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You say kabobs, I say kebabs

They go by many names. Some are so elusive, the names may as well be aliases. But they could be what saves us. They are, after all, where everyone comes together. Greeks and Turks, Muslims and Christians alike can all get behind the kebab (anglicized Turkish spelling), the kabob (Afghan version), the döner, and the gyro.

Michael Turk and his business partner, Tony, serve excellent döner kebabs (the Turkish grandfather of the Greek gyro) at Bazlamas, a trailer that they park between the amphitheater and Garrett Hall on Grounds at lunchtime, when school is in. You can also catch them outside of the brand new Champion Brewing Company on Sixth Street SE, Thursday through Saturday evenings. They use halal beef and lamb ground together and seasoned with oregano, thyme, black and marash pepper, and paprika. They pile in crisp vegetables and ladle on the thing that sets them apart —their sauce: a garlic yogurt base with Turkish olive oil, Turkish tahini, and four Turkish spices. It all gets rolled up in a warm homemade pita for $6.49 or served open face with side and drink for $9.99. There’s also a veggie option. Make it a point to find these guys. They’re on Twitter @bazlamas.

At the wise behest of the other occupant of this newsprint, Megan J. Headley, I sought out Angelo Vangelopoulos at the Ivy Inn, who it turns out is the direct descendent of gyro royalty. His father used to have the great gyro shop Icarus in Georgetown, D.C., before throwing in with Angelo to buy the Ivy Inn in 1995. The Ivy serves a small gyro as part of a lamb platter entrée. Angelo grinds pork, beef, and lamb together, spices it just so, bakes it in a pâté mold, then slices it into gyro units. Then there’s tomato, onion, cilantro, feta, and creamy tzatziki on pita. It’s marvelous. Only thing is, it’s $30.

Strict Virginia health regulations deter most döner and gyro purveyors from setting up rotisserie spits—which are common in big cities and across Europe—and carving the meat off the spit to order. “If the health inspector sticks a thermometer in the meat and it’s above 41 or below 135 degrees,” one chef told me, “you’ll have to throw it out.” So most make due with pre-cooked meats that they reheat on a griddle.

Ariana Grill Kabob House on West Main puts out a right fine gyro, but last time I was there I went for the kofta kabob, an Afghan delight of seasoned ground beef packed into links, skewered, and grilled. It comes on basmati rice with hot greens and fresh bread for $9.95.

Three months ago, Mansur and Mustafa, brothers of Turkish descent from Caucasus Russia, opened M&M Lounge and Restaurant where the Outback Lounge used to sit. They serve beef and chicken kebabs, chunks of meat marinated overnight in vinegar with onions, pepper, and “secret ingredients.” They don’t serve lamb kebabs because, Mansur reckons, “Americans tend to eat too slow for lamb. Lamb isn’t as good after it’s been sitting.”

Wait, Americans eat slow? I will pull the last flap of flesh that I just burned off of the roof of my mouth and, without so much as taking another breath, sink my teeth right back into the piping hot gyro that scalded me in the first place.

Anyway, the kebabs are grilled over charcoal and served on rice with a salad, homemade bread, and a dipping bowl of lemon juice and olive oil. As a platter, it’s $12.95, but you can get it in a wrap for $8.75.

Sultan Kebab is a Turkish restaurant tucked into a stealthy little strip mall at 1710 Seminole Trail. There is almost no chance you’ll happen to just notice this place as you’re whizzing up 29N, but it’s there serving up excellent halal lamb, chicken, and döner kebabs, plus a full menu of Turkish fare.

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Living

Veg out! Four healthy options for herbivores

Whether you’re a vegetarian or the kind of person who will pull over at he faintest waft of smoking hickory charcoals, sometimes it’s not a bad idea to just lay off the meat for a spell. Revolutionary Soup and Eppie’s may earn top marks for vegetarian fare in Best of C-VILLE every year, but the choices for tasty meatless meals have come a long way of late.

The menu at Song Song’s Zhou & Bing, 108 Fifth St. SE, has three basic categories: zhou, salads and bings. Zhou (pronounced “joe”) is a thick soup that comes in two varieties. The first is the 10-grain (buckwheat, barley, wheat, and oats; a blend of rices; yellow millet; and the medicinal kickers, Job’s tear and Gordon Euryale seed). The other choice is the rice and celery zhou (sushi-grade rice, celery, and peanuts with a wolfberry additive). Both zhous are mild in flavor and benefit from the addition of red chili oil and pickled garlic cloves. Or, either can be sweetened with sugar and eaten as breakfast.

