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Magazines Village

Out of their way: Navigating a family farm gets tricky with, well, a family

John Hellerman was out clipping his fields, conditioning the grass so his crops would thrive in the coming growing season. His mom was caring for his two young sons, when his oldest, 3-year-old David, noticed his dad was leaving the grass clippings lying around. That didn’t seem right to the young farmer in the making.

“He asked why we weren’t using the tractor to pick up all the grass,” Hellerman said.

David had seen the great big hay bales on the farm and decided those things weren’t going to make themselves. He went into the field behind his dad and started piling up the grass, preparing it for what he hoped would soon be big, beautiful bales.

Granted, Goodwin Creek Farm & Bakery doesn’t bale its own hay—Hellerman contracts that service out to a neighboring farm. But the farmer was still proud of his son’s instincts. He figures they were hard won. When David was a baby, before his now-18-month-old brother Joseph came along, he would sit in a baby carrier on a parent’s chest, working around the farm for hour upon hour.

“He’s all about it. We put him up on a stool and he helps roll out loaves of bread,” Hellerman said. “Joseph has never shown any interest.”

Even so, Joseph seems to enjoy some of the perks of living on a farm, Hellerman said: “He loves the birds, of course. He asks to go see the geese.”

Hellerman bought Goodwin Creek with his wife Nancy, brother, and mother in 2005, before kids were even in the plans. Hellerman had worked only sparingly on farms in the past, and his wife was a complete newcomer to the business. In the first half-decade they owned the farm, they dealt with fencing problems, wayward cattle, a herd of hungry deer, and over-zealous tomato plants. And that was before they had two boys in the span of a year and a half.

“When we had our 3-year-old, we had to pare activities down,” Hellerman said. “This is the first year we’ll get everything back.”

“Everything” is vegetables, fruit, artisan bread and muffins, and farm fresh eggs. It’s the egg production that’s taken a backseat while the family has been bringing up the boys, according to Hellerman. But with his mom now living nearby and taking care of the kids during the day, he and his wife are back to working full-time, and Goodwin Creek has reacquired the hens it sold when it was forced to cut back.

It’s the latest step in nearly a decade of ups and downs for the farm newcomers. Hellerman said money was tight when the family first started out, after Nancy left behind her job as an architect and interior designer. The way Hellerman tells it, Nancy, “a city girl,” wasn’t necessarily in love with their new lifestyle for the first year or two.

Fortunately, even during the leanest times, the family never wanted for food, thanks to the farm providing everything they needed.

“I don’t think we bought groceries for three years,” Hellerman said. “That helped us make it over the hump financially.”

The struggles have never been due to a lack of commitment, that’s certain. Hellerman said when his wife was in labor with their first son, he took the opportunity of a visit to town to deliver a few baguettes to a customer. Business done, they made their way to Martha Jefferson hospital and produced little David. Talk about good business sense.

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Magazines Village

Joyful noise: Supportive, hands-off approach allows kids to find their own way in music

John D’earth was about 4 when his father—“a great listener, but not a musician”—taught him an important lesson about making music.

He was at his grandmother’s house. He toddled over to the piano, climbed onto the bench, and started pounding away. He was having fun, just enjoying the noise of it, but he could hear people in the other room complaining about the racket. He heard them tell his father he should make him stop.

D’earth’s father marched into the piano room. He told his son to play the instrument all he wanted. He left the room, closing the doors behind him.

“Every kid is different and has to find their own approach to music in order to have a successful life in music,” D’earth said. “A big component of that can be the parents’ idea of music. What I am finding is a lot of really young kids can get into just playing with instruments, not being taught anything, but just being allowed to play.”

If you have specific plans for your child’s musical journey, you’ve probably already lost, according to D’earth, now a local jazz musician and music instructor. The idea, in his opinion, is to let kids experiment. Let them pick up instruments and play them incorrectly. Don’t put “rules” for making music on them until they understand the language of music.

Here are a few tips D’earth offers parents looking to get their kids started in “a successful life in music.”

When to start. “Parental guidance is important, and the parents should be building awareness and responsiveness to music from the earliest age. If the parents are interested in music for their kids, they need to be interested in music for themselves.”

Choosing an instrument. “There is no way to know what the best instrument is. If parents want to help their children get into music, they have to embrace all noisemaking impulses. The kid might say they want to play the trumpet, and finding a path in that should be the choice of the child…but everyone should sit at the piano and play piano that is going to play music.”

