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Arts Culture

Corey Harris Band

Fronted by the eponymous legendary blues and roots musician, the Corey Harris Band brings traditional Delta blues to contemporary audiences with an influx of world music flare. Well-traveled—and well-versed—Harris was instrumental in the rise of acoustic guitar blues in the mid-’90s and has an expansive sonic vocabulary with inflections from African, Caribbean, and Latin music. The MacArthur “Genius” award-winner’s latest release, Chicken Man, serves up stripped-down acoustic blues. The band plays Fridays After Five with support from Batesville folk-blues musician Willie DE.

Friday 8/23. Free, 5:30pm. Ting Pavilion, 700 E. Main St., Downtown Mall. tingpavilion.com

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Arts Culture

Deau Eyes

Richmond-based alt-indie rock and pop performer Deau Eyes has made a name for herself, winning awards like the Newlin Music Prize for best album. The foundation of her success is rooted in a Southern upbringing and an exploration of country music that’s prodded cross-genre experimentation within her discography. Emerging from the same scene as Boygenius co-founder and Richmond pal Lucy Dacus, it’s clear why Deau Eyes’ blissfully raw sound landed her on NPR’s Slingshot list of up-and-coming musicians to watch.

Friday 7/26. Free, 5:30pm. Ting Pavilion, 700 E. Main St., Downtown Mall. tingpavilion.com.

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Culture

Take it from the top

When Sally Rose and her band Shagwüf take the stage for Fridays After Five at the Ting Pavilion on June 18, they’ll be the first musicians to play the venue since Jeff Tweedy and Wilco came to town on November 8, 2019.

Wait, the what pavilion?

A lot has changed in 19 months—including C’ville’s largest outdoor venue landing a new sponsor. 

By the time the pandemic hit in spring of 2020, Sprint Pavilion General Manager Kirby Hutto had a full slate of bands lined up for the venue’s Friday night concert series. He was forced to put the dates on hold and hoped that 2021 would harmonize with live music.

Fortunately, it has. With Governor Ralph Northam lifting distancing, masking, and gathering restrictions as of May 28, in-person jams are back—mostly. For its part, Fridays returns at full tenor. Hutto has booked 12 of the weekly dates, starting with opener Shagwüf and headliner Chamomile and Whiskey. September 10 and 17 are the only remaining open slots.

“That’s where I started, with reaching back out to those [2020] artists and seeing if we could get them a date for 2021,” Hutto says. “But you also had to ask the question if they were still a band, had they been rehearsing and ready to play. It made it a little more complicated.”

Take Shagwüf, for instance. Sally Rose’s rock ‘n’ roll trio wasn’t scheduled to play Fridays in 2020, but her Sally Rose Band, with its somewhat softer, singer-songwriter vibe, was. Rose has been more focused on the rock outfit the last several years, though, and the switch made sense.

Shagwüf completed a record, Dog Days Of Disco, just prior to the pandemic and was forced to release the LP digitally. After going into strict lockdown for a few months, dispensing with hopes of touring, and tracking down COVID tests as often as possible, Rose and her bandmates eased back into practicing in person. The band came up with another album’s worth of tracks by October 2020 and put out an EP on Halloween—“the most politically-charged album we’ve made, which is saying a lot for Shagwüf,” Rose says.

Then, another coronavirus surge hit and forced the band back apart. 

“There are so many layers to unpack,” Rose says. “Just being able to see each other again, fully vaccinated and being able to hug each other—that takes 20 minutes to process.”

Shagwüf was also recommended by friend and Chamomile and Whiskey frontman Koda Kerl.

Much like Rose and company, Chamomile and Whiskey took its lockdown licks but came out creating (with a new bass player). The band’s latest record, Red Clay Heart, dropped last fall, and Kerl says he’s ready to get out and play—even in front of a crowd that might be as interested in socializing as listening to every note.

“Fridays is a really unique audience. It’s a really broad group,” Kerl says. “When [Kirby] called us to do the first one in almost two years, we viewed it as a challenge. We’re lucky to have fans in town, and we think we can connect with the audience and get people down to the stage.” Rose and Kerl both said their bands would be riffing new material most people haven’t heard.

Other notable 2021 Fridays acts are headlining newcomers Ebony Groove—a Charlottesville High School pep band-cum-gogo-troupe playing July 2—and indie rockers Dropping Julia, due on July 9. Mainstay Erin & the Wildfire will bring power pop on July 16, and veterans The Skip Castro Band will anchor the lineup with uptempo blues-inflected rock on September 3.

