoms are being questioned in the name of fighting terrorism.”

 

Thomas Jefferson once wrote of the American Revolution, “God forbid we should ever be 20 years without such a rebellion.” But in his hometown, revolution, even within the music community, seems a far-off prospect.

“The fact of the matter is that the state of the world has little bearing on the music scene in Charlottesville,” says Eli Simon, of Bottom of the Hudson. “And that’s not because we’re insulated by a thriving community of music supporters. There is no scene. There is no venue to support socially conscious music. There are no promoters to push that kind of music.”

The forum is important, too. “What the Charlottesville scene really needs is more and better venues that are friendly to local music,” says Porter. “I’ve been playing in this town now for 12 years, and my greatest frustration has been with the slow attrition of good places to play.” Porter is hardly the only musician to voice such a complaint. Beyond a scant handful of quality places to play, there is little aside from bar/restaurants offering crusty cover acts that pass for live entertainment.

Even those who remain optimistic see that much is lacking. “I think Charlottesville is a liberal, open-minded town, and fertile ground for the rock-and-roll revolution,” claims Ostinato drummer Matthew Clark, who plays in a number of Tokyo Rose-based side projects, most notably the openly political Frank Zapatistas. “We just need more local support, venues and motivation.”

For some though, fear is an issue. “I think the ‘Ville has an incredible music scene, but most people wouldn’t even know it was there. And some of the best artists and musicians I have met in this town remain underground because they are afraid,” says Harrison. “Face it. We are in a conservative place that is controlled by conservative government. If the true feelings of the people I know and hang out with were made known to the mass public, there would be straight pandemonium.”

And like Buttler says, Charlottesville is an easy place in which to forget your troubles, never mind those of others. Whether it is fear, a lack of motivation or something else entirely behind it, there’s no question that organization and activism are absent on even the most grassroots level. “You can usually gauge a scene by the amount of benefit shows that are coordinated,” Small Town Workers’ Mike Meadows says, pointing to Charlottesville’s relative paucity of such events.

Almost universally, those dissatisfied with the lack of social and political vitality in the Charlottesville music scene, or in the lack of a scene period, argue that the roots of malaise run deep. Music here is what it is because the City itself is a sleepy suburban dream.

“The name of the game here is survival, and if that means two cars, a Federal style house in Afton, horseback riding for little Suzie and hockey downtown for Billy, so be it,” says Simon. “What are we worried about? Not a lot, and that seems to be what we’re singing about.”

Harris thinks the problem is even more deeply entrenched.

“I don’t really think that Charlottesville, bottom line, is a very socially conscious place. It has affluence, and people have leisure time and there are some liberal-like attitudes, but this was a plantation town for a long time, the same town where Thomas Jefferson owned slaves and said we were animals,” he says. “So, I don’t think this is really the place to look for social consciousness. That isn’t to say that there aren’t people who are conscious, but I don’t think there is a tradition of that, and likewise I don’t think too much of the music is socially conscious.”

Harris adds, “There are still such huge inequalities in this town and the greater community, economically as well as racially, that there is a lot yet to be done.”

If there is one constant in life though, it is change. As Charlottesville wrestles with the pains of a rapidly expanding and diversifying community, so too will its community of musicians grapple with the new and unfamiliar.

“The political and social issues of our time will always be addressed as long as there are creative minds making music, and music will continue to evolve with society and culture,” says Darrell Muller of Old School Freight Train. “Music will always reflect what is going on in the society it comes from as well as the world that encapsulates that society.”

Categories
Uncategorized

What they don’t tell us

One of the most striking aspects of life in Third World countries is information starvation. Because they’ve learned not to trust their state-controlled media, people in authoritarian backwaters carefully debrief newcomers. What’s going on abroad? What’s going on here? Did you get any foreign newspapers or magazines through customs?

News is a component of infrastructure every bit as important as roads and telephones. Businesspeople need to know if a border with a neighboring country is open so they can decide whether or not to send out a truck. Citizens need to know their government’s international standing—are those falling bombs their leader’s fault? Hunger for news hurts a country almost as much as hunger for food.

The First Amendment enshrines freedom of the press in the U.S. Constitution, but a variety of forces conspire to prevent totally free access to information. Residents of most cities rely on one large daily newspaper, usually part of a media conglomerate that itself owns the biggest local radio and television stations. Directors of that corporation and the editors who work for them are frequently loathe to offend influential government officials and business tycoons, for if they get cut off—excluded from access to press releases, interviews, leaks, etc.—their ability to collect news is impeded. One might argue that such “news” is little more than worthless propaganda, but fear of causing offense often inhibits the media’s natural role as a watchdog of democracy.

Our government very rarely censors the media. It doesn’t have to.

A new, subtle form of self-censorship has recently become commonplace. A news story is covered in full, minus a crucial fact that changes the entire tenor of the piece. That missing bit of information is invariably something that would make someone important look bad.

 

The American media has, for example, devoted extensive coverage to political unrest in Venezuela, where mobs loyal to President Hugo Chávez have clashed with striking employees of the state oil company. The crisis sparked an attempted coup d’état in April 2002. To busy Americans, this looks like a simple story of a right-wing Latin American dictator crushing poor workers. That’s because three key facts are regularly omitted from the story. First, the oil company strike was called by its wealthy managers, not its workers. Second, Chávez was democratically elected. Third, the coup plotters were backed by the Bush administration. “We were sending informal, subtle signals that we don’t like this guy,” said a U.S. Defense Department official quoted in The Guardian, an English paper that has become an important post-September 11 resource for Americans in search of objective reporting. The bully, it turns out, is us—not Chávez, who is standing up for his nation’s poor.

Similarly, the North Korean crisis looks like a simple case of crafty Commies welching on their agreement not to develop nukes in exchange for economic aid. Repeatedly left out of the thousands of words spilled daily on this topic are the contents of the 1994 North Korea-U.S. Agreed Framework, in which President Clinton promised to develop full diplomatic relations with Kim Jung Il’s regime, and North Korean warnings dating to 1999 that they would resume nuclear research unless the United States kept up its end of the bargain.

North Korea is violating the agreement. But the United States broke it years earlier.

The closest thing to a “smoking gun” found by U.N. arms inspectors in Iraq is 12 warheads found at an ammo dump south of Baghdad. Americans know that the White House considers this discovery a “material breach” that justifies war. Few are aware that, as reported January 17 in the U.K. Telegraph, the canisters were empty, and are probably American-made shells sold to Iraq by the Reagan administration. Not much of a “smoking gun.”

