Categories
Arts

ARTS Pick: Pancake Party with the Star Children

The default option for any working band looking to raise some quick funds is usually Kickstarter, but We Are Star Children, as always, are thinking outside the box. To help fund the distribution of their next album, the local group are instead hosting a pancake breakfast on Saturday morning, May 18 at the Alloy Workshop.

They’ll play their forthcoming album in its entirety (including several new songs making their Charlottesville debut), while listeners enjoy fresh pancakes from the Blue Moon Diner, as well as hot and cold chai tea, authentic Ohio maple syrup, and mimosas (while supplies last). A donation of any amount will get you an advance digital copy of the album, as well as helping to fund the production of the physical discs.

Saturday, 5/18  Suggested donation, 10:00am – 1:00pm, Alloy Workshop, 1109 Rose Hill Dr.

Categories
Living

Stargazers: Charlottesville scientists are helping build the most powerful telescope in history

The President of Chile is running about an hour late. Not surprising, perhaps, considering the dedication ceremony he’s attending is being held 25 miles from the small tourist town of San Pedro de Atacama, up a long and desolate road, in a support facility nestled at 9,000′ in the high desert of the Chilean Andes. Assembled dignitaries, politicians, scientists, and press mill about a large, white tent, planted improbably on the dusty soil of a site that’s important because of its lack of water. Crystal clear high-altitude sunlight diffuses through the sides of the tent, illuminating dark suits, professional smiles, and rows of white-sheathed folding chairs.

Some of that light enters the lens of a video camera. The lens focuses it onto a CCD chip, which pulses out a discrete raster of image data 30 times every second to a computer workstation and from there to an Internet server. The server dissects the data into packets, which it sends skittering out onto the Web. Around the globe, hundreds of other Internet routers requesting the feed pull it together, buffer it, and serve it up as streaming video.

In a small auditorium in Charlottesville, a projector jacked into a laptop casts the images onto a screen. Sixty or so people gathered in that auditorium are doing the same thing as their colleagues 5,000 miles away—smiling, chatting, and waiting. They are all employees of the National Radio Astronomy Observatory (NRAO)—scientists, engineers, technicians, and support staff. They are here to watch, from a continent away, the inauguration of ALMA—the Atacama Large Millimeter/sub-millimeter Array—the most powerful telescope on earth. They are, despite the delay, in a celebratory mood. And they should be, because they helped to build it.

When it is completed, ALMA will feature 66 of the most sensitive radio receivers ever made, placed at 16,500' in the Chilean Andes. Photo: ALMA (ESO/NAOJ/NRAO), C. Padilla
When it is completed, ALMA will feature 66 of the most sensitive radio receivers ever made, placed at 16,500′ in the Chilean Andes. Photo: ALMA (ESO/NAOJ/NRAO), C. Padilla

Twenty-plus years in the making, ALMA cost $1.3 billion. On March 13, it was officially put into service. When all of its components are in place in the coming year, it will sport 50 39′ state-of-the-art radio antennas, as well as an additional 16 smaller antennas which greatly increase its sensitivity. Each of the larger antennas is the size of a modest house, and can be moved around the vast Chajnantor plateau, a 16,500′-high portion of the Atacama desert, into configurations as large as 11 miles across, allowing astronomers to adjust the size of the slice of sky that the telescope can take in. ALMA will be able to see things farther away, fainter, and in vastly greater detail than we have ever been able to see before. Our view of the universe is about to take an exponential leap.

Like almost all big science in an age of fiscal constraint, ALMA was built by a consortium of countries. But NRAO here in Charlottesville houses its North American headquarters. The people here helped select the site in Chile. They developed the telescope’s specs and its mission. They helped create many of the super-cooled, supersensitive radio receivers that are its ears. And they designed and built, in a little low-slung building off of Ivy Road, the supercomputer capable of 17 quadrillion operations per second that is its brain. This is ALMA’s story, told in snapshots of a few of the hundreds who helped make it happen.

Climbing the ladder

“It’s been a very long haul,” said Paul Vanden Bout, who would know as well as anyone. As Director of NRAO through most of the years of ALMA’s development, Vanden Bout signed the agreements and nurtured the international relationships that made ALMA possible. He also wasn’t above a bit of tramping in the mountains if it meant finding a home for the telescope.

