Categories
Living

A trip to Italy influences chef’s approach to food

Tavola chef Caleb Warr never intended to cook Italian food. Warr, who grew up eating home-cooked Southern food in Louisiana, says that although he’d always dreamed of owning a restaurant, he wasn’t exactly into the idea of culinary school (neither were his parents). And if he did cook, he didn’t want to be limited to one pantry—like his childhood best friend’s big Italian family was.

So Warr was pretty surprised to find himself in Poggio a Caiano, Italy, this July, cooking alongside seventh-generation Italian chef Roberta Vivetta Cintelli in the kitchen of Ristorante il Falcone, Cintelli’s family’s restaurant that has been serving Tuscan fare since 1862. 

Warr and Cintelli had met just one month prior, when Cintelli visited Tavola for a week in June as part of a culinary exchange through the Charlottesville Sister Cities program (Charlottesville and Poggio have been sister cities for 40 years). Cintelli cooked for Tavola’s specials board, and in moments when she wasn’t cooking, peeled carrots, ran dishes and folded linens.

Warr, who cut his teeth cooking in some of Charlottesville’s best kitchens—Zinc, Mas and The Rock Barn, to name a few—returned the favor at il Falcone. Thing is, he doesn’t speak a lick of Italian, and Cintelli doesn’t speak any English.

But during those two weeks—one in Poggio and one in Charlottesville—in which they cooked together in their kitchens and visited markets, wineries and vineyards, they exchanged plenty between them. Their common language was food.

While in Poggio, Warr took careful notes—he wanted to figure out exactly how Ristorante il Falcone has managed to operate for nearly 160 years. He wanted to know why customers were walking back into the kitchen to pepper Cintelli and her staff with kisses, hugs and endless professions of “grazie.”

Warr was already familiar with many of the techniques he saw in Tuscany, so his education wasn’t so much about the mechanics of cooking, but about preparation and presentation. Many of the dishes he ate (and helped make) had just three or four ingredients but were created carefully.

“It wasn’t that I saw something I’d never seen before,” says Warr. “To a point, there were probably only two or three ingredients that I had never heard of, like the jujube,” a red date that grows on backyard trees in Tuscany, “and I’d never known people to eat pigeon.”

One thing he noticed in Italy is that dishes are served and enjoyed as they’re ready; vegetables and antipasti, which take less time to prepare, will come out first, and on their own plates. Then the meats and pastas arrive, again on their own. “You don’t get steak, potatoes and a vegetable all on the same plate” like you would in America, Warr says. It affords eaters time to savor each individual dish.

“I had so much there that I want people to enjoy,” Warr says, and because many of the ingredients that flourish in Tuscany grow well in central Virginia, he feels he can “easily translate Tuscany into Charlottesville” at Tavola.

Although Tavola’s printed menu won’t change—it’s the work of Tavola owner Michael Keaveny, and the restaurant’s backbone, Warr says—Warr brings his Italian trip influence to Tavola’s specials board and the cichetti bar menu, with soups, pastas, antipasto and various meat dishes.

He’s also cooking a multi-course Tuscan dinner on September 29. The dinner is an effort “to translate, with my craft, on a dish, my journey in Italy,” Warr says. “That seems very deep and artistic, but hopefully it’s very approachable.” The menu focuses on well-developed flavors, quality ingredients and top-notch (read: proper) preparation. He’s adapted some of the dishes to better suit the American dining experience, such as the bite-sized beef tongue, cannellini bean and pesto canapé that was inspired by a full plate of beef and beans that Warr ate in Tuscany.

And he’s combining Piedmont proteins with Italian methods as well. Warr watched Cintelli prepare a braised beef sugo (an Italian sauce or gravy) and serve it over potato-stuffed tortelli. Warr’s version features that same potato-stuffed tortelli topped with a ground local rabbit and guanciale sugo (cured pork cheek sauce).

But it’s about more than just food for Warr.

“Five years ago, it was all about the food to me,” Warr says. “I thought that people come to a restaurant to eat, and that the food has to be perfect, and everything else is [secondary] to the food. That’s not the case anymore.”

Partly from working at Tavola and partly from his trip to Italy, he learned that a restaurant is about food, sure, but also about the wine, the drinks, the music, the ambience and the service. It’s about the soil and the sun that grow the tomato and the farmer who harvests it. It’s about the chicken that lays the egg and the chef who mixes the egg with semolina flour to make pasta, and it’s about the family that sits down together to eat it. Food isn’t just cooking and eating; it’s living, and Warr says that realization has transformed his approach to food.

“[I want] people to feel like they’ve been taken good care of,” Warr says.


Bird’s the word 

While in college at Louisiana State University, Warr studied evolutionary genetics, with a particular focus on birds. “I love birds. I love birds. I birdwatch with my nephew, with my son,” he says. “I have many pictures and paintings of birds in my office. I also love to eat birds.”

While in Italy, Warr had a guanciale-wrapped, fire-roasted pigeon dish that he’s dying to recreate at Tavola. “I ate three of them,” Warr says. He loved the clean flavors, the gaminess and the preparation of the dish.

But he’s running into a couple of problems.

In the U.S., we think of pigeons as a nuisance; they’re chubby street birds that peck through leftovers on trash day. But in Italy, they’re domesticated, like chickens, and eaten often.  Would American diners order a pigeon dish?