Scratch the surface and you find this sort of thing all over the “news.” Democratic complaints that the Bush tax cuts only benefit the “richest 1 percent” of Americans are duly reported, but leave out a definition of the term. Did you know that you have to earn more than $330,000 a year to be in the top 1 percent? Nineteen percent of Americans don’t. They told Time that they think they’re in that top 1 percent.

Perhaps you’ve read that American soldiers are fighting off guerrillas loyal to warlord Gulbuddin Hekmatyar in eastern Afghanistan. Hekmatyar, the Associated Press says, is “believed by Afghan and U.S. authorities to be allied with Taliban and Al Qaeda remnants.” That may be true. But Hekmatyar was always a sworn enemy of the Taliban—until the CIA tried to kill him last May, with a Hellfire missile fired by a Predator drone plane.

One missing detail. Changes the story a little, doesn’t it?

Categories
Uncategorized

For the record

The first sign of change at Spencer’s 206 is the pert display of DVDs at the register. They’re the right kind of DVDs, of course—Dylan’s Don’t Look Back, the Heads’ Stop Making Sense—but they signal the sort of infusion of new merchandise that says “reinvestment.” Then there’s the tidier aspect of the Water Street shop—actual sweeping seems to have occurred in recent days. Yes, local musician and longtime record-seller Spencer Lathrop is still sitting at the counter, but his shop, Spencer’s 206, has changed hands.

Lathrop sold the CD store on January 23 to Vickie and Cal Glattfelder. Cal’s neat haircut and well-pressed aspect make him the B-side to Lathrop’s sheepdog appearance. But like two sides of a 45 single, Glattfelder and Lathrop are clearly related—in their passion for music and their interest in making a go at small-time retail. The difference is that after 10 years, Lathrop is getting out of Charlottesville’s small-business market and Glattfelder is just getting started.

Lathrop opened his shop late in 1992 at 206 E. Market St. He had returned to Charlottesville, where he had been a student of Russian at UVA, after his teaching gig in San Francisco dried up. His plan for survival was minimal, but his intentions were straightforward: “I was really tired of asking people for a job,” he says, “so I decided to ask people for money, instead.”

Capitalizing on undergraduate years spent earning a living at a Barracks Road CD store, Lathrop stocked a small number of CDs in the tiny triangular space at the back of the Market Street building. In the early days, he rounded out his offerings with espresso and a performance space that got frequent use from bands and poets.

Between 1992 and 1999 when he relocated the store to its present location at 218 Water St., Lathrop scraped by. But if the dough was skimpy, the other rewards of owning the business that first introduced “listen before you buy” to local CD-shoppers were great. “Early on, somebody came in and said, ‘Oh, Lucinda Williams. I’m so glad you have that. I can’t find it anywhere,’” he recalled recently as he nursed a blizzard-related sprained knee and ankle. “It’s affirming when you share musical loves with people.”

Indeed, the legions of Spencer’s faithful who have relied on Lathrop and some of his star personnel (such as legendary local DJ Patrick Reed) to keep them stocked with hard-to-find or offbeat music can attest to the joy of obsessively debating the merits of The Strokes versus the White Stripes or praising the arched harmonies of Tanya Donelly and Kristin Hersch. For a decade, Lathrop has been the local equivalent of Rob Fleming and his shop has been our Championship Vinyl, the idiosyncratic proprietor and record store of Nick Hornby’s classic pop novel High Fidelity. On a recent afternoon, 10-year customer Frank McCue neatly summed up his relationship with Spencer’s while fingering his latest purchase, Du jazz dans le ravin by French composer Serge Gainsbourg. “Music is an addiction,” McCue said, “and they’ve been dealing to me for years.”

However enriched he might have been through the years by his rapport with his clientele, Lathrop never really got a secure financial foothold, he says, and about four years ago he started to consider selling the place. His ambition grew more intense, he says, in the past year as his third child was coming due. Besides that, it just started to feel to him that time was up. “Doing retail is not what I want to end up doing when I’m 45,” says 43-year-old Lathrop.

Enter Cal Glattfelder, a contract airplane pilot and self-described audiophile who says he’s always wanted to be in business for himself. Wisely, he’s arranged for Lathrop to stay on as an employee for the next year while he learns the names and tastes of the Spencer’s acolytes, a duty he concedes is “a little intimidating.” Sure, it’s good to be addressed personally when you walk through the door, but what about the music? Well, if it’s any indication, recently Glattfelder had Ry Cooder’s Mambo Sinuendo playing in the store. And on his system at home, he claimed, were discs by Robert Johnson, Southern Culture on the Skids and Dan Hicks & the Hot Licks. Not a note of Avril Lavigne to be heard.

Lathrop, who has not yet made plans for life after Spencer’s, gives the Glattfelders a ringing endorsement. “The beauty of me going into the business was that I was naïve enough to do it,” Lathrop says. “Shoot, if I can do it for 10 years, Cal can do it as long as he wants to.”

Cathryn Harding

Front-seat drivers

VDOT cedes control of Meadowcreek Parkway  

A few years ago, any local conversation about the Meadowcreek Parkway included plenty of invective against the Virginia Department of Transportation. For years, City and County officials saw the State road builders as a bully that pushed its outdated, one-size-fits-all highway designs past any local opposition. VDOT has eaten its humble pie, however—and it tastes like financial ruin.

In 2002 Governor Warner appointed Philip Shucet to head the bankrupt agency; among his budget-trimming measures, Shucet will allow more local control of road projects.

“The current tenor of VDOT is dramatically different. They are accommodating us,” said City Public Works Director Judith Mueller, during her report to City Council last week on the Parkway project. “VDOT is saying that it’s our road, and they’re working with us. We all know that wasn’t the case three or four years ago.”

The Parkway––planned to link Rio Road with McIntire Road––has been mired in controversy and politics throughout its 30-year gestation. Conceived in the 1970s as a way to directly connect Downtown with County subdivisions in the north, the Parkway has long been a target of alternative-transportation activists who object to the destruction of parkland and say the road will promote urban sprawl.

In the 2000 election, current Councilors Kevin Lynch, Meredith Richards and Mayor Maurice Cox courted the anti-road vote by voicing their opposition to the Meadowcreek Parkway. But their stance was arguably all politics, since both VDOT and Albemarle were already committed to building the road.

