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News

Peering into Mark Warner’s political future

O.K., we’re going to go ahead and call it right now: Come November, Barack Obama is going to win Virginia, and with it the presidency, and Tim Kaine is going to ride his coattails into the U.S. Senate. How can we be so sure, you ask? Well, we could easily quote a raft of new polls that show both President Obama and Tim Kaine moving into a decisive lead in their respective races. We could also talk about how the current electoral college math is so daunting for the Republicans that a Mitt Romney victory would represent one of the most unprecedented political triple bankshots in American history.

But really, what it comes down to is this: Mitt Romney has run one of the most laughably inept campaigns in recent memory, and the criminal incompetence of his organization is almost certainly going to negatively impact downballot candidates (like, say, Republican senate hopeful George Allen) who might otherwise eke out a victory. (Which would explain why the New York Times’ well-respected political blog Five Thirty Eight recently calculated that Kaine has “roughly a 75 percent chance of winning the seat.”)

So now that we’re done obsessing about November, it’s time to move on to obsessing about 2013! That’s right: Believe it or not, all electoral activity will not cease on November 7, no matter how much you might wish it so. With that in mind, we’ve been poking around the margins, trying to figure out what some of Virginia’s most interesting pols are really up to.

First on our list is U.S. Senator Mark Warner, who has been keeping a relatively low profile as of late. Now, it’s no secret that Warner has found his day job more than a little frustrating. As a self-described “radical centrist” in a highly partisan congress, Warner has consistently had his ideas tabled or shot down entirely. (Anyone remember the “Gang of Six”? Yeah, we didn’t think so.) Now, the persistent rumor as of late is that Warner is eying a late entry into the Virginia governor’s race. (When recently asked by the Washington Post about this possibility, Warner pointedly said “I’m not going to quell anything.”)

With a recent Post poll showing him in a very strong position should he choose to run for governor again, one has to imagine that he’s tempted—especially since running for president (something Warner almost certainly wants to do) as a sitting governor is much better, historically, than running as a senator.

So if Warner decides to run for governor and wins, what happens to his senate seat? We’re glad you asked, since that brings us to another of our favorite rumors. Since Virginia governors are empowered to appoint replacements to fill a vacant senate seat, a newly elected Governor Warner would be given the unique opportunity to fill his own seat. And just who might he appoint?

Well, if you listen to the particularly fervid fever dreams of Virginia’s left-leaning gossipmongers, the nod would go to none other than Charlottesville’s own Tom Perriello, an Obama administration favorite who has been out of a job since he lost his U.S. House seat in 2010.

Is any of this remotely likely? As always, we have no idea. But it’s a hell of a lot more fun to engage in rampant 2013 speculation than to watch yet another painful, gaffe-filled Mitt Romney campaign event. Trust us.

Categories
Arts

Roanoke rockers Eternal Summers return to the Tea Bazaar

The Roanoke-based band Eternal Summers haven’t been around long, but they’ve been busy, releasing two EPs, two full-length albums, and a handful of singles and compilation appearances in just over two years. Nicole Yun’s catchy, somber punk anthems are a perfect match for Daniel Cundiff’s exuberant, energetic drumming, and they’ve built a passionate fanbase both in Virginia and around the country.

The recent Dawn of Eternal Summers collection is a fine summary of their earliest material to catch up the uninitiated, but the band itself is looking forward, subtly shifting their sound with each new release. Jonathan Woods (who’s also Cundiff’s bandmate in Roanake-based Byrds-soundalikes the Young Sinclairs) has joined them on bass, and their new record Correct Behavior finds them polishing up their sound, moving from the sharp, angular riffs of their earlier material into territory that has more in common with early New Wave, with a dash of Shoegazer dreaminess.

