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Although Charlottesville is a Welcoming City, undocumented immigrants still live in fear

The first time Maria’s husband was ticketed for driving without a license was after being stopped because of a broken taillight. The second instance occurred after he hit a deer. 

Both Maria and her husband are undocumented immigrants living in Charlottesville. They settled here after fleeing their native El Salvador due to a civil war and the accompanying wave of gang violence that threatened their family’s lives.

In Charlottesville and Albemarle County, undocumented immigrants most often run into trouble with local governments over their lack of driver’s licenses. Absent a birth certificate, even the most competent driver cannot obtain a driver’s license in Virginia. This turns any minor traffic infraction into a potentially life-ruining event.

“I am always very scared, I live in fear every day,” says Maria. “Every day we leave the house, we don’t know what could happen.”

We all know Donald Trump will be sworn in as the 45th president of the United States January 20. But since he was elected as president in an Electoral College win over Hillary Clinton’s popular vote victory, communities across America have been divided by how best to protect their immigrant populations. During his campaign, Trump promised to round up undocumented immigrants and block Muslims from entering the country in a manner that Eva Schloss, stepsister of Anne Frank, compared in Newsweek to Adolf Hitler’s purge of Jews from Germany.

One often-discussed option is the idea of becoming a sanctuary city. Sanctuary cities officially declare their refusal to gather information about the immigration status of people through traffic stops and other routine interactions between civilians and city employees. But Trump has pledged to cut off all federal funding to communities that become sanctuary cities. What would this mean for Charlottesville?

According to Charlottesville City Treasurer Jason Vandever, in fiscal year 2015 the city received $24,083,689 from the federal government, “both directly and passed through state agencies.” Roughly $10,532,325 was provided by the Department of Transportation alone. The Department of Agriculture contributed $2,712,498 for food assistance, including the school lunch program. And millions more are provided by the Department of Education, including $100,000 for adult English literacy and civics education intended to prepare immigrants for naturalization.

No president of the United States has the sole authority to suspend allocation of money previously budgeted by Congress to municipalities, including Charlottesville. But Trump has nevertheless insisted he will do this. With his party in control of majorities in the House and Senate and an anticipated majority on the Supreme Court, it isn’t clear that any legal violations by the administration would be met with consequences.

Maria taught math and physics in El Salvador, but her certification as a teacher, and as a competent driver, is not recognized in America. Here, she cleans houses. And she takes the bus everywhere because she is afraid of what might eventually happen if she drives a car.

If her husband is stopped a third time and charged for driving without a license, he will be taken to jail, and his immigration status could automatically be shared with federal authorities. That can result in being deported.

The means of deportation after arrest for driving without a license would typically be an Immigrations and Customs Enforcement detainer. When a prisoner is about to be released from jail (after bail has been paid or the charges have been dismissed), federal immigration authorities are notified that an undocumented immigrant is being held in jail and will be out on a particular date.

Representatives of the Charlottesville and Albemarle County police departments have expressed in community workshops with Sin Barreras, a local nonprofit that provides services to undocumented immigrants in the Charlottesville community, that they do not want their officers to inquire as to the immigration status of people they come in contact with. But in practice, this unofficial policy has not always been followed.

“We know from the Hispanic community…there are officers who do not follow those informal policies and do ask immigration [questions] even though perhaps they shouldn’t,” says Frank Sullivan, a Sin Barreras board member. “We think it’s important, and we would encourage the city of Charlottesville, city managers and Board of Supervisors of Albemarle County that this will be a welcoming city, such as Santa Fe, New York, Chicago and Washington, D.C., where police have a policy not to ask immigration questions.”

Some of these cities, including Santa Fe and New York, have been unabashed about declaring themselves sanctuary cities. But these are cities in states that do not have Virginia’s Dillon Rule, a set of legal precedents that prevents Virginia municipalities from passing laws other than those from a set of options presented by the commonwealth’s government. New York City can levy an income tax, or nearly any other source of revenue it wishes, to compensate for lost federal or state income. Charlottesville cannot.

Undocumented issues

Sin Barreras was created five years ago and operated until 2016 as an all-volunteer organization (it now has one part-time paid staffer). In its tiny office on the second floor of the Jefferson School City Center, its members advise immigrants about legal matters, access to health care and any issues they have while trying to adjust to life in an unfamiliar country with a government they find difficult to understand. It is the only organization in Charlottesville devoted primarily to assisting undocumented immigrants—in 2015 Sin Barreras responded to 1,600 phone calls, including emergency calls late in the evening.

One call was from a Mexican woman who explained through tears that her son was taken from a court appearance directly to jail and she didn’t know where he was. The nonprofit used its contacts with the police to locate him, and assured the mother her son was well and would be home in four days. And the group has helped more than 200 people who were brought to the U.S. as children receive DACA status, a renewable two-year period of deferred action from deportation and eligibility for a work permit, through an Obama administration policy.

But the group’s No. 1 issue is undocumented immigrants’ lack of access to Virginia driver’s licenses. The commonwealth does not issue licenses to undocumented immigrants, even if they can pass a driving test and provide proof of identity through documents such as birth certificates, passports or driver’s licenses from their home countries. The lack of a driver’s license means that a bad bulb in a taillight or a missed turn signal can suddenly turn an ordinary trip to work into a nightmare. Driving without a license is illegal, and multiple offenses will result in a trip to jail, where ICE might intercept and deport them.

“I know that our jail board has taken a position that they won’t hold people on ICE detainers,” says Kristin Szakos, a Charlottesville city councilor. “They don’t have to—after their time is up, they are released.”

This means that the local jail releases immigrants immediately on a judge’s order, rather than holding them until federal authorities come to get them.

The Charlottesville City Council issued a proclamation on October 5, 2015, declaring itself a “welcoming city.” The proclamation establishes no specific policy responsibilities for the city or its employees. Curiously, Charlottesville is not listed as a participant on the website of Welcoming America, a nonprofit that sets standards and guidelines for what are formally considered to be welcoming cities.

Charlottesville’s ‘Welcoming City’ resolution

Advancing equity and inclusion is critical to the success of our community and our nation. Our diversity is the source of our pride and our prosperity.

As political rhetoric on the national level has become heated and divisive, and with an increase in hateful and dangerous speech and acts locally and nationwide, many of our neighbors have experienced fear and anxiety.

At this time we must strongly reaffirm our commitment to diversity and to fostering an atmosphere of inclusion.

We reject hate speech, hate crimes, harassment, racial bias, homophobia, Islamophobia, anti-Semitism, anti immigrant discrimination, and harmful bias and discrimination in all forms.

We welcome all people and recognize the rights of individuals to live their lives with dignity, free of fear and discrimination because of their faith, race, sexual orientation or identity, national origin or immigration status.

We believe the public sector has a critical role in ensuring the public good and pledge to continue our work in making our services and programs accessible and open to all.

Even Welcoming America’s technical standards for a “welcoming city” are a bit hazy. The group calls for tolerance, access to local government services and a general feeling of inclusiveness toward newcomers. A search of its website for the words “ICE detainer” yields zero results. The phrase “driver’s license” only appears once in its digital archives. Welcoming cities generally seek to foster inclusiveness in their community but stop short of formally refusing to cooperate with ICE to provide information about the presence of immigrants. Sanctuary cities go farther than mere inclusiveness.   

“One of the things we have done with our welcoming city declaration is just making sure that people understand that we value immigrants and [we] want to make sure that people feel safe and welcome here, but I don’t know that we have a lot of particular policies around that,” Szakos says.

Future concerns

The consequences of falling afoul of federal authorities for a minor offense are major. Fanny Smedile, a legal immigrant from Central America and president of Sin Barreras, has an adult son who remained undocumented. In tears, she says her son was captured by federal agents and deported to Panama, a country unfamiliar to him since childhood. She has visited him periodically in Panama since his deportation.

Maria says her children—only one of whom has technical citizenship— strive to be good citizens.

“We have a lot of gratitude toward the United States,” she says. “My children give back. They are volunteers. They are bilingual. They speak English and Spanish perfectly. They volunteer at hospitals. They actually volunteer giving out food at the church. I’m very proud of it. They speak for a lot of the Hispanic population that really has a lot of gratitude toward America and what they’ve done for us.

“My youngest child is actually American-born. A U.S. citizen,” says Maria. “However, it would throw things off tremendously if I were to be deported. Who would take care of this child? Would I have to bring him back to a culture of poverty and violence? If not, would I leave him here to be a ward of the state? It’s an impossible dilemma by not having legal status.”

She says that as a family they are already feeling the effects. Her 11-year-old hears comments in school about Trump. “Now he worries, ‘What are going to happen to my parents?’” Maria says. “‘Are they going to be deported?’”

“Our former mayor was an immigrant,” says Szakos. “This is a community that has 60 languages being spoken at home. …My daughter is a soccer player and one of her best friends is from Somalia. And it broadens the perspective of our citizens, and I use that ‘citizens’ [as] specifically city citizens instead of legalized citizens. It enriches us and gives us a broader global perspective.”

While Szakos worries about the children of undocumented immigrants, she also worries about other local residents who depend on some of that $24 million in federal funding to Charlottesville for social services that Trump has threatened to cut off.

“There are potential downsides. Technically, [being a sanctuary city is] not legal. And the president-elect has threatened to cut off all federal funding to cities that declare themselves welcoming cities. A lot of cities in the country are sanctuary cities by practice, if not by naming, so it’s going to take some work to figure out exactly what he meant,” she says. “…One of my concerns is that a lot of federal funding that comes into Charlottesville is used to provide programs that support our most vulnerable residents, and I don’t want to endanger that.”

The stakes might be more than just the well-being of vulnerable citizens—law and order is also an issue. A combination of the language barrier and fear of deportation makes many immigrants Smedile serves fearful of contacting the police to report a crime or seek help.

“They are afraid when there is a crime and they are witnesses,” says Smedile. “They don’t like to be involved because they are undocumented. They don’t want anything with the court or anything with the police. Sometimes they don’t say what did they see. In an accident or a fight or whatever it is. …Of course the police, they want to come talk to them and protect them, but it’s not easy.”

All of the immigrants and their advocates interviewed for this article agreed that getting pulled over without a driver’s license is the leading local cause of deportation. But data in government computers could theoretically be used to identify undocumented immigrants. Social services reports often include that information, and health records may also include clues.

