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A Touch of the Poet

No doubt the ancient Greeks had something we might call a culture, as did the Persians, Egyptians and Phoenicians. An Appalachian quilt, a plate of spaghetti or a vase is created according to values, principles and traditions; these cannot be proven or disproven. Culture is irrational. To maintain a culture you have to guard it, fight off outside influences that might taint its purity and attack whomever and whatever threatens its pristine force. But the Greek artists, and their followers through the centuries, never needed to avoid the taint of foreign contact. Instead of being committed to promulgating cultural values, principles and traditions, Greek art sought truth – the telling of things as they are. Thus, the Greek philosophers and artists whose names and works have come down to us were the enemies of culture, the liberators of the individual mind from the irrational tyranny of culture.

While the epics of Roland or Gilgamesh extol the warrior virtues of their sentimental heroes, the Greek Iliad is about a warrior who refuses to fight. It neither denies the glory of the warrior tradition nor shrinks from demonstrating the cruelty and suffering caused by it. The classics purely show by means of artistic metaphor how life is – beautiful, painful, glorious, shameful, lonely, joyful, sad.

One of the more astute spiritual children of Homer was the Athenian playwright Sophocles, who took a barbaric myth about a man who kills his father and sleeps with his mother and turned it into a play called Oedipus Rex, about a man searching for the cause to the suffering in the city he rules, only to discover that he is the cause.

In turn, one of Sophocles’ locally astute spiritual children, Rita Dove, America’s former poet laureate, has drawn inspiration from the Sophocles tragedy to create The Darker Face of the Earth, which recently ended its run at Piedmont Virginia Community College under the able direction of Teresa Dowell-Vest, who is quite astute herself.

A white plantation owner in antebellum South Carolina has found herself pregnant by one of her slaves. The child is secreted away to be sold and raised in bondage and by chance is bought by his mother 20 years later. Neither he nor the woman nor his father knows the truth of his origin. Augustus, the prodigal slave, plans a revolt and begins an affair with his mother (not knowing she’s his mother) and of course he is doomed, as are they all.

Borrowing from history but not trapped in anemic historicism, Dove manages to create a plantation which feels organically possible and dramatically flexible, yet is cut loose from the sentimental Gone With the Wind conventions. This alone is a magnificent achievement. But the play has other strengths as well – great ones. A soaring spirit, a defiant anti-sentimentality and an effective mix of humor and brutality are but a few. The acting is committed and energetic, although there is the constant amateur mistake of energy displaced by actors shifting on their feet and, at times, awkwardness with cues and transitions. Lighting and scene design are effective, by Larry Hugo and William T. Hurd, respectively. And Dorothy Smith‘s costumes were excellent – particularly her rag-tag revolutionary army (though the coachman’s sweat pants weren’t quite disguised enough).

Darker Face feels unfinished in some respects. The hoodoo woman’s cabin scenes are essential and played well but don’t quite work, and the subtheme of the Haitian revolt would be more effective if the slaves were asking Augustus to give them information about something they had already heard rumors about. But these are tactical details. The overarching problem with Darker Face is not Dove’s failings but theater’s.

Watching this play, one realizes how far modern theater is from possessing effective storytelling techniques. To tell a story truthfully, you have to believe there is a truth to tell. Yet, belief in and respect for culture allows for no individual truth except personal feelings. The lyric mode, that is, the expression of personal feelings, gives individuals some breathing room within the monolith of culture, but even that isn’t enough. The lyric form is an appropriate vehicle for characters who are trying to make meaningful lives within the culture of slavery, but it doesn’t work if the task is to give expression to those who refuse to respect culture.

Rita Dove is by profession a poet of lyric expression, and an extremely good one. Lyric poetry is practically the only poetry America has these days, possibly the only poetry America has ever had. For those attuned to lyricism – the expansion and contemplation of personal experience – everything I’ve just said is untrue, and you should find Darker Face effective from beginning to end. But many of us need rhythmic variation in two hours of theater as we would in two hours of music. Darker Face‘s lyricism is beautiful: lyric speech, lyric songs, lyric movements, lyric staging. But there’s too much of it, or more precisely, not enough of something else.

What that something else is, I don’t know. Other kinds of poetry, certainly. Still, I loved Darker Face of the Earth because it is a threat to the culture of theater, a stubborn unshaped mass of truth defiantly telling us what we don’t know how to do and hinting at what we might be able to do.

Dove has gone to the Greeks with questions and that is an assertion in and of itself that questions are worth asking, that there could be such a thing as truth. The liberating power of the classics is that they don’t give us answers. They offer no irrational value- or tradition-oriented beliefs. They remain for us the liberation from whatever irrational value or tradition is currently imprisoning our minds and souls, because all culture is a prison, and truth is the only way out.

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Men with a Plan

On Friday, November 8, Architect-Mayor Maurice Cox delivered a jargon-heavy lecture on his vision for the future of Charlottesville–something about creating public spaces through the juxtaposition of built form and whatnot. On Saturday, a green cardboard dragon-car trampled picnickers and excreted pavement on the floor of Nature Gallery.

The two events had nothing to do with each other, except for one thing–each manifested the belief that the future of Charlottesville can be planned democratically. The Mayor’s lecture outlined his plan for a dense, urbanized Charlottesville. The car skit was part of an "Un-Road Show" organized by the local activist group Alternatives to Paving. Both events were short on details and long on faith in the power of ambitious design and public participation.

Cox’s slide show at UVA’s School of Architecture traced the influences of his architectural work to Italy, where he was inspired by the idea that cities "could be planned by form, not by zoning," he said.

Cox’s vision of a dense Charlottesville, where people walk for groceries and ride buses to work, is getting more real as the City Department of Neighborhood Planning and Development Services drafts major changes to the zoning ordinances. When the changes are approved by City Council next year, they will likely spawn major increases in certain City neighborhoods such as Fifth Street Extended, Fifeville, Cherry Avenue and Jefferson Park Avenue. The Mayor’s talk also alluded to City plans to develop the Mall’s east end and make West Main Street more pedestrian-friendly.

Not everyone will be happy about the changes. Just as people threatened to sue or lay down in front of bulldozers during construction of the Downtown Mall in the mid-1970s, the current proposed zoning changes are inciting discontent. "It’s an expected consequence of working in the public realm that people will not always understand the vision," Cox said.

After more than an hour, the Mayor’s will to lecture was outlasting the audience’s desire to listen, and there was almost a collective sigh of relief when Cox–an associate professor of architecture at UVA who’s obviously comfortable at a podium–finally asked for questions.

Perhaps he could have taken some cues from the Un-Road Show, sponsored by Alternatives to Paving, an activist group organized by perennial Council candidate Stratton Salidis and his many family members. The group lured people into Nature with promises of folk music from Devon and Paul Curerri, then slipped politics into the punchbowl.

ATP covered the walls of Nature with various morally charged maps of future road projects (bad) and the Rivanna Trails system (good). There were pictures of innovative public transit trams from Oregon, an explanation–captioned in cursive by Dave Norris, chairman of the Charlottesville Redevelopment and Housing Authority board–about how auto-centric sprawl makes things tough for poor people. Slogans like "Roads=Sprawl=Oil=War" abounded. The topper was a skit featuring the fictional politician Joe Slick who feeds tax dollars to a cardboard dragon car that excretes roads and big-box developments.

During the festivities, City Councilor Kevin Lynch made sand art while Harrison Rue, director of the Thomas Jefferson Planning District Commission, picked his guitar and sang his ode to smart growth, "The Unjam Song."

Cox’s lecture, and the participation of leaders like Norris, Lynch and Rue in the Un-Road Show, indicate that in Charlottesville, ambitious visions of change are not just the province of freshly politicized University students or disenfranchised youth. Both the Mayor and Salidis, however, say the real trick is getting voters to bestow a public mandate on big ideas.

"If people actually exercised their power to vote, we wouldn’t have these massive road projects," said Salidis at Nature, possibly overstating things. Cox, however, believes public support can make it easy for leaders to resist noisy critics.

"Now is the time to think long-term and not be blinded by the moment," says Cox.– John Borgmeyer

 

Outside interference

Supes consider if WVIR will get a 250′ tower

Come 2006, if you haven’t gone digital, you could be kissing your UVA football and "Friends" reruns goodbye. That is, if the Federal Communications Commission and Albemarle County Supervisors don’t pull the plug on your cathode ray pleasures first.

On Wednesday, November 13, Harold Wright, vice president of Virginia Broadcasting Corporation and general manager of WVIR-Channel 29, came before the Board of County Supervisors to request they approve the construction on Carter’s Mountain of a 250′ lattice tower mounted with a 50′ antenna for digital broadcast television.