In the early 1990s, Vanden Bout and several colleagues found themselves in the hamlet of San Pedro de Atacama, and the going was not easy: “The other NRAO person [on the trip] was Bob Brown, and he had studied the topo maps and knew that there was high ground and a road. He knew that you could drive up there, which we attempted to do in two trucks. Brown made it up to the high altitude and was very impressed with what he saw. My truck broke down. The carburetor couldn’t take the thin air.”

Unlikely as it may seem, the path that leads astronomers to Chile was, even at the time, very well worn. Because of its abundance of high elevation sites, an aggressive technology development plan, and relatively low costs for construction and manpower, Chile is dubbed by Wikipedia “the astronomy capital of the world.” Charlottesville’s connection to astronomy is just as well founded, though it requires a bit more explanation. It came about because of the invention of a farm implement.

Cyrus McCormick, from Rockbridge County, Virginia, is credited with building the first threshing machine in the 1830s. He and his brother Leander were both heirs to the manufacturing company that eventually became known as International Harvester. In 1877, Leander, who had an interest in astronomy and had maintained an affection for his home state, donated a telescope with a 26″ primary lens to the University of Virginia.

Because of the altitude, technicians need supplemental oxygen when they work on the ALMA Correlator, a supercomputer capable of 17 quadrillion operations per second. Photo: ESO/Max Alexander
Because of the altitude, technicians need supplemental oxygen when they work on the ALMA Correlator, a supercomputer capable of 17 quadrillion operations per second. Photo: ESO/Max Alexander

UVA astronomer Ed Murphy runs the public outreach program at the McCormick Observatory, where the telescope is on display and functioning to this day. “The telescope, when it was finished, was the largest in the United States, and the second largest in the world,” said Murphy from his office on McCormick Road. “It was a very big deal when it came here, and that’s really what put astronomy in Charlottesville on the map.” In the early 1900s, the Observatory embarked on an ambitious program to measure the exact distance from the earth to nearby stars. The measurements conducted here laid the groundwork, step by step, for the measurement of increasingly distant objects.

Climbing “the distance ladder,” as it is called, astronomers in the first half of the 20th century gained a staggering new view of the cosmos. It had previously been thought that the entire universe consisted of our Milky Way galaxy—a homey collection of stars and nebulae 100,000 or so light years across. But by 1950, it was becoming more or less universally understood that our galaxy was only one of hundreds of millions spread out over the unimaginably vast space of billions of light years.

The new science of radio astronomy helped astronomers develop this picture, but after WWII, the United States found itself behind in the radio game. So in the late ’50s, the National Science Foundation established a National Radio Astronomy Observatory, purchasing land in Green Bank, West Virginia, where they built a headquarters, designated a “radio quiet zone” to minimize interference, and started building telescopes. The remote location made it easier to maintain radio silence for the telescopes, but it was an out-of-the-way place to house a national science program.

By the 1960s NRAO was looking for a new headquarters—something closer to the center of power in D.C., and in better proximity to other scientists. The UVA astronomy department, then under the direction of Laurence Fredrick, was aggressively hiring research faculty and rebuilding a national reputation. When UVA offered to construct a new home for NRAO, the deal was done. By the 1970s, between NRAO and the astronomy department, Charlottesville boasted a substantial percentage of the world’s talent, experience, and brainpower in the field of astronomy.

Al Wootten was one of those drawn into the orbit. Wootten now serves as North American Project Scientist for ALMA, but at the time he was an expert who had already made a name for himself studying molecular gas clouds. He came to NRAO to get access to the kind of instruments he needed to pursue his work. “I came here in the end of 1982 to work on a 25-meter telescope, which was cancelled when I hadn’t even been here a month,” said Wootten, with a wry chuckle. “So that was a great feeling.”

He talks resolutely, matter-of-factly, but with an undercurrent of humor that hints that he understands one or two of the absurdities that underlie most things in this world. “So I thought, well, I’d better get involved in this Millimeter Array.”

