Categories
The Editor's Desk

Mailbag

Sing along, everyone

I am Uriah J. Fields, the person mentioned by name in Kathryn Bertoni’s letter to the C-VILLE Weekly [“’Baritone’ off base,” Mailbag, July 6]. In the letter, she pointed out that in the article “Busted baritone” [Ask Ace, June 22] the journalist wrote disparagingly of and indicted the nearly 90 vendors doing business at the Charlottesville City Market as though they disapproved of me singing at the City Market, and did en masse account for me having been escorted by the police off the premises of the City Market. She indicated that these vendors, perhaps with a few exceptions, didn’t mind me singing, and encouraged me with hearty “Amens!” Bertoni is so correct. I experienced the vendors as being appreciative to me for my sharing and they eagerly let me know that by their various goodwill responses.

 I feel that the Ask Ace journalist had the best of intentions and a desire to present the true story about what happened at City Market on May 29. I am equally convinced that this journalist, like myself, applauds the businesspeople during business at City Market and wishes for each of them a profitable summer.

 I want to acknowledge that Bertoni’s point is well-taken and she rightly pointed out that most of the vendors were empathetic to my troubadour rendering at the City Market. Her complaining is definitely in order and I commend her for sending a powerful letter to the C-VILLE Weekly. Furthermore, the letter demonstrates just how important it is to have in the marketplace of information different views, even conflicting ones, as we seek to know a fuller truth, particularly about a specific matter. Again, thank you Kathryn.

 Let me close by saying to Ask Ace, regarding his closing statement, “cream cheese vendors be damned,” and to Bertoni regarding her closing statement, “snobby, condescending, so-called journalists be damned,” that my desire for you both is not that you be damned but that you be blessed. And, I just know you will be blessed and be a blessing.

 

Uriah J. Fields

Charlottesville

 

Pressing politics

While I have never tried Al Weed’s wine, I can say from personal experience that he is in fact a “great guy” [“Red, red wine,” Ask Ace, July 13]. I can also say, given his experience as a leader in the Nelson County community and in our armed forces, that he will make a great representative for the 5th District.

 While his opponent, Virgil Goode, is keeping himself busy with a bizarre amendment to make English the official language of the United States, Weed is concerned about more important issues, such as national security, unemployment, the environment… and the quality of public school lunches.

 So if you think that Weed’s wine is not all that great, then let him do in Congress what he has been doing all along: working for the 5th District.


Dan Kachur

Charlottesville

 

 

CORRECTIONS

The URL for the Paramount Theater was incorrect in last week’s story, “Places, everyone.” The correct Web address is www.theparamount.net.

 

The photo of DJ Mike Brie in last week’s cover story was credited incorrectly. It was taken by Aaron Landsman.

Categories
Uncategorized

News in review

Tuesday, July 20
Red tape for Capshaw

County planners today voted on early language for the Fifth Street/Avon Street development, a 90-acre Coran Capshaw venture just beyond the city’s southern border. Planners rejected a request from Capshaw’s team to designate the space a “regional service” area, voting 5-2 for language that instead stresses community- and neighborhood-based mixed-use development. The rejected designation would have allowed larger-scale commercial development. A key discussion point among planners was the size limit for a big box. During the meeting, Susan Thomas, a county staffer, stressed that the recommended max of 130,000 square feet for a big box is roughly the same size as the Wal-Mart on 29N.

 

Wednesday, July 21
Empty seats at Clark

When today’s deadline arrived, the families of 38 Clark Elementary School students had applied to send their children to other city schools. Two of the students could not be placed in their first choice transfer school and will instead remain at Clark, their back-up choice, says school administrator Robert Thompson. Clark students were given the option to attend another school as a result of the school’s inability to meet standards set by the federal No Child Left Behind policy. The transfer requests represent 12 percent of Clark’s student body of about 320, a lower rate than the national school choice average of 15 to 20 percent.

 

Thursday, July 22
Westside story

The Daily Progress today printed mug shots of nine local black men above its lead story on a federal drug trial. The men have been charged with crimes relating to a drug ring called “The Westside Crew” reports Liesel Nowak in the story. Beginning in the mid-’90s, the gang allegedly dealt drugs and committed violence in and around the 10th and Page and Westhaven neighborhoods. According to Channel 29, the nine men were arrested last Thursday and Friday. Two other men were charged with related crimes, but remain at large.

 

Friday, July 23
Less civil in Richmond? No way!

The UVA Center for Politics, Larry Sabato’s shop, today hosted a conference onthe recent history of the General Assembly. The topic of camaraderie, or lack thereof, was on the agenda at the conference, which was held at the Richmond Marriott. Two veteran lawmakers, Sen. John Chichester and Del. Vincent Callahan Jr., said during a panel discussion that increasing partisan tension has squashed much of the mingling between Democrats and Republicans, reports Bob Gibson of The Daily Progress. But in the spirit of the recent session where lawmakers couldn’t agree on much of anything, House Speaker William Howell begged to differ, claiming that he had not seen a decline in camaraderie in recent years.

 

Saturday, July 24
Lobbyists pick up the tab

State lawmakers can’t blame testy relations on lobbyists, who are doing all they can to keep delegates and senators happy. According to a report in today’s Richmond Times-Dispatch, lobbying expenses during this year’s session topped $13.6 million, easily shattering the previous spending record of $12 million in 2001. Lawmakers dined at swanky Richmond restaurants, traveled to pro and college football games and went on hunting trips, all on lobbyists’ tabs. The Times-Dispatch reports that Dominion Resources was the big spender this year, with the Virginia Hospital & Healthcare Association running second.

 

Sunday, July 25
Defense cash coming to town

The $416.2 billion defense bill for FY 2005 passed Thursday by the Senate and House, includes $6.8 million for Sperry Marine/Northrup Grumman, WINA today reports. The money is for an integrated system for the bridges of Navy ships. More federal defense funding was earmarked for UVA researchers to help find a way to bring intravenous fluids to wounded military personnel. The massive funding bill has been sent to President Bush for his signature.

 

Monday, July 26
Locals hit Beantown

Among the primetime speechifying at the Democratic National Convention, which kicks off today in Boston, is a prominent Thursday night slot for Virginia Gov. Mark Warner. In writing about the centrist hotshot Democrat, The Washington Post speculates that Warner could receive a Cabinet position or an ambassador gig if Kerry wins the election. Warner has been joined for the hoopla in Boston by a team of delegates that includes Lloyd Snook, Charlottesville party chairman, and Albemarle Democratic Chairwoman Charlotte Dammann. Among the hordes of journalists attending the events in Boston is local political maven and website editor George Loper, who is toting his digital camera and C-VILLE Weekly press credentials.

 

Bloated budget blues
O’Connell predicts belt-tightening

The charts told a dire story. Beginning in 2005, the city’s projected expenses will eclipse projected revenues, putting city government in the red by $7 million by 2010.

 “The bottom line,” Charlottesville City Manager Gary O’Connell intoned to City Council on Monday, July 19, “is that we project a future financial gap.” There is, however, some fine print—O’Connell based his forecast on the pessimistic assumption that Charlottesville’s real estate assessments would rise by only 5 percent annually. Real estate assessments have grown by more than 10 percent annually during the past three years. Thanks to that real estate boom the City has weathered increased demand for social services, even as the state has slashed its budgets. But the assessment gravy train has to stop somewhere, O’Connell warned. “We can’t continue to rely on double-digit real estate assessment increases and tax and fee increases to balance the annual budget,” O’Connell said. “We need more balance in our revenues.” The City’s budget has increased 83 percent in the past 10 years, largely driven by increased public demand and decreased state support for police, courts, jails and social services—what Councilor Kevin Lynch called “the costs of poverty.” “It’s a function of our position in Central Virginia as the affordable housing and

service provider of choice,” said Lynch. “We have a really big stake in trying to get the next generation of Charlottesville out of poverty.” A laudable goal, but not exactly a business plan. The more plausible—and more controversial—strategy is cutting the budget. “Everything is on the table,” O’Connell says. While O’Connell’s forecast seems bleak, money problems are nothing new for City Council. In the early ’90s, doom-and-gloom charts spurred a failed movement to revert Charlottesville to town status. Since then, Council has tried to raise its tax base by coaxing more middle-class residents into the city.

A desire named streetcar

Now that former Mayor Maurice Cox is off Council, he’s found a hobby to keep him busy—bringing streetcars to W. Main Street.

Last year, Cox organized a “transportation summit,” inviting urban design experts to diagnose Charlottesville’s mounting traffic congestion. Some suggested that as new apartments spring up between UVA and Downtown, a streetcar could help new W. Main Street residents get around the city without a car.

“I’m absolutely convinced that a streetcar is the next big thing,” says Cox, who contacted C-VILLE about this story.

He figured that a streetcar wouldn’t fly without a massive education campaign—but now that Cox is off Council, he can’t drum up public money for studies. So he turned to the nonprofit sector. Cox rallied the local Alliance for Community Choice in Transportation (ACCT) to apply for grant money to rally public support fora streetcar.

In April, ACCT received about $100,000 from the Blue Moon Fund, a local offshoot of what used to be the W. Alton Jones Foundation. The two-year grant will be used to bring Fairfax-based transportation consultant Roger Millar to Charlottesville. Millar, a 1982 UVA grad, developed Portland, Oregon’s $57 million, state-of-the-art streetcar system in the mid-’90s.

Millar told C-VILLE he’ll do “a very conceptual kind of feasibility screening” when he visits Charlottesville August 2 to 6. “If something like the Portland streetcar system were to happen in Charlottesville, would it work?”

ACCT president Susan Pleiss says they will also use the grant to organize a “friends of West Main” group, a coalition of yet-to-be-named UVA bigwigs and business owners, who have a stake in the road’s redevelopment and sway with City Council. The Blue Moon grant will also pay for public meetings, and, in October, ACCT will send about 20 city and UVA officials to Portland, and Tacoma, Washington, the only two U.S. cities with modern streetcars.

Millar says the Portland streetcar happened because it had supporters with ties in both business and politics. Cox hopes to play such a cheerleading role in Charlottesville.

“We’re hoping to have hundreds, if not thousands of citizens well-versed and knowledgeable about streetcars,” says Cox. “They’ll give the elected officials the mandate to proceed.”

UVA student housing developer Rick Jones says traffic on West Main is “pretty awful right now, and getting worse.” He wonders how a streetcar would be different from the current free trolley, but Jones says he could support a streetcar if the City showed how it would help move people and ease congestion. “It sure doesn’t look like they’re going to build any roads,” he says.

We can’t make this stuff up: On Tuesday, July 20, Council met in a worksession to further one of David Brown’s first mayoral priorities—restoring civility to the dais. The meeting ended with a rancorous exchange between Councilors Blake Caravati and Rob Schilling. Caravati left early, but not,he insists, in a huff. “My wife demanded my presence,” Caravati explains.—John Borgmeyer

Station to station
Moving our garbage to Amelia County

The average person tosses about 4.4 pounds of garbage per day, according to the U.S. Environmental Protection Agency. With 1,500 new residents moving here annually, we could have an extra 2.5 million pounds of trash to contend with each year.

But with the 2001 closing of the landfill in Ivy, there are no active landfills in Albemarle or Charlottesville. Local trash is currently being shipped elsewhere, much of it being hauled by tractor-trailers to a landfill 50 miles away in Amelia County.