And then there’s the matter of sourcing the pigeons. They’re not raised here, and he can’t just pluck them from the sidewalk. War says that since returning from Italy, he’s talked with his rabbit farmer about possibly raising pigeons and guinea fowl, all in the hopes of bringing more options to Tavola diners.

Contact Erin O’Hare at eatdrink@c-ville.com

Categories
Living

Brewery wants to tap into the neighborhood

Soon, you’ll be able to sidle up to one of the 45 bar stools at the Random Row Brewing Co. on Preston Avenue and say, “Bartender, I’ll have a random row, please.”

The bartender will choose four different beers for you—a “random row”—but those beers have one essential commonality: They’ve all been made in the big metal tanks you can see on the other side of the bar.

And at Random Row, it’s likely you’ll also see who made what’s in your glass. The brewery is a fairly small operation, run by brewer Kevin McElroy, operations manager Matt Monson and Bradley Kipp, a beer fan who handles the business end of things. When they’re not brewing, they’ll be pulling pints and answering customers’ questions about beer and the brewing process.

Both McElroy and Monson began brewing beer at home, with kitchen equipment in their bathtubs, and Random Row Brewing Co. is the result of many years of testing recipes and learning the best craft-brewing methods. McElroy, who has taken craft brewing courses at PVCC, brewed an imperial stout that placed second overall in the 2013 Dominion Cup.

McElroy and Monson have created 14 Random Row beers so far; 10 of them will be available during opening weekend, including the Method IPA, which is one of their signature beers, plus a Munich dunkel dark lager, a session IPA and a pale ale. A few weeks later, they’ll start to roll out The Hill Lager (the second signature beer), a black IPA an IPL (India pale lager), a rye IPA and a bock.

“We’re almost encouraged to have extreme continual variety,” says Monson, noting that they’ll decide which beers to brew and how much to brew based on customer taste. Their goal is to make and serve about 400 barrels—one barrel is 31 gallons; most kegs are about half a barrel—in their first year. They also plan to experiment with different yeasts and ingredients in some small, one-barrel fermenters to make, say, a small-batch grapefruit IPA.

Named for the Random Row neighborhood it borders (Vinegar Hill was initially called “Random Row”), Random Row Brewing Co. aims to become a neighborhood spot. “We want the people right in this area to come and enjoy the beer,” McElroy says. “We’re not looking for the entire East Coast to drink our beers”—at least not yet. For now, the brewery is the only place you can sip a pint of Random Row beer.

Random Row will open at 4:30pm on Friday, September 16, with food trucks parked outside throughout the weekend. Hours are 4:30pm to midnight Fridays, noon to midnight Saturdays, noon to 8pm Sundays, and 4:30-10pm Mondays through Thursdays. Customers can sit inside at the bar, a small table or in a more communal coffee shop-style area; or they can sit outside on the patio. Most beers will cost $5-6, and you never really know what’s going to be on tap in a given week.

The mix of artistry and science is what keeps the brewing—and beer-drinking—process exciting, Monson says. “We can meticulously plan our recipes, but then you give it to the yeast…yeast makes beer, not people.”

Chinese crêpe

About six months ago, Marco & Luca Dumpling Store owners Dragana Katalina-Sun and Sun Da decided to expand the menu at their Downtown Mall location. They added steamed dumplings, curry dishes and, most recently, jianbing—a savory crêpe that has long been an inexpensive breakfast street food staple in China.

Sun ate a lot of jianbing when he was growing up in Beijing, where the hand-held crêpes are especially popular in the winter months.

To make jianbing, Sun spreads a thin layer of cornflower, wheat and mung flour batter on a crêpe maker and lets it crisp slowly. He breaks an egg over the dough as it crisps, then sprinkles cilantro and green onions on top, drizzling on hoisin sauce and a sriracha-esque spicy sauce and adds sticks of savory fried dough and a filling—either bean sprouts, pork, chicken or beef—before folding the crêpe disc into a sizable, pillowy packet of flavor and texture.

Sun is still trying to perfect his recipe—he’s aiming for crunchiness and flavor—and Katalina-Sun says they’re hoping to make the jianbing batter and fried dough strips gluten-free. And, in keeping with Marco and Luca tradition, jianbing is a fairly affordable meal—$5.50 for vegetarian and $6.50 for a meat option.

 Contact Erin O’Hare at eatdrink@c-ville.com.

Categories
Arts

‘Cville Galaxy’ challenges the Guinness World Record

According to Guinness World Records, the world’s largest cardboard sculpture, a massive 33′ x 33′ cardboard castle built in April and decorated by art students, is located in D-Park mall in Kowloon, Hong Kong, China.

But probably not for long.

Matthew Slaats has plans for IX Art Park to take over that honor on September 10, with a 35′ x 35′ “Cville Galaxy,” planned around an 18′ cardboard rocket ship surrounded by curls of smoke, stars, planets, a telescope, statue and other objects all made of new and recycled cardboard.

Slaats, former director of The Bridge PAI, is now creative director of PauseLab, a Thomas Jefferson Planning District Commission-sponsored placemaking and design-thinking initiative. He says he began PauseLab years ago when living in New York, as a way to “use art and activity to get people to engage with their city in a new way.” He hopes “Cville Galaxy” will do just that.

Maia Shortridge, a local high school student who helped develop the project, says the galaxy theme “represents a new C’ville that has endless possibilities and is open to your own imagination and interpretation, just like a new galaxy.”

