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Pandemic pivot: How local nonprofits have adjusted to strange times

“When the pandemic set in, it rendered our model impossible,” says Jayson Whitehead, executive director of PACEM, a local nonprofit that partners with area houses of worship to offer overnight shelter and meals for the homeless during the winter. Close contact in church buildings became unsafe. So did the buffet dinners served by congregation volunteers. “That interaction was a big part of our service,” Whitehead says. “It’s a big deal [for our clients], to be greeted and served by a smiling face.”

Big shake-ups have been the story for nonprofits all over town. And every organization serves a different community with unique needs, meaning each one has been forced to adapt in its own way.

For PACEM, that meant using the city’s Key Recreation Center as a temporary men’s shelter. Then, federal COVID support enabled the organization to tap local hotels to shelter women and the medically vulnerable, overseen by the Thomas Jefferson Area Coalition for the Homeless. Still, Whitehead notes, “the pandemic cut our capacity to offer shelter in half.” As restrictions eased, PACEM has resumed working with eight of its former 30 church partners, incorporating professional cleaning and prepackaged meals instead of buffet dinners. While the organization’s annual fundraising event had to be canceled, Whitehead has seen increased support from long-standing donors and faith-based partners. “We live in a pretty amazing community,” he says.

Elsewhere, the Sexual Assault Resource Agency quickly pivoted to offer teletherapy for its clients, as well as redesigning its sexual violence prevention programs for schools to use online, says interim executive director Renee Branson. Normally, SARA’s on-call emergency room advocates would support survivors in person, but since that’s not possible now, they work remotely and in close coordination with ER nurses to connect survivors with support. Branson knows many clients “may have less reliable [internet] access, so we also offer support by phone or drop off materials at their homes.” With both its annual fundraisers—Walk A Mile for SARA in April and its November Community Breakfast awards banquet—canceled, SARA launched an online auction during Giving Tuesday on December 1.

Renee Branson, interim executive director of the Sexual Assault Resource Agency, says the center has taken a number of steps to adapt to life with the virus. PC: Zack Wajsgras

Pre-COVID, the Charlottesville staff of Project ID visited the Albemarle-Charlottesville Regional Jail weekly to help inmates due for release get the identification (birth certificate, driver’s license, or DMV-issued ID) needed to apply for housing, social services, and jobs. “We’d see four to 12 people a week, and a DMV representative came in once a month,” says co-chapter lead DeAun Sanders. “Now we have to do all that by phone, even walking them through online applications. But many of them don’t have computers, or smartphones.” The group used to have office hours at the Jefferson School and public libraries, which made assistance and online access available for the city’s underserved and homeless, but that’s been curtailed by pandemic restrictions. Luckily, though, since Project ID also facilitates voter registration as part of national organization Spread the Vote, money hasn’t been an issue in this hyperactive election year.

Many Sentara women’s health and breast cancer programs receive funding from the Martha Jefferson Hospital Foundation’s Women’s Committee, best known for running Martha’s Market. But a three-day event with 40 vendors and hundreds of shoppers was impossible this year, so the committee went virtual—with an added twist of incorporating local businesses. “We didn’t expect to make as much money,” notes chair Amy Nolasco, “but we wanted to continue the event and support our health community.” The committee’s squash tournament fundraiser had to be scrapped, but the annual In the Pink tennis tournament went ahead—with COVID adaptations. “Usually we ask local small businesses to provide the prizes, as a promotion,” says Nolasco, “but we knew they couldn’t this year, so we bought their gift cards as prizes instead.”

Like other educational organizations, Literacy Volunteers of Charlottesville/Albemarle had to take its tutoring activities and citizenship classes online. Executive Director Ellen Osborne says there’s been some upside: tutor training—formerly a full day and in person—is now several shorter online sessions, making it easier for some people to participate. (They’ve even had a few trainees from outside Virginia—which works, since tutors and students now meet virtually.) And, since online sessions mean no commute and no need for a sitter, LVCA’s citizenship classes are booming. Literary Volunteers had to cancel this year’s Wordplay, its big game-show fundraising event, which usually nets about $20,000. “It’s hard to make up that kind of money,” says Osborne, “but all our sponsors are carrying over their fees until next time.”

The Front Porch, a nonprofit community music school, has gone all virtual until fall 2021. “We’ve lost many of our children—they are spending so much time online now,” says Executive Director Emily Morrison, “but we have seen a lot more adults, and a lot more private students over group lessons—one of our teachers has students from New York, Illinois, Florida, even Alaska.” Building community is part of The Front Porch’s mission, “and the pandemic has cramped that,” says Morrison; on the other hand, its Save the Music livestreamed performances have supported local musicians and generated donations for area nonprofits. Its spring block party and fall square dance are on hold, but Morrison says, “We’ve had a banner fundraising year, largely on gifts from $10 to $100—in this scary and divisive time, people have really stepped up to support our local nonprofits.”