Both of the latter bands will have played the pavilion under all three of its sponsored names. “That’s part of the puzzle, getting some of those familiar bands that are going to pop off the schedule, and rotating in the new names and some you haven’t seen in awhile,” Hutto says.

Still, it won’t be all vaccines and rainbows. While Northam’s lifted the mask mandate, public health guidelines are still in effect statewide. That means the vaccinated are welcome with open aisles—though encouraged to wear masks in crowds—while the non-vaccinated must wear masks in all venue areas.

The Ting Pavilion offers the standard post-COVID suggestions to keep problems to a minimum: Stay home if you’re sick or in contact with the sick, respect others, and know the concert organizers have done everything they can to prevent the spread of the virus. That includes installing a new HVAC system in the pavilion loo, regularly cleaning high-touch areas, and adding hand sanitizing stations and no-touch food and drink ordering and payment options.

Hutto admits getting back into the swing of things might be a challenge, but he expects the spacious Pavilion grounds to make folks comfortable. 

Kerl says he doesn’t mind the restrictions, and Rose just wants to see her Charlottesville friends.

“During the lockdown, I wasn’t playing shows or touring—I wasn’t seeing people,” she says. “Just being able to play loud, fun rock-and-roll with my boys again, nothing touches it…I can’t even begin to imagine what it is going to feel like stepping onto that stage.”

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Arts

ARTS Pick: Kendall Street Company

Happy at home: A rhythm guitar-centric band with a monster sax player that formed through late-night sessions at the University of Virginia might sound like a familiar backstory, but this six-piece rock act founded in 2013 relies on original, epic jams to cut its own swath through the East Coast venue map. Kendall Street Company proliferated its psychedelic, mind-altering riffs with RemoteVision, a double album of 17 tracks, released last fall in three parts. KSC kicks off a long list of tour dates around the country with a hometown gig at Fridays After Five.

Friday 6/14. No cover, 5:30pm. Sprint Pavilion, 700 E. Main St., Downtown Mall. 245-4910.

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Arts

Arts Pick: Wild Common

Playing well with others: Genre is meaningless in the best way for locally based rock-soul group Wild Common. After collaborating informally for a fundraiser gig in 2017, the talented friends—including vocal powerhouse and former member of The Wailers Davina Jackson; Galax Old Fiddler’s Convention prodigy Nate Leath; accomplished reggae drummer Rob Hubbard; jazz bassist Dhara Goradia; and songwriter/guitarist Brennan Gilmore—met to form a unique musical union in which “all of us would bring in our own traditions, our own styles, musical genres, and then see what came out of it,” says Gilmore.

Friday 5/3. Free, 5:30pm. Sprint Pavilion, 700 E. Main St., Downtown Mall. 245-4910.

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Arts

ARTS Pick: Red & The Romantics

Red rocks: The launch of the outdoor music season finds Red & The Romantics playing original tunes in the fresh air at Fridays After Five. Erik “Red” Knierim leads his band through joyful grooves that draw from Americana, blues, roots, and gospel.

Friday 4/12. Free, 5:30pm. Sprint Pavilion, 700 E. Main St., Downtown Mall. 245-4910.

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Arts

The Can-Do Attitude gets it done in unexpected ways

The members of The Can-Do Attitude know what they look like while loading their gear into a venue for a rock show.

“Who the hell are these nerds?” they imagine other bands think upon seeing drummer Brian Wilson in a loon T-shirt, the word “Loonatic” printed under the aquatic bird graphic, or watching singer and guitarist Lee May, wearing a Dolly Parton shirt, sling a colorfully painted acoustic guitar and pink guitar strap over his shoulder.

The perception isn’t necessarily wrong—“we are a bunch of nerds,” says May—but The Can-Do Attitude couldn’t care less what other bands think. “What’s more punk than not giving a fuck?,” he asks while drinking a glass of rosé at the downtown Charlottesville wine bar where he works. Plus, he says, “I like the challenge of surprising people” with the energy and sass of a Can-Do Attitude show.

“People do not expect the sound that comes out,” says Wilson.