Charlottesville pays Waste Management, the nation’s largest waste company, to collect its curbside trash. Together with recycling, which is collected by BFI, Charlottesville pays $1.27 million each year for trash hauling.

The Rivanna Solid Waste Authority (RSWA), a nonprofit agency partially funded by the city and county, handles the rest of the area’s trash and recycling. RSWA owns a waste transfer site in Ivy and contracts for the use of a second, busier transfer station near Zion Crossroads in Fluvanna, about 18 miles west of Charlottesville. At the transfer stations, city and county garbage is compacted, loaded into 45-foot long trailers and then shipped off to landfills.

Thomas Frederick, RSWA’s recently hired executive director, says RSWA has handled a “generally increasing” amount of trash during the past three years. The bulk of the increase is being felt at the Ivy facility, where RSWA is expected to receive and compact 31,300 tons of waste in the year prior to July 1—a 32 percent jump from the previous year. “

There are a number of days that we handle more waste than we were originally intended to handle,” Frederick says of the Ivy transfer station, which is a stone’s throw from the former Ivy landfill. However, he says that although the facility occasionally gets more than the 150 tons per day for which it was designed, he says it could deal with spikes of up to 300 tons of trash in a day. On a recent muggy morning at the Ivy transfer station, a giant green Waste Management trash truck backs toward the compactor area. The stench emanating from the truck, though not overpowering, has a pungent, almost sweet smell, like rotting fruit. The truck lifts the front end of its trash compartment and dumps its load onto a conveyor belt at the bottom of a large metal receptacle. With some prodding from a small Bobcat bulldozer, the white trash bags and other goo-laden items then travel uphill on the conveyor belt and are dropped into the compactor, where they are compressed for loading into a trailer.

Mark Brownlee, manager of RSWA’s Ivy operations, says large trash trucks like the one doing its business at the transfer station right then hold 10 to 15 tons of trash. Eight to 15 trash trucks unload at the Ivy yard everyday, Brownlee says.

RSWA weighs each truck traveling to and from the transfer stations, charging $61 per ton of waste dumped at Ivy and $57 per ton at Zion Crossroads. But despite having raised these prices in recent years, RSWA will need about $1.9 million from Albemarle and Charlottesville to make ends meet in FY 2005. “

It’s a lot more labor intensive than it was to bury it,” Brownlee says of compacting and shipping local trash.

When RSWA was still burying trash at Ivy, the organization was indeed self-sufficient. But, with serious contamination problems at the former landfill—a multimillion-dollar clean up is underway—it seems unlikely that the Ivy landfill will accept trash again anytime soon. Prospects for a new landfill among Albemarle’s pricey real estate seem highly unlikely as well. “

There are a tremendous amount of issues that go into where landfills are sited,” Frederick says. “Public acceptance is much more difficult than it was 30 years ago.”—Paul Fain

Categories
News

In limb-o

A: Michelle, Ace understands your concern. It’s not unusual for us humans to get attached (sometimes unhealthily) to our verdant friends. Consider Julia Butterfly Hill, who lived in her pet redwood, “Luna,” for two years out in California to protest logging. But while Butterfly Hill may have been crusading on the behalf of a 1,000-year-old redwood, the case is a little different when it comes to a 50- to 75-year-old cedar that is on its last limbs anyway.

 Just ask Bill Letteri, chief of facilities for the city, who is the man with the plan when it comes to the east end of the Mall’s renovations. According to him, neither a small nature preserve surrounding the tree nor eco-friendly architecture that makes way for treelings makes much sense. Says Letteri, “We…have had a tree expert look at that tree [and it’s] near the end of its life.”

 Letteri and his team explored the possibility of having Wallace, Roberts & Todd—Philly-based architects in charge of the multimillion-dollar transit center set for construction where the cedar currently stands—build around the tree, only to conclude that, regardless, the already ailing cedar would not survive the upheaval of construction. “There’s just no easy way to work out the grade such that the tree could remain and survive. It’s a very old tree,” Letteri explained.

 The east end’s makeover is slated to begin in October with the redirecting of utilities, followed by the extension of the Mall and improvements to the amphitheater. Everything should be completed by May 2005. The transit center will follow, says Letteri, and be ready to accommodate buses and such by early spring 2006.

 Rest assured, though, my little Ms. Branch, Letteri also promised Ace that, come planting time, a new generation of seedlings will take root in and around the amphitheater and proposed transit center. WRT has also been entrusted with the landscape design of the area and instructed to maintain consistency in regards to species when planning out the new plantings.

 “We are going to be consistent in use of materials that we use along the Mall,” says Letteri. Unfortunately for cedar fans, that means that most likely maples will be the tree of choice since that’s the species that predominantly lines the rest of the Mall.

Categories
News

Five-card STUDS

Game on
 “Oh no!” Twelve-year-old Reid stares at the television in dismay. An Atlanta Braves batter has jacked a pitch deep into the left-center power alley. Reid holds his breath, watching the white dot arc toward the stands…then he sighs, relieved, when the ball plops into the mitt of a Boston Red Sox outfielder.

 “Reid, you need to get your bags packed for the trip tomorrow,” says his father, Cleve. “Do it between innings, O.K.?”

 The backyard of Cleve’s Ivy home resembles an athletic complex, with a paved basketball court, a batting cage and a lacrosse goal. For rainy days, there’s a ping-pong table, wiffle bats and Nerf footballs in the garage.

 Tonight, however, Cleve, who requested his last name not be published, is leaving the kids at home to enjoy some playtime for himself. He pulls a half-full bottle of Maker’s Mark from his kitchen cabinet, and a bottle of Seagram’s ginger ale from the refrigerator. It’s Friday, it’s poker night, and the game is on.

 Cleve plays poker about twice a month. He’s a regular in two different games—one he dubs the “Farmington” game, because most of the regulars belong to the Farmington Country Club in Ivy. Tonight, however, is the “Boar’s Head” game, or, as the group is officially known, “The Ivy-White Hall Poker Society and Shit Talker’s Club,” or simply “Trash Talkers.” Cleve winds his Toyota SUV through an Ivy subdivision and pulls into a driveway, where tiki torches flame next to an open garage converted, for this evening, into a casino.

Bettor living
Cleve and his fellow Trash Talkers are among the estimated 50 million to 80 million Americans who play at least one of the myriad forms of poker—more people than play baseball and softball combined. Television executives, too, have discovered poker’s allure: ESPN televises the five-month World Series of Poker Tournament, while the Travel Channel also airs high-rolling games on its “World Poker Tour” series. On Bravo, you can watch B-grade celebrities bluff and call for charity on “Celebrity Poker Showdown.”

 With legions of players, celebrity cachet and a foothold in the marketplace, poker is a truly national pastime. Poker even has an Internet presence. Thousands of players compete on sites like Partypoker.com, where a $50 deposit allows you to saddle up to virtual tables or compete in big-money tournaments. Last year’s WSOP champion, Chris Moneymaker (yes, his real name), turned a $40 deposit on Pokerstars.com into the WSOP’s $10,000 entry fee.

 Local poker enthusiast Josh Stafford says he’s up about $6,000 in the past four months on various Internet poker sites.

 “I play because I can win. I like winning,” says Stafford, an engineering graduate student at UVA. “In a huge tournament, with 1,000 people in it, you get into the top 100 players and the top prize is enough to buy a BMW…that’s excitement.”

 But it’s not just about money. “If I want to win money, I play Internet poker. If I want to have a good time, I play live poker,” says Stafford.

 Poker also touches on a completely different component of the American Dream, one that the middle-aged, mostly married men who make up the Trash Talkers are more interested in pursuing one Friday a month—sitting around a fold-out table, catching a beer buzz in a suburban garage filled with the sweet stink of cigars and the strains of classic rock, telling off-color jokes and littering conversations with “man,” “dude” and the f-bomb.

 When there are games to be played, trash to be talked, and nary a spouse or child in earshot, who cares so much about the money?

Call of the wild
Poker’s mainstream appeal reflects the Wild West aura still surrounding the game—yet in Charlottesville, gamblin’, cussin’ and drinkin’ remain taboo enough that the doctors, psychologists and real estate brokers in the Trash Talkers, like Cleve, prefer to be identified only by their first names.

 Tonight, it’s Mike’s turn to host the Trash Talkers. Nicknamed “The Chef,” Mike prepared for tonight’s game by pulling his car out of the garage, and setting up a circular folding table surrounded by two desk chairs, three folding chairs, a camping chair and one of the wooden chairs from his dining room. He turned on the Christmas lights covering one wall, and tuned a dusty boombox to 3WV’s “All-American Weekend,” which is blasting the Doobie Brothers’ “Rockin’ Down the Highway” as Mike lights a huge Dunhill Esplendido cigar while the players trickle in.

 First to arrive is Flip, who organized the Trash Talkers game three years ago, and who occasionally types up “minutes” the night after a game, for regulars who couldn’t make it. “Shit talking, cigars and beer have been integral from the beginning,” he says. Flip comes with a cooler of Budweiser, wearing a Trek bicycle cap and a fanny pack holding plastic sunglasses, which he dons when the action gets hot.

 “Sunglasses help minimize the ‘tells,’” says Flip, “like when your eyes get big with a good hand, or when you look like you want to cry.”

 Another regular Trash Talker, Chris, brings comic relief instead of beer. “Wow,” he says, as the mellow strains of “Comfortably Numb” come through the speakers. “Just listening to Pink Floyd makes you feel stoned, even though you’re not.”

 Kevin, co-founder of the Trash Talkers, looks boyish with his Red Sox cap covering his crew-cut red hair. He’s wearing Teva sandals and jean shorts, and the red vest over his white t-shirt is pinned with a button that reads “Repeal the 19th Amendment.” Susan B. Anthony—and, presumably, Kevin’s wife—would not be proud.

 He passes Cleve a black Dominican cigar called an Onyx, which Cleve ignites with a butane Pocket Torch. “Cleve, you’re the dude. You’re the man,” says Kevin.

 Cleve is, indeed, the man—at least on the first hand. Pale ales and Budwiesers have been cracked and carefully placed on napkins, to keep the cards from landing on wet spots. The whiskey is poured, the cigars are smoldering, and the players have traded wads of dollar bills for blue, white and green chips, each worth a dime.

 The game is straight seven-card stud. Each player places an ante, a minimum bet required to join the game, and is dealt three cards—two face down, one face up. Then there’s a round of betting, during which each player decides whether to call the bet, raise the bet, or fold. Players who stay in the game get three more cards, each face up, and each followed by another round of betting. The seventh card is dealt face down, followed by a final round of betting.

 After the last card is dealt, Mike reveals a pair of jacks. Cleve shows three sixes, yet he wears a rueful expression as he rakes in $9, about a third of the typical Trash Talker pot.

 “Rule No. 1—never win early,” Cleve says.

Chips ahoy!
The lure of riches, the rush of making a nerve-shaking wager with crossed fingers and an educated guess, knowing that only the strongest (or best liar) will survive, with nothing for the rest—it’s the story of generals, stock traders and baseball managers, and it’s sure to outlast the run of “Celebrity Poker Showdown.”