The new obelisk would be the latest addition to the 11 structures known as the "tower farm," which already top the mountain property owned by Crown Orchard. But WVIR isn’t just edgy to update its toys – it has the FCC breathing down its neck to switch from the current analog system to one that is solely digital, which, says Wright, is why WVIR is "desperately under the gun."

Built in 1972, WVIR’s current tower on Carter’s Mountain had earned WVIR the phrase "Virginia’s most powerful station." The proposed new tower, with its ability to distribute 5 million watts into the airwaves, has only one problem – its purpose is to serve digital customers only. That means WVIR would need to keep its existing tower, too, until the year 2006 much to the chagrin of local environmentalists, like Jeff Werner of the Piedmont Environmental Council, who likens the existing towers to "litter."

Still, WVIR has exhausted all of its options. "The old tower with its 4,000-pound antenna simply cannot hold any more weight," says Wright, "and if we are forced to take the old tower down before building the new one, that will mean we will be off the air for two weeks." Not only will lost air time upset local viewers of the NBC affiliate, WVIR could lose its federal license, as well.

In March, 2001, the FCC gave Wright and WVIR one year to plan and build the new digital facility. Having already received one extension until December 1, 2002 for the planning and approval stages, Wright doubts he will get another one. "I encourage you to pass this today," Wright said to the Board, "because it already took me a year to deal with my landlord and others and get the motion this far." Wright furthers that if he is forced into using a temporary, low-power transmitter because no plans were presented to the FCC before his December 1 deadline, the 1,000-watt facility would serve only the City and the surrounding 10-mile radius. The rest of the County will be left to listen to the radio.

The Board moved to defer a decision until its December 4 meeting, and WVIR is running out of time – and options.

"If this new tower is not approved," says Wright, "I will cancel my lease on the old tower and move to another location. Our license depends on it. We will have no other choice." – Kathryn E. Goodson

 

Precinct politics

With rezoning, UVA neighborhoods could get denser

When the Planning Commission held its regular meeting at City Hall on Tuesday, November 12, they gathered an hour earlier than usual to listen as Jinni Benson, a planning consultant, conducted a question-and-answer session on the City’s new zoning ordinances.

Sixty minutes, however, was hardly enough time to discuss all 73 different sections of the inch-thick draft ordinance. There was just enough time for Benson to explain details of some of the more controversial changes, including the rezoning of some neighborhoods around UVA into higher-density "University Precincts," dodge some of the more difficult questions from the gallery, then duck quickly out of City Council chambers when the hour was up.

The University Precinct designation allows developers to build seven-storey buildings close to the road in certain neighborhoods adjacent to UVA, with a density of up to 64 units per acre. The City will also allow new developments to have retail and commercial space on the ground floors.

The prospect of such urbanization is irritating to residents like Elizabeth Kutchai, vice-president of the Jefferson Park Avenue neighborhood association. She’s also upset by the fact that the City will not require developers to provide off-street parking for the new units. The City believes if students can walk to classes and grocery stores, they won’t bring their cars to Charlottesville, or they’ll park them in garages, easing the burden of `Hoo traffic in City streets. On October 4, UVA Vice-President Leonard Sandridge revoked the right of first-year students to bring cars to school during their spring semester, saying that construction projects like the new basketball arena will reduce parking on Grounds.

"It’s a risk to reduce parking and increase density," Benson admitted.

"It’s baloney," Kutchai said later.

Kutchai, who participated in several community meetings on the proposed ordinance changes, says JPA residents have strongly opposed higher density. But neighborhood feelings, she says, have taken a back seat to City and commercial interests. The University Precinct will keep students inside the City, where they add to Census totals but don’t burden the public school system; the developers who can build the profitable high-density units also support the plan.

During the Q&A, someone in the gallery wondered why the City, and particularly neighborhood residents, had to suffer the housing crunch prompted by UVA’s swelling enrollment. "Why can’t UVA solve its own problems?" he wondered.

Benson passed the question to Jim Tolbert, director of Neighborhood Planning. "Philosophically, you’re right," Tolbert said. "But we could talk about that all night, and there’s only 20 minutes left in the public hearing."– John Borgmeyer

 

Vision quest

The Paramount expects A-list acts to grace its stage

In order to understand The Paramount Theater Inc.’s vision for the future of The Paramount Theater, everyone must put on their rose-colored glasses. Now we are ready to imagine the transformation of the Downtown Mall theater that has been closed since 1974 – and is currently boarded up by plywood disguised as murals – into Charlottesville’s future leading performance theater. Or is this simply too hard to imagine?

According to Chad Hershner, executive director of The Paramount Theater Inc. – the group of individuals formed in 1992 with the mission of saving The Paramount – the once-bright lights of the theater marquee will soon shine again. And it is his belief that The Paramount will be announcing performances by diva Natalie Cole, singer/songwriters Alison Krauss and Bruce Hornsby, comedians Sinbad and Jeff Foxworthy, and classic old-timers including The Drifters and The Platters (never mind the fact that four of the five original members of The Platters are dead).

The recent surge in the development of the arts and culture scene in Charlottesville is everywhere apparent, exemplified by the popularity of venues for fine and performing arts such as Piedmont Virginia Community College’s V. Earl Dickinson Building and Live Arts, which will be moving into the new City Center for Contemporary Arts on Water Street after construction is completed next fall. Still, the question remains: Is it possible for The Paramount, which has been closed for more than 25 years, to become a viable Downtown center for the arts?

Robert Chapel, chairman of the UVA Department of Drama and producing artistic director of the Heritage Repertory Theatre, is confident it can. The Paramount’s success is guaranteed because of its ability to present shows – concerts, stand-up comedy and movie presentations – that other venues cannot. "The Paramount will serve a different function than the rest of us," says Chapel. "So far in Charlottesville, each of the arts venues has its own identity. People who go to Live Arts also come to Heritage and so on. But each entity has its own personality, and I’m sure that The Paramount will have its own personality, and that’s what attracts people."

Like Hershner, Chapel doesn’t perceive competition between the venues. For one thing, The Paramount will accommodate between 1,000 and 1,100 seats, while the new Live Arts space is intended to seat 395 people in three theater spaces. Chapel believes the various-sized arts centers will complement each other. "We all feel that the more arts in Charlottesville, the better," he says.

Chapel attributes the success and quality of his Heritage productions to his own hard work, yet maintains that hard work is not a foolproof formula for a theater’s success. Chapel believes it is rather The Paramount’s uniqueness that will attract the kind of shows for which Hershner strives.

As The Paramount’s reopening is tentatively scheduled for winter 2003 or spring 2004, the Paramount Theater Inc. is currently raising funds to meet its goal of $14,400,620 and finalizing the floor plans for what it calls "the new Paramount." Having completed the pre-demolition work, Hershner is hoping to begin active construction work and full restoration and renovation by December.

Donations exceeding $300,000 each from the County and the Commonwealth, as well as $500,000 from the City, will certainly help Hershner and associates, if not to resurrect The Platters, then at least to achieve their goal: to restore "the grandeur of a Charlottesville landmark and to create a lively center offering programs to entertain and educate, enchant and enlighten."—Maura O’Brien

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Golden Years

Charlottesville’s population isn’t getting any younger, and the area’s reputation for a high quality of life is driving not only growth in general but also an influx of people over 60 from across the country. Indeed, 12.5 percent of the Charlottesville-Albemarle population in 2000 was 65 or older, compared to 9.7 percent in 1990.

 

Ned and Fran Morris, formerly of New Jersey, can describe exactly what propels that growth among senior citizens. When they were looking for a place to retire, Ned says, they knew they wanted to continue to live with four seasons.

"But we didn’t want to have to put up with the New York winters," Ned says. "And we knew we wanted a community with good medical facilities, hopefully with a college or university."

Advertisers know that Charlottesville fulfills the Morrises’ wishes almost perfectly. In the Fall 2002 issue of Virginia magazine, a publication of the UVA Alumni Association, for instance, there’s an ad placed by Westminster-Canterbury of the Blue Ridge, the retirement community where the Morrises have lived since 1990. The full-page ad beckons senior citizens to move into one of Westminster-Canterbury’s cottages or apartments. One selling point is the security of lifelong care, something every Westminster resident is guaranteed.

Yet the ad’s true focus is something else: the quality of life outside Westminster around Charlottesville itself. The marketing piece highlights opportunities that senior citizens have here for cultural activities and intellectual stimulation, which many other medium-sized towns cannot offer. The region shines in this ad as a mecca of learning, nestled in a spectacular natural setting.