The music isn’t exactly punk, but it’s not not punk. May might play an acoustic guitar, but everyone else is electrified; the music is quick and catchy, and there’s a certain amount of social commentary in the lyrics. But, The Can-Do Attitude doesn’t play love songs, and May, who writes most of the lyrics, isn’t interested in rehashing what anyone else has said about love, and claims he’s not capable of finding new and interesting ways to talk about these things.

May, Wilson and lead guitarist Colin Steers formed The Can-Do Attitude after their previous band, The Common School Movement, splintered into different directions. They linked up with bassist Ryan Gilchrist and officially formed the band, choosing the name partly because it’s May’s life philosophy (he’s an optimistic guy who “likes to get shit done”), partly because it’s a good band name, and partly because there were (somehow) already about 100 fans of “can-do attitude” on Facebook, so when they started the band’s social media page they wouldn’t be at zero.

The Can-Do Attitude by The Can-Do Attitude

The Can-Do Attitude released its eponymous debut album in October 2017, and while everyone is happy with the songs, the band laments the fact that the energy of its live show—and there’s a lot of energy in a Can-Do Attitude live show—isn’t fully captured in the recording.

“This band never slows down. The entire show is fast beats fast beats,” says Wilson.

Shows are why the band exists in the first place, says May. “I love to party. I love getting down. I love to dance. I love going to a rockin’ show. I love to stay up all night. Because, maybe, I wasn’t getting as many of those nights as I’d hoped, I want to be able to offer them.”

May doesn’t take himself too seriously (the songs are silly, he knows), but he isn’t satisfied with saying just anything. The self-deprecating frontman insists that he’s “an objectively poor singer,” and has to make up for his lack of skill “by saying things that are honest, that I genuinely care about and want to say.” (Wilson wants it to be known that May isn’t as bad a singer as he claims to be.)

“Big Fuckin’ Cowboy,” is about a cowboy dying in the hot sand, too proud and too manly to accept that he needs water, picking fights with everyone as he dehydrates. “Obviously metaphorical; I’ve never been a cowboy,” says May with a sarcastic sigh, pouring more rosé into his glass, but he feels the statement—about what manliness is, or isn’t—is an important one to make.

If There Is a God, I Hope She Kept the Receipt by The Can-Do Attitude

The band embraces heckling…and even starts it from the stage sometimes. Before launching into “One Hundred Fallow Acres (Augusta National),” May asks his audience, “Who likes to play golf?”

With its verses about golf courses, landfills and cemeteries, it’s a song about how these playgrounds for the rich destroy the land the game is played on, and how that pisses May off.

May sings the chorus: “I’ve never been to Augusta National. I’m never going to Augusta National. It fills me with disgust and alcohol to watch these fucks go out and smash a ball; I’m never going to Augusta National.”

Wilson laughs as May takes a well-timed sip of wine before saying, “so, that one’s fun!”

They’ll have to change it a bit for their family-friendly Fridays After Five set this week, but, as usual, they’re ready for the challenge.


Close-ups

If the members of The Can-Do Attitude look familiar, it could be because you’ve seen them on television. Lee May was a contestant on a January 2014 episode of “Jeopardy!,” while Ryan Gilchrist can be seen installing a wind turbine in ABC’s “Extreme Makeover: Home Edition.” Colin Steers was a contestant on Bravo’s “Make Me A Supermodel” in 2009, and Brian Wilson was an extra in Kid Rock’s “I Am The Bullgod” music video.

 

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News

In brief: FA5 tightens up, free the nipple, another renaming and more

Fridays new format

Treasured Charlottesville tradition Fridays After Five kicks off April 13, with a not-so-special nod to the realities of crowds gathering in the 21st century. After-Fivers will find enhanced security at the Sprint Pavilion with bag checks and fewer entrances to the area.

“Anyone in the event industry holding mass gatherings understands the shift,” says general manager Kirby Hutto. “We want to provide a safe environment.”

That means professional security will be examining bags and entrance will be limited to the Downtown Mall, Seventh Street at Market and the Belmont Bridge ramp.

And for ticketed events, attendees will walk through metal detectors.

The season will kick off with more rather than less security, says Hutto. “We don’t want to create long lines. We know people come from work with their laptop bags or with strollers.”

Says Hutto, “It’s just a recognition of the changing world we live in.”


In brief

Mayor’s speeding ticket

Staff photo

Nikuyah Walker was in Charlottesville Circuit Court April 9 to appeal a November 14 conviction for driving 43mph in a 25mph zone, but her attorney, Jeff Fogel, didn’t show. The case was continued to June 1.