“For some people, especially children, public art is their only chance to experience and see art,” and “we really wanted to give communities a chance to express themselves and have their voice heard through art,” Shortridge says.

Slaats and Shortridge, along with Deveny Watson (another high-schooler) and a team of volunteers, have already started to build the structure. They plan to create the smoke for the rocket ship during the community event at IX; people will be invited to write their hopes for Charlottesville’s future on the cardboard clouds coming from the rocket boosters.

“Cville Galaxy” will kick off the beCville project, a yearlong venture that enables residents of the south side of Charlottesville to decide how they will spend $15,000 on public art. They can choose to fund after-school art programs, community block parties, murals of important local figures, mixtapes of neighborhood music or just about any other creative endeavor.

Slaats hopes the cardboard sculpture project spurs the imagination and in the process provokes greater social connectedness among Charlottesvillians. Our community can be so overwhelmed by heavy challenges, says Slaats, citing economic inequality and improving education, that we often don’t know where to begin solving them.

By doing something creative, he says, people start talking more. They open up, get to know each other. They build relationships through small projects like building a cardboard rocket ship and galaxy, and thus will be more capable of tackling big issues together. The more connected we are, the stronger we can be together, says Slaats, whether they break the Guinness World Record or not.

Just super

Kary-OK? is a jilted bride deep in the midst of an emotional purge. “It’s pretty serious,” Sidney Lyon says of her Charlottesville Lady Arm Wrestling persona, but she has a catharsis: karaoke.

On stage, Kary-OK? is emotionally unpredictable; one moment she’s flouncing her wedding dress and laughing with her bridesmaids, the next minute she’s crying hysterically between bouts of singing anthems of heartbreak and fitfully eating fistfuls of stale wedding cake.

The character is all about calling into question how society views love and romance; we tend to hold our partners to impossibly high standards and thus find ourselves disappointed, Lyon says, adding, “I like to rifle through my emotional baggage on stage.”

Lady arm wrestling is part pageant, part philanthropy, and on September 11, Lyon will head down to SuperCLAW in New Orleans to compete with lady arm wrestlers from all over the country and raise money for Project Ishmael, a legal clinic mostly for undocumented minors.

BRING IT

Here’s who Kary-OK? will attempt to strongarm into submission in New Orleans: Pearl of the Atlantic (Portland, Maine), Steel Magnolia (New Orleans), Angela Slamsbury (Durham, North Carolina), Minnie Mayhem (Baton Rouge, Louisiana), Sister Patricia Pistolwhip (Los Angeles), Marie ARMtoinette (Olympia, Washington), Gina Tonic (Austin, Texas)

Kary-OK? didn’t have to defeat the likes of Charlottesville’s Cat Hiss Everman, Princess DIEries, Debutaint, Don Toe-lee-own, SparKILLS or Nance Armstrong to get to SuperCLAW. “Due to our hectic upper-body workout schedules” the wrestlers don’t have a lot of extra time to travel, Lyon jokes. She was available, though, so she’s packed up Kary-OK’s wedding dress, rounded up her entourage of bridesmaids and even practiced a new karaoke tune, John Legend’s “All of Me.” With lines such as “You’ve got my head spinning, no kidding, I can’t pin you down,” and “You’re crazy and I’m out of my mind,” Lyon says this is a particularly fun one to belt out while in character.

Prepping for SuperCLAW is “kind of like getting ready for a wedding,” Lyon says with a laugh.

Lyon notes that since CLAW began in Charlottesville, it has raised more than $80,000 for women’s and children’s programs in the community, and she’s excited to embody Kary-OK? on a national stage for a good cause. “It doesn’t get any better than theatrical, philanthropic lady arm wrestling,” she says.

Categories
Living

Food cart owner to open restaurants in Crozet

On Thursday, August 25, Smoked BBQ Co. served its last bite of barbecue to a long queue of hungry lunch-goers.

At least for the time being.

Smoked fans can pencil in late October for when they’ll be able to dig in to a plate of barbecue and other Southern comfort food made by Smoked owner Justin van der Linde and his sous chef, Kent Morris.

They’ll have to head to Crozet to get their fix, but the drive is as long as the wait in line to get lunch from the food cart used to be—about 20 minutes.

Smoked Kitchen and Tap will open on the ground floor of the Piedmont Place building in downtown Crozet and will offer Smoked BBQ’s signature dishes—brisket, ribs, pulled pork (dry-rubbed and sauced) and some new items, such as fried chicken, burgers, sandwiches and salads. They’ll also serve hush puppies and fries, and will have 10 local beers in rotation on tap, all highlighting the 151 trail, van der Linde says.

“It’s a massive scale-up…and I hope it’s big enough,” he says, his blue eyes wide beneath the brim of his hat. “The crowd made it happen,” he says, noting that with lines 30 to 50 people deep, the Smoked cart ran out of food almost every day by 1pm; it was a late day when they were still serving at 1:15.

The Smoked duo will also have a space on the fourth floor of the building, to be called The Rooftop, which will open a few weeks after the ground-floor restaurant and offer items like wood-fired pizzas topped with house-cured meats, plus local beers and craft cocktails well-suited to Southern food. No word yet on who will be behind the bar.

Van der Linde says they’ll get a little more experimental with The Rooftop (which has spectacular views of the mountains) but you won’t see any avocado foam here. “I like simple food,” he says. He believes there’s a movement toward simple food on the horizon, and he’s excited about it. Van der Linde plans on continuing Smoked BBQ Co. as a catering arm of the new restaurant. It’ll be a lot to manage, he says, but he’ll still wake up in the wee hours of the morning to light the coals and cook with the same motivation he’s always had—that everybody deserves good food.