Eternal Summers will appear at the Twisted Branch Tea Bazaar on Thursday, September 27th, along with the similarly-excellent Philadelphia-based group Bleeding Rainbow and local indie-rockers Left & Right. The cover charge is $9 and the concert begins at 8:00pm.

http://www.youtube.com/watch?v=ywQICq_g8tg&feature=related

Categories
News

Local businessman Michael Harding indicted on seven counts

Nearly a year after his company was charged with forgery, local real estate developer Michael Harding was indicted last week on seven counts, including mortgage fraud, money laundering, and bankruptcy fraud. This is not the local real estate developer’s first run-in with the law involving money, and Harding could face up to 55 years in prison and millions of dollars in fines.

Harding allegedly forged mortgage documents, obtained checks from mortgage companies intended for contractors, and took the checks to local businesses and had them cashed for his own personal use. The indictment also accuses Harding of filing false monthly reports and lying about forging signatures on real estate documents.

“There were just dozens of things like this; it was an ongoing operation,” said local attorney Robert Blodinger.

Blodinger is representing Jarman’s Sportcycles, one of the businesses that fell victim to Harding’s fraud, and the only victim named specifically in the indictment.

According to Blodinger, his client hired Harding, who was responsible for putting up a new building on the shop’s property. He arranged contracts for construction of the building, and in doing so, “invented a contractor who exists but wasn’t on this job,” JA Marshall Contracting. Blodinger said dozens of checks were endorsed—and likely forged—as the fake contractor.

“My client, as result of this, lost his motorcycle shop,” Blodinger said. The owner kept the business, he said, but lost the building because he couldn’t afford the mortgage payments. Blodinger said his client has opened a shop at a new location on 29, but the original site of Jarman’s on 250 will be sold at foreclosure in October.

Harding’s brother is Albemarle County Sheriff Chip Harding. Despite his position in local law enforcement, the Sheriff said he was not involved in the investigation in any way, and has never been questioned with regard to his brother’s activities.

“I love my brother and his family,” he said. “I will do what I can as a brother to support [them] outside of the legal process as this case moves toward a resolution.”

Chip Harding said he has had no participation in any phase of the investigation or prosecution process. With over 35 years with both state and federal law enforcement under his belt, he said he has confidence that his brother will have a fair trail with a proper and just conclusion.

The Sheriff said he was aware that “something was going on” several months ago, only because a friend informed him that his brother might be under investigation. He said he read the newspaper articles, but has neither discussed the issue with his brother nor read the indictment itself.

“I don’t really know much about it,” he said. “I’m staying apart from all that.”

*In the print version of this story, attorney Robert Blodinger’s name was misspelled as “Boldinger,” and the Jarman’s building foreclosure date was inaccurately stated as last October. 

Categories
Arts

Downtown Library screens classic campaign documentary

The 1993 documentary The War Room captures a transitional moment, not only in American politics, but also in popular media. Shot during Bill Clinton’s 1992 Presidential campaign, by Chris Hedegus and legendary documentary filmmaker D.A. Pennebaker (of Bob Dylan’s Dont Look Back fame), the film is a snapshot of the US political sphere, taking place after the rise of 24-hour cable news networks, but before the internet made all news instantaneous and each minor campaign moment into a headline. The film is primarily concerned with campaign managers James Carville and George Stephanopoulos; Clinton himself can barely be seen. Revisiting the film 20 years later is an interesting experience; in some ways, the shifts in the political and media landscapes are striking, but in other ways things aren’t so different at all.

The Jefferson-Madison Regional Library’s downtown branch will present The War Room as part of their ongoing Documentary Film Series, on Thursday, September 27th at 7:00pm. Admission is free and open to the public.

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News

Charlottesville’s free clinic celebrates 20 years

With the presidential election on the horizon and the Affordable Care Act still up for debate, health care is on the minds of voters across the country. But regardless of who takes office and what reforms stick, the Charlottesville Free Clinic, which turned 20 this year, plans to be around for a while.

Nobody expected the clinic to last this long, said Executive Director Erika Viccellio. When it was founded by two UVA medical residents in 1992, it was intended to be a temporary fix for those without access to affordable health care. But despite health care changes on the federal level, the Charlottesville Free Clinic still provides care for the uninsured, with the help of 15 paid employees, over 500 volunteers, and 1,300 donors. About 3,300 people—nearly all of them adults who don’t qualify for programs targeting children, the elderly, or those below the poverty line —make more than 9,000 visits yearly.