Song Song’s also offers two salad choices. One is a marvelous celery and peanut concoction spiced with star anise, chili oil, and rice vinegar. The peanuts are cooked in a spicy broth first. I detest celery in general but I love this salad. And for those who dig on the ’shroom, there’s a muer salad of woodear mushrooms from northeast China.

Lunch at Song Song’s is, however, based on the bing. The bing is a stuffed pancake with three options: vegetarian, red bean, or pork and leek (the only non-veggie menu item). The veggie bing (1) is fantastic. Sweet peas, corn, and mild cheddar cheese stuffed into a pancake, pan fried in just enough soy oil. They come out golden brown and just short of crispy on the outside. There’s soy sauce and a great rice wine vinegar for dipping, as well as chili oil for heat. If you’re lunching with a devoted carnivore, the delectable pork and leek bing will sate their every need.

Proprietor Song Song is formerly both a scientist and business executive. Eager scholar and polymath that she is, when it came time for a more passion-driven career change, she studied the ancient medicine and healing properties of carefully prepared foods from her native China. She opened the restaurant last January to offer healing foods. Her menu will tell you exactly which malady each zhou benefits and prevents. And she went one step further: Using family recipes and tricks she picked up through her own experimentation, she made it all delicious.

Song does everything here herself and is a relentless perfectionist, hand-picking produce several times weekly to ensure the highest quality. Every menu item is $2.50. If you spend $10 here, you’re a glutton.

Around the corner at Twisted Branch Tea Bazaar, there’s an almost entirely vegetarian menu. Last time there I tried both the dahl and rice (2), and the falafel pita (3). Dahl is the subcontinental lentil soup staple and done quite well here. It comes with a sweet chutney paste and pita for scooping. The falafel wrap comes with an excellent mixed green salad lightly coated in a miso dressing.

For those who like a bar scene, Black Market Moto Saloon, at Meade and Market, has been an invaluable addition to the veggie options on the Belmont dinner landscape. It serves a terrific black bean burger. In the $11 range, the Saloon offers rib-shaped tofu chunks slathered in a tangy barbeque sauce. Both plates come with either fries (go for the garlic version) or a mixed green salad in vinaigrette. All very good.

For weekend brunch, we’re staying in Belmont. La Taza, at Monticello and Hinton, lays out a very nice veggie quesadilla (4) with pineapple, pico di gallo, tomato, cilantro, and black beans in a lightly grilled flour tortilla. If you need eggs, the La Banessa (5) is three corn tortillas rolled up with egg, tomato, onion, and green chili and topped with sour cream and a black bean purée. There’s a dollop of red sauce for extra oomph in the middle of it all.

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Living

Better late than never: Late night options for after-dark diners

This is more about reliability than quality. If you’re looking for something to eat at 1am, how exquisite can you expect the cuisine to be? First thing you need to know is that the place is open. And that alone really narrows the field. And we’re talking mid-week here. We can’t concern ourselves with Friday and Saturday amateur nights.

Downtown, The Box continues to expand its nocturnal promise. It switches over to the late-night menu at 10pm and serves until 1 or 1:30am. There’s a Vietnamese, bánh mi-style cold chicken sandwich: seasoned cold chicken, shredded daikon pickled carrots, cucumber slices, jalapenos, cilantro and spicy mayo, served on a small baguette. There’s also edamame and Kalbi wings, which are available only off and on. What The Box does best is the spicy gochujang, twice-cooked crispy chicken wings (1). They are shock-boiled to eradicate impurities, then deep-fried and slathered in a Korean fermented soybean, red chili, and glutinous rice paste-based sauce with chili oil, ginger, scallion, and black and white sesame seeds. It’s quite tangy and nicely cooled by the freshly made chard-scallion ranch dip. And it’s $6 for six wings.