 The history of poker is murky, but poet and author James McManus includes a fascinating summary in his 2003 book Positively Fifth Street, a must-read for any poker enthusiast. Long story short, French soldiers brought a three-card bluffing game called poque to New Orleans around 1820. As it spread North on Mississippi riverboats, “pokuh” quickly replaced three-card monte as the most efficient method (aside from pistols) from separating suckers from their money.  

Please allow me to introduce myself/ I’m a man of wealth and taste…

 “Great song,” says Flip, mumbling the lyrics along with Mick Jagger.

 The game has switched to a version of Midnight Baseball, in which the players with the highest and the lowest hand both win and split the pots. Fittingly, it’s near midnight. The coolers are nearly empty, the stogies have burned down to dark nubs and June bugs crawl through the dollar bills in the middle of the table. Flip finally pulls his sunglasses from that fanny pack and slips them on over his regular spectacles.

 “The basic strategies and advice I go by now is to play honestly, but to learn

other players’ tells, and use that against them as mercilessly as possible.

 “My other rule of thumb,” says Flip, “is to never tell my wife how much I lose, but to take my family out for brunch…most of the time…when I win.”

 Most experienced poker players have an “easy come, easy go,” attitude about money. It’s a prerequisite for this game, where fortunes rise and fall.

 “It’s a gentleman’s game,” says Cleve. And that, to him, seems the most important thing. No matter how hard people compete for individual glory, the games won’t last without enduring friendships.

 “The only thing worse than losing,” says Flip, “is being out of the game.”

 

Poker pics
Ante up to these classic card scenes from cinema history

The Cincinnati Kid

Not rated, 102 minutes, 1965

Directed by Norman Jewison

This cinematic treatment of Richard Jessup’s novel, about an up-and-coming ’30s poker champ, benefited from screenwriting contributions by Ring Lardner Jr. (M*A*S*H) and Terry Southern (Easy Rider). However, it’s the film’s stellar cast, along with a gritty narrative and stylized direction, that makes The Cincinnati Kid the best poker movie ever. Hotshot poker player Eric Stoner, a.k.a. “The Kid” (Steve McQueen), goes up against old-guard poker master Lancey Howard, a.k.a. “The Man” (Edward G. Robinson), in a marathon game of five-card stud that will decide if The Man will be replaced. Roguish Rip Torn plays Slade, a spiteful local tycoon with a vested interest in seeing Howard beaten after being “gutted” in a poker game by The Man.

 The film’s characters are clearly defined by their actions leading up to the final poker scene so that we comprehend Stoner and Howard as serious poker competitors who view money as a tool to poker as “language is to thought.” When the final hand is played, Stoner has cleverly quelled Slade’s attempt to fix the game in his favor with a cheating dealer (Karl Malden), and has worn Howard down in spite of The Man’s various attempts to psyche him out. McQueen and Robinson exhibit perfect poker-faced control in the scene as they each go “all in” with the makings of a full house against a straight flush. The big poker lesson here is that “sometimes the cards fuck you.” Neither Hollywood nor poker gets any truer than that.—Cole Smithey

 

The Sting

PG, 129 minutes, 1973

Directed by George Roy Hill

Probably the best-acted poker scene you’ll find anywhere, and one of the longest. The game is the centerpiece of a vignette title-carded “The Hook,” one of the critical puzzle pieces in David S. Ward’s elegantly complicated screenplay. Paul Newman’s con man Henry Gondorff has to lure mob boss Doyle Lonnegan (Robert Shaw) into losses so big they inspire a vendetta. But, in a nice wrinkle, the object of the game is more than just to win the dough, it’s to get Lonnegan so pissed off that he cheats.

 Among poker scenes, this one is unusual for its claustrophobia, as it takes place in the cramped confines of a railroad berth. The tight spaces let Newman stretch for glorious ways to protect his hand from prying eyes, real or imagined.

 But besides its beautifully realized conceit of cheating the cheater, the scene works because it pits two great actors against one another at the top of their form. Newman is pulling double duty here playing a character (Henry) who’s playing a character, a half-drunken bookie calling himself Shaw. This is Newman at his loose-limbed best, barking, obnoxious and entirely without vanity. And Robert Shaw is fully Newman’s equal here, wrapping Lonnegan’s fury and malevolence tightly inside the good manners and expensive suits demanded by the decorum of this “legitimate” game.

 The stakes for the character are as high as they can be—life and death, really. But Gondorff’s uproarious play-acting lets the scene be hilarious and harrowing and the same time.—Patrick Cribben

 

Rounders

R, 121 minutes, 1998

Directed by John Dahl

The showdown in Rounders between Matt Damon, playing a poker prodigy, and John Malkovich, as a Russian mobster, is like the culminating contest in any great sports movie—the underdog has an early, but minor, victory, gets beaten down severely, but finds a way to pull it out at the end. Of course, the game they’re playing, No Limit Texas Hold ’Em—the Cadillac of poker—lends itself nicely to such reversals of fortune.

 How does Damon do it? He wears his opponent down, “checking,” or passing, each time he is first to bet. Checking can be a sucker’s play, but sometimes, when you’re holding the nuts, it’s the best way to trap your opponent. You hope he picks up the card he wants and then makes the mistake of moving “all in” against you. The downside is, you risk winning nothing with your strong hand if your opponent checks back at you.

 Having studied his poker (earlier in the film, Damon’s character watches the World Series of Poker match in which Johnny Chan beats Eric Seidel in exactly that way), Damon boldly checks at Malkovich with what he knows is the best hand. Malkovich falls for it, moving all in, which leads to one of the more bizarrely articulated lines of any poker movie: “He beat me. Pay heem. Pay dat man his mon-eee.”—Paul Henderson

 

Quiz Show

PG-13, 133 minutes, 1994

Directed by Robert Redford

One of the best poker scenes of the past 20 years, and maybe the best, period, in a film not directly about cards, or casinos, or confidence men.

 Congressional investigator Richard Goodwin (Rob Morrow) has been sussing out the culpability of famous game show contestant and blueblood Charles Van Doren (Ralph Fiennes) during the quiz show scandals of the late 1950s. But Goodwin is charmed, also, by Van Doren and the erudite Brahmin world his family lives in. At a key moment late in the film, the working class but Harvard-educated Goodwin finds himself in a poker game at Van Doren’s place—the only one at the table not to the manor born. Screenwriter Paul Attanasio’s dialogue shuffles between the usual (though Ivy-league sharp) banter about the game at hand and Goodwin’s parries about the scandal itself. When Van Doren makes a large bet and the hand comes around to Goodwin, he looks into Van Doren’s eyes and says, “I think you’re lying.” Van Doren knows what Goodwin really means, but after the subtlest of pauses, he says, “Bluffing. It’s called bluffing, Dick,” covering beautifully—but not well enough.

 For the way it lets the poker game parallel and illuminate the much higher-stakes themes at the heart of the film—the matching of wits, the class envy, the art of the disingenuous—this is the royal flush of modern movie poker scenes.—P.C.

 

House of Games

R, 102 minutes, 1987

Directed by David Mamet

The poker scene in House of Games begins with an overhead shot on a vast expanse of green table. No faces, just hands, playing with chips, moving money, tapping cigarettes into ashtrays. We hear lots of poker clichés, muttered in the clipped, fragmented rhythms Mamet is so famous for—“You’ve got to give action to get action,” etc.

 The game is five-card stud. Joe Mantegna’s character, Mike, is losing to a high-roller. Mike has spotted his adversary’s tell (playing with his ring), but the high-roller knows it and has stopped. So Mike has enlisted the help of psychiatrist Margaret Ford, played by Mamet’s then-wife, Lindsay Crouse, who is there on behalf of one of her patients, a gambling addict. When Mike goes to the bathroom, she’ll keep an eye on him—does he play with his ring? If so, Mike will take him down.

 Mike’s got three aces, and bets $1,500, but the high-roller comes over the top at him with a $6,000 raise. So Mike goes to the bathroom, and sure enough, the high-roller twiddles with his ring. When Mike comes back, the doctor is emphatic: “Call the bet.” The high-roller has a club flush—game over.

 It’s a bad bet. Mike didn’t have $6,000, and you don’t call a raise that empties your roll unless you know you have the nuts. But the game is part of a con, and as we learn later, it’s not Mike who ultimately holds the losing cards. The moral? Stay out of other people’s poker.—P.H.

Categories
The Editor's Desk

Mailbag

Moore facts on 9/11

Local Republicans Bob Hodous and Randolph Byrd may justifiably reject the opinions expressed in Michael Moore’s film Fahrenheit 9/11 [“Right or wrong,” July 6]. However, they can’t dispute the facts—with good reason. To vet the film, Moore hired Dev Chatillon, The New Yorker’s veteran fact-checker.

 Central assertions of the film are supported by the public record. Bush did spend 42 percent of his first months in office on vacation (38 days at Camp David and 54 days at his Texas ranch—his month-long holiday in August of 2001 was the longest presidential vacation since Nixon). Bush did read kids a story about a goat for seven minutes after being told by Chief of Staff Andrew Card: “A second plane has hit the World Trade Center. America is under attack.” Bush’s firm Arbusto Energy was funded by James Bath, who managed money for Osama bin Laden’s brother Salim. The bin Laden family was a major shareholder in the Carlyle Group, which paid the salaries of the Bush family in the 1990s…etc.

 Yes, the facts should “piss off” Byrd, as they have most of the film’s viewers. (What does he make of the fact that White House communications director Dan Bartlett said the movie “was so outrageously false it’s not even worth comment,” although he had not yet seen the film?)

 How long can Republicans conscionably ignore the truth? These same data were documented long ago by legitimate journalists like seven-time British International Journalist of the Year Robert Fisk of the London Independent, and The New Yorker’s Pulitzer Prize-winning Seymour Hersh, who way-back-when was the first to tell us facts we didn’t want to hear about Vietnam’s Mei Lai Massacre.

 Then, there’s Brooklyn artist Mark Lombardi, whose detailed, diagrammatic drawings critique the webs of influence surrounding the Reagans, Bushes and Clintons. Of special interest is one titled: “George W. Bush, Harken Energy and Jackson Stevens,” completed in 1999 while George W. was still Governor of Texas. It demarcates the financial pipeline between Salim bin Laden, James Bath and George W. Bush as well as ominous spin-offs to Ferdinand Marcos and Saddam Hussein.

 A review in the Utne Reader said: “Lombardi’s work is a total debunking of the naive idea that governments and corporations are looking out for your best interests.” He and Moore would’ve had a lot to talk about. Unfortunately, Lombardi hung himself in 2000. If you connected the facts, as Lombardi and Moore have done, you’d get a tad depressed, too.

 

Brian Wimer

Charlottesville

 

Base instinct

I wonder if anyone else has noticed the irony of Bush’s comment to his “banquet of wealthy types” as reported by reviewer Kent Williams [“Heat index,” July 6] and as I noted when I saw Moore’s film Fahrenheit 9/11. Bush says, “I call you my base.” This is the meaning of al-Qaeda: “the base.” Kind of chilling actually.

 

Doris Safie

Charlottesville

 

CORRECTION

The photo of Bob Sigman and Denny King in last week’s 7 Days [“WCVL joins the fray”] was incorrectly credited. It was taken by Chris Smith.