Viccellio said some people label the care the clinic offers a “handout,” and she wants to educate the community to eliminate the negative connotations. Eligible patients are usually employed—often with multiple part-time jobs—and can neither access insurance through work nor afford to pay for an individual policy, which can cost up to $5,000 a year. She wants people to know that the clinic’s patients aren’t simply opting out of paying for health care.

“These are people who are working hard and doing everything that makes Charlottesville fantastic, so the least we can do is make sure they’re healthy,” Viccellio said.

Julie Wright has been seeing doctors at the free clinic for over a year because her full-time job doesn’t offer health insurance. Purchasing her own plan would run her about $800 a month, which she said she simply cannot afford.

When asked about the current state of health care and its future, Wright shrugged.

“I don’t think it can get any worse,” she said.

Carolyn Engelhard, an assistant professor at UVA and chair of the Free Clinic Board, said no matter what happens in November, some working Americans will still be left behind. Those who make too much money to qualify for Medicaid but can’t afford insurance still deserve quality care, she said, and shouldn’t have to rely on emergency rooms.

“There are always going to be people who fall through the cracks,” she said. “We have fabulous doctors, hospitals, great innovation, discovery, and research. There’s no place you’d rather be when you’re really sick than the U.S., but we have this really big problem with not being able to offer it to everybody.” Even if the Affordable Care Act continues to move forward, she said, free clinics and other safety net organizations will always be necessary.

To mark its 20th anniversary, the Charlottesville Free Clinic will host an open house Friday, September 28, and it’s encouraging prospective patients, volunteers, and donors to attend.

Despite two decades of success, Viccellio said she’d like to see a day when the clinic is no longer needed.

“I would like to say with confidence that it will be closed in another 20 years,” Viccellio said. “But unfortunately, the likelihood is slim.”

Categories
Arts

ARTS Pick: Jack White

Jack White may be one of the last real rock stars on the planet. While the swaggering old guard have all but been replaced by skinny jean-clad hipsters playing banjos and Macbooks, Mr. White’s a study in musical progress. His stripped-down garage days with the White Stripes led into new bands, movie roles, and collaborations with the likes of Jimmy Page. He steps out solo in the current manifestation of a guitar legend in the making at the height of his abilities.

Thursday 9/27 $45, 7pm. nTelos Wireless Pavilion, 700 E. Main St., Downtown Mall. 245-4910.

 

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News

Problems lead to more scrutiny in the Albemarle court clerk’s office

For years, state auditors have been giving the Albemarle County Circuit Court Clerk’s office bad reviews, pointing out major record-keeping errors and costly failures in financial oversight. More than halfway through her eight-year term as Clerk, Debra M. Shipp says the problems that have plagued her office stem from a lack of staff support. But for some in Albemarle, the continued issues call into question whether her position should be an elected one at all.

As the record keeping and financial officer of the court, Shipp and her staff of nine are responsible for processing a vast amount of paperwork and checks each week, and take on a number of duties for the criminal and civil sides of the court.

Shipp had worked in the Circuit Court Clerk’s office since 1976 before she was elected clerk in 2007, replacing her former boss Shelby J. Marshall. In May 2009, problems showed up in the first audit of her office from the state, which cited delays in account reconciliations and a lack of staff training. Shipp chalked both issues up to personnel setbacks.

Each year since, the audit summary has grown as more issues cropped up. In June 2011, Auditor of Public Accounts Walter J. Kucharski noted Shipp’s office was holding more than $200,000 in state fines and court costs due to bookkeeping errors. Accounts were closed improperly, and the office was holding onto nearly $25,000 worth of copy fees that were supposed to be disbursed to the county and the Commonwealth.