Miller’s kitchen serves until midnight, but to be safe order by 11:30pm. Options under $10 are sparse but include the Texas chili bowl and the fried green tomato salad, which a very discriminating vegetarian I know loves. Sliding in right at $10 is the small muffuletta, a New Orleans sandwich classic made with a variety of Italian cold cuts—ham, capicola, salami, mortadella, pepperoni—and provolone and Swiss cheeses. But the thing that sets the muffuletta apart is an olive salad spread that involves a variety of minced olives, olive oil, sweet peppers, capers, vinegar, and Italian herbs and spices. The whole thing is piled in the middle of a heavy, round roll with a texture and consistency akin to focaccia. They could probably find a fresher, fluffier brand of roll but the sandwich still hits the spot when most every place else is closed.

On the Corner you’ve got the White Spot, which will consistently hook you up until 3am. The Gus burger (2), a decked out slider with a fried egg on top (probably used more effectively over the years as a hangover prevention than cure) is world-famous and has more web-posted photos than Lindsay Lohan. I tried the gyro sandwich last time and it wasn’t bad. The gyro meat is pre-sliced and packaged and seared on the griddle, but then put together with much gusto: tomato, onion, feta cheese, and tzatziki sauce on a nice, spongy pita. And the fries are top notch. I mean, there’s nothing wrong here.

A couple doors down, Littlejohn’s New York Deli serves all manner of specialty sandwiches of its own design, from clubs to reubens and more, and it’s open 24-7. The menu has subs of most every description from cheese steak to meatball. You can have ’em hot, cold, toasted or not. Pretty much all of it is under $7. There’s a pita pizza among the vegetarian options, but stick with the sandwiches. Littlejohn’s also knows to have a smattering of sauces on hand to ameliorate pretty much any situation.

And don’t discount the Waffle House option, again a 24-7 standby. I was in the Deep South last week and they are impossible to avoid. I took a London chef friend for breakfast Thanksgiving morning. He had The Texas sausage melt and hash browns smothered and peppered (3). Then sulked for the next three days because I couldn’t find the time to take him back. I opt for the patty melt and potatoes done the same way. The coffee is also better than any greasy spoon.

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Living

Bowls of plenty: When it comes to Asian noodle soups, the broth tells the story

If every restaurant in the world served only pho, that would be fine by me. Pho is the Vietnamese beef noodle soup sensation that has been sweeping the nation the last 10 years or so. Charlottesville has been a latecomer to the pho scene, but there is one place doing it exactly right. Saturdays and Sundays from noon until 5pm, Lemongrass (at 14th and Wertland streets NW) serves the best pho in central Virginia.

Using a West Coast style beef broth as the basis for the beef pho (1) recipe, Saigon native Hiep Pham and his wife Mai, proprietors of Lemongrass, can manage to put the complex concoction on the menu for only 10 hours a week because of the huge kettles and two-day preparation required to brew this wondrous ambrosia in their small kitchen. Serving it only on weekends “is the only way we can maintain a certain quality,” said Hiep, an inspired pho enthusiast. The broth, anchored by beef knuckle, star anise, cinnamon, ginger root, cloves, onions, and scallions and filled out with slices of lean angus beef and rice vermicelli, is an aromatic and sublime blend and goes for under $8. You can pile on basil leaves, bean sprouts, lime, and jalapeño slices at your discretion. And a healthy dose of sriracha sends the whole thing into orbit. There’s also a chicken version.

Moto Pho Co. on West Main Street opened its doors in August and I ran there. The place looks and feels great, emits pleasant aromas and has cool outdoor tables. But after a few visits, giving it ample opportunity, there are a few vexing issues: inconsistent broth; an overpowering and salty fish sauce; and, inconceivably, on my last visit, the chicken pho came lukewarm.

As the chilly night air bears down, you’re going to need some mid-week options and hot soup variety. Bangkok art school graduates Kitty (who grew up in her family’s Bangkok restaurant) and Pooh, both formerly of Tara Thai, took over Monsoon Siam, at Market and Second streets NW, last July and offer a passel of steamy noodle broths. They serve basic chicken and beef noodle soups, but they really let their stride out with their Tom Yum (2) and Guay Teaw Moo. Both soups have very similar stocks based in chicken, vegetables, and fish sauce. The Guay Teaw Moo is spiced with ground and blended Thai red pepper and galangal root—something like a more pungent ginger root—and has an explosive hot and sour thing going on. They lay in nice cuts of lean pork, meatballs, bean sprouts, and a dusting of ground peanuts. This stuff is supreme and goes for $8.95. The Tom Yum is distinguished by the addition of a sweet red curry paste, which makes it a tad, well, sweeter. It’s topped off with cilantro, scallions, and mushrooms. The Tom Yum comes with chicken or tofu at $8.95. And, if you’re ready to drop $13 for soup, the Tom Yum has a seafood option.

