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Arts Culture

The Elovaters

When it’s cold outside, you need extra motivation to get the blood pumping. Boston’s reggae-rock outfit The Elovaters do just that with uplifting tropical sounds that warm your soul and get you moving. Fans of acts like Slightly Stoopid and Sublime find plenty to love from this East Coast group channeling the island culture. Expect
dub-inspired echo effects, an emphasis on the upbeat, and a lot of references to herbal refreshments.

Thursday 1/9. $32, 7pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. jeffersontheater.com

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Arts Culture

Blue Ridge Irish Music School Movie Night

The Blue Ridge Irish Music School presents a double-feature screening of Absolutely Irish and The Tunnel from local filmmakers Paul and Ellen Wagner. The first film brings together standout stars of the traditional Irish music scene for a concert held in the intimate Irish Arts Center of New York City’s Hell’s Kitchen neighborhood. The latter explores the history of the Blue Ridge Railroad Tunnel at Rockfish Gap, built by Irish immigrants in the 1850s. The evening includes a discussion of the Blue Ridge Tunnel project by Kevin Donleavy.

Friday 1/10. Free, 7pm. Albemarle CiderWorks, 2545 Rural Ridge Ln., North Garden. blueridgeirishmusic.org

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News

Two delegates gear up for reelection campaigns, Riggleman considers run

Ahead of the 2025 state legislative session, Dels. Katrina Callsen and Amy Laufer launched their respective reelection campaigns. Both Charlottesville-area delegates have been endorsed by state Democratic party leaders, including Speaker of the House of Delegates Don Scott and state Sen. Creigh Deeds.

Callsen gathered supporters at the Virginia Discovery Museum on December 29 to kick off her bid for reelection. In her freshman term, Callsen worked on bipartisan legislation, including a bill to formalize kinship care in Virginia. If reelected to represent the 54th District, she said health care, affordable housing, the environment, and education would be her top priorities.

Del. Amy Laufer formally announced her bid for reelection in a January 2 press release. The 55th District—which includes parts of Albemarle, Louisa, Nelson, and Fluvanna counties—is one of the only rural areas represented by a Democrat in the state legislature.

“We’ve got so much work to do in strengthening and investing in our public schools, finding ways to make health care more affordable and accessible, protecting our environment, creating more affordable housing, defending women’s rights, as well as the rights of our most vulnerable community members,” said Laufer in her campaign announcement.

The Virginia General Assembly convenes for its first session of the year on January 8.

Meanwhile, former Charlottesville-area congressman Denver Riggleman is considering a run for governor, according to a January 1 interview with The Washington Post. The one-time Republican representative said he would run as an independent and has begun putting together an exploratory committee.

If Riggleman enters the gubernatorial race, he will likely face expected-Democratic nominee Abigail Spanberger, who he endorsed in her 2022 bid for reelection to Congress. Both the Democratic and Republican gubernatorial races currently have only one candidate—Spanberger and John Curran, respectively—but there’s still time for others to make a run at either party’s primary.

Racing ahead

Dashad Cooper formally announced his candidacy on January 3 for the Charlottesville City School Board. He previously ran for City Council, coming in fourth in the three-seat race in 2023.

Three board seats are on the ballot this November, with the terms of Emily Dooley, Vice Chair Dom Morse, and Chair Lisa Larson-Torres all expiring at the end of 2025. In a joint statement released January 4, Dooley and Larson-Torres confirmed their intent to run for reelection.

At press time, Morse had not indicated whether he would seek another term.

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News

Reid Super-Save Market to close by end of January

Despite community outcry and fundraising efforts, longtime Charlottesville grocery store Reid Super-Save Market will close on January 25. Neighboring nonprofit Twice is Nice has purchased the Reid’s space, and plans to move in in early 2026, according to a January 6 press release.

Reid’s co-owner Sue Clements says many factors contributed to the decision to close the family-owned business; namely, “the cost of goods and services going up, increased theft, [and a] change in shopping habits.”

Multiple parties reportedly wanted to purchase the Reid’s property. In addition to a mutual interest in quickly closing an agreement, Clements says it “felt right” to sell to Twice is Nice, which will now have a more permanent home in the Preston-Cherry corridor.

With its two leases expiring at the end of 2025, Twice is Nice has been looking for a new location in the area of its existing stores. Finding a space has been difficult with the rapid development of the area, according to Twice is Nice Operations Manager Lori Woolworth.