Szakos thinks that federal law should prevent the city’s data from being taken by ICE and combed through for the names of immigrants.

“I’m not sure which laws are which, but HIPAA [the Health Insurance Portability and Accountability Act] is one of the things that has to do with health-related data,” Szakos says. “There are various federal regulations that govern the privacy of data being held by social services agencies. So that individual records can’t be held by other agencies except under certain circumstances. …As far as I know there’s pretty rigid protections on the data.”

Asked what she would like from the city of Charlottesville, Maria had a quick answer through an interpreter.

“To give us a chance,” Maria says. “To have the rights that most people have in this country. We’re honest. We’re looking to work. We came from a culture of violence and poverty. We found refuge here in the United States and so have our children.” She also asked for the possibility of getting a legal work permit and being able to obtain a driver’s license.

To make ends meet, Maria also works a part-time job in a restaurant. On one occasion, a customer said, “What are you doing here? Go back to Mexico. This job belongs to someone American-born.” She wanted to cry. She lives in a neighborhood filled with other Hispanic immigrants. Her neighbors have told her they have experienced discrimination at work sites. American co-workers have said to them, “After the 20th, time’s up! You’re out of here!”

“That’s the time we need to be even more united, when we’re being ostracized,” Maria says. “To prove we don’t retaliate with violence. We go back to our foundation of Christianity and Catholicism and we rest on that and hope to turn people’s hearts by not reacting to the discrimination that we experience.”

The monetary price of resisting Trump’s demands in Charlottesville could be in the tens of millions of dollars. But when asked whether the dollar value is worth the effort, Smedile does not hesitate to answer.

“We are human beings,” she says. “That’s what we have to think about.”

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News

Perriello resurfaces… and wants to be governor

Former congressman Tom Perriello announced his surprise candidacy for governor of Virginia Thursday, upsetting the plans of many leading Virginia Democrats.

In a hastily arranged speech at the Jefferson School African American Heritage Center in downtown Charlottesville, Perriello spoke of how his father first arrived in Virginia.

“He grew up in West Virginia, Italian immigrant parents, in and out of poverty,” Perriello said. “He got a local scholarship to come across the mountains and go to UVA.” His father spent his first day crying on a bench in Lee Park, thinking, “‘I don’t belong here, this isn’t a place where a mountain kid from West Virginia belongs,’” said Perriello, “but everyone here did make him feel welcome.”

Perriello won election to Congress in the 5th District of Virginia in 2008, ousting longtime incumbent Virgil Goode. A strong supporter of President Barack Obama’s Affordable Care Act, he narrowly lost reelection in 2010 to Robert Hurt.

Following his defeat, Perriello became president and CEO of the Center for American Progress Action Fund, a progressive public policy research and advocacy organization. Most recently, he served as the Obama administration’s special envoy for the Great Lakes Region of Africa and the Democratic Republic of Congo.

His unexpected campaign to become governor was only assembled in the last 10 days.

“My initial reaction is that it’s certainly a stunning development,” says Geoffrey Skelley, a political analyst at the University of Virginia’s Center for Politics.

Lieutenant Governor Ralph Northam previously had been the only declared Democratic candidate for governor in the upcoming election. Northam had long since secured the endorsements of major figures in the state Democratic Party, including current Governor Terry McAuliffe, and was expected to run unopposed for the nomination.

“All those well-laid plans by McAuliffe, formulating these plans, all of this has been thrown off,” Skelley says. In Congress, Perriello “was progressive on the big ticket items, the stimulus, cap-and-trade, but he was endorsed by the NRA.” Skelley notes that Perriello also backed the Stupak Amendment to the Affordable Care Act, which would have prevented federal funding of abortion, “so his record, at least as a member of Congress, is not Sanders-esque.”

But in the context of running against Ralph Northam, who was the target of a party-switch effort in 2009, says Skelley, Perriello “is clearly to the left of Northam.”

As of June 30, Northam had $1.59 million in his campaign fund. With a campaign organization only 10 days old, Perriello has a long way to go to catch up financially. However, between 2009 and 2010, Perriello was able to raise $3,775,000 for his federal campaign fund, which was subject to tighter restrictions than his new state-level campaign in Virginia.

During his 2008 and 2010 campaigns for Congress, Perriello captured attention, support and donations from many progressive groups, both locally and nationally.

“He was a darling of the net-roots,” says Skelley. “He’s young and energetic. In terms of how he casts himself, he would be viewed as the more progressive of the two candidates. It’s probably more than just that in terms of the framing. Northam isn’t that well known. Lieutenant governor isn’t a job that draws a lot of visibility.”

“Virginia’s everything to me,” said Perriello. “It’s the place that gave my family a chance at the American dream, the place that gave me a sense of progress.” He recalled the first political race he worked on—Doug Wilder’s bid for governor—and “the fact that the capital of the Confederacy would elect the first black governor in the entire country. That said to me anything is possible. I’ve taken that spirit around the nonprofit work I’ve done around the state… and also into conflict zones around the world.”

PerrielloCharlottesville-JenFariello-69
Tom Perriello meets the press after his surprise announcement he’s running for governor. Photo Jen Fariello

Perriello did not mention any of his potential Republican opponents during his speech, which include former GOP party chair Ed Gillespie, former Trump state party chair Corey Stewart, state Senator Frank Wagner and Silverback Distillery owner Denver Riggleman, but afterwards he had only kind words for Northam.

“I think Mr. Northam is a really nice guy and I think he’d be a really good governor and we agree on an awful lot,” Perriello said. “This isn’t about me running against him, this is about me running for the voters of Virginia.”

“Northam is an early favorite but I think that Perriello is a very legitimate opponent,” Skelley says. “I wouldn’t be surprised if he ends up winning the nomination.”

Updated at 9:31am January 10 to correct the name of the public policy research and advocacy organization Tom Perriello worked for.

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Arts News

C’ville’s goth scene returns from the dead

In the late 1990s and early 2000s, the rest of the world saw Charlottesville as the home of Dave Matthews. But to insiders, the beating heart of the local music scene could hardly have been more different from the frat-friendly hits of DMB. It was called The Dawning. A weekly goth night held in the dark, red-painted basement of a sushi restaurant called Tokyo Rose (now under different management and no longer doubling as a night club). While it was created as a home for Charlottesville’s gothic rock scene, The Dawning became the glue that unofficially held together every local branch of countercultural music that was happening at the time.

“There was no real cohesive scene before The Dawning,” says Mike Johnson, a drummer who has played in notable local bands for the last 25 years, ranging from Fire Sermon in the early 1990s, to In Tenebris of the early 2000s, to today’s Ego Likeness, and three other bands that he is currently playing with. “The really cool thing about it was while it was ostensibly a goth scene, you had the goths, the punks, the squatters, all the outsiders. Everybody showed up for this night. It was just where we all went.”

Gopal and Angel Metro resurrected a weekly Goth Night in the basement of the Jefferson Theater/Cinema Taco. Photo by Ron Paris
Gopal and Angel Metro resurrected a weekly Goth Night in the basement of the Jefferson Theater/Cinema Taco. Photo by Ron Paris

The story of The Dawning and the deliberate assembly of arguably the coolest music scene in the history of Charlottesville began in the summer of 1995 when two kids met each other in person for the first time on the Downtown Mall—Gopal Metro and Andy Deane, musicians who would later form the band Bella Morte.

Metro was raised in Yogaville, the interfaith ashram in Buckingham County, which “was a very odd place to grow up,” he says. “On one hand I was completely isolated from American culture but on the other hand I was completely exposed to rural culture. There would be government dignitaries, religious dignitaries. I was trained to be a world ambassador of peace when I was a little kid. I was trained to be a monk, a swami, when I was a little kid. I regularly did hours of meditation. It was just an unusual upbringing.”

Through his older sister, Radha, Metro was introduced as an elementary-schooler to post-punk bands such as The Cure, Pixies and The Smiths. As he got older, he started hearing about industrial music. Radha gave him an early issue of Propaganda, a gothic and industrial subculture magazine she’d picked up in New York.

“In the back of Propaganda magazine I found ads for all these other zines and I hand-wrote letters to all of these people and I said, ‘Tell me more about what you’re doing, tell me what’s going on,’ and essentially developed gothic pen pals,” Metro says. “And I got demos from bands and got clothing catalogs and started knowing all of the people in the L.A. scene on a first-name basis through pen pal correspondence.”

Meanwhile, Deane “had gotten into goth but I didn’t know anybody else into it so I was doing this thing on my own,” he says. “A mutual friend said, ‘Hey, there’s this dude named Gopal out in Yogaville who’s into the same stuff as you,’ so I just cold-called him. Just called him out of nowhere. I remember one of his sisters answered and said, ‘Metros!’ I thought this must be a restaurant. It just sounded like a business name, you know? And then we talked and he was like, ‘I got a drum machine and a bass.’ I was like, ‘Cool, I got a voice and a guitar!’”

The duo formed Bella Morte, a gothic rock band that would later record videos for MTV and tour all over North America and Europe. Like most bands fitting the gothic label, they incorporated elements of punk, metal and electronic music with an overall dark tone, not unlike the so-happy-to-be-sad premise of American blues music. Starting out in Charlottesville, they had a band but no gothic rock scene. No radio show that would play their music, no store that would sell gothic apparel, no nightclub that would book them to play live. So they made it all from scratch.

Andy Deane (middle) and Gopal Metro (right) were founding members of Bella Morte, a local gothic rock band that would later record videos for MTV and tour all over North America and Europe and that got its start playing shows at the Tokyo Rose. Courtesy photo
Andy Deane (middle) and Gopal Metro (right) were founding members of Bella Morte, a local gothic rock band that would later record videos for MTV and tour all over North America and Europe and that got its start playing shows at the Tokyo Rose. Courtesy photo

Metro began working at Cosmic Coyote, a now-defunct store on the Corner that sold hippie-oriented counterculture accoutrements. He soon convinced the owner to start catering to fans of grunge, punk and gothic music.

“There was no goth at Coyote before I got there,” Metro says. “Linda Friend [the owner] was awesome and was hugely influential in my life. She saw that I cared about what I was doing and she said, ‘Here’s a budget.’ She trained me all about the retail process. …So I bought everything in the Manic Panic line, literally everything. And that created demand, too. I started training people and we started carrying body jewelry. Built out a whole place to go to get kitted up if you were interested in the scene.”