Budgeting. “It shouldn’t come up at first. Once the issue is on the table, it is like a pact. You are choosing a path you are making a commitment to follow. The costs vary, but they can become quite steep. If the student is getting serious on trumpet or sax, you can spend thousands. Who is going to spend this money on these instruments is as important as how much you spend.”

Joining the school band. “There is no downside to joining a school band program. Kids get to play every day in school, where they are naturally predisposed to excel. When they are doing it in the school setting, it inspires them to work hard.”

Finding (and paying) an instructor. “Music is a social art. You do it with other people. That is one of the biggest things you learn from music. Individual respect and teamwork—that is music in a nutshell. I would be hard-pressed to find a teacher that a young person couldn’t get something from. The discrepancies in fees have to do with the teachers themselves. My old teacher in New York is charging $200 an hour for a lesson. My fee is $50 an hour.”

Music as language. “Music is misunderstood because people take a very conservative view of it. If you go into any art room in any school, they are using the materials to create. You never see that in the music rooms. It is a rare person that understands it is a language that you speak and write. You become unconscious of it so you can be freely expressive of it. It should go directly from your ear to your fingers or mouth. You don’t have to go through the brain; you train the brain.”

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Living

Threepenny Café is going all out to become part of community

Merope Pavlides and her husband Peter Emch didn’t come to Charlottesville on the best of terms. Their son was ill and being treated at the UVA Medical Center. Still, the couple was taken by the city’s “vibe and wonderful people” and uprooted from Baltimore to make Central Virginia their home.

Pavlides, a special needs educator and administrator who had worked in restaurants and catering years ago, decided Charlottesville would be the perfect place to get back into the food service business. Seven weeks ago, she and her husband launched Threepenny Café in the former Zinc space on West Main. Their aim is to offer thoughtfully sourced, high-end, eclectic food at affordable prices. And while the opening weeks have brought challenges to the first time restaurateurs, Pavlides said the restaurant is “getting better every day.”

“The big goal is to be consistent. That takes a lot of practice on the part of the chefs and making sure all of our recipes are specific and everyone is following them to a T,” Pavlides said. “As we’ve tweaked our menu, sometimes that’s harder. As the menu is solidified, I’m hoping we will achieve that kind of consistency on a regular basis.”

Any lack of consistency so far is not for lack of effort on the part of Pavlides, her husband, or their classically trained chef Eric Nittolo. When I told Pavlides about a mistake the kitchen and wait staff made while I was in for dinner last week—our waitress brought us the caramelized fig salad, presented it to the table, and only then told us the kitchen was out of figs and had substituted cherries—she said that was exactly the type of guidance the restaurant’s looking for to improve.

If history is any indication, Threepenny is in for a challenge to succeed in the space vacated by Zinc, a widely acclaimed restaurant run by chef Vu Nguyen. While the circumstances surrounding the Zinc closing remain hazy (Nguyen also shuttered his nearby Vietnamese street food spot Moto Pho Co. several months later), Pavlides said she and her Wall Street-trained husband did their due diligence before moving in.

“I can’t speak to why he decided to leave,” Pavlides said. “But the reasons he decided to move on did not give us pause. Our concept is a different concept.”

It’s not necessarily a unique one, but it’s interesting on its face. “Global cuisine” at reasonable prices, according to Nittolo, means small plates with European influences, soups and salads, cheeses from seven countries, classic entrées, and gourmet pizzas like the “French,” featuring foie gras, duck confit, dried cherries, le delice cheese, pistachios, and mushrooms. Nittolo said the strategy for keeping costs down is not to cut corners on product quality but to serve smaller portions.

“Originally the concept was global peasant food, and I thought it would be a lot of fun,” Nittolo said. “I come from a high-end background, and I’ve been able to take fine dining concepts and meld them into $19-and-under dishes.”

Some of those dishes need work—the pizzas can be on the greasy side, and the carne asada could use a remodel for aesthetic reasons—but Threepenny is keeping an open ear to diners’ likes and dislikes. The restaurant is rolling out a new dinner menu this week that Nittolo said will be even more focused on “responsible sourcing,” while adhering to the under-$19 maxim and introducing more dishes for those with dietary restrictions.

“You can always improve,” Nittolo said. “One of the things we are going to do is focus on the health advantages of the food.”

The dinner menu isn’t the only thing Threepenny is focused on, according to Pavlides. It’s also offering brunch service, hosting live music events, and planning to bring in local artists’ work to adorn the walls. It’s all in an effort to be a part of the community in addition to running a business, according to Pavlides.

