The Jefferson Cup, a professional and amateur USA Cycling road race that is one of the longest-running races in the United States, returns to the area on Sunday, April 30. The Jeff Cup is a 10-mile loop that takes racers on rolling country roads through estates and vineyards, and “has been a staple of the Charlottesville cycling community for over three decades,” says Sully Beck, race director and former president of UVA Club Cycling. “We want the Jeff Cup to continue to inspire riders, just as it has for countless years.”
The event has evolved since Ruth Stornetta first came up with the idea in 1991.
“She always had a ‘racer first’ mentality, so went out of her way to ensure a great course with proper road closures, wheel cars, results services, even if all of these things meant more work from an organization perspective,” says Andy Guptill, endurance team director for the Miller School of Albemarle. “Participants saw that, and turnout increased each year as word spread about the high-quality road race.”
“As a race director, proper permitting with the police and VDOT is the first major hurdle,” says Beck. “The financial burden and uncertainty were the main reasons that prevented the return of the Jeff Cup in recent years. As a collegiate club, we were willing to invest substantial energy to take on such a risk.”
UVA Club Cycling has done much of the organizing for the event, which is also sponsored by the Charlottesville Racing Club and Blue Ridge Cyclery. Proceeds from the race will go to Community Bikes, a nonprofit local bike shop that seeks to make cycling accessible in Charlottesville by providing free refurbished bicycles to kids and adults in need.
“Hosting the Atlantic Collegiate Cycling Championship [in which the UVA team competes] … and raising funds for Community Bikes all in one weekend promises for a truly great event,” says Madison Gallagher, president of UVA Club Cycling.
This year marks the first year the race will finish with the Blenheim hill climb, a leg-burning ascent that will likely make for an exciting finish (the race begins and ends at Blenheim Vineyards).
“Blenheim is happy to support the event, and is eager to make the finish line as inviting to spectators as possible,” says Tracey Love, marketing and events manager for Blenheim, one of the Jeff Cup’s sponsors (the winery will provide parking for racers and spectators, and an embankment for seating to watch the race).
Former professional road racing champion (and Monticello High School grad) Ben King got his start at the 2008 Jeff Cup, and the race had a major impact on him.
“I was lucky to grow up in a place with such amazing roads for cycling,” says King. “Now, hundreds of thousands of racing miles later, I can say with authority that it has all of the features that make a great course.”
“I still love the sport, but my relationship to it has changed,” adds King, who retired from professional cycling last year. “I love watching the races, but am personally less focused on performance and more focused on the freedom, community, fitness, and feelings I get on a bike.”
In the market for live music, a laser light show, and information about cannabis? Look no further than Greenwood, Virginia, on 4/20.
The Virginia 420 Festival at the Misty Mountain Camp Resort celebrates “all things cannabis,” according to Winston Marsden, the event’s planner. The agenda for the day features live music, cannabis-growing classes, and cooking classes.
“I started this on a dream to share the truth about the fiber, food, and medicine that cannabis has to offer,” Marsden says.
Marsden has led the effort to make April 20 an official “day of celebration,” recognizing the dedication of people who have fought to reform cannabis laws. He’s been envisioning a day for the plant since he was first introduced to the transformative effect of the drug.
This year marks the last year that marijuana is illegal to distribute or sell in Virginia.
So, C-VILLE asked Marsden about the legality of festival activities.
First off, there’s a BYOC policy in place: Bring your own cannabis. Attendees may legally consume it in private areas or in designated cannabis consumption areas, adhering to Virginia’s cannabis-limit laws.
Sharing cannabis is only permitted in private areas. No illegal sales of cannabis are allowed on festival property.
There will be no fighting, no weapons, and no illegal drugs. Marsden wants to provide a safe environment for anyone who wants to learn.
2023 marks the second rendition of the festival. The first was held at the Sedalia Center, and was called the Virginia Hemp Festival. More than 400 people attended, and not one arrest was made, according to Marsden.
Cannabis industry veteran Mark Herer will serve as master of ceremonies and educator for the festival. Herer’s father, Jack, was known as the Emperor of Cannabis, and spent his life spreading the “truth” of the plant. Herer remembers traveling around the world and to colleges and universities in the U.S. with his father, trying to spread the word about cannabis.
“My job is to get people fired up and activated, off their couches and into their communities,” he says.