Council’s real battle concerned the Parkway’s design. VDOT envisioned four lanes of fast-moving traffic and interstate-style interchanges. Charlottesville wanted a slower, more aesthetically pleasing two-lane road. Council wanted a true parkway, it said, not merely a road through a park. Albemarle simply wanted a finished road, period. Since the road would wind through the City and County, everyone had to agree.

The parkway design favored by Charlottesville was created in the late ’90s by the local design firm Rieley & Associates. Last week Albemarle’s chief engineer Jack Kelsey said the County’s portion of the road would match Rieley’s design.

During its regular meeting on Tuesday, February 18, Council approved a new study of interchange alternatives based on Rieley’s work––in typical City fashion, leaders endorsed a study to complement a study. The fact that the City and County are designing the Parkway and will instruct VDOT on how to build it marks a drastic change from the days when the massive agency built whatever and whenever it wanted.

Mueller predicts construction could begin on the Parkway by 2005. Given that the road’s planning phase is already three decades old, perhaps some skepticism is in order. Partly because the road is so long in coming, Cox says Council should proceed with caution. He called for the creation of a steering committee to oversee the Parkway design and construction, but other Councilors said this would mean more delay (not to mention more committees to oversee plans to make plans, etc.). While it seems inevitable the Meadowcreek Parkway will be built, anti-road activists can maybe take solace in the fact that we all might be driving hydrogen-powered cars by the time the concrete starts pouring.

––John Borgmeyer

 

 

Where’s the do re mi for ABCs?

Special ed and teachers’ pay fuel fat funding request

When asking for money, one should always aim high. Or so voted the Albemarle County School Board on February 13. With the State’s purse strings in such a knotted mess though, the School Board is certain that Superintendent Kevin Castner’s 2003-2004 funding request for $105,322,108 will be returned to them by the Board of County Supervisors for revision. That’s $1,927,551 more funding than is currently projected, by the way.

But a School Board can dream, can’t it?

“Our charge by the State code is to represent the needs of the school system,” says School Board Chair Diantha McKeel. “We intend to do that.”

After an hour of debate during the joint meeting of the School Board and Supes just the day before, it was obvious that not everyone would be budgeting the three Rs at the same level. Indeed, on February 13, two School Board members cast dissenting votes.

“The two members who didn’t approve the vote to send the funding request in as is,” says McKeel, “thought we should make cuts prior to sending it, before [the Supervisors] do it.” But in the end, Pamela Moynihan and Kenneth Boyd were overturned by a 5-2 vote. More likely a case of frustration than wishful thinking, approving board members chose to offer an effortless “aye” in place of shredding the current proposal in the weed-whacker.

For the current fiscal year, school funding has been reduced by just more than $900,000 from its original budget of $99,589,820, a problem that would have been exacerbated had the School Board not had $1.9 million tucked away under its mattress. Projected enrollment growth of 134 students for 2003-2004 should take care of those extra funds, however. Besides growth-related needs like gifted programs ($18,862), textbooks ($270,733), replacement busses ($255,000), upgrades in technology ($209,609), education of the homeless and (who can forget about) water, the fattest operational cost for 2003-2004 is special education. To meet legal mandates, an additional $204,234 is required as it stands now. With more student growth, that figure could sharply rise. And we didn’t even get to the question of teachers’ compensation and benefits.

The increased cost of health and dental insurance is projected by Castner as $1.24 million, about one-third of the $3.67 million requested for salary and wage increases for teachers and “classified” school employees such as bus drivers and cooks. During the joint meeting, not all County Supervisors were convinced that the lion’s share of greater County funding should go straight to teacher pockets. While School Board member Stephen Koleszar described County teachers as doing “a wonderful job,” citing details like “every home in the County is getting a report card,” Supervisor Sally Thomas, for one, did not see teachers’ efforts as exceptional among County employees.

“We require our County staff to be an urban government for a rural area,” she said. “They’re working extremely hard, too.”

The hierarchy of under-appreciation may remain in question, but the Supes and School boards can agree on one thing—no one wants to raise taxes in order to meet market salaries.

“These salary increase studies were done with the caveat that there’d be enough money to fund the increases,” said Supervisor Walter Perkins. “Now, where‘s the money going to come from?”

—Kathryn E. Goodson

Categories
News

Making Book

Books and writers certainly get their due starting at about this time of the year as the Virginia Festival of the Book ramps up. Local authors who have been holed away surface to share their year’s work in one way or another, shedding temporary (and sometimes unwanted) light on a solitary process. But there is one aspect of the writing life that gets even less notice.

“I am reminded just how invisible we local publishers are each time a new acquaintance asks, upon hearing I work at the University Press, ‘Oh, you mean where they make copies?’” says Trish Phipps, the publicist for UVA publishing operation.

Publishers might be invisible to the average Joe, but, by contrast, the publishers openly appreciate the City’s contradictory charms. The cost of printing books is comparable across the country, but the cost of living is not. At the very least, publishers that work on a shoestring budget (or stay on one even as their business grows), like the lower average salaries here and the fact that they can select from a well-educated applicant pool. The area’s location provides benefits, too, being close enough to metro areas to feel civilized but small enough to feel cozy. Whatever else you can say about Charlottesville, it’s not Northern Virginia…yet.

The publishing companies that have moved or grown here put out everything from highly specialized financial and investment newsletters to French literature and, of course, this place being where it is, all things Jefferson, Madison, Lewis, Clark and Civil War.

 

Established in 1989, Hampton Roads Publishers publishes fiction and non-fiction on topics like health, spirituality and metaphysical philosophy. Employing some 25 people, Hampton Roads publishes 30 books per year, on average.

Hampton Road’s Grace Pedalino says there’s a trade-off for the lower salary level in Charlottesville: “Publicity is harder.”

But Hampton Roads doesn’t make New York Times bestsellers. Its most popular book, selling 2.5 million copies so far, is Conversations With God: An Uncommon Dialogue ; Hampton Roads also published its two follow-ups, which combined have sold an additional 2.5 million copies.

A relative giant in these parts, the newly re-named University of Virginia Press (formerly University Press of Virginia) publishes 50 to 60 titles annually, mostly in the humanities and social sciences. Special focus is on American history (especially Civil War history), African-American studies, Southern studies, regional titles and something called eco-criticism.

Forty years old, the press gets support from UVA in the form of a site and financial backing. But that’s not all. The University has a pretty strong hand in the press’ overall governance: President John Casteen appoints directors to a three-year term on the board that selects titles for publication. Most are UVA faculty, giving them a tighter lock on the “publish or perish” dilemma than many of their peers.