Threepenny will hold its first charity event, a fundraiser for HIV/AIDS vaccine nonprofit Charity Treks, on Wednesday, June 4. Pavlides said the cause is one that she and her husband feel particularly strong about.

“We are not simply here to create a restaurant that is an island unto itself,” she said. “We want to be involved, and we have from the start looked for opportunities and partnerships to do that. That will continue to be an important part of what we want to do with this restaurant.”

Pavlides and her husband only hope diners feel the way they did when they first learned the former Zinc location was opening up.

“The place is fun and funky and allows for a great flow of customers around the restaurant,” she said. “We fell in love with Charlottesville and this space.”

Categories
Living

Where do national chains fit in with the local beer scene?

If you put any thought at all into the food and drink you consume, chances are you think “chain restaurants” are about as good for your body as a Paula Deen cookbook. But times they are a chain-gin’.

Even dollar-hungry national restaurant groups have begun to recognize that consumers appreciate well-made products. For craft beer lovers especially, that means you can have a great beer-drinking experience in a Charlottesville restaurant that’s headquartered 250 miles away in North Carolina.

Both Brixx Wood Fired Pizza and Mellow Mushroom have gotten the memo. With rotating taps, loyalty clubs, and beer events rolled out the way only well funded conglomerates can, the two pizza joints deliver an experience that’s worth relaxing your buy local standards for at least a night.

The black sheep

Brixx’s Charlottesville location has gone rogue. Visit the Barracks Road pizza pub, and you’ll get something you won’t get at any other Brixx—a paper beer menu. It’s a necessity to keep the tap list rotating, according to general manager Casey Hall.

“Corporate likes the beer menus to be printed in the actual menu, but I decided to do this because those menus have to be ordered, and I couldn’t possibly change the kegs as often as I do,” she said. “I hate that. I don’t think a piece of paper should limit our beer list.”

Brixx’s 24 taps are instead limited only by Hall’s imagination and a few house rules. She tries to keep four or five imports on and devotes one tap to nitrogen carbonation (a carbon dioxide alternative that produces a creamier draft), one to cider, and one to root beer. When the restaurant isn’t hosting massive tap takeovers—one-night events devoted to single breweries—she tries to keep a balanced list with something for everyone. That’s a change from only a few years ago, according to Hall.

“I’m a huge hop head, so in the beginning I was putting on a lot of IPAs,” she said. “Then I heard a table saying, ‘this place always has IPAs, but they don’t have anything else.’ I realized I was making a beer list for myself.”

A list just for Hall likely wouldn’t be all bad. She got started in the brew game at Pizzeria Paradiso in Washington, D.C., where she was on the ground floor of developing a world-class beer list of 12 taps and more than 100 bottles. While living in D.C., she met and started a close relationship with Devils Backbone brewmaster Jason Oliver.

The one thing the local beer hounds can’t expect from Brixx is a decent bottle list. Hall said she had to downsize that part of the menu because too many bottles were breaking in the cooler, which is “broken money.” Man, that’s corporate talking.

National brand, local focus

Mellow Mushroom was founded in 1974 in Georgia, but visit the Charlottesville location on W. Main St., and you’ll have no trouble navigating the local beer scene. The menu features hashtags next to the local brews on tap, and anywhere from a third to half of the list will typically represent #DrinkLocal.

“Beyond general good beer, we really focus on local and regional beer,” beer buyer Greg Kane said. “We always try to carry Three Notch’d, Champion, Blue Mountain. There’s so much great beer in this area.”

Case in point: Mellow had Three Notch’d 40 Mile IPA and Hydraulian Red on tap last year before the brewery’s tap room was even open.

Mellow doesn’t stop at the local, but it does essentially stop at the U.S. border. Other than Guinness, all of the 39 taps at the restaurant pour American craft brew. The pub also disses bottles, but it does everything it can to make up for that misstep.

“At any point, we have 40-50 new beers in our keg room,” Kane said. “Right now, we are rotating 200 or more beers a year.”

With that much fluctuation, it can be difficult to keep servers up to speed. Kane said the only way to do it is to encourage the staff to try new brews through comped “shift beers.”

Like Brixx and most chain beer spots, Mellow hosts a lot of tap takeovers, as many as eight a year. There is a downside to those events, though—if you hit the bar in the days after the takeover, you’re going to find a repetitive tap list.