Price Thomas, director of marketing for United Way of Greater Charlottesville, agrees: “People see the effects on their neighbors, and have been very generous, especially toward pandemic effects and recovery,” he says. United Way has been able to hold many of its donor and community events online, but while virtual accommodates more people, Thomas notes, it lacks that all-important personal contact. “Our focus is staying connected with people and with our community.”

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Culture Uncategorized

Pick: Save the Music

Music matters: When Front Porch music school’s executive director Emily Morrison temporarily closed the doors to the popular venue, she was ready to break another barrier by livestreaming the robust programming students and fans have grown accustomed to. “We’ve talked for years about how streaming could enhance our live venue, making the concert experience accessible to people who can’t go out or who can’t afford concert tickets,” Morrison says. On Friday, she’ll pull out her banjo and take the virtual stage along with Gabe & Austin Robey & Friends for another installment of Save the Music.

Friday, April 10. 8pm. frontporchcville.org/save-the-music.

 

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Arts

The Front Porch celebrates inclusivity at new location

The Front Porch’s Emily Morrison wants artists of all backgrounds to find peace at the roots music school she founded in 2015. With help from friends, Morrison began the school in a back room in her home and soon moved into a space at Mountaintop Montessori. Last June the nonprofit moved into the old Michie Theater space on Water Street East. Morrison says the school offers a service she couldn’t find locally as a burgeoning banjo player—a space to host jams, performances and lessons in genres ranging from bluegrass to African dance.

“The essence of what we’re trying to do at The Front Porch is encourage people to sit together and share inspiration, stories from their background and what moves them—to bring the songs they want to learn to the table and play with other people,” she says.

Since childhood, Morrison has felt drawn to the Appalachian sound and language of roots music. That’s not what excites her most about music-making, though—it’s the merging and blending of genres that happens over time as cultural pasts converge.

“There’s a source of music here that’s worth exploring,” Morrison says. “But, there are many other cultural groups with musical histories that are valid, important and should be celebrated.”

Upcoming at The Front Porch

Friday 3/3

An Evening with the Darrell Rose Power Trio

Saturday 3/4

Cathy Fink and Marcy Marxer concert and workshops

Monday 3/6

Songwriting class with Jesse Harper of Love Canon

Thursday 3/9

West African dance class

Friday 3/10

Starry Mountain Singers

Saturday 3/11

Sunny Mountain Serenaders

Morrison sees an increasing need for artists to have a peaceful place to communicate through the language of art, especially since words in today’s world can be so divisive, she says. Devon Sproule, a guitar and songwriting teacher who recently joined The Front Porch, describes her methodology as “musical mentoring.” Sproule sees music as therapeutic, and says she helps students process life’s joys and pains through creative writing.

“The Front Porch’s path is the same as that: It’s about connecting people and people enjoying music for the experience, not for competition,” Sproule says.

Pete Vigour has taught music for 30 years, tours internationally and teaches clawhammer banjo, fiddle, mandolin and guitar at The Front Porch.

“The philosophy to be inclusive of people of different backgrounds, ages and socio-economic background is quite exciting,” Vigour says.

To make The Front Porch more inclusive and accessible, executive director Morrison and board chair Angel Gunn plan to increase funding for student scholarships and strengthen partnerships with organizations like Big Brothers Big Sisters and International Neighbors, a nonprofit providing support for refugees and immigrants.

A number of “champions,” Gunn says, have been instrumental in the move to the downtown location. They began full-scale renovations by creating a large multi-purpose room that connects to classrooms and installed new dance floors, though Gunn says there’s still much to be done.

“We were given a raw space and we’re so grateful for it, but it was a puppet theater,” Gunn says. “There was a little stage and miniature bench seats for 4-year-olds. …We said, ‘Okay, we can fit 10 people in this space.’” Gunn says acoustic improvements and other renovations will continue in order to match the caliber of The Front Porch’s performers and teachers.

Fitting the bill for that quality are Cathy Fink and Marcy Marxer, who perform and host ukulele and guitar workshops. After meeting in 1980 at a Toronto folk festival, and receiving mentorship from musicians such as Pete Seeger and Tom Paxton, Fink and Marxer went on to play at hundreds of festivals and garnered two Grammys for their style of music that they call “well-rounded Americana.” The duo married in 2012, “pretty much as soon as we could,” Fink says. At their wedding, Fink, Marxer and Paxton performed Paxton’s “You Are Love” together, and Marxer says there was not one dry eye in the room.

“Roots music and activism have always gone hand in hand,” Fink says. “What we do as artists is distill the world’s complication and make it feel like we can do something positive with it—to make good music that inspires people.”

Their new album, Get Up and Do Right, aligns with The Front Porch’s mission to celebrate cultural exchange and tradition. They look forward to performing and teaching in Charlottesville, where Marxer says she sees a tremendous amount of talent and musicality.

“The list is long in how we’ve received support,” says Morrison. “It’s really been a beautiful experience.”