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In brief: Some kids lobby, some get married and some listen to Drake

Mental health focus

Lucas Johnson isn’t old enough to vote yet, but the 17-year-old Monticello High senior and his peers from two other county high schools—Choetsow Tenzin at Albemarle and Alex Moreno at Western Albemarle—didn’t let that stop them from demanding the General Assembly support more school instruction on mental health.

“I had a best friend who admitted to me she wanted to drive her car through a guardrail,” says Johnson. “That really shook me. Alex had to go to two funerals for people who’d committed suicide. And Choetsow had numerous friends who struggled with mental health.”

The teens want more time devoted to mental health in ninth and 10th grade health classes, and they have proposed changes to the Code of Virginia to say mental health must be included. “We came out of our health classes knowing nothing about mental health,” says Johnson. “We were concerned we didn’t know how to help.”

The three met at the Sorensen Institute High School Leaders Program last summer, and did preliminary work on the bill there. They met with state Senator Creigh Deeds, who has been a leading advocate for strengthening mental health services in Virginia after his son, Gus, committed suicide in 2013.

And they have powerful allies in the House of Delegates, where Rob Bell is patron of the bill and Delegate Steve Landes, chair of the House Education Committee, is copatron.

“We went to Richmond on January 27 to lobby,” says Johnson, and they have been two other times since the General Assembly has been in session, scheduling a “slew of meetings” to get copatrons and testifying.

Their efforts appear to have paid off. The Deeds-backed Senate bill passed 39-1 February 13, and the House bill got a unanimous nod that same day.

Johnson has been interested in politics and policy for years and says this “has only furthered” his interest, especially as it could bring actual change.

“We came out of our health classes knowing nothing about mental health.” Monticello High school student Lucas Johnson

Flu fatality

The first flu-related death in the Charlottesville area was reported February 16 at the University of Virginia Health System, where clinicians have categorized this flu season as “moderately heavy,” and have seen 450 confirmed cases since October.

Credit Image: © Zach D Roberts/NurPhoto via ZUMA Press

University regs

After the summer’s white supremacist torch rally that ended in a brawl on Grounds, UVA School of Law Dean Risa Goluboff is leading the charge to re-examine how the school regulates events. Her recommendations to the faculty senate require people who aren’t students, faculty or staff to reserve their space ahead of time, with reservations capped at 25 people for up to two hours on weekdays.

Stops and frisks

Charlottesville Police detentions of those who are not arrested continue to be predominantly African-American (around 70 percent), and have increased, according to documents civil rights attorney Jeff Fogel obtained under the Freedom of Information Act. He says last year’s 151 detentions far exceed previous years, and that former chief Al Thomas ordered tracking of the stops halted.

Cat’s out of the bag

Scottsville Town Council voted on a trap-neuter-return program as a humane way to deal with the town’s feral cat colonies on February 20 after C-VILLE Weekly went to press. Scottsville Weekly reported in 2013 that the town’s Cat Man—Bud Woodward—had trapped more than 100 cats and taken them to be spayed. Apparently the problem persists.

Run, Kate, run

Kate Fletcher, a 43-year-old English teacher at Louisa County High School, will attempt to run for 24 continuous hours starting at the high school’s track at 8:30am on March 29, in an effort to raise money for the LCHS newspaper class and college-bound seniors.

Quote of the Week: “8th grade to now…still get the butterflies. I love you #2/18/18 @AlexaJenkins_” —UVA sophomore guard Kyle Guy proposes to his longtime girlfriend during the No. 1 basketball team’s eight-day break

 

Tracking top songs

Drake

Based on the results of C-VILLE’s online poll, rock hits and rap wits share common ground when it comes to the unique blend of area high schooler’s musical taste, showing the world that the next generation of humans might not be so doomed after all. And even if they are, they’ll have some awesome playlists to accompany the apocalypse.

Drake took the No. 1 spot with his song “God’s Plan,” followed closely by Cardi B’s “Bodak Yellow.” And a surprising tie for third was a mix of old and new, with Billy Joel and Frank Ocean fans making their voices heard. Rounding out the results was an eclectic mix of genres ranging from Led Zeppelin’s “Stairway to Heaven” and Queen’s “Killer Queen,” to Lil Skies’ “Nowadays” and Ed Sheeran’s “Perfect.”

Categories
Arts

Album reviews: Keeping it surreal

Frank Ocean

Blonde (Boys Don’t Cry)

In the midst of all the think pieces analyzing Blonde as an event, it seems worth restating the bottom line: Frank Ocean is a brilliant songwriter, musician and producer, and Blonde is overflowing with sonic and compositional gifts; it’s almost embarrassing. So when I played this for my dad on a car trip and he wasn’t feeling it, I pondered. Was it the kind of album that required active attention, that wouldn’t stand a chance under a conversation in a rumbling car? Did Ocean sound too self-absorbed for my pops? Or, from a certain angle, did the music just sound blandly retro, kind of derivative?

On the last point, it’s true that Ocean takes raw material from obvious sources—gospel, pop, hip-hop, doo-wop. But, completely comfortable with the substance, he distills it—eschewing drum tracks on half the songs—and then he alters it, makes it strange, makes it shimmer and vibrate. Reading Blonde as art music, it’s John Cage’s prepared pianos. Reading it as rock, it’s Big Star’s Sister Lovers. But it’s pop, with chipmunk voices, Carpenters quotes and a massive audience—it’s an event to celebrate.

Frank Ocean, Blonde

De La Soul

and the Anonymous Nobody… (AOI)

De La Soul’s first record in 12 years was celebrated before it existed, as thousands of gleeful fans helped the hip-hop legends exceed their Kickstarter goal by half a million dollars. Who knows how the influx may have affected De La’s approach, but Nobody is the most sprawling, daring album the group has ever released. Stylistically restless, it features guest support from all corners. Usher sugars up the slow jam “Greyhounds”; Little Dragon enchants on the minimal, mesmerizing “Drawn”; David Byrne animates the sinister, slinky “Snoopies”; Snoop Dogg brings louche charm to the hooky, dance floor-friendly “Pain.”

That guest list isn’t even half complete, and for De La Soul to adopt an impresario role on its own comeback release might seem odd. But fans know it lines up perfectly with the trio’s abiding modesty, and when Posdnuos and Trugoy drop verses, they still sound like the kids who met in Ms. Skahan’s English class, exuding uprightness and sweetness cut with mischief that sometimes tips into foolery, but never malevolence. At more than an hour, Nobody has weak moments. Mostly, and especially down the stretch, it’s goodness straight from the soul.

Angel Olsen

My Woman (Jagjaguwar)

Songwriter Angel Olsen has always had a potent voice, though her use of it has evolved. On 2012’s Half Way Home, Olsen most often nestled her vocals in echoey webs of acoustic guitar; on 2014’s Burn Your Fire for No Witness, she fleshed out the instrumentation, positioning herself as lead singer in an indie folk-rock band with occasional cinematic tendencies. The volume is a bit more cranked up on My Woman, and Olsen deploys her considerable chops more relentlessly than ever, almost wrestling down the band. The songs land hard as hell—they nearly crack the floor. Right out of the gates, My Woman is a bit exhausting, and as Olsen emphasizes volume, pitch and tone, she obscures some of the lyrics. The more Olsen pulls back, the better she communicates various romantic sorrows, in a voice seemingly built for that purpose. The band supplies gorgeous backdrops, giving way to a lone piano on the album-closing “Pops,” while Olsen sings “Baby, don’t forget it’s our song / I’ll be the thing that lives in the dream when it’s gone.” What did you expect, a happy ending?

Contact Nick Rubin at arts@c-ville.com.