At around the same time, Deane began hosting “Subculture Shock,” a goth-oriented radio show on WNRN. Now there was a voice on the air for the counterculture as well as a physical location where people could check in to find out what was happening. Kids started tuning in and buying gothic apparel. But they still didn’t have a home for live music.

At the time, most of today’s music venues did not exist in Charlottesville. The Jefferson Theater was still showing movies. The Pavilion was just a temporary stage for Fridays After Five, where bands had to stash their gear under the Belmont Bridge if it looked like rain. The Ante Room, the Southern and Twisted Branch Tea Bazaar did not exist.

Tokyo Rose, a Japanese restaurant near Foods of All Nations, offered the final piece of Deane and Metro’s countercultural empire. Upstairs it was a sushi restaurant. The owner, Atsushi Miura, had turned the basement into a makeshift nightclub that appeared to largely indulge his personal, eclectic taste in music (he did not respond to interview requests for the article).

The Rose was already an important musical outpost: Indie bands like Sleater-Kinney and Cat Power played there. Not knowing what to expect, Metro and Deane held their first goth night there as a one-off event for Halloween, in 1995.

Upstairs, Tokyo Rose was an elegant, upscale sushi restaurant with a long bar that served cocktails, Japanese beer and sake. Downstairs, the dimly lit room had walls painted a uniform red. The ceiling was low enough that performers would occasionally swing from the exposed metal framing. There was a small second bar with a few cheap beers on tap. This was before indoor smoking bans, and as the room filled up, the air would turn warm, thick and smoky, tinged with the sweet aroma of the imported clove cigarettes favored by many patrons. An ancient beer-stained couch beside the DJ booth in the back was where many couples got to know each other very intimately at an astonishingly rapid pace. The space was just the right size. Fifty people felt like a real party. Two hundred was like a riot.

“There weren’t that many goths around seemingly,” Metro says. “But they just came out of the woodwork [for the Halloween show]. We did like 150 heads or something. We were blown away, every one of us was just floored. And Atsushi loved it. He wouldn’t leave! The kitchen was going upstairs and he was just…standing there loving it. After that he said, ‘Anytime you want you can come back.’”

Angel Metro. Photo by Ron Paris
Angel Metro. Photo by Ron Paris

After the Halloween experiment, “Atsushi…approached Metro and I and was like, ‘I want a goth night,’” Deane recalled. “…And Atsushi, he loved the crowd. He loved these kids. And he said, ‘I want you to do Saturday night! And we’re like, really? And he’s like, yeah. So we did Saturday night and it took the hell off. It took off and it was crazy.”

Like goths to a flame, The Dawning instantly began to draw people who didn’t quite fit in anywhere else. Musicians, programmers and artists like Amelia Little, who lived in Appomattox County at the time.

“I lived in a very rural area and I was a strange, gothy child that felt isolated from everyone and I happened to get Charlottesville radio stations,” Little says. “And I got WNRN. At the time [‘Subculture Shock’] was hosted by Andy Deane and I learned about Bella Morte that way. …So I started sending fan art to their e-mails. And it was actually Gopal that invited me to come up to see them play along with The Cruxshadows at Tokyo Rose. And that’s where I started meeting some of my first friends in Charlottesville and eventually ended up moving up here because of that. Because I had made the friends and joined the group in this area that shared our dark little fun subculture.”

Shawn Decker, an HIV activist and speaker who also performs electronic music with his band, Synthetic Division, credits Metro and The Dawning in part for his current music career.

“I first became aware of The Dawning when I moved to Charlottesville and C-VILLE Weekly wanted to interview me about living with HIV,” Decker says. “The writer for that article found out I loved Depeche Mode and was a songwriter and he said, ‘You gotta meet Gopal Metro.’ …I met Gopal at Cosmic Coyote…he listened to my music and was like, ‘When do you want to play?’ At the time I was very sick and was just getting ready to start HIV meds. The first time I went to The Dawning I went in my pajama pants. …I came back and was bright-eyed and full of life in spite of being so sick and rundown.”

Decker played his first full-length concert at Tokyo Rose for The Dawning, opening for Bella Morte in 1999. Like other local bands, Synthetic Division had regular gigs there every few months for years. The consistent playing in front of the same audience helped Decker to hone his material.

“Having a venue, having a crowd, having a reason to write new songs, it just helped me so much as a songwriter,” Decker says. “It helped make music a priority in my life.”

Charlottesville native Rebecca Davidsson, who moved from Orange County to Charlottesville at the age of 14, showed up on the scene early on and quickly found herself involved as more than just a spectator.

“Andy and I started seeing each other and he would go out of town a lot,” Davidsson says. “So I started having to cover for him. I’m like 17 years old organizing these crazy kids.”

Her story was typical of many people drawn to The Dawning. Like most of the people interviewed for this article, she made visits to Plan 9 Music on the Corner a normal part of her week (Plan 9 is still in business in Seminole Square and in Richmond).

“I was one of those kids, we had skirt rules for length and they would measure our skirts and I would roll it up immediately every day to make it shorter and wear fishnet stockings to private school,” Davidsson says. “I was obsessed with Courtney Love and Kurt Cobain at the time. …I’d see fliers for Tokyo Rose in Plan 9. I’d go there and blow every paycheck. They sold me my first Buzzcocks record and my first Joy Division album.”

Transient gutterpunks would sometimes arrive at Tokyo Rose by way of the train tracks that ran behind the restaurant. They would hop on freight trains and jump off as the coal cars and containers passed by. Being broke didn’t keep them out of The Dawning.

“The great thing about it was we were very careful to create a community that was not goth exclusive or that was making anyone feel like an outsider,” Deane says. “We even had an unwritten rule, because the cover charge was five bucks every week, no matter what, people were allowed in. If you came and you didn’t have any money, you were not excluded. That’s just how we ran it the entire time. The punk kids, some of them who were spanging on the Downtown Mall all day, would come in and drop like a dollar and 80 cents in dirty change into the thing and it was just sweet.”

Even with the addition of the destitute gutterpunks, the crowd was notorious for tipping well.

“When I was bartending upstairs, people would tip me like two dollars a drink,” says Patrick Critzer, a local chef and DJ who worked at Tokyo Rose during the years of The Dawning. He recalled the large contingent of well-paid programmers who worked for Kesmai Corporation, a Charlottesville company that made computer games, who often attended The Dawning.

“The gamers and the geeks were on top” during the dot-com bubble, he says. “They really held it down. They were all, a lot of the folks, were really smart. Educated. Creative. …When I went to bartend at The Dawning I knew that I was going to have good conversation, it was gonna be interesting people wearing weird clothes and nothing stupid was going to happen. Whereas the other nights, no one knew. It was either gonna be boring or fun or would be a mess. The Dawning, it was going to be civil, organized; it was a known quantity. It was their own scene and they brought it and it was nice.”

Marshall Camden arrived from Virginia Beach to play a gig with his small gothic-oriented electronic band and remembers “the turnout being really great, all the people that were there being really into it,” Camden says. “And at one point playing one of our slower songs that I figured was just going to lose people because of having so many punks and deathrock kids there. And this [punk] dude with a giant mohawk had one boot up on the stage, just doing this really slow headbang along with the song and getting into it! I wasn’t used to that. …That sort of dedication to the scene was a big factor of why I moved here.”

Years later, Camden became Bella Morte’s bass player. And whether you were goth or country, The Dawning would make room for you.

“Johnny Fritz would come out to The Dawning and say, ‘I’m Corndawg!’” says Metro. “And shake everyone’s hand. He would come in a bright white T-shirt and ripped blue jeans. He would walk through the door, pay his cover and come out into the middle of the dance floor. It didn’t matter what was playing, and he wouldn’t stop dancing until the end of the night…and he was awesome! A goth girl came up to me and said, ‘Do you think you could ask him to leave, please?’ And we said, ‘Hell no! Are you kidding? He’s having fun! You need to go do what he’s doing!’”

While better-funded venues in Charlottesville booked national and international acts, The Dawning was consistently able to punch above its weight class and draw acts that a little basement under a sushi restaurant shouldn’t have been able to book. The coalition of different subcultures made the place too much fun for famous bands to pass up. And friendships struck up between Bella Morte members and other bands they met on the road helped bring those acts to Charlottesville.

Bands like The Cruxshadows, Voltaire and The Last Dance have never been household names in the U.S., but they were huge in Europe and the United Kingdom at the time. Metro and Deane brought them to Tokyo Rose. But their biggest coup was bringing in S.P.O.C.K., a Swedish band that performed science-fiction-themed synthpop and that was filling large European stadiums.

The manager of S.P.O.C.K. got in touch with Deane and began to explain their standard contract. “We don’t do contracts,” Deane told him. So the manager asked to discuss the sound system and the lights. “I’m like, ‘They’re both horrible! It sounds terrible down there and the lighting setup is a bunch of old cans and they’ll work most of the time. We’ll flash em for you!’” The flustered manager asked for a financial guarantee. Deane said, “‘We don’t do that either.’” But he offered the band everything paid in cover fees at the door, after paying the DJ and the people working the door.

“The reason they got in touch with us is they were flying out of D.C.,” Deane says. ”And they were like, ‘You know what, we’ll do it.’ And after the show I remember them saying it was the best show on the tour.”

“At The Dawning, one of the key parts of the culture was no cliques,” says Metro (who was, if you remember, trained as a child to be a global ambassador of peace). “If Andy or I saw you forming a clique and talking about somebody, we would literally move you from your clique over to that person and we’d say, ‘You guys have to sort this out. Talk to each other. Hang out and have fun.’ If groups of people started hanging out together too much, we would mix the pot and get everyone talking. It didn’t matter whether you were goth or punk or Johnny Corndawg.”

In 2004, Atsushi sold Tokyo Rose. There was no question of continuing The Dawning under the terms in which it had been allowed to exist. Atsushi made money from the bar and restaurant, but let the promoters keep everything earned at the door. Few venue owners are willing to allow such terms.  Aside from $25 each to the doorman, DJ and lighting tech, all of the door money went to the bands that played. Metro, Deane and Chris Knight (who took over management of The Dawning after a few years) never made a dime from The Dawning. The weekly event moved to the Outback Lodge for a few years, but never had the same feel as it did at The Rose. When the Outback Lodge closed, The Dawning died.