“The entire Twice is Nice team feels that it’s a real loss for Charlottesville to have Reid’s close its doors,” says Woolworth. “I just feel like this is a great opportunity for [Twice is Nice] to stay within the city, to consolidate, to be able to continue to grow.”

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Arts Culture

Charlottesville High School musical theater ensemble

The Charlottesville High School musical theater ensemble brings a student-directed production of A Chorus Line to area audiences. Spotlighting an array of Broadway dancers auditioning for roles in the eponymous chorus line, the action builds across a bare stage. The personalities of potential performers are on full view as the cast of would-be stars describe life events that drew them to dance. Directed by CHS senior Murray Susen, these January performances precede a trip to Charlottesville sister city Besançon, France, where the troupe will mount additional shows this spring.

Friday 1/10–Sunday 1/12. $15, times vary. Charlottesville High School’s Black Box Theater, 1400 Melbourne Rd. theatrechs.weebly.com

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Arts Culture

“Breakfast at Tiffany’s” Brunch

Take in the tale of New York City socialite Holly Golightly and her romantic escapades with a Breakfast at Tiffany’s Brunch. Revel in the swinging early-’60s styles in Truman Capote’s classic adapted for the screen, starring the often-imitated-but-never-replicated Academy Award-winner Audrey Hepburn. Choose from an array of movie-themed brunch specials and cocktails to pair with the screening, and ruminate on the mores of a bygone era: Is marrying for money or love the right move? Do pets need names? Who thought casting Mickey Rooney was a good idea?

Sunday 1/5. $10, 11am. Alamo Drafthouse Cinema, 5th Street Station. drafthouse.com

Categories
Arts Culture

Twelfth Night in Italy

Three Notch’d Road Baroque Ensemble extends the holiday season with the sounds of an Italian Christmas during performances in Staunton, Greenwood, and Keswick. Twelfth Night in Italy brings together the music of Corelli, Flecha, Monteverdi, Pandolfi, Scarlatti, and Vivaldi under guest Artistic Director Peter Walker. Hear shepherds’ carols and folk music, as well as art music in the pastoral style, with featured soprano Addy Sterrett. Each performance includes a pre-concert talk by Walker.

Friday 1/3–Sunday 1/5. $30, times and locations vary. tnrbaroque.org

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News

State of the free press 2025

By Paul Rosenberg

With any list, there’s a natural tendency to look first at No. 1, and neither I nor Project Censored would discourage you from doing that, when it comes to its annual list of the top-censored stories of the year. This year, the top story is about workplace deaths and injuries—with striking racial disparities, particularly for much-maligned foreign-born workers. Injury rates for Southern service workers—predominantly Black—are especially alarming, 87 percent in one year, according to one poll. Sensationalized deaths and injuries make the news all the time, but workplace deaths and injuries (nearly 6,000, and 2.8 million respectively in a year) are another matter altogether. They’re a non-story, even when advocates strive to shine a light on them.

But this pattern of what’s deemed newsworthy and what isn’t leads to a deep point. In the introduction to the list, Project Censored Associate Director Andy Lee Roth wrote that “readers can only appreciate the full significance of the Project’s annual listing of important but underreported stories by stepping back to perceive deeper, less obvious patterns of omission in corporate news coverage.” And I couldn’t agree more. This has always been a theme of mine as long as I’ve been reviewing its lists, because the patterns of what’s being blocked out of the public conversation are the clearest way of seeing the censoring process at work—the process that Project Censored founder Carl Jensen described as “the suppression of information, whether purposeful or not, by any method … that prevents the public from fully knowing what is happening in its society.”

It’s not just that somehow all the news assignment editors in America overlooked this or that story. Where there are patterns of omission so consistently, year after year, they can only be explained by systemic biases rooted in the interests of particularly powerful special interests. What’s more, in addition to patterns of omission in the stories as a whole, one can also find intersecting patterns within individual stories. The above description of the top story is an example: race, class, region, citizenship status, and more are all involved.

The point is, as you do more than just simply read these stories—as you reflect on them, on why they’re censored, whose stories they are, what harms are being suffered, whose humanity is being denied—you will find yourself seeing the world more from the point of view of those being excluded from the news, and from the point of view that you’re interconnected with them at the least, if not one of them too.

Anson Stevens-Bollen.

Many more minorities killed and injured on the job

Working in America is becoming more dangerous, especially for minorities, according to recent studies reported on by Truthout and Peoples Dispatch, while the same isn’t true for other developed nations.