Categories
Uncategorized

News in review

uesday, July 13
Media General seeing green

Media General, the media conglomerate that owns The Daily Progress and Boxerjam, today announced a second-quarter earnings gain of 5.9 percent compared with the same period in 2003. But earnings fell short of analysts’ predictions, knocking the company’s share price down slightly. Richmond-based Media General, which owns more newspapers in the southeast than any other company, posted quarterly revenue of $225 million. It owns The Tampa Tribune, Richmond Times-Dispatch, 26 TV stations and more than 50 Web ventures. Company officials said TV ads, including political spots, were big boosts, while earnings from Media General’s share in a newsprint company were disappointing. In a mid-year report, Media General said Boxerjam—the local website featuring games, which the company purchased in June 2002—is signing up 700 new users daily. But company figures show that Boxerjam only earned about $216,000 in the first five months of 2004.

 

Wednesday, July 14
God gets the call

About 100 anti-abortion activists today formed a prayer circle in the Albemarle County Office Building to protest the impending Planned Parenthood office on Hydraulic Road, reports David Dadurka in The Daily Progress. Demonstrators drummed up support on a website, www.charlottesvillefamilyforum.com, which says, “We are determined that Planned Parenthood not have a ‘free walk’ in opening such a large facility, dedicated to performing abortions and promoting their ‘safe sex’ agenda to our children.”

 

Thursday, July 15
Holland hangs it up

UVA today announced that Terry Holland, former men’s basketball coach and athletic director, will leave his current job as a special assistant to UVA President John Casteen III at the end of August. Holland has been raising funds for the $129 million basketball arena that will replace University Hall. During his stint as the head b-ball coach (1974-1990), Holland racked up a 326-173 record—the most successful run in Cavalier hoops history, according to a UVA press release.

 

Friday, July 16
Fifth District forks it over

The campaign of Rep. Virgil Goode Jr., who represents Charlottesville and the rest of the Fifth District in the U.S. House of Representatives, today said it had $585,563 on-hand at the end of June, according to The Daily Progress. Goode’s coffers are almost 10 times deeper than those of Democratic challenger Al Weed, who has $60,000. However, Goode outpaced Weed in fundraising by a narrower margin in the second quarter, reeling in $166,742 to Weed’s $110,000, according to the DP.

 

Saturday, July 17
Another football arrest

A week after the UVA football team announced that Ottawa Anderson, its top returning wide receiver, was off the team due to off-field discipline issues, one of the team’s running back recruits is in trouble with the law. The incoming freshman, Ahmad Bradshaw, was arrested early Saturday and charged with underage alcohol possession and obstruction, reports The Daily Progress. Bradshaw allegedly fled the arresting officer, and struggled briefly while being apprehended at the Rotunda.

 

Sunday, July 18
No rest for Van Yahres

With the day-of-rest fiasco now resolved by a General Assembly special session last week, Virginia business owners could today rest easier that employees would not opt out of work to honor their religious right to a day off. The General Assembly voted 79-1 on Tuesday for the legislative remedy, with the lone dissenter being Charlottesville Del. Mitchell Van Yahres. In a press release, Van Yahres said the day-of-rest flurry was a rush to judgment in which lawmakers leapt to the defense of businesses without considering the facts or the potential impacts on employees. “All I hear is conjecture about how the day-of-rest provision might be abused, how employers will suffer and how the sky is falling! The response to this situation has sometimes bordered on hysteria,” Van Yahres said in the release.

 

Monday, July 19
More on embryos

Jonathan Moreno, director of the Center for Biomedical Ethics at the UVA Health System, has been appointed co-chairman of a new National Academy of Sciences committee on stem cell research. Moreno and 10 other scientists and bioethicists will devise a set of guidelines for stem cell research, The Daily Progress today reports. Moreno drew headlines in January 2003, when he refused to join a similar bioethics committee that the Bush Administration had assembled. At the time, Moreno told The Washington Post, “This administration cares about finding any way they can to advance their platform on the protection of embryos, in general, and on stem cell research, in particular.”

 

Love letters
Wireless generation flirts via text messaging

wireless companies are constantly adding gimmicky capabilities such as video games or cameras to their phones. Among the more entrenched of these seemingly superfluous add-ons is text messaging, the ability to type out little notes, usually within a 160-character limit, to then beam into other phones.

 “Texting” is huge in the United Kingdom, Japan and many other countries. In China, the government has begun censoring billions of text messages, according to The New York Times. The move might not be an act of mere paranoia, as the masses of text messagers—tagged the “thumb generation” by a Spanish newspaper editor—helped spur the 2001 ouster of the Filipino president and rally support for the recent election of Spain’s Socialist prime minister.

 However, most textsters, including those among the 166 million wireless subscribers in the United States, veer away from political upheaval and toward the tawdry. Millions of fans have texted votes for their favorite “American Idol.” And text messages have made a high-profile cameo in one of the biggest media stories of the year: the Kobe Bryant trial.

 With as many as 63 percent of American teenagers sending text messages, according to the Cellular Telecommunications & Industry Association, text messages are increasingly part of a flirt’s repertoire.

 Walt McGough, a rising senior at UVA, says many of his friends regularly send text messages. Though McGough is not a fan of texting himself, he hazards a theory for its use in dating, saying text messages are for people “who don’t want to risk having an actual conversation.”

 In a text message, one can be witty and discreet, whipping off a good line without hazarding a potential faux pas. In addition, it’s not as forward as a phone call, giving the object of affection the option of gracefully ignoring the texter.

 Andrew Leahey, also a rising senior at UVA and a C-VILLE editorial intern, says his ex-girlfriend recently tapped into the agenda-controlling potential of text messaging to contact him. Leahey’s ex, whom he hadn’t heard from in three years, was swinging through Charlottesville, and let him know of her visit with a text message.

 “She used it as a way of contacting me without actually contacting me,” Leahey says. Though Leahey calls text messaging “the coward’s way,” he grudgingly admits that “it works.”

 To better convey a message with a max of 160 characters, texters often get creative with their shorthand, as do chat room and instant message aficionados. The message, “got to go, at work” can be compressed to g2g @wrk. The lingo is part of “a whole slang language that’s evolved,” says UVA graduate and texter Mike Megliola.

 Text messages have also proved to be an ideal means of communication among the cheating set. The most famous display of texting infidelity came when British soccer star David Beckham, the studly hubby of Posh Spice, allegedly exchanged explicit text messages with his sultry personal assistant. An extreme example of this sort of impropriety is a D.C.-residing friend of this reporter, who would often furtively write several ladies from his cell phone—his fingers tapping with the speed of a Japanese teenager—sometimes even while in the company of his girlfriend. The privacy and discretion of text messaging was tailor-made for his form of sleaze.

 Charlottesville residents, however, may be less inclined than most to use cell phones for such nefarious purposes. This is because, according to well-placed observers such as Jamey Barlow, the sales manager at Digi-Tel Communications on Seminole Trail, and to informal polling conducted by C-VILLE Weekly, text messaging is not very popular locally.

 “People don’t really use it that often,” Barlow says of the text messaging option.

 UVA grad Megliola says he used text messaging while studying in Lyon, France, in 2002. But when he got back to the United States, he chose a phone that can’t even send text messages.

 “Life’s a little too short to be pushing buttons all day long,” Megliola explains.—Paul Fain

 

Energy crisis
Local activists say no nukes is good nukes

Thirty years ago, Elena Day protested America’s first foray into nuclear power. She sported buttons, handed out fliers, marched on the Capitol. She still takes her message to the streets—the green bumper sticker on her car reads “No New Nukes at North Anna.”

 In 1979, a near-catastrophic meltdown at Pennsylvania’s Three Mile Island galvanized public opposition to nuclear power. “It appeared the battle had been won,” says Day. “But people have forgotten about it again.”

 Now Day is back on the “no nukes” beat, trying to rouse public opposition to the Bush Administration’s plan to build 50 additional nuclear reactors in the United States—including, perhaps, two new reactors at the North Anna nuclear power plant in Louisa County. This time around, however, the battle could be much more difficult.

 According to Bush’s 2001 National Energy Policy, nuclear fission is poised to become a “major component” of the nation’s power supply. Nuclear fission occurs when an atom, typically uranium or plutonium, is split into two or more parts, releasing a huge amount of energy. Billing nuclear power as an “environmentally sound” power source, the document proposes streamlining the permitting process and adding a litany of federal perks to encourage construction of new plants, which could cost more than $1 billion.

 “It’s a pretty expensive way to boil water,” says Day.

 In 2002, Richmond-based Dominion, parent company of Dominion Virginia Power, became one of three companies to get in line for the government’s atomic largesse. Dominion is currently seeking an “early site permit” from the federal Nuclear Regulatory Commission (NRC) that would clear its way to build two new nuclear reactors on the shores of Lake Anna in Mineral.

 Perhaps anticipating controversy, Dominion seems to be hedging its bets. While Dominion spokesman Jim Norvelle says the company has made “no commitment” to building the new North Anna plants, he also notes that the site permit would be good for 20 years, and that Dominion is also seeking federal licenses to build and operate two new plants.

 There are already two nuclear reactors at Lake Anna, one dating to 1978 and the other to 1980. Both were originally licensed to operate for 40 years, and each license has been extended an extra 20 years.

 To fight Dominion, Day joined her friend, Abhaya Thiele, in a new activist group called People’s Alliance for Clean Energy. PACE has joined the Blue Ridge Environmental Defense League and Ralph Nader’s group, Public Citizen, in opposing the plants.

 In December, Dominion will likely apply to the Louisa Board of Supervisors for permission to expand Lake Anna’s nuclear-waste storage capacity; also around December, there will be a public hearing with the NRC in Louisa, where people can comment on Dominion’s site-permit application.

 There are plenty of reasons people should oppose the new plants, says Thiele—enormous construction costs, possible water pollution, dangerous waste and the potential for accidents or terrorist attack.

 Norvelle says he won’t respond to PACE’s contentions point by point. Instead, he summarizes, “We have a very safe track record.”

 PACE hopes to rally public opposition while there’s still time to defeat Dominion’s application. Their best hope may lie not in marches, however, but in the voting booth. According to Public Citizen, the three companies that stand to benefit the most from the Bush Administration’s heightened interest in atomic power—Dominion, Entergy and Exelon—contributed nearly $1 million during the past three election cycles to standing members of the Senate Energy Committee.—John Borgmeyer

 

Hidden treasures
Sex toy parties for the “pleasure button” crowd

Twelve folders in primary colors and an open bottle of 2003 Coteaux du Lange rest on the coffee table in the living room of a small brick house near Downtown. Inside each folder is an order form and catalogue. Fifteen well-dressed, well-spoken, unmarried women in their mid-20s to early 30s lounge about on shabby chic décor.

 By the mantle stands Amanda, a 27-year-old “Romance Enhancement Consultant” for Tasteful Treasures, a Virginia Beach-based company that sells sex toys through representatives who make house calls to women only. Known as, excuse me, “fuckerware parties,” these gatherings are Tupperware parties for the post-Samantha Jones age.

 Dressed in a black t-shirt, Amanda has blond hair, sports the shag cut Meg Ryan made famous, and prefers to be known simply as “Amanda.” Waiting for her partygoers to quiet down, she bounces a purple dildo with a head at both ends (“for double entry,” she explains) against her blue jean-clad thigh.