Café 88 on Preston Avenue serves a simple, hearty, and very solid beef noodle soup (3) Fridays and Saturdays. There’s bok choy, a heaping helping of roast beef chunks and hefty egg noodles in a zesty beef broth. It’s basic, and nowhere near the flavor adventure of the above-described servings, but comfort food at its finest, nonetheless.

Worth the drive is Pho So 1 on Rigsby Road in Richmond’s West End. Its broth is as good as I have tasted anywhere and I’ve slurped up enough pho—from Seattle to Southern California, from London to Houston, Texas (regrettably not Saigon—not yet anyway)—to float a cruiseliner. Pho So 1 really ramps up the fragrant elements of the broth and offers umpteen varieties, including tendon, tripe, and a chicken pho, Pho Ga. But it’s closed on Tuesday, which I have forgotten twice already.

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Living

Loco for tacos: Craving Mexican? Try these three

I’ve eaten tacos from propane-fired griddles outside my apartment near downtown Los Angeles, and from the street grills off Garibaldi Square while mingling with mariachis between sets in Mexico City. I’ve partaken of the ubiquitous taco stands of Texas and the cozy Mexican diners on the north side of Chicago. It doesn’t make me an expert, but it does establish some frame of reference within which to evaluate well-prepared al pastor wrapped in a perfectly pressed and grilled corn tortilla.

If I am qualified at all, it may be because I have for years subsisted, in more cities than I can recall, on a budget that would make a college freshman struggle with the choice between a month’s supply of Ramen noodles or Xeroxing the pertinent chapters of an essential textbook from the school library’s reserve copy. But I’ve always tried to get the most panang for what was often my last buck, so to speak.

At the Saturday City Market, Mexican Tacos serves impeccably prepared steak (spiced with the guajillo chili), pork, chicken, chorizo, and vegetarian tacos at the corner of Water and First streets, for $2.75 a pop. There’s a lady deftly hand-flattening and grilling corn tortillas one by one, staying only a few tortillas ahead of the incoming orders. The chorizo—the spicy, loose-meat, Mexican pork sausage—they blend and grind at home. Someone is steadily pan-searing chicken on site. They top these beauties off with pico de gallo, and lettuce with a sprinkling of queso fresco, a soft, moist cheese. Then there’s perfectly mild but tasty green sauce on each one, if you choose. The City Market’s last day is the Saturday before Christmas, but it returns in early April.

Tacos and the salsa bar at La Michoacana. Photo: Preston Long.

Over on East High Street is La Michoacana. Edgar Gaona, eldest son of the family operation, reckons they have been at the present location for four or five years, but started out in a food truck more than 10 years ago, back when he was a lad of 10 or 12.

“The health inspector said we were the first taco truck in town,” he said. Gaona’s mother, whose family recipes fuel the operation, is a native of Michoacán, a province west of Mexico City. Similar in style to Mexican Tacos, La Michoacana makes its own tortillas as needed and makes the chorizo from scratch. It offers a broader range of options for $2.25, including tongue, tripe, and barbecue tacos. The kicker here is the restaurant’s three sauces. The milder red and green sauces are jalapeño-based, but the hot green sauce packs its punch with the chili de arbol. There’s also a very spicy, stoutly-pickled carrot, onion and jalapeno garnish, which is not for the faint of tongue.

Taco plate at La Tako Nako. Photo: Preston Long.

As good as those tacos are, I would still opt for La Tako Nako, a neon-belighted trailer parked alongside Hydraulic Road near Commonwealth Drive. The tortillas may be store-bought, but you don’t pick your burger joint because it bakes its own buns. Plus, it’s good to double up the corn wraps to absorb the savory grease from the carne asada and pork tacos. Hey, where there’s fat, there’s usually flavor. Tako Nako lays grilled onions you might expect to come on an Italian sausage over each $2 serving, along with cilantro and some solid homemade salsas. You can feel the tangy, meaty juice hit the back of your throat before you even chew the first couple bites. It’s the kind of savory you just want to drink down in shots, not wanting it to end as the last bits of meat are making their way down your gullet. Plus, there’s a certain charm about eating two or three of these succulent masterpieces among the banter of the almost exclusively Spanish-speaking clientele in the neon glow of a damp chilly night.