Currently the press has 1,200 general interest and academic books in print. That’s not even counting the series that the UVA press puts out, such as the papers of George Washington and James Madison as well as the Carter G. Woodson Institute Series in Black Studies. Upcoming titles include The Selected Letters of Dolley Payne Madison and the paperback edition of Saving Monticello: The Levy Family’s Epic Quest to Rescue the House that Jefferson Built .

A graduate of the UVA English department, Ross Howell ventured out on his own to start Howell Press in 1985. These days he has five full-time employees. The company publishes between eight and 10 books per year, with specialties in regional titles, gourmet food, quilts, aviation, history and transportation. Among Howell’s most popular regional titles are Charlottesville Portrait by renowned photographer Mary Motley Kalergis and Charlottesville Collection , a cookbook by June Oakley. In conjunction with the UVA Library, Howell also recently published Lewis and Clark: Maps of Exploration, 1507-1814 .

He too likes the lower overhead, adding that the “quality of editorial and graphic design people for a town of this size is remarkable.” His clients extend from Washington, D.C. and Richmond to Virginia Beach.

Established in 1992, Rookwood Press specializes in French literature from the 16th, 17th and 18th centuries and publishes three to five books per year.

Founder David Rubin formerly edited Continuum, a journal on French studies, for AMS Press in New York City. When his five-year contract with the publishing house expired, Rubin took Continuum with him. He publishes the since-renamed journal (now it’s EMF: Studies in Early Modern France) through Rookwood.

Rubin is his only employee, but he’s not in it entirely alone. Howell Press warehouses and ships all of Rookwood Press’ books.

Bill Carden began The Charlottesville Guide while a student at UVA in hopes of earning extra spending money. A newcomer and tourist’s handbook for area attractions, The Charlottesville Guide was a successful production for Carden, who soon got help on it from another UVA student, Joe Jennings. In time, they launched Carden Jennings Publishing following Jennings’ graduation.

That was 17 years ago. Now Carden Jennings employs 25 people to publish everything from medical journals and books to CD-ROMs and Internet publications. Its most recognizable title, however, is something a tad more directed toward the general public, if they happen to be generally horsy, wealthy and snooty: Albemarle Magazine. With all these riches to boast of, Jennings credits his success in part to the “large pool of talented publishing professionals” here and the cheaper salaries they’re willing to accept compared to metropolitan markets.

A relative newcomer, ExploreLearning was founded by Dave Shuster in 1999. The company of 13 full-time staff specializes in online educational publishing, specifically interactive simulations like the popular “Gizmos,” which includes programs in math, science and language arts.

With a background in journalism, Thane Kerner began his career working with Carden Jennings Publishing where he launched the scientific publishing division. In 1993, Kerner began his own publishing company, Silverchair Science & Communications, with Elizabeth Willingham. The company today has 44 employees—33 in Charlottesville and 11 in Philadelphia.

Specializing in medical information, Silverchair publishes between 40 and 60 books per year. Silverchair also publishes Web portals and 20 to 25 personal digital assistant applications per year in the rapidly growing field of medical reference. Having access to medical reference material on a PDA can make all the difference for a physician working in an emergency or ambulance situation, and the demand is expected to grow.

The company added its Philadelphia office about 18 months ago with the acquisition of Corporate Technology Ventures. It was a crucial development, Kerner says, because Philadelphia is “the center of the medical world.” However, Charlottesville provides a “much more business-friendly” environment, says Kerner, a one-time Republican candidate for City Council, with lower taxes and fewer regulations than Pennsylvania.

If you are holding this paper right now, you are familiar with Portico Publications . In 1989 Bill Chapman and Hawes Spencer launched Portico, parent to C-VILLE Weekly. In 1995, Portico added Blue Ridge Outdoors, a monthly outdoors sports and recreation magazine that nowadays publishes a second edition in North Carolina. Rob Jiranek came on board as a partner in 1995 and serves as publisher of BRO; Spencer left the company last year. Portico currently employees 25 people full time.

C-VILLE comes out at least 52 times per year, depending on the calendar. It also makes the semi-annual dining and restaurant guide, Bites. We don’t reckon we have to explain C-VILLE’s content to you, but the business rationale for locating in Charlottesville goes something like this, according to Jiranek: It’s a “promising college town that needed a smart, alternative voice” and it has a “large enough population, a large enough retail base and limited media competition.”

As for Blue Ridge Outdoors, where else would you situate it if not in the foothills of the Blue Ridge—Reston?

Controversial UVA Professor of Education and Humanities E.D. Hirsch, Jr. began the Core Knowledge Foundation in 1986, drawn into publishing by “a desire to produce classroom materials that are solid, sequenced, specific and shared,” according to company press materials. The company publishes two or three new titles a year and specializes in producing materials for teachers and students that aim to improve “cultural literacy.” (Quick! Who was Shakespeare’s literary rival?)

The Foundation has produced the Core Knowledge Sequence, an outline of grade-by-grade content for kindergarteners through fifth graders that utilizes a “building-block model,” which supposedly lets students build on their knowledge of previous years and ensures a steady market for Core Knowledge materials.

Core Knowledge’s Chip Shields says the area is attractive to the Foundation because “Charlottesville is a vibrant community of writers, educators, artists and activists.”

Originating in New York City in 1970, Money Market Directories, Inc. relocated to Charlottesville in 1978. In 1986, the company was sold to Standard & Poor’s , making it Standard & Poor’s Money Market Directories. The company staff rises to as many as 70 employees at various points in the year.

Highly specialized, Standard & Poor’s makes products that serve as resource tools for the pension fund and financial services industry; there are seven titles in various media available at present. Example: directories of pension fund and investment managers, tax-exempt organizations, North American securities dealers and a register of corporations, directors and executives.

The largest publishing company in our survey, LexisNexis has more than 500 employees in Charlottesville, even after sharp staffing cuts a couple of years ago. Worldwide, it has 25,000 staffers. In 1994 Reed Elsevier Inc. bought the business, which was founded as the Michie Company in 1899.