Herer’s been growing cannabis since 2003, while he was running the Third Eye Shoppe in Portland, Oregon. Since he started, the growing landscape has changed quite a bit.
His father wrote The Emperor Wears No Clothes, which is frequently cited in efforts to decriminalize and legalize cannabis, and expand the use of hemp for industrial use. The book argues that cannabis is “able to meet all of the world’s transportation, industrial, and home energy needs” and was backed by hemp organizations in the U.S., Germany, and the Netherlands.
Herer didn’t believe his father should be the face of the cannabis movement, because he reinforced a stereotype of the long-haired hippies who just wanted to get high without fear of going to jail. Herer recalled being on tour with Willie Nelson and Gatewood Galbraith, who ran for governor of Kentucky five times as a vocal advocate for ending the prohibition of cannabis.
“There’s a good chance there will be a lot of unregistered voters there,” Herer says. “We’ll want to get everyone who can register to vote to do so at the event.”
Live music will commence at 9am, with a lineup featuring a wide range of artists, and a laser show to finish it off.
“Whether you’re a seasoned cannabis enthusiast or just curious about the industry, the Virginia 420 Festival is the perfect place to have fun, learn something new, and expand your knowledge of this fascinating and rapidly growing field,” the website says.
The goal of the festival is to challenge the stereotypes of cannabis.
“Cannabis is not a gateway, it’s a misunderstood plant. Misunderstood because of false teachings and misinformation,” Herer says. He hopes the experts and truth-tellers will educate people about the facts of the plant.
“Entertainment and education is the only way to understand the truth.”
Marsden wants lawmakers to come out and experience the festival, too. Attorneys will be livestreamed in and experts will help people learn about safe consumption.
“There’s still a lot of work to be done,” Herer says.
A general admissions ticket to the event will cost you $50, but if you want access to growing and cooking classes, you’ll pay $75. VIP tickets start at $125.
Editor’s note: This article originally misspelled Winston Marsden’s name. C-VILLE regrets the error.
When Sen. Bernie Sanders took the stage at the University of Virginia on March 2, he told the crowd that “real politics” is about understanding who’s winning in American society and which team is losing ground. To Sanders, the answer is plain to see: The top 1 percent is winning, and the working class is losing.
It’s a familiar refrain for the senator, and one that forms the thesis of his new book, It’s OK to Be Angry About Capitalism, which the senator had been invited to speak about at UVA as part of a promotional tour. The university’s Center for Politics organized the event, and put Sanders in conversation with interviewer and center resident scholar Robert Costa, who has worked as chief election and campaign correspondent for CBS News since 2022.
“There’s only one person who could stuff Old Cabell the day before spring break starts,” said Center for Politics Director Larry Sabato as he introduced Sanders.
Sanders is currently serving his third term in the U.S. Senate as the longest-sitting Independent member of Congress in American history. Before his three terms as senator, Sanders served for 16 years in the House of Representatives. He’s been steeped in American politics for a long time—long enough to write a book about what’s wrong with the system.
“I wanted to break through a lot of the irrelevant discussion that takes place regarding politics in America,” said Sanders.
In his book, Sanders argues that unfettered capitalism is undermining democracy, as it has caused an unprecedented level of income and wealth inequality. On his website, angryaboutcapitalism.com, the Vermont senator articulates that his book presents a vision for a society that provides a decent standard of living for all—”one that is not a utopian fantasy, but is democracy as we should know it.”
Costa and Sanders sat beside each other on stage, but that dynamic didn’t last long. Whenever Costa asked his guest a question, Sanders would stand up to deliver his answer to the audience. Each time, the crowd laughed. “You look like somebody who’s going to run again,” Costa joked.
Costa asked Sanders to explain the immorality of capitalism that he asserts in the book. The senator compared a kid robbing a 7-Eleven to the head of ExxonMobil, who knew that carbon emissions would have disastrous effects on the planet 60 years ago, but persisted in the business of fossil fuels in pursuit of profit. “Which crime is worse,” Sanders asked the crowd, “people who are knowingly destroying the planet for short-term profits or the kid who robs the 7-Eleven at gunpoint?”
In his reflections on student loan debt, Sanders referenced Franklin D. Roosevelt and his assertion that political rights are meaningless if the American people lack “economic rights.”
“You have power,” Sanders said. “You’ve got to run for office yourself—you have a right to say, ‘That is not right.’”