The crowd at a recent Goth Night in the basement of the Jefferson Theater/Cinema Taco. Photo by Ron Paris
The crowd at a recent Goth Night in the basement of the Jefferson Theater/Cinema Taco. Photo by Ron Paris

Now, 20 years after The Dawning was born, Metro has launched a new goth night on Tuesday nights with the help of his wife, Angel. It is called simply, Goth Night. Like The Dawning, it takes place each week in a basement, this time under the Jefferson Theater and Cinema Taco. Metro and Angel have a new band, Gild the Mourn, that will play once a month.

On the third week of Goth Night, Deane played with drummer Mike Johnson under the heading of his synthpop band, The Rain Within (Deane continues as Bella Morte’s lead vocalist, though Metro is no longer a member of the band). The air was noticeably cleaner than the thick, smoky funk of the old Tokyo Rose and the lighting was far better. The audience was filled with a collection of old Dawning alumni as well as younger additions who may have been in kindergarten the last time Deane sang onstage at the Rose. By hosting an all-ages show every week, Metro and Angel hope to draw a new generation of counterculture devotees as well as the old faithful. And Metro hopes that the reborn Goth Night can help misfits find a place to belong, just like The Dawning did.

“The European goth stuff was what I was into the most, the British goth scene from the ’80s,” says Davidsson, who now works at a restaurant in Crozet. “We’re always trying to copy what was done 20 years before us. …There’s a younger guy who comes into my bar and he does a lot of music now and he had heard all about [the old days at Tokyo Rose] and he said, ‘You guys were so cool!’ And I was like, ‘Life goal, done!’”

Categories
News

Frankly speaking: Wienermobile’s visit a success

“Oh, look at that, it’s the Oscar Mayer Wienermobile!”

Two excited women race across the parking lot of Reid’s Supermarket on Preston Avenue yesterday and marvel at what appears to be an enormous hot dog on wheels—they immediately begin taking selfies.

Isaac Wilker is one of two recent college graduates who drives one of eight Wienermobiles around North America to spread goodwill and hot dogs. The title on his business card reads: “Hotdogger.”

“It’s been nothing but wonderful. Frankstasic,” Wilkerson says. “We’ll drive from one city to the next, that could be as much as a 16-hour drive. Usually Tuesday and Wednesday we’ll have off days. I think my favorite perk of being a hotdogger is that the Wienermobile is our personal vehicle as long as we don’t have scheduled events. …We saw the Shenandoah mountains yesterday.”

Lady Borgia, a local burlesque dancer and hairdresser at Moxie Hair Salon, walks up and peers through the door into the spacious interior.

“Oh, it’s really nice in there! I had to come see it,” Borgia says. “The Wienermobile is an icon.”

The first Wienermobile was built in 1936 by Oscar Mayer’s nephew, Carl G. Mayer. A series of replacements have been custom-built and launched in the 80 years since. The current models feature V8 engines, a sausage that is wider than ever before and a horn that plays 21 different versions of the Oscar Mayer jingle.

All of the “hotdoggers” are recruited as college seniors for a one-year tour of duty.

“It’s a very competitive position,” Wilker says. “You definitely have to cut the mustard…they had more than 1,200 people apply for 12 spots.”

“We’ve done grand openings for grocery stores, we’ve done fairs, festivals and parades,” Wilker says. “People have invited us into their homes. We like to explore areas like small towns where people might not expect something like that. …It’s very much a positive thing. People definitely want to talk with you and speak with you when you’re doing this.”

The constant flow of passersby bears that out. Nobody walks past the Wienermobile without a closer look and usually a selfie.

Wilker and the other hotdoggers find themselves eating a lot of hot dogs in this line of work.

“I haven’t gotten tired of them yet,” Wilker says. “We were on a morning television program in Columbus, Georgia, a few weeks ago and I think I had six hot dogs before 11 in the morning. …I think I’ve heard about every sort of topping imaginable on top of a hot dog. We’ve had people say mayonnaise and ranch. Some people put guacamole on them…they put more guacamole than hot dog, really. They just slather it on.”

Borgia smiles and takes one last look at the Wienermobile, which was in town for the day. “I’m really glad I came to see this. Hotdiggitydog!”

Categories
Living News Uncategorized

City regulations could have an effect on new breweries

Breweries have been popping up around Charlottesville like mushrooms after a rain. About a dozen beer producers are now located within an easy drive from town. But curiously, only four breweries are actually located within the city’s limits: Champion, South Street, Three Notch’d and—the newest addition in September—Random Row.

In the middle of a regional beer boom, a new city regulation on breweries was slipped into a zoning regulation change last winter. Nobody seems to know whose idea it was, but it was would-be brewer Julie Harlan who first noticed that new microbreweries within Charlottesville will have to derive at least 25 percent of their revenue from on-site retail sales.

In August 2012, Harlan bought an almost 1,500-square-foot foreclosed  home on Forest Street for the shockingly low sum of $17,700, which allowed her to purchase the property with cash. Located a few blocks from Bodo’s Bagels on Preston Avenue, it is zoned B-3, which is a flexible zoning status that allows for use as either residential or commercial purposes.

“I was looking down the list of zoning options and microbrewing was on the list,” says Harlan. “My niece had gone to Piedmont and studied viticulture and she suggested brewing. …I would take care of the business and we could have a small, woman-owned nanobrewery. …It seemed like a good idea because everything I read about the Virginia laws seemed like they were going in the direction of less regulation.”

Three Notch’d Brewing Company President Scott Roth says the brewery is expanding its operations into a larger space at IX Art Park next year that will include an outdoor beer garden and an event space. The company will keep its Grady Avenue facility for production and storage. Photo by Eze Amos
Three Notch’d Brewing Company President Scott Roth says the brewery is expanding its operations into a larger space at IX Art Park next year that will include an outdoor beer garden and an event space. The company will keep its Grady Avenue facility for production and storage. Photo by Eze Amos

The 25 percent requirement was tacked on to a change in law that Three Notch’d Brewing Company requested. Previously, breweries within Charlottesville were limited to a 15,000-barrel annual cap for production. As Three Notch’d has won fans both locally and around the region for its inventive range of beers, demand has increased beyond the 15,000-barrel limit and the company was concerned about possibly having to relocate outside of the city. Its owners asked that the limit be raised to 30,000 barrels, and the city agreed.

Three Notch’d’s management team realized they would need the increase as they prepared to move into a new, larger space at the IX Art Park that will include an outdoor beer garden and an event area (they will maintain their existing space in the old Monticello Dairy on Grady Avenue for storage and production).

“When we were contemplating the move it was necessary to ensure that we wouldn’t be regulated in terms of the amount of barrels we can produce,” says Scott Roth, president of Three Notch’d Brewing Company. “The city was very understanding and took a good look at the code and understood the need for a few changes.”

“We have been busting at the seams in our current location and wanted to find a more permanent home where we could focus on maximizing our production facility without being so hindered by space constraints,” Roth says. Three Notch’d’s new presence at IX will include “food and beer in a relaxing atmosphere that is comfortable for everyone, including families.”

But the changes aren’t settling well with everyone seeking to become part of the beer industry. The new 25 percent requirement has given Harlan pause and may scuttle her plans to open Charlottesville’s fifth brewery (C’ville-ian Brewery closed in October after two years in business). To start, she doesn’t understand how it would be enforced.

“Are the sales net or gross?” she asks. “I’m also worried, would we be pushing beer to make the 25 percent? Like, we’d be looking at the clock thinking we would like to close now but we haven’t made our 25 percent. …There’s no clear guidelines. How do you report it? What if you don’t make your 25 percent quota? Is there a penalty? Is it a zoning violation? Do they shut you down? …I couldn’t find anyone who could give me any reason behind the 25 percent, which would help me understand where they were going with it.”

Julie Harlan had planned to open a microbrewery on her Rose Hill property, until she learned a city code added last winter requires 25 percent of her revenue to come from on-site retail sales. Photo by Eze Amos
Julie Harlan had planned to open a microbrewery on her Rose Hill property, until she learned a city code added last winter requires 25 percent of her revenue to come from on-site retail sales. Photo by Eze Amos

Brian Haluska, principal planner for the City of Charlottesville, has a few answers.

“The rationale for the 25 percent requirement is that if we are permitting these facilities in our commercial and mixed-use districts, they need to incorporate a ‘front door’ that contributes to the activity on the street,” says Haluska. “Our commercial and mixed-use districts are intended to have activity at the street level. The fear was that without some sort of on-site sale requirement, a microproducer could locate in the commercial or mixed-use zone, have no on-site sales, and have all of their beverages leaving on trucks out of the back. That is a bottling facility—which we allow, just not in the commercial and mixed-use zones.”

Andrew Sneathern, former assistant commonwealth’s attorney in Albemarle County who is now in private practice specializing in alcohol-related law, says the likelihood of a company being a bottling-only facility is small.

“The costs of being in the city of Charlottesville versus, say, Waynesboro, for example, would be completely disparate,” he says. “I think you could probably pick up for about $3 a square foot in Waynesboro for a bottling facility. In Charlottesville you couldn’t come anywhere near that, so the chance of that happening is extremely small.”

Nor does Haluska’s concern make a lot of sense to Hunter Smith, owner of Charlottesville’s Champion Brewery and co-chair of the Government Affairs Committee for the Virginia Craft Brewers Guild.

“Any brewer would tell you that you would be nuts not to have the retail component,” says Smith. “If you’re going to have some retail component, chances are it will be a large portion of your sales early on. It’s as you grow that it becomes of concern.”

Real estate and rent in Charlottesville are so expensive that it would not typically make economic sense for someone to open a facility that only brews and bottles without selling retail. Such a facility could easily be opened in another county with cheaper land and closer access to a highway, like Devils Backbone’s outpost in Rockbridge County.

Breweries have a special legal status under Virginia state law. Most businesses that serve alcohol are required to sell a certain amount of food as well. You can’t legally open a business that is only a bar in Virginia—it also has to be a restaurant. But breweries can sell their own beer at the same site where they brew without being required to offer food.

And those on-site sales are something that small to mid-sized breweries value. A beer sold directly from the brewery keeps all of the profit in-house. All beer sold to other restaurants or retailers is required under state law to pass through a third-party distributor and then to the point of sale. Each business needs to make a profit and marks up the beer along the way. Normally, a small Virginia brewery will sell as much beer as possible through its own pub and distribute the rest for a lower profit per pint. According to Smith, a pint of beer sold to a thirsty brewpub patron typically provides about five times more profit to the brewer than the same pint sold through a distributor.