Workplace fatalities increased 5.7 percent in the 2021-2022 period covered by the Bureau of Labor Statistics or BLS’s Census of Fatal Occupational Injuries, Tyler Walicek reported for Truthout. “Nearly 6,000 U.S. workers died on the job,” he wrote—a 10-year high—while “a startling total of 2.8 million were injured or sickened” according to another BLS report.

The racial disparities were sharp. The average workplace death rate was 3.7 deaths per hundred thousand full-time workers, but it was 24.3 percent higher (4.6 deaths) for Latinx workers and 13.5 percent higher (4.2 deaths) for Black workers. The majority of Latinx deaths (63.5 percent) were of foreign-born workers, and 40 percent of those were in construction. “It’s not hard to imagine that communication lapses between workers on an active construction site could feasibly create dangerous situations,” Walicek said.

Transportation incidents were the highest cause of fatalities within both groups. Violence and other injuries by persons or animals were second highest for Black workers, for Hispanic or Latiné workers it was falls, slips, or trips. Black people and women were particularly likely to be homicide victims. Black people represented 13.4 percent of all fatalities, but 33.4 percent of homicide fatalities—more than twice the base rate. Women represented 8.1 percent of all fatalities, but 15.3 percent of homicide fatalities—a little less than twice the base rate.

The non-fatal injury rate for service workers in the South, particularly workers of color, is also alarmingly high, according to an April 5, 2023 report by Peoples Dispatch summarizing findings from a March 2023 survey by the Strategic Organizing Center or SOC. The poll of 347 workers, most of whom were Black, “found that a shocking 87 percent were injured on the job in the last year,” they reported. In addition, “More than half of survey respondents reported observing serious health and safety standard [violations] at work,” and “most workers worried about their personal safety on the job, most believe that their employer prioritizes profit over safety, most do not raise safety issues for fear of retaliation, and the vast majority (72 percent) believe that their employer’s attitude ‘places customer satisfaction above worker safety.’”

“Compared to other developed countries, the United States consistently underperforms in providing workers with on-the-job safety,” Project Censored said. “Walicek argued that this is a direct consequence of ‘the diminution of worker power and regulatory oversight’ in the United States.” U.S. workplace fatality rates exceeded those in the U.K., Canada, Australia and much of Europe, according to a 2021 assessment by the consulting firm Arinite Health and Safety, Walicek reported.

“Workers are increasingly organizing to fight back against hazardous working conditions,” Project Censored noted, citing a civil rights complaint against South Carolina’s Occupational Safety and Health Administration or S.C. OSHA filed by members of the recently formed Union of Southern Service Workers “for failing to protect Black workers from hazardous working conditions,” as reported by the Post and Courier of Charleston, South Carolina. The USSW complaint alleged that “from 2018 to 2022, S.C. OSHA conducted no programmed inspections in the food/beverage and general merchandise industries, and only one such inspection in the food services and warehousing industries.” On April 4, 2023, when it filed the complaint, USSW went on a one-day strike in Georgia and the Carolinas, to expose unsafe working conditions in the service industry. It marked the anniversary of Martin Luther King’s assassination while supporting a sanitation workers strike in Memphis, Tennessee. Then on December 7, USSW sent a petition to federal OSHA requesting that it revoke South Carolina’s state OSHA plan “because the Plan has failed to maintain an effective enforcement program.”

Neither the BLS findings nor the conflict between the USSW and S.C. OSHA has received much corporate media coverage. The BLS fatalities report was released in December 2023, with no U.S. daily newspaper coverage when Project Censored’s analysis was done. There was a story on the Minnesota findings by FOX in Minneapolis-St. Paul the month the report was released. And a full story on Green Bay ABC affiliate WBAY on April 12, 2024, “as part of its coverage of ‘Work Zone Safety Awareness Week,’” Project Censored reported.

“Corporate coverage of the conflict between the USSW and S.C. OSHA has also been scant,” it noted. While independent, nonprofits like D.C. Report, “have consistently paid more attention,” there were but two corporate examples cited covering the second action: Associated Press and Bloomberg Law, but neither addressed the issue of racial disparities.

In conclusion, according to Project Censored, “The corporate media’s refusal to cover the harsh realities of workplace deaths and injuries—and the obvious racial disparities in who is hurt and killed on the job—makes the task of organizing to address occupational safety at a national level that much more difficult.”

Anson Stevens-Bollen.

‘Vicious circle’ of climate debt traps world’s most vulnerable nations

Low-income countries that contributed virtually nothing to the climate crisis are caught in a pattern described as a “climate debt trap” in a September 2023 World Resources Institute report authored by Natalia Alayza, Valerie Laxton, and Carolyn Neunuebel.