 Fuckerware parties popped into national headlines last November with the arrest of Joanne Webb, a Texas-based consultant for Passion Parties (a Tasteful Treasures competitor) who was arrested on an archaic technicality for selling a vibrator to two undercover cops. The parties are especially popular in Bible Belt states where they are pitched as ways to strengthen the sexual relationships of committed, heterosexual couples—not as toys to enliven the sex lives of singles.

 Amanda, who had no prior interest in sex toys and wouldn’t describe herself as a “sexpert,” began consulting for Tasteful Treasures in April. She had been looking for a part-time job she could keep while working full-time, and sex toy consultant fit the bill. She hosts three to four of these a month.

 The party starts as Amanda instructs the women to come up with sexy names for themselves. “I’m going to be Always Ready Amanda.”

 The results—Creative C., Pleasing P., Wild W., Crooked C., two Kinky K.s, Available A., Easy E., Anal A., Nubile N., Even Easier E.—are relatively tame. Like Amanda, the women prefer anonymity. They have come for various reasons: curiosity and a good “hahaha,” and “to discuss with…friends the things everybody does but nobody talks about,” says Creative C.

 The icebreaker is 24 sex-life questions. Question No. 8: “Have you ever done position ‘69’?” Question No. 12: “Have you ever used whipped cream [or] chocolate syrup…during sex?” Question No. 18: “Have you ever had sex while you or your partner is driving?”

 “Actual sex?”

 “Actual sex. As in intercourse,” clarifies Amanda. “Like the interstate. At night. Cruise control.”

 Tonight’s special is the Crystal Dancer, a vibrator with ball bearings rotating inside it, on sale at $89, down from $99. “Unit” is Tasteful Treasures’ euphemism for “penis”; “pleasure button” is code for “clitoris.”

 First out, Hearts of Fire, a cream that’s “good for the pleasure button or the unit” during “oral favors.” Nymph Cream, also for the “pleasure button,” Amanda recommends, “if you like to ride horses or…motorcycles.”

 Not Yet cream elicits the most curiosity.

 “Use your finger and rub this on the main vein and he will last longer,” instructs Amanda.

 “Like his erection will last longer or he just won’t come so quickly?” asks Kinky K.

 “Both, both.”

 “Both?”

 “Yes.” Pens scribble hopeful marks on the order forms.

 After a 15-minute break, out comes the Waterproof G-Spot Dolphin. Demonstrating on herself, Amanda shows how the vibrator’s curved nose is shaped to hit you right “there.” The Dolphin, the Chocolate Dream, the Ultimate Beaver and the French Tickler make their rounds and the room is abuzz. Literally.

 “Now close your eyes and hold out a hand,” instructs Amanda. A succession of shrieks break out like The Wave around the room: The Pirate’s Cove is for him.

 “’Honey, I’m tired tonight. I got a Hungry Man in the fridge for you and a Pirate’s Cove in the bedroom!’” jokes Creative C.

 But the Pearl Butterfly, a white vibrator, with a pearl-filled shaft and a fluttering butterfly for the “pleasure button,” is the pièce de resistance.

 “It’s so pretty,” the women “ooh” and “ah,” as Amanda retreats to another room to take orders in private. The chocolate pie and 2003 Coteaux have been demolished. “What are you gonna get?” is the question on everyone’s mind.—Nell Boeschenstein

Categories
News

Motor city

A: If one thing’s clear it’s that you, my dear Pia, have been doing some serious wishful thinking. Not that you’re totally off the mark. The dude in question is David Sloan, a real estate agent with Roy Wheeler Realty. But he sure ain’t just giving the scooters away. To get your hands on those wheels you would have had to shell out as much as $205,900 for one of the four Oak Grove cottages on Fifth Street behind the Blue Moon Diner that Sloan sold a few months ago.

 As an added incentive to homebuyers interested in the development designed by Bill Atwood and built by Daniel Walter, Sloan hatched the plan to give away one scooter per buyer. That’s right, four lucky new homeowners now proudly own Geely’s Big Chief scooters. The Chinese imports come in black, blue and pink. Ace assumes that pink is a bone thrown (like a girl) to the ladies of the houses.

 Lest you worry that you missed your chance to get a new house and scooter in one fell swoop, five more lucky ducks can snap up the as-yet-unsold cottages in a new Atwood-Walters development going up across the street from Oak Grove. These ducks, too, will get a stylish scooter courtesy of salesman Sloan, if they so please.

 Sloan has promoted the gimmick for a couple of reasons. There’s the ever-increasing traffic congestion on W. Main Street and he says he wanted to discourage people from putting another car on the street. “It’s a high-density project,” he explained. “So we’re just trying to encourage a more urban means of transportation.”

 But it’s not all one grandiose gesture of “think globally, act locally” environmental good will. The next scooterlicious reason Sloan ticks off is that, with four three-bedroom houses and two two-bedroom houses in the development (not to mention another two houses sold through Piedmont Housing Authority and not subject to the scooter deal) built on merely one-third of an acre, there is simply not enough parking space. (Ace hopes that other W. Main area developers are listening.)

 Sloan purchases the two-wheeled wonders new from a Richmond dealer who cuts Sloan a bulk-buy “special-price-just-for-Sloan” of about 1,000 smackers per bike. The Big Chiefs get about 90 miles to the gallon, which certainly rides the moral high road.

Categories
News

Spin city

The scene is straight out of a junior high dance. Though the pack of would-be dancers at R2, a relatively new Downtown club, are clutching beers and cocktails rather than punch, and the average age is at least mid-’20s, the knots of young women and lone men stick to the walls and stare into their drinks with the same intensity as a class of gangly teenagers in the early moments of that awkward social in the school gym. A guy with a stylish goatee, white sneaks and matching blue shirt and pants, both tight—the whole get-up resembling that of a clubbing auto mechanic—sits forlornly at a high-top table, his head resting on one hand. He nods listlessly and looks as if he might fall asleep.

 Fortunately, Stroud, the DJ up in the booth, has a new secret weapon. Though he’d created the tune just the day before at his home studio on Cherry Avenue, he’d cleaned it up before this Friday night, and was convinced he had something special to drop on the reluctant dancers around midnight, just as the club started to fill up.

 A dance club works a little like an atomic bomb. To get the floor bumping, the club has to achieve a precise mixing of elements, just as an atomic bomb’s uranium achieves its critical mass by the addition of another radioactive element—the trigger. In the club, the critical mass involves the right density of dancers, the heavy element of a big beat—one that gets people bouncing around the room—and some form of catchy hook. Tonight, as he has been in so many dance clubs so many nights before, that hook is Michael Jackson.

Billie Jean is not my lover

She’s just a girl who claims that I am the one

But the kid is not my son 

 As soon as the unmistakable lyrics grace the booming beat Stroud constructed, the floor starts to move. A tight cluster of three women gleefully storms the floor and begins furiously shaking it—quickly attracting an extra layer of Brut-splashed males. Within two minutes, the dance space, the dimensions of which are like a large racquetball court, is almost full. Even the mechanic guy is out of his seat, his white shoes flashing under the flickering lights.

 Stroud himself comes out of the booth, down the stairs, and stands in the middle of the floor. To the casual observer, the motionless DJ with blue eyes, red, spiky hair and a goatee might appear somewhat menacing as he stands with his arms crossed. One might even think that he’s striking a “Behold, I am lord of the dance!” pose. But Stroud, who is 38 years old but still gets carded, is merely taking advantage of the best spot in the club to absorb the huge sound system’s full blast to see if he’d mixed the tune cleanly.

With the exception of the vocals, the “Billy Jean” remix is all his creation. The bluntly confident yet unpretentious Stroud thinks the song has potential, and hopes to get it out on the Web. But, he admits that its appeal is not all his doing.

 “Everybody loves Michael, man,” Stroud says.

 

A tribe called who?

Electronic dance music is the red-headed stepchild of Charlottesville’s sonic landscape, having been virtually choked out by folk music, ubiquitous jam bands and the MTV-fueled popularity of hip hop. This is, after all, The Dave’s town. Why mess with a good formula? Most other nighttime music acts pale against the shining light of guitar-driven music, with the notable exception of the Goth scene.

 Stroud is likely the most experienced DJ in a 100-mile radius, and has had many legitimizing moments in his long career at the decks. Back in ’96, after he’d been spinning for only six months, Stroud played at Buzz, a legendary D.C. rave that was the biggest regular dance party in the United States before it was busted in an infamous Fox 5 investigative report that captured drug use and—yikes!—massages on hidden cameras. For a longtime professional DJ like Stroud, playing dance floor psychologist to a resistant audience can be a spirit-crushing experience.

 “Nobody likes progressive house here,” Stroud says, referring to his specialty in the booth. “Being a music fan, it’s tough. These people want to hear something they’ve heard over and over.”

 House music isn’t the only genre in a DJ’s arsenal that gets the cold shoulder from Charlottesville’s club denizens. Hip hop, which currently rules the world of pop, is only a safe bet if it’s in heavy rotation in music videos or on the radio. Mike Rodi, co-owner (and founder) of R2 and Rapture, the restaurant that envelops it, says a classic hip hop hit by A Tribe Called Quest or De La Soul is a guaranteed buzz-kill unless it’s “sandwiched” between Missy Elliott, Jay-Z or some other mega-star.

 “You have to win them over with the stuff they know,” says Rodi, who sometimes spins at R2 under the moniker Sketchy.

 “Some of my most despairing moments are when I put on something I think is really great and I clear the floor with it,” he says.

 Stroud once played OutKast’s “Hey Ya!” shortly after the song’s release. Though “Hey Ya!” has become one of the most overplayed tunes in recent years, it was a complete clunker at the club that night.

 These days, the surefire club rocker is “Milkshake” by Kelis. The simplistic pop ditty is the audio equivalent of crack cocaine—a cheap, but deadly addictive rush.

 

My milkshake brings all the boys to the yard

And they’re like, it’s better than yours

Damn right, it’s better than yours

I can teach you, but I have to charge

 

 If those lyrics don’t ring a bell, you don’t go out much.

 On this recent Friday night, Stroud plays a version of “Milkshake” a few songs before his “Billy Jean” remix. Though it definitely creates some energy, even getting the sleepy mechanic to jiggle in his chair, it fails to push the R2 crowd over the dance tipping point.

 The next night at R2, Stroud rearranges the set’s order. A few songs into his set, he drops “Billy Jean” and again gets people on their feet. Then, he immediately spins “Milkshake” and takes the club up another notch.

 Stroud’s version, it should be said, is a far cry from the cheese-laden original. He tracked down a remix with beats that sound like Tron on steroids, the thick pulse only softly adorned with a floating version of the sickeningly catchy vocals. In short, it’s a crafty mix of overplayed tripe with something legitimately underground. It works brilliantly, and Stroud can be seen smiling up in the DJ booth, which sits high above the dance floor, next to several Euro lounge-style tables and a couch on the second floor.

 There is one glaring absence on the floor this night. King George, the Charlottesville club fixture who is at R2 every Friday and Saturday, is hanging out by the bar rather than assuming his customary spot on the floor, bathed in dry ice and flashing lights.

 Asked if Stroud lost him with the night’s set, King George shakes his wig-sporting head, and points to his outfit, which, under the sequin-adorned fishnet shirts, includes various chains as well as a chain-mail codpiece.

 “I’m about 20 pounds heavier tonight,” King George says. “I’m not sure I’ll be doing much dancing.”