FDR wasn’t Sanders’ only influence; he also cited Martin Luther King Jr. as one of his heroes. He told the crowd that he was present for King’s “I Have a Dream” speech, and reminded everyone that the title of the event was March on Washington for Jobs and Freedom.
“King looked the establishment in the face,” he said, “and continued to fight.”
Costa asked Sanders if he would support Pres. Joe Biden in 2024. The senator, in discussing the American Rescue Plan, said that Biden was there “all the way” in supporting the progressive agenda. “I like and respect him,” Sanders said of the president.
Center for Politics interns were seated close to the stage and had prepared a few questions for Sanders. A first-year student asked him to assess whether economic issues or cultural issues had influenced voters’ preference for Trump in 2016.
“There are Trump supporters who are outright racists, sexists, homophobes,” said Sanders, “but there are many more who are not any of that—they are working-class people falling behind.”
“Nobody is talking to these people who are struggling. They are bitter and disappointed.”
Sanders claimed that he and his team were doing the opposite, by traveling the country and listening to the people whom Congress and the corporate media were ignoring.
The final student to ask a question asked the senator what he thought about burnout among young people, as social media and digital fatigue may prevent them from participating in politics and the upcoming election.
Sanders stood up once again.
“Let me be a hard ass,” he said. “You don’t have the right to be fatigued.”
The crowd gave him a standing ovation. “Change comes from the bottom up,” he said. “You are part of the struggle for justice.”
The event was recorded and can be watched via the Center for Politics YouTube channel at youtube.com/@UVaCFP.
The first 17 rings commemorated the victims of mass shootings that have occurred since Sandy Hook. The 18th commemorated the 611 other mass shootings that have taken place on U.S. soil.
Approximately 30 people gathered on the Downtown Mall for the 10th annual vigil to remember those harmed by gun violence. The first vigil was meant to honor the 27 victims of the shooting at Sandy Hook Elementary School. Now, it honors the thousands of people killed in mass shootings since.
Members of the Charlottesville Coalition for Gun Violence Prevention organized the vigil and addressed the crowd gathered. Calls to action followed the collective reflection. Members of the group urged participants to email their legislators to support common sense gun control legislation.
“We are Americans,” chanted participants.
Within 10 days, Gov. Glenn Youngkin’s heart supposedly broke—twice.
On November 13, 2022, an act of gun violence left three bright stars at the University of Virginia dead, two others wounded, and a community in mourning. Just nine days later, a man shot and killed six people and injured several others at a Walmart in Chesapeake before killing himself.
The people of the commonwealth turned to their governor to ask if he would do anything to change state gun laws, to prevent such acts of violence from hurting them and their community members again. His response? “Today’s not the time.”
“It is really a moment to reflect on the state of mind of the nation and Virginia and this mental health crisis we know we are in the middle of,” Youngkin told reporters during a Thanksgiving ceremony, “and to work together to chart a path forward to address it.”
The governor is right: We do have a mental health crisis on our hands. We also have a gun violence crisis, yet he has refused to confront it. According to the gun violence prevention organization Everytown, 1,065 people die by guns in an average year in Virginia.
Bob McAdams, who leads the Charlottesville Center for Peace and Justice, characterized Youngkin’s comments as a “delaying tactic” used to avoid talking about meaningful action. “Mental health problems afflict people in every country,” McAdams said, “but mass shootings are a uniquely American problem caused by the ready availability of guns.”
Between 2018 and 2021, emergency room visits for gun-related injuries in Virginia increased by 72 percent. Black patients, and Black men in particular, are disproportionately represented: The rate of emergency room visits for Black Virginians is nearly triple that of white Virginians. Young adults aged 18-24 have some of the highest rates of gun-related injuries.
The University of Virginia has engaged in comforting acts of togetherness in response to a difficult period of devastating loss. Students planned memorial runs that were replicated across the country. Vigils were held and flowers were placed around Grounds in honor of the three young men killed. Community organizations shared meals and enjoyed each other’s company as they grieved.
Nomi Dave, associate professor and director of graduate studies and co-director of the Sound Justice Lab at UVA, has been working on gun violence prevention in the Charlottesville community since 2017. Dave believes that Youngkin’s comment “ignores the very real impact of guns that all members of our society are constantly living with.”
“Recent research shows that guns are now the leading cause of death for children and young people in the United States—more than motor vehicles or cancer,” Dave says. “But research also shows that states with strong protections against gun violence have lower rates of gun-related deaths.”