“After years of pandemic, a global recession, and intensifying droughts, floods, and other climate change impacts, many developing countries are operating on increasingly tight budgets and at risk of defaulting on loans,” they wrote. “High interest rates, short repayment periods, and … the coexistence of multiple crises (like a pandemic paired with natural disasters) can all make it difficult for governments to meet their debt servicing obligations.”

“Global standards for climate resilience require immense national budgets,” Project Censored noted. “Developing countries borrow from international creditors, and as debt piles up, governments are unable to pay for essential needs, including public health programs, food security, and climate protections.”

In fact, The Guardian ran a story describing how global south nations are “forced to invest in fossil fuel projects to repay debts,” a process critics have characterized as a “new form of colonialism.” They cited a report from anti-debt campaigners Debt Justice and partners that found “the debt owed by global south countries has increased by 150 percent since 2011 and 54 countries are in a debt crisis, having to spend five times more on repayments than on addressing the climate crisis.”

Like the climate crisis itself, the climate debt trap was foreseeable in advance. “A prescient report published by Dissent in 2013, Andrew Ross’s Climate Debt Denial, provides a stark reminder that the climate debt trap now highlighted by the World Resources Institute and others was predictable more than a decade ago,” Project Censored said. But that report highlighted much earlier warnings and efforts to address the problem.

The concept of an ecological debt owed to the global south for the resource exploitation that fueled the global north’s development was first introduced “in the lead-up to the 1992 Earth Summit in Rio de Janeiro,” Ross reported. Subsequently, “The Kyoto Protocol laid the groundwork for such claims in 1997 by including the idea of ‘common but differentiated responsibilities’ among nations, but climate activists did not fully take up the call for debt justice until the Copenhagen summit in 2009.” Prior to that summit, in 2008, NASA climatologist James Hansen estimated the U.S. historical carbon debt at 27.5 percent of the world total, $31,035 per capita.

While a “loss and damage” fund “to assist developing countries that are particularly vulnerable to the adverse effects of climate change” was established at the 2022 Climate Summit, its current commitments ($800 million) fall far short of the $100 billion more each year by 2030 that the 14 developing countries on the fund’s board have argued for. Some estimates place the figure much higher, “at around $400 billion,” according to a Euronews story last June.

The climate debt trap “has received limited news coverage,” Project Censored noted. Aside from The Guardian,“independent news coverage has been limited to outlets that specialize in climate news.” Neither of the two corporate media examples it cited approached it from debtor countries’ point of view. In May 2023, Bloomberg’s “analysis catered to the financial interests of international investors,” while a December 2023 New York Times report “focused primarily on defaults to the United States and China, with less focus on how poorer countries will combat deficits, especially as climate change escalates.”

Anson Stevens-Bollen.

Saltwater intrusion threatens U.S. freshwater supplies

Sea-level rise is an easy-to-grasp consequence of global warming, but the most immediate threat it poses—saltwater intrusion into freshwater systems—has only received sporadic localized treatment in the corporate press. “In fall 2023, saltwater traveling from the Gulf of Mexico up the Mississippi River infiltrated the freshwater systems of the Delta region, contaminating drinking and agricultural water supplies as well as inland ecosystems,” according to Project Censored. “This crisis prompted a scramble to supply potable water to the region and motivated local and federal officials to issue emergency declarations.”

While outlets like Time, CNN, and CBS News covered the saltwater intrusion at the time, they “focused almost exclusively on the threat to coastal Louisiana,” but “a pair of articles published in October 2023 by Delaney Nolan for The Guardian and [hydrogeologist] Holly Michael for The Conversation highlighted the escalating threat of saltwater intrusion across the United States and beyond.”

“Deep below our feet, along every coast, runs the salt line: the zone where fresh inland water meets salty seawater,” Nolan wrote. “That line naturally shifts back and forth all the time, and weather events like floods and storms can push it further out. But rising seas are gradually drawing the salt line in,” he warned. “In Miami, the salt line is creeping inland by about 330 feet per year. Severe droughts—as the Gulf Coast and Midwest have been experiencing this year—draw the salt line even further in.”

“Seawater intrusion into groundwater is happening all over the world, but perhaps the most threatened places are communities on low-lying islands,” such as the Marshall Islands, which are “predicted to be uninhabitable by the end of the century,” Michael wrote. Here in the U.S., “Experts said the threat was widespread but they were especially concerned about cities in Louisiana, Florida, the Northeast, and California,” Nolan reported.