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Living

Inked: Local tattoo artists keep it real in the age of reality TV and commercial counterculture

The closest I ever came to getting a tattoo was when my girlfriend offered to put up $500 for one, so long as it had her name in it. Long before that, I’d sailed the oceans with the U.S. Navy and spent many an hour waiting in alleys of “gut” districts in the sooty port cities of the Mediterranean while my buddies got marked with roses, Coppertone girls, and the name and hull number of our ship, U.S.S. San Diego AFS-6. In the same alleys I waited for the same buddies to take a few minutes with the ladies of the flesh economy, another indulgence I miraculously avoided.

In the ’90s, I toured in rock bands, and a day off in Boston could mean a band road trip to Providence where, again, I would sit around flipping through hot rod magazines while my bandmates got inked by some guest-spot, hotshot tattooer from the West Coast.

So, when my editor said he needed a story on the tattoo scene in Charlottesville, I said, “Yeah, no problem.” Finally, all those hours hanging around tattoo parlors would get put to use. A few weeks into the assignment, I had done nothing toward the story because I had no idea how to get interested in the subject. I had always avoided getting a tattoo like I avoided Brussells sprouts and hornets nests. How could I know when I was going to have kill someone on a beach one day, in broad daylight, wearing only a bathing suit? Anyone could identify me as the guy with the Vargas girl tattooed on his shoulder blade.

After some thought, I realized I had never gotten a tattoo for the same reason that tattoo artists devote their lives to making them. They’re permanent, irrevocable symbols of what you believe in. Contemplating that commitment, and the related responsibility unique to the tattoo artist, made me realize that I actually wanted to hear what they had to say about their world.

So I went out and talked to Lacy Weeks. In 1982, Weeks opened what was, as far as he knew, the first tattoo parlor in Charlottesville. It was on Water Street. He was not allowed to have a sign. There was little or no regulation in the tattoo business, and his clientele was comprised of bikers and fringe elements. There were no tattoo TV reality shows. Body piercing was still isolated to places like San Francisco and Central Africa.

A couple years later, because of the paucity of tattoo seekers in C’ville, Weeks moved his business to Roanoke and then to a very small town in West Virginia where he cared for his ailing mother. He landed back here a few years ago and now runs Mystic Tattoo and Piercing at the bottom of Pantops. In a way, he was the trailblazer for tattoo artists in Charlottesville.

A lot’s changed since 1982. The tattoo business is feast or famine. Through the ’90s everybody, their brother, and their mother wanted to be inked. The hippies got dolphins and unicorns. The tough guys got barbed wire and tribals. The gangsters got their sons or the names of their homies. Remember the Chinese characters? Oh, yeah, sorry to bring that up. It means rice noodle not eternal dragon.

Anyway, these days the masters of ink spend as much time fixing art as making it, but the path of the tattoo artist is the same as it’s always been. People drawn to using the human body as a canvas, wanting to make art their lifestyle and celebrate the impermanence of the flesh.

I chose the three artists profiled here because of their reputations and, at least in one case, just because I wanted to talk to the guy. I asked girls around town sporting conspicuous and eye-catching work where they had had it done. I cruised work posted online by these and other artists. I went to their shops and perused their wall flash and thumbed through their portfolios. These are the three who stood in stark relief from the rest of the pack. They are all committed body artists and each holds a deep reverence for the history, mystique, and deeply personal nature of their ancient craft.

The Pioneer
Flash Gordon, jeans tucked into boots, wearing a ballcap that has shaded him from many a summer sun, in the middle of yard chores and reluctant to meet the press in his day-off duds, collared his eager dog and scoped me with a jaundiced eye as I stepped out of my car at his studio, Flash Tat-2, a few miles south of town on Route 20. Among the not-yet-fixed-up antique American sedans scattered about the property was a styling, black, early ’60s Cadillac limo, which, according to information Flash pulled from the DuPont registry, was once owned by Chicago Mayor Richard Daley.

“Glad to see you’ve got some frost on the roof,” he said, turning his eye to my gray hair. “If they had sent some kid out here I probably would have run him off.”

Among the numerous interviews and feature offers from local press he has declined, Flash claims to have spurned Channel 29 three times over the years.