Vivian Wermers leads UVA’s chapter of Students Demand Action, and says she’s tired of Youngkin’s “excuse,” which she hears from too many politicians who “prevent meaningful change from ever taking place.”
When asked how the Charlottesville community should respond to Youngkin’s refusal to talk about guns, Nicole Hockley, co-founder and CEO of Sandy Hook Promise said, “It is important to allow space to grieve and remember the precious lives taken after a tragedy. But when it comes to gun violence, there is no time to spare. Elected officials have a responsibility to do everything they can to protect our communities.”
Hockley, whose son Dylan was killed during the shooting at Sandy Hook, said that while it is important to hold our elected officials accountable, we all have a role to play in prevention. “That includes understanding what the warning signs are and how to get help when seeing them, as well as having conversations about what safe gun ownership looks like for your community and voting for your values in election cycles.”
State Senator Creigh Deeds believes that blaming mental illness does nothing to solve the problem posed by guns. “Now is not the time to avoid talking about guns. It’s easy to blame mental health issues whenever a tragedy occurs, but the truth is people experiencing mental illness are much more likely to be victims of crime than perpetrators.”
Students at UVA can attest to the toll that living through a shooting has taken on their mental health. “I’m tired of seeing life filled with joy and potential being taken away and I’m so tired of wondering if I’m next,” second-year Eddy says.
Three students were killed, two injured, and a community was left traumatized on November 13, following a shooting at the University of Virginia.
The first message from the UVA Alert system notified the community of shots fired at Culbreth garage. It was followed seven minutes later by a report of a shooting on Culbreth Road. The third message urged students to “RUN. HIDE. FIGHT.”
Students were advised to shelter in place as an active search persisted from 10:39pm on the 13th to 10:35 the following morning. The alert system sent a total of 57 messages during this period. Group chats were flooded with notes of love and support, and urged students to check in with friends and family. Students organized Zoom calls so they could be with one another, rather than alone and afraid.
Five-hundred students spent the night in UVA buildings, including libraries and recreational facilities. Isabella Sheridan, a third-year and director of a performing arts program for first-years, sat with underclassmen as they sheltered in place at the Student Activities Building.
“It was a really long night. People were really tense and pretty much everyone was terrified when we heard the car was going down Jefferson Park Avenue because we were right over there,” Sheridan said.
First-year students remained locked down in dorms. Resident advisors told students to lock their doors and close their blinds. From the first-year Balz-Dobie dormitory, Esme Merrill reported that “the situation in the dorm is a really dark one. I just am so uncertain about what my next hour is going to look like, let alone what my college experience is going to be after the tragedy.”
The messages from the UVA Alert system persisted, repeating that the suspect was at large and armed. He was described as a Black man wearing a burgundy jacket or hoodie, blue jeans, and red shoes. At around midnight, the local police scanner reported that, based on social media posts, the suspect seemed to be in GrandMarc, a residential apartment near Grounds.
Emma Troischt, a third-year, lives on the fifth floor of GrandMarc. When she heard the news, she barricaded her door and locked herself in the bathroom of her studio unit. “Occasionally, I could hear footsteps outside in the hallway. It was terrifying not knowing if it was the police keeping us safe or him,” she said.
At 1:20am, UVA Alerts officially named the suspect as Christopher Darnell Jones Jr.
“This is a message any leader hopes never to have to send, and I am devastated that this violence has visited the University of Virginia,” UVA President Jim Ryan wrote in an email that went out at 4:27am. During a press conference later in the morning, Ryan fought back tears as he spoke of the “unimaginably sad day for our community.”
The three students whose lives were stolen are Devin Chandler of Huntersville, North Carolina; Lavel Davis of Dorchester, South Carolina; and D’Sean Perry of Miami, Florida. Two of the slain victims were found inside the charter bus they had taken back from Washington, D.C., where they had been on a field trip to see a play.
Two other students are hospitalized, one in critical condition and the other in good condition.
Jones was arrested on three counts of second-degree murder and three counts of using a handgun in the commission of a felony, and was taken into custody in Henrico County, about 80 miles southeast of Charlottesville.
At the press conference, UVA police chief Tim Longo reported that Jones had come to the attention of the university’s threat assessment team in the fall of 2022. He had made a comment about possessing a gun to a third party, but the comment was not made in conjunction with any threats. Jones was also connected to a hazing situation, though Longo had limited information about that investigation.