“Fresh water is essential for drinking, irrigation, and healthy ecosystems,” Michael wrote. “When seawater moves inland, the salt it contains can wreak havoc on farmlands, ecosystems, lives, and livelihoods.” For example, “Drinking water that contains even 2 percent seawater can increase blood pressure and stress kidneys. If saltwater gets into supply lines, it can corrode pipes and produce toxic disinfection by-products in water treatment plants. Seawater intrusion reduces the life span of roads, bridges and other infrastructure.”

While Time, CNN, and CBS News focused narrowly on coastal Louisiana, Project Censored noted that some news outlets, “including FOX Weather and Axios” misreported the threat as “only temporary rather than a long-term problem.” More generally, “corporate media typically treat saltwater intrusion as a localized issue affecting specific coastal regions,” they wrote. “Aside from a brief article in Forbes acknowledging the growing problem for coastal regions in the U.S. and around the world, corporate media have largely resisted portraying saltwater intrusion as a more widespread and escalating consequence of climate change.”

Anson Stevens-Bollen.

Natural gas industry hid health and climate risks of gas stoves

While gas stoves erupted as a culture war issue in 2023, reporting by Vox and NPR (in partnership with the Climate Investigations Center) revealed a multi-decade campaign by the natural gas industry using tobacco industry’s tactics to discredit evidence of harm, thwart regulation, and promote the use of gas stoves. While gas stoves are a health hazard, the amount of gas used isn’t that much, but “house builders and real estate agents say many buyers demand a gas stove,” which makes it more likely they’ll use more high-volume appliances, “such as a furnace, water heater, and clothes dryer,” NPR explained. “That’s why some in the industry consider the stove a ‘gateway appliance.’”

In a series of articles for Vox, environmental journalist Rebecca Leber “documented how the gas utility industry used strategies previously employed by the tobacco industry to avoid regulation and undermine scientific evidence establishing the harmful health and climate effects of gas stoves,” Project Censored reported.

“The basic scientific understanding of why gas stoves are a problem for health and the climate is on solid footing,” she reported. “It’s also common sense. When you have a fire in the house, you need somewhere for all that smoke to go. Combust natural gas, and it’s not just smoke you need to worry about. There are dozens of other pollutants, including the greenhouse gas methane, that also fill the air.”

The concerns aren’t new. “Even in the early 1900s, the natural gas industry knew it had a problem with the gas stove,” Leber recounts. It was cleaner than coal or wood—it’s main competition at the time, “but new competition was on the horizon from electric stoves.” They avoided scrutiny for generations, but, “Forty years ago, the federal government seemed to be on the brink of regulating the gas stove,” she wrote. “Everything was on the table, from an outright ban to a modification of the Clean Air Act to address indoor air pollution.” The gas industry fought back with a successful multiprong attack, that’s being mounting again today, and “Some of the defenders of the gas stove are the same consultants who have defended tobacco and chemicals industries in litigation over health problems.”

Documents obtained by NPR and CIC tell a similar story. The industry “focused on convincing consumers and regulators that cooking with gas is as risk-free as cooking with electricity,” they reported. “As the scientific evidence grew over time about the health effects from gas stoves, the industry used a playbook echoing the one that tobacco companies employed for decades to fend off regulation. The gas utility industry relied on some of the same strategies, researchers, and public relations firms.”

“I think it’s way past the time that we were doing something about gas stoves,” said Dr. Bernard Goldstein, who began researching the subject in the 1970s. “It has taken almost 50 years since the discovery of negative effects on children of nitrogen dioxide from gas stoves to begin preventive action. We should not wait any longer,” he told NPR.

“By covering gas stoves as a culture war controversy, corporate media have ignored the outsize role of the natural gas industry in influencing science, regulation, and consumer choice,” Project Censored noted. Instead, they’ve focused on individual actions, local moves to phase out gas hookups for new buildings and rightwing culture war opposition to improving home appliance safety and efficiency, including the GOP House-passed Hands Off Our Home Appliances Act.

Anson Stevens-Bollen.

Abortion services censored on social platforms globally

On the first national Election Day after the Supreme Court’s Dobbs decision, PlanC, a nonprofit that provides information about access to the abortion pill, posted a TikTok video encouraging people to vote to protect reproductive rights. Almost immediately, its account was banned. This was but one example of a worldwide cross-platform pattern.