"Charlottesville has become a real destination for retirees," says Kevin O’Halloran, development director at Westminster-Canterbury. The ad in Virginia magazine is just one of many targeting retirees around the country. It drops tantalizing names: summer Shakespeare at Barboursville, UVA football games, and—of course—Monticello.

Retirees coming to Charlottesville may indeed find an enjoyable new home awaiting them. Yet, for many other seniors, there is no guarantee of basic services, much less lifelong learning. A growing population and shrinking economy have people worried about the future of aging in Charlottesville.

 

 

Occupying a lofty perch on Pantops Mountain, Westminster-Canterbury’s main building could almost be an upscale hotel. "You think of a nursing home as a grim, sterile place. That isn’t the case here," O’Halloran says. Framed art—original drawings by the daughter of a resident—bedecks a hallway. Gracious common areas include a full-service dining room, complete with linen napkins at each place setting. Outside the building, residents have an eye-level view of Monticello.

Westminster is what’s known as a continuing care facility. Its 300 residents sign contracts guaranteeing them housing, food and medical care for life. Most arrive during what O’Halloran calls the "second phase of retirement." In other words, they’re ready to be done with the responsibilities of home ownership and they’re looking for a secure future. The average age of new residents is 75. At this stage, usually healthy, they live independently in cottages or apartments and drive their own cars. "They want to plan ahead and make sure everything is taken care of so that their children don’t have to," he says.

The Morrises, who moved first to Crozet from New Jersey in 1979 when Ned retired from a marketing career, say their Westminster cottage feels like home.

"The people are great, and it’s beautifully run. You can be busy every minute of the day, there’s so much going on," says Fran.

As residents age and begin to need help with basic activities like dressing and eating, they move into Westminster’s assisted living facility, which has nurses on each floor. Later, they may move again, into full-time nursing care or a specialized Alzheimer’s unit.

With Westminster providing various levels of care at a single site, it can accommodate couples whose needs vary. "We had been here about three years when I found out I had to have my hip operated on," Fran says. "I was over in the health center, and Ned didn’t have to go across town to a nursing home to see me when I was convalescing."

Westminster residents enjoy on-demand transportation around town. They can join bus tours to plays and lectures or take special classes for seniors taught by current and retired UVA faculty at the Jefferson Institute for Lifelong Learning. And their living quarters are hardly cramped: Many have two-bedroom cottages or apartments.

Naturally, all this costs quite a lot. Westminster is a non-profit organization affiliated with the Episcopalian and Presbyterian churches, and its revenue mostly comes from its residents. To move into an apartment here, a single person would pay an entrance fee of at least $180,000; couples wanting larger cottages shell out considerably more. On top of the entrance charge, monthly maintenance fees range from $2,000 to more than $4,000.

The Westminster Fellowship Fund can cover the entrance or monthly fee for people with limited means, and a few residents receive full assistance. The fund also provides a form of insurance for residents who have unexpected money troubles.

The Morrises have no doubt that for them, the cost has been more than worthwhile, and say that the monthly fee is comparable to the cost of living independently.

"I know it’s staggering to contemplate writing that first check for the entrance fee," Ned says. "But most people, by the time they reach the age to come in here, they own their home, and that money is usually more than is required for whatever unit they want to live in here. It’s upscale, but it’s not expensive."

 

 

Kathy Crosier, who handles community relations at the Jefferson Area Board for Aging, agrees that Charlottesville is a good place to grow old. She says the area offers a wealth of resources JABA can tap to help serve the elderly, and that a commitment to volunteerism is what mobilizes these resources. "We’re very fortunate in this area that there’s such an outreach from the community," she says.

She tells the story of a woman in JABA’s adult day care program who spoke only Japanese. "We were able to contact someone at UVA who found people who spoke Japanese, and they came and visited with her once a week," Crosier says. "If you were in an isolated area, you might not be able to tap into that. Even the most unusual thing, we can usually find someone to assist us."

With its broad mission covering a long roster of programs for the elderly, JABA needs to be adept at drawing assistance from whatever sources it can. A mostly publicly funded agency serving Charlottesville plus five surrounding counties (Greene, Louisa, Nelson, Fluvanna and Albemarle), JABA’s constituency includes all elderly people and their caregivers. "We serve people that may have means, and people that don’t," Crosier says. JABA’s mission is simple and far-reaching—to determine the needs of the elderly, and fulfill them.

Among the services JABA offers are health insurance counseling, home safety assistance (installing handrails in the shower, for example), meal delivery and in-home care. There are even volunteers available to help seniors decipher byzantine medical bills. Joyce Gentry, an information specialist at JABA, says "Some people look at a bill, and say ‘I don’t have a clue; it’s five pages long. What do I pay?’ We have someone who can help them look at that and determine, ‘This is what you pay.’ It gives them peace of mind." JABA is so well known as a go-to information source for seniors that, says Crosier, "People call Joyce for directions to the airport."

JABA also operates senior centers in each of the five counties it serves and is working to open adult day care facilities around the region. Walking through the day care center in JABA’s main office north of Charlottesville, Crosier says that in some ways day care is one of JABA’s most important programs.

"It’s all about creating that quality of life and making the elderly feel useful," she says. "You still participate in life, and you still give back and do things, even though you have physical limitations."

Clients in the day care program can become part of a hand bell choir, arrange flowers donated by Whole Foods Market or help make quilts, some of which hang on the walls of the Charlottesville center’s spacious great room. Outside, there’s a pleasant enclosed patio where clients grow vegetables, which they then cook in the center’s kitchen. Crosier greets a group of about 10 clients making cookies; an activities director handles the oven to help ensure safety.

The day care center has been in this location for five years, and the new building was designed to be more effective at meeting clients’ most pressing needs. A two-bed infirmary has exit doors opening directly to the outside.

"That keeps everybody in day care away from the situation, and they don’t all panic and get worried," Crosier says. "This is a state- of-the-art facility, and when they were planning this building, this was the dream thing, to have an infirmary separate."

Back in the great room, the center serves lunch and two snacks each day. They’re substantial enough to provide all the nutrition clients need for the day, says Crosier, which is especially important for those who live alone. "They may go home and just have tea and toast or cereal," she says, "so at least you know they’ve eaten here and had a hot meal served to them."

With an inexpensive hair salon, therapeutic tub room, geriatric physicians and physical therapists on site, the center functions as a mini-town where seniors can access many services at once. This is just as helpful to family members and caregivers as it is to seniors themselves, Crosier says.

"We wanted to do kind of like a one-stop shopping theme, so while that caregiver is taking her respite break or going to work, she can drop Mom or Dad off [at day care], and if they have a doctor’s appointment, the doctor’s nurse will actually take them for their appointment, then call the family member and give them an update."

Though the agency is involved in affordable housing for seniors (Woods Edge, an apartment building for seniors in Charlottesville, and Mountainside Senior Living, an assisted-living facility in Crozet), JABA is primarily committed to giving seniors the services that will allow them to remain at home as long as possible. "That’s where we find people are happiest," says Gentry.

More than 600 volunteers make JABA run smoothly. Many are able to offer more than just their time, bringing useful skills and experience to JABA programs.

"I think the University is one of the plusses in the community," Gentry says. "We do have people of means here, and also we have people who are very knowledgeable about a wide array of information."

 

 

Crosier and Gentry are each positive about the success JABA has had in its 27-year history. Yet they acknowledge that there are limitations to what JABA can do. Many of its services are free, and the ones that are fee-based operate on a sliding scale. Day care, for example, costs $50 per day, but many clients pay $5 or nothing at all.

"We serve everyone," Crosier says, "and any profit that is made would be just to balance out these programs for the indigent."

The day care program successfully serves about 75 registered clients and has no waiting list.

Other JABA services operate on shakier ground, with seniors who cannot afford to pay left on waiting lists. With State budget cuts looming, even successful programs like day care are threatened.

"When funding sources are cut, that means the indigent will have a waiting list because there won’t be scholarship funding available, or it might be more limited," Crosier says.

Gentry believes that, with budget cuts, the biggest gap that may open in JABA’s services will be with in-home care.

The uncertain plight of some JABA clients clearly is a far cry from a comfortable life on Pantops Mountain. The cost of health care can be an impossible burden.

"It’s not unusual, if someone has a $500 to $600 per month income, and they have a prescription that costs $200 to fill, they don’t fill the prescription," Crosier says. "That’s very common for us to see."