A Richmond Times-Dispatch article noted that Jones’ parents divorced when he was 5 years old, and Jones described his father’s departure as “one of the most traumatic things that ever happened to me.”
Following the divorce, Jones got into fights with other students and suffered disciplinary action as a result. He had a successful high school career, and Petersburg chose him as the top male student-athlete for an annual scholarship program. Little is known about Jones’ history on the UVA football team and his relationships with the players.
“The search for the suspect may be over, but the work of understanding this terrible crime and what motivated him to commit it is just beginning,” Ryan said in an email.
Gun violence on college campuses
The shooting at UVA was at least the fifth since February on or near campuses in Virginia, according to reporting from The New York Times. According to the Gun Violence Archive, there have been more than 38,000 gun violence deaths since 2013.
College-aged students have been habituated to fear shootings on their campuses—places meant to be havens of learning and growth. A generation has been shaped by the tragedies at Sandy Hook Elementary, Marjory Stoneman Douglas High School, and Virginia Tech. Many of the students who endured those shootings emerged as soldiers in a war that they never sought to fight.
Jackson Mittleman, a senior at Georgetown University, launched a gun violence prevention group when he was just 11 years old, after experiencing “the worst day of [my] life,” at Sandy Hook Elementary School.
In 2018, he spoke at the March for Our Lives Rally, organized in response to what happened at Marjory Stoneman Douglas High School. “The Sandy Hook shooting should have been the last shooting in our nation but there have been more and more every day,” he said.
Today, many shootings later, Mittleman has advice for UVA students: “First of all, keep an eye on yourself,” he says. “Make sure that you feel comfortable putting yourself in a position where you have to engage with this sensitive and difficult situation of gun violence, especially given that you’ve experienced it so recently.”
Mittleman believes the way to avoid the normalization of such a tragedy is to talk about it. “You have to continue to highlight the impact that this has had on your life. You are now one of thousands of communities, schools, and groups that have experienced gun violence.”
Mittleman shared that there are many communities and groups that students can join if they feel compelled to take a stand. “Keep being loud,” he says.
Samantha Fuentes is an artist, songwriter, and survivor of the 2018 shooting at Marjory Stoneman Douglas High School in Parkland, Florida. Fuentes became an advocate for gun violence prevention after suffering multiple injuries by a fellow student who killed 17 and injured 17 with an AR-15.
Fuentes believes the most productive immediate action for the UVA community to pursue is “togetherness. … Everyone is grief and trauma-stricken. At these times people want to self-isolate, but the act of being together is very important.”
In the days following the shooting, Parkland students organized a town hall and invited community members and local political leadership to get together to address what they had just endured. “Find the time and space to be with one another and think about what healing looks like and what resources are needed,” Fuentes advises.
Colin Goddard—a survivor who was shot four times in the Virginia Tech massacre of 2007—echoes Fuentes’ and Mittleman’s calls for unity. “It’s more important that students talk, not necessarily to experts, but it’s the talking that is what’s important,” Goddard says.
According to Goddard, faculty members don’t need to be psychological advisors, but they should allow students to talk freely when back in their classrooms. Once discharged from the hospital, Goddard recovered in the community at Virginia Tech. “It was super helpful to be there instead of being away,” he says. “Be in the community now.”
After recovering from his wounds and getting his degree, Goddard volunteered for the Brady Campaign to Prevent Gun Violence, and eventually exposed the shortcomings of gun legislation in the film Living for 32.
“People have to be active participants in honoring the lives and legacies of those who were impacted,” he says. “People have to work in any way that they can to make sure that some good comes from it in some way.”
Goddard has persisted in his advocacy, and is reminded of the pain he and others experienced at Virginia Tech 15 years ago. “Right now, it’s important for the UVA community to come together, and to invite those from outside the university to join them, too. Virginia Tech greatly benefited from the community with the University of Virginia following the tragedy they suffered.”
On the same day as tragedy struck the University of Virginia, a memorial was opened to commemorate the 20 children and six adults lost in the massacre at Sandy Hook Elementary almost 10 years ago.
One day later, on the evening of November 14, students gathered on the university’s South Lawn. They held candles up in remembrance of the classmates they lost just hours ago. In the coming days, they will mourn and remember together.