Fellini’s reopens

After just more than a year away, Jacie Dunkle is back at the helm of Fellini’s #9.

Fellini’s was closed for about 10 days at the end of August while Dunkle and her husband, Gary, scrubbed tables, rehung the mirrors and pendant lamps they took down not long ago and applied for ABC and business licenses, which cannot be transferred between owners.

“I’m excited to give it back to the community the way we all remember it,” Dunkle says of the restaurant she ran for more than 10 years and sold to another family in June 2015. Former co-owner Melissa Ragland says the hand-off back to Dunkle was due to her wanting to spend more time with her family.

Fellini’s re-opened on Wednesday, August 31, but there’s still work to be done to return that former Fellini’s flair, Dunkle says. She plans on painting the walls a darker color to reintroduce a soft-lit, romantic atmosphere to the restaurant. She’s also looking for a new executive chef to add fresh, seasonal dishes to the menu. Right now is the perfect time to have a caprese salad with fresh heirloom tomatoes, and a pasta-free lasagna, where grilled squash and zucchini take the place of the wide, flat lasagna noodles, Dunkle says.

Fellini’s will continue to have its signature piano music, plus live music late on Thursdays, Fridays and Saturdays. Dunkle also plans to host First Fridays art openings, likely starting in October.

Dunkle, who also owns Tin Whistle Irish Pub, has plans to open her third restaurant on Market Street—The Salad Maker—this fall. It’ll be a grab-n-go place with a few tables, open six days a week for lunch and early dinner, so stay tuned for more on that.

But, for now, Dunkle promises that even though she’ll be zipping up and down Market Street, running Fellini’s and Tin Whistle while opening The Salad Maker, Fellini’s is “in good hands. It’ll be fine.”

Tasty Tidbits

Goes together like beer and cookies…Taste for yourself at Jack Brown’s Beer & Burger Joint on Thursday, September 8. After 6pm, buy a flight of Allagash brews and get four small bite-sized cookies to pair with each beer. Revamped happy hour…Red Pump Kitchen is changing up its happy hour specials at the bar and alfresco café from 5-7pm Wednesday through Sunday. Look for beer, select wine and cocktail specials ($4-8) and small plates such as blistered shishito peppers with spicy aioli, antipasto and flatbread, for $7 or less. Trading places…Chef John Shanesy, most recently of Parallel 38, has taken over the kitchen at Petit Pois. Extra shot… This fall, Grit Café will open a fourth location at The Shops at Stonefield, in the former Press Coffee space. Mucho Mexican…Like free guac? You’re in luck. Last week, Qdoba Mexican Eats, which serves free guacamole with its entrées, opened on Lenox Avenue, near Costco and behind The Shops at Stonefield. The fast-casual chain also features loaded tortilla soup, queso nachos, burritos, burrito bowls and more.

Categories
Arts

Booking team Camp Ugly breaks through the velvet rope

In May 2015, housemates Judith Young and Will Mullany went to the Paramount Theater for a screening of Salad Days: A Decade of Punk in Washington, D.C. (1980-90). In the cushy theater seats, they watched how the early D.C. DIY scene unfolded, how now-legendary bands such as Bad Brains, Minor Threat, Government Issue and Fugazi released their own records, booked their own shows and eschewed major record label and mainstream media in the process. They left inspired to start a venue of their own in support of independent music.

Young and Mullany, both recent UVA grads and former WXTJ 100.1 FM student DJs, began hosting shows in their house on Gordon Avenue for the station. They called the effort Camp Ugly. High school and college students packed into their living room and kitchen, spilling out onto the porch, to hear local bands like Cream Dream and New Boss.

But they wanted to do something that would meld the student music scene with the city music scene. While sitting at Milli Coffee Roasters on Preston Avenue one afternoon, Young looked up at the ceiling and noticed stage lights hanging from the ceiling; she thought it would make a cool place for a show.

Young e-mailed Milli owner Nick Leichentritt and asked: “Can I book shows here?”

Leichentritt responded almost immediately: “Yes.”

And thus began Charlottesville’s latest DIY music initiative: Camp Ugly shows at Milli.

Every Friday night, bring $5 to Milli and get a red ink Camp Ugly heart stamped on your hand and hear a handful—sometimes three, sometimes two or four—of local and touring independent bands.

Camp Ugly has one major principle: Book talented, diverse musicians who play good, diverse music, and pay them for their art.

But that’s easier said than done. It’s a challenge to find bands that aren’t full of white dudes playing indie rock, they say. And while both admit that they love plenty of bands full of white dudes playing indie rock, they don’t want to perpetuate the status quo.

“What purpose are we serving by maintaining the only thing that there is?” asks Mullany.

They’ve booked Those Manic Seas, an alt-rock band whose lead singer has recorded a DVD of his performance played through an old TV propped up on the neck of a mannequin. They’ve hosted Charlottesville ex-pats Left & Right (an all-white, all-dude rock band). They have a hip-hop show planned for September 16 and a free computer-music and jazz improv night booked for October 7. “You come in with the expectation that what you see might be totally off the dome,” says Mullany. They envision all-female bills, electronic and bluegrass acts and maybe even an all-Jewish klezmer show.