Even seniors who find a way to pay for assisted-living or nursing home care often encounter serious problems in the quality of care they receive. Angela Johnson is JABA’s ombudsman, in charge of investigating and resolving complaints about long-term care. She says the most common complaint is that a resident’s care plan is not being fulfilled. For example, a care plan may include "pressure ulcer [bedsore] prevention for a person who has been identified to be at risk: turning every two hours, hydration, nutrition and personal hygiene." A turn chart is meant to document how often the resident is turned. Yet visiting family members may repeatedly find the chart empty, or worse, their loved one soaked in urine.

Johnson believes that the root of this problem is the typically low wage paid to nursing home staff. Certified nursing assistants have demanding jobs and notoriously high turnover rates.

"The bottom line seems to boil down to staffing, the availability of staff to turn residents every two hours. If you have three people caring for 30 people in a shift, is it realistic to expect that to truly happen along with the other responsibilities they have in the provision of care?" she asks. "In some of the smaller assisted-living facilities, those people are even responsible for cooking and cleaning, along with resident care."

 

 

If JABA faces challenges now, those challenges promise to expand in the future. With baby boomers heading into their retirement years, health care costs rising and Social Security on uncertain ground, the future of aging is of national concern.

"You have all this drain now on the economy because of elderly who need support and services, and it’s only going to increase," Crosier says. "This isn’t a situation that’s just isolated to us, it’s across the nation." Indeed, throughout JABA’s jurisdiction, the Virginia Employment Commission projects a 25 percent increase in the over-65 population by 2010.

JABA’s planners are trying to chart a course for the future that will maintain its current level of service for a burgeoning population. Again, a shortage of nurses and nursing assistants is of critical concern.

"We just have to be as innovative as we know how to meet needs," Gentry says. "It’s not going to go away. We’re either going to meet those needs or we’re going to be in a bad situation."

She worries about elderly people on fixed incomes finding their way through a more austere financial landscape. Those at the lowest income level qualify for Medicaid, the Federal- and State-funded program that provides health insurance to very low-income people, but those with slightly more income are most at risk, according to Gentry. That’s because they can’t get aid, yet can’t afford to pay for services themselves.

"Those are the ones who are vulnerable, because they’re caught, and there’s not very much offered to them," she says.

At Westminster-Canterbury, O’Halloran agrees that aging boomers will cause major shifts in years to come.

"I think we’re seeing the beginning of that now," he says, gesturing to a huge construction project visible through his office window. Westminster is adding a 250-bed addition to its independent-living apartment building, including a new dining room and many other common areas.

"We found there was a very strong desire, and all the apartments were reserved before we broke ground," he says.

Despite that evidence of overwhelming demand, O’Halloran is optimistic about the future.

"We feel the expansion will serve the needs of seniors in this population for the foreseeable future," he says. "I believe we have a great many talented people in the community who are thinking long-term to ensure this continues to be one of the great places to live for all ages, including seniors."

Asked if Charlottesville lacks anything major in their eyes, the Morrises look at each other, laugh, and shake their heads. "Really! I can’t think of a thing," says Ned. Westminster-Canterbury seems to fulfill its promise of high-quality care in a beautiful, well-rounded city. But not everyone is able to claim a piece of this dream.

"I get lots of calls from around the country where people say ‘I’m interested in living in Charlottesville, but I need to know about low-income housing,’" JABA’s Gentry says.

"And I say you’ve come to the wrong place. Our resources are very limited for low-income housing; subsidized housing has waiting lists. There’s not enough of it," she says.

"So if you have a good situation where you’re living, you’d better hold onto it."

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Horse sense

For Dominick Palamenti, theater is a family affair. He first became involved in theater while living in Italy, working in Shakespeare troupes. When he moved to New York City to study acting, he met Sea Aviar, whom he married. Aviar was originally from Virginia, and when the couple decided three years ago to move back, it was the theater scene that drew them to Charlottesville. "It seemed alive and accessible," Palamenti says.

When in Charlottesville, Palamenti met Janine Reagan, president of Horseshoe Bend Players in Scottsville, which he regarded as a "small group with a great space." With Aviar, Palamenti took on a collection of one-act plays, directing two and acting in a third for Horseshoe Bend. It was all part of his plan to "re-energize the mission of bringing good theater to the Scottsville area."

Palamenti recently took over the reins as artistic director for Horseshoe Bend. As is typical of small troupes, this artistic director schedules the season’s productions and runs every aspect from audition to promotion. He even fills in as director or actor when needed. For Horseshoe Bend’s current production of Donald Margulies’ Collected Stories, which runs through November 23, Palamenti directed.

Palamenti says he was attracted to Collected Storiesfor basic technical reasons. The play, which he says is easy to cast, is "very smart with an intellectual bent." The play follows a familiar story line as an established writer becomes a mentor for a young aspiring writer, who, in time, becomes an equal to, and then surpasses the older writer. Palamenti is intrigued by the play’s dynamics.

"It deals with loyalty and betrayal," he says. "It’s about the conflict the older generation feels to let go but retain their own individual achievements, while being overshadowed by a younger generation."

Though he just recently began working for Horseshoe Bend, Palamenti already has long-term goals for the Players to establish it as a company "that can be depended upon to produce a series of shows."

Meeting that goal could mean reorienting Scottsville audiences, who have yet to get used to the idea of a resident theater company, he says. "We hope that the town itself and local restaurants will benefit from theater nightlife," he says. "We want to be a dependable source of theater, rather than ‘catch it while you can.’"

Horseshoe Bend is in the process of remodeling its current Valley Street space, Victory Hall. The former firehouse is being made more conducive to theater. Lobby construction is underway, and wall partitions have gone up to create a backstage and green room area, as well as a tech booth.

As far as life beyond Collected Stories, Palamenti is playing it by ear. He will stage three shows for Horseshoe Bend this season, and looks forward to ongoing collaboration with Aviar, who is assistant directing Collected Stories.

"It’s fantastic working with her," he says. "She brings a keen point of view. It’s a blessing and it works well."

 

For a schedule of Collected Stories performances, see InsideOut’s Stage listings, page 21 in this weeks paper.

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Home is where the health is

Before Amanda Schmitt knocks on an apartment door at Hope House in Charlottesville, she rearranges the cloth bags draped around her shoulder to find a free hand. A girl named Alita (whose last name is being withheld to protect her identity) answers the door; the teenager isn’t the daughter of the house, however. She’s the mother.

From behind Alita’s legs, 1-year-old Tyquese sizes up the visitors. To him, Schmitt is a familiar face whose appearance means playtime. For Alita, Schmitt may be the only adult conversation she has all day.

Schmitt is one of four family support workers for Children, Youth and Family Services. The program is just one of many Virginia social services that may disappear because of mangled finances in Richmond.

On a recent morning, Alita’s was the first of three homes Schmitt visited that day, helping new parents––especially single mothers––cope with the tribulations of child-rearing. To Tyquese’s delight, one of Schmitt’s bags contains a plastic bucket full of toys. Displaying primal human desires to both create and destroy, one of Tyquese’s favorite games becomes stacking multi-colored plastic donuts in a tower, then toppling them with a swoop of his tiny hand.

Schmitt unloads her other bag, full of binders and notebooks, and Alita joins her on the couch to compare Tyquese’s emotional and physical development to scientific standards. The Healthy Families program in which Alita participates is designed to prevent child abuse and neglect. Clients are referred to CYFS by the Health Department, clinics, other agencies or family members. Sometimes the clients seek help themselves. In Alita’s case, a caseworker knew her mother and referred Alita to the program when she became pregnant.

Schmitt says the goal is to help families before there are signs of violence. Indeed, there’s no evidence of dysfunction in Alita’s apartment––the place is as neat as can be expected for the domain of a 1-year-old, and the fearlessly curious and affectionate Tyquese seems equally at ease in the lap of his mother or an unfamiliar reporter.

Nevertheless, as a single teenage mother with an unplanned baby, Alita’s situation is, in social services jargon, "at risk." She had just started her senior year at Charlottesville High School when Tyquese was born.

"All my friends have kids," Alita says.

Asked about her son’s father, Alita gives an it’s-a-long-story look, making it obvious the man hasn’t changed many diapers. She says the family support worker who began visiting her when she became pregnant was vital.

"When they started helping me, they were the only people I saw," says Alita.

Tyquese suffered a stroke at birth, which hampered his physical and mental development. His right arm and leg, for example, do not function as well as those on his left side. Schmitt’s job is simply to check in with Alita once a week, to help her find answers to the myriad questions and anxieties that come with new motherhood, and to make sure Alita remembers all Tyquese’s appointments with doctors and therapists.

There are many good signs, says Schmitt. She says initially Alita reacted the way most teenage mothers do––by clinging to her adolescence.

"At first I thought it would be all fun," says Alita. "We have fun days, but it’s not really that fun."