“That is the risk you run,” Kane said. “With [our recent] Devils Backbone tap takeover, we had some of their taps on for weeks. That’s why it’s safer to do it only with the breweries you know you love.”

And of course there is only one way to figure out which breweries you love. Say, any chance customers could get in on this shift-beer action?

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Arts

Charlottesville Women’s Choir celebrates three decades of activism

A recreational choir, started by amateur singers around a coffee shop piano, shouldn’t last 30 years. The demands of everyday life and the challenges of finding new members simply shouldn’t allow it.

But don’t tell that to the ladies of the Charlottesville Women’s Choir.

“It has evolved,” said Estelle Phillips, who’s been with the group for 29 years and has become its archivist. “We’ve had as many as 30 members and as few as seven. Every year a few people drop out and a few people join.”

The choir, which now has 28 members, has been meeting every Monday from September to June since 1984, when Gaye Fifer formalized the group that had been meeting around that piano at The Prism coffee house after Charlottesville Latin American Solidarity Committee meetings.

These days, the choir sings at four or five events a year, reaching a crescendo at its annual spring concert. The spring show this year will fill The Haven at the corner of First and Market Streets on June 1 at 4:30pm.

The daytime homeless shelter in downtown Charlottesville is perhaps the ideal place for the Charlottesville Women’s Choir to celebrate three decades of harmonizing. The group’s goal is to sing uplifting music about women’s rights, peace, justice, and equality. Over the years, the members have lent their voices to HIV/AIDS walks, racial justice rallies, peace vigils, and sexual/domestic violence marches, among other events. Annually, they sing for their fellow females at the Fluvanna Correctional Center for Women.

“Singing at the correctional facility is especially poignant for all of us, I think,” said Judy Marie Johnson, who joined the choir in 2002.

One of the correctional facility favorites is “Uh Huh,” a jaunty, defiant number about passing the buck for one’s woes. Most of the songs the women sing, though, have a more sober tone and message. For Phillips, the song that has resonated most over the years is “Gracias a la Vida.”

“We try to include songs in other languages, Chinese, French, Spanish, and many African songs,” she said. “‘Gracias a la Vida,’ or ‘Thanks to Life,’ lists all the simple things about life that we are to be grateful for.”

Phillips, who’s retired from a professional career that took her from biology labs at UVA to assisting preschool teachers, said she also appreciates songs that preach being true to who you are. Johnson, an artist and avid activist, seconded that notion. She said she’s often bringing songs to the group that address issues she’s passionate about. She recalled one of her favorites ‘We Are One,’ which sings to the fact that we are all connected and responsible for the Earth,” before breaking into a similar number the group is working on for their upcoming show. 

“The Earth is our mother, we must take care of her,” she sang, before Phillips joined in for the refrain.

The two women seemed to be enjoying themselves, singing together last week in a small conference room off the Downtown Mall, prompting each other—“and then it has the, ‘hey-anna-ho-anna-hey-on-yon,’” led Phillips—and stumbling over the same forgotten lyrics and pitch problems as they went. “We haven’t done that one in a long time,” Phillips said of another tune into which they joyfully launched.

The whole proceeding was not unlike a scene from Waiting for Guffman, the 1997 comedy about a small town musical theater group expecting a visit from a renowned drama critic. Phillips and Johnson both seem to enjoy the lighthearted side of the choir and the social interaction it allows almost as much as the social activism. Perhaps that’s the key to the group’s longevity.

“Some of it is geared to the end of the year concert, and yet, weekly, there is the opportunity to come however you are feeling, whatever you are thinking, and sit and sing with your sisters,” Johnson said. “That in and of itself can be empowering, healing, and comforting.”

For all its continuity, the Charlottesville Women’s Choir is not without its bumps in the road. The group tries to make decisions via consensus, a nod to their devotion to equality. But that is no easy way to govern, particularly since their de facto leader Fifer left years ago. Plus, attracting new members remains a challenge, the choir lacks diversity, and there are some groups, political or otherwise, that don’t necessarily agree with their activist message.

“If that is the case, they don’t have to join the choir, and they don’t have to listen to us,” Phillips said.

What more can the choir do to push their message out, keep people aware of their mission, and make a difference? It’s a question Phillips and Johnson seem not to have given much thought to, but it intrigues them. Certainly, both are passionate about women’s issues—not to mention the choir itself.

“It’s a challenge to keep the group going because the women in the choir are strong,” Phillips said. “There are hurt feelings and disagreement over decisions. You have to go with the ups and downs. That’s what it takes to keep going.”