Remembering those who were lost
D’Sean Perry was a junior reserve linebacker from Florida who appeared in six of the UVA football team’s 10 games. “D’Sean was an amazing soul that made his family and community proud,” said Earl Sims, the head football coach at Gulliver Preparatory School. Charles Snowden, UVA football alum and Tampa Bay Buccaneers outside linebacker, posted a tribute to Perry on Instagram: “D’Sean is the human embodiment of resilience and perseverance and I couldn’t be more proud of him. I really did try to pass down everything I’d learned because I knew he could be much better than I ever could.” Perry’s parents have decided not to speak publicly about the incident, “as their grief is only beginning, and out of respect for the University of Virginia community [which] has been terrorized by another mass shooting in the United States.”
Lavel Davis Jr., a junior from South Carolina, was a starting wide receiver and the third-leading pass receiver on the team this season; he caught two touchdowns. Davis was also a member of the Groundskeepers, a group of Virginia football players that pushes for social change. “He never bothered a soul,” Kim Richardson, Davis’ aunt, said. “He just wanted everyone happy.” Jack Hamilton, one of Davis’ UVA professors, shared in a Twitter post: “One thing that struck me about Vel was how much his classmates liked him and vice versa. … In my experience, star athletes tend to hang out with other athletes, but Vel seemed to go out of his way to make friends with non-athletes.”
Devin Chandler transferred to Virginia from the University of Wisconsin, and had yet to play in a UVA football game. “He was so full of life. He was a great kid,” Alvis Whitted, a coach at Wisconsin, said. Hamilton, who also taught Chandler, called him “an unbelievably nice person, always a huge smile, really gregarious and funny. One of those people who’s just impossible not to like.” Wisconsin’s Defensive Coordinator Jim Leonhard said Chandler “had a lasting impact on his teammates, even after he left UW, which is a testament to the type of person he was.”
“I cannot find the words to express the devastation and heartache that our team is feeling today after the tragic events last night that resulted in the deaths of Lavel, D’Sean and Devin, and the others who were injured,” said UVA football coach Tony Elliott. “These were incredible young men with huge aspirations and extremely bright futures. Our hearts ache for their families, their classmates, and their friends. These precious young men were called away too soon. We are all fortunate to have them be a part of our lives. They touched us, inspired us, and worked incredibly hard as representatives of our program, university, and community. Rest in peace, young men.”
Henry Martin stands tall in the photo, his eyes piercing and thoughtful, dapper in his jacket.
Martin was born enslaved at Monticello in 1826. In the early 1900s, he was one of the most recognizable figures on Grounds. He rang the Rotunda bell, and was the head janitor at the University of Virginia. But most of the knowledge created by white people about Martin reflects their racial prejudice.
The Daily Progress wrote that Martin was a “personification of the qualities that go to make the most faithful servant.” Martin, however, was well aware of how he’d been misrepresented, so he spoke for himself through portraiture.
In the photo, part of “Visions of Progress: Portraits of Dignity, Style, and Racial Uplift,” a new exhibition at the University of Virginia’s Albert and Shirley Small Special Collections Library, we see a reflection of Henry Martin through his own eyes. And he is surrounded by nearly 100 portraits that similarly honor and express the personality and individual dignity of their subjects, defying a society and culture that denied them equal rights.
“Visions of Progress” features photographs produced by Charlottesville photographer Rufus Holsinger and his studio during the height of the Jim Crow era. The images, commissioned by African Americans in central Virginia, are part of an exhibition that reveals new biographical information about the subjects unearthed over the past few years by the Holsinger Studio Portrait Project team.
Holly Robertson, curator of exhibitions at the University of Virginia Library, designed “Visions” with the intention of making the portraits and their subjects “true to life.” The stories that accompany each image help to do just that.
Typical sources, like military records, birth and death certificates, and census records, wouldn’t suffice. John Edwin Mason, the exhibition’s chief curator, and his team wanted to introduce these individuals as whole people. Was Henry Smith funny? Was Cora Ross kind?
So the team asked the descendants of the individuals for help. C-VILLE Weekly documented this undertaking in 2019, as people were invited to Family Photo Day at the Jefferson School African American Heritage Center to help identify the photographed individuals.
In the C-VILLE article, Mason shares that up until that point, the photographs from the Holsinger Studio Collection had not been presented in a way that represented the Black community of Charlottesville; rather, they portrayed “a very specific, very white image of Charlottesville.”