“The philosophical debates that we have about music don’t show well in our calendar,” says Young. At least not entirely, not yet. They’re still trying to seek out diversity in race, gender and sound—and for good reason.

“Women, non-binary folk and people of color have different perspectives in their music,” Young says. “They are detailing different narratives that people really need to hear.”

It’s important that everyone have a musical platform, Mullany says. “When it becomes apparent in music, as it has, that certain types of people or backgrounds aren’t getting the same sort of treatment or presence in the community that others are, it’s time to take a hard look at why this is, and what you can do to help.”

Leichentritt says these intentions are what led him to agree to a Camp Ugly/Milli partnership in the first place, along with Young and Mullany’s promise and ability to come through on their word. “I’ve been happy to work with them,” he says, noting that both Young and Mullany know what they’re talking about. “They do a good job.”

All of the door money goes to the bands; Camp Ugly doesn’t take a cut, and neither does Leichentritt, though he profits from coffee, beverage and food sales made during the show. Bands are paid on a weighted scale that considers the number of band members and distance traveled, and Young says she tries to pay them as fairly as possible for their time and their art.

“Women, non-binary folk and people of color have different perspectives in their music,” Judith Young says. “They are detailing different narratives that people really need to hear.”

Camp Ugly joins the ranks of more established DIY venues like Twisted Branch Tea Bazaar and Magnolia House, but Young and Mullany are quick to note that they’re not looking to compete for bookings. At first, they say they worried about whether Camp Ugly would be a detriment to the local DIY scene by diluting it. “But I don’t think so,” Mullany says. “I think there’s more room to get people into it.”

When Magnolia House booked three of Charlottesville’s most popular bands, New Boss, Night Idea and Second Date, for September 9, Camp Ugly decided to take the night off rather than compete for the audience. They still might put on a show, but it’ll be for a different crowd—bluegrass, or jazz, instead of indie rock. “Magnolia is not an enemy,” says Young. “We’re trying to achieve the same goal.” And that is getting more ears tuned in to live music.

Mullany hopes that having yet another DIY venue will inspire more people to play music—and more diverse music at that—around town. “Sometimes bands will form when there’s an opportunity to play that isn’t being filled,” he says. “I hope that more places to play means more people playing music. I don’t know how true that will be, but I would like there to be more people performing in Charlottesville.”

Categories
Arts

First Fridays: September 2

“There’s something compelling about taking something small and making it large,” says local artist Lou Haney, whose gouache on yupo paper paintings of larger-than-life fruit at various stages of maturity will hang at The Garage in September. “When an object normally fits in your hand,” she says, you have to reconsider your relationship to it when you see that object blown up and bigger than your head. While looking at an enormous split fig or a gigantic cut strawberry, the viewer must consider many things—exterior seeds, interior cavities, taste memories—and lament the fleeting nature of freshness.

FF The Bridge Progressive Arts Initiative 209 Monticello Road. “The Blissful Dark,” featuring work by Jack Graves III. 5:30-7:30pm.

FF C’ville Arts Cooperative Gallery 118 E. Main St. “A Modern Approach to Felt Making,” featuring whimsical felted art by Karen Shapcott. 6-8pm.

FF Chroma Projects Gallery 201 E. Main St. “Realism Unbound: Observation as Narrative,” featuring paintings by John Randall Younger and Elizabeth Crawford. 5-7pm.

The Fralin Museum at UVA 155 Rugby Rd. “The Great War: Printmakers of World War I,” featuring prints depicting combat scenes in France and the Near East; “New Acquisitions: Photography,” featuring work from Danny Lyon, Shirin Neshat and Eadweard Muybridge; “Icons,” by Andy Warhol; and “On the Fly,” featuring sculpture by Patrick Dougherty.

Gallerix 522 Second St. SE. “Blue Ridge Landscapes,” featuring acrylic paintings by Laura Wooten. September 3-15.

FF The Garage 250 First St. N. “Ripe,” featuring paintings and drawings by Lou Haney. 5-7pm.

FF Graves International Art 306 E. Jefferson St. “Masters of Contemporary Art,” featuring limited-edition original prints, exhibition posters, stone lithography, drypoint etching and more by Ellsworth Kelly, Salvador Dalí, Georges Braque, Damien Hirst, David Hockney, Keith Haring, Roy Lichtenstein, Sam Francis, Philip Pearlstein, John Chamberlain, Andy Warhol, Gerald Laing, Joan Miró, Josef Albers and more. 5-8pm.

FF Les Yeux du Monde 841 Wolf Trap Rd. “Picasso, Lydia and Friends, Vol. III” featuring prints by Pablo Picasso, paintings by Picasso scholar Lydia Gasman and work by William Bennett, Anne Chesnut, Dean Dass, Sandra Iliescu, David Summers and Russ Warren. 1-5pm.

FF Live Arts 123 E. Water St. “Intermission,” featuring oil paintings and work on paper by Nym Pedersen. 5-7pm.

FF McGuffey Art Center 201 Second St. NW. “Going Beyond the Window,” featuring work from John A. Hancock’s “Shaped Landscape” series in the Sarah B. Smith Gallery, and the 25th annual Central Virginia Watercolor Guild exhibition in the Lower and Upper halls. On view through Sunday, October 2.

Northside Library 705 Rio Rd. W. A group exhibit by BozART Fine Art Collective. Through September 30.

FF Old Metropolitan Hall 101 E. Main St., Downtown Mall. “Pastoral Propaganda,” featuring paintings about small-town life by Melissa Malone. 4-7pm.