Share your memories of the Charlottesville Women’s Choir in the comments section below.

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Abode

Hues at home: Palette helps homeowners decide on the best color combos

Fretting about what color to paint your living room? Good news, the hottest trend is to give up on color altogether, according to Stephanie Snyder of Charlottesville’s high-end paint and home store Palette.

“People are cleansing those bright colors with more soothing colors,” she said. “Soft grays, pale blues, creamy whites—lots of whites—opens up spaces and lets the color shine through on artwork and accessories.”

Admitting as much must be tough for Snyder, as Palette’s forte is helping customers design the ideal color scheme for their home.

“The biggest obstacle for the consumer is color choice. Nobody wants to realize they made a mistake after they have paid for labor or done the labor themselves,” she said. “We try to get the color right in advance.”

Snyder said the easiest way to keep from making a chromatic mistake is to see what your colors will look like on the wall before committing. Lower end brands in particular tend to be brighter in application than on swatches, she said.

Finish is also an important consideration. Personal preference and wall quality should dictate which way you want to go among the traditional finishes—eggshell, matte, or semi-gloss—and a particularly popular trend these days is high gloss finish.

“The interesting thing is it is super popular right now, but they have been making it in Europe for 300 years,” Snyder said.

Ugh. Just one more trend the Europeans beat us by three centuries on.

Project management

Looking for help on a smaller project? Enter Pigment, the creative division of Piedmont Paint & Finish in McIntire Plaza, run by Pratt grad Christy Baker. Opened in summer of 2013, the bright shop can help with everything from designing

a mural for your interior wall to choosing the
best grellow for your vintage bar cart. Or maybe you don’t have a bar cart yet. That’s O.K.—the Pigment showroom also functions as a retail store, stocking folding screens, metal lawn chairs, dining tables, and more. Visit pigment colordesign.com to learn more.

The price of paint

The only rule to estimating the cost of a painting project is that there are no rules.

“It varies drastically,” said Charlie Davis, owner of Charlottesville-based Piedmont Paint & Finish. “If you have a historical wood house that has old oil and lead-based paint, for example, it can get up there.”

Davis prefers not to offer square footage pricing, instead quoting each job individually. That said, following are a few guidelines to use when thinking about what it might cost to paint your house.

Most homeowners spend between $3,741 and $5,087 on exterior painting projects, according to homeadvisor.com.

Depending on the size of the house, expect to pay somewhere between $0.90 and $1.60 per square foot.

Exterior square footage is the actual measure of paintable area.

Higher quality contractors and/or materials will push the cost to the higher end of the range.

Project pricing will include both direct labor expenses and job materials and supplies, such as paint, masking tape and paper, surface repair material, solvents, and cleanup supplies.—S.G.

Categories
Abode

Paint the house: The broad strokes on what it takes to refinish your home’s exterior

There are two kinds of people in this world—those who can get Ralph Macchio to paint their house by pretending to teach him karate, and those who can’t.

Unless you’re Pat Morita, you’re in the second camp, leaving you with a few options of your own. Do you hire a full-service contractor, or do you go a more unique route by doing it yourself or hiring someone to help you with the nitty-gritty while you manage the project?

For Waynesboro residents Allen Groves and his husband Adam Donovan-Groves, having a trustworthy handyman at the ready meant being able to see to each detail of their painting project without having to quit their day jobs for three weeks. Groves, who many know as UVA’s dean of students, said he found his color of choice by knocking on the door of a stranger whose house he admired, and the couple decided to go with a higher end paint variety so they wouldn’t have to apply a primer. All told, Groves and his partner spent less than $5,000 on a job they were able to carefully oversee and that turned out to their precise specifications.

“[Our handyman] knew exactly what he needed to do, and we trusted him,” Groves said. “Put it this way: He is meticulous when it comes to detail, and he wants to do everything right.”

You? You’ll have to find your own super-handyman. Groves isn’t giving up the name of his.

Alternatively, you can go the full contractor route. A good place to start looking is the trade organization Painting and Decorating Contractors of America. The PDCA website offers a search tool that links you to painters, with some information provided about quality of service.

On the plus side, hiring a contractor means your job should be completed in about a week, and if you go with a more middle-of-the-road paint quality, you, too, should be able to slip in under the 5,000 dollar mark. A quality contractor also brings with him a range of experience that can help with work on tricky substrates (the stuff that’s being painted on) and help find the right materials for your job.