That year, state Department of Judicial Services officials conducted a review of the Clerk’s office, and an analysis report, filed in December of 2011, raised even more concerns. Shipp’s personal office was clogged with boxes of paperwork, and several months’ worth of unprocessed checks were discovered on a shelf. The evidence room was so full the door was jammed, records were long overdue for destruction, and election results had sat in Shipp’s car for two weeks.

Kucharski’s most recent audit, released this month, showed more than half a million dollars in likely unclaimed property that should have been disbursed. Recordkeeping errors abounded, and problems noted years before persisted, prompting concerns about the potential for fraud. In his 28 years as a public auditor, Kucharski said he’s seen such errors “maybe once every 10 years.”

According to Shipp, the problem is a lack of manpower, and DJS’ 2011 management visit report backs her up, noting that office is understaffed. The State Compensation Board is responsible for funding her office, and the county supplements her budget by providing office space, health insurance, and a little extra toward salaries. Shipp said she’s turned to both for help, but has received little support.

Hiring hasn’t kept up with Albemarle’s population growth, Shipp said. By comparison, Charlottesville’s Circuit Court Clerk’s office has seven state-funded employees and two more paid for by the city, she said, “so they have the same amount of staff that I do, but we’re dealing with a population that’s twice as big.”

Things got worse in January, when her sister and deputy clerk Pam Melampy died suddenly. It was the second tragedy for Shipp in 12 months—her 21-year-old son died in a car accident the year before—and it caused personal and professional setbacks. For two weeks, Shipp struggled to cover the duties her sister had done.

“Finally I said, ‘I’ve got to get a grip,’ and I requested that the county advertise for the position and for a bookkeeper,” she said. Albemarle County human resources officials suggested she hire a temp to cover both jobs, and pushed for her office to join the county pay plan and have staff work eight hours a day instead of the seven that had been customary since the ’70s, which Shipp agreed to earlier this year.

Albemarle Commonwealth’s Attorney Denise Lunsford said it makes sense her own position and the Sheriff’s are elected, because they need be able to make legal judgements independent of other political offices. “But I question how many discretionary responsibilities are performed by the Clerk, such that you want to have that person responsive to the voters as opposed to responsive to some other organization that can oversee personnel and bookkeeping,” Lunsford said.

The practice of electing the Clerk is largely a holdover from an earlier era, said UVA law professor A.E. Dick Howard, who helped write the 1971 Constitution. “In the old days in Virginia, political power was really to be found in the courthouses,” he said.

When the team responsible for the updated 1971 Constitution looked into making clerk a statutory position—one that could be appointed if communities saw fit—they realized there was intense pressure to stick to the status quo. Maryland had tried to do just that two years before, and courthouse officials managed to block the state’s new Constitution from passing in the legislature.

“It was clear to me that if we proposed taking these officers out of the Constitution in politcal terms, we would run into a buzz saw,” Howard said. He’d personally be in favor of making the clerk a statutory position in order to give local governments more discretion in hiring and firing, he said. Currently, only a petition and judge’s order can remove a clerk from office. “But I think the gains might be more theoretical than real,” he said. What the office might gain in efficiency, it could lose in transparency.

Shipp said that despite a lack of resources, things are improving in the Clerk’s office. She doesn’t see a problem with serving an eight-year term. When she first took office, she said, a state official told her she’d be halfway through her term before she got things straightened out, “and as I can see it has,” Shipp said. “I’m not completely there yet.”

And will she run again when her term is up? “I’d certainly like to,” she said.

Categories
Arts

Matt Pamer design gets approved for West Main Street mural

The Charlottesville Mural Project, launched by Ross McDermott in 2011, has taken on the task of beautifying the city through a series of public murals, with the goal of producing two a year. They’ve already brightened Monticello Avenue with Avery Lawrence’s colorful mural of interlocking hands on the north face of the Ix Building, as well as organizing a mural workshop for St. Anne’s-Belfield students led by Patrick Costello.

Cities like Philadelphia and Baltimore have had great success with public mural projects in recent years, cheering up urban spaces and bringing communities together with public art that is eye-catching and often striking. With McDermott’s Mural Project, Charlottesville has the opportunity to do the same.