Shenandoah Valley Art Center 26 S. Wayne Ave., Waynesboro. An exhibit featuring the artwork of the BozArt Fine Art Collective. Through October.

FF Second Street Gallery 115 Second St. SE. “Bitter, Sweet and Tender,” featuring photography, currency, sculpture and textile by Richmond-based artist Sonya Clark. 5:30-7:30pm.

FF Studio IX 963 Second St. SE. “Broken is Beautiful,” featuring acrylic works by Aimee McDavitt. 5-7pm.

FF Spring Street Boutique 107 W. Main St. “Sea Life,” featuring oil on canvas by Leslie Wade. 6-8pm.

FF Welcome Gallery at New City Arts 114 Third St. NE. “I Am A Man,” an exhibit featuring photographs, sculpture, mixed media and paintings by Hank Willis Thomas. 5-7:30pm.

FF WVTF & Radio IQ Studio Gallery 218 W. Water St. “Wasteland,” featuring mixed media work by David Borszich.

Categories
Living

Barbie’s Burrito Barn brings CaliMex to C’ville

For more than 20 years, every time Barbie Brannock cooked California-style Mexican food for her friends, they’d ask, “When are you going to open a restaurant?”

They weren’t so much asking as they were insisting, says Brannock, who learned to cook in her mother’s Southern California kitchen, and was a Peace Corps worker, an artist and a preschool art teacher before finally opening her CaliMex takeout joint, Barbie’s Burrito Barn, three weeks ago in a stone cottage under the Belmont Bridge.

“I think it was meant to be in this weird little spot,” Brannock says, adding that she opened her modest eatery to cook and share the food she loves.

Brannock loves the texture of CaliMex food, how melted cheese, chewy tortilla, crisp cabbage, soft cilantro and creamy avocado mix together in a single bite of guacamole tostada. “It really plays with your mouth,” she says.

She wears brightly colored aprons while preparing everything herself, from soaking and cooking the beans to slicing, salting and frying the tortilla strips, all in a tiny kitchen with bright floor tiles.

Everything at Barbie’s Burrito Barn is made to order and wrapped to-go. Customers can stop in and order from Brannock herself, or they can call in their order to pick up later. Brannock’s menu of vegetarian and meat burritos, tacos, tostadas, chopped bowls and strips (her take on chips) with salsa and guac is simple, and with the most expensive item ringing up at around $7, it’s affordable. And it’s healthy to boot: Add-on side dishes include jicama slaw and chili-lime cucumbers.

Customers can eat at one of the small tables inside or out, or many take their burrito barn bounty around the corner to the Champion Brewing Company patio. Barbie’s doesn’t serve alcohol, but it does offer bottled water and soft drinks, including sweet Jarritos.

“It’s like I’m feeding people from my heart, or my mother’s,” Brannock says. “It’s not fancy food, but it’s yummy food.”

Farm to brewery

Woodridge Farm in Lovingston has grown and supplied grain for Virginia breweries such as Blue Mountain, Champion, Devils Backbone and Lickinghole Creek for several years. But now they’re getting into the beer-brewing game themselves, as Wood Ridge Farm Brewery.

This will be the fifth brewery and first farm brewery in Nelson County, which, for the record, still has just one traffic light.

Wood Ridge Farm Brewery is unique in that it grows, malts and roasts 100 percent of the grains—rye, wheat, barley and oat—used in its beers. Clay Hysell, the brewery’s general manger, says they grow their own hops, too, but often have to outsource them because the Virginia climate is not ideal for most varieties.

“It’s a great feeling to drink a beer while overlooking the land it came from,” Hysell says. “To an extent, it’s like terroir with wine” or food. Farm owner Barry Wood tapped Nicholas Payson, formerly of Winnetou Brauerei in Mount Airy, North Carolina, as head brewer. In advance of the brewery’s September 10 opening, Payson has created a kolsch, IPA, pale ale, porter, blonde ale and a shandy.

When pressed to name a favorite, Payson says he’s partial to the porter. “I love this beer because I use no additives to achieve the flavor.” The creamy, mocha coffee notes come from the grain, he says.

But all of this is just to start, says Hysell, noting the farm will continue providing grain to other breweries, as well. “We’ll have even more fun later on.”

They’re all winners

The Olympics wasn’t the only fierce competition going on this summer. While athletes from around the world were winning medals, local food and drink purveyors racked up some major accolades of their own.

Castle Hill Cidery’s port-like 1764 cider won Double Gold and Best of Category-Fortified in the inaugural Drink Outside the Grape competition held in town earlier this month.

At the 2016 Virginia Craft Brewers Guild Virginia Craft Beer Cup Awards last weekend, Scottsville’s James River Brewery took home first place, Best of Show, and first place, British Bitter for its River Runner ESB, a take on a traditional English bitter brewed with pale and crystal malts and British hops. Many other local brews received nods as well, including Pro Re Nata’s Old Trail Pale Ale American pale ale; Starr Hill’s Jomo Vienna lager, The Love German hefeweisen and Sublime Belgian wit; South Street’s My Personal Helles lager and Peanut Butter Cup Barrel-Aged Soft Serve American porter; and Three Notch’d’s No Veto brown ale and Ghost of the 43rd pale ale.

To top off the wins, Hudson Henry Baking Co.’s cashew and coconut granola, made by Hope Lawrence in Palmyra, was a 2016 Sofi finalist in the Breads, Muffins, Granola or Cereal category at the Specialty Food Association’s Summer Fancy Food Show in New York City in June.