Categories
Arts

Film Review: A Good Day to Die Hard

Lowering the bar: A Good Day to Die Hard falls short of the action franchise’s mark

The late comedian Bill Hicks had a three-word movie review rating system. To my knowledge, he used it only once—on Basic Instinct—but the three-word review should be revived, because it applies wholly to A Good Day to Die Hard: Piece of shit.

No other words or phrases quite so succinctly or decisively sum up this massive turd. This movie is so bad it’s unbelievable.
And let’s unpack that statement: A Good Day to Die Hard is so bad I actually cannot believe it. When did the demon dogs of hell stop merely influencing movie stars and studios and begin pulling the strings? To reiterate the inescapable point, A Good Day to Die Hard is a piece of shit.

To wit: In the overpraised-but-still-fun The Blues Brothers, a comedy by director John Landis (who had comedic flair), Carrie Fisher attempts to kill Joliet Jake (John Belushi, a comic actor) and Elwood (Dan Aykroyd, a comic actor) several times. In the most dramatic example, she detonates the hotel in which Jake and Elwood are staying. The building explodes and crumbles. Jake and Elwood simply climb from the bricks, survey the wreckage and amble on. It’s Warner Bros. cartoon-funny.

More than once in the mercifully short A Good Day to Die Hard, John McClane (Bruce Willis) and his son, Jack (Jai Courtney), fall through buildings that explode and crumble for a variety of yippy-ki-yay reasons. Father and son simply climb from the bricks, survey the wreckage and amble on, but without the benefit of being John Belushi or Dan Aykroyd in The Blues Brothers. A Good Day to Die Hard is a piece of shit.

The plot, not that it matters, concerns McClane going to Russia to watch Jack go to trial for killing someone blah blah something and it’s all really stupid. This movie was written and produced for one reason: money. One of the characters even says something like “It all comes down to money.”

I’m not the kind of person who longs for the days when movies were good—seriously—and I understand franchises must change in order to survive. Change them too much and Batman becomes Batman & Robin. Or Die Hard becomes A Good Day to Die Hard.
Die Hard had a simple but smart story, smart characters (even the dumb ones) with backstory, tightly staged action scenes, a wonderful villain and a main character who hated himself. And he could get shot and bleed. In Live Free or Die Hard, the fourth film in the series, John McClane became a superhero. Now he’s just a dick. At one point McClane tells Jack to respect his father, a smug line coming from a movie that doesn’t respect its audience.

The action scenes make no sense—not even in magical SuperHeroLand—and there was more character development in the first 10 minutes of Die Hard 2: Die Harder, which previously held the honor of being the worst entry in the Die Hard canon.
Now there’s a new worst: A Good Day to Die Hard. Seriously, it’s a piece of shit.

A Good Day to Die Hard/R, 97 minutes/Regal Stonefield 14 and IMAX

Playing this week

Argo
Regal Downtown Mall 6

Beautiful Creatures
Regal Stonefield 14 and IMAX

Hansel & Gretel:
Witch Hunters
Regal Stonefield 14 and IMAX

The Hobbit:
An Unexpected Journey
Regal Stonefield 14 and IMAX

Hyde Park on Hudson
Regal Downtown Mall 6

Identity Thief
Regal Stonefield 14 and IMAX

The Impossible
Regal Downtown Mall 6

Life of Pi
Regal Downtown Mall 6

Mama
Regal Stonefield 14 and IMAX

Promised Land
Carmike Cinema 6

Quartet
Vinegar Hill Theatre

Rise of the Guardians
Carmike Cinema 6

Safe Haven
Regal Stonefield 14 and IMAX

Side Effects
Regal Stonefield 14 and IMAX

Silver Linings Playbook
Regal Downtown Mall 6

Stand Up Guys
Regal Downtown Mall 6

Twilight: Breaking Dawn Part 2
Carmike Cinema 6

Warm Bodies
Regal Stonefield 14 and IMAX

Wreck-it Ralph
Carmike Cinema 6

Zero Dark Thirty
Regal Stonefield 14 and IMAX

Movie houses

Carmike Cinema 6
973-4294

Regal Downtown Mall
Cinema 6
979-7669

Regal Stonefield 14
and IMAX
244-3213

Vinegar Hill Theatre
977-4911

Regal Oscar Week
Regal Downtown Mall Cinema 6

February 19 & 21
Beasts of the
Southern Wild
Life of Pi
Les Miserables
Amour
Lincoln