Many people here know LexisNexis for its squat brick building anchoring the east end of the Downtown Mall behind the Amphitheater. What’s perhaps less well known is that the Charlottesville branch of LexisNexis is one of the company’s two major manufacturing locations and its center for primary law products, meaning statutory codes, the controlling laws of all 50 states and similarly necessary materials for attorneys. For LexisNexis, which publishes more statutory code products than any other U.S. publisher, the presence of the UVA Law School makes Charlottesville an especially attractive place to set up shop. The Charlottesville manufacturing facility of LexisNexis prints books in multiple formats, and publishes approximately 6 million books a year.

SNL Financial was started in 1987 by former banking executive Reid Nagle in Hoboken, New Jersey. Nagle moved the financial data publishing company to Charlottesville two years later, drawn in part by the relatively cheaper cost of well-educated employees here. Covering in its databases and online news products five basic financial industries—banking, specialized financial services, insurance, real estate and energy—SNL serves mostly institutional investors and executives in its target industries.

Now employing some 240 people, SNL has outgrown its second home, the five-storey Mall building at the corner of Fourth Street, and is preparing to relocate to the former National Ground Intelligence Center building four blocks northeast. The deal was brokered with some sweet assistance from the City, demonstrating how important the publishing industry is to Charlottesville.

Categories
Uncategorized

Lab Rat

I am an open-minded fellow. But when I heard I was going to be interviewing an 18-year-old high school student who had organized poetry readings at Mudhouse and was now hosting events at Live Arts, certain unpleasant associations crowded my head, despite my best efforts to banish them. I knew poets in high school—they wore berets, dressed in black and smoked cloves. One did not want to interview them, however enterprising they were.

I was way off base. Tucker Duncan is a bit scruffy, but that’s where the resemblance to the poet of my nightmares leaves off. He’s enthusiastic about his very interesting projects, but he manages to be so without wearing the scarf of sincerity too tightly around his neck. He’s a poet, and surprisingly, kind of cool.

The poetry readings Duncan spent much of last year hosting weekly at Mudhouse were not the poetry readings of my experience, either. They were “poetry slams,” a kind of competitive, performance poetry Duncan describes as “the sport of the spoken word.” Rules are simple: The work must be original. The reading must be completed in three minutes or less. And there are no props. “It’s just you and the microphone,” he says. The influence of and connections to hip-hop are obvious—Duncan, for instance, refers to the rapper Nasir Smith as one of his favorite poets.

Duncan, however, was not content to poetry slam forever. Recently, he and Live Arts regular Todd Ristau have begun to hold “poetry lounges” in the Live Arts LAB space. It is open mic with a live jazz band, which poets may use as accompaniment if they wish. Naturally for a poet still too young to drink alcohol and barely old enough to vote, Duncan’s view of his art is evolving.

“I’d just gotten to this point in my life where I realized that there is so much more to poetry than being judged,” he says. At the poetry lounge, he says, the goal is not winning, but something more fundamental and inclusive: “We want to create a home for poets.”

Duncan’s interest in poetry dates back to one moment that should inspire pride in the hearts of high school English teachers everywhere. He was in ninth grade when a teacher played a recording of Saul Williams, the “spoken-word artist” featured in the 1998 film SLAM. “He just spit out this poem and it just blew me away,” Duncan says.

While his interest in poetry was henceforth a constant, much else in his life was variable after that. Duncan, for reasons he says had something to do with disciplinary issues and something to do with the curriculum, spent the next four years in boarding schools from Utah and Idaho to North Carolina. He would get back from one, he says, “and it just seemed like the right thing to do to try another one.”

Nowadays, still a couple credits shy of graduation, Duncan is finishing up high school from the online Keystone National High School, which gives him the flexibility to get through high school while devoting himself to poetry.

And he’s been more than a little successful on the latter front. He’s been published in two anthologies, and, with typical entrepreneurial drive, has self-published two other books. Another collection of his poetry, When I was a Shorty, is due to be published by Ristau, in connection with Mary Baldwin College.

The big question is whether this restless youth will make Charlottesville his stomping grounds forever. Change is coming, he says, but he’s not sure what it will be. College is definitely not a given, he says.

“If I go, it will be to learn,” he says.

Whatever he chooses, it’s liable to be an interesting path. He is not content just to let things happen to him. Minutes after he concluded our interview, for instance, Duncan called me to make sure I understood the main point about his poetry lounges.

“It’s about giving poetry back to the people,” he says.

Categories
Uncategorized

Keeping race on track

Cindy Stratton grew up more than 30 years ago in Westhaven, the City housing project located in the 10th and Page neighborhood. Raised in a poor and racially segregated environment, Stratton says that, nevertheless, she “had no problem with white children.” But Stratton can’t advance that claim for the black kids growing up in Charlottesville nowadays. Nor would she presume inter-racial comfort for the current generation of white children here, either.

Motivated by the prevalence of segregation and weary of unfulfilled good intentions to fix Charlottesville’s race issue, Stratton is one in a small group of locals organizing an April forum to talk about the City’s racial and ethnic divisions. But Stratton wants more than just talk to come out of “Many Races—One Community,” the half-day program slated for April 12 at Buford Middle School.

“We’re saying there have to be small groups to talk about what people see as the issues that prevent us from being one community,” says Stratton, who is an administrative secretary with the Commission on Children and Families and formerly directed Barrett Day Care Center for 12 years. “What is the ideal community and how do you make that happen?

“Beyond that we need a mechanism to put those ideas in place. We need to make sure we continue this dialogue and things are dealt with—and not 20 years later.”

Citizens for a United Community, as the sponsoring group calls itself, grew out of the series of black-on-white assaults by a group of 10 Charlottesville High School students on UVA students in 2001 and 2002. When the racial nature of the attacks became widely known last year, a support group for the attackers and their victims emerged at Mt. Zion Baptist Church. After the controversy subsided and the perpetrators had their day in court, three spin-off support groups surfaced. One of them is Citizens for a United Community. Other members of the ad hoc group include local activists like Ida Lee Wooten, Nancy O’Brien, John McCutcheon, Mt. Zion’s Rev. Alvin Edwards and Mayor Maurice Cox.

But even with this relatively star-studded line-up and co-sponsorship from the NAACP and the Martin Luther King Community Celebration Committee, which for 19 years has hosted an inter-racial community Mass in Charlottesville, Stratton has good reason to be concerned that all the talk on April 12 will amount to…well, talk. The three-hour forum, she says, will be “the ‘hello’ part of the conversation.”

The way Stratton sees it, Charlottesville has a poor track record when it comes to implementing past suggestions from similar-minded citizen’s groups. “There have been five reports on race in 25 years,” she says, “and they’ve just been shelved. Not many recommendations have come to fruition.”