But the latest project, a proposed mural on West Main Street by local graphic designer Matt Pamer, has had difficulty meeting with the approval of Charlottesville’s Board of Architectural Review. West Main Street falls within Charlottesville’s Historic District, meaning any prominent mural there, even one painted on private property, must meet with the BAR’s approval.

The proposed site—513 W. Main St., on the corner of Main and Sixth Street NW—actually sports a mural already, a two-
story depiction of latticework and flowers dating back to the 1970s. That mural has been deteriorating for years, and is cracked and fading in more places than not, revealing the bare wall underneath. Since that intersection’s recent repurposing as a hip destination, now hosting restaurants Moto Pho Co. and One Meatball Place, as well as relocated clothing boutique Eloise, a bright new mural seems appropriate.

The proposed mural is a striking one, but charming. Pamer is known for his design work for organizations like the Jefferson Theatre and Piedmont Council for the Arts, as well as a handful of small gallery exhibitions around town. His work favors bright primary colors and simple geometric shapes, carefully placed in exquisite and eye-catching configurations, with a deep understanding of both basic iconography and overall arrangement. His designs are sharp enough to look cool and contemporary, while also simple enough to seem timeless.

But not everyone on the BAR saw it that way. Pamer’s bright three-color design, mixing geometric shapes with cartoonized depictions of animals indigenous to Virginia, was rejected by the BAR, which asked Pamer and McDermott to revise the design and resubmit their proposal. Among the concerns were that the mural was too bright, too visually “loud,” and that it distracted from the design of the original building. Pamer simplified the design, eliminating two of the color fields to leave the exposed brick and original mural visible underneath, pulling the shapes back from the edges of the façade.

One of the issues raised by this struggle is the question of whether or not the BAR has the right to judge artistic merit. During the hearing, Board member Whit Graves said, “We have to decide whether this façade is appropriate for a mural, not whether or not we like the design. I personally like the design, but that shouldn’t necessarily weigh in to it.” Graves noted that the original 1970s mural was painted before the area was designated historic, and was not approved by the BAR either. While the revised proposal was largely met with approval, a certain
degree of artistic judgment characterized most of the Board’s remarks. “It still could be toned down somewhat, but it’s a big improvement,” said Candace DeLoach, while John Knight called the design “a thumb-in-the-eye approach” before conceding “I think I’ve reached a tipping point” on his eventual approval. Ultimately, the mural was approved by a 5-1 vote from the Board, but the question of precisely what role it can, or should, take in judging the content of a mural still seems unclear.

“I’m very pleased with the BAR’s decision,” said Pamer. “While there are certain elements I miss about the original, I am happy with the new direction.” McDermott is pleased as well, and would prefer to look forward rather than to dwell on the conflict with the BAR. “I’m happy that the BAR and City Council are open to seeing new forms of creative expression in the city,” he wrote. “My hope is that over the years, artists of all types will contribute to what will become a collection of modern and traditional murals in Charlottesville. I think Matt’s mural is a wonderful addition to the streetscape of West Main and adds life to what has been for a very long time, a run-down area.”

The Charlottesville Mural Project’s next step is planning an upcoming work with artist Kaki Dimock. “I was proud of the BAR last night,” Dimock wrote. “Public art is good for us, good for the community. Finding a way to marry public art and historic preservation is good for the soul. Placing art in the context of history, past and future, is a challenge, to be sure, but doing so improves our understanding of events of the past, links the past with the present, and pushes us towards the future. It forces us to look up, look out, consider context—things that are good for everybody.” She and McDermott are currently seeking a location for their mural.

Have your say. Drop a line to mailbag@c-ville.com, send a letter to 308 E. Main St., or post a comment below.

 

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News

Charlottesville’s childcare crunch

Childcare costs are higher than ever and rising nationwide. Families of all backgrounds and income levels are grappling with the conundrum of how to balance care and costs, from couples with college degrees forced to choose between careers and stay-at-home parenthood to low-income families who want more options than public care.