Since then, Schmitt says Alita has embraced the realities of motherhood. She dutifully puts Tyquese through the exercise regimen a therapist prescribed to develop his motor skills. Tyquese shows a healthy attachment to his mother, says Schmitt, and she is encouraged to hear that the boy is imitating her––he holds a book upside down, pretending to read and helps clean the house, although Alita says occasionally she has to rescue her keys from the trash can.

Like many other Virginia social services, the Healthy Families program that helps Alita and about 60 other local families is now threatened by a State budget deficit and a tax-shy General Assembly.

Just before Republican Governor Jim Gilmore left office last year, he cut the State Healthy Families program entirely, says Jacqueline Bryant, director of parent education and support for CYFS. Last spring, Bryant and Schmitt joined other Healthy Families workers and clients from across Virginia to advocate for the program, flooding legislators with calls and letters and directly lobbying members of the General Assembly’s Finance Committee.

As a result, last year’s General Assembly passed a bill restoring funding for the Healthy Families program, but with an important change. Where it used to come from the State’s General Fund, the money is now comprised of unspent dollars from a Federal program, Temporary Assistance to Needy Families.

The change means, first of all, that Healthy Families, with a 2001 budget of about $114,000, will lose some $25,000 in Federal matching money. Also, Bryant says, by 2004 the State’s excess TANF dollars will run out. She says Healthy Families, like many other social services, is scrambling to find money from public or private sources. Healthy Families has a proven record of success, says Bryant, but the competition for dollars will be fierce.

"The program is definitely in jeopardy," says Bryant. "Finding any money will be hard given the State budget and the economic climate."–– John Borgmeyer

 

Liquid gold

City, County and UVA negotiate the cost of water

As it has for months, water topped the agenda during City Council’s regular meeting on Monday, November 4. Rain has eased fears of impending doomsday, but public officials still face days of reckoning ahead when it comes to protecting the region’s water supply.

On Monday, Council approved an ordinance to raise water rates to $55.47 per 1,000 cubic feet (or 4,500 gallons), set to take effect on November 18. The rate had been $37.16, a special drought rate levied to encourage conservation.

In the local water market, the Rivanna Water and Sewer Authority acts as wholesalers to Charlottesville and Albemarle, which then sells the water to residents and businesses. The water system is designed to be self-sufficient, with customers paying for the costs of service. As conservation measures kicked in during late summer and early fall, water consumption has dropped by about 40 percent since August. That means that with less water being sold, officials must charge more to keep up the revenue stream.

"It’s the ultimate Catch-22," said City Manager Gary O’Connell. "The more water we conserve, the more it costs."

The new rates will also help pay for infrastructure improvements to the water supply. The Rivanna Water and Sewer Authority has estimated that meeting water demand over the next 30 years will cost more than $13 million in improvements. On November 4, Council heard about ongoing negotiations between Judith Mueller, director of the City’s public works department, and Bill Brent, head of the Albemarle County Service Authority. The two are trying to hash out a formula for the jurisdictions to share responsibility for improvements to the water system.

On Monday, Councilor Kevin Lynch hinted that Albemarle County should bear most of the burden, since County growth has caused, and will continue to cause, rising demand. "It seems unfair if existing clients will have to pay for future growth," Lynch said.

The formula will not be simple, however. The RWSA is planning to dredge out some of the 40 years’ worth of sediment filling the South Fork Rivanna reservoir, so water officials say it’s apt to ask current customers to pay for that.

Another variable is UVA. Councilor Rob Schilling pointed out that although the City has not grown, UVA certainly has. Because UVA plans more capital improvements and enrollment hikes, Schilling said, UVA should pay for some of the water costs.

UVA is a City water customer. The University maintains its own water and sewer infrastructure on Central Grounds, so in the 1930s UVA negotiated a deal with the City for cheap water. That contract is supposed to last 100 years. Mueller says the City "comes out about even" in its deal with UVA. The research parks at Fontaine and North Fork are owned by UVA’s Real Estate Foundation, not the school itself, and therefore pay the normal water and sewer rates.

Mueller says UVA "understands" that paying more for water is a part of its growth. She says she will negotiate UVA’s share of the cost after she reaches a deal with Brent. The question of who pays what "is a big issue here," O’Connell said Monday.–– John Borgmeyer

 

Home on the price range

Supes tackle affordable-housing shortfalls

In the midst of a depressing third-quarter report detailing a $2.8 million budget deficit in Albemarle County, which was presented to the Board of County Supervisors by Assistant County Executive Roxanne W. White on Wednesday, November 6, there was talk of more than just financial deficits. Affordable housing ranks up there with the best of the County’s shortfalls.

Voting unanimously to approve the Amendment to the Comprehensive Plan regarding the Policy on Affordable Housing, the Board handed the Planning Commission and Planning Department some guidelines for future rezoning and special-use permit applications.

"The goal of this request," says Ron White, Albemarle County’s Chief of Housing, "is to assure we are offering a variety of housing types so people can afford to live in this community."

These housing types will take into account the County demographics and neighborhood models, which include everything from nice apartments to townhouses to single family free-standing homes. The amendment will also cap the costs of these housing types at $170,000.

Although much attention is given to the housing demands of the City of Charlottesville, those who need assistance and wish to live in the County can be overlooked, too. But with this amendment, the County can now work with both the development and financing communities to increase the supply of affordable housing—especially for those earning below 80 percent of the area’s medium income of $50,000.

Proposing to mix incentives for the private developer with non-profit driven financing structures (such as those offered by the Piedmont Housing Alliance), the County should be able to offer extremely competitive mortgage rates to low-income families.

"With just the developer and the County in the picture," says Supervisor David Bowerman, "I didn’t know how you were going to pull this off. But non-profits are really a great answer."

For most area residents, housing costs exceed 30 percent of gross household income. And for a family of four earning $50,000 annually or less, that 30 percent is simply too much. "This is the point in which low-income families turn into renters instead of buyers," says White.

Yet, the answer to the question of how to ensure affordable housing remains affordable is unclear. "How about some assistance from employers to employees?" suggests Chairman Sally Thomas. The idea would be to encourage County employers to set aside money to assist employees with down-payments for homes.

And it seems that the County might be a good place to start. For not only does no employer-assistance plan exist in Central Virginia, there is no such program in place in Albemarle—the County’s second largest employer.— Kathryn E. Goodson

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The future of food

"Welcome to our cheese manufacturing facility," Christine Solem says pointedly. She’s standing in her cozy, well-worn kitchen north of Charlottesville, where she and John Coles have run a small goat and vegetable farm since 1973. Outside, their 24 goats wander around a large, partly wooded enclosure.

Solem and Coles, in fact, make goat cheese in this very room; Solem’s arch remark reflects her disdain for regulations proposed by the Virginia Department of Agriculture and Consumer Services that would put her kitchen under the same rules as an industrial-scale dairy farm. Right now, her operation is unregulated.

These days, the debate over food safety rages at a fever pitch. The presumed threat of bioterrorism lends even greater seriousness to the business of preventing contamination. Yet infectious disease – frightening as it is – isn’t the greatest danger, according to some. Proponents of small-scale and organic farming say that in the rush to prevent disease, we are risking something even more important: our connections to our food and, in some ways, each other.For Solem and Coles, the debate begins with a practical question right in their kitchen. The new milk regulations from the VDACS would require a slew of changes in their cheesemaking, and the biggest is a requirement to pasteurize the goat milk before making it into cheese.

"That’s unacceptable," Solem says. "That would ruin the cheese we make."

It seems odd to think that pasteurization – the process of heating milk to kill bacteria – would be bad, but it’s only necessary, according to Solem, if you need the milk to stay fresh for a long time. Large dairies, which often ship their products hundreds of miles, and supermarkets, which prefer milk with a long shelf life, rely on pasteurization to prevent contamination with diseases like E. coli and salmonella.

Solem says, however, raw milk contains beneficial bacteria – part of the immune system – that normally out-compete pathogens. Pasteurization kills these beneficial bacteria, too, leaving the milk sterile but "dead" – that is, vulnerable to any new pathogens that come along.

Solem and Coles say that pasteurization isn’t necessary, despite conventional wisdom to the contrary. They contend that because they make their cheese in frequent, small batches, it’s safe from contamination.

"It’s always fresh cheese; it’s never stored milk," Coles says. "The chances of things happening to it are so much slimmer."

He believes that pasteurization has been the subject of misleading publicity by the government since the 1940s.

"When you’ve got 60 years of lies, it becomes truth," Coles says.

