Categories
Arts

Movie review: Stronger explores the realities of healing

It’s unfortunate that Stronger is being seen by some as “the other Boston Marathon bombing movie” after the release of Patriots Day earlier this year. The comparison shouldn’t even be made, but just in case there are people who might not see Stronger due to the association, let’s debunk and move on.

The two could not be more dissimilar; Patriots Day is an intentionally dishonest exercise in authority worship that throws the stories of actual people and victims by the wayside (its lead character, Tommy Saunders, is a composite who happens to be instrumental in capturing the Tsarnaev brothers). Stronger is a thoughtful, fact-based exploration of trauma and recovery, and the difficulty of moving on when everyone around you defines you by a single event that you only want to forget.

Stronger
R, 119 minutes
Regal Stonefield 14 & IMAX, Violet Crown Cinema

Stronger follows the story of Chelmsford, Massachusetts, resident Jeff Bauman (Jake Gyllenhaal), who was at the finish line of the 2013 Boston Marathon to cheer on his on-again-off-again girlfriend Erin (Tatiana Maslany). If you don’t know his name, you certainly remember his face from the iconic photo of him being rescued from the explosion, having just lost both of his legs, with the help of Carlos Arredondo, the so-called “man in the cowboy hat.” He instantly became a symbol of resilience for a city desperate for good news, and the fact that his eyewitness testimony also led to the identification of the perpetrators made him a hero in the eyes of many—including his mother (Miranda Richardson in an award-worthy turn), whose desire for the world to see how strong and brave her son is often hurts Jeff more than it helps.

However, a hero is exactly what Jeff feels he is not. Several times, he asks why standing there getting his “legs blown off” is something to be proud of. His first reaction to “Boston Strong,” the still-ubiquitous (and often monetized) slogan that arose in the wake of the attack, is to wonder what it even means. And as he’s taken to public appearances—Bruins games, his first rehabilitation session and many others—he comes closer and closer to reliving the worst day of his life. On a personal level, his immaturity and inability to show up when needed was a primary reason Erin broke up with him in the first place. And the one time he does manage to show up is when this happens. The pressure of needing to grow and recover at the same time, to be an unwilling figurehead when all he wants to do is hide, leads to the worsening of some pre-injury habits, especially his drinking.

Director David Gordon Green (George Washington, Prince Avalanche, Manglehorn) brings depth and insight into a straightforward narrative, and one that could have easily turned into the same cheap, meaningless inspiration that Jeff fought so hard not to be. The standard Boston beats are there—Red Sox fandom, intertown rivalry, swearing and nosy families—but Green understands the emotional space they occupy in the minds of Massachusetts residents. (In case you can’t tell, I myself am a Boston resident.) Stronger is an affecting film, impressive not only for what it is, but for what it skillfully avoids being.


Playing this week  

Alamo Drafthouse Cinema
377 Merchant Walk Sq., 326-5056

American Assassin, Brazil, IT, Kingsman: The Golden Circle, The Lego Ninjago Movie, Mother!

Regal Stonefield 14 and IMAX
The Shops at Stonefield, 244-3213

American Assassin, Dunkirk, Friend Request, Home Again, IT, Kingsman: The Golden Circle, Leap!, The Lego Ninjago Movie, Logan Lucky, Mother!, Spider-man: Homecoming, Wind River

Violet Crown Cinema
200 W. Main St., Downtown Mall, 529-3000

American Assassin, Brad’s Status, Brigsby Bear, Home Again, IT, Kingsman: The Golden Circle, The Lego Ninjago Movie, Mother!, Wind River

Categories
Arts

Movie review: Patriots Day overlooks the heart of the matter

Patriots Day is a reductive, insulting, dishonest bit of emotional manipulation that bullies its audience into withholding criticisms out of fear that they will be taken as insults against the heroic people of Boston who came together in the wake of the 2013 Boston Marathon bombing. No, director Peter Berg and co-producer/star Mark Wahlberg do all the insulting on their own with a reductive, pandering, self-congratulatory piece of exploitation that casts aside real people to vaunt the accomplishments of a fictional cop who does not even exist. So much for being dedicated to the everyday heroes.

Patriots Day
R, 133 minutes
Regal Stonefield 14 and IMAX, Violet Crown Cinema

Before we proceed with the rest of the review, one point needs to be made clear. Despite what some are saying, there is nothing inherently exploitative in making a film about the bombing and its aftermath. It is not “too soon,” and as long as art requires money to produce, there is nothing intrinsically hypocritical about selling tickets to a film that deals with heavy subjects. This sort of thinking led the world to dismiss Janet Reitman’s excellent investigation, “Jahar’s World,” for Rolling Stone and should not automatically be used as convenient ammo against Patriots Day. Its sins are much too serious for us to resort to potshots.

In the name of fairness, let’s lead with the good. Patriots Day presents itself as a procedural, following the series of events just before, during and in the week following the attack. Possibly the best aspect of the film is its use of real figures—Boston Police Commissioner Ed Davis (John Goodman), Watertown Police Sergeant Jeffrey Pugliese (J.K. Simmons), FBI special agent Richard Des- Lauriers (Kevin Bacon) and others. Berg follows the action from several points of view, including Sean Collier (Jake Picking), the MIT officer shot and killed by the Tsarnaevs, and Dun Meng (Jimmy O. Yang), whose car was stolen by the attackers. We even follow Dzhokhar and Tamerlan Tsarnaev with glimpses into the elder brother’s domineering behavior toward his impressionable and passive sibling.

When the film focuses on the intense minutiae of police work or spending time with people living their lives with no knowledge of the events they are about to be thrust into, it often works. The carjacking scene alone, in which the Tsarnaevs reveal their paranoid and conspiratorial mindset while Meng attempts to play along so as not to anger his abductors while also planning his escape, could have been its own film. A scene in which an interrogator (Khandi Alexander) grills Tamerlan’s wife is truly riveting and possibly the best single-scene performance of the year.

So where does Wahlberg fit into all of this, you may be asking? He plays Tommy Saunders, a composite character who never existed yet manages to be at the finish line at the time of the explosion, tells the FBI what’s what, pursues the bombers into Watertown, inspects the boat where Dzhokhar was eventually found, then shakes hands with David Ortiz before a Dropkick Murphys song plays over the credits. Berg, Wahlberg and company felt creating this caricature of a man was more worth their time than to acknowledge the existence of non-uniformed heroes like Carlos Arredondo, the famed cowboy- hat-donning activist and first responder who can be seen in videos running directly into the chaos before the smoke has even cleared. Berg fixates on Saunders as he guides ambulances full of EMTs whom we never meet and victims who are often not named until the end.

There is a film to be made about this subject, and Berg sometimes proves it with the occasional scene that holds together. But in the end, Patriots Day is not dedicated to any real heroes, but to self-parody and fictional authority figures.


Playing this week

Regal Stonefield 14 and IMAX
The Shops at Stonefield, 244-3213

A Monster Calls, The Bye Bye Man, Fences, Hidden Figures, La La Land, Live By Night, Moana, Monster Trucks, Passengers, Rogue One: A Star Wars Story, Sing, Singin’ in the Rain, Sleepless, Underworld: Blood Wars, Why Him?

Violet Crown Cinema
200 W. Main St., Downtown Mall, 529-3000

Fences, Hidden Figures, La La Land, Live by Night, Manchester by the Sea, Passengers, Rogue One: A Star Wars Story, Silence, Sing