February 20
Django Unchained
Silver Linings
Playbook
Zero Dark Thirty
Argo

Categories
Arts

Blues Explosion Returns to the Jefferson

For the past 25 years, Jon Spencer has been wowing audiences with some of the trashiest, rowdiest, rock & roll imaginable. Using Exile-era Stones as their sacred text, the Jon Spencer Blues Explosion crank the knobs up to 11 for a sweat-drenched, swaggering, inebriated blues-rock experience. Meat and Bone is their first new album in eight years, but it picks up exactly where they last left off, proving that their formula only improves with age, and their current reunion tour has them sounding tighter and funkier than ever. The Explosion rolls through town on Monday, January 14th at the Jefferson.

Check out the video for their latest, “Bag of Bones:”

$15-$17, 7pm, Jefferson Theater, 110 E. Man St. Downtown Mall. 245-4980.

Categories
Arts

Frank Fairfield makes a quiet return to the Downtown Mall

Old-time-music enthusiasts who missed Frank Fairfield‘s appearance in town two weeks ago, as well as fans eager for a second helping, are in for a pleasant surprise.

We spotted the distinctive Fairfield — hard to miss, with his vintage suite, pomade-ed hair, and a mustache worthy of Daniel Day-Lewis in There Will Be Blood — busking on the Downtown Mall this afternoon, entertaining cold passers-by with century-old fiddle tunes.

The whims of a traveling musician have apparently landed Fairfield in Charlottesville again for a few days, and he’s struck up a residence at the Southern Café and Music Hall, playing tunes in the venue’s bar area, Wednesday through Friday (November 28th – 30th).

It’s an extra treat for attendees of those concerts (David Wax Museum on Wednesday, the Last Bison and Hill & Wood on Thursday, and the Steel Wheels on Friday) but curious passers-by can check it out as well, as the Southern’s front bar area doesn’t require paid show admittance. Fairfield seemed unsure of precisely what time he’d be performing, but his vast repertoire ensures he’ll find a captive audience whenever and wherever he strikes up a tune.

For more on Fairfield, check out Andrew Cedermark’s homage published last year.

Categories
News

Should Virginia wineries get agricultural tax breaks if they’re not growing grapes?

Governor Bob McDonnell’s declaration of 2012 as the year of “Virginia wine’s emergence on the international stage” was meant to mark an anniversary: It’s been 250 years since a Commonwealth wine first won accolades in Europe. But there’s no question viticulture matters here at home. Virginia’s 200-plus wineries now contribute an estimated $747 million to the state’s economy and support 4,800 jobs. But as the industry grows, so do the number of vineyards claiming agricultural tax credits, and a blurry line between winemaking and tourism could mean more fights over land use in rural Virginia.

To qualify for a “Class B” Virginia farm winery or cidery designation, owners have to ensure that 75 percent of the fruit they use comes from Commonwealth vineyards —not necessarily their own. And in 2007, the legislature expanded the farm wineries’ privilege and banned local governments from regulating winery activities whose “purpose is to promote, market, sell, or educate guests about the wine produced.” As a result, some Virginia wineries that operate primarily as event venues are bypassing local zoning rules, and taking advantage of perks and a 40 percent land use tax credit meant to encourage agriculture, despite the fact that they’re doing very little growing.

Since the state passed the 2007 law, there have been a number of battles over wineries’ land use. Fauquier County winemakers are suing over an ordinance that restricts their business hours and the kind of events they can host. Albemarle aligned its rules with the state’s more permissive language in 2010, but last year, the county saw a bitter fight between Keswick Vineyards and neighboring residents over how to regulate event noise.

Mitzi Batterson is president of the Virginia Wineries Association, and owns and operates James River Cellars in Henrico County with her husband, James. Their 5,000-case-per-year winery is in an area that was already zoned commercial, so they haven’t had to worry about jumping through zoning hoops, but she said aggressive efforts by local governments to restrict the way wineries operate feels like an attack on everybody in the business.