“If I am painting a certain substrate like brick or a metal roof or old wood trim, there is a method to follow for each of those substrates,” said Charlie Davis, owner of Piedmont Paint & Finish. “That’s why product knowledge and experience are so important.”

Once you’ve found your contractor, expect the unexpected. Bad weather can cost days on end for the total project time, meaning duration can vary widely and drive up the price in the meantime. And remember that every house is different. While brick houses are typically easier to prepare for painting than housing with siding, they can bring with them problems like gaps in the mortar. Older houses present unique challenges.

“Painting projects are just a difficult thing to generalize,” Davis said.

Categories
Living

Dr. Ho brings his passion for vegan eating to the Downtown Mall

Dr. Ho is battling constant pain.

The man who started the North Garden* cult favorite Dr. Ho’s Humble Pie and used to own the Blue Moon Diner* has been fighting a crippling disease for 17 years. He calls the ailment “late stage Lyme disease,” and while there is some disagreement among medical doctors about the condition’s veracity, it is certainly very real for Dr. Ho.

Horace Gerald* Danner II, nicknamed doctor by friends for the seven years he spent working on his undergrad degree, has come a long way since he was first diagnosed with the tick-borne bacterial infection known as Lyme disease in 1997. There was a time, he said, when he couldn’t even get off his couch. He was taking 14 Percocet a day to help manage his pain. He was forced to sell his pizza place. He thought he was going to die.

But he wanted to fight. He wanted a better life.

Danner got off the couch. He started spending time in the sauna, using an electromagnetic therapy machine, and going to the gym, no small feat for a man in the type of pain he describes. He committed himself to a vegan and raw food diet. He opened a new restaurant, “the smallest restaurant in Charlottesville”: Dr. Ho’s Holy Cow. The cubicle-sized joint on Second Street NW is also the only all-vegan restaurant in Charlottesville.

“Everything here is 100 percent vegan, and we don’t use any plastic at all,” Danner said. “We’re saving the planet one meal at a time, or doing our best to.”

Now, a typical day for Danner keeps him off his couch as long as he can stand it. He pulls himself out of bed and heads straight for Holy Cow. He starts a crock-pot full of his Jackalope Barbecue, which has the look of lightly sauced shredded pork but is actually minced and spiced jackfruit, a tree-borne, nutrient dense Asian fruit that’s growing in popularity. He makes his vegan and gluten-free buns out of pancake and masa flour. He sets up prep for the rest of the dishes on his small menu—doctored-up Amy’s organic chili for topping his Banger ‘n’ a Bun (a tofu-based vegan hot dog on a BreadWorks sunflower wheat roll), Chow-Chow slaw for his BBQ, heirloom tomato salsa for his pot pie (crushed chips covered with chili, vegan “cheddar,” and the salsa), olive tapenade for his smoked mushroom burger, and maybe some rice and beans, braised peppers and onions, or soup, depending on Danner’s mood.

Despite his illness, the 58-year-old’s mood is surprisingly upbeat. He can lapse into laments about his health or slow business from time to time, but Danner clearly has a passion for vegan eating. One day last week, I visited him just after 11am, the down time between opening and lunch. He was chewing on a celery stick and happily moving around his tiny kitchen with the help of a cane.

“Let’s get it on, baby!” he yelled when I suggested we try some food. On the menu for me was the Jackalope sandwich and the Banger, both of which were tasty, even for a meat-loving son of a bitch. No, the jackfruit doesn’t taste anything like smoked pulled pork, but Danner seasons it well, and the slaw helps sell the illusion you’re eating an actual barbecue sandwich. Nor does the Banger taste like meat, but again, the total package is enjoyable, with the beans making for a satisfying plant-based meal.

“I’m known for seasoning,” said Danner, adding that it’s not hard to develop flavor cooking without animal products. “Right now, I don’t eat any of this. I do it all by smell and seasoning and 42 years of cooking.”

The two folks who came to the counter when I was at Holy Cow were satisfied with Danner’s work. Teresa Hermann, a passionate vegan herself, took her meal to go, but she seemed pleased with how fast it came out and said the restaurant is “so needed in Charlottesville.” Brian Geiger said he enjoyed his smoked mushroom burger while seated next to me at the two-stool counter. He’s not a vegan, but he said the sammie was good enough to bring him back to Holy Cow in the future. Would the small lunch hold him over until dinner? He said he’d have to wait and see. (I, for one, found myself reaching for a snack come late afternoon.)