 A few feet from King George, two women peer through a gap in the wall between R2 and Rapture in an attempt to gauge whether or not to drop the $3 cover charge for entrance to the dance club. The women see a floor that is hopping for the second consecutive night and has, for now, accomplished Rodi’s goal “to sort of bridge the gap between MTV karaoke party and Manhattan.”

 

DJ exodus

Because electronic music is swimming upstream in Charlottesville, some local talent has left town.

 “It was tough for me to find a DJ spot in Charlottesville,” says UVA grad Mike Walker, who spins under the name Mike Brie.

 A hip hop “battle” DJ and scratch turntablist, Walker wiggles the vinyl to scratch out wickedly complex sounds while using the cross-fader, which controls the output from two turntables, to juggle beats and rhythms. The format for a DJ battle, which is directly related to the MC battles made famous in Eminem’s movie 8 Mile, feature two DJs trying to both out-spin and out-diss each other. 

 Walker, who arrived at UVA five years ago to get a master’s degree in computer science, found a cadre of fellow hip hop DJs who played at Tokyo Rose’s basement—which eventually took the microphone away from hip hop shows after a gunplay incident—as well as Orbit Billiards and the Biltmore Grill.

 But Walker says the scene dried up quickly.

 “For me, I didn’t really have any opportunities,” Walker says.

  Jeremy Kilmartin, a.k.a. Dingus, a hip hop/disco DJ from Providence, Rhode Island, who is living in Charlottesville this summer, also bemoans the dearth of DJ venues. Kilmartin says he was tossed from Atomic Burrito, a restaurant with an after-hours scene at which he had hoped to spin, on a recent weekend night for mocking an allegedly inept DJ.

 “It’s a rock ‘n’ roll town, completely,” Kilmartin says.

 Even a visit from a world-famous scratch DJ, Mix Master Mike, who has long performed with the Beastie Boys, was a flop locally. When Mix Master Mike played at Starr Hill last year, Walker says only about 50 other people showed up to hear the turntablist.

 Of his fellow local DJs—SHandz, Cobalt 60 and DJ Myson—Walker says, “they’ve all moved away, actually.” Last month, Walker also pulled up stakes and moved to Alexandria, in part because of the potential DJ gigs he could score in D.C.

 Walker recently won a regional DJ contest at a D.C. club, and will travel to Chicago for the finals in coming weeks—one of two well-known DJ competitions in which he’ll be spinning this summer.

 Asked what keeps Charlottesville’s club set from being open-minded about less poppy electronic music, Walker cites the overbearing popularity of jam bands, which “builds upon itself.” But he also mentions the lack of venues that cater to the underground, which is not just a local phenomenon.

 Since the glory days of rave culture, which peaked in the mid-’90s, electronic music has been pushed toward the mainstream. Once police, local governments and Feds started looking for ways to hit back at MDMA, the hug-drug known as Ecstasy, raves fell into the crosshairs. Widespread efforts to crack down on raves culminated in the U.S. Senate’s 2003 passage of the Reducing Americans’ Vulnerability to Ecstasy (RAVE) Act (nobody can touch Senators in acronym artistry). The law extends “crackhouse laws” to raves and holds rave organizers responsible for hosting parties at which drugs are present. If convicted, rave promoters can face big fines and 20 years in the slammer.

 The RAVE Act and other push-backs have forced most raves out of uncontrollable warehouses and such to legit and legal venues. As electronic music moved back toward clubs, it lost many of its younger followers. And, many argue, the music simultaneously became more poppy and watered-down. To make matters worse for house/techno and hundreds of subgenres, record companies have made a mint off commercial hip hop, stealing most of electronica’s thunder in clubs and leaving Gen X fans sitting at home listening to their stereos.

 “There’s been a retreat into the known,” Rodi says of the current music scene, while also conceding “there’s a lot of crappy electronica out there.”

 For Stroud, who has been making a living as a DJ since 1995, when he sold Stroud Designs, his Corner graphics, skate and surf shop, the backlash against electronica means going commercial to pay the bills. And though the tunes he spins to get R2 moving might make him occasionally roll his eyes, at the college parties, “I’ve got to stick with that really pop cheese, man.”

 

The way we were

It wasn’t always this way in Charlottesville. In fact, the town was on the map during rave culture’s peak for its ability to throw kick-ass warehouse dance parties.

 The godfather of the Charlottesville rave is Duncan Haberly. A Western Albemarle High graduate, Haberly, 37, promoted many legendary raves while attending UVA law school from ’93 to ’96. Haberly credits brothers Thane and Will Kerner for inspiring him to fire up the raves.

 “I personally believe that Charlottesville, for a period, had the best dance scene for a small town in the U.S.,” says Haberly, via phone from San Francisco, where he runs a contract renegotiation firm.

 Haberly’s first two raves, which he dubbed Krusty’s and Krusty’s II, in deference to “The Simpsons” clown and British raver parlance, were held at the former Splathouse on Grady Avenue in 1993. By all accounts, they were a huge success, with Haberly claiming attendance of more than 1,000 at each party.

 “That was a full-tilt party. We had kids busing in from New York, Florida and Ohio,” Haberly says of the first rave. “It put the taste for real electronic music into people’s mouths.”

 From there, Haberly went on to throw raves at the now-defunct Trax, the old Live Arts space on Market Street, a warehouse near the National Guard Armory on Avon Street Extended and a regular gig in the room in the back of the Jefferson Theater.

 “Hawes was awesome about it,” Haberly says of Jefferson owner Hawes Spencer. The large space, which has high ceilings, brick walls and hardwood floors, was perfect for the music.

 “The bass would just bounce off the ceilings and come back down,” Haberly says. For a further trippy enhancement, the Jefferson would project movies on the other side of the room—adding to the swirling lights in the room and giving dancers an entertaining break from the floor.

 But when the fire marshal paid a visit to the Jefferson in May 1994 and demanded, as Haberly claims, an $8,000 wheelchair ramp, “that put the kibosh on that.”

 Near the tail end of Haberly’s big-beat tour of Charlottesville, he teamed-up with Stroud to help promote the parties, often selling the tickets to secret venues out of Stroud’s shop. Both partners spun at the raves.

 “As soon as [Stroud] got involved, life got easier,” Haberly says, adding, “he’s absolutely carried on and put his own stamp on it.”

 Though Haberly is aware that underground electronic music has struggled in the years since he left town, he thinks Charlottesville is hardly alone in favoring bland, commercial dance music. Haberly even claims he moved from a thriving music spot to “a pretty terrible dance scene” in San Francisco.

 When told about R2, Haberly says, “if somebody’s opening a real dance club, we must’ve done something right.”

 

R2 detour

“The club is very much my baby, in terms of conceiving of, tearing my hair out and losing money,” says Mike Rodi, who came up with the idea for R2 in 2000.

 The club finally opened last November. Though several local venues had long played dance music, most notably the members-only, after-hours Club 216, which regularly packs the house with big beats, Rodi says R2 was intended to be home to house, trance, breakbeat and other forms of dance music that can’t be found anywhere around Charlottesville.

 “We’ve been able to do very little of that,” Rodi says of that original goal, adding that DJs are “discouraged by the amount of work they have to do to draw an audience in Charlottesville.”

 The space kicked off with a performance by Blowoff, a D.C. dance act featuring indie rock guru Bob Mould. Though the show was a hit, attendance petered out in subsequent weeks. Rodi says he once considered bringing Deep Dish, a jet-setting D.C. duo that is among the hottest house acts in the world and has produced tunes for the likes of Madonna, to R2 for a show. Though he admits that Deep Dish’s $10,000 price was intimidating, he says the big bucks weren’t what nixed his plan.

 “I could lose money, but I wasn’t prepared to take a loss on it and have an empty room,” Rodi says.

 All gloom aside, Rodi says things are picking up at R2. The weekend nights of pop dance and hip hop are bringing in a growing, racially mixed crowd and giving Rodi “a little more breathing space.” As a result, R2 has begun booking “stuff that doesn’t have a home in Charlottesville,” such as world beats, house music and acts like Laptopalooza, a lineup of diverse, tech savvy DJs that hit the club for a night of on-the-spot grooves on a recent Wednesday.

 Turntablist Walker, who as Mike Brie performed at R2 on July 10, calls the club “fantastic” and “long overdue.”

 “I am happy with the way it turned out,” Rodi says, adding that he thinks R2 is beginning to achieve the goal of “exposing people to music that they don’t hear everywhere.”

 “I’m glad that we have 216 and R2 here in Charlottesville,” says Arantxa Ascunce, who got down until 5am on a recent Saturday night at Club 216. Though Ascunce, 30, who has been in town for five years, says Charlottesville’s club options are certainly limited compared to her previous homes of Northern Virginia and Spain, she says, “at least there’s somewhere to go dance.”

 As for Stroud, the R2 shows are his main venue for now, as he no longer spins at Club 216. Though Stroud can test his tracks at R2, to really let his favorite sounds loose he relies on the music he mixes up at the home studio and that he plays on “Electronic Era,” his weekly radio show on WNRN FM 91.9, which runs after midnight in the first two hours of every Tuesday morning.

 On a recent Monday night, Stroud plays a remix he’s just begun of the newly released “Ch-Check It Out” by the Beastie Boys. Stroud’s home studio is filled with drum machines, mixers and keyboards, but most of his work is now done on a computer.

 “My gear is like nothing compared to what I can do with software,” Stroud says.

 With midnight approaching, Stroud packs up his two Pioneer turntables, which actually spin CDs, not vinyl, and his music in three metal-lined carrying cases, leaving all of his estimated 5,000 record albums at home.

 In the studio, he smiles regularly and bounces around while playing a set list of block-rocking house tunes, all of which are far darker and seemingly more layered and complex than his pop club tunes. He bleeds each song into the next by watching a digital display of the tracks’ sonic waveforms rather than by keying off of the grooves in the vinyl of record albums, as did the traditional disc jockey.

 While describing some of the more annoying behavior he encounters at gigs, including the question, “How can you not have the ‘Electric Slide’?” Stroud displays several of his tracks on Promo Only CDs, which is a track mine for professional DJs around the world.

 “Some DJ over in Europe” picked up one of his creations, Stroud says nonchalantly. Of the potential fame-maker of getting a track discovered by a DJ superstar like Digweed, re-mixed, and played for club kids around the world, he says “I’ve a had a couple close ones.”

 Stroud says bootleg versions of his music are getting picked up on the Internet. “Stuff’s happening now. If I keep with it, who knows?” he says. But if he never breaks through, he says, “I didn’t really plan to be a lifer, as a DJ.”

 In the meantime, he’s sticking with it.

 “I’m poor, but I get to do what I want to all week long,” Stroud says.

Categories
News

Come here often?

Restaurants help define a place. The world’s great cities are known for their dining rooms: Maxim’s in Paris, Katz’s Deli in New York, Chez Panisse in Berkeley. And Charlottesville is no different. l But behind a restaurant’s feel are its customers, particularly the cast of characters who regularly pull up a seat. l So who are Charlottesville’s restaurant regulars? What keeps them coming back, sometimes every day, over years or even decades? l To answer these questions, C-VILLE set out to four popular local dining spots. There, we met The Walrus, had a grammar lesson, learned about the Pro Jets and watched a kid take a nap. Though the reasons for loyalty are varied, it’s clear there are several homes away from home among Charlottesville’s restaurants.