The range of issues that Citizens for a United Community has identified amount to a daunting task list for any city to tackle: neighborhood segregation, economic disparity, racial and economic achievement gaps in the public schools, and general cultural ignorance. Pointing to the problems has always been the easy part, of course. But even Stratton’s group has not, as of yet, defined the actions that should follow. Were April’s community conversation to beat the odds and bear some real fruit, what would Charlottesville look like in 25 years, Stratton was asked.

“For me, it would be a community that cares about its children and places a high value on them and shows it,” she says. “A place that is nurturing and supportive for all children. A place where there aren’t segregated lunchrooms and segregated neighborhoods. Where you couldn’t tell what was a public housing site from what wasn’t.”

Charlottesville would become, Stratton says, “a place where my children would want to come back and raise their kids.”

Cathryn Harding

 

Battle cries

Poets weigh in against war

Untangle this,” went the accusatory refrain laced through Jett McAlister’s poem. “This” was the mixture of grief and skepticism toward government many people have felt since September 11. By participating in a February 12 poetry forum, McAlister aimed his words specifically at the current debate over war in Iraq. The creative writing student was in line with the evening’s prevailing sentiment: Invited to read poems on any side of the discussion, Charlottesville bards overwhelmingly came out for peace.

An audience of about 60 showed up for the forum in UVA’s Minor Hall, organized by Jim Cocola, a Ph.D. candidate in English. Titled “American Voices, or, The War,” the forum was the local installment of a national event. After Laura Bush cancelled a poetry symposium at the White House out of fear that it would become a political platform, poet Sam Hamill (who’d caused the First Lady’s jitters by refusing her invitation) declared February 12 a national day of anti-war poetry.

Cocola found that reaction intriguing, but somewhat reductive. “Just as Mrs. Bush was trying to avoid conflict in her reading by having a single program for it, Sam Hamill too seemed to be advancing a single program that wouldn’t provide for a full range of voices,” he says.

Hoping to widen the debate and avoid, as he put it, “exclusive monologues,” Cocola invited readers to present poems for, against, or just about the coming war. A dozen people, mostly UVA faculty and students, answered the call and approached the lectern—some clutching their own lines, others verses by Whitman, Ginsberg and Yeats.

Either poets are all a peace-loving bunch, or Charlottesville’s pro-war poets congregated elsewhere. One undergraduate addressed her poem to a “blue-eyed girl,” an Iraqi counterpart whom the speaker wished could experience American peacetime. The poem turned on descriptions of daily life, grocery shopping and sled riding—“this, my anti-war.” Elegiac tones pervaded many selections, including Walt Whitman’s “When Lilacs Last in the Dooryard Bloom’d” (written after Abraham Lincoln’s death), in which the speaker realizes the war’s dead no longer felt pain, but “the living remain’d and suffer’d.”

The event also raised questions regarding the role of poetry in politics, and vice-versa. Both Cocola and his co-organizer Bryan Maxwell made brief speeches rejecting the notion that art and politics are best kept segregated. Creative writing professor Gregory Orr introduced his poem, a short piece directly addressing the White House poetry snafu, by saying that poetry positions intimacy against “worship of human power and military all.” Judging by the heads nodding in agreement throughout the room, the readers seemed mostly to be preaching to the converted—and to be falling in line with Sam Hamill’s original plan.

Still, an anti-war stance can be more complex than sloganeering would suggest, and the evening’s 12 poems were hardly clones of each other. One selection offered hope, hinting that human creativity—including poetry—is an inevitable force even in the face of destruction. In William Butler Yeats’ “Lapis Lazuli,” even though “if nothing drastic is done/Aeroplane and Zeppelin will come out,” in the end there is always “gaiety transfiguring all that dread.”

Erika Howsare

 

Welcome to ’Hoo-ville

City banks on higher enrollments 

By order of the Board of Visitors, UVA’s enrollment is projected to swell over the next several years. While this means more traffic in City neighborhoods, more barf in the alleys and louder “not gay!” chants during home football games, City Hall appears to consider UVA’s growth a tax bonanza.

City planners say they expect UVA to grow by between 3,000 and 6,000 students over the next seven to 10 years. That’s a dramatic increase––from 1989 to 1998, the school’s enrollment only increased by 553 students to 18,463. As part of his plan to stimulate the State economy, Democratic Governor Mark Warner is asking all Virginia’s public colleges to enroll more students.

One of the City’s beefs with UVA is that the school only builds enough on-Grounds housing for about 35 percent of its students. City officials say they expect that ratio to hold even as enrollment expands. The other two-thirds of the students rent rooms in the surrounding Jefferson Park Avenue and Venable neighborhoods, prompting a litany of oft-heard complaints from residents: The students take up all the parking spaces, trash the houses, drive up the rents and so on.

Naturally, many homeowners in JPA and Venable were dismayed to learn of the City’s plans to triple the legal density in some parts of those neighborhoods. So-called University Precincts will permit buildings as tall as seven stories with up to 64 units and 150 bedrooms per acre. Developers will not, however, be required to provide on-site parking for each rental unit.

City planners say higher density will actually relieve traffic congestion, because students living close to Grounds will not want to keep cars at their apartments. Yeah, right, say residents. They’ll just ride to class on their flying pigs.

In some states, cities can approve or deny university construction projects, and local governments can—and do—use that authority to force schools to build more housing. In Virginia, however, cities and counties have little say over State schools.

Yet even as the age-old complaints about student rentals pile up, City Hall is not terribly agitated about UVA pumping millions of dollars into a basketball arena and parking garage instead of student housing.

A majority of the new University Precinct housing units will be built and maintained by professional property managers, says Wade Tremblay, general manager of Wade Apartments, which owns existing properties around Grounds.

“When student housing is privately held, it’s a win for the City because the owners are paying property taxes,” says Tremblay. An added bonus, he says, is that students don’t cost the City money because they typically don’t use social services or send kids to local schools.

The more pressing question, however, is how thousands of new ’Hoos wielding Daddy’s Discover card will impact already skyrocketing rents. City planners say the University Precincts will contain students and prevent them from spreading out into other City neighborhoods.

Tremblay, whose 300 apartment units are mostly situated near the University, says the new University Precinct apartments will satisfy students’ taste for fine living.

“The students have grown up in nice homes, and the general trend is that they want nicer housing, more features, high-speed Internet connections,” he says. “And they’re willing to pay for it.