“One of the old time tattooers told me that in the tattoo business the best press is no press at all,” Gordon said.

Flash migrated to Albemarle County from Northern Virginia in 1978.

“There wasn’t but three tattooers in the state of Virginia, that I was aware of. You pretty much had to be near a military base to make a living tattooing. You couldn’t give a tattoo to a college kid back then,” he said. “It was very rare to see anybody who wasn’t from what we called the bread and butter list.”

A list made up of bikers, GIs, and hot-rodders.

Flash held various side jobs and tattooed at different places in and around Charlottesville, even returning to Northern Virginia parlors for weeks-long guest spots. He eventually set up his own shop at his county home 20 years ago.

“I’m the only one here,” he said. “No flunkey tattooers, no walk-in clients. I work by appointment only.”

In a way, Flash is connected to tattoo royalty. He did his first tattoo on himself with a sewing needle and ink.

“And it wasn’t bad,” he said. “But, I got my first professional tattoo from Carol Nightingale in D.C.”

Nightingale is renowned for receiving a patent on a tattoo machine in 1979—the first patent issued for such a device in 50 years—and for writing the novella, The Tattoo Baron. The next time Flash went back to Nightingale’s shop it was closed for the night, but he was directed to a studio around the corner where he got a tattoo from Joe Farrar, a partner to Johnny Walker who had worked in Hawaii alongside legendary innovator in the Traditional American style, Sailor Jerry Collins.

Traditional American is the name for the art sailors and bikers used to sport: pin-up girls, hearts, eagles, a bottle of booze with a pithy phrase like “My Ruin,” or Betty Boop. It is distinguished by simple, bold lines, black shading, and concrete images, done in high-contrast colors, like primary hues of red and green.

“I feel fortunate at my age to have experienced the tail end of the old school tattooers,” Flash said.

Flash started hanging around the seedy D.C. tattoo shops where the likes of Farrar plied their trade, trying to learn the craft through dogged observation.

“The old timers wouldn’t show you much because it was such a closed world,” he said.

Flash also prides himself on being a pioneer in tattoo hygiene and health standards.

“I started wearing gloves and using disposable, cross-contamination barriers about five years before the dental industry used the techniques as common practice,” he said. “That was a bigger contribution to tattooing and dentistry than just about anything else I ever did. I should have figured out a way to patent the technique.”

A lot of the work Flash does now is cover-ups of poorly-done tattoos that people are tired of living with. The advent of digital photography has made it easier for guys like Flash to cover a shoddy or regrettable work. By being able to see a high-definition photo of a tattoo instantly, Flash can, before the customer comes to his appointment, examine it thoroughly before developing a strategy to cover it, “like it was never there.”

“I’m not a custom work snob,” said Flash. And he has an extensive collection of flash art, almost all of which he painted himself. His own portfolio is a mixture of ingenious cover-ups and a wide-ranging array of styles from Traditional American to detailed renderings of tribal texts and symbols.

“I don’t post photos of my work online because there is so much piracy,” said Flash. “I’m protecting my customers, so that they don’t have to go out and see 20 other people with their tattoo. I strive for perfection. I put my best effort into even a dime-sized tattoo.”

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Living

Roller Grrrrls: Derby Dames find sisterhood in flat track revival

Miami Beat Box is wearing the elastic beanie cap with the big star on it stretched over her helmet to indicate that she is her team’s jammer, the only skater eligible to score points in a scoring round, or jam. She has already made the requisite first pass through the pack and is coming around the flat, oval track in an attempt to lap the other skaters. She’ll score a point for every one of the opponents she can pass before being knocked silly by one or more of the other team’s blockers, some half-again her size, who are waiting for her with locked elbows and clenched teeth.

With the other squad’s jammer well behind her, Beat Box approaches the tight group of blockers, slicing back and forth on eight wheels, searching for an opening. She starred for the Charlottesville Derby Dames in their June 9 victory over Richmond’s Mother State Roller Derby, a bout in which she scored 19 points in one second-half jam, lapping the pack five times during the daring and reckless two-minute tear.