Send your food news to: eatdrink@c-ville.com

Categories
Living

Korean fried chicken and sushi bowls come to UVA

Han Lee and his wife, Mi Eum, moved to Charlottesville from Maryland about a month ago to open casual sit-down Korean restaurant Zip Chicken on 14th Street, across from Boylan Heights and smack dab in the middle of the Corner restaurant scene. “I know Korean isn’t as big here as it is in big cities,” he says, “but I think young people will be willing to try it out.”

Zip Chicken’s signature item is Korean fried chicken, which is lighter than its American cousin because the meat is battered with a light flour and cornstarch mixture, then fried for 10 minutes, shaken—this puts some air back into the chicken and makes it tender and juicy, says Han—and fried a second time.

It pairs nicely with beer and is well-suited to college students, Lee says.

Zip Chicken will also offer meat and tofu bibimbap bowls, salads, potstickers, kimchi and, Lee’s favorite, bulgogi—a dish made with marinated ribeye, soy and garlic sauce, hot pepper paste, lettuce, onion, mushrooms, carrots and sesame seeds. Korean food tends to be fairly healthy (and spicy), and Lee says he wants to give Charlottesville “a [new] taste, a different choice,” when it comes to casual eating options. The restaurant is scheduled to open this week.

Got Dumplings owners Phung Huynh and Bo Zhu saw a need for fresh, healthy options near UVA, and started serving mix-and-match sushi bowls last week at Poke Sushi Bowl. Photo by Eze Amos
Got Dumplings owners Phung Huynh and Bo Zhu saw a need for fresh, healthy options near UVA, and started serving mix-and-match sushi bowls last week at Poke Sushi Bowl. Photo by Eze Amos

Last week, on the ground floor of the same building, Poke Sushi Bowl began serving up Hawaiian poke—a fresh, raw fish salad that borrows ingredients and flavors from Japanese sushi—with a modern, takeaway twist. Think Chipotle or Roots Kitchen, but with sushi ingredients.

“I feel like there’s a need…for fresh and healthy items” on the Corner, says owner Phung Huynh who, along with her husband, Bo Zhu, also owns and runs Got Dumplings.

Customers can order a signature bowl or build their own with a choice of white or brown rice; proteins such as salmon, yellow tail or organic tofu; mix-ins such as cucumber, kale or edamame; housemade sauces like ponzu citrus and miso glaze; and toppings including seaweed salad, ginger and onion crisps.

Huynh is particularly fond of The Corner bowl, with salmon, mango, cucumber and avocado mixed with sweet and hot sauce and topped with eel and sesame seeds (add seaweed salad and ginger for an extra kick). The dish is an homage to Huynh’s 8-year-old daughter who loves the smoky, barbecue flavor of eel and begged Huynh to include it on the menu.

Changes in Crozet

Concluding with its dinner service Saturday, August 20, Three Notch’d Grill closed after dishing out casual American fare in Crozet for nearly 11 years. In a press release issued by the restaurant, chefs and managers Cathy and Hayden Berry say they “have decided to hang up their aprons and kick back for a bit before seeing what adventures lie ahead.”

But 5790 Three Notch’d Rd. won’t be empty for long. Current Southern Way Cafe chef Jason Fitzgerald and general manager Kellie Carter plan to open SWAY Taphouse & Grill in October. Carter says that Southern Way has outgrown its space at 5382 Three Notch’d Rd., and the entire operation—chef, kitchen staff and servers—will move down the road as SWAY. Fitzgerald will continue to hickory-smoke whole pigs (his specialty), serve up barbecue, grits, specialty burgers and more.

Redshaw leaves Timbercreek; Yoder takes the helm

Later this month, Allie Redshaw will leave her post as executive chef at Timbercreek Market, and for a very good reason: to open a restaurant of her own. Redshaw, known for her new-school American cooking and modern, locally sourced gourmet cuisine, told C-VILLE Weekly that she leaves Timbercreek “on good terms,” and that she “didn’t want to take away from the  market” while she planned her own venture. “I figured if I was going to be working as hard as I was, I might as well have some skin in the game and do it for myself,” she says, adding that she and her business partner will reveal their concept and location soon.

Redshaw opened the café at Sara and Zach Miller’s Timbercreek Market last June and before that served as sous chef at Pippin Hill; former Clifton Inn executive chef Tucker Yoder will succeed her at Timbercreek.

Sara Miller says she’ll miss Redshaw’s creativity behind the café counter, but she’s glad to have Yoder (her top pick to fill the post) on board. “Who wouldn’t want Tucker Yoder cooking for you?” she asks. Miller says that Yoder is a particularly good fit for Timbercreek because his approach to food, like the market’s, “is all about the raw product.”

Yoder, recognized for his exquisite treatments of local ingredients, served as executive chef of Clifton Inn for four years before stepping down in December 2014. Since then, he’s worked on various food projects, including a pop-up restaurant and catering.

“I have always been fond of working with local farms and farmers, and [this] seemed like a good opportunity to work directly with a great local producer,” Yoder says of his new gig, adding that Virginia farmers grow “some of the best produce on the East Coast. It’s an easy option to search out great raw ingredients and let them shine.”

Categories
Living

Cold-brew coffee isn’t a watered down version of the original

It’s been really hot. We’re all sweaty and sluggish, and most of us could use a good jolt to get through the dog days of summer.