“Access to online information about abortion is increasingly under threat both in the United States and around the world,” the Women’s Media Center reported in November 2023. “Both domestic and international reproductive health rights and justice organizations have reported facing censorship of their websites on social media platforms including Instagram, Facebook, and TikTok as well as on Google.” The governments of South Korea, Turkey, and Spain have also blocked the website of Women on Web, which provides online abortion services and information in over 200 countries. At the same time abortion disinformation, for fake abortion clinics, remains widespread.

“Women’s rights advocacy groups are calling the Supreme Court’s overturning of Roe v. Wade the catalyst for the suppression of reproductive health information on social media,” Project Censored said. “Hashtags for #mifepristone and #misoprostol, two drugs used in medical abortions, were hidden on Instagram after the Dobbs decision, the WMC reported,” as part of a wider pattern.

Within weeks of the decision, U.S. Senators Elizabeth Warren (D-MA) and Amy Klobuchar (D-MN) wrote to Meta, Ars Technica reported, questioning what the company was doing to stop abortion censorship on their platforms. “The senators also took issue with censorship of health care workers, Ars Technica wrote, “including a temporary account suspension of an ‘organization dedicated to informing people in the United States about their abortion rights.’”

“U.S. state legislatures are currently considering banning access to telehealth abortion care,” according to Project Censored. “Furthermore, CNN reported that ‘at the end of 2023, nine states where abortion remained legal still had restricted telehealth abortions in some way.’”

There are similar censorship problems with Meta and Google worldwide, according to a March 2024 report by the Center for Countering Digital Hate and MSI Reproductive Choices, which provides contraception and abortion services in 37 countries. This sparked a Guardian article by Weronika Strzyżyńska. “In Africa, Facebook is the go-to place for reproductive health information for many women,” MSI’s global marketing manager, Whitney Chinogwenya, told The Guardian. “We deal with everything from menopause to menstruation but we find that all our content is censored.” She explained that “Meta viewed reproductive health content through ‘an American lens,’” The Guardian reported, “applying socially conservative U.S. values to posts published in countries with progressive policies such as South Africa, where abortion on request is legal in the first 20 weeks of pregnancy.”

Abortion disinformation is also a threat—particularly the promotion of crisis pregnancy centers that masquerade as reproductive health-care clinics but discourage rather than provide abortion services. WMC reported on June 2023 CCDH report which “found that CPCs spent over $10 million on Google Search ads for their clinics over the past two years.” Google claimed to have “removed particular ads,” said Callum Hood, CCDH’s head of research, “but they did not take action on the systemic issues with fake clinic ads.”

“Women’s rights organizations and reproductive health advocates have been forced to squander scarce resources fighting this sort of disinformation online,” Project Censored noted. This has gotten some coverage, but “As of June 2024, corporate coverage of abortion censorship has been limited.” The sole CNN story it cited ran immediately after the Dobbs decision, before most of the problems fully emerged. “There appeared to be more corporate media focus on abortion disinformation rather than censorship,” Project Censorship added. “Independent reporting from Jezebel, and Reproaction via Medium, have done more to draw attention to this issue.”

Paul Rosenberg is a California-based writer/activist, senior editor for Random Lengths News, and a columnist for Al Jazeera English and Salon.

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News

In brief 01/01/2025

Remembering Sandy McAdams

Sandy McAdams, founder of C&O Restaurant and Daedalus Bookshop, died December 21 due to complications from multiple sclerosis. He was 82.

When McAdams arrived in Charlottesville in 1974 with 20,000 books in a railroad car, he found a permanent home for his collection on the corner of Market and Fourth streets. Many locals recognize McAdams as one of the Downtown Mall’s founding fathers, thanks to his vision for revitalizing Main Street.

From the bookstore to a brief stint running an alternative newspaper in the ’70s to his time on the Live Arts theater board in the ’90s, McAdams made his mark on Charlottesville’s arts and culture scene.

In a 2015 C-VILLE article on the creation of Charlottesville’s Downtown Mall scene, C&O Restaurant co-owner Philip Stafford recalled meeting McAdams at Daedalus: “I can picture this pretty well to this day—this sort of eccentric-looking guy walked up to me with a beard down to his waist, and sort of put his face up to me and said ‘What do you want?’ I said ‘I’m looking for this book The Art of Seeing by Aldous Huxley,’ and he said ‘It’s right over your shoulder.’”

