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Arts

Jurassic’s Fallen Kingdom careens off beaten path

Why is it that sequels so bent on continuing stories and fleshing out backstories are much more confusing? It’s a curious thing that Jurassic World: Fallen Kingdom places such a high premium on plot continuity with little regard for why anyone liked Jurassic Park in the first place. What began as a visually thrilling summer blockbuster with just enough of a brain to merit repeat viewings has become an eyesore made by people who seem to know what smart people sound like but forgot to make the characters recognizable facsimiles of humans before they speak.

These are all things one might forgive if the movie was any fun—we’ve run glowing reviews of at least two Fast & Furious movies—but watching Fallen Kingdom is such an unengaging experience, you may as well bring a book and wait for the dinosaur noise to know when to look up. It’s almost impressive that they managed to make a movie this expensive look and feel so cheap.

Jurassic World: Fallen Kingdom
PG-13, 128 minutes
Alamo Drafthouse Cinema, Regal Stonefield 14 and IMAX, Violet Crown Cinema

Following the events of Jurassic World, the fate of Isla Nublar and its prehistoric inhabitants is in doubt as a long-dormant volcano threatens to wipe out life on the island. Claire (Bryce Dallas Howard) and Owen (Chris Pratt) are reunited by a rich guy to help save the dinos and transport them to a safe haven where they can live in peace. Now with no more information, try to guess where this all goes wrong.

The only Jurassic sequel that would make sense is one where the world decides dinosaurs aren’t worth it and everyone stays the hell away. But if they really have to continue this story, the least they could do is make the intrigue a little more intriguing.

The part of Jurassic Park’s story that resonated was man’s inability to accept that he ought not play god. Life, ah, finds a way, as it were, and all of the safety precautions in the world won’t save us from the natural order of things. If you treat all of existence as your plaything, it’s going to want to play back in a way you’re not going to like. Fallen Kingdom is about the directionless love story between the leads, answering story questions no one asked and repeating itself ad nauseum. The big deal last time was the creation of a new species. That’s exactly what happens again.

You can’t talk about Jurassic Park without mentioning its revolutionary use of special effects that still look amazing more than two decades later. Astonishingly, as these techniques have become more accessible and presumably more cost-effective, they also look worse and worse with every installment. The first movie bent over backward to make us believe that a dinosaur could look real on film. Fallen Kingdom takes that trust for granted and throws up any ol’ dingy looking CG monstrosity, which is frankly insulting to the audience’s intelligence.

Jurassic World: Fallen Kingdom is a pointless, directionless movie that doesn’t bother to be fun along the way. The dinosaurs went extinct long ago, and we should leave them that way, just as we should leave Jurassic Park’s legacy be.


Playing this week

 Alamo Drafthouse Cinema

377 Merchant Walk Sq., 326-5056

Incredibles 2, Ocean’s 8, Solo: A Star Wars Story, Won’t You Be My Neighbor?

Regal Stonefield 14 and IMAX

The Shops at Stonefield, 244-3213

Avengers: Infinity War, Book Club, Deadpool 2, Incredibles 2, Ocean’s 8, Solo: A Star Wars Story, Superfly, Tag

Violet Crown Cinema

200 W. Main St., Downtown Mall, 529-3000 

Hereditary, Incredibles 2, Mountain, Ocean’s 8, RBG, Solo: A Star Wars Story, Won’t You Be My Neighbor?

 

Categories
Arts

Movie review: Guardians of the Galaxy Vol. 2 keeps fans happy

The A-hole Avengers are back in Guardians of the Galaxy Vol. 2, with just as much swagger and ragtag chemistry as ever. It’s easy to forget that the first film was a risk for the unstoppable Marvel Cinematic Universe, a massive introduction to myriad characters, planets, teams and sci-fi concepts for a franchise wedded to the gradual reveal. Adding to the surprise was the hiring of veteran writer-director filmmaker James Gunn, known for his transgressive work (Slither, Super, Tromeo & Juliet). The gamble worked, and Guardians of the Galaxy was one of the strongest entries in the MCU to date, packed with laughs and thrills and characters worth spending more time with.

Guardians of the Galaxy Vol. 2
PG-13, 136 minutes
Regal Stonefield 14 and IMAX, Violet Crown Cinema

Vol. 2 finds the team uncontrollable as ever, yet the common goal of survival forces them to put aside their differences (as best they can) to defeat a threat facing the entire galaxy. We meet the Guardians as they battle to protect sacred and powerful batteries belonging to the Sovereign race from an interdimensional beast over the course of an opening credit sequence for the ages. If you recall, Groot ended the previous film as a tiny version of himself, affectionately known as Baby Groot. The team abandons its morale-raising sound system when the monster sneak attacks them, leaving it to Baby Groot to complete the setup, and he dances to charming easy listening, removing focus from the epic battle in the background. It’s the perfect intro, and an effective mirror of the first film’s credits.

When the battle ends, the Guardians must return the batteries to the Sovereign race, but Rocket’s (Bradley Cooper) sticky fingers get them all in trouble. They are rescued by a mysterious figure known as Ego (Kurt Russell)—claiming to be Peter Quill’s (Chris Pratt) father—and return to his planet to learn more about his origins, how he came to find Peter and the Guardians and what he intends to do now that they are his guests (or captives?).

Like the first film, Vol. 2 works best when it’s focused on the team dynamic as the anti-Avengers. They bicker, they rarely see eye-to-eye, yet it is always in their common interest to cooperate, a conflict that mirrors the better-known characters of the Universe. The cast is as great as ever, with new characters such as Mantis (Pom Klementieff) fitting right in. The dialogue is funny and smart, and it packs a surprisingly effective emotional punch in the end.

Despite its strengths, there are notable lags that threaten to pull the movie apart at times. After the initial reveal of Ego’s origins, the time spent on his planet is repetitive and not terribly entertaining or interesting. While that is happening, the sibling rivalry between Gamora (Zoe Saldana) and Nebula (Karen Gillan) is a nonstarter taking up a lot of screen time to go nowhere in particular. Though it does reflect somewhat the theme that family is about more than blood relation—Quill’s mixed relationships with biological parent Ego and father figure Yondu (Michael Rooker), Rocket’s raising of Baby Groot—for the entire middle of the film, several lead characters are doing little more than eating up screen time. If you liked the detour in Avengers: Age of Ultron focusing on Hawkeye’s family, you might enjoy the second act of Guardians Vol. 2, but they are similarly flawed.

Thankfully, the energy picks up for the finale and the characters get back to doing what they do best, and this might be the first MCU movie worth shedding a tear for. Even at its worst, Guardians of the Galaxy Vol. 2 is totally watchable for fans, rabid and casual alike.


Playing this week

Regal Stonefield 14 and IMAX
The Shops at Stonefield, 244-3213

Beauty and the Beast, Born in China, The Circle, Colossal, The Fate of the Furious, Get Out, Gifted, Going in Style, Sleight

Violet Crown Cinema
200 W. Main St., Downtown Mall, 529-3000

Beauty and the Beast, The Boss Baby, The Circle, Colossal, The Fate of the Furious, The Lost City of Z, Their Finest