Enter iced coffee, which, on a steamy day, can taste like the ambrosia of the gods…as long as it’s done right.

Brew a regular cup of coffee, let it cool and drop in a few ice cubes and you’ll be left with a bland, weak, watered-down brew. It might cool you down, but it won’t taste very good. There’s an art to brewing a flavorful glass of iced coffee, and coffee shops and markets all over town are mastering it with different techniques.

None of them are necessarily better than others, it’s just “a matter of preference,” says Milli Coffee Roasters owner Nick Leichtentritt.

Here are some of the methods local coffee shops are using right now.

Cold brew

A few years ago, almost nobody was cold-brewing coffee, says Shark Mountain owner and head coffee roaster Jonny Nuckols. Now, it’s all the rage, probably because the cold-brew method yields a smooth, flavorful, non-acidic beverage ideal for adding some cream and sipping slowly, he says.

Cold-brew coffee is a distinct way of brewing. As its name implies, it never touches heat. To create a batch of Shark Mountain cold brew, Nuckols finely grinds a light-roast coffee and adds the grounds to a filter bag within a nylon bag inside a five-gallon bucket. He pours about three gallons of cool water onto the grounds and lets the mixture soak for 20 to 24 hours. Then, he pours the filtered, concentrated brew into a five-gallon keg and adds water to bring the brew to a normal, but still fairly strong, strength. It’s dispensed from the keg and poured over ice as customers order.

This method extracts good flavors from the bean while leaving out the bitterness found in hot coffees, says Nuckols. Depending on the bean used, you’ll taste more chocolate, nut and berry flavors than you might with a hot cup of coffee, but you won’t get as robust a flavor profile, because high temperature is what ultimately draws out all of those notes. But still, “cold brew is definitely a good thing for the coffee industry,” he says. You can try Shark Mountain cold brew at Studio IX or at the iLab at Darden.

Shenandoah Joe’s Brain Freeze is also a cold-brew iced coffee. Owner Dave Fafara says his shops use a blend of coffees created specifically for iced coffee. Their 16-hour, triple-strained cold brew is popular: Fafara estimates that, during the summer, Shenandoah Joe moves between 100 and 125 gallons in Charlottesville each week. And JM Stock Provisions also sells cold brew—you can take home a growler of it—which they brew in-house.

Japanese style

Over at Milli Coffee Roasters on the corner of Preston Avenue and McIntire Road, Leichtentritt uses the Japanese-style iced coffee method. The resulting brew is “a little more well-balanced,” he says. “One of the big selling points of cold-brew coffee is that people say it’s very low-acid.” But, to him, “that little bit of acid is what helps make a good, balanced cup of coffee.”

Like cold brew, the Japanese-style method begins with finely ground coffee and a filter, but this method uses hot water. “It’s essentially like brewing really strong coffee” that is immediately poured—and thus cooled and diluted—over ice, Leichtentritt says. The cooled coffee is then stored in a carafe and poured over ice once again upon serving.

Cooling the coffee right away is the key. High temperatures bring out a coffee’s flavor, but the longer a brew is exposed to air as it cools, the more those flavor-packed compounds break down. Cooling the coffee quickly, with ice, helps trap and preserve those compounds.

Other shops around town, including Atlas Coffee and Mudhouse, make their iced coffee using a similar process. It’s the easiest way to make a lot of iced coffee quickly, says one Mudhouse barista.

Nitro

Nitro coffee, one of the latest coffee trends, is more like a craft beer than a brewed coffee, says Snowing in Space Coffee Co. co-owner Paul Dierkes. Nitro isn’t served on ice, but it is cold brewed and served cold from a keg. It tastes great black, but if cream and sugar is your thing, pour ’em in.

To brew nitro, Snowing in Space cold brews coffee on a large scale, kegs it, then pumps nitrogen gas into the keg at a high pressure for a long time to essentially agitate the brew. It’s served directly from the keg’s tap. Dierkes likens the resulting brew to a Guinness (a nitrogenated beer); it’s smooth, thick and creamy, with a foamy head.

Snowing in Space sources its beans from Shenandoah Joe and offers three single-origin brews, including the straightforward, nutty Brazilian Gimme-Dat and the unusual blueberry Lil Blue, and plans on introducing more varieties, including a cocoa mole flavor, soon. “The goal is experimentation,” Dierkes says while admitting he’s not a coffee connoisseur. “Let’s get experimental with styles and flavors and get interesting coffees to people.”

You can try Snowing in Space’s nitro coffee at Paradox Pastry, Keevil & Keevil Grocery and Champion Brewery. But it isn’t the only nitro in town—Shenandoah Joe and Mudhouse offer it as well.

Categories
Living

Allie Redshaw leaves Timbercreek Market to open own restaurant

Allie Redshaw will leave her post as executive chef at Timbercreek Market later this month, and for a very good reason: opening a restaurant of her own. Redshaw, known for her new-school American cooking and modern, locally-sourced gourmet cuisine, told C-VILLE Weekly that she leaves Timbercreek “on good terms,” and that she “didn’t want to take away from the market” while she planned her own venture.

“I figured if I was going to be working as hard as I was, I might as well have some skin in the game and do it for myself,” she says, adding that she and her business partner plan on launching their concept and location soon. Redshaw opened the cafe at Sara and Zach Miller’s Timbercreek Market last June and before that served as sous chef at Pippin Hill.