Solem says that the largest salmonella outbreak in U.S. history, which occurred in Illinois in 1985 and affected at least 16,000 people, was caused by pasteurized milk.

If the regulations proposed by VDACS are implemented, Solem and Coles will have to buy an approved pasteurizer, which they say could cost up to $12,000. They’d also be required to build a new building for milking their goats, pay for testing of their cheeses and modify their kitchen (or build a new one) to comply with other regulations. Altogether, they say this will cost $50,000 – a sum that would effectively put them out of business, given their annual cheese revenues of $5,000-10,000.

John Beers, a VDACS supervisor who’s been involved in writing the proposed regulations, says that the department is just trying to bring Virginialaw in line with federal guidelines for food safety developed by the United States Department of Agriculture. He says that bringing unregulated operations under State oversight would "give people the guidance they need to properly handle milk before they process it." Guidelines covering cleanliness, cooling and storage of milk are "commonsense things you would do anyway," he says. For example, the regulations require producers to separate the various steps of cheese-making ("paraffining cheese, rindless block wrapping, curing cheese, cleaning and preparing bulk cheese and cutting and wrapping cheese") by building separate facilities for each operation, or by conducting them one at a time.

Solem says she doesn’t need VDACS’ guidance, and that she’s been fighting with the department for years for what she believes is her right to produce cheese and sell it directly to consumers. In 1999, agents of VDACS showed up at her farm, without calling ahead, and asked to inspect her facilities. She refused, they came back with a warrant. Virginia’s 16th Judicial Court later ruled the search was unconstitutional.

After taking some pictures and a few samples of goat cheese, VDACS charged Solem with six violations of the Virginia Food Laws. Solem says microscopic inspection of the cheese had revealed a tiny hair and one insect part. Other violations involved the state of her kitchen, which was less than pristine.

Against the charge of uncleanliness, Solem says, "How many people’s houses would look really, really nice if someone came in at any minute and inspected? I had been away all weekend, it was just a really bad time," she says, noting she wasn’t making cheese at the time the inspectors arrived.

Asked how they ensure the safety of their product, Solem and Coles have a disarmingly simple answer: "We just clean up before we make the cheese." Their self-imposed safeguards include sanitizing their equipment, sterilizing the cheesecloth and – most tellingly, they say – tasting every batch of cheese. Coles points out that he has a 20-year history of selling goat cheese, often to repeat customers at the Charlottesville farmers’ market, and has never had a complaint about safety.

 

 

The key is that they sell their products directly to the people who will eat them, Coles says. That situation creates a type of personal accountability that larger agricultural operations don’t have.

"Everything that we put out, we have a pride in and, if something happens, the person knows right where they got the food," he says. "It doesn’t go through a middleman, and it doesn’t get shipped to California."

Solem and Coles are members of a new watchdog group that opposes State regulation of small farms and food producers. The Virginia Independent Consumers and Farmers Association is taking on VDACS and other regulatory agencies over what it feels are inappropriate safety regulations. Members recently gathered at Wayne Bolton’s farm in Green Bay to chart a course of action.

Over a meal they’d mostly grown themselves – hamburgers, sliced organic tomatoes, goat cheese – a group of about 15 discussed how to halt the progress of pending regulations through the General Assembly and VDACS. Besides the milk regulations that would affect those with small herds of goats, VICFA is concerned with a broad set of safety rules developed by the federal Food and Drug Administration, which Virginia is considering adopting as State law.

This Food Code aims to ensure the safety of any food sold or given away in Virginia, providing standards for everything from the temperature of delivery trucks to the labeling of wild mushrooms. For example, the Code states "Raw shell eggs shall be received in refrigerated equipment that maintains an ambient air temperature of 7ºC (45ºF) or less." The problem with this, VICFA members say, is that by defining "food establishment" as broadly as it does, the Food Code ends up placing undue restrictions on smaller operations: farmers’ markets, on-farm sales, even church kitchens. "This would eliminate our lunch here today," said Bolton in amazement.

That may be a stretch, but VICFA identifies a real threat to its members’ livelihoods in the prospect of conforming farm kitchens to standards that are scaled to corporate-sized budgets.

Though the tone of the meeting was at times distinctly libertarian (one project involves setting up a hotline for farmers being "harassed by bureaucrats"), the group doesn’t necessarily oppose regulation on principle.

"You need regulations when food is being sold and re-sold," Solem says, referring to supermarkets. She says, too, that she and Coles are required to have their goats certified annually, to make sure they’re free of diseases like tuberculosis. They see this regulation – and the $200 expense that goes along with it – as entirely reasonable.

The key, they say, is to have small farmers recognized as a distinct type of operation, one that fundamentally is less in need of regulation than big agribusiness. For example, they are asking VDACS to include a clause in its proposed milk regulations that would make an exception for small farmers selling cheese directly to consumers, either on their farms or at farmers’ markets.

VDACS’ Beers doesn’t feel this amendment is reasonable. "I’m perfectly willing to be flexible as long as the public’s health and safety aspects are met," he says, "but where a requirement is there because it prevents or reduces a risk, I’m not willing to say the exemption is okay."

He adds that inspections of small farms in the past have revealed contamination in milk products, including insect parts and pathogens.

"I’m quite concerned about what goes on where there is no oversight," he says.

 

People who run food businesses from their homes are the most likely to feel cramped by state oversight. Lisa McEwan owns Hot Cakes, a Charlottesville catering company. Though her business is small and independent – she has only one location and has run it herself since 1986 – she doesn’t feel unduly restricted by safety regulations.

"This business I run is oriented to deal with regulations from day one, not trying to do it as a home-craft kind of business," she says.

Occasionally, she finds safety regulations annoying. "They drive me crazy sometimes," she admits. "I don’t care if somebody’s hands havebeen on my loaf of French bread. I’m comfortable with food. But I do try and keep an open mind and understand where regulators are coming from."

She says that when she visits other restaurants, she likes knowing the regulations are in place. McEwan has noticed an increase in awareness of food safety issues and believes that the potential for danger actually has increased over the years, mostly in the manufacturing process.

"If we could process our food differently, there would be a far lower risk of E. coli and things like that," McEwan says. "I know that the intense, speed-related, factory way that we do our slaughtering definitely makes beef and poultry more hazardous."

The cramming of many animals into small spaces, a common practice in industrial farms, does increase the risk of bacterial contamination, according to pro-vegetarian organizations like People for the Ethical Treatment of Animals.

 

 

VICFA members would agree with McEwan about the risks of so-called factory farming. They are businesspeople looking to preserve their livelihoods by fighting specific political battles, but it’s no accident that VICFA members also share an interest in sustainable agriculture – raising food without pesticides, genetic modification, antibiotics or hormones. Deeper issues about the future of food are at play, they say, in the struggle over regulation.

Joel Salatin, owner of the innovative "beyond organic" Polyface Farm, is VICFA’s president. At the September meeting in Green Bay, he read from a characteristically blunt letter he’d written to new VICFA members: "Under the guise of food security and the war on bioterrorism, government agents are being used as pawns by multinational corporations to regulate alternative food out of the marketplace and eliminate freedom of choice in the food system." The letter also refers to conventionally grown food as "irradiated, genetically altered, and pathogen-laced."

A litany of woes, to be sure. Agriculture is an enormous industry and organic proponents say the large scale of conventional farming is at the root of many evils. The argument often boils down to quantity vs. quality. Solem cites the example of industrial tomato producers. Many use a technique that causes all the tomatoes to ripen at the same time. This is useful in terms of cost and efficiency, but compromises taste, Solem says.

Fabienne Swanson, manager and chef at Veggie Heaven, concurs that the best-tasting tomato is one that ripens naturally.

"We get local organic tomatoes ripened on the vine," she says. "I always prefer them when they’re right out of the garden and ripe."

Rather than cutting costs and pursuing ever-greater yield, Coles adds, "We’re concerned mainly about producing a quality product."

Ironically, efficiency of scale may end up compromising not only quality, but safety, too, Solem believes. In industrial dairies, she says, the sheer amount of equipment that must be sanitized means there are more opportunities for infection. By contrast, she holds up an ordinary saucepan. "Here’s what we have to clean," she says.

Awareness of these issues isn’t limited to the farming community. Heather Karp of Charlottesville approaches the subject as a concerned consumer, a trained chef and a sometime nutrition educator. She’s currently building a private clientele as a "food coach" – a consultant for people trying to make major diet changes. She, too, is suspicious of large-scale agriculture, particularly the practice of planting enormous quantities of a single crop.

"I don’t think that food is about quantity," she says. Clearly, America has no shortage of food, Karp says; in fact, "We have a frightening plague of obesity in this country."