McAdams and Stafford eventually sold the C&O in 1984, but the French restaurant has retained its place as one of Charlottesville’s most popular fine dining spots. Daedalus also remains a testament to McAdams’ impact on downtown Charlottesville, and will continue operating under Jackson Landers, who purchased the bookstore in late 2023. After McAdams’ passing, the store shared images of him working in his favorite place over the years—flipping through a book in one photo, deep in thought in another.

“Sandy always gifted a book to my children, without fail, every time we were in the shop,” one person commented on the post. “It was a treat to know him.”

McAdams is survived by his wife, Donna, two daughters, and two granddaughters. Instead of flowers, the family has requested donations be made to Live Arts. 

Spending time

In a belated Christmas gift, Gov. Glenn Youngkin announced December 26 that eight Charlottesville-area events and festivals would receive more than $70,000 in grants. Over $800,000 in funds statewide, and roughly $4.8 million in matching public-private donations, were awarded as part of the Virginia Tourism Corporation’s special events and festivals sponsorship program.

Among those receiving funds are the Tom Tom Festival, Foxfield Spring Races, Crozet Arts & Crafts Festival, IX Art Foundation’s Fae Festival, and Winter Wander at the Boar’s Head Resort. The program is part of a larger effort to increase overnight tourism and visitor spending in the commonwealth.

“This year’s grant recipients have demonstrated an exceptional commitment to growing their event footprint, increasing visitation, and enhancing the visitor experience in 2025,” said Youngkin in a press release announcing the grants. “By leveraging these funds, we aim to attract even more visitors, showcase the unique charm of our communities, and reinforce Virginia’s reputation as a premier destination for memorable events and festivals.” 

Visitor spending in Charlottesville and Albemarle County for 2023 totaled just under $1 billion, an increase of almost 6 percent compared to 2022.

Gov. Glenn Youngkin awarded eight area events and festivals more than $70,000 in grants. Supplied photo.

Lace up

After the Main Street Arena closed in 2018, ice hockey and skating fans wondered when central Virginia would get another ice rink. This winter, Charlottesville-based Project Phoenix announced plans to request a permit for an indoor rink in Ruckersville. Its grand opening is years in the future, but the team has already acquired land off 29 North and hopes to see zoning approved.

Shelter loading

Plans surrounding a low-barrier shelter in Fifeville are still up in the air, City Manager Sam Sanders confirmed at City Council’s final meeting of the year. The proposal to convert Cherry Avenue’s Salvation Army store elicited pushback from some residents who suggested the shelter should instead open on Ridge Street. Sanders will take questions at a January 9 neighborhood meeting.

Suit and tied

Eljo’s Traditional Clothes, a menswear store founded by two UVA students in 1950 and currently owned by Myles Thurston, will soon change hands. While Thurston has not yet announced who purchased the business, ownership will officially switch over February 15. In the meantime, shoppers in search of a discount can enjoy up to 50 percent off Eljo’s inventory.

Categories
Arts Culture

January Exhibitions

Botanical Fare Restaurant 421 E. Main St., Downtown Mall. “Recent Landscapes in Oil,” paintings by Randy Baskerville, presented by the BozART Fine Art Collective. January 6–March 3. 

Chroma Projects Inside Vault Virginia, Third St. SE. In the micro gallery, “Still Life with Uncertainty,” paintings by Richmond-based artist Sally Bowring. Through February. In the Great Halls of Vault Virginia, “Kinship,” an editorial photographer’s collection of photos from the march on Washington and New York in the ’80s and ’90s. Through March. Both shows open January 4.

Sally Bowring at Chroma Projects.

Crozet Artisan Depot 5791 Three Notch’d Rd., Crozet. Floral paintings by Saylor Swift Denney and glass marbles, beads, and sculpture by Carol Sorber. January 18–February 28.  

C’ville Arts Cooperative Gallery 118 E. Main St., Downtown Mall. The annual studio sale, offering select works at lower prices in support of Virginia artists. January 3–31. First Fridays reception with artists 4–6pm.

The Fralin Museum of Art at UVA 155 Rugby Rd. “Barbara Hammer: Evidentiary Bodies” features an immersive multichannel video installation. Through January 26, 2025. “Structures,” a selection of 20th- and 21st-century works exploring the ways that art can speak to or question the formal, physical, environmental, social, and institutional structures of our world. Through July 20, 2025. “Celebration” features works by five African American artists highlighting the ways these artists honor history, culture, and heritage through various media. “Vanity,” black and white photography by longtime UVA arts instructor Holly Wright. “Conversations in Color,” new print acquisitions curated by M. Jordan Love. All shows run through January 5, 2025 unless otherwise noted.