Child Care Aware, a national organization that helps families and providers determine childcare quality, recently released Parents and the High Cost of Child Care: 2012 Report which examines financing challenges and potential solutions. According to the report, the annual cost of infant care ranges from $4,600 in Mississippi to $15,000 in Massachusetts. Childcare costs more than in-state college tuition in 35 states and the District of Columbia, the report says, and the expense of care for two kids is higher than annual average rent in many places.

Unspooling the why of rising costs of childcare is complicated, as a recent article in U.S. News and World Report pointed out. An expert interviewed for that story explained that the rising cost of higher education is pushing service costs upward. At the same time, parents are reevaluating the trade-off of working just to dish out the better part of a salary to pay for preschool.

The struggles of families here in Virginia and Charlottesville to afford childcare mirror those of parents nationwide. In the Commonwealth, where the median family income is $61,616, daily infant care costs as much as $10,670 a year. According to Gail Esterman, who works for Children, Youth & Family Services, Inc. here in Charlottesville, 80 percent of kids with working moms are in childcare centers for up to 40 hours a week, and she described it as a fragmented system.

I’m working on a four-part series on the topic, and I want to open up the discussion and hear from you. Parents, why did you make the decisions you made for your kids? How satisfied have you been with the options in town? Providers, how do you accommodate families without jeopardizing quality? What pressures do you face when hiring caregivers?

Categories
Arts

At Madwoman, lunatics are running the asylum with love

If you’ve been on the Mall much recently, you’ve likely come across The Madwoman Project. It’s hard to miss. Fifteen minutes or so before the show gets started, a pink-haired girl (Opal Lechmanski) can be found methodically sweeping the square created by the Third Street intersection. The subtlety of her peculiarity, her cobbled-together skirt, her Sisyphean task, it all creates a sort of absurd, barely moving tableau vivant that can be easily overlooked by the otherwise preoccupied. If you’re standing there at show time, the moment is made even more surreal by the distant but growing sound of a fiddle, a twangy song concerning the devil and his machinations (which you will be unable to get out of your head for some time, fair warning), and soon after, the approach of close to a dozen oddly dressed gypsies pushing carts laden with all the trappings and accoutrements of a of an inventive, resourceful, brave piece of street theater.

The Madwoman Project is, without a doubt, a labor of love. Director and Executive Producer Kay Ferguson writes, “… the impetus … was my desire to shake it up, break it up, and try not one but many new ways of making theater.” And while street theater itself isn’t necessarily new, its utilization in this capacity and in this part of this particular country is. The show is an ensemble piece based on The Madwoman of Chaillot, a mid-century poetic satire by Giraudoux, updated and contextualized in parts but with the original story largely intact which, like any satire worthy of the designation, bears a kind of frustratingly timeless relevance. The story loosely follows the grandiose efforts of one madwoman, played by Sian Richards, to stem the tide of corruption and greed that has set in motion plans to destroy the city of Paris. But the true appeal of the show is in the freedom and playfulness of its construction, and the remarkably thin line between silly absurdity and stinging social commentary so deftly trodden by the versatile and multiply-charactered cast of local favorites Larry GoldsteinKara McLane BurkeEamon HylandLarry Garretson, and rounded out by player/composer/music director Peter Markush.

Worthwhile theater is all about bravery; walking out in front of a crowd of strangers and baring some or all of your inners, even in the guise of another person, requires a certain level of courage, of course, but I’m talking about the steel-eyed nerve to try something new, to take it out of the vacuum and put it on the street, and expose your creation to the unpredictable elements. That in itself is worthy of merit, even disregarding the viability of the outcome. With the always surprisingly robust art community we have at our disposal and the ripe environment for experimentation, The Madwoman Project is exactly the kind of theater that needs to be done here, and you’d do yourself a favor to get out to the Mall in the next two weeks to catch it before it’s gone.

For more information, visit: http://madwomanproject.org/