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Arts Culture

Seeing their faces

By Alana Bittner

Just steps away from Heather Heyer Way, the faces of George Floyd, Breonna Taylor, Sage Smith, and others look out from the Silverchair office windows on the Downtown Mall. Painted with India ink on cardboard, 12 portraits comprise the series “Say Their Names: a BLM Tribute,” artist Laura Lee Gulledge’s homage to victims of police brutality and racial injustice. Interwoven among the portraits are the subjects’ biographies, as well as information on how to help their families.

The series began with a portrait of George Floyd that Gulledge carried to a Black Lives Matter protest in June. The work has remained connected to current events: as she was writing the subjects’ bios, white supremacists stormed the U.S. Capitol. Soon after, Gulledge collaborated with local rapper LaQuinn to create a large-scale composition book that incorporates lyrics from his song “Black Lives Matter”—only hours after they completed it, an encounter with local police left LaQuinn battered and bruised and leveling accusations of police brutality against the Charlottesville Police Department. The incident is currently under investigation.

Creating art that captures moments so immediate and devastating is difficult. “Writing out everyone’s stories for this exhibit was very challenging to process,” says Gulledge. “Plus this was the same time of the Capitol attack, which retriggered memories of the Charlottesville attack literally right next to the exhibit. It all felt very potent. Very real. Very now.”

In the face of these tragic events, honoring the memory of those lost can provide a sense of refuge and hope. “As an artist I feel that one of the best things I can contribute at this moment to my community is love,” Gulledge says. “This installation is an expression of love. It felt like a gift.”

To complement “Say Their Names: a BLM Tribute,” Gulledge is creating another series honoring those who are “Living in Peace.” She will be painting the portraits in the windows of the Silverchair building on February 19 and 20. Community members are welcome to drop by and say hello.

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Culture

In sharp relief: Supporting artists through COVID-19

In an effort to help artists facing financial hardship because of venue closures and event cancellations due to COVID-19, The Bridge PAI and New City Arts Initiative launched the Charlottesville Emergency Relief Fund for Artists on March 20. Artists can apply to receive up to $300; all they need to show is “proof of practice,” says Bridge Director Alan Goffinski. “Proof of a canceled gig, book tour, art show, etc.,” he adds. “The quality of the work will not be judged. We just need to see proof that artists are artists.”

Andrew Stronge requested funds to recoup a fraction of the contract work he lost due to the cancellation of various regional comic-cons. A graphic designer and screen printer who creates posters, shirts, hats, and more, he relies on those events for a significant chunk of his income. He used his relief fund allocation to buy groceries for himself and his wife, who is pregnant with their first child.

Rapper LaQuinn Gilmore (you’ve seen his posters) will use his allotment to stay afloat, even if it’s for a short time—his live gigs were canceled and in-studio recording sessions are not social-distancing friendly, so he can’t record new stuff to sell. And his restaurant job’s gone to boot. Even before the pandemic, he says he was struggling to find affordable housing for himself and his daughter.  

As of March 25, 61 artists had applied for $15,700 in funding, says New City Arts Executive Director Maureen Brondyke. The initial $10,000 raised has already been dispersed, and they hope donations will continue to come in to cover new requests.

“Many of these artists carefully plan from month to month, juggling [multiple] jobs on top of their creative practice in order to pay the bills,” says Brondyke about the need for immediate help. “We’re all acutely aware right now of how difficult it is to not connect with others in person, and artists are often the ones either on stage or behind the scenes creating these opportunities—at performances, at markets or fairs, in restaurants, at school, in galleries and theaters—work that often goes undervalued until it’s gone.”