One thing that has always perplexed me: Do vegans want the meat-like experience? Making “burgers, dogs, and barbecue out of fungus, vegetables, and fruit,” as Danner puts it, strikes me as counterintuitive. Why not just do vegetables, legumes, and grains well?

“I think people are pleased with the flavor and the taste of it. It’s fast food, something they never get to have at home,” Danner said.

It’s a treat, he said, that doesn’t give you the heavy around the middle feeling a big juicy hamburger does. And for Dr. Ho, food is all about how it makes you feel.

*The May 14 print article contains several errors. Danner is a former owner of Blue Mono Diner, but Buzzy and Allison White founded the restaurant. Dr. Ho’s Humble Pie is in North Garden, not Batesville, and Danner’s full name is Horace Gerald Danner II. 

Categories
Arts

Willie Watson looks to kick start his solo career

Willie Watson, formerly of Old Crow Medicine Show, is turning to the South to help build some momentum for his new solo act.

“We wanted to hit certain markets right off the bat,” Watson told C-VILLE Weekly in a recent phoner. “The South is sort of the hotbed of my fan base.”

Watson will likely find a receptive group when he takes the stage at the Southern Café and Music Hall on May 16 to play songs from his inaugural solo record, a collection of covers entitled Folk Singer Vol. 1.

Those who know Watson from his Old Crow days should be warned the warbler and guitarist/banjoist has redefined himself in the three years since he left the band. Watson said creative differences drove him away from his old mates, and that’s evident in his stripped down first EP, which has none of the raunchiness of the band he left behind.

“I took some time off, did the family thing, figured out what my next move was,” he said. “Through that process, I was listening to a lot of music, and I heard all these songs I wanted to do. I think this is just the music I wanted to be singing.”

Watson wouldn’t go into the details of his break with Old Crow, and he declined to say whether he was still on good terms with all or most of the progressive bluegrass outfit’s members. “What I’m doing now is a lot more fulfilling,” was as far he would go at distancing himself from his musical past.

Watson does credit Old Crow, among others, for helping push old-timey music back toward relevance, a cultural condition that he will certainly play on to build fans of his solo enterprise.

On Folk Singer Vol. 1, Watson said the goal was to find old songs that were in his range and at the same time inspiring. Sometimes, he would pick out a track while listening to a record, give it a go, and find that it fell flat. Most of the time, though, he has a pretty good handle on what he can do well.

Take “Midnight Special,” the well-known standard that starts the record. He sings the tune with grace, but if you were to stop listening to the album there, you might be inclined to dismiss Watson as talented, but not someone who’s adding much to the conversation. Sticking around pays dividends, though. Watson starts to pick up steam through B-sides like “Mexican Cowboy” and “Kitty Puss,” and goes out with a bang on “Keep It Clean,” a tune perhaps most famously recorded by Lyle Lovett.

Where Lovett’s version of “Keep It Clean” is a bouncy bit of cheesy honkytonk, Watson’s is deliberate and thoughtful. The arrangement gives the song more gravity, and highlights the skeptical religious imagery running throughout.

“The subject matter of that song is unique, and you don’t hear it very often in that old music,” Watson said. “People have heard a lot of songs about the Blue Ridge Mountains. Then they hear something like ‘Keep It Clean,’ and it resonates. I try to find those songs that have something extra to keep people interested.”

Watson said he’s not so much concerned with being a songwriter right now, nor does he necessarily need to be in a band. He’s on the road by himself, just taking the stage with his voice, a harmonica, and a couple of stringed instruments. He’s playing shows that are more about bobbing your head and listening to music than the “raucous party” Old Crow orchestrated.

“Some of the old fans show up and expect it is going to be like the old thing, but it is definitely not,” Watson said. “They still come to the shows, but for the most part, I think they figure it out quickly.”

As the name of the new record implies, Watson’s near future probably holds another album or two composed of folk covers. But he’s also open to moving on to different projects (he was featured in a documentary about the music of Inside Llewyn Davis, for example) and coming back to the Folk Singer series somewhere down the road.

Part of what makes Watson so comfortable with where he is right now is, ironically, a holdover from Old Crow. He’s still working with the band’s producer David Rawlings, along with Rawlings’ associate producer and accomplished singer-songwriter Gillian Welch.

“I love working with Gillian and Dave,” Watson said. “He is a perfect producer for me. Whatever I’m doing, it’s likely he’s going to be involved.”

Old Crow is itself a band that seems to be constantly in flux, something that perhaps contributed to Watson not being happy with his situation. The group had gone on hiatus in 2011 when founding member Critter Fuqua left, only to return several months after Watson took leave later that year.