Critics of industrial agriculture say there are plenty of threats to physical health posed by the quest for efficiency. Practices like irradiation (zapping food with radiation to kill pathogens), genetic modification (which is very widely used on two staple crops, corn and soybeans) and treatment of livestock with antibiotics are all fodder for national debate. Yet there is another risk, deeper than physical well-being.

Wayne Bolton hints at it during the VICFA meeting: "When we sat down to the table at breakfast, and I was 4 or 5," he says, "we had a platter of eggs on the table, a bowl of gravy, ham, bacon – all of it came from the farm. I guess this whole group is striving to get back to those old days."

In other words, there are larger social and cultural meanings in our relationship to food. Food has the power to affect our health as whole persons, not just as animals. If all we eat is processed food, shipped to us from factories hundreds of miles away, are we losing an important part of our culture?

Karp stresses the idea of connection to farmers, to those we share meals with, to the food itself.

"I think it’s part of my human nature to have a relationship with the food that I’m buying, eating, preparing, with gratitude," she says. In the joyful acts of cooking and sharing food, she says, there are benefits that are almost spiritual in nature.

Karp likes to buy her food at groceries like Integral Yoga and Whole Foods Market, and she also frequents farmers’ markets, where she values the chance to directly interact with those who produce food. She believes more and more people are becoming interested in buying food from sources besides conventional supermarkets.

Solem and Coles agree: "How can you compete with a farmer who just picked a fresh pepper that morning and takes it right there?" Solem says.

Instead of focusing on unattainable dreams of wiping out conventional agriculture, however, VICFA members say they are simply interested in providing an alternative. "We aren’t saying that agribusiness shouldn’t exist, because how else are you going to supply cities?" Coles asks. Indeed, a total return to the pastoral utopia for which Bolton pines seems unlikely in light of the breakneck pace of growth in Albemarle, which often causes farmland to be parceled into subdivisions. Karp, too, realizes that change happens incrementally, and many people don’t have the luxury of making the same choices she’s made. "I love the smaller scale of things, but I’m not in a huge metropolis with three hungry children working an eight- or nine-hour day."

 

 

The issue of choice, finally, may be the crucial question. Coles says that many of his customers at the farmers’ market specifically seek unpasteurized cheese, in part because they prefer its taste.

Sonia Fox of Charlottesville is one such customer: "Their cheese is delicious, and that’s a primary factor. It actually tastes a lot like the fresh cheeses in France," she says, adding "I prefer to use raw [unpasteurized] milk products whenever I can because they’re more easily digestible."

If Coles is no longer permitted to sell his cheese to Fox, he – and VICFA – believe the rights of both parties have been violated. Nationally, the debate over irradiation and genetic modification often focus on choice, too. Critics of the practices say consumers have the right to know – via prominent labeling – exactly what processes their food has gone through.

The exception VICFA wants to insert in the milk regulations would require small farmers to declare their products uncertified and uninspected, so that customers can decide for themselves if they’re willing to risk the purchase. Beers says that, so far, during the public comment period on the proposed milk regulations, the only comments his office has received are from those who oppose regulation.

McEwan, though, is skeptical of exempting small farms, saying there has to be some recourse if health problems do occur. "I think people like buying from that local person and like that intimate relationship, but if they had a serious problem, they would want to feel like they could go to some responsible party."

Solem counters that small farms have already proven themselves to be safer than their industrial counterparts, and says that money, not a concern for public safety, is behind the increase in regulations.

"The real reason is that big business has got a real foothold in VDACS," she says. The lines are still long at conventional groceries, but Solem and Coles believe that the growing interest in alternative food sources is threatening to large-scale producers.

Karp says it’s unfortunate that trends in food, like so much else, ultimately boil down to money, but she’s interested in working within the existing model to effect change.

"Capitalism has given and developed some incredibly wonderful things, but there has to be the balance," she says. "You’re not going to turn the whole country into people who support small farmers and want organic, but I think there has to be room for this variety."

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On thick ice

Full-body Spandex suits, skates with weapon-like blades, Bonnie Blair and maybe Dan Jansen – this is what "speedskating" means to most of us. To some 15 members of the Blue Ridge Speedskating Club who show up at the Charlottesville Ice Park every Sunday morning, however, it means much more.

It was not an easy task for BRSC founder and president Suzanne Coffey to launch the club last April, yet she and other members have put together a group that serves people who want to master things like basic body position or "stroke recovery," as well as those more experienced skaters who want to perfect their "forward power slide" technique.

The idea came to Chicago native Coffey during the Salt Lake City winter games. As the craze of short-track speedskating, headlined by American speedskater Apollo Ohno, took glancing hold nationally, Coffey decided Charlottesville could support it, too.

"We’ve got some kids who want to go to the Olympics, and I have come to view this as sort of a ministry," says Coffey, a chiropractor at Community Chiropractic Health Care. "I am here to help and mentor these kids."

A national speedskating organization got her lined up with David Kennedy, the president of a regional speedskating association. Kennedy and American Olympic speedskater Nathaniel Mills taught a coaching clinic for Coffey and new BRSC members in June.

Now entering their seventh month as a club, 15 or more BRSC members meet on the ice every Sunday. While preparing for their first competition (October 26 at the Richmond Ice Zone), the group was " just looking to get [its] feet wet…or cold," says Coffey.

Bill Randolph is a self-employed consulting engineer by week and and a BRSC skater by weekend, but he’s had an addicting taste of what professional training in these parts can mean in the sport. "Young speedskaters have so much access to world-class athletes," he says. "It’s as if youngsters went to a football clinic taught by NFL all-stars. You don’t get that kind of access everyday."

Merely a decade ago, of course, Charlottesville barely had access to ice everyday. The ice park, which was born of the tempestuous partnership between developers Colin Rolph and Lee Danielson, opened in May 1996. Speedskating – and some of its Northern cousins like hockey and figure skating – are all in their infancy here. Yet speedskating may have been launched with the highest early profile.

Coffey has skaters in the place now ranging in age between 12 and 50, and even that doesn’t satisfy her ambition to have broadcast networks one day run a story about the small Olympic skating village of Charlottesville.

Next on her list: at least 30 crash pads for the walls of the Ice Park. (Are you listening, Mr. Rolph?)

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Uncategorized

The starting block

The Beltway sniper was not, as many talking heads predicted, an international terrorist or a Marilyn Manson fan. The prime suspect, John Allen Muhammad, is a Gulf War veteran. His sidekick, 17-year-old John Lee Malvo, seems to be a lost youth who followed the wrong role model.

Malvo’s case may be extreme, but it is not uncommon for children to get lost by social service programs, only to be found later by the criminal justice system. Virginia’s budget crisis is prompting many cuts to local social service programs, and opponents warn such cuts may cost the Commonwealth in the long run. It’s cheaper, they say, to counsel troubled children now than detain law-breaking adolescents later.

On Saturday, November 2, the Charlottesville-Albemarle Commission on Children and Families and UVA’s Weldon Cooper Center held a forum called "Our Nation’s Kids: Is Something Wrong?" Leading up to that, CCF director Saphira Baker talked with C-VILLE Senior Staff Writer John Borgmeyer about helping kids on a shoestring budget. An edited transcript of that interview follows.

 

John Borgmeyer: The forum’s title poses a challenging question. How would you answer it?

Saphira Baker: The question is a provocative one. I think the answer is not that there’s something wrong with the children, but that we could do a better job building a strong community for them to thrive. Charlottesville is not Baltimore or New York City – it’s a place where people come to raise kids, and there are all kinds of examples of how strong we are, but some kids haven’t been able to get off the starting block as quickly.

 

In your experience, does a child’s success come down to economics?

No. I think problems of alcohol and drug abuse cross all economic lines. Finding positive alternatives for young people so they don’t feel like the most exciting thing to do is drink a six-pack is a challenging thing for all of us. Forty percent of kids on juvenile probation in Charlottesville and Albemarle came from homes where they see violent arguments between adults. They have drug and alcohol abuse in almost half of these families; and 42 percent have siblings or parents who were in the criminal justice system before.

I don’t think income has to be a barrier, but it can be if there’s less energy and resources in the household toward academic enrichment or volunteering, or other things we know are important to kids’ development. When you look at the kids who are passing the Standards of Learning tests and those who are not, kids from low-income families are not doing as well.

 

How do you begin to solve these problems?

These are not problems that can be solved by government. They need active residents, employers, businesses and banks who see the well-being of all the community’s children as critical.

Part of what we were thinking for the forum was, "Let’s get more folks coming to talk about these tough issues that, honestly, human service agencies can’t solve on their own." For example, if a bank decided to give every kid an internship who wanted one, if that came out of the forum, that would be huge. It’s about being open to creative solutions.