 

Bar exam
Two decades later attorney J. Benjamin Dick still cross-examines the C&O experience

When Dave Simpson pushed the $4,000 tab across the bar, “The Walrus” got what he deserved. Original owner Sandy McAdams had sold the C&O to Dave Simpson in 1982 and, after six years of putting everything on his tab, The Walrus had some accounts to settle.

   “It was all those bottles of champagne I bought for every good looking woman I saw,” The Walrus laughs tonight, as he nurses a Stoli and soda. (Sometimes, he switches it up with a martini). He’s sitting at his usual spot at the end of the long wooden bar by the fish tank, directly across from the vodka—Absolut, Finlandia and Stolichnaya, and the gin—Tanqueray, Beefeater and Bombay. Hunched over an empty plate, slightly crumpled white linen napkin in his lap, J. Benjamin Dick, or simply Ben, as his friends call him, holds court from his barstool, the back of which bears a shiny brass plaque engraved with his moniker.

   At the tables squeezed into the small, dimly lit, wood-paneled room with a white linen tablecloth and simple flower arrangement adorning each, Dick’s fellow diners (and drinkers) talk softly. At one table, a well-dressed older woman smoking a clove cigarette remarks to the waitress, “I love to have vegetables with my martini.” A few tables over, a group of intellectually inclined young men discuss the letters of Schoenberg and Kandinsky.

   Dick pays little attention to the restaurant beyond the bar. At 56, he is a stocky man with round features. He sports a khaki baseball hat and navy polo shirt, both emblazoned with the Foxfield emblem. Occasionally, Dick, who has been president of Foxfield for 25 years, takes hold of the brim of his hat and pulls it down more firmly onto his head.

   “I’m very familiar with ABC rules,”
he laughs.

   “Yeah, he’s the big kahuna, though you’d never know it looking at him!” says Chip, tonight’s bartender.

   Dick’s feet relax on the footrest of his barstool and his legs are slightly spread. He has just polished off an early dinner of artichoke pate (“the best pate in the world, if you like garlic”), followed by salmon over tablouleh.

   “I remember the day when you could come into the C&O and every day was a new menu. That was the exciting part about it—seeing what they would do next,” he says.

   “He notices every time he comes in,” says Chip of Dick’s attention to the menu.

   Ben shrugs, “I’m a regular.”

   “He’s a total regular,” says Chip.

   Fake plants sway inside the fish tank, casting a greenish light on the left side of Dick’s face. The two glass toys through which a fat white goldfish and two neon tetras swim lazily were both hand-blown by Chip. One toy is a glass fish that sits belly to the bottom of the tank and the other is a “C” on top of an “O.” It’s the light from the tank that attracts Dick to this spot. When he’s not talking, he’s reading. “I read four papers a day,” he explains proudly, naming five: The Washington Post, The New York Times, USA Today, The Daily Progress, The Richmond Times Dispatch. “As I get older, I need more light,” he says.

   A self-employed lawyer for 27 years with an office on Park Street, Dick has been coming to the C&O at least once a week for 24 of them. “The C & O, in many ways, is like family, after all these years,” he says, and he has represented the restaurant “whenever they’re in a jam.

   “Usually when there’s some trouble with the government or ABC or some wayward customer that says he’s been served bad food or a bad drink. Of course the answer [in that case] is ‘No way!’ That was an easy case.”

   It was his real family that first brought him to Charlottesville when he was 10 years old. He returned in 1974 after graduating from the T.C. Williams School of Law at the University of Richmond to take care of his ailing grandmother and stayed. “She was going to die any day. One thing led to another,” he says. “Nineteen years later she died. I was here all 19 years.” One of seven children (four boys and three girls) who are now scattered up and down the East Coast, Dick is the only one who has remained in Charlottesville. He’s got an ex-wife and two children—a daughter and a son—around town.

When the C&O opened in 1976 it doubled as a music club, and that was the early appeal for Dick. “I heard Sonny Rollins, the famous saxophonist, right back there,” he says waving his hand in the direction of the upstairs. “And Sarah Vaughan. Sarah Vaughan sat right there at the middle of the bar,” he points to the center seat, “for two and a half hours. Kept us spellbound.”

   Music recurs as a topic throughout his conversation, clearly something Dick relishes. “A sacred tradition at the C&O I’ve always thoroughly enjoyed is that the bartender controls the music. You come in here three times a week and you hear three different types of music,” he says. Then, nodding in the direction of Chip, snappily outfitted in a moustache, suspenders and a short-sleeved dress shirt, “Chip, he’s the jazz guy…He also does, you know, the swing and the, what do you call ’em, the troubadours? You know, Frank Sinatra?”

   At the mention of Sinatra, Chip chimes in, “Did you see that picture on the Internet of him when he got arrested? It was, like, 1949. He was, like, 18 years old. He got arrested in New Jersey for sleeping with somebody’s wife.”

   “I didn’t know that!” laughs Dick. “That’s another thing, it’s a trivia bar…Lounge lizard.”

   The days of “just tab it” are long gone, but the camaraderie is palpable. In the time since The Walrus was handed that $4,000 bill, he has probably wracked up as much, if not more, in Stoli and soda and artichoke pate. But it’s with pride mixed with nostalgia that Dick says, “I still got that [bill] up in my office. I’m going to frame it one day.”—N.B. 7/13/2004

 

Home away from home
For David Walker, Jr. Mel’s Café is a family setting

The engraving on a blue plaque hanging on the wall at Mel’s Café reads: “Presented to Melvin Walker and his family for loyal and unselfish acts of kindness to his old community.”

   The “Pro Jets,” a summer weightlifting program for teenagers living in the Westhaven neighborhood, presented the plaque to Walker in 2001. It shares wall space with posters of the UVA basketball team and the Washington Redskins, beside other community awards Mel received from Tri-Area Foster Families, the Ebony Social Club, UVA’s Alpha Phi Alpha fraternity, the Sunday Football Club and the 10 1/2 Street NW Neighborhood Association.

   The name “Pro Jets” is a takeoff of “projects,” says David Walker, Jr., who founded the weightlifting club 24 years ago. Walker—no relation to the restaurateur—has been a lifelong fixture of the Westhaven neighborhood and a daily customer at Mel’s.

   “I like to come here for the atmosphere. Mel and them is just like brothers. Marie is just like a mother to me,” says Walker, referring to Mel’s mother, who helps run the restaurant along with Mel’s brother, Arthur.

   Now 49, Mel first opened, and then closed, his café on W. Main Street in the late ’80s. In 1995 he re-opened, and since then David Walker has eaten there almost daily, sometimes three meals a day. When he talks about his favorite items on Mel’s menu—ham and cheese omelets with mushrooms, fish with string beans and mashed potatoes, sweet potato pie and, of course, “the best burger in Charlottesville”—he speaks with affection and respect for a Westhaven brother made good.

   “I’ve been getting food from Mel since I’ve been knowing him, for 30 years,” says Walker, 44.

   Although he has no wife or children of his own, much of David Walker, Jr.’s life plays out within a web of family ties that define Charlottesville’s tightly knit African- American communities. When Walker goes to Mt. Alto Baptist Church in Howardsville, for example, his sister, nieces, nephews and cousins join him in the choir. When Walker’s not bagging groceries at Harris Teeter, he’s gathering kids from Westhaven for a bus trip to the swimming pool or the miniature golf course.

   Walker was 3 years old when the City demolished his family’s house on Commerce Street and built the Westhaven housing project, in the name of “urban renewal,” in 1963. At Charlottesville High School he lettered in football, basketball and his favorite sport, baseball.

   After high school, Walker signed to play A-division minor league baseball with the Bluefield Orioles in West Virginia. After two weeks, the Hagerstown Suns called Walker up to play in the AA division. Then, he jumped to the AAA division—one step below the majors—in Rochester, New York, for six weeks before breaking his foot trying to stretch a double into a triple.

   “I never got drafted after that,” he says. “But I had already played my ball, so I was satisfied.”

   After he returned to Charlottesville in 1983, Walker worked with the City’s Parks and Recreation Department. All the while, he used his spare time to organize activities for Westhaven children.

   Besides the Pro Jets, he still organizes car washes to help kids raise money for UVA’s basketball camp. With the support of John Halliday, director of the Jefferson-Madison Regional Library, and former City Councilor Meredith Richards, Walker brings the local bookmobile to Westhaven and hosts a combination pizza party and reading session for the kids.

   To keep the boys’ attention, Walker employs techniques he learned from his best friend, former Army drill sergeant Gary Stinnie, who died 10 years ago. “You use the cadence in your voice, to keep their mind straight,” says Walker.

   He’s munching fried mozzarella sticks at a glass-topped table near Mel’s door, as lunchtime customers pass in from and out to the steaming afternoon glare. A construction worker ambles in, cradling a hardhat beneath a massive, tattooed forearm. He gazes down at Walker, tosses him the cool nod young men use as a greeting. Walker smiles.

   “I’ve been knowing these kids since they were small,” says Walker. “I’ve changed their diapers.”

   Walker’s C-VILLE interview draws teasing from his surrogate family behind the counter. “When you’re a big star, don’t forget about the little people!” laughs Mel’s mother, Marie.

   “Don’t worry. Hey, I’m the little people,” says Walker.—J.B. 7/13/2004

 

 

Java with Junior
Carol Ross and her little guy find plenty of room at C’ville Coffee

When you enter C’ville Coffee, the aroma hits you right away. It isn’t the same scent of freshly ground beans that permeates the air of your average coffee shop; it’s a little different. At first, the place is steeped in the smells of Vietnamese cooking from the back-room kitchen. Then there is something more intangible, but, all the while, immediately familiar—a scent that, were they to make an incense of it, might simply be labeled “Children Playing.”

   For local photographer Carol Ross, 38, and her son Austin, 2, C’ville Coffee is a great place to play. They visit the eggshell-colored Harris Street establishment (located off the always-busy McIntire Road) up to six times a week to soak up the family-friendly environment. “We probably come here more because he wants to,” Ross says, nodding to Austin, a wild tuft of hair with a gray Spider-Man t-shirt, who somersaults around the room, making his way to the Kids Corner where an approximately 10′ wooden anchor functions equally well as a balance beam, hopscotch board and wrestling mat for a rambunctious brood whose parents dine nearby.

   Ross credits owners Toan Nguyen and Betsy Patrick with giving the restaurant its great energy and a cosmopolitan “best-of-both-worlds” ambiance. “It’s diverse—it feels like it’s outside of Charlottesville,” she says. “You see Asian, Indian, Latin, black, white…”

   Nguyen, born in Vietnam and raised in Brussels, Belgium, says he and wife Patrick, both UVA alumni, spent time in San Francisco and Paris before returning to Charlottesville to raise their children. They opened C’ville Coffee four years ago, hoping to provide a place where the City’s many groups could gather together. “Everyone’s welcome, from the little toddler to businesspeople to students,” says Nguyen.

   Boasting a menu as diverse as its clientele, the restaurant serves up multinational specialties like French crepes and create-your-own noodle bowls with grilled lemongrass tofu, chicken and beef—not to mention an entire chalkboard list of gourmet American sandwiches.