“The reason to have a business in Charlottesville is the great retail potential,” says Smith. “So this is solving a problem that doesn’t exist.”

Smith agrees with Harlan that the 25 percent requirement could scare new breweries away from Charlottesville, but he disagrees about the point in a brewery’s development that this would happen. Champion has grown from producing 500 barrels per year when it opened in December 2012 to 10,000 barrels per year in 2016. In fact, they opened the Missile Factory, a 7,000-square-foot facility with a 15,000-barrel capacity, in Woolen Mills in 2014 to keep up with distribution demand. 

“Here we are in year four and [Champion is] opening multiple extra states for wholesale distribution. It’s going to be hard for my 1,500-square-foot taproom to keep up with my multimillion-dollar wholesale business,” Smith says. “The long-term situation is that it could disincentivize someone from locating in Charlottesville in the first place if they are going to be hamstrung down the road.”

While a quality product and good marketing can dramatically expand the distribution of a brewery’s products, the brewpub located at the brewery can’t make more people walk in to have a drink. In fact, it is illegal under state law for them to try.

“It is illegal to advertise specifically alcohol or prices on alcohol because of the ABC [Alcoholic Beverage Control],” says Smith. ABC regulations, some of which date back to the era immediately following Prohibition, prevent businesses that retail alcohol from promoting their prices or doing certain other things that could encourage people to drink beer.

“So if you find yourself in a pinch on that regulation, it is hard to go out and drum up more business,” says Smith. “I can’t just go make more people to drink beer here.”

A local business might actually have to turn down orders for its beer if it is unable to increase on-site sales to 25 percent of the new total in revenue. This is deliberate.

“One of the chief concerns from the Planning Commission was how much truck traffic would these uses generate, especially with some of our commercial zones being close to residential neighborhoods,” says Haluska. “So, in addition to the desire to see retail sales in the microproducers, the 25 percent on-site sales rule would limit the volume of shipments.”

Haluska does not know who initially requested that a 25 percent minimum retail sales requirement be added to the city’s zoning regulations along with the production increase to 30,000 barrels annually. Smith, heavily involved with the Craft Brewers Guild, says he had not been consulted on or made aware of the proposal. The craft brewing industry currently provides about 8,900 jobs in Virginia, according to the guild.

Sneathern thinks there might be some unintended consequences of the 25 percent requirement. “It may be that a real microbrewery might have to extend its hours in order to meet that requirement,” he says. “If they had to stay open later [in order to raise their on-site sales to 25 percent of sales] and they’re in a neighborhood like Belmont where there are residential neighbors, it would probably impact those neighbors. When I practiced law in Belmont I was on Douglas Avenue, and I remember distinctly a number of neighbors being bothered by what was going on after the zoning changes happened in Belmont. Noise issues and people being out intoxicated late at night and everything that goes along with that.”

Harlan wouldn’t want her imagined brewery to stay open late.

“I could foresee doing a tasting room as part of the brewery, but if we got busy we might just want to do contract brewing,” she says. “Our goal is not to get bigger and bigger. We were not looking for the requirement for the hours to be open to the public. Staying open at night is not something we want to do.”

Andrew Sneathern, a local attorney in private practice specializing in alcohol-related law, says the likelihood of a company being a bottling-only facility on city land is small, which city staff says is the main concern behind the code change. Photo by Eze Amos

Breweries that distribute their beer to local restaurants have to walk a fine line by selling beer through a tap room but not appearing to compete with their customers.

“You don’t want to be open till 2am like they are,” Smith says about bars, “trying to steal their alcohol business and competing with them. We are in the tourism and tasting business, not in the bar or restaurant business.”

But Smith is actually planning to make that leap. At the November 5 Top of the Hops beer festival, Smith announced plans to open the first-ever brewery on the Downtown Mall.

“We intend to sell all the beer produced there, right there,” says Smith. “The business model is to sell 100 percent of the beer retail. We’ll be opening the first brewery on the Downtown Mall. It will be a new category for us to get into.”

Smith’s new brewery will offer different varieties of beer that are currently unavailable at Champion and it will be combined with a restaurant, a joint venture with Wilson Richey. Under Charlottesville’s new 25 percent rule for microbreweries, Champion can get to the 25 percent by selling anything retail, including food. But the restaurant/brewery combination is a risk that most brewers aren’t comfortable taking.

“The inherent risk of the restaurant business is higher,” says Smith. “In a restaurant you are being judged on so many other criteria. You’re getting out of your wheelhouse so you can grow the business you are good at. It’s like you would have to get better at hockey so you can play basketball. It just doesn’t make sense.”

Three Notch’d’s Roth isn’t worried about the 25 percent minimum.

“They are focused on providing a healthy combination of retail and interactive space for the city of Charlottesville,” he says, “while also providing the breweries with what they need in terms of barrel limits to succeed. …If you really dive into the numbers, the 25 percent requirement should not prove to be overly daunting.”

Harlan plans to tear down the single-family house currently on her lot and replace it with a new building that she designed herself. Right now she’s considering erecting a duplex on the site, and says parking requirements for a brewery also factored into her decision to table that business venture.

“The rules are pretty clear for anyone looking to open a facility in the city,” says Haluska. “If the sales to distributors start to rise, then those businesses need to consider how to accommodate that expansion in production—if a second site is necessary in a zone that permits a standalone bottling plant or whether to relocate to a zone that permits small breweries.”

What neither Harlan, Sneathern nor Smith understand is exactly why the city would need to limit breweries in a situation where the price of real estate already seems to be doing that. Is there something undesirable about having a brewing industry in Charlottesville?

“You have the idea of some old Guinness building with rats and the spent grain and labor strikes and things like that,” says Smith, invoking the images of American breweries from the gilded age of the late 1800s. “In 2016 it’s an irrelevant concern.”

Categories
News

Winners and losers on election night

As the presidential election played out across the United States, the battle for both the White House and an open seat in the U.S. House of Representatives played out in Charlottesville on its own small scale.

At Carver Recreation Center near the Downtown Mall, afternoon voters were greeted by a pair of smiling volunteers from the Charlottesville Democratic Party who offered sample ballots. A uniformed sheriff’s deputy stood facing the street, watching for trouble that never materialized. Typical of city precincts, no Republican representatives were present.

Polling places throughout the city and in parts of Albemarle County were heavily manned by Dem volunteers. But as the results came in, the relative strength of the Democratic organization in Charlottesville was overwhelmed by the overall numbers throughout the 5th Congressional District.

“We’ve known for quite a while that our field effort, our ground game was very energetic and very extensive,” said Tom Vandever, a former mayor of Charlottesville and campaign manager for Democratic congressional nominee Jane Dittmar. As he waited for the polls to close among a throng of supporters at the Democrats’ celebration in the lobby of the brand new Residence Inn on West Main Street, the tone of the room was optimistic.

“We haven’t seen the same evidence from [Republican Tom Garrett’s] campaign,” said Vandever, who noted that the Republican Campaign Committee dropped over a million dollars on his campaign. “That’s a lot of money to drop on a campaign and it’s certainly helped him,” said Vandever. “But we’ve known all along that getting our voters to the polls on Election Day was going to be critical. We’ve had hundreds of volunteers making phone calls and knocking on doors all over the district.”

At 7:30pm, shortly after the polls closed, expectations in the Democratic camp were high for Clinton and at least hopeful for Dittmar. Smiling volunteers laid out tins of homemade cookies.

“We’re hoping to see at least 65 percent for Jane in Albemarle County, at least 75 percent in Charlottesville,” Vandever said.

garrett
A victorious Tom Garrett is flanked by state Senator Frank Wagner, who is running for governor, and state Senator Bryce Reeves, who wants to be lieutenant governor in 2017. Photo Eze Amos

A few blocks away, Charlottesville’s Republicans had gathered in a tightly packed crowd at Random Row Brewing Company to watch the results come in. Free beer flowed from the taps amid occasional chants of “Trump, Trump, Trump!”

“I woke up this morning knowing that I needed to go poll watch in whatever poll wasn’t covered in my city,” said Barbara Null, chair of the Republican Party of Charlottesville.

“Tom Garrett, I love,” she said. “He’s a great guy.” Null said the former Louisa commonwealth’s attorney will do what he says and he’s honest. “I worked very hard for his campaign and I’m really excited,” said Null. “He’s got all these great ideas, like letting people delay taking Social Security to pay off their student debt.”

Null would have liked more GOPers to work the polls in the city, but that’s always a problem, she said. “You don’t register by party so there aren’t a lot of Republican leaning people in the city but there’s a good core and we use them.” She added, “I think we did good.”

Vandever knew that his candidate had a tough fight outside of Charlottesville.

“The 5th District is a difficult district,” Vandever said. “We don’t know the impact that the Trump campaign is going to be. Jane is tied to Clinton, Tom is tied to Trump. Clinton has to stay relatively close to Trump in the 5th for Jane to catapult over. If Clinton goes down by five, six points in the 5th, it’s going to be a tough haul for Jane to win. But if it’s within three, then we’ve got the springboard to pull it off.”

Dittmar was crushed 58 percent to 42 percent. Charlottesville’s well-organized Dems brought her 79 percent within the city, while in Albemarle, she took 57 percent.

Frank Squillace embraces his wife, Jane Dittmar, after she concedes Tuesday night. Photo Eze Amos
Frank Squillace embraces his wife, Jane Dittmar, after she concedes Tuesday night. Photo Eze Amos

In the 5th District overall, Donald Trump received 53 points to Hillary Clinton’s 42.

As the night wore on, the Democratic gathering was reduced to a few dozen people who had given up on Dittmar but grimly hoped for the defeat of Trump. Empty wine glasses littered the stone tables where supporters sat watching MSNBC and CNN. A hotel employee announced that the remaining cookies were about to be thrown in the trash. Last call.

Back at Random Row, the Republican crowd had dwindled somewhat by midnight but grown no quieter as they watched the large television screens hung over the bar. Fox News called Pennsylvania for Trump. “USA, USA, USA!” chanted a group of men by the bar. Lagers and ales were served up in tulip-shaped stemware. They had run clear out of pint glasses hours ago.

Categories
Living

Serve-yourself bar offers unique experience

The Downtown Mall’s newest bar doesn’t have a bartender. Technically, it doesn’t even have a bar. At Draft, there is no barrier between the customer and 60 taps of beer.