“We’re still regulated,” she said. “I just don’t know any other industry where people are knocking on their doors, saying ‘You can only have these hours.’”

Virginia wineries have diverse business models, Batterson said, but the thing everybody has in common is big start-up costs. Every little bit of support helps. “That’s the idea, to minimize the amount of regulation so you can get up and running,” she said.

The Keswick battle aside, there have been few flaps over wineries’ land use in Albemarle. Credit that to the terroir. The Monticello American Viticulture Area, which includes nearly the entire county, has one of the highest concentrations of vineyards in the state for a reason: This is a great place to grow wine grapes. There are fewer wineries-in-name-only, and that seems to have inspired a more peaceful coexistence.

Former Augusta Medical Center ER doctor Rich Evans and his wife Lynn Davis, an anatomy Ph.D. and dean of the Echols Scholar Program at UVA, planted their first vines in Nelson County in 2000. For several years, they sold their grapes to other wineries, but in 2005, they put the Flying Fox Vineyard label on their first bottles. Now they run a small tasting room off Route 151 in Nelson County.

“We were losing money growing grapes,” Evans said. “We lose a little less money growing wine.”

The pair are purists, and at about 2,000 cases a year, they’re small-time. They’re in the industry for the joy of the craft, and they don’t host events. As Evans puts it: “No weddings, just wine.” But he readily acknowledges that not everybody has that luxury.

“This is not a business that we can live on,” he said. Even more than other agricultural operations, Virginia wineries are at the mercy of mother nature, and Evans said he doesn’t think it’s possible to turn a profit while relying on only one’s own acreage.

If you want to make wine and make money, “not growing grapes is probably a better business decision than growing grapes,” he said.

And the wine industry here continues to grow and commercialize. Consider the case of Trump Winery, nee Kluge Estate. The entire property, including the massive manor house, is now in the hands of the billionaire, and there’s talk of a resort and a world-class golf course to complement the vineyard. And while big operations like Trump’s require lots of startup cash, wealthy winery owners can also take advantage of millions of dollars worth of tax credits.

Will locals put up with the Trumpification of Virginia wine in Jefferson’s backyard? Evans says there’s a lot to be said for the economic boost that comes from long lines of cars winding their way down Route 151 in Nelson. And he doesn’t see a need to draw lines between wineries based on their business model. It comes down to the pour.

“The only distinction I’d make is if you like the wine, or you don’t,” he said.

Categories
News

Break on through: Ultra runners push the limits of human endurance

“Runners to the starting line!”

Excitement ripples through the Wintergreen parking lot as dozens of Spandex-clad men and women, all of them solid muscle, take final swigs of Gatorade, kiss loved ones, and make their way toward a giant inflatable archway.

“On your mark; get set—”

A few runners stoop as if about to sprint, but when the race director shouts “Go!” the group takes off not at a sprint, but with light shuffles through the chute and up the first steep incline. The whole thing happens surprisingly slowly.

But don’t let the pace fool you; these runners have a long day ahead of them. It’s 7:15am on Saturday, September 29, and the 46 athletes making their ascent are the second group of the day to begin the annual Ultra Race of Champions 100K, a 62-mile trail race around Wintergreen Resort and along the Blue Ridge Parkway. Even the fastest runners will be on the trail for nearly eight hours, and competitors for the other upcoming races—a 50k and half marathon—stand by in awe, many hoping aloud to eventually be in their shoes.

Bad to the Bone Endurance Sports hosted UROC for the second year, and race director Francesca Conte, a local ultra runner herself, said she was thrilled to see so many runners return.

It’s nearly impossible to to drive through Charlottesville without passing at least a handful of runners. From cross-country teams to middle aged marathoners, runners take to the sidewalks and trails here every day—but it hasn’t always been that way.

When Ragged Mountain Running Shop owner Mark Lorenzoni moved to Charlottesville in the 1970s, hardly anybody ran on the streets. Only two or three races took place in the area each year. Women had minimal involvement in the sport. Ultra runners were almost unheard of.