“We know we can get $2,000 for a nice four-bedroom apartment. This is the first year we’ve reached that $500 per bedroom threshold,” he says.

With local landlords expected to rake in at least $75,000 per acre in the University Precincts every month, City leaders are evidently quite happy to pick up UVA’s housing slack. –John Borgmeyer

Categories
Uncategorized

Artistic Choices

Budding art historian Aviva Dove-Viebahn is articulate, attractive, friendly and self-assured. She smiles readily. She makes a good first impression. None of that, of course, is very extraordinary. Unfairly or not, one expects a certain polish from the daughter of Rita Dove, a former United States poet laureate under Bill Clinton, and Fred Viebahn, an accomplished novelist.

And why shouldn’t the 20-year-old Dove-Viebahn feel confident? She is in the midst of a remarkable academic career, a career that stands squarely on its own, a career that is extraordinary—though she doesn’t think so.

“I just don’t think of it as that big of a deal,” she says over coffee at the Mudhouse. “I don’t think of it at all, really.”

Perhaps to her it’s no big deal that she began college at 14 years old, graduated at 18 and took the comprehensive finals for her master’s degree in art history the same week she turned 20 (“A nice birthday present,” she says wryly). Perhaps it’s not worth noting that she was recently awarded the first student fellowship endowment, named the Dennis M. Luzak Fellowship fund, ever offered to the UVA Art Museum.

But perhaps it is.

It wasn’t as if Dove-Viebahn was itching to embark on her prodigal journey. She enjoyed middle school, and was looking forward to attending Albemarle High. But during a summer program at Johns Hopkins University, Dove-Veibahn was told about Mary Baldwin College’s PEG, or program for the exceptionally gifted, in which children her age could begin their college career surrounded by others of advanced abilities.

The chance to participate in the program seemed like an incredible opportunity, one Dove-Viebahn—not her parents—decided she couldn’t pass up.

“My parents were really great about the whole thing, because they didn’t pressure me either way,” she says. “I think they felt it was my decision.”

Dove-Viebahn, whose grandfather, Ray Dove, was a noted chemist, double-majored in biochemistry and theater (while at Mary Baldwin she directed the play Five Women Wearing the Same Dress, written by Alan Ball of American Beauty fame). However, it was in an art history class her junior year taught by Marlena Hobson, a class she “absolutely adored,” that Dove-Viebahn realized her calling.

UVA had a good program, and the school’s proximity to home made it the perfect—in fact, the only—choice for the art historian. Now, with her master’s most likely under her belt by the time this article goes to press, Dove-Viebahn plans to work toward a Ph.D. in the field.

To the reader, it seems like a spectacular resume. But one can’t help but wonder if there hasn’t been something lost amidst all the schooling. Dove-Viebahn maintains, however, that she hasn’t had to make undue sacrifices related to her social life.

“If you’re not going to enjoy life when you’re in school, then you’re just going to be miserable,” she says, adding that she goes out fairly frequently, and throws parties with her friends. Her age doesn’t often come up. “It just doesn’t become an issue, until I can’t get into a bar or something like that,” she laughs.

Asked if she’s ever considered taking some time off to do the things often associated with young adulthood—travel, party, indulge hobbies (Dove-Viebhan says she’s always liked photography, but has no idea how to develop film)—she says she’s thought about it, but has decided to remain committed to her academic goals. It’s a game plan her parents agree with.

“Every time I’ve talked to my parents about taking a year off…my mom especially has pointed out that when people take time off, they have a tendency to lose their focus,” she says.

The reference to her mother invites another obvious question: With such a literary lineage, has Dove-Viebahn herself ever considered writing as a career? “I do like writing—otherwise I couldn’t be an art historian—but I think I lack the motivation for writing full time,” she says.

Once a slacker, always a slacker.

Categories
Uncategorized

Dog eat dog

Five pit bulls were euthanized during the last week of January at the Charlottesville SPCA. The dogs would only respond to their owner, who had just been arrested for murder in connection with a Federal drug charge. “Not only were they trying to kill other dogs,” says SPCA spokeswoman Carolyn Foreman, “but they were trying to kill us, too.”

The dogs’ hostility was a sure sign of serious mistreatment, says shelter manager Beth McPhee. “It takes an unspeakable amount of abuse to get this way,” she says. Foreman and McPhee both knew the dogs had been raised to fight, and for the canines, it was a matter of kill or be killed.

Spearheading the effort to eliminate dogfighting, Delegate Rob Bell brought a strict animal cruelty bill before the General Assembly on January 21. If approved, House Bill 2689 will make it a felony to promote, possess, transport, sell or train dogs for fighting.

“As it stands now,” says Bell, “the law is not preventative, and even harder to prosecute.” But until Governor Mark Warner signs on the dotted line, McPhee and Foreman continue to worry about the fighting dog’s plight.

“The biggest problem is that the dog fighting ring is so underground,” says Foreman, who testified in favor of Bell’s bill three weeks ago.

“We see the after-effects and the injured dogs, but all the horror stories we hear, without solid proof, are nothing more than hearsay,” she says.

Sure, an aggressive dog that arrives at the shelter wounded and scarred may have been hit by a car. But McPhee has her doubts. “Household pets just don’t look and act this way, period,” she says.

Fueling McPhee’s skepticism is the money behind dog fighting. It’s said to be a very lucrative business—not only in bookmaking but in the selling and breeding of the animals, too. Catching owners in the act is a constant challenge, to say the least.

“We’ll get a dispatched call about a pit bull dog fight five minutes away,” says Officer Bob Durrer, who for the past 21 years has been an animal control agent for the City, “and by the time we get there, there are dogs, and there might be people, but there’s no fight going on.”

Under the present dog fighting law, an undercover officer must prove not only that a dogfight took place, but also that bets were placed and money changed hands. This outdated legislation is no longer enough. Bell, like McPhee and Foreman, sees the new bill as a necessary preventative measure—save the dogs before they get into the ring.

“With this bill we can prosecute without ever physically going to the fight,” says Bell, offering the key element to his more workable law.

The breeds presently taking all the heat are pit bulls and Rottweilers. As Foreman points out, however, even a French Poodle, if abused long enough, will become uncontrollably aggressive, too.

“The dogs being trained to fight are being fed steroids and gunpowder,” says McPhee. “They’re being hung by their jowls, being allowed to eat a few bites then pulled away from their food by their legs. Their ears and tails are cropped to nubs. They’re forced to carry logging chains around their necks to build muscle.” And the abused dogs that don’t make the cut end up on a shelter doorstep every time.