 

I guess you have to be more creative now that the State is cutting funding for social services.

It is clear that these mental health, domestic violence and drug treatment programs are being systematically reduced as we go into deeper budget cuts, with more on the table in December. At the same time, many residents are experiencing lay-offs or stagnant salaries, increased rental rates and property taxes. These kind of short-term State budget savings will save immediate dollars at the expense of the well-being of low-income and needy residents, and that is frightening.

We spend an extraordinary amount locking kids up and putting kids in psychiatric treatment, but it’s expensive and difficult to take somebody out of detention and return them to the community as an engaged citizen. It’s harder than if they’re 6. The good news is that the presence of a consistent, caring adult can make a huge difference in a child’s life. It doesn’t have to be a parent. It can be a mentor, a friend, anyone who respects them and has high expectations of them. If kids have that, they’re way more apt to do better than a kid who is moving through broken homes and wondering, "What about me?"

Categories
News

Ballot Stuffing

In case it escaped your notice, there’s an election scheduled for November 5. We don’t blame you if you’ve been out of touch on this subject. Even dedicated pols might find themselves bored by a campaign season that features empty platforms, absent candidates and geeky legislative reforms.

For instance, who is there to care about in the current U.S. Senate race? Virginia Democrats couldn’t even field a challenger for the 24-year incumbent, Republican John Warner. His independent challengers, lacking the financial backing of a major party, have had a tough time competing with the Senator, a longtime GOP darling.

Incumbency has also given 5th District Congressman Virgil Goode (R-Rocky Mount) extra traction against his Democratic challenger, Charlottesville City Councilor Meredith Richards. Goode enjoys closer relationships with deep-pocketed political action committees [see EXTRA page 9], and his "Aw, shucks" demeanor plays well in the predominately rural 5th District. So far, Richards’ campaign strategy has been to use Goode’s conservatism against him, criticizing his stance on abortion rights and environmental issues.

It could be a good strategy in liberal enclaves like Charlottesville. "I’ll be voting against Virgil Goode," says 41-year-old Pete Manno, flipping through a newspaper at the Blue Moon Diner a couple of weeks before the election. "I’m definitely anti-Goode."

Manno says he will also vote in favor of the two bond amendments on the ballot, which would permit the General Assembly to borrow money for parks and for capital projects on college and university campuses. UVA officials have gone to a lot of trouble to promote the bond referendum, saying that although there’s no real opposition to it, they fear the bond won’t pass simply because voters are unaware of it.

Manno says he’s "a little irritated" by what he calls UVA’s panhandling. "They own half the town, and they’re crying for money?" he says. But the school’s fears may be well-founded. While many of the diner’s Monday-night patrons said they will vote, they also professed unfamiliarity with the candidates or issues on the November 5 ballot.

One patron named Jessi says she’ll vote next Tuesday for "whoever’s strongest on the environment."

"But I don’t know the candidates," the 18-year old says. "Who are they? Tell us about them."

You asked for it. Here is the C-VILLE voter’s guide – all the information you need about what’s at stake on November 5. While we can help you make an informed choice, only you can get your booty off the couch. Stand up, Charlottesville, and cast your ballot. The guide begins on page 12 of this weeks’ C-Ville Weekly.

Categories
Arts

Eat to the beats

About 12 years ago, I had a twinkling of an inkling of what "Beatnik glory" might mean, of what it might mean to be singingly silly. I belonged to a jazz-and-poetry group started by Gregory Foster – formerly a cowboy, carnival worker, journalist, roadie for a famous jazzman, Miles Davis’ cab driver, Thelonius Monk’s chess partner, a high-school dropout, the best-read human being I have ever met, and just old enough to have been, authentically, a Beat poet and a bona fide member of the Beat generation. It was Foster who, having known the real thing in San Francisco and New York City, brought the jazz/poetry scene to Charlottesville. His way of reciting was the true Beat way.

Goaded by Foster, a group of us chanted and half-danced our poetry and jazz in night spots, prisons, coffee houses, in the street and the occasional ante-bellum mansion, culminating our "career" at the University’s Old Cabell Hall. Leroi Moore (eventually of Dave Mathews Band) and John D’earth were part of our group that glorious evening for which each of us received $17 in pure profit. Until recently, I preserved a huge cardboard prop we wielded onstage, a gigantic bottle of "poetry pills" that we pretended to pop as an anti-drug, pro-poetry message. ("Pop poetry, not pills!")

There were other healthy highs, sometimes touched with a bit of fear. Performing at a local prison once, I noticed that there was one among the inmates who was rigidly unsmiling, unlike the other men, who had welcoming smiles on their faces. He glared throughout our gig. I was terrified when he marched straight up toward me. Instead of attacking, he shook my hand and said earnestly, "If I could have learned to express myself like you people, I would not be here now!"

The high point of our benevolent bad taste was probably the somewhat problematic "marriage" ceremony we performed at the Eastern Standard nightclub Downtown. Well, we married two American myths, convinced that aspects of American culture desperately needed togetherness. I confess it: we married Elvis Presley to Emily Dickinson! We paraded their icons around, recited their words to music, extemporized a wedding ritual – and, now they are married in Heaven. If they have since got divorced or separated, I have not heard about it.

Of course, all this was but the shadow of Beatnik glory in its prime, but we did have the beatific guidance of our own Whitman, Foster. We pretty much avoided the flipside of Beatnik glory – Beatnik sordidness. We got sore occasionally, but not too sordid. We did belong for a brief while to "the family of friends" the Beats advocated. And perhaps we felt a little of Allen Ginsberg’s "supernatural extra brilliant intelligent kindness of the soul."

And then, in 1998, two Beat American myths entered unto Charlottesville to be part of our vertiginous Virginia Film Festival, which that year explored the concept of "Cool." Ed Sanders, poet and leader of the hilarious Beat rock group The Fugs and priestly Diane di Prima were both the essence of cool and very, very hot. Once Queen of Poverty in Greenwich Village, famously loyal to love and poetry, di Prima now looked regal. She read her poetry magnificently, accompanied on the piano by the great Beat composer David Amram. We shared some amiably alchemic chats under a mural of a supernatural fish at a local Japanese restaurant. She gave me a Tibetan Buddhist blessing and I was presumptuous enough to give her the blessing of Bastet, the Egyptian cat goddess (although for the most part I am a follower of the Shekinah). What moved me enormously was when she dropped her cool before two photographs in a display of Beat Generation photography I had mounted at the then Bayly Art Museum. The first photograph showed Jack Kerouac literally inundated with excited groupies, a sea or wave of flesh. Hesitantly, I asked her if, indeed, as she related somewhat pornographically in Memoirs of a Beatnik, she had simultaneously taken to bed one strenuous but gleeful evening Jack Kerouac, Ginsberg , two ballet dancers and a number of other Beat writers.

In a priestly manner, she assured me that that part of her memoir was accurate, but then we came to an image of real love and pain. I was shocked to see her weep before a photograph of herself and poet LeRoi Jones (now again-controversial Amiri Baraka) sitting together in a well-known tavern.

She had had a child by Baraka, then married to the poet Hettie Jones. Baraka hated white people, women, Jews, Christians, non-Marxists, middleclass Blacks, Americans. To say the least, their love could not last. Di Prima, strong and inspired, wept before that photograph. Beatnik glory, Beatnik sorrow.

In her intoxicatingly beautiful recent memoir, Recollections of My Life as a Woman, the violence-hating di Prima mentions casually appalling things about her relationship with Baraka – things even more frightening to think about nowadays. But she merrily and courageously bore many children to many people and sustained many eccentric friends and lovers. Moreover, nobly wrote her own work and printed the work of her friends with the highest and loveliest of Romantic ideals. In the midst of Beatnik poverty, she constantly upheld the Platonic and Keatsian identity of beauty, truth, and goodness.

Di Prima says: "Beauty is Truth…we took refuge in that place…To be an artist: outcast…and explorer…Pushing the bounds of …the humanly possible, the shape of a human life. Continual allegory."

Of a woman’s life, pushing the limits.

Opening endlessly to the image, words. The rhythm or pattern, sound – the vector swiftly drawn in the dark. And fleeting as lightning….

It wasn’t just the work, though the work was clearly blessed. Nor was it the rewards, which were none, as far as we knew. It was the life itself: a calling to the holiest life that was offered in our world. An artist.

Continual offering of our minds and hearts. Offering impersonally our most personal passion…What comfort we could give, and give each other. This beauty. Compassion disguised as aesthetics."