Charlottesville’s running culture has exploded since Lorenzoni and his wife Cynthia opened the store in 1982 and took to the city on foot themselves. Now, local runners have about 85 races a year to choose from, from 5Ks to 100-milers.

According to Lorenzoni, the average pace of the Ten-Miler in 1984 was 7 minutes, 30 seconds per mile; now the average is about two minutes slower.

“I think that’s wonderful,” he said. “It means it’s opening up, and people are realizing that anyone can run.”

While more and more people are trying their hand at jogging and entering playful races featuring muddy obstacle courses and buckets of colored powder, the sport of running has also spawned a smaller, elite group of athletes who are obsessed with distance. Ultra marathon runners compete in races longer than traditional 26-mile marathons —typically 50K, 50 miles, 100K, and 100 miles. And with its scenic mountain ranges and enthusiastic running community, Virginia has become one of the most desirable East Coast destinations for ultra runners.

Ultlra marathoners and 5K runners may wear the same shoes and train on the same trails, Lorenzoni said, but the two sports are about as alike as squash and tennis. They both require a racket and a ball, but the similarities end there.

Many ultra runners build their schedules around training and racing. Some even go as far as to move to a new city just to join a running community. All of these athletes must have supportive, understanding families who don’t mind not having them around for hours and days on end. Charlottesville is home to an unusually large population of these ultra runners, three of whom stand out in the community as elite competitors and stewards of the sport.

Survival of the fittest 

Andy Jones-Wilkins knows pain. He also knows how to fight through it, and not just survive, but win. The local, Patagonia-sponsored elite runner has competed in 28 100-mile races—five of which he has won—and has dozens of other ultra races under his belt. He describes himself as naturally competitive, and though his first-place days may be over, he thrives on chewing up endless miles of wooded trails.

The 45-year-old father of three boys and head of the Tandem Friends School wasn’t always into intensely competitive sports. He said he was a “250-pound frat boy” when he graduated from Hamilton College and took his first teaching job in Philadelphia. He loved playing golf and hanging out on Cape Cod with his buddies during the summer —until he met his wife, a water polo coach whom he describes as an “ultra woman.” He initially scoffed when she invited him to join her on a cross-country bicycle trip, but as a 22-year-old who was falling in love, he eventually caved and bought a bike.

“I lost about 30 pounds and started feeling really good about myself athletically for the first time since high school,” he said. So to stay in shape during the winter, he started running. He quickly caught the bug, and worked his way up from shorter races to marathons.

“I realized the longer I went, the better I did,” he said. “In a half-marathon I’d finish in the top 100, and in a marathon I’d be in the top 50.” His competitive urges got the best of him, and he came to the natural conclusion that longer must be better.

When Jones-Wilkins and his wife moved to Arizona in 1996, he immediately took to exploring new trails and began meeting fellow distance runners. A running pal suggested he attend a 100K race as a spectator, and he was hooked. The thrill of doing something most people wouldn’t dream of trying sucked him in, and he immersed himself in the small but growing world of ultra running. He slowly built up his endurance and distance, beginning with a 50K and ultimately running his first 100-miler in 2000. He advises other runners to train safely and not rush from one distance to the next. But the long distances are addictive, he said, and one race is just motivation for the next.

“They say the worst thing about doing a 50-miler is that it’s a gateway drug to a 100-miler,” he said with a laugh.

Having completed every race he’s ever started, Jones-Wilkins said he’d rather limp through the night to the finish line than ride back in a car.

“I’d rather just walk it in and turn it into a big hike than ride home in the car. The pain of the race will last 24 hours, but the pain of riding home in a car will last a whole year,” he said. “I’m sort of a finish-what-I-start kind of guy.”

As a natural extrovert who interacts and socializes at work all day, Jones-Wilkins sees running as a solitary sport, and loves separating himself from the world as soon as he steps onto a trail. But running a race of any length is a family event, he said, and he couldn’t do it without his wife and three boys.

“At the races they’re like a NASCAR pit crew,” he said proudly. They surround him in the aid station and everybody has a job; his oldest son mixes up the drinks, while the younger two take care of ACE bandages and pain killers and stick energy gels into his pockets. Jones-Wilkins’ sons grew up going to races on the weekends, and when he screeches to a halt in an aid station they have him polished up and back on the trail before he can say “Gatorade.”