“It is pour-your-own, with no bartender,” says Chris Kyle, Draft’s technology manager.

On arrival, customers stop in at the front desk, where their IDs are checked and a credit card is swiped or cash is taken to activate an electronic pass card. Above each of the beer taps (plus four wines) is a touchscreen that displays the name, alcohol content, bitterness and other information about the beer, with a slot in which to place the pass card. Beer-lovers are only charged for the exact amount of beer they choose to dispense into their glass.

The magic is enabled by a wide range of technological innovations. Kegs of beer are transported into the basement on a special miniature elevator into a cold storage room. Beneath each keg (some of which are only five to 15 gallons to ensure that less-popular beers do not become stale) is a precise electronic scale that measures exactly how much beer is poured. Unlike most bars that only chill the kegs, Draft also refrigerates the beer lines all the way up to the tap.

Running a bar this way is a first for central Virginia. One Petersburg wine and beer retailer, The Bucket Trade, has a similar automated system with 16 taps that was installed months before Draft opened. Unlike Draft, The Bucket Trade also offers growlers for off-premises consumption.

“The card system that we have is in use in other parts of the state but not on this scale,” says Kyle. “We believe that in the Mid-Atlantic there is nothing like this.”

One of the first concerns about a bar without a bartender is how to stay on the right side of the regulations enforced by the Virginia Department of Alcoholic Beverage Control.

“That’s something we went after in the beginning,” says Rich Baker, general manager of Draft. “…We went directly to the ABC and explained how the concept worked and made sure that it met their requirements. It’s called a ‘virtual pitcher,’ which says that a customer can have a certain amount of beer but then they have to have an interaction with staff.”

When Draft’s computer logs that someone has poured 32 ounces, he is cut off until he speaks with a staff member to have another 32 ounces approved. No big deal—just a friendly chat with one of the hosts that demonstrates you aren’t sloppy drunk.

“I have to say, I was really impressed with not just the efficiency of how they operate but how they want to make sure that everyone is doing the right thing and following the law,” says Baker about ABC. “Even before we applied for a license they were courteous and helpful. Then going through the licensing process they kept us informed at every step of the way. …So maybe there’s a new ABC? Working with ABC was a great experience. They do care. They want to be business-friendly…our whole impression of them changed through this process.”

At a recent test run for friends and family, dozens of guests swiped their cards and filled glasses. But a funny thing happened: Almost nobody was holding a full-sized pint glass. Miniature tasting glasses were the most popular.

“It caused a little bit of surprise,” says Kyle. “We found that people were much less likely to pour a full pint of beer. People wanted to [sample] smaller pours and go back and try a few ounces at a time. I believe it is the largest collection of local taps in the state at 30 taps, plus 30 or so of national and international taps.”

“If you went to a [normal] bar and told a bartender, ‘I want to try all these different beers,’ they hate your guts!” says Baker.

Even the glassware (in three different sizes) is high tech.

“It’s called etched, laser-cut,” says Eric Lane, one of Draft’s hosts. “At the bottom of the glass they cut into it, where it is going to allow bubbles to form around where the cut is, where it is a little rougher than the rest of the glass. It will cause the carbonation to rise up and make any beer you are tasting a little more aromatic.”

Draft, which opened last weekend and operates as a sister restaurant to Commonwealth Restaurant & Skybar across the Downtown Mall, also offers food, with a focus on light, quick fare, such as sandwiches, pretzel bites and a Greek-inspired take on nachos. In addition, a seafood steamer cranks out mussels, clams and shrimp, and a few heavier entrées are available for dinner. Draft is also open for lunch, but the focus is on beer and sports.

Twenty televisions ring the walls of the bar, four displaying the menu and 16 showing different live sporting events. But unlike many sports bars, patrons aren’t bombarded by the sound of roaring crowds, whistles and announcers. Like Draft’s beer offerings, you only get exactly as much as you want. The sets are all muted, and patrons are encouraged to use a free smartphone app called Tunity.

“If you point your phone at a TV that is playing a live event, the audio from that event will be streamed to your phone and you can listen with headphones,” says Kyle. Inexpensive headphones will be offered at the front desk.

No tipping is expected, but if you insist, the money is donated to charity—staff are all paid a living wage.

Some visitors may miss the presence of a bartender, but Draft’s managers believe that being freed from hustling out drinks and keeping track of tabs will free up staff to interact with customers and talk about beer. And there will never be another long wait for a bartender who is buried in orders—just fill up your glass yourself.

“At Draft you’ll never have to wait to get a drink,” Kyle says, “and you get to go home with your bartender every night!”

Contact Jackson Landers at eatdrink@c-ville.com.

This article was updated at 9:30am October 20 to reflect the bar system is the first of its kind in central Virginia.

Categories
Arts

Rag Trade looks at the runway from all angles

On varying scales, Charlottesville is home to most of the cultural institutions of a much larger city: theater, opera, art galleries and film. Now we can add fashion shows to that list.

On Saturday, Rag Trade brings fashion, music and art downtown to the IX Art Park. Three local designers will be featured amid choreographed dance performances and a burlesque performance by Borgia Falvella. Local bands Synthetic Division, The Judy Chops and Ships in the Night will play after the show. Brian Schomberg will create an art installation at the event.

“My dad is a carpenter and my mom does ceramics,” says local hat-maker Annie Temmink, whose unusual headgear will be featured. “So I grew up making all sorts of things. …I had a Watson fellowship for a year studying ancient fashion and textiles. Seeing all these ways that people adorn themselves in Indonesia and Uganda and Japan, I’ve really fallen in love with that.”

In her Water Street studio, Temmink is surrounded by a riot of colors, tools and works-in-progress. Spools of thread, scraps of cloth, scissors, books, pillows, cardboard and models of human heads on sticks create an artistic backdrop. Her out-of-the-box hats could easily be mistaken for sculptures.

One completed project looks like an African textile pattern imposed on a more angular version of the Sydney Opera House. An enormous black-and-white fan ringed with eyes could have come from the set of Beetlejuice. These hats are not everyday fashion for the masses. They are objects intended to provoke reflection and conversation among the wearers and onlookers.

The hats are “things you could rent or wear at a festival or a party,” Temmink says. “Having said that, I also wear them on the trolley with friends. There’s like a 45-minute loop. In a town that has such a consistent backdrop it’s beautiful to create this weird blip in the scenery. You always start a conversation because if someone is brave enough they’ll be like, ‘What are you doing? What is this?’ It’s fun for me because it’s kind of nerve-wracking.

“I don’t need people to wear these things to Harris Teeter on Sunday,” says Temmink. “But I think [this fashion show] gives them a little inspiration to maybe wear something they’d like to wear but don’t quite feel comfortable with. Maybe it’s shiny or whatever, it’s okay. You can do what feels right to you.”

Organizer Fielding Pierce Biggs will feature his own clothing designs as well as those by Kim Schalk, whose designs are sold at her store, Chalk, on the Downtown Mall. Biggs hopes the show will help create an atmosphere of public support for local designers that will lead to the growth of a fashion industry in Charlottesville.

“When I moved to Charlottesville there was absolutely no idea of fashion or beauty here,” says Biggs. “In the past couple of years, I’ve begun to find many…Is there a huge community of designers? No, but just like Charlottesville, we are in transition. So though you can count on two hands the designers here now, we are growing. My hope is that we are at the beginning of creating fashion and design here and that one day many designers will call this place home.”

“It’s the statement that other alternatives are viable and possible and worth celebrating,” says Temmink. “I choose to use models who are not typically models but are dancers and exude a certain confidence. …In a way it’s more of a performance. I think people will be delighted by the oddity of these big sculptures that people are wearing.”

This is the second year that Biggs has produced a local fashion show and he hopes that Rag Trade will continue to be an annual event.  “During the show [last year] something amazing happened,” Biggs says. “People of every demographic…felt inspired, loved and as if we could take on the world. The energy was actually palpable.

“Exposure is the first step to building any empire. If the people can see you, they will come. I want to be the one to help birth a new industry in Charlottesville.”

“I think it’s going to be really fun,” says Temmink. “We’re not in New York but we’re making it happen here. It’s going to be a visual spectacle.”

Contact Jackson Landers at arts@c-ville.com.

Categories
Arts

Shakespeare’s First Folio comes to Charlottesville

Seven years after William Shakespeare died in 1616, a collection of his plays was assembled into a single volume for the first time. Only 900 copies were printed—235 survive today. For the first time, one of those First Folios is at the University of Virginia, on loan from the Folger Shakespeare Library in Washington, D.C., and on display at the Albert and Shirley Small Special Collections Library through October 26.

The opportunity for the loan became an excuse for a larger exhibition of UVA’s various Shakespeare-related materials in their collections, according to Dr. Molly Schwartzburg, curator of collections at the library.

“When we found that we had been selected to be a venue for the First Folio, we thought why don’t we select a few of our best items to accompany it,” says Schwartzburg. “And then we realized why would we do that work if we aren’t going to select all of our best items? Why don’t we make a whole exhibition out of it? So, we decided to build a large Shakespeare exhibition that would be up all year and then would adjust to accommodate the First Folio. The Folger project inspired us to go whole hog.”

The library went whole hog, indeed. Visitors to the gallery on the main level are treated to a trip through centuries of Shakespeare’s printed history. Early quarto-sized editions of his plays are on display, with texts that may have been authorized, or, just as likely, cribbed by scribbling bootleggers in his audiences. Piracy of entertainment began long before the Internet.

“UVA’s greatest strength is the history of the book,” says Schwartzburg. “Other institutions may be great in theater history. …We decided to look at the printing of Shakespeare up until the present day.”

Each copy of the First Folio is unique, owing to the fact that the typesetters made corrections to their sheets of paper as they worked, but did not discard the flawed drafts. It was a living document throughout its production, which mirrors the doomed struggle to identify definitive versions of any of Shakespeare’s plays.

“There is no such thing as a text of Shakespeare’s plays that is authorized by Shakespeare,” says Schwartzburg.

The plays likely changed even during the Bard’s own life. Scribes copied his drafts for the actors to use, with errors along the way. Like most playwrights, it’s possible he made changes to scripts based on the reactions of audiences and input from actors.

“A play in Shakespeare’s day was probably a fluid thing,” says Schwartzburg.