“Visions of Progress” documents the stories of the African Americans who left central Virginia and flocked to cities in the North and Midwest during the Great Migration. In doing so, the exhibition connects the local history of central Virginia to national history.
Linwood Stepp was one of those who left. Born in the Free Union district of Albemarle County to Lindsay Stepp, a blacksmith, and Jemima Stepp, a homemaker, Linwood served in France during World War I with the 349th Field Artillery.
Stepp may have commissioned his portrait as a gift to his family. Less than a year after the photo was taken, he moved to Buffalo, New York, to work at a steel mill.
He married Maggie Hansberry in Albemarle County in 1921, and the couple had three daughters.
“The magic of these portraits is that you don’t see the oppression in them,” says Mason. “And that was intentional on the part of the people who had their images made.”
Mason explains that the most attention has been paid to the oppressive side of history. “Here, we’re approaching history from a different direction.”
Though the photographs were taken during the height of the Ku Klux Klan’s violence, they do not illustrate scenes of abuse. Rather, the subjects of the portraits are dressed beautifully to resist the commonly distributed racial caricatures produced at the time.
“It’s really important that the job and status and oppression in Jim Crow are completely invisible in these pictures,” Mason says. “African Americans were not defined by their oppression.”
While the exhibition acknowledges the presence of the KKK, the effects of restrictive covenants, and the many forms of oppression endured by local African Americans at this time, the images serve as a form of silent protest against those injustices.
“They are saying, ‘We are not who you think we are. We are not those stereotypes; we are not defined by our status in Jim Crow society,’” Mason says.
This truth struck undergraduate researcher Ben Ross, too. “It’s easy to hear about the ways that the community was mistreated and oppressed and believe that they only knew hardship, but in reality this was a community full of love, dignity, and honor,” Ross says.
Rufus Holsinger—Holly to his friends—employed up to 25 people in the 1920s. Most of them took the photos included in the exhibition, yet we don’t know who they were.
Mimi Reynolds, an undergraduate research assistant who’s managing the social media accounts for the exhibition, recently posted a Holsinger photograph of Susie Lee Underwood Henderson and her child on Facebook. A little while later, Helice Jones commented that the woman and child were her Great Grandmother Susie and Aunt Evelyn.
“My hope is that the exhibition leads people to broaden their perspectives by uncovering this quiet yet powerful piece of history,” Reynolds says. Mason and library staff members urge anyone who might recognize ancestors or have any information about the portrait subjects to email the team at HolsingerStudio@virginia.edu.
The project’s website, which is currently under construction, but soon will be ready for public consumption, is a place where the team hopes people doing genealogy will download the document listing the photographed individuals and their stories, and that they’ll identify their ancestors.
This exhibition is for everyone, Mason says. Ultimately, he hopes that UVA “changes the way that everyone in central Virginia sees their history. We can tell a history of resilience, of people living complex lives in the midst of Jim Crow and living during the era of the New Negro.”
And perhaps some people will even find their ancestors brought back to life.
From the Holsinger Studio Portrait Project
Developing a clearer picture
Everything about Cora Lee Ross’ (1884-1969) portrait suggests that she was an extraordinary woman—strong, proud, and wise. Her life story confirms that she faced the triple challenges of racism, sexism, and economic exploitation with an indomitable spirit.
When Ross commissioned her portrait from the Holsinger Studio, she lived in Charlottesville with her husband, James Lemuel Ross, and their five children—four girls and a boy. Cora was a housemaid, and James was a manual laborer. The couple would eventually have several more children—a daughter and two sons. Cora and James remained married until his death, in 1952.
By 1920, the family had moved to a farm in Albemarle County. James supplemented the family’s income by working as a railroad guard. Cora assumed the duties of a farm wife and mother while also working as a housemaid. Cora returned to Charlottesville in late middle-age, living in Fifeville with two of her children.
Cora’s portrait befits a woman who had the strength to raise a large family while jointly running a family farm and the style of someone with cosmopolitan tastes. Nothing about it hints that she also spent much of her adult life working as a housemaid in other families’ homes. That is precisely the point. As the University of Virginia historian Kevin Gaines has written, “[t]o publicly present one’s self … as successful, dignified, and neatly attired, constituted a transgressive refusal to occupy the subordinate status prescribed for African American men and women.”