Jones-Wilkins has thousands of miles under his belt and always thought of himself as indestructible, but even he is not immune to the toll a 100-mile race takes on the body.

“You have to get comfortable with being uncomfortable,” he said. He almost invariably vomits during a race, and even after 12 years of ultra-running, his legs feel like cement afterward. And from developing plantar fasciitis to losing entire toenails, he said ultra-runners often go through cycles of injury and recovery.

In 2005, around mile 85 in the Angeles Crest 100-miler in California, Jones-Wilkins spotted a headlamp atop a steep incline at an aid station ahead of him. Despite screaming pain in his quadriceps, he charged up the hill and hammered out the remaining miles at full speed on a high only a runner can understand. Immediately upon crossing the finish line he was rushed to the hospital with his first substantial injury: a seriously damaged quad  that led to acute renal failure.

“It’s not like I just had blisters,” he said. “I think it was my body’s way of telling me to take a break.”

Doctors knew they wouldn’t convince him to quit running, he said, so they warned him to listen to his body and either slow down or train harder to build up muscle endurance. Jones-Wilkins chose the latter, but said the week in a hospital bed and two months off the trails taught him the valuable lesson that he is not invincible. To this day, he has his blood tested after every 100-
miler, and has scrapped races he’s signed up for in order to keep himself healthy.

Earlier this year, 58-year-old internationally renowned ultra-runner Micah True, nicknamed Caballo Blanco, was found dead in the wilderness of New Mexico days after he took off for a solo run. He died of heart failure, and studies after his death show that running as long and as hard as ultra-runners do can cause irreparable heart damage. Jones-Wilkins knew True personally and was shocked by his sudden death, but said he isn’t concerned about the health of his own heart.

“While I certainly know there is risk in running ultras, I believe that by taking care of myself and listening to my body when I am out there I am ultimately doing more good than harm,” he said.

Jones-Wilkins loves  running and being outdoors, and  the thrill of competing against the top ultra guys in the nation draws him back to races. If he wants to continue running into his later years, he said, he knows he needs to listen to his body, pay attention to his limits, and cross-train—and “overcome his aversion to chlorine”—to avoid further serious injuries.

He’s been running ultras for 15 years now, and hopes to continue running well into his 60s. If a doctor tells him he can never run farther than three miles at a time again, he said he’d take it in a heartbeat. He’d miss the thrill of running 15 hours on end, but the simple joy of running, despite a desire to cross the finish line first, will always be enough.

Categories
News

Charlottesville ultra runners go the distance

Before last week, I had no idea there were people out there who run distances longer than traditional marathons. Turns out, as running shorter distances has become more and more popular, the sport of ultra running has also taken off. Ultra runners compete in 50K, 50 mile, 100K, and 100 mile races all over the country.

Next week’s cover story is an up-close and personal look at the sport and its competitors, and I got to sit down with three local ultra runners. Andy Jones-Wilkins, Sophie Speidel, and Neal Gorman are all married with children, full-time jobs, and other hobbies—they just happen to run 100 miles at a time on the weekends. I spent at least an hour chatting with each of them, and here are just a few of the gems they shared with me about their world.

What do you eat during a race?

Sophie: In the beginning I use Hammer Gel products and sport drinks. But I’m basically an eating machine, so late in a 100K, what’s worked really well has been eggs about six hours into the race, and about 40 miles in I’ll have a burger.
Andy: I take some protein early, and my standard at 30 miles is to eat yogurt with some granola in it. About 15 miles later I’ll eat a turkey sandwich with cheese and avocado. But typically after about 10 hours I can’t stomach solid food anymore and I go on all energy stuff—and even then I end up puking a couple times a race.

What’s your favorite distance to race?

Neal: I never put “K” on the end because I always run 50-milers and 100-milers; the 100-milers are my favorite.
Sophie: At the end of a 100-miler it’s like I’ve been run over by a truck, but I love how I feel at the end of a 100K, like I’ve just done a solid day’s work.