   While Austin has a peanut-butter and jelly by the Kids Corner, you’ll find Carol Ross sitting on a wicker sofa with the more mature Turkey Lurkey, an earthy slice of California piled with turkey, red onions, cucumbers, sprouts and the denouement: a creamy, delicate goat cheese spread. Her husband Monty, a filmmaker who with Spike Lee has produced films like Malcolm X and Clockers, prefers the decadent Berry Turkey, with maple turkey on country wheat bread, Brie, mayonnaise, cranberry sauce and lettuce.

   Monty Ross docks himself near the anchor by a tot-sized orange table-and-chair set, transferring a pile of children’s classics from the floor to a tiny bookshelf and helping to refill a Tupperware container brimming with toys—all of which scream for a hefty dose of Lysol. Across the room though, it’s Carol Ross’ infectious laugh that you can’t help but catch, as she tells how, a year and a half ago, she and Monty left the fast-track Los Angeles lifestyle to be near family and raise Austin. It wasn’t long after moving to Charlottesville that they found their way to C’ville Coffee and were charmed by the welcoming atmosphere.

   “Austin pretty much grew up there,” says Ross. “He was an infant when we started going and I just remember when it was really peaceful and he would just sleep and we’d hold him and order coffee. Now he’s running around there and knows it really well.”

   Carol Ross also looks forward to a time when Austin is old enough for a babysitter, when she and Monty are able to relax in the mysterious “Adult Zone.” C’ville Coffee’s Adult Zone, on the farthest end of the room from the Kids Corner, is partitioned off by an ornate black, metal gate, with a sign that decrees “Children must be accompanied by an adult.” Inside, under the shade of a palm tree, people read quietly from the selection of books in categories like “Career,” “U.S. Travel” and “Winston Churchill.” Covering the back wall, a large mural in bright, acrylic colors shows an African-American woman serenely sipping coffee at a lavish red table.

   Outside the Adult Zone, as Austin snatches the pillow from a wicker chair for a quick nap on the floor, the faint trumpet burst of Jean-Joseph Mouret’s Rondeau has Carol Ross raving about the music: “You can hear Miles Davis, Brazilian, Mozart, Billie…” Brazilian is her favorite—it was the perfect soundtrack for “Exposed,” a photography exhibition she hung at C’ville Coffee last August.

   Photography is now a primary focus for Ross, who says she did commercials in a previous life. In June, her show “Souls of Our Feet” was on prominent display at The Mudhouse on the Downtown Mall. She’s also working on a book of photography, which she hopes will be out for sale by early 2006. When that happens, don’t be surprised to find a copy gracing the shelves at C’ville Coffee. Says Nguyen: “We want to be like the Charlottesville living room.”—B.S.

 

Far from the edge
Tavern regulars are not “peripheral” people. Just ask breakfast mainstays Ken and Beverly Beirne

A cramped grill, just behind the bar, on which sits a giant vat of butter—we’re talking like 10 pounds of whipped fat here—is where Lyndsay Feggans does his thing. As the primary grill chef at The Tavern, a venerated greasy spoon on Emmet Street, Feggans is a virtuoso with the spatula, tapping out a rhythm among various simmering omelets, pancakes and piles of home fries and bacon.

   The system at The Tavern, which opened in a previous, largely unchanged iteration 50 years ago, is decidedly old school. As a result, Feggans has no computerized system to aid him as he tracks as many as eight omelets at a time. Yet Feggans, who wears a white toque cocked to the side under his sizable curls, and has a lanky, smooth manner that makes him look like Snoop Dogg in middle age, maintains order in his sizzling domain.

   Feggans flicks a Swiss cheese-stuffed omelet onto a plate, and passes the grub to a waitress just two minutes after the order arrives on a hastily scribbled slip. He’s quick at the grill, perhaps too fast, says Tavern owner Shelly Gordon. And though Gordon does not hesitate to praise Feggans, who has worked at The Tavern for at least a decade, he says one other Tavern chef exceeded his grill skills.

   “I had one better than him,” Gordon says. “He died on me … cancer ate him up.”

   Besides being handy with a spatula, Gordon says Feggans and the previous grill maestro, who died at 36, shared the same two faults: drinking Budweiser and smoking on the job.

   The open dining room of The Tavern sits under a barn-like roof with eaves stained alternately blue and orange. On the outside of that roof is The Tavern’s auspicious double-sided slogan, “WHERE STUDENTS, TOURISTS, & TOWNPEOPLE MEET.”

   Though Gordon gladly points out three grammatical mistakes in the sloppily emblazoned phrase, when asked if he plans to fix the mistakes he replies, “Hell no.” Gordon, his employees and the Tavern’s many devotees aren’t keen on changes to the classic greasy spoon. About the only changes Gordon has made in the 24 years since he switched from being a regular at the diner to its owner, are a stuffed deer and buffalo head and the occasional camouflaged canoe, which he has raffled off in the past.

   On any morning visit to The Tavern, which serves breakfast and lunch and has two beer taps, one is likely to see clusters of hung-over, separate-check requesting students, visitors from out of town and a healthy dose of townpeople. The Tavern’s scads of regulars, some who eat at The Tavern at least once a day, are enlisted from all three of the slogan’s groups.

   Across the barn-like restaurant from Feggans’ grill station is a wall of small booths, all with straight wooden backs. Given the prodigious serving sizes at The Tavern, the booths seem a little tight.

   At one of these booths is Bruce Bond, who has been both townie and student, of a sort, in his thousands of visits to The Tavern. Soon after his grandfather introduced him to the joint 43 years ago, Bond, then a student at Lane High School in Charlottesville, learned that a townie teen could open quite a few social doors by impersonating a UVA student at The Tavern.

   “I was a first year student from the time I was a freshman in high school,” Bond says. “I went to more frat parties in high school than in college.”

   Since those early UVA co-ed cruising days, Bond has continued to enjoy image tweaking at The Tavern. Wearing a Harley baseball cap to breakfast on this recent morning, Bond, who goes on hunting trips with Gordon, says he’ll take the townie cliché all the way by wearing his hunting duds in the restaurant. But he also sports a coat and tie on some days. And, back in ’96, Bond had his wedding reception at The Tavern, “band and all.”

   Bond and other regulars rave about the food at The Tavern. Like a professional football player, the omelets and pancakes at The Tavern come big and fast—fulfilling the mission of any great pancake house. But a discerning diner can taste the difference in the Tavern’s home fries, biscuits and ham from their equivalents at chains and other lesser restaurants. The reason: Gordon’s crew prepares these and other foods from scratch, peeling the potatoes, cutting the ham and baking the biscuits in the room behind the restaurant’s former drive-up window.

   But the food is not all that steers Bond to keep coming back:, “These guys do an outstanding job,” he says, gesturing toward the grill cooks and waitresses. “You can’t drive these people out of here with a stick of dynamite.”

   Gordon confirms that his employees often serve long stints at The Tavern, adding that many have been fired and rehired during their tenures, some as many as four times.

   Regular firings at The Tavern are not evidence of an imperious boss, however, but rather that Gordon believes in second chances. The only two unpardonable offenses for an employee are stealing and dropping the F-bomb.

 

On one recent Monday morning, Ivy residents and hardcore Tavern regulars Ken Beirne, 59, and his wife Beverly, 46, grab a table at the restaurant and order pancakes—Ken’s with two eggs, over-easy, and Bev’s with walnuts. They wave hello to another couple, also regulars, and Bev politely whispers, “She’s a school teacher.”

   “The cooks, waitresses, they’re all like family,” says Ken, who first started eating at The Tavern in 1984, as Helen, a 23-year Tavern vet, glides around, repeatedly filling up Ken and Bev’s coffees—not needing to ask which Beirne prefers decaf. “It’s a cultural sort of meeting place.”

   Both Beirnes say Tavern denizens cross an elusive and rare line of social contact where customers begin acknowledging Tavern workers and fellow customers around town, ask about each other’s kids and hang out together in the restaurant. “The people that come here are not peripheral people,” Ken says.

   The Tavern is the type of place where Ken, when noticing that the wait staff is overwhelmed, will step up and carry the coffee pot to waiting cups around the restaurant.

    Bev says the couple has the ability to move anywhere at this point, but that The Tavern, ACAC and other community gathering places keep them in Charlottesville.

   “If this place were to close down, I think there would be a lot of unhappy people,” Ken says. A few minutes later their check arrives. It runs to just over $9.—P.F. 7/13/2004

 

Categories
The Editor's Desk

Mailbag

“Baritone” off base

In response to your “Busted baritone” article [Ask Ace, June 22], I’d like to clarify a few things. I am, in fact, a vendor at the Charlottesville City Market (and I don’t sell baskets or cream cheese, I sell produce), so when you say “City Market vendors” felt that Uriah J. Fields needed to be escorted out of the market, I’m wondering which of the almost 90 vendors you are speaking of? Apparently your investigative reporting didn’t include talking to any of the vendors or you wouldn’t lump us all together under your condescending term of “conventional” basket weavers and cream cheese makers.

 If you had actually done some real reporting (and while I’m no journalist, I’m pretty sure you are supposed to interview all concerned parties, not just one side) you might have found that some of us at the Market not only didn’t mind Fields’ singing, but encouraged him with a few hearty “Amens!” Not only that, but Fields was approached by the “fill-in” Market manager, apparently at his own discretion and not at the request of any vendors, at least none of the vendors near my stand, which is where the incident occurred.

 Perhaps a few vendors did complain to the manager, but your article made it sound like all 90 of us got together in one big fascist assault on Fields. There are such words as “qualifiers” that you can use, like, “SOME City Market vendors,” or didn’t they teach you that in journalism school?

 I thought Charlottesville was supposed to be all trendy and supportive of local business and small farmers. So why is the local media trying to insult the people who are trying to make a living selling food to them? Or do you not want local, small farmers to make a living? At any rate, the Market is more than baskets and cream cheese. And what the hell is wrong with flavored cream cheese anyway?

 I hope Fields keeps singing at the market and anywhere else he chooses. Snobby, condescending, so-called journalists be damned.

 

Kathryn Bertoni

hatwaters@netzero.com

 

 

Singing our praises

Ask Ace, your question and answer feature that appears weekly in C-VILLE, is not only informative but of a consciousness-raising nature. I like reading your writings. I was impressed by your “Blood feud” write-up last August. In it you discussed blood donations and where the blood comes from that is used in our local hospitals. In early June of this year, under the headline “Putting greener,” you informed your readers about the huge amount of water that is used to keep golf courses green and revealed how one local golf course was successfully conserving water while at the same time keeping that golf course green.

 In the June 22 C-VILLE, under the headline “Busted baritone,” you wrote about an experience that I had on May 29 at the City Market when an attempt was made to prevent me from singing and exercising my free speech right that led to my encounter with the police. You discussed this incident and the reactions to it by Chief of Police Timothy Longo and others who read about it on George Loper’s website (http://george.loper.org). Your question and answer about this matter were superb. I consider what you presented to be consciousness raising. The hope for an improved society rests with the consciousness raising of citizens. Thank you for asking the right questions and giving answers that have redeeming value.

 

Uriah J. Fields (U.J.)

Charlottesville

 

CORRECTION

In the June 15 How To piece about retaining your phone number, we incorrectly reported that Charlottesville is among the top 100 phone markets and the number-keeping service has been available since November. Charlottesville is not one of the top 100 markets and the service has been allowed locally only since May.