 

 

More Soering defenders

Another cop has cast doubt on the 1990 conviction of Jens Soering for the double slaying of then-girlfriend Elizabeth Haysom’s parents. Former FBI special agent Stan Lapekas says he’s found documents proving the FBI did a profile in 1985 that said the killer was likely a female with close ties to the Haysoms. Bedford investigator Ricky Gardner has steadfastly denied such a profile existed.

Slowpoke schadenfreude

Thousands of the annoying drivers who hog the left lane while going below the normal speed of traffic have been fined $100 since Virginia enacted fines July 1, 2017, WTOP reports.

Topless buskers

Morgan Hopkins. Staff photo

Jeff Fogel filed a lawsuit against Charlottesville police for the August 12 arrest of Morgan Hopkins, who, amid the violence and mayhem of that day, took off her shirt. Fogel, who represented activist Veronica Fitzhugh when she disrobed at Occupy in 2011, says under state law, “the mere fact of nudity does not constitute indecent exposure,” and that shirtless men with Hopkins were not arrested.

 

 

 


“During Aug 12 Nazi rally in #Charlottesville, police ignored assaults by Nazis, didn’t arrest them. Instead, they arrested harmless hippies on the downtown mall. Thanks, CPD, for protecting the public from women’s exposed nipples! Smh”@Jalane_Schmidt in an April 6 tweet


Hand ‘em over

Judge Rick Moore has ruled that Virginia State Police must turn over a redacted copy of its August 12 operational plan to local freelance journalists Natalie Jacobsen and Jackson Landers, who were represented by the Reporters Committee for Freedom of the Press. They’ve also obtained Charlottesville police plans as a result of the same Freedom of Information Act lawsuit.

Unsuccessful lobby

The city hired Troutman Sanders Strategies to lobby the General Assembly against Delegate Steve Landers’ revenue-sharing bill, which requires Charlottesville to account for the millions Albemarle pays it each year and for the two localities to meet annually to discuss economic development. The bill passed unanimously in both houses and Governor Ralph Northam signed it into law.

Teen runaway

Margie Araceli Garcia Urbina, 17, was reported missing March 3. Albemarle police say her cellphone is off,  she has not responded to attempts to contact her on social media, and she appears to have used an ATM March 3 in Opelika, Alabama.

 

 

 

 

Elder embezzlement

Renee Magruder Madel was convicted of felony embezzlement for using a power of attorney to bilk an elderly victim of thousands. She was sentenced April 3 to 10 years suspended, 30 days in jail and restitution of over $50,000.

Closure wanted

Robert Hourihan. Submitted photo

Robert Hourihan disappeared seven years ago on April 8. Last seen in Palmyra, his car was later found in a parking lot in Maryland. Police suspect foul play and are still seeking information to provide closure to his family.

 

 

 

 

 

 

 


Popular parks monikers

The city conducted a survey March 6-28 to rename the parks formerly known as Lee and Jackson and currently dubbed Emancipation and Justice. Led by longtime resident Mary Carey’s dislike of the name Emancipation, the survey received 7,535 submissions. Lee and Jackson were disqualified, but that did not keep Lee from receiving the most write-in votes, according to “The Schilling Show.”

Most votes

For Emancipation Park: Market Street Park

For Justice Park: Court Square Park

Weighted votes

Emancipation Park

  • Vinegar Hill Park
  • Market Street Park
  • Central Park

Justice Park

  • Court Square Park
  • Justice Park
  • Courthouse Park

Top write-in (aside from Lee and Jackson)

Swanson Legacy Park, in honor of Gregory Swanson, the first African American to attend UVA law school—after he sued the university, a case that was heard in federal court, which was located in what is now the Central Library bordering Emancipation Park.

 

Updated April 12 with the Swanson Legacy Park write-ins.

Categories
Arts

ARTS Pick: Nora Jane Struthers

There’s a valuable lesson to learn from the music of Nora Jane Struthers—and it’s that showing vulnerability takes a gritty kind of personal strength. Struthers wears her heart on her sleeve on her most recent album, Wake, which is powered by her signature bluegrass-tinged rock, and tells a powerful story of falling in love. Backed by The Party Line, Struthers delivers an authentic performance and a heartfelt message.

Friday, June 23. Free, 5:30pm. Sprint Pavilion, 700 E. Main St., Downtown Mall. 245-4910.