The Gallery at Studio IX 969 Second St. SE. “Journey from Grief to Art to Growth,” works by Colleen Rosenberry. January 3–February 2. Opening reception January 3, 5–7pm. Artist talk January 23, 5–6pm.

Colleen Rosenberry at Studio IX.

Hello Comics 211A W. Main St, Downtown Mall. “Picture Show,” a cash and carry show of original drawings and digital prints by Todd Webb. Through January 8, 2025. Additional works available at Hello Comics Uptown location.

IX Art Park 522 Second St. SE. “The Looking Glass,” an immersive art space featuring a whimsical enchanted forest and kaleidoscopic cave. Ongoing.

Kluge-Ruhe Aboriginal Art Collection of UVA 400 Worrell Dr. Part two of “Shifting Ground: Prints by Indigenous Australian Artists from the Basil Hall Editions Workshop Proofs Collection,” curated by Jessyca Hutchens, featuring work by 22 Indigenous Australian artists. “Milpa: Stop-motion animation by Spinifex artists,” animated films. Both shows run through March 2. 

Milpa, Spinifex Arts Project at Kluge-Ruhe.

Jefferson School African American Heritage Center 233 Fourth St. NW. “Pride Overcomes Prejudice,” exploring the history of peoples of African descent in Charlottesville. Ongoing.

McGuffey Art Center 201 Second St. NW. In the Smith Gallery, “Womanhood,” photographs by Benita Mayo. In the First and Second Floor Galleries, the “New Member Show,” featuring works by 18 artists recently selected for membership. In the Associate Gallery, “New Work,” featuring artwork from associate members. First Fridays reception 5:30–7:30pm.

Benita Mayo at McGuffey Art Center.

New City Arts 114 Third St. NE. In the Welcome Gallery, “Of the Earth,” abstract landscape paintings and works on paper by Christen Yates and wall-hung sculptures by Jacqui Stewart Lindstrom. Through January 16.

Phaeton Gallery 114 Old Preston Ave. In the Lobby Gallery, “The Living Canvas,” a new series of oil paintings that explore the human body and the dynamic movement of muscles by Julia Hebert. January 3–February 2. First Fridays reception 5–7:30pm.

Julia Hebert at Phaeton Gallery.

The PVCC Gallery V. Earl Dickinson Building, 501 College Dr. “Process=Progress: Peeking Behind the Curtain of Creativity.” Through January 18. 

Ruffin Gallery UVA Grounds, Ruffin Hall, 179 Culbreth Rd. “A Continuous Storyline: Four Decades of UVA Painters,” curated by Megan Marlatt. Featuring paintings and sculpture by John Arnold, David Askew, Gina Beavers, Jackson Casady, Tori Cherry, Maggie King Johns, Matt Kleberg, and Phượng Duyên Hải Nguyễn. January 6–February 14. Exhibition reception and retirement celebration for Megan Marlatt January 31, 5–7pm. 

Gina Beavers at Ruffin Gallery.

Second Street Gallery 115 Second St. SE. In the Main Gallery, “That Feels Good! Labor as Pleasure,” an interdisciplinary group show of local and national artists curated by Francisco Donoso. In the Dové Gallery, “Hannah Diomataris: Sticker Work,” handcut sticker compositions by Richmond-based artist Hannah Diomataris. Both shows run through January 24. Artists in Conversation talk with Hannah Diomataris and Leigh Suggs, January 18, 10:30–11:30am. 

Hannah Diomataris at Second Street Gallery.

Visible Records 1740 Broadway St. “Direct Sow,” interdisciplinary works by Visible Records studio members Morgan Ashcom, Rebecca Belt, Anna Hogg, Jeremy Jean-Jacques, Sean Lopez, Will May, Kweisi Morris, Phượng-Duyên Hải Nguyễn, bryan ortiz, Peter Russell, Anik Sparman, Jackson Taylor, Maria Villanueva, Natasha Woods, and Elena Yu. Through January 25.

bryan ortiz at Visible Records.

Waxwing Art Works 416 W. Main St., inside the Main Street Market Building. “The Drawing Show,” featuring works in graphite, ink, and charcoal by Baylor Fuller, Marni Maree, Amy Shawley Paquette, Joe Sheridan, Coleman Simmons, Dana Wheeles, and others. January 9–February 8. Opening reception January 9, 5–7pm. Free drawing media demonstration, January 24, 2–4pm.

Images courtesy of the galleries and/or artists