Do you listen to music while you run?

Andy:  Only in the dark. I’m really unmotivated to wake up in the morning at 5 and get out in time, so when I have to do that I throw the music in. But most of the time I just zone out, get in a flow, and just run.
Neal: Nope, never.

What types of shoes do you wear?

Sophie:  Once you find a shoe that really works for you, stick with it, and I would say replace them every two to three months. The  one pair that works for me? inov-8, a British trail running company.
Andy: I switch between three to four pairs throughout the week, and now that I’m older, when I compete, I like to have a little more cushion than I used to.

Buckled under pressure

The 100-mile ultra marathon spawned from the Western States 100-Mile One-Day Ride, a horse race across the Sierra Nevada in Northern California. The prize for any rider who completed the race in under 24 hours was a big, shiny rodeo-style belt buckle. In 1974, rider Gordon Ainsleigh thought he’d have to drop out of the race due to a lame horse—until he decided to  tackle the course on foot.

Ainsleigh not only survived running the rough terrain and made it to the finish line, but he did so in just under 24 hours, thus earning the same silver belt buckle his counterparts on horseback won. In the years following his feat on foot, fellow runners began attempting the race sans horse, and the 100-mile trail ultra-marathon was born. To this day, competitors who complete 100-milers before the 24-hour mark receive a belt buckle.

For the full story, pick up a copy of C-VILLE on Tuesday, October 9. 

Categories
Arts

Former local visual artist finds a second career in theater

On Friday, October 5th, the touring DIY Theater troupe Eternal Cult will present Rabbit: an Original Rabbit Tragedy at the Haven. Eternal Cult, based in Minneapolis, are just one of dozens of DIY theater organizations that have sprung up across the country in recent years, putting on self-penned plays with hand-made sets and costumes, touring the country in a way that’s cheap, accessible, and highly entertaining.

The play will also mark the return of former Charlottesville artist Patrick Costello. Although locally beloved for his visual art, Costello has found a second career in theater since he departed Charlottesville this spring, and has spent the past several months traveling the country with various theatrical outfits, in-between short-term artist residencies. Rabbit will be Charlottesville’s first chance to check out Costello’s newly-sharpened acting chops.

“It’s a good play, and I’m excited about bringing it to Charlottesville,” Costello says. “I love being on tour, I could tour forever. Or at least until I run out of money. But I’m still doing [visual art] too – I have a show coming up in Chicago soon.”

The play begins at 8pm at the Haven, and they ask for a suggested donation of $5-$10. According to Eternal Cult, “Rabbit follows a modern tragic hero, a cottontail rabbit named Jonathan, as he struggles against a run of very bad luck.” Costello adds: “It is funny, well written, and of course, it is sad… Kids will probably like it, but there is some cussing.”

Categories
News

Green happenings: Charlottesville environmental news and events

Each week, C-VILLE’s Green Scene page takes a look at local environmental news. The section’s bulletin board has information on local green events and keeps you up to date on statewide happenings. Got an event or a tip you’d like to see here and in the paper? Write us at news@c-ville.com.

Garden games: On Saturday, October 6, Monticello staff will lead 90-minute hands-on tours of Thomas Jefferson’s historical gardens for the Garden Explorers Family Program. Families with kids (recommended ages 5-10) are invited to play games, learn the history of the garden, plant seeds, and enjoy freshly picked snacks. The program begins at 9am and is $15 for adults, $8 for children.

Green screen: The Piedmont Environmental Center is hosting a free screening of Green Fire: Aldo Leopold and a Land Ethic for our Time at 4pm Sunday, October 7 at the Dickinson Fine and Performing Arts Center at Piedmont Virginia Community College. The documentary unearths the life of renowned conservationist Aldo Leopold and the legacy he left behind in America, from the conservation efforts of Arizona ranchers to the studies of inner-city Chigaco students.

Eat your veggies: From now through October 13, children visiting the Saturday Charlottesville City Market can participate in a UVA-funded “Power of Produce” program that lets them sample fruits and veggies and get $2 in “fun bucks” to spend on produce of their choosing. E-mail haveastakeinthemarket@gmail.com to get the necessary consent form.