A comparison of the famous “to be or not to be” soliloquy from various early printings of Hamlet shows wide variation. The first standalone quarto copy of Hamlet from 1603 is about a third shorter than what we are familiar with today, and many alternate lines are substituted. A 1604 edition was close to the First Folio version, but lacked a few key words.

Hamlet is now categorized as a “tragedy,” thanks to the First Folio.

“A key thing that happens with the First Folio is that it starts making claims about the text that don’t exist before,” says Schwartzburg. “It breaks the plays up into categories: tragedies, comedies and histories. …That has a huge impact on how you interpret them and has nothing to do with an intention of the author that you can return to.”

Eighteen of the plays had never been published before the First Folio and might otherwise have been lost. In fact, without the First Folio, Shakespeare might have been forgotten entirely.

The First Folio “tells us a lot about the significance of Shakespeare in the environment of 1622 when the project probably begins,” says Schwartzburg. “It tells of a legacy continuing beyond Shakespeare’s own lifetime, which isn’t the case with a lot of other very popular playwrights of the time whom we’ve never heard of today because they didn’t have someone going out and thinking it’s a good idea to publish and sell an edition of this person’s plays.”

Two of Shakespeare’s friends organized and edited the First Folio, giving it special legitimacy versus some of the standalone copies of his plays (which were never known to have been authorized by Shakespeare or edited by anyone with knowledge of what his intentions were for his work). John Heminges and Henry Condell, both actors in his troupe, the King’s Men, were close enough friends of the Bard to be named in his will.

Without Heminges and Condell, would anyone remember Shakespeare today? What about the thousands of words in the English language that he invented or popularized?

The First Folio led to a Second Folio in 1632 (also on display in the exhibit) with around 1,700 changes from the First Folio. When the Third Folio appeared in 1663, seven more plays were added but only six of those are now accepted as Shakespeare’s work.

Various editions of Shakespeare’s supposed plays blossomed in the centuries since. Editors censored some material and changed lines to fix rhymes that stopped working as accents changed. As generations of publishers have used Shakespeare’s name and work in whatever way that has suited them at a particular moment, the First Folio is the closest thing to a gold standard that actors, directors and fans have.

Contact Jackson Landers at arts@c-ville.com.

Categories
News Uncategorized

Settling down: How local immigrants have impacted their new home

The Charlottesville area has always been shaped by immigrants, and we have a long tradition of recognizing them for it. French-born Claudius Crozet, who served as an engineer in Napoleon’s army, constructed the first railroad from Charlottesville to Richmond in 1851. He then blasted a railway tunnel straight through Rockfish Gap, missing perfect alignment from the Nelson to Augusta sides by only four inches. Today, the town of Crozet is named in his honor.

More recently, Dave Matthews is well-known for having immigrated to the U.S. from his native South Africa. In 1994, then-mayor David Toscano officially declared September 27 to be Dave Matthews Band Day.

At the 2016 Democratic National Convention, local attorney Khizr Khan and his wife, Ghazala, famously reframed the presidential campaign by explaining how one of the sons of this immigrant family, Humayun, died a hero’s death in an American Army uniform. A surviving son, Shaharyar, owns a biotech firm in Charlottesville and has published important medical research.

But what about some of the unsung immigrants who help make Charlottesville the city that it is? We patronize their businesses, listen to their music and greet them on the street, but it is easy to miss out on their personal stories. From a downtown tailor to a UVA cancer researcher, here’s a look at some of the immigrants who continue to make Charlottesville a great place to live and work.

Parvin Jamalraza and her husband, Yadollah. Photo by Eze Amos
Parvin Jamalraza and her husband, Yadollah. Photo by Eze Amos

Parvin and Yadollah Jamalraza

Parvin Jamalraza’s downtown tailoring shop, Yady’s Alterations, looks like a mash-up of two centuries. An antique sewing machine stands beside the counter, powered by a foot treadle rather than electricity. This isn’t here to provide atmosphere. It is loaded with a bobbin of thread and ready for action. More modern electric machines stand behind it.

“Here we repair or [make] alternations. Back home, we were making clothes,” says Jamalraza. In her native Iran she grew up with the sewing skills that have become rare among most Americans. With our disposable consumer culture and SOL requirements that have pushed out home economics, Jamalraza and her husband, Yadollah, provide services to the public that few Americans are now able to.

“It was not life easy there [Iran],” says Jamalraza. “My kids growing up, they don’t have much opportunity to go to school, to get knowledge. That was why we decided to leave home.”

Twelve years ago, the family was granted refugee status and arrived in America, where the International Rescue Committee helped them settle in Charlottesville.

“When we got off the airplane at the airport there was a lady who knew us, waving, from the IRC,” says Jamalraza. “They helped us and got a home for us. …it was not easy to talk because we didn’t know a word of English. They helped with many things. Talking English a little bit. We knew alphabet English because we went to school, but speaking it is different!”

The IRC was instrumental in helping the Jamalrazas navigate life in Charlottesville.

“They helped us get anything that we needed,” Jamalraza says. “They tried to find a job for my husband. …I got two good teachers to help me with my English.

After two years of working for other businesses, the couple decided to open their own alteration and tailoring shop. The permits, taxes and other paperwork at first seemed too much to deal with. But Charlottesville City officials made it easy for them.

“At first, we thought, ‘We can’t do that,’” says Jamalraza. “And my husband went to the City Hall and they help us.”

In the beginning they did a lot of advertising. But they have long since stopped.

“People like my work and they tell each other, that’s why I don’t need any advertising [now],” says Jamalraza. “I’m really happy about that. People trust me. My husband is very good with the leather and I am good with the clothes.”

The couple both believe that disposable consumerism is becoming a problem around the world. Objects that could be repaired are thrown away and entirely replaced, wasting resources.

“Right now technology is getting a little bit lazy for people,” says Jamalraza. “That’s why young people don’t go to learn how to make things. …Still I see people and I try to tell people, ‘Yeah, you can fix that!’ We don’t like to say no. …When I see a face happy, it makes my day like that.”

WTJU DJ Robin Tomlin first came to America from England 30 years ago to follow an indigenous style of music heard only in Washington, D.C.—go-go music. He hosts “The Soulful Situation” every Monday, which features soul and funk musicians and producers. Photo by Eze Amos
WTJU DJ Robin Tomlin first came to America from England 30 years ago to follow an indigenous style of music heard only in Washington, D.C.—go-go music. He hosts “The Soulful Situation” every Monday, which features soul and funk musicians and producers. Photo by Eze Amos

Robin Tomlin

Anyone who listens to Robin Tomlin’s radio show, “The Soulful Situation,” on WTJU every Monday at noon knows that he is deeply knowledgeable and passionate about soul and funk music. What you probably don’t know is that he crossed an ocean because of American music and never went back.

“I came to America 30 years ago because I was really obsessed with an indigenous style of music heard only in Washington, D.C.,” says the local disc jockey in his middle-class London accent. “This was go-go music.”

The English-born Tomlin quickly became immersed in the music of D.C., Virginia and the American South. He never went home again. Today he hosts his long-running radio show on WTJU under an alias, The Rum Cove.

Tomlin grew up in Surrey, about 30 miles outside of London, and was born at just the right time to experience British punk rock at its peak.

“I come from a classically trained background,” Tomlin says. “My father made oboes, bassoons and clarinets in the Baroque style. My mother was a fine viola player, [and a] violinist and cellist. I played French horn and piano growing up…by the time I turned 15 the punk explosion had just happened. Soon after my 15th birthday I saw my first show, which was the Dead Boys and The Damned in late ’77. …I became obsessed with rebellion and live punk-rock music and new wave and I saw so many bands. Two or three nights a week I was climbing out of the bedroom—I was just desperate to see live music.”

As the punk scene died down, Tomlin went to his first James Brown concert in 1980 in Brighton, England. “I’ve loved rhythm and blues ever since,” he says.

“I saw [go-go band] Trouble Funk in London two weeks before I came to America,” says Tomlin. “And as soon as I got to America I made it my business to see as many go-go acts as I possibly could. Also rap. Run DMC, LL Cool J and Public Enemy.”

Go-go is notorious for not translating well to recordings. Like a skillful dancehall DJ, go-go bands move seamlessly from one song into the next without any breaks between. Bands play nonstop into the wee hours of the morning. To keep listening to go-go, Tomlin had to be in the actual nightclubs with the bands right in front of him.

“Seeing the shows in D.C. was hairy,” he says. “Those were violent shows. …I was so fresh off of the banana boat that I didn’t know you couldn’t go there. I was the only white guy there. But I made a sort of deal to myself that when I went to these go-go shows I’d go to the DJ before the show and say, ‘Give a shout-out to the alien Englishman in the house!’ So people would see me and know I wasn’t American so they wouldn’t dislike me so much because white Americans were not welcome. But an Englishman, that was different.”

Tomlin would later marry an American woman whose Ph.D. program brought the couple to Charlottesville, where they had two children (they have since divorced).

“The Soulful Situation” started airing on WTJU in 2000. Tomlin’s show goes beyond just playing old soul and funk records. He tracks down obscure singers, musicians and producers from the history of black music for interviews. Often he drives far and wide across the South to find these people in person. In some cases, his interviews are the only record of their personal histories. There was nothing else on the radio that came close to doing this when Tomlin started.

“I call it vintage rhythm and blues,” he says. “I try to expand people’s view of how wide the world of rhythm and blues, soul and funk is. I’ve interviewed a lot of artists, and it’s a pleasure and an honor to do it.”

Tomlin has now seen and tasted more of America than some Americans have.

“The English have a certain way we like to eat, but really I love Southern cuisine,” he says. “Country ham and two eggs over medium. …I love Virginia cuisine and Gulf Coast cuisine like jambalaya…barbecue, I’m addicted to. I’m in love with the South. The South is the heart and soul of America. There’s something about the South that just grabs you and won’t let go, even though in some places it’s ruined. The poverty in Alabama is just unbelievable to me, but I still love it. …to understand the blues and gospel and rhythm and blues; the landscape and the culture and the food, it’s all part of it. You’re missing out if you don’t get the whole thing.”

Caterer Tony Polanco, originally from the Dominican Republic, currently employs more than 40 people. In January he was awarded the Chuck Lewis Passion Award from the Forward/Adelante Business Alliance. Photo by Eze Amos
Caterer Tony Polanco, originally from the Dominican Republic, currently employs more than 40 people. In January he was awarded the Chuck Lewis Passion Award from the Forward/Adelante Business Alliance. Photo by Eze Amos

Tony Polanco

Tony Polanco might have lived Charlottesville’s most quintessentially American immigrant journey: from Little League pitcher, to starting over after 9/11 and now being the owner of a successful business that employs more than 40 people.