“We had just sort of grown apart—musical differences I suppose,” Watson said. “It was just time to move on for everyone involved. I am really happy about where I am now, however it all went down.”

So, one more time: How did it all go down? “No comment,” Watson said.

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Living

Morning masterpiece: Get out of bed and make these bloody marys your own

The bloody mary is kind of a one-trick pony. Rare is the person who steps up to the bar at last call and orders up a vodka and tomato.

No, the bloody is almost strictly the booze beverage of the recently out of bed. It’s the vehicle for your hair of the dog, the slave to your aching head.

That doesn’t mean the bloody mary is boring. It’s arguably the most customizable beverage on the planet. Would you like it mild or spicy? Thin or thick? Citrusy and bright or meaty and dank? Mmm. Meaty.

“Everybody enjoys their bloody mary a slightly different way,” said Cole Eure, general manager of Devils Backbone Basecamp Brewpub. “You can have a little bit of fun with it.”

Look no further than the existence of the bloody mary bar for proof of the drink’s customizability. What other drink would bartenders simply hand over to their patrons to create themselves? (None that I know of, although the possibilities of a well-planned do-it-yourself martini bar intrigue the lush within.) Charlottesville, unfortunately, claims relatively few places that allow you to make your own spicy tomato juice cocktail, but Fellini’s #9 rolls one out on Sundays that can help the DIY fanatic scratch that itch.

Fellini’s bloody bar may not blow you away with its garnishes—the standard fare of celery, carrots, pickles, and pepperoncini tend to wilt as the day wears on—but the selection of hot sauces will. The sheer number of them, including staples like Sriracha, Cholula, and Tabasco, as well as oddballs such as peri-peri and a frightening looking bottle containing the extract of the notorious ghost pepper, makes it difficult to have only one bloody at Fellini’s. You’ve got to go back again and again to truly test the effects of each sauce. Plus, Fellini’s keeps the cast of capsaicin-containing characters rotating, so be on the lookout for new sauces on each visit.

The real beauty of the Fellini’s bloody mary bar, though, might be where the cocktail starts. You can add horseradish, Worcestershire, and Old Bay at the bar, but the drink comes to the table with a nice bit of complexity built in.

“It’s our house bloody mary mix…tomato juice and a few secret ingredients,” bartender Katina Dell’Acqua-Lubich said. “That’s as specific as I can be.”

Now, say you want to create a customized bloody, but you’re not so keen on getting out of your seat once you’re in it. Find yourself a designated driver and go visit Eure at the Devils Backbone pub in Roseland. As with Fellini’s, you’ll only get the royal treatment on a Sunday, but the award-winning brewery does it right on the day of rest by bringing you a list of ingredients you can have the bartender add to your morning buzz bearer.

“We have a build-your-own burger bar, a build-your-own this and that, and that kind of transferred to the bloody mary bar,” Eure said.

First, select your base layer. You might want to lean toward the spicy option, as the standard mix is store bought Zing Zang—good, but available just about anywhere. Devils Backbone amps up its spicy version with the addition of Serrano peppers, chopped and allowed to steep for around 48 hours. Next, pick a garnish. The really amazing stuff, like oysters when in season and bacon, costs extra, but the brewpub includes a few nice options in the list price, as well. Finally, add a spice mix. You’re ready to roll.

Wait, did I say you were ready to roll? Not at a brewery of Devils Backbone’s ilk. Order yourself a beer to back up that bloody. The highly decorated Vienna Lager would certainly be one way to go, but try it with a Gold Leaf Lager instead. You won’t find the brewery’s pilsner in as many stores as its Vienna-style, and its lighter body contrasts more with a bloody mary’s heat.

If you’re willing to stop being a control freak for one morning of hangover curing, try a bloody at Mono Loco. The Downtown Latin restaurant has one of the best house-made bloody mixes in town for my money, and you can waltz in there and order one any time you like. Mono Loco’s bartenders chock the mix full of spices—red pepper, whole black peppercorns, green chilies—and it delivers a nice clean tomato flavor with notes of citrus. It’s spicy without reading “hot sauce” and hearty at the same time. You will literally have to chew portions of it.

I asked the bartender what was in the mix last time I was at Mono Loco. “You got some jalapeños in there,” he said.

So he’s not into details. But he wasn’t all bad—along with the delicious Mono Loco mix, he poured plenty of vodka in my glass.