McPhee and Foreman currently have at the shelter five pit bulls that might or might not have been abused, not counting the five they were forced to euthanize recently. They don’t blame the dogs, though. The responsibility for their condition falls strictly on the owners’ shoulders. “Man’s best friend,” says Foreman, “ultimately goes to his death.”

McPhee declined to comment in detail on the history of the five dogs recently put to sleep so as not to interfere with the ongoing police investigation into the owner. In most cases of dog fighting, owners aren’t caught committing dog abuse—McPhee and Foreman say the dogs are uncovered after a sting operation.

“Nine times out of 10 the police are going in after drugs and guns,” says McPhee. “There seems to be a direct link between the drug and criminal element and the dog-fighting problem.”

But until Bell’s bill is put into place, which could be as early as July 1, Foreman fears the numbers of abused dogs she sees daily will only grow.

“We have seen confiscated videotapes of these dogfights,” says Foreman, “and there are children in the audience. A lack of compassion begins at an early age, you know.”

—Kathryn E. Goodson

Peace of their heart

Council supports anti-war resolution

Geopolitical debates rarely play out in City Hall, but recently the most popular issue before Council has been a proposed resolution opposing a pre-emptive military attack by the United States on Iraq. Council approved the resolution 4 to 1 during its regular meeting on Monday, February 3, but not without a windy public hearing.

Mayor Maurice Cox extended the usual public comment period to accommodate people waiting in the aisles to speak before Council. They spoke. A lot.

Cox repeatedly asked people to keep their comments under three minutes. Very few complied, however, preferring instead to orate as if they were addressing the United Nations.

Several opponents of the resolution, including attorney Bob Hodus and a clique of local Republicans, said the debate belongs to Federal officials, not City Councilors; speakers from the Center for Peace and Justice, which drafted the resolution, said that with America on the brink of war, everyone needs to voice his conscience. According to Council records, 14 speakers favored the resolution, while eight opposed. Both sides fervently applauded like-minded sentiments, no matter how many times a particular point was repeated.

As it has in the national arena, the war debate inverted the political status quo in Council chambers. Conservatives called for dramatic government action, while liberals pleaded for restraint and warned of unforeseen consequences.

“I don’t want to go home tonight knowing my local representatives are a bunch of cowards,” said one man opposing the resolution, ignoring a shower of boos and hisses from peace activists.

A woman supporting the resolution told Council she believed America “should slow down and be careful.”

Each Councilor, too, resisted the edict to be brief as they expressed their sentiments about U.S. foreign policy. Only Schilling––alone among his peers in opposing the resolution––was succinct. He said it was inappropriate to debate war while the nation “is still mourning the space shuttle tragedy.”

At long (and I mean long) last, Council passed the resolution, which officially opposes “a pre-emptive military attack on Iraq unless it is demonstrated that Iraq poses a real and imminent threat to the security and safety of the United States.”

Council returned to familiar local territory at the end of the February 3 meeting when it approved a study that will examine traffic solutions at the Route 29 /Hydraulic Road intersection. Most of the $40,000 study will be funded by the Virginia Department of Transportation, with the local Thomas Jefferson Planning District Commission (TJPDC) pitching in $10,000.

Last fall, the Mayor pushed for a larger study, expecting funding from VDOT, UVA, the City and County, as well as the developers of the Sperry property at the corner of Hydraulic and Route 29, where a 1.7 million square-foot shopping center is in the works. The funds didn’t come through, however, so this study “will not take the place of a fully funded study,” but “it will demonstrate that further study is worth the investment,” according to City documents.

While this may not be good news for critics who say Council spends too much money studying problems and ways to study problems, this project marks a significant change in local relations with the State. In this study, VDOT officials will work under the direction of local and regional planning staff. “It’s unheard of,” says TJPDC Director Harrison Rue. “The State is recognizing that we can come together as a community and make transportation decisions. They want to hear what we have to say.”–– John Borgmeyer

Free to grow

Supes approve 30 percent increase in school numbers

Despite the ever-present worry about the fallout from proposed personal property tax hikes and decreased revenue for programs in Albemarle County, it wasn’t all rain clouds at the Board of County Supervisors meeting on February 5. As further proof that the fingers of local population growth are spreading deeper into the County, Free Union Country School applied for, and received by unanimous vote, approval for 30 percent growth in students and faculty.

At the proposed 125 students and faculty, the country school will now be able to grow larger than most private schools in rural Albemarle. While a positive measure for the school, the additional growth is a double-edged sword for the surrounding area.

Jay Fennell, development co-coordinator and second- and third-grade teacher at the school, is also a longtime resident of Free Union. “I’ve disappointedly watched the growth here increase,” he says. “The roads alone cannot bear any more traffic.”

But he faces the problem of growth with some equanimity. After all, without it new opportunities in the area would never have arisen. “When I was younger, I thought that professionally, I would have to move,” says Fennell. “Now, I’d never think that.”

Free Union Country School, now in its 20th year, has to grow with times, says Fennell.

“If we can reach the minimum number of 100 students,” he says, “it will stabilize us financially.” It will also aid in the expansion of a two-storey, 3,000 square-foot activity building with offices, a 1,800 square-foot pre-school building and playground and 12 new parking spaces.

Three years ago, a consultant gave Fennell and other school officials a figure of 105 students as the baseline needed to achieve financial security and viability for the school. “In terms of expense and income,” says Fennell, “we are not completely tuition-driven.”

The added increase in students will certainly help balance out the numbers, though. With a yearly tuition of $7,500 per student, 15 new students will mean added revenues of $112,500. Twenty extra students boost the figure to $150,000 annually. Judging from historical demand, Free Union Country shouldn’t have trouble adding to its student roster. Within its first decade, enrollment had increased to 55 students from 35. In 1999, the school’s population had nearly doubled to 90.


In other County news: Ron Huber, Charlottesville Assistant Commonwealth’s Attorney, announced his withdrawal from the campaign for Commonwealth’s Attorney of Albemarle County. He cited personal and professional reasons in his February 5 announcement and pressed County residents to keep up the good fight.

“I encourage the people of Albemarle and the County Police officers to join me in continuing to offer suggestions to maintain a positive dialogue with [County Commonwealth’s Attorney] Jim Camblos to effect those changes,” he said.

—Kathryn E. Goodson