Born in the Dominican Republic, Polanco grew up playing the national pastime shared between the United States and much of the Latino world: baseball.

“We played a lot of baseball outside,” Polanco says. “Our toy was, ‘Play outside in the neighborhood,’ in a colony of ruins. We had equipment, we had bats, we had gloves, in the small stadium we had by the Catholic church.”

As a child, Polanco experienced what Dominicans refer to as “The 12 Years” between 1966 and 1978, when they were ruled by a dictator, Joaquín Balaguer, whose reign was marked by the jailing of political opponents and the shuttering of critical newspapers. Balaguer lost power for eight years but returned to the presidency in 1986, later losing power again for a time but then returning until 1996. The threat of falling back into authoritarianism pushed many Dominicans to leave for the U.S., Polanco says.

“I came because of the political situation,” he says. “My family decided, my brothers and sisters, [we] moved to the United States to be safe. I came with a visa on a plane to New York. …always you need to have some privileges to get a visa. To show some economic promise.”

Polanco’s psychology degree from Universidad Interamericana (a major university in the Dominican Republic) seemed like it would be an asset in his new home. In addition, he had 10 years of experience as a practicing psychologist. But it didn’t work out that way.

“When I come to the United States, that was the first thing I tried to do,” says Polanco. “My certification doesn’t have any value in the United States so I started working in family businesses, bakeries and restaurants.”

The experienced psychologist started all over again at the bottom in New York City, building a new career in food service. But that didn’t last after 9/11.

“After 2001 I was working [in food service] at a big company that declared bankruptcy in January 2002,” says Polanco. “…The center of finance for the company was in the Twin Towers. We lost the financial support for the company and the company closed.”

In the wake of 9/11, Polanco wanted to get out of New York.

“I decided I needed to find some place with less pressure to live and to grow,” he says. “I had friends here who I had visited for two, three years on vacation in Charlottesville. And I think that was a great decision for me to come to Charlottesville.”

After working in food service and hotel management for years in Charlottesville, Polanco bought a restaurant on 29 North in 2005 and renamed it the Caribbean Malecon. That didn’t work out as well as he had hoped, but his catering business that went full-time in 2012 has fared much better.

“I have around 47 people working for me,” Polanco says. “I have African-American people working for me. Hispanic people from Mexico, Colombia, Salvador, Argentina. And I have white American guys working for me, too. I think my business is a beautiful representation of the United Nations.”

In January, the Forward/Adelante Business Alliance presented Polanco with the Chuck Lewis Passion Award (named after local entrepreneur Chuck Lewis, who built the Downtown Mall’s York Place, among other businesses).

Polanco has been a leader since his 2002 arrival with the Charlottesville Salsa Club, which brings together people from many of the area’s ethnic communities (including white Americans) for weekly dance events.

Moving to Charlottesville from New York brought some major changes for the Dominican-American.

“One difference from New York is a community so integrated here,” says Polanco. “You don’t have neighborhoods for white people, black people or Hispanic people. …You live in the place you can pay and that’s it. …In New York, you live in the community you are part of. You live in a Hispanic neighborhood and that’s it. …I lived in New York in the Dominican neighborhood. In Charlottesville, you can live whatever place you can pay. This is like the best picture of America you can find.”

“We are a great community in Charlottesville,” says Polanco, “and I think we, the Latino people in Charlottesville, make this community better and make this community look like America, like the new America. The immigrants come here not just to build houses and be maids in houses, but to make America better. There is no one color that is America. Charlottesville is a great representation.”

Third-year UVA graduate student Mouadh Benamar has always been drawn to translational research, in which basic science discoveries are applied to prevention, diagnosis and treatment of disease. The Algerian-born Benamar became a U.S. citizen in 2013, at the July 4 naturalization ceremony at Monticello. Photo by Eze Amos
Third-year UVA graduate student Mouadh Benamar has always been drawn to translational research, in which basic science discoveries are applied to prevention, diagnosis and treatment of disease. The Algerian-born Benamar became a U.S. citizen in 2013, at the July 4 naturalization ceremony at Monticello. Photo by Eze Amos

Mouadh Benamar

Mouadh Benamar, a third-year graduate student at UVA, just published his first important research paper as co-author of a study that investigated how a new anti-melanoma drug fights cancer by knocking out a protein that the cancer cells need to reproduce.

“For the paper, when I first started the program at UVA we were told not to use the words ‘cure’ and ‘cancer’ in the same sentence,” says Benamar. “Yet we kept getting funding to pursue exactly that. I don’t see [this study] as a significant contribution, but it’s an investigation into how this drug works.”

Benamar speaks nearly perfect English, which is surprising for someone who didn’t move to the U.S. from his native Algeria until he was 17.

His mother is a doctor and his father is an agricultural researcher.

“I grew up in a science kind of a family,” says Benamar. “One of my hobbies as a child that may actually have influenced my future choices is that I used to collect biographies of random scientists and researchers. The idea of actually coming up with something new, indulging in the unknown and making it your known is something I was always fascinated by as a child.”

One of Benamar’s favorite biographies was of Avicenna, the 10th century Persian philosopher and scientist. Avicenna was arguably the greatest mind of the Islamic golden age, and his medical texts were used for teaching well into the 1600s.

“What is fascinating about him is that since he was a child, he was a prodigy,” says Benamar. “There were so many barriers but he moved forward. And his book was a big part of the world for centuries. …These are the kinds of things that tell you that you can truly aspire to be the person whom the world will need in 100 years. That definitely had an effect on me as a researcher.”

Benamar has been working in the area of medicine known as translational research. Translational researchers take the more basic science done by other scientists and look for ways to apply it to prevention, diagnosis and treatment of disease.

“Research has always been my goal,” says Benamar. “Especially translational research where my work had direct implications and benefits to patients. …A big breakthrough in cancer is always a big goal for anyone in the field. In cancer you are competing against cells that are part of your own body.”

Benamar became a U.S. citizen in 2013 at the annual July 4 naturalization ceremony at Monticello. Charlottesville’s favorite immigrant, Dave Matthews, delivered the keynote address.

As a Muslim immigrant working to save lives in America, Benamar has been protected in Charlottesville from the discrimination that many immigrants and Muslims experience elsewhere in the U.S.

“I would say that the whole community, students, faculty, friends, made me feel like [Charlottesville] is my home,” Benamar says. “I totally forgot the word ‘immigrant’ until you called to ask for this interview! The entire community has been very welcoming and very accepting. Even before I was naturalized.

“Even though I’ve personally never faced a single act of personal discrimination, looking at the political climate, it’s hard not to notice when a leading presidential candidate sees you as a potential threat,” Benamar says. “When you see a number of leading political figures [saying that you are a threat], when an irrational fear of you is seen as commonsense. I originally saw this as a form of dark entertainment. But I don’t see it like that any longer. …that’s why I’m proud to live in a city that truly lives up to its founding fathers.”


Immigration reform

More than 3,000 refugees have been resettled in the Charlottesville area since the International Rescue Committee opened a local office here in 1998. The nationalities of the refugees have changed, but the mission hasn’t. Bosnians in the 1990s and early 2000s. Meskhetian Turks from Russia. Then Afghans, Iraqis, Bhutanese. Iranians, Congolese, Colombians and a few Ethiopians. More recently, Syrians.

According to the United Nations, a refugee is someone who “owing to a well-founded fear of being persecuted for reasons of race, religion, nationality, membership of a particular social group or political opinion, is outside the country of his nationality, and is unable to or, owing to such fear, is unwilling to avail himself of the protection of that country.”

Charlottesville is a particularly hospitable place for IRC resettlement, according to Harriet Kuhr, executive director of the Charlottesville office of the IRC.

“It’s a welcoming community,” says Kuhr. “There’s available rental housing. The employment situation is very good. Charlottesville has an unemployment rate that is lower than the state average, which is lower than the national average. Good schools, good access to health care. The most important thing is a welcoming community.”

Most of the refugees who arrive in Charlottesville have, at best, a suitcase full of belongings. They
are starting their lives completely over. IRC is tasked with setting them up for success in an economy
and language that is all new.

“In our resettlement program as people initially come we’re providing case management, employment assistance. Helping people find jobs,” says Kuhr. “Accessing medical care. Making sure the kids get into school properly. We have on-site ESL classes for people when they first come. That gets people right on their feet at the beginning.”

IRC also provides interpreters for schools, social services, courts and UVA’s Medical Center.

Other services include an agriculture and gardening program. “We have a lot of families, more than 50, who have their own garden plots,” says Kuhr.

Success stories include graduates of UVA and an Afghan woman who recently graduated from the University of Richmond. Many of Charlottesville’s former IRC clients have not only mastered English but have started successful local businesses employing both native-born Americans and other immigrants. A number of Bosnians and Afghans have started restaurants. Many of the Meskhetian Turks from Russia gravitated toward auto repair.

IRC has depended on donations and volunteers throughout its history in Charlottesville.

“We get a lot of support but obviously money’s always nice,” says Kuhr. “We have a lot of donated items that people bring to us. We have a lot of volunteers; interns that work in our office but
also volunteers who work directly with families. Among the things that people give us are cars,
which we really like.”

The American IRC traces its origins to the 1930s when a group of European intellectuals, including Albert Einstein, formed a committee to help European refugees who were fleeing the Nazi government and had become trapped in Vichy, France. Once the United States entered World War II, the IRC began receiving federal funding. In 1945 it began to transform into a sophisticated organization providing health care, children’s centers and resettlement assistance for refugees from around the world.

In today’s politically charged atmosphere surrounding refugees in America, Kuhr has seen some misunderstandings.

“The misconception I’ve seen floating around recently is that everyone is a Syrian,” Kuhr says. “People that know us know that this isn’t true.
Or that we are only resettling Muslims. And that we only help people for a few months. We only help people financially for a few months, but we’re able to work with families on services for three to five years, depending on what they need. We’re very focused
on that initial settlement but we’re there as needed for advice and counseling for a couple years after
they come.”

This story was updated at 9am September 29 to reflect the correct name of the organization that resettled the Jamalrazas.