That was then. This is now. As the pack rounds a turn, two of the blockers drift far enough apart to open a gap that Beat Box shoots for. Just as she hits the hole, the blockers lock arms and clothesline her across the chest, sending her head backwards as her be-skated feet shoot out in a flying karate kick. Her body is utterly parallel to the concrete floor 3′ beneath her, and she plummets to the ground with nothing to soften the blow but her own flesh. “FLUMP!” her butt crushes down on the rock-hard surface, and I can feel my own hip socket ramming against the head of my femur. There’s a gut-tugging body thud just before her elbow pads and skates slap down on the grim surface. I’m thinking she’s down for the count.
But Beat Box is back up on her skates inside of two seconds, chasing the pack again. It was her own teammates who had just sent her flying, and I was just watching a practice scrimmage, which the Dames do as often as three nights a week.

There are about 80 women in the Derby Dames operation, half of whom participate as skaters while others contribute in various support roles. A handful of men serve as coaches and referees and that’s the whole world of women’s flat track roller derby in Charlottesville. The first thing that hit me about derby is that it’s a far cry from a softball team or league night at the bowling alley. Softball: You collect your dues, screen-print some jerseys, stop by Dick’s for cleats, maybe even your own bat. Once you shag some fly balls, take batting practice…

Well, hold on right there, the fact that there is a place for a softball team to take a few cuts and toss the ball around is what distinguishes derby from other recreational sports. When derby started here, there was no league to join. There wasn’t even any place to skate. The next thing that hit me, once I got my head around the operation, was that derby isn’t a sport really, it’s a whole world these women created for themselves out of spare parts and loose hardware.

Something out of nothing
SparKills, one of the original Derby Dames, was inspired to do derby after watching a team from Austin, Texas at a bout in 2005. She figured her dream was out of reach since she couldn’t roller skate much and the hotshot Texans were already at an intimidatingly high skill level. A couple years later, she happened to rent a room in a Charlottesville house from Mad Mountin’ Mama, another of the Dames’ eventual founders, who, herself, first got geeked on derby after seeing the same team skate in Austin. Mama came across a handbill announcing a meeting of women trying to get the derby going in Charlottesville, and it was on.

“The meetings were in our house,” SparKills said. “The very organizational ‘can we do this?’ meetings were there. None of us had ever done derby. There were clips of it on YouTube. So Mama [who worked as a personal trainer] was training us, doing drills but not really knowing how they fit in with actual play. We were the blind leading the blind. It was a lot of jazz hands. It was, ‘Hey we’re doing roller derby,’ but we weren’t, really.”

“It took a year to find anywhere where we could skate,” Mama remembered. “We were going over to Staunton once a week, paying our money and skating in circles at the rink with everybody else. We couldn’t get them, for liability reasons, to host us.”

A couple of the other women kept poking around for a more private place to skate and came upon the National Guard Armory on Avon Street.

“We had it once a week for three hours,” Mama said. “So, it was kind of building from nothing. It was the passion that one or two girls had to keep it going.”

These days recruiting and workouts for fresh meat (the several-week introductory training and weeding out that all Dames go through) are held Downtown at the Key Recreation Center, but, for now, the team conducts its official practices in an isolated and decaying warehouse on the outskirts of town. Girls are fresh meat until they attain a certain skill level. Some girls do it in a month, others take a bit longer.

Puddles of water are scattered across the massive expanse of the warehouse’s concrete and dirt floor. The practice track is marked out on the smoothest section of concrete, and plastic sheeting hangs under the holes in the dilapidated ceiling where the rain comes in, deftly angled to keep the track dry. The I-beam stanchions in the infield area, which hold up the roof, are snuggly wrapped with mattresses, bound in place by duct tape. A ’60-something Ford Mustang collects grime in a far corner. Next to a pair of crutches against the wall hangs a white bed sheet that serves as a backdrop for photo sessions for the team’s website. From a laundry line dangle what at first blush appear to be ladies’ unmentionables, but turn out to be only similarly-sized jammer caps. Stand in the wrong corner too long in this cavernous sprawl and mosquitoes will suck you bloodless.

The Dames change from street clothes to practice gear sitting on the floor or on the hodgepodge of cushions and lawn furniture strewn about trackside. There are no showers, no lounge area near comfortable enough for the average adult to sit around for an extended, post-practice bullshit session.

Somehow, the Dames are at ease in this dank place, made homey by the smattering of discarded furniture they imported and by the easy way they catch up while they’re lacing their skates. Alas, they will soon lose their lease, as the property on which the warehouse sits will